Clarinets User Manual v.1.0.1
Contents
1. Entering 64 will define the sustain pedal which is most suitable for this task Pressing and holding the pedal switches SNM on Note CC64 sus pedal is per default assigned to Overblow see OPTIONS page field Overblow ON OFF If using the sus pedal for Microtuning the Overblow must be assigned to another controller or to none since it can be also controlled by the keyswitch D1 How to detune selected notes 1 Enter the Select Note Mode SNM by pressing and holding the sus pedal or send a value greater than 64 via the CC you have assigned to the Microtuning 2 Press the Keyswitches even simultaneously corresponding to the notes you want to detune 3 Exit SNM by releasing the sus pedal or send a value below 64 via the CC you ve assigned for this task For example you need an arabic scale in C and want to detune all E and B notes 50 ct The steps are Press and hold the sus pedal Press briefly E1 and B1 Release the sus pedal Which notes and how much are detuned will be displayed on the instrument GUI How to reset and modify the current microtuning As soon as you re enter SNM by pressing the sus pedal or sending a value greater than 64 via the CC you have assigned for this task the current detuning of all the notes will be cancelled and the Microtuning display on the instrument GUI will be reset to zero Keeping the pedal pressed you can immediately detune a new set of notes by pressing th2. may require larger buffer sizes involving higher latencies Note This may not represent a real problem though Using the freeze feature or ww bouncing the single MIDI tracks to audio is a useful remedy Stand alone mode If you are a PC user and do not have any host application being capable of running VST or AU plugins like a sequencer DAW or another audio application you can install a free host application like the excellent SaviHost by Hermann Seib or Cantabile Lite Other VST Hosts albeit not necessarily free can be found for example on http www kvraudio com get php for example Mac users may use the Garage Band belonging to the system Hardware Requirements Audio Interface Sound Card A good quality audio interface USB FireWire PCI with suitable low latency drivers like ASIO for the PC is required The allowed buffer size are 128 2048 samples Recommended settings are 256 samples or 512 samples higher latency but less CPU load MIDI devices The Clarinets like any other virtual instruments can be successfully used without any additional hardware except the audio interface by drawing the controller curves and programming the notes directly in the host sequencer However a much more human and interactive configuration is recommended especially for real time playing using external MIDI devices A MIDI keyboard with at least 5 octaves Modwheel amp Pitchbend connected to the computer via USB
3. one can spare one license for future upgrades Please note that operating system or hard drive changes do not affect instrument activation However major hardware upgrades or installation of the instrument on a new computer require a new activation That s the main reason for providing two license keys If both are used a deactivation procedure can be requested Sharing unused license keys is strictly forbidden Please note that all license keys are personalized making the e mail address of the owner visible on the instrument GUI Product description The Soprano amp Bass Clarinets belong to the most expressive virtual musical instruments You can really PLAY them shaping the sound like a real clarinet player does They work on any up to date computer see System Requirements within any suitable host like a sequencer Cubase Logic etc DAW Digital Work Stations or a free host application see below They use Stefano Lucato s proprietary SWAM Synchronous Wavelength Acoustic Modeling technology providing the exceptional playability and realism which characterize all Samplemodeling instruments It s not a sample player using pre recorded articulations but a complex virtual instrument capable of shaping almost any kind of articulations and phrases in real time It can be played using any MIDI device like a keyboard breath or wind controller However it s essential to provide the suitable control using appropriate MIDI devices a
4. or an external MIDI interface equipped with a set of physical continuous MIDI controllers usually knobs or sliders to control effects like overblow subharmonic growl etc An Expression pedal controlling the dynamics via CC11 Although the dynamics can be controlled by any other physical controller knob slider a pedal is highly recommended As an alternative a Breath Controller like Yamaha BC3 can be used A pedal alternatively a Breath Controller like Yamaha BC3 is highly recommended Woodwind or brass players may prefer a Wind Controller like Yamaha WX or Akai EWI USB or 4000S both provide excellent results The Instrument and its controls Main Instrument GUI If properly activated see Installation above this is how the instrument looks after loading AVA VAY ANE NA Sme in e amp Clarinet pift sp mpfi Ean o e ao __ Options Heip amp creais modeling PELL LLALLA LILLA LIL LLALL LLJLLJLLLJL E When you start playing a warning message may appear reminding you that an expression controller preferably CC11 CC7 or CC2 is absolutely necessary for the proper functioning of the instrument E cone co ae TVA VATA NE RUA engine Warning Expression controller not received Please move your expression controller Check MIDI Options for expression CC assignment Clarinet be i EE ML WO a a modeline mi LLALLA ULL Per default the software assigns expression control to CC
5. pedal CC64 SubHarmonic Intensity also controlled by CC20 Growl Intensity also controlled by CC21 Flutter Tongue Intensity also controlled by CC23 Breath Noise Intensity also controlled by CC25 Key Noise Intensity also controlled by CC9 Amount of Harmonics and SubHarmonics modulation during Attacks and Dynamics changes Release Time on Note Off Audio Dynamic Compression Intensity Changes the Formants hence the timbre of the instrument Intensity of Instrument Pipe Modal Resonance Selects the source of the portamento time control The portamento time on legato can be controlled by Velocity default CC or CC inverted low value long Time Resets the engine and reloads the default or previously saved parameters Opens Midi CC Remapper and Advanced Parameter Settings see below Opens Help and Credits page Load amp Save paths are Windows lt Programs gt Samplemodeling SWAM Clarinets Clarinet Presets lt Programs gt Samplemodeling SWAM Clarinets BassClarinet Presets Mac User Shared Samplemodeling SWAM Clarinets Clarinet Presets User Shared Samplemodeling SWAM Clarinets BassClarinet Presets 10 OPTIONS page Clicking on the OPTIONS button opens the Midi CC Remapper Microtuning section and Advanced Parameter settings n Acoust T off T on fF 0 Ji 1 B Jiii it phig m pnh n E modeline r pP p 2j r bed B D n MIDI CC Mapping Options MIDI CC remapper allo
6. 11 if in Keyboard mode and to CC2 if in Windcontroller mode These default settings can be manually changed For example if you wish to use a volume pedal to control expression just open the Options page clicking on the Options button and set the Expression CC to 7 If needed this assignment can be permanently stored as a preset see below Automatic assignment is also possible Just enter the Options page and activate Exprs CC AutoLearn by moving the slider to the right In this mode the instrument recognizes the first incoming CC number among 11 2 and 7 and automatically assigns it to expression The installed instrument will start with the Preset Default Clarinet Keyb Contrl These settings are suitable for playing the instrument with a MIDI or USB Keyboard expression pedal Pitchbend and Modwheel With a Breath controller please use the same Preset Default Clarinet Keyb Contrl but don t forget to remap Expression to CC2 in the Option Panel see below With a Wind Controller e g EWI or WX please load the Preset Default Clarinet Wind Contrl or press Reset gt Default Wind Controller Remapping of Expression to CC2 is automatically performed and portamento time is linked to CC5 Main Controls vs articulations Velocity controls Initial Attack for detached notes Portamento Time for Legato if Port Time Button is set to Velocity Expression CC11 CC2 CC7 or other CCs set on the OPTIONS page c
7. LL LULL LIL Loads and saves instrument settings Paths see below Master Tune frequency in Hz Master Tune in Cents Linked to M Tune Hz A3 440Hz Reverb Duration Reverb Amount if set to 0 Reverb is bypassed saving CPU Instrument Transpose Key Switches are not transposed Pitch Bend Range can be set for Down and Up Bending independently Panning between L and R see also Pan Type on the OPTIONS page Instrument volume in dB Changes the instrument timbre corresponding to different instruments or microphone placements Controls the amount of random fluctuation of the dynamics Dyn Pitch Attack Dyn Harm Struct FallDown OverBlow SubHarm Growl Flutter T Breath N Key Noise Dyn Harm Release Compressor Formant Modal Res Port Time Reset Options Help amp Credits Amount of Pitch Modulation while changing the dynamics Also controlled by CC8 Changes the attack behavior assigning it to 1 velocity linear response Hard 2 Velocity non linear response soft and directly to Expression Spectral characteristics of the instrument balance between odd and even harmonics Clicking on this button triggers a fall This effect is assigned also to the Key Switch C1 Assigning to a CC is also possible see OPTIONS page Clicking on it creates overblow Also assigned to the Key Switch D1 momentary and D 1 latch as well as to the sustain
8. The Soprano amp Bass Clarinets USER MANUAL ae O ue ni I pete edlaczek pres sent zd THE SOPRANO amp BASS Clarinets Ji Created by Stefano Lucato amp Emanuele Parravi ini rO p Ki AS P C L INSTRUMENT M VIRTUA SWAM To A ABA Aia Table of Contents Before you start Licensing Product Description System Requirements Supported formats Operating systems CPU load Stand alone mode Hardware Requirements Audio MIDI The Instrument and its controls Main Instrument GUI Main Controls vs articulations GUI Parameter Controls Main Page Options page Microtuning Keyswitches Technical Support Before you start Even if this instrument is easy and intuitive to play getting excellent results requires some practice and experience Please read this User Manual carefully It contains very important information which will help you to achieve best results in a much shorter time Listen also to the demos and have a closer look into the demo MIDI file s available on our homepage www samplemodeling com The demo MIDI files clearly show how the instrument is played and which parameters are most important for a realistic performance O Ske aman ee Even if you purchased one virtual instrument we provide two license keys How to use them is a customer s choice One can elect to install the instrument on two different systems if both belong to him and are not used simultaneously Or
9. You will find there the appropriate answer to the most questions quickly Our Forum might also be a valuable source of technical information http www samplemodeling com forum In case you still need a support our first line customer care will be provided via email info samplemodeling com or via our Contact page http www samplemodeling com en contact ph O ires S Nr ST Sette careful sree possible to teply a misspelled More specific technical questions should be addressed to http www swamengine com contact When asking for a technical support please do not forget to provide as much system information as possible including computer OS audio interface host application software version etc If the problem can be demonstrated a MIDI and or an audio file is usually very helpful SWAM j ul i iis modeling Copyright 2012 Peter Siedlaczek amp Giorgio Tommasini All rights reserved This manual is written by Giorgio Tommasini amp Peter Siedlaczek Art design by Vadim Nekrasov Shramm 17
10. e appropriate keyswitches see 2 above This way activation of selective microtuning can be accomplished on the fly How to save the microtuning settings The Microtuning settings except those done on the fly with the Keyswitches can be stored and loaded as instrument presets using the Save Load buttons on the Instrument GUI Keyswitches Two parameters of the Clarinets can be triggered also by the Keyswitches C1 and D1 In case of an overlap with the instrument range after transposing it the Keyswitches can be moved to the left being mapped to CO and DO see Options page C1 triggers a short fall D1 triggers a squeak a short overblow on attack or a continuous overblow depending on its timing and velocity low velocity triggers a squeak if the KS is pressed before the note on higher velocity plays a continuous overblow if the KS is pressed before the note on The latter can be also applied after the note on in the middle of a tone if CC11 is above 60 D 1 behaves like D1 in latch mode These Keyswitches are colored red on the instrument GUI Please note that the Keyswitches involved in Microtuning see above include both red and blue Keyswitches RK 16 Technical Support Before requesting technical support please make sure that you have carefully read the User Manual and the pertinent FAQ on our website www samplemodeling com en faq php select Swam based instruments on the top
11. ence the pitch in the middle of the instrument the higher the pitch the more upward detuning is applied the lower the pitch the more downward detuning is applied 13 That means that the overall intonation of the instrument can be additionally spaced apart for some special effects Applying the microtuning using the mouse This is the simplest method suitable for settings which do not need to be changed on the fly To detune the specific pitch simply click on the microtuning bar on the main instrument GUI This will apply the detuning set on the Options page by the microtuning sliders to that particular note which is B in the example below Clicking on the bargraph again will switch the detuning off Double click anywhere in the bargraph area will switch the detuning of all the notes off Please note that the above works only on the main instrument page Applying the microtuning using the keyswitches To apply microtuning to some notes using the keyswitches one has to enter the Select Note Mode SNM see below and press the appropriate keyswitches corresponding to the notes which must be detuned For example pressing the E1 keyswitch applies the detuning to all E notes How to enter the Select Note Mode SNM The SNM is activated by sending a suitable CC value above 64 Which CC to use is the choice of the user go to the Option page and enter the desired CC number in the field MicroTuning ON OFF
12. ent and the reverb Activates an automatic chromatic scale during slow portamentos on larger intervals Complex algorithmic remapping of Attack vs Velocity curve depending on Expression disabled on the default setting Clarinet Wind Contrl Enables or disables AutoLearn i e the automatic detection of the incoming Expression CC KeySwitch Octave Transposition 0 starts from C1 12 starts from CO See also Keyswitches below slightly shifts the sample start for more immediate attack response Returns to the Main GUI 12 This is an entirely new feature coping with the requirements of musicians using non tempered scales Our approach to microtuning yields maximal flexibility allowing user defined scales where the extent of detuning range 60 60 cents can be precisely set for each note by means of a series of sliders The settings can be saved along with the instrument presets The detuning can be applied in a selective manner to individual notes in realtime using the mouse or the keyswitches The default preset is a detuning of 50 cents 1 _ _ _ _ _ _ _ 1 1 1 Per default the detuning is set but not yet applied to any note To apply the detuning one can choose between two methods 1 Acting with the mouse on the instrument GUI 2 On the fly using Keyswitches The Temperament slider if set higher than zero applies a kind of spread intonation it does not influ
13. ontrols the Dynamics from pp to ff ModWheel CC1 controls Vibrato intensity CC19 controls Vibrato Rate PitchBend controls the pitch within 3 to 2 semitones default Staccato SemiLegato and Legato Articulations are managed by a special algorithm which takes into account Note Velocity Interval between the notes semitones Time between Note OFF and subsequent Note ON GUI Parameter Controls There are three types of Controls on the Main Instrument GUI enabling a convenient data entry Sliders Buttons Switches Sliders Set the desired value either by dragging the Slider while holding the left mouse button or acting on the slider with the mouse wheel Buttons The values can be set in 3 different ways Clicking on and Acting with the mouse wheel on the label small steps or on the buttons larger steps Dragging the mouse vertically after clicking on the displayed value Double clicking on the slider or on the number displayed aside the button reloads the previously saved or default settings g oo B Default Clarinet Keyb Cntr F lt svag SVVAM fon ie Clarinet m Load amp Save M Tune Hz M T Cents Reverb Time Reverb Mix Transp PB Ds U ss Panpot Main Volume Instr Rand Dyn Further Controls and Key ieee tt pen an Af reff toep flar __Cptionsagy Help amp Cream modeling LULLULULLULU
14. s described in this Manual Direct programming in a sequencer without any MIDI devices is also possible Please note that the name Soprano Clarinet and the commonly used Clarinet mean exactly the same Our virtual Clarinet covers the range of both A and Bb clarinets Note Like a real instrument or other Samplemodeling instruments and differently Q from any conventional sample library the Clarinets allow continuous transition across the dynamics from pp to ff free from any phasing artifacts To accomplish this a suitable continuous physical MIDI controller such as an expression or volume pedal CC11 or CC7 a breath or a windcontroller CC2 is absolutely necessary WITHOUT THIS CONTROLLER THE INSTRUMENT WILL NOT WORK displaying the warning Expression controller not received Please move your expression controller Other physical MIDI controllers like sliders knobs or a modwheel though not recommended can be used for this purpose Please refer to other sections of this manual for further details System Requirements Supported Plugin Formats PC VST 32 64 bit Mac AU or VST 32 or 64 bit Required operating systems PC Windows 7 or XP 32 64 bit Mac Intel only Mac OS 10 5 10 8 CPU load The realism and expressiveness of the Clarinets is demanding in terms of CPU load It needs an up to date computer with at least 1 6 GHz Core2Duo CPU Less powerful systems may also prove satisfactory but
15. ws to remap all the control parameters to any MIDI CC according to your needs Note OverBlow and FallDown have only On CC gt 64 and Off status CC lt 64 Advanced Parameters Attack to Sust Time Affects the velocity dependent duration of the transition from attack to sustain Portam Max Time Portam Vel Sens Auto Expression Vibrato Rate Vibrato Rate Rand Squeak gt Overblow Expression Curve Pan Behavior Chromatic On Off Attack Exprs Bias ExprsCC AutoLearn KS Oct Transp Attack Start Back to Main Maximum duration of the Portamento i e the duration of a legato transition played at the lowest velocity Controls the relationship between velocity and portamento duration only if the Port Time button on the Main Instrument GUI is set to velocity Amount of a dynamics modulation during legato Vibrato Rate also controlled by CC19 Amount of a random fluctuation of the vibrato rate Crossfade between a brief squeak on attack S or a longer Overblow O if Overblow is triggered by a CC CC Default Sus Pedal Not active if the Overblow is triggered by the Keyswitch D1 or D 1 see below To cope with linear or logarithmic expression controllers e g pedal and optimize the overall expression controller curve Selects the pan behavior of the instrument vs reverb Acoustic pan does not affect the reverb Balance pan affects both the instrum
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