mx series - Topp Pro Professional Audio Gear
Contents
1. NOTE MX SERIES TOPP PRO MUSIC GEAR MX SERIES MX SERIES GUARANTEE TABLE OF CONTENTS Topp Pro guarantees the normal operation of the product against any defect of manufacture INTRODUCTION pp 1 and or vice of material by the term of 12 months counted as of the date of purchase on the part of the user committing itself to repair or to change to its election without position some any 2 FEAMURED ri iii re ee 1 piece or component that will fail in normal conditions of use within the mentioned period This guarantee is valid if the original buyer will have to present display this certificate properly 3 USE DAT 1 sealed and signed by the selling house accompanied by the corresponding invoice of purchase where it consisted the model and serial number of the acquired equipment A CONTROL ELEMENT eroine rE EE EEE E E 3 The guarantee does not cover Damages caused by the illegal use of the product repair and or nonauthorized modification 9 INSTALLATION TI PS saadama ame sass uda ERG REA Eee aenea eee a e 8 conducted by people by Topp Pro meses E comino econo othe cuulementdiierentiion the 6 WIRE CONNECTIONS ui ika maal 9 specified ones in the manual of use or by bad connection to these last ones T BLOCK A oo Mmmm 10 Damages caused by electrical storms blows and or incorrect transport aD ee tne a ed TAI e Open CON ENa 8 TECHNICAL SPECIFICATION ccccccccceseceseeeseeeeeseseeseeecereverevereveeeeneees 14 with a ten2. lt Lu Lu gt 0 IF Z 35 25 g 2 FE SE G E E D 0 TO LE E E E GRE mis x LL x Sx HA gA g ni Gone IO 3J 2 CC 2 20 10 J OO E lt x gt z e x Lu A TT Won p DIA eg LU 1 ao os Es al 6 E O x 2 2 or eg lt 20 Oi Lo ono Jazz TEE g K H N 2822 qj PS IO ee ee IE 1 sng XNYV Ey gt LOW MID HIGH PEAK 80 2 5K 12K Q 48 VDC SNg NIVA LH9ld SNg NIVIA 13431 n E Z J 2 id ul z z lt O On Zo z OS 5 STEREO CHANNELS 3 4 5 6 7 8 and 9 10 LINE IN LEFT MONO LINE IN RIGHT TOPP PRO 12 MUSIC GEAR MX SERIES MX SERIES BLOCK DIAGRAM CONTROL ELEMENTS HIGH This is the treble control You can use it to get rid of high frequency of the human voice The gain range goes from 15 dB to 15 dB with a centre frequency of 12 kHz MX 6 MID EA except MX 5 This control provides 15 dB boost or cut at 2 5 kHz It can affect most fundamental freguencies of all musical instruments and human voice CD TAPE OUT HEADPHONE e RIGHT CD TAPE IN LEFT MAIN 5 MIX OUT RIGHT MAIN Te MIX OUT Co LEFT Co LEFT J ad RIGHT LEFT J CONTROL ROOM OUTPUTS i A RIGHT y OUTPUT AUX SEND LOW EQ 6 This is the bass control It is used to boost male voice kick drum or bass guitar Your system will sound much bigger than what it is The gain range goes from 15 dB to 15 dB and the center frequency is 80 Hz NOA 75 Hz Low Cut Switch MX 10 MX 12
3. Topp Pro Exclusion of damages THE RESPONSIBILITY OF TOPP PRO BY ANY DEFECTIVE PRODUCT IS LIMITED THE REPAIR OR THE REPLACEMENT OF HE HIMSELF TO TOPP OPTION PRO IF WE CHOSE TO REPLACE THE PRODUCT THE REPLACEMENT CAN BEA RECONDITIONATED UNIT TOPP PRO WILL NOT BE RESPONSIBLE BY THE DAMAGES BASED ON THE LOST INCONVENIENCE LOSS OF USE BENEFITS LOST SAVINGS BY THE DAMAGE TO OTHER EQUIPMENT OR OTHER ARTICLES IN THE USE SITE OR BY ANY OTHER DAMAGE IF HE IS FORTUITOUS CONSEQUENT OR OF ANOTHER TYPE ALTHOUGH TOPP PRO HAS BEEN NOTICED OF THE POSSIBILITY OF SUCH DAMAGES Some states do not allow to exclusion or the limitation to the fortuitous or consequent damages so the aforesaid limitation can not be applied to you This guarantee gives specific legal rights him you can also have other right that varies of state to state Don t forget to visit our website at www topppro com for more information about this and other Topp Pro products TOPP PRO MUSIC GEAR MX SERIES INTRODUCTION Thank you for purchasing the MX series mixing console This series include four mixers MX 5 MX 6 MX 10 MX 12 There is 2 band EQ on all mono channels MX 5 and 3 band EQ on mono channels and stereo channels MX 6 MX 10 MX 12 These mixers are really ideal for small club gigs Please read this manual carefully so you can take advantages of all the features of the MX series Thank you again for making the right choice in purchasing the TOPP PR
4. only TAPE TO CTRL RM METERS AND PATENTED HAMPSTER HYPNOTIZER PHONES ROOM PHONES By pressing this button you will activate a 75Hz low frequency filter that cuts the bass frequency below 75Hz You can use this switch to reduce the hum noise caused by the mains power supply or the stage rumble while using a microphone CONTROL 4 10 Switch MX 10 MX 12 only These switches are used to select the input sensitivity of the line inputs on the stereo channels 4 dBu is suitable for professional audio devices and 10 dBv is suitable for general devices If not sure to use which setting try 4 dBu first then change it to 10 dBv if the volume is too small to be satisfied gt 3 MAIN MIX gt OJA snd xXnv SNg NIVW 1331 TT LEVEL OJA AOSA EOI A ji SE mpg s o I De Se z S amp g OA 3 t O 3 a Ei 9 E ql Z 5 g A 2 AUX Send except MX 5 9 Z o gt E E ji 5 JA A 5 EN A This control is used to feed the mono input of parallel effects devices or the input of a stage a Sa DS i t 3 a 5 t 5 monitor amplifier via the AUX SEND output jack All the channel controls except PAN or 62 63 7 mr 7 gt EM A BAL will affect the AUX signal The signal is tapped off after the LEVEL control The output 7 vs Soe 2 a i from an external processor can come back via the STEREO AUX RETURN inputs on the MX 6 or stereo channel MX 10 MX 12 and be added to the main mi
5. CTRL RM PHONES Switch TAPE TO PHONES on MX 5 TC t Switch is used to select the signal source for the CONTROL ROOM outputs PHONES i 4 and METERS Release this switch they all receive the main mix signal tapped after the MAIN MIX control Engage this switch they all receive the CD TAPE Input Tip Ring Tip Ring Tip signal Turn down the CTRL ROOM PHONES control just PHONES on the MX 5 Sleeve Sleeve Sleeve before engaging TS Type Unbalanced TRS Type Balanced TRS Type Unbalanced FX TO CTRL ROOM Switch MX 1 0 MX 12 only e For XLR Connector Engage this switch to monitor the aux send signal in the Control Room Phones outputs CTRL ROOM PHONES Control PHONES control on the MX 5 This control is used to adjust the signal level going to the CONTROL ROOM PHONES outputs And it won t affect the Main Mix output Pin2 Pin2 Pin3 Linked to Pin1 manually MASTER AUX SEND Control except MX 5 Pint 4 This knob is used to determine the master AUX SEND levels The adjustable range is from Pin1 3 co to 15 dB When the external effect unit connected to mixer has no input gain control XLR Type Unbalanced XLR Type Balanced you can get a further 15 dB gain available from these AUX SEND outputs In line Connection POWER LED For these applications the unit provides 1 4 TRS and XLR connectors to easily interface with most This LED lights up when the power switch is turned on professional audio devices
6. Follow the configuration examples below for your particular connection e Balanced PHANTOM 48V Switch and LED CD ID This 48VDC Phantom Power switch only apply to the XLR microphone inputs Never Ju a Y A SEEM D Tip OO Tip j MUL ed 0 connect microphones when the phantom power is on already The LED near to this switch 10 1 will light up when the phantom power is switched on NOTE Turn down all output levels before operating this switch to avoid the possibility of um QB pop in your speakers Do not use phantom power with tube or ribbon microphones as this Sleeve 3 may cause damage METERS eo CO This stereo LED meter will indicate the level of the overall 7 e Unbalanced MN t TI rr TIP RING SLEEVE 3 output signal 3 MAIN MIX e This control sets the level of main mix signals sent to the Main a Tu m k a Outputs Tape Outputs CONTROL ROOM PHONES and LED sissi LEVEE Display On the MX 5 and MX 6 this is a rotary control on the HI toit OO Mm 2 ep KI 8 da MX 10 and MX 12 this is a fader id OTE Sleeve A Sleeve Note When connecting a speaker to the speaker output jacks O cee C O a please pay more attention to the level setting for avoiding HE i 7 Qn Co tre damaging the speaker Generally speaking the faders will be ME SA positioned between 0 dB and the 5 dB m 1 1 2 2 3 3 TOPP PRO TOPP PRO MUSIC GEAR MUSIC GEAR M
7. GHT CD TAPE IN LEFT CONTROL ROOM OUTPUTS 1 AUX SEND ny pa lo LEFT O LEFT mm RIGHT pa j pt RIGHT f TAPE TO MIX E gt TAPE TO CTRL RM PHONES ROOM PHONES O oc E Z O O METERS AND PATENTED HAMPSTER HYPNOTIZER LEVEL Lu gt W 75Hz HI PASS EQ LOW MID HIGH PEAK 80 2 5K 12K PHANTOM 48 VDC GAIN oO Li y 5 MONO CHANNELS 1 through 4 STEREO CHANNELS 5 6 7 8 9 10 and 11 12 LINE IN LEFT MONO LINE IN RIGHT MIC IN LINE IN MX 12 SNg XNV SNg NIYIN LH9ld SNd NIVW 1331 TOPP PRO MUSIC GEAR HOOKUP DIAGRAM MX SERIES Small Club Gig Mono in Stereo out Reverb Microphones 1 and 2 MX 6 A 6 CH MIXING CONSOLE Head phones RETURN INPUT INPUT BAL UNBAL BAL UNBAL G D L L Active Speakers CD TAPE INPUT OUTPUT Keyboard Drum Machine CD Player DAT Recorder Computer Set up Microphones Onn 0 Active Studio Monitors N N X STEREO AUX RETURN Headphones Direct Box Y Y IN OUT INPUT OUTPUT Digital Audio Workstation Guitar Drum Machin Digital Audio Interface TOPP PRO 7 MUSIC GEAR MX SERIES CONTROL ELEMENTS Mono MIC Input The MX series is equipped with one or more low noise microphone preamplifiers with optional phantom power providing up to 50dB of amplification You can connect almost any type of microphone Dynamic microphon
8. O MUSIC GEAR FEATURES MX 5 e 1 mono inputs with gold plated XLR and Balanced TRS jack e 2 stereo inputs with Balanced TRS jack e 2 band EQ on all mono channels e 2 Track IN OUT e Balanced XLR amp TRS jack output MX 6 MX 10 MX 12 e 2 mono inputs 4 for MX 12 with gold plated XLR and Balanced TRS jack e 4 2 for MX 6 stereo inputs with Balanced TRS jack e GAIN control and 48V phantom power for mono inputs e 3 band EQ on all mono channels and stereo channels 3 band EQ plus 75Hz low cut filter on all mono channels For MX 10 8 MX 12 e 1 POST fader AUX send for effect sends can be changed in PRE fader for monitoring e Peak LED in each channel e 2 Track IN OUT with discrete switches for routing to Control Room and to Main Mix USEFUL DATA Please write your serial number here for future reference Serial Number Data of Purchase Purchased at TOPP PRO MUSIC GEAR TECHNICAL SPECIFICATION Model Number Frequency Response Distortion Noise CMRR Crosstalk Equalization Mixer Rated Output Maximum Input Levels Input Impedance Output Impedance VU Meters AC Power Requirements Physical MX SERIES MX Series Mixer Mic Input to any Output Trim at O dB 0 1 dB 3 dB THD and SMPTE IMD Mic Input to Main Output 10 Hz to 150 kHz 10 Hz to 200 kHz 20 Hz to 20 kHz lt 0 005 4 dBu output 20 Hz to 20 kHz BW 150 Ohm source impedance Equivalent Input Noise EIN Resi
9. SEIKAKU TECHNICAL GROUP LIMITED TOPP PRO NFO3165 RS MX 5 TOPP PRO_V1 0 MX 5 PF04235 0 06KG 1 F105 se E 47 AK e A3 LIA4 LIAS Lite O APR 12 2008 NED N PHFAA102 20080400034 RES PGBSCOO1 20080100108 MX SERIES USER 5 MANUAL MX SERIES MIXER TOPP PRO MUSIC GEAR www topppro com NFO3165 1 0 MX SERIES SAFETY RELATED SYMBOLS CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN This symbol wherever used alerts you to the presence of un insulated and dangerous voltages within the product enclosure These are voltages that may be sufficient to constitute the risk of electric shock or death 1 This symbol wherever used alerts you to important RI operating and maintenance instructions Please read Protective Ground Terminal AC mains Alternating Current AC mains Alternating Current ON Denotes the product is turned on OFF Denotes the product is turned off WARNING Describes precautions that should be observed to prevent the possibility of death or injury to the user CAUTION Describes precautions that should be observed to prevent damage to the product Disposing of this product should not be placed in municipal waste but rather in a separate collection WARNING Power Supply Ensure that the mains source voltage AC outlet matches the voltage rating of the product Failur
10. X SERIES CONTROL ELEMENTS MAIN OUT These 1 4 TRS jacks represent the end of the mixer chain where your fully mixed stereo signal enters the real world Connect these outputs to the inputs of your amplifiers powered speakers or serial effects processor graphic equalizer for example KJ AUX SEND A Si p y MAIN OUT CTRL RM OUT LJ DS 4 PHONES CTRL ROOM OUT These 1 4 TRS are used to assign the control room signal to the studio monitor speakers They can also be used to provide another main mix output or to monitor the CD TAPE Inputs when engage the TAPE TO CTRL RM PHONES switch or to monitor the aux send signal MX 10 MX 12 only with FX TO CTRL ROOM switch is engaged AUX SEND OUT These 1 4 TRS are used to send out the signal from the AUX bus to external device such as effects equipment Each channel has an AUX SEND control knob that adjusts how much of that channel s signal appear at each of the output This output is affected by the channel LEVEL but not MAIN MIX control PHONES OUTPUT This jack is used to send out the mix signal to a pair of headphones and the signal is the same as the CTRL RM OUTS outputs The level is controlled by the CTRL ROOM PHONES knob You can listen to the Main Mix the CD TAPE or the AUX SEND MX 10 12 depending upon the position of the TAPE TO CTRL RM PHONES switch and FX TO CTRL ROOM switch Rear Panel POWER IN This connection is where you con
11. dual Output Noise Main Ctrl Room Phones Mic In Adjacent Inputs or Input to Output Input Gain Conrol Range Phantom Power High Mid except for MX 5 Low Main Aux Control Room Maximum Rated Output Mic Input Line Input Tape Input and Aux Return Mic Input Line Input Stereo Aux Returns CD Tape In Main Ctrl Room Aux Sends Tape Output Phones Output Main Left and Right 4 segment External Power Supply Ourput External Power Supply AC Input U S Europe Japan Korea Dimensions H x W x D MX 5 MX 6 MX 10 MX 12 Net Weight MX 5 MX 6 MX 10 MX 12 129 dBu 106 dBu 60 dB 1 kHz Gain aximum 90 dB 1 kHz O dB to 50 dB 48 VDC 15 dB 12 kHz 12 dB 2 5 kHz 15 dB 80 Hz 4 dBu 22 dBu 12 dBu Gain 10 dB 30 dBu Gain 10 dB 22 dBu 2 6 kQ balanced 20 kQ balanced 20 kQ balanced 24 k 2 unbalanced 240 Q balanced 120 Q unbalanced 2050 1k0 2580 Clip 18 6 0 20 0 LED 0 dBu 18 5 VACx2 150 mA 3 pin AC power connection 120 VAC 60 Hz 240 VAC 50 Hz 100 VAC 50 60 Hz 220 VAC 60 Hz 41 x 133 x 203 mm 1 6 x 5 2 x 8 0 203 x 133 x 41 mm 8 0 x 5 2 x 1 6 41 x 188 x 252 mm 1 6 x 7 4 x 9 9 41 x 272 x 259 mm 1 6 x 10 7 x 10 2 0 7 Kg 1 6 Ib 1 2 Kg 2 7 Ib 1 4 Kg 3 1 Ib 1 8 Kg 3 9 Ib TOPP PRO 14 MUSIC GEAR MX SERIES BLOCK DIAGRAM HEADPHONE CD TAPE OUT OUTPUT LEFT MAIN MIX OUT RIGHT MAIN MIX OUT Co RI
12. e to do so could result in damage to the product and possibly the user Unplug the product before electrical storms occur and when unused for long periods of time to reduce the risk of electric shock or fire External Connection Always use proper ready made insulated mains cabling power cord Failure to do so could result in shock death or fire If in doubt seek advice from a registered electrician Do Not Remove Any Covers Within the product are areas where high voltages may present To reduce the risk of electric shock do not remove any covers unless the AC mains power cord is removed Covers should be removed by qualified service personnel only No user serviceable parts inside Fuse To prevent fire and damage to the product use only the recommended fuse type as indicated in this manual Do not short circuit the fuse holder Before replacing the fuse make sure that the product is OFF and disconnected from the AC outlet Protective Ground Before turning the unit ON make sure that it is connected to Ground This is to prevent the risk of electric shock Never cut internal or external Ground wires Likewise never remove Ground wiring from the Protective Ground Terminal Operating Conditions Always install in accordance with the manufacturer s instructions To avoid the risk of electric shock and damage do not subject this product to any liquid rain or moisture Do not use this product when in close proximity to wat
13. er Do not install this product near any direct heat source Do not block areas of ventilation Failure to do so could result in fire Keep product away from naked flames IMPORTANT SAFETY INSTRUCTIONS Read these instructions Follow all instructions Keep these instructions Do not discard Heed all warnings Only use attachments accessories specified by the manufacturer Power Cord and Plug Do not tamper with the power cord or plug These are designed for your safety Do not remove Ground connections If the plug does not fit your AC outlet seek advice from a qualified electrician Protect the power cord and plug from any physical stress to avoid risk of electric shock Do not place heavy objects on the power cord This could cause electric shock or fire Cleaning When required either blow off dust from the product or use a dry cloth Do not use any solvents such as Benzol or Alcohol For safety keep product clean and free from dust Servicing Refer all servicing to qualified service personnel only Do not perform any servicing other than those instruct ions contained within the User s Manual PORTABLE Carts and stands The component should be used CART WARNING only with a cart or stand that is recommended by the manufacturer Acomponent and cart combination should be moved with care Quick stops excessive force and uneven surfaces may cause the component and cart combination to overturn
14. es do not need phantom power Use phantom power only with condenser microphones but make sure that the phantom power switch is disengaged before connecting the microphone Phantom power will not damage your dynamic microphones but it may damage tube or ribbon microphones so make sure to read the microphone instructions manual before engaging phantom power switch There are also equipped with 1 4 TRS balanced and TS unbalanced LINE IN plug you can connect with line level instruments such as synthesizers keyboards drum machines or effect devices NOTE Never try to connect a line level signal to the XLR MIC input when the phantom power is engaged doing this you may seriously damage your equipment FAC i r a n i i LINE INPUTS They are organized in stereo pair and provided with 1 4 TRS sockets It is used to connect the stereo BAL UNBAL device plug both the left input and the right input Using the left input if connect a mono input signal to Do the STEREO INPUT the signal will appear on both 5 6 LINE sides GAIN CONTROL This GAIN control is used to control the input sensitivity of the MIC and LINE inputs The adjustable range goes from 0 dB to 50dB EQUALIZATION The MX series has 3 band EQ on all mono channels except MX 5 has 2 band EQ And only the MX 6 has EQ controls on stereo channels All bands provide up to 15 dB boost or cut TOPP PRO MUSIC GEAR E LU 3 zZ 5 A zZ
15. he Tape Input if you wish to listen to your mixer from a Taper Recorder or DAT When the TAPE TO MIX switch is pushed in the signal coming from Taper Recorder will assign to main mix when the CD TAPE switch which on the front panel is engaged in the signal can also be assigned to the CONTROL ROOM PHONES outputs If you connect a mono device you will need a Y splitter RCA adapter INC gt SNg NIYIN LH9ld SNg NIVN 1437 TAPE OUTPUTS These RCA jacks will assign the main out signal to a tape recorder or DAT The TAPE OUT level is affected by MAIN MIX control AN L PAN L P TAPE j 00 9 s SPE TO PHANTOM 56 POWER EALE i Fo a Jae ero _ Ms Ma NE gur CO TAFE MeL POUT UT MONO CHANNEL GAIN LOW HIGH PEAK LEVEL gt _ 80 12K SHELVING EQ STEREO CHANNELS LINE IN LEFT MONO LEVEL 6 gt gt 1 1 2 3 and 4 5 LINE IN RIGHT MIC IN LINE IN TOPP PRO TOPP PRO MUSIC GEAR MUSIC GEAR MX SERIES MX SERIES WIRE CONNECTIONS CONTROL ELEMENTS Either the 1 4 TRS phone jack or XLR connector can be wired in balanced and unbalanced modes TAPE TO MIX Switch which will be determined by the actual application status please wire your system as the following Connect a CD or Tape Deck to the CD TAPE inputs and push down this switch to add the wiring examples CD TAPE signal to the main mix The volume level is controlled by MAIN MIX control e For 1 4 Phone jack TAPE TO
16. nect the supplied external AC power supply to provide AC power to the mixer Connect the external power supply to your mixer first then plug the power supply into a suitable and properly rated AC outlet NOTE Make sure you use the correct external power supply cable of providing 18 5 VACx2 at milliamps 7 TOPP PRO MUSIC GEAR MX SERIES INSTALLATION TIPS 1 Speakers should be placed in a position that allows for unobstructe sound projection In many instances is beneficial for speakers to be elevated on tripod stands to achieve maximum dispersion and reach 2 Use professional advice or service when hanging and installing speakers Please take precautions to secure them to prevent them from falling and hurting someone Care should be taken as to not damage the cabinet or its components Please comply with all pertinent Regulations 3 Use quality cables Using quality cables will ensure the best possible sound 4 For best results match the speakers to a good amplifier that matches the wattage and impedance of your speakers Proper amplification power results in good quality audio and longer component life Check out the power requirement for your cabinet 5 Avoid pointing a microphone directly at an amplified speaker doing so could cause feedback possibly damaging speaker components and your hearing Enjoy the sound TOPP PRO MUSIC GEAR
17. sion different from the required one by the unit Damages caused by the presence of sand acid of batteries water or any strange element 9 IAS IN ee rar boca 15 inside the equipment Deteriorations produced by the course of the time use and or normal wear of the unit sn PO SOU E EEEE A E 16 Alteraion or absence of the serial number of factory of the equipment The repairs could only be carried out the authorized technical service by Topp Pro that will inform about the term and other details into the repairs to take place according to this guarantee Topp pro will repair this unit in counted a term nongreater to 30 days as of the date of entrance of the unit to the Technical Service In those cases in that due to the particularity of the spare part outside necessary their import the repair time and the viability of the same one will be subject to the effective norms for the import of parts in which case one will inquire to the user about the term and possibility into repair With the object of its correct operation and of the validity of this one guarantee this product will have to be installed and to be used according to the instructions that are detailed in the manual associate or the package of the product This unit will be able to appear for its repair next to the invoice of purchase or any other comprobante where the date of purchase consists to its authorized distributer Topp Pro or an authorized technical center on watch by
18. x 11 TOPP PRO TOPP PRO MUSIC GEAR MUSIC GEAR MX SERIES MX SERIES CONTROL ELEMENTS BLOCK DIAGRAM PAN BAL MX 5 Abbreviation of PANORAMA control for mono channels for the stereo channels always iii zZ says BALANCE control You can adjust the stereo image of the signal via this control zo lt n Tk For mono MIC LINE channels keep PAN control in centre position and your signal will be als O LE E lt E LL O De O iL O T positioned in the middle of stage that is to say the mono signal appears egually in both us cs Oe JOR 0230 O o gt sides Turn this control fully counterclockwise and the signal will be present only on the left soeaker and vice versa For stereo channels by rotating the BAL control you can attenuate the signal of left or right It means if turn the control to left the right channel will be attenuated if turned to right the left channel will be attenuated ae Py PEAK LED When this LED blinks it warns you that you are reaching signal saturation and possible distortion From this LED you can adjust the correct level not too strong to cause distortion and not too weak to be lost in noise TAPE TO MIX PHONES we METERS AND LEVEL This control will adjust the overall level of this channel If you set the LEVEL control in max it s usually a sign that your GAIN is set too low If set the LEVEL control in min your GAIN may A be too high gt Sue ES CD TAPE INPUTS Use t
Download Pdf Manuals
Related Search