engneomix_402ufx-802ufx_user-manual
Contents
1. The STEREO AUX RETURN 2 connectors serve as the return path for the effects mix generated using the FX control If these connectors already function as additional inputs you can route the effects signal back into the console via a different channel with the added benefit that the channel EQ can be used to adjust the frequency of the effects signal In this instance the FX control of the channel being used as an effects return should be turned fully counterclockwise otherwise feedback problems could occur If you wish to use the internal effects processor no connectors should be plugged into STEREO AUX RETURN 2 2 3 4 Stereo aux return STEREO AUX RETURNS 1 o 1 o TO AUX SEND 1 Oo fi o fi p Oo A Man mix 0 0 MALT 5 4 Fig 2 9 Stereo aux return controls STEREO AUX RETURN 1 STEREO AUX RETURN 1 is a stereo control which determines is used as effects return you can add the effects signal to any dry channel signal In this instance the effects device should be set at 100 effect STEREO AUX RETURN MON The STEREO AUX RETURN MON control has a special function it can be used to add an effect to a monitor mix For example Monitor mix with effect In this instance the effect device should be set up as follows AUX SEND 2 is connected to the L Mono input of your effects device while its outputs are connected to STEREO AUX RETURN 1 Connect the amplifier of your monitor system to AUX SEND 12. FX The aux send labeled FX is for sending to effects devices and is thus set up to be post fader gt If you wish to use the internal effects processor the STEREO AUX RETURN 2 connectors should not be is use You can also connect an external effects processor to aux send 2 however the internal effects module will be muted NEOMIX 40eUFXK NEOMIX 802UFX 2 1 4 Routing switch solo and channel fader Fig 2 4 Panorama and routing controls PAN The PAN control determines the position of the channel signal within the stereo image This control features a constant power characteristic which means the signal is always maintained at a constant level irrespective o position in the stereo panorama MUTE ALT 3 4 You can usethe MUTE ALT 3 4 switch to driver the channel from the main mix bus to the Alt 3 4 bus This mutes the channel from the main mix MUTE LED The MUTE LED indicates that the relevant channel is diverted to the submix Alt 3 4 bus CLIP LED The CLIP LED lights up when the input signal is driver too high In this case turn down the TRIM control and if necessary check the setting of the channel EQ SOLO The SOLO switch is used to route the channelsignal to the solo bus Solo In Place or to the PFL bus Pre Fader Listen This enables you to monitor a channel signal without affecting the main output signal The signal you hear is sourced either before PFL mono or after solo stereo bo
3. FX PROCESSOR PROGRAM PUSH Fig 3 1 Digital effects module 24 BIT MULTI EFFECTS PROCESSOR Here you can find a list of all presets stored in the multi effects processor This built in effects module produces high grade standard effects such as reverb chorus flanger delay and various combination effects The integrated effects module has the advantage of requiring no wiring This way the danger of creating ground loops or uneven signal level is eliminated at the outset completely simplifying the handing These effect presets are designed to be added to dry signals If you move the FX TO MAIN control you mix the channel signal dry and the effect signal This also goes for mixing effects signals with the monitor mix The main difference is that the mix radio is adjusted using the FX TO MON control Of course a signal has to be fed into the effects processor via the FX control in the channel strip for both applications On the following page you will find an illustration showing how to connect your foot switch correctly LEVEL The LED level mater on the effects module should display a sufficiently high level Take care to ensure that the clip LED only lights up at peak levels If it is lit constantly you are overloading the effects processor and this could cause unpleasant distortion The FX control AUX SEND 2 determines the level that reaches the effects module PROGRAM You can select the effect preset by t
4. The AUX SEND 1 master control determines the volume of the monitor mix You can now use the STEREO AUX RETURN MON control to adjust the level of the effects signal routed to the monitor mix STEREO AUX RETURN 2 FX The STEREO AUX RETURN 2 control determines the level of signals fed into the AUX RETURN 2 connectors which are routed to the main mix MAIN MIX ALT 3 4 The MAIN MIX ALT 3 4 switch routes the signal connected to STEREO AUX RETURN 2 to either main mix not pressed or submix Alt 3 4 pressed 2 3 5 Tape input tape output 2 TRACK IN OUT OUT OJO Fig 2 10 2 track connectors 2 TRACK INPUT The 2 TRACK INPUT RCA connectors are provided for connecting a 2 track machine e g DAT recorder They can also be used as stereo line input Alternatively the output signal of a second mixer can also be connected Ifyou connect a hi fi amplifier with a source selection switch to the 2 TRACK INPUT you can easily switch between additional sources e g Cassette recorder CD player etc 2 TRACK OUTPUT These connectors are wired in parallel with MAIN OUT and carry the main mix signal unbalanced Connect the 2 TRACK OUTPUT to the inputs of your recording device The final output level can be adjusted via the high precision MAIN MIX fader gt lfyouconnectacompressor ora noise gate after the 2 track output the faders will probably not be able to create a satisfactory fade out effect NEOMIX 40eUFXK NEOMIX B0eUF
5. USB headphone USB micro phone Please refer to software manual for detailed configuration instruction The overall mixer signal can be recorded by your software with all the channels togheter in addition to any eventual track played on the com puter The Software output to channel 5 6 and control the Volume Equalization for monitoring purpose Eventually you can also hear the software playback and any eventual channel signal on the mixer channel or aux in to the main mix for example if you intend to play live a guitar or to sing with a microphone along with a backing track on your PC DIGITAL CONNECTIONS With the coaxial or optical input you can connect any external digital source for instance DVD players and record them directly in your computer The input can be selected between coaxial and digital both connection atthe same time are not allowed Please note that you won t hear the digital input signal in the main MIX while recording but your software does and you can later play it back after recorded gt mportant to record digital interface you also need to connect with a software with the USB interface NEOMIX 402UFX 802UFX also provide a digital output which may be useful to connect other equipment such as digital recorders Please note that in this case only the digital input signal is routed to the digital output not the main mix NEOMIX 40eUFXK NEOMIX 802UFX 3 DIGITAL EFFECTS PROCESSOR 24 BIT MULTI
6. 2 23 1 Auz sends Tand ti rd AS A a a 6 2 3 2 Auk send connectors Tand Li Aaa 7 2 3 3 Stered AUX return CONMECLOMS 22 5 cs0ssisnnatesaipeecsanscpnaguerinsamoaiandinengdenasd mpgeemntancdeas bia damien piston 7 223 4 Stereo AUX OU cirio rada 7 23 09 Lape INPUT TADS OULD Ube oino cala tia id 7 2 3 6 Level metre MAMANI Nui A ad 8 2351 AIS 4 and Maliante pesesaedsptncherdeanmensanmstacuedeodsndaeecipas A EA EEE EENE IAEE 8 24 Real VieW Oh 1204 FX 1204 ia E EE E eee 9 2 4 1 Main mix outputs Alt 3 4 outputs and room OUtP tS miesenie nenian aa aa a 9 2 4 2 Voltage supply phantom power and fuse erences aaie ea E eee eee ea essa ede AE aikaasi 9 3 DIGITAL EFFECTS PROCESSOR cias 9 INSTALLATION oie 10 dal Rack mount dro as ios raider atadas 10 4 2 Cable conne Chon Sci ADE EO E AA 10 A 21 Audio CONNECHON Siro a aaa a a a aa E a dena ee oe ete deeded 10 SS PECIFICA TON Sia 11 NEOMIX 40eUFXK NEOMIX 802UFX 1 INTRODUCTION Congratulations In purchasing the NEOMIX you have acqui red a mixer whose small size belies its incredible versatility and audio performance The NEOMIX Series represents a milestone in the develop ment of mixing console technology With the new microphone preamps including phantom power as an option Balanced line input and apowerful effects section The mixing consoles in the NEOMIX Series are optimally equipped for live and studio ap plications Owing to state of the art circuitry your console produces a w
7. ASE READ CAREFULLY EU and EEA Norway Iceland and Liechtenstein only pi This symbol indicates that this product is not to be disposed of with your household waste according to the WEEE Directive 2202 96 EC and your national law This product should be handed over to a designated collection point e g on an authorized one for one basis when you buy a new similar product or to an authorized collection site for recycling waste electrical and electronic equipment WEEE Improper handling of this type of waste could have a possible negative impact on the environment and human health due to potentially hazardous substances that are generally associated with EEE At the same time your cooperation in the correct disposal of this product will contribute to the effective usage of natural resources For more information about where you can drop off your waste equipment for recycling please contact your local city office waste authority approved WEEE scheme or your household waste disposal service BO CE MADE IN CHINA This product is imported in EU by FRENEXPORT SPA Via Enzo Ferrari 10 62017 Porto Recanati Italy SOUNDSATION is a registered trademark of FRENEXPORT SPA Via Enzo Ferrari 10 62017 Porto Recanati Italy
8. OLO You can use the SOLO switch to separately monitor the aux sends via the CONTROL ROOM PHONES outputs and check these with the level metres f you want to monitor the signal of just one AUX bus none of the other SOLO SWITCHES should be pressed and the MODE switch must be inthe SOLO position not pressed down 2 3 2 Aux send connectors 1 and 2 AUX SENDS Fig 2 7 Aux send connectors AUX SEND 1 If you use aux send 1 pre fader you would usually connect the AUX SEND connector to monitors via a power amp or an active monitor system If you use aux send 1 post fader proceed as described under aux send 2 AUX SEND 2 The AUX SEND 2 connector outputs the signal you picked up from the individual channels using the FX control You can connect this to the input of an effects mix is created the processed signal can then be routed from the effects device output back into the STEREO AUX RETURN connectors 2 3 3 Stereo aux return connectors LEFT MONO RIGHT STEREO AUX RETURNS Fig 2 8 Stereo aux return connectors STEREO AUX RETURN 1 The STEREO AUX RETURN 1 connectors generally serve as the return path for the effects mix generated using the post fader aux send This is where you connect the output signal of the external effects device If only the connector is used the AUX RETURN automatically operates in mono You can also use these connectors as additional line inputs STEREO AUX RETURN 2
9. XK 2 3 6 Level meter and monitoring 2TKTOMAINMx cor O 0 Ss PHONES CTRL R e 8 A n Saal oC MAIN MIX MAIN SOLO PFL MODE SOLO NORMAL 2 PFL LEVEL SET Fig 2 11 Control room phones section level meter 2 TRACK The TRACK switch routed the signal from the TRACK IN connectors to the level metre the CONTROL ROOM OUT outputs and the PHONES connector this is a simple way to check recorded signals via monitor speakers or headphones ALT 3 4 Similarly the ALT 3 4 switch routes the signal from the Alt 3 4 bus to the same path for monitoring purposes MAIN MIX The MAIN MIX switch sends the main mix signal to the above mentioned outputs and to the level metre PHONES CTRL ROOM Use this control to set control room output level and headphone volume respectively 2 TRACK TO MAIN When the 2 TRACK TO MAIN switch is depressed the 2 track input is routed to the main thus serves as an additional input for tape machines You can also connect MIDI further processing At the same time this switch disables the main mix to tape output link POWER The blue POWER LED indicates that the device is switched on 48V The red 48V LED lights when the phantom power supply is switch on The phantom power supply is necessary for condenser microphones and is activated using the switch on the rear of the device Please do not connect microphones to the mixer or the stagebox wellbo
10. ain mix 0 dB Channel fader oo Main mix 0 dB Channel fader 0 dB Power supply Mains voltage Power consumption Fuse Mains connection Physical Dimension NEOMIX 402UFX Dimensions H x W x D weight net NEOMIX 802UFX Dimensions H x W x D weight net Measuring conditions 1 4 TRS connector electronically balanced approx 20 KQ 22 dBu 80 Hz 15 dB 2 5 kHz 15 dB 12 kHz 15 dB 80 Hz 15 dB 2 5 kHz 15 dB 12 kHz 15 dB 1 4 TS connector unbalanced approx 20 KQ 22 dBu 1 4 TRS connector electronically balanced approx 20 KQ bal 10 KQ unbal 22 dBu XLR electronically balanced approx 240Q bal 1200 unbal 28 dBu 1 4 TS connector unbal approx 120 Q 22 dBu 1 4 TRS connector unbalanced 19 dBu 1500 25 dBu 24 bit 64 128 times oversampling 40 kHz 105 dB 108 dB A weighted 95 dB 97 dB A weighted 82 5 dB 85 dB A weighted 100 240 V 50 60 Hz 40 W 100 240 V T 1 6 A H 250V Standard IEC receptacle 90mm x 275mm x 330 mm 2 1kg 90mm x 380mm x 330 mm 2 5kg 1 1kHz rel to 0 dBu 20 Hz 20 kHz line input main output unity gain 2 20Hz 20kHz measured at main output Channels 1 4 unity gain EQ flat all channels on main mix channels 1 3 as far left as possible channels 2 4 as far right as possible Reference 6 dBu We are constantly striving to manintain the highest professional standards As a result of these efforts modific
11. arm analog sound that is unrivalled With the addition of the latest digital technology these base in class consoles combine the advantages of both analog and digital technology The microphone channels feature high end Mic Preamps that compare well with costly outboard preamps in terms of sound quality and dynamics and boast the following features 130dB dynamic range for an incredible amount of headroom A bandwidth ranging from below 10 Hz to over 200 kHz for crystal clear reproduction of over the finest nuances The extremely low niose and distortion free circuitry guarantees absolution natural and transparent signal reproduction They are perfectly matched to every conceivable microphone with up to 60 dB gain and 48 volt phantom power supply They enable you to use the greatly extended dynamic range of your 24 bit 192 kHz HD recorder to the full Thereby maintaining optimal audio quality EQ section The equalizers used for the NEOMIX Series are are renowned throughout the world for theirincredibly warm and musical sound character Even with extreme gain settings these equalizers ensure outstanding audio quality Mutil effects processor Additionally your NEOMIX Series mixing consoles has an effects processor with 24 bit A D and D A converters included which gives you 100 presets producing first class reverb delay and modulation effects plus numerous multi effects in excellent audio quality The NEOMIX Series
12. ations may be made from time to existing products without prior notice Specifications and appearance may differ from those listed or illustrated 9 WARRANTY AND SERVICE All SOUNDSATION products feature a limited two year warranty This two year warranty is specific to the date of purchase as shown on your purchase receipt The following cases components are not covered from the above warranty Any accessories supplied with the product Improper use Fault due to wear and tear Any modification of the product effected by the user or a third party SOUNDSATION shall satisfy the warranty obligations by remedying any material or manufacturing faults free of charge at SOUNDSATION s discretion either by repair or by exchanging individual parts or the entire appliance Any defective parts removed from a product during the course of a warranty claim shall become the property of SOUNDSATION While under warranty period defective products may be returned to your local SOUNDSATION dealer together with original proof of purchase To avoid any damages in transit please use the original packaging if available Alternatively you can send the product to SOUNDSATION SERVICE CENTER Via Enzo Ferrari 10 62017 Porto Recanati Italy In order to send a product to service center you need an RMA number Shipping charges have to be covered by the owner of the product For further information please visit www soundsationmusic com WARNING PLE
13. channels As aux send paths are always mono the signal ona stereo channel is first summed to mono before it reaches it reaches the aux bus 2 2 4 routing switch solo and channel fader BAL The function of the BAL ANCE control corresponds to the PAN control in the mono channels The balance control determines the relative proportion between the left and right input signals before both signals are routed to the main stereo mix bus The MUTE ALT 3 4 switch the MUTE LED the CLP LED the SOLO switch and the channel fader function in the same way as the mono channels 2 3 Connector panel and main section Whereas it was useful to trace the signal flow from top to bottom it order to gain an understanding of the channel strips we now look at the mixing console from left to right The signals are so to speaker collected from the same point on each of the channel strips and then routed to the main section all together 2 3 1 Aux sends 1 and 2 AUX SENDS 1 o 0 15 2 o Ol E SOLO 0 15 E SOLO Fig 2 6 AUX SEND control s ofthe main section A channel signal is routed to aux send bus 1 if the Aux 1 control is turned up on the corresponding channel AUX SEND 1 MON The AUX SEND control MON acts as master control for aux send 1 and determines the level of the summed signal AUX SEND 2 FX Similarly the FX control AUX SEND 2 determines the level for aux send 2 NEOMIX 40eUFXK NEOMIX 802UFX S
14. cord to four tracks simultaneously The icing on the cake so to speak is that you could connect Y cables to these four outputs and then connect your 8 track recorder in such a way that you have 2 x 4 tracks E g Channel 1 feeds track 1and track 2 etc In the first recording pass you record on track 1 3 5 and 7 and in the second pass on tracks 2 4 6 and 8 CONTROL ROOM OUTPUT The control room output is normally connected to the monitor system in the control room and provides the stereo mix or when required the solo signal 2 4 2 Voltage supply phantom power and fuse POWER PHANTOM ON ON 100 240 V 50 60 HZ 40W FUSE T1 6 AH 250V Fig 2 15 Voltage supply and fuse FUSE HOLDER The console is connect to the mains via the cable supplied which meets the required safety standards blown fuses must only be replaced by fuses of the same type and rating IEC MAINS RECEPTACLE The mains connection is via a cable with IEC mains connector An appropriate mains cable is supplied with equipment POWER Use the POWER switch to power up the mixing the console PHANTOM The PHANTOM switch activates the phantom power supply for the XLR connectors of the mono channels which is required to operate condenser microphones The red 48 VLED lights up when phantom power is on As a rule dynamic microphones can still be used with phantom power switched on provide
15. coundcation USER S MANUAL HIGH QUALITY COMPACT MIXING CONSOLE WITH FX PROCESSOR AND USB SOUNDCARD NEOMIX 40eUFX NEOMIX S02UFX IMPORTANT SAFETY SYMBOLS RISK OF ELECTRIC SHOCK Ey A DO NOT OPEN death Protective grounding terminal A E h Hazardous live terminal Alternating current voltage ON Denotes the apparatus is turned on OFF Denotes the apparatus is turned off The symbol is used to indicate that some hazardous live terminals are involved within this apparatus even under the normal operating conditions which may be sufficient to constitute the risk of electric shock or The symbol is used in the service documentation to indicate that specific component shall be replaced only by the component specified in that documentation for safety reasons WARNING Describes precautions that should be observed to prevent the danger of injury or death to the operator CAUTION Describes precautions that should be observed to prevent danger of the apparatus IMPORTANT SAFETY INSTRUCTIONS Read these instructions Keep these instructions Heed all warning Follow all instructions Water amp Moisture The apparatus should be protected from moisture and rain can not used near water for example near bath tub kitchen sink or a swimming pool etc Heat The apparatus should be located away from the heat source such as radiators stoves or other appliances that produce heat Ventilation Do no
16. d that they are wired in a balanced configuration In case of doubt contact the microphone manufacturer gt After the phantom power supply has been switched on do not connect microphones to the mixer or the stagebox wallbox Connect the on In addition the monitor PA loudspeakers should be muted before activating the phantom power supply After switching on wait approx One minute to allow the system to Stabilize m Caution You must never use unbalanced XLR connectors PIN 1and 3 connected on the MIC input connectors if you want to use the phantom power supply SERIAL NUMBER Please note the important information on the serial number given in chapter 1 3 3 DIGITAL DIGITAL DIGITAL INPUT OUTPUT iloon OPTIC COAXIAL COAXIAL Fig 2 16 USB USB DIGITAL INTERFACES NEOMIX 402UFX 802UFX offer the maximum flexibility for your recor ding purpose You can connect your NEOMIX mixer with a PC or MAC via the USB soundcard or with other equipment via optical coaxial digital inputs USB I O INTERFACE Connect your PC or MAC no specific driver is needed and your compu ter will automatically recognize the NEOMIX USB interface Please note your NEOMIX will be assinged to windows MAC peripheral as USB headphone and USB microphone or similar You can use the Audacity software included in the package or any other recording software Make sure to configure properly the software input and outputs with the above mentioned
17. ectronically balanced discrete input circuit Mic E N 20 Hz 20 kHz 0 Q source resistance 134 dB 135 7 dB A weighted 50 Q source resistance 131 dB 133 3 dB A weighted 150 Q source resistance 129 dB 130 5 dB A weighted Frequency response lt 10 Hz 150 kHz 1 dB lt 10 Hz 200 kHz 3 dB Gain range 10 to 60 dB Max Input level 12 dBu 10 dB gain Impedance approx 2 6 k balanced Signal to noise ratio 110 dB 112 dB A weighted 0 dBu In 22 dB gain Distortion THD N 0 005 0 004 A weighted Line input Type 1 4 TRS connector electronically balanced Impedance approx 200 banlanced f 10 KQ unbanlanced Gain range 10 to 40 dB Max Input level 30 dBu Fade out attenuation Crosstalk attenuation Main fader closed 90 dB Channel muted 89 5 dB Channel fader closed 89 dB Frequency response Microphone input to main out lt 10 Hz 90 kHz 0 dB 1 dB lt 10 Hz 160 kHz 0 dB 3 dB Stereo inputs Type Impedance Max Input level EQ mono channels Low Mid High EQ stereo channels Low Mid High Aux sends Type Impedance Max output level Stereo aux return Type Impedance Max input level Main outputs Type Impedance Max output level Control room outputs Type Impedance Max output level Headphones output Type Max output level DSP Converter Sampling rate Main mix system data Noise Main mix 9 Channel fader M
18. er and lower band are 12 kHz and 80 Hz respectively The mid band is configured as a peak filter with a centre frequency of 2 5kHz 2 1 3 Aux sends 7 1 R o PRE 0 15 Fig 2 3 The AUX SEND controls in the channel strips Aux sends take signals via a control from one or more channels and sum these signals to a so called bus This bus signal is sent to an aux send connector and then routed for example to an active monitor speaker or an external effects device The return from an external effect device can then be brought back into the console via the aux return connectors For situations which require effects processing the aux sends are usually switched post fader so that the effects volume in a channel corresponds to the position of the channel fader if this were not the channel would remain audible even when the fader is turned to zero When setting up a monitor mix the aux sends are generally switched to pre fader e they operate independently of the position of the channel fader Both aux sends are mono are sourced after the equalizer and offer up to 15dB gain If you press the MUTE ALT 3 4 switch aux send1 is muted provided that it is switched post fader However this does not affect the aux send 2 AUX 1 MON Aux send 1 can be switched pre fader and is thus particularly suitable for setting up monitor mixes PRE When the PRE switch is pressed aux send 1 is sourced pre fader Aux 2
19. h Do not use any solvents such as benzol or alcohol Servicing Do not implement any servicing other than those means described in the manual Refer all servicing to qualified service personnel only Only use accessories attachments or parts recommended by the manufacturer Warning Please remember the high sound pressure do not only temporarily damage your sense of hearing but can also cause permanent damage Be careful to select a suitable volume NEOMIX 40eUFXK NEOMIX 802UFX TABLE OF CONTENTS LAN TRODUC TION ona aia 4 1 1 General Mixing CONSOLE TUNCHONS saiassctc ne hapetansdbaweuscncd a a E a A A N E ER 4 PASA a E tens da tated AE a AE S ES 4 TB BelOre YOU GEL started aieo ein ia 4 SP a ea a a A e EE A 4 1 32 initia loperatior arsin ri Pa 4 2 CONTROL ELEMENTS AND CONNECTORS ccccceeceeeeeeeeeeeeeeeeeeeeeeeees 4 2A IMONO CHANNGIS cir ire 5 2121 Microphone and lino IMP Ute nira arta ld tide diy KAADER EAE EA 5 2102 EQquUalIZO ad E ea annie A beamed E O EAE E scene ines 5 ZAS AUS OOO Si A E E A A awl dees vaaeoe va tiege eyed 5 2 14 Routing switch sole and channel fad tice esis in a exe ced cones neds e a Saud 6 2 2 SEES NS 6 22 ACH AMMOl MMP Uts tia o das la 6 2 22 Equalizer stereo Channel Sis cistitis e EE rotas dass ete ai dais 6 2 2 SAUX SOnds Stereo Chal S iia cc ela ltda Cb 6 22 4 Routing switch sole and channel tad Ori aiii ai 6 2 3 Connector panel and main secre cena a a a dane 6
20. mixing consoles are equipped with a state of the art switched mode power supply SMPS Unlike con ventional circuitry an SMPS provides an optimum supply current regardless of the input voltage And thanks to its considerably higher efficiency a switched mode power supply uses less energy than conventional power supplies USB Audio interface The USB interface supplied with the unitis a perfect match for the NEOMIX Series and serves as a powerful recording interface to you PC or MAC It supports the digital transmission of signals on up to four channel with max 48 kHz and extremely low latency When wired tothe CD TAPE INPUT and OUTPUT connectors thein terface transfers the stereo mix from the console directly toa computer Both the recording signals and the playback signal from the computer can be monitoredat the same time In this way you can use several recording runs to produce complete multi track recordings We should like to draw your attention to the fact that extreme volumes may damage your hearing and or your headphones or loudspeakers Turn the MAIN MIX faders and phones control in the main section fully down before you switch on the unit Always be careful to set the appropriate volume 1 1 general mixing console functions A mixing console fulfils three main functions Signal processing Preamplification level adjustment mixing of effects Frequency equalization Signal distribution Summing of signals to the au
21. or and the level meter MAIN SOLO The MAIN SOLO LED lights up as soon as a channel or aux send solo switch is pressed The MODE switch also has to be set at solo PFL The PFLLED indicates that the peak metre is set to PFL mode PHONES Fig 2 12 PHONES connector PHONES You can connect headphone to this 1 4 TRS connector The signal on the PHONES connection is sourced from the control room output 2 3 7 Alt 3 4 and main mix fader l is I 6 I I o I a E N o a l T TIRITI ilil Fig 2 13 Alt 3 4 and main mix fader NEOMIX 40eUFXK NEOMIX 802UFX Use the high precision quality faders to control the output level of the Alt 3 4 subgroup and main mix 2 4 Rear view of NEOMIX 402UFX NEOMIX 802UFX 2 4 1 main mix outputs Alt 3 4 outputs and control room outputs MINE OUTPUTS GQ ALT 3 4 ouTPuTS 3 4 OUTPUTS EXE ROOM OUT PIN 2 HOT PIN 3 COLD Fig 2 14 Main mix outputs Alt 3 4 outputs and control room outputs MAIN OUTPUTS The MAIN outputs carry the MAIN MIX signal and are on balanced XLR connectors with a nominal level of 4dBu ALT 3 4 OUTPUTS The ALT 3 4 output are unbalanced and carry the signals of the channels that you have assigned to this group using the MUTE switch This can be used to route a subgroup to a further mixing console for example or it could be used as a recording output working in tandem with the main output This means you could re
22. pply to prevent switch on thump being directed to your loudspeakers LINEIN Each mono input also features a balanced line inputon a 1 4 connector Unbalanced devices mono jacks can also be connected to these inputs please remember that you can only use either the microphone or the line input of a channel at any one time You can never use both simultaneously LOW CUT The mono channels of the mixing consoles have a high slope LOW CUT filter for eliminating unwanted low frequenty signal components 75 Hz 18 dB octave TRIM Use the TRIM control to adjust the input gain This control should always be turned fully counterclockwise whenever you connect or disconnect a signal source to one of the inputs 2 1 2 Equalizer All mono input channels include a 3 band equalizer All bands provide boost or cutofup to 15 dB Inthe central position the equalizer is inactive The circuitry of the EQsis based on the technology used in the bast known top of the line consoles and providing a warm sound without any unwanted side effects The result are extremely musical equalizes which unlike simple equalizers cause no side effects such as phase shifting or bandwidth limitation even with extreme gain settings of 15 dB Fig 2 2 Panorama and routing controls The upper HI and the lower band LO are shelving filters that increase or decrease all frequencies above or below their cut off frequency The cut off frequencies of the upp
23. such as radiators or power amps The console is connected to the mains via the supplied cable The console meets the required safety standards Blown fuses must only be replaced by fuses of the same type and rating Please note that all unit must be properly grounded For your own safety you should never remove any ground connectors from electrical devices or power cables or render them inoperative Please sure that only qualified people install and operate the mixing console Duringinstallation and operation the user must have sufficient electrical contact to earth otherwise electrostatic discharges might affect the operation of the unit 2 CONTROL ELEMENTS AND CONNECTORS This chapter describes the various control elements of your mixing console All controls switches and connectors will be discussed in detail NEOMIX 40eUFXK NEOMIX 802UFX 2 1 Mono channels 2 1 1 Microphone and line inputs MIC O oe OR UNBAL LINE IN LOW CUT z 18 dB Oct 10 10 40 TRIM dB dBu 1 Fig 2 1 Connectors and controls of mic line inputs MIC Each mono input channel offers a balanced microphone input via the XLR connector and also features switchable 48 V phantom power supply for condenser microphones The mic preamps provide undistorted and noised free gain as is typically known only from costly outboard preamps gt Please mute your play back system before you active the phantom power su
24. t block areas of ventilation opening Failure to do could result in fire Always install accordance with the manufacturer s instructions Object and Liquid Entry Objects do not fall into and liquids are not spilled into the inside of the apparatus for safety Power Cord and Plug Protect the power cord from being walked on or pinched particularly at plugs convenience receptacles and the point where they exit from the apparatus Do not defeat the safety purpose of the polarized or grounding type plug A polarized plug has two blades with one wider than the other A grounding type plug has two blades and a third grounding prong The wide blade or the third prong is provided for your safety If the provided plug does not fit into your outlet refer to electrician for replacement Power Supply The apparatus should be connected to the power supply only of the type as marked on the apparatus or described in the manual Failure to do could result in damage to the product and possibly the user Unplug this apparatus during lightning storms or when unused for long periods of time Fuse To prevent the risk of fire and damaging the unit please use only of the recommended fuse type as described in the manual Before replacing the fuse make sure the unit turned off and disconnected from the AC outlet Electrical Connection Improper electrical wiring may invalidate the product war ranty Cleaning Clean only with a dry clot
25. tch 4 2 1 Audio connections Please use commercial RCA cables to wire the 2 track inputs and outputs You can ofcourse also connect unbalanced devices to the balanced input outputs Use either mono plugs or ensure that ring and sleeve are bridged inside the stereo plug or pins 1 amp 3 in the case of XLR connectors Caution You must never use unbalanced XLR connectors pin 1 and 3 connected on the MIC inputs if you in tend to use the phantom power supply Balanced use with XLR connectors 1 groud shield 2 hot ve 3 cold ve Input Output For unbalanced use pin 1 and pin 3 have to be bridged Fig 4 2 XLR connections Unbalanced use of 1 4 TRS connector strain relief clamp sleeve tip ground shield signal sleeve tip IL The foot switch connects the two poles momentarily Fig 4 3 1 4 TS connector NEOMIX 40eUFXK NEOMIX 8B0eUFXK Balanced use of 1 4 TRS connector strain relief clamp sleeve tip ground shield hot ve sleeve ring ring tip cold ve For connection of balanced and unbalanced plus rig and sleeve have to be bridged at the stereo plug Fig 4 4 1 4 TRS connector Headphones connection with 1 4 TRS connector strain relief clamp sleeve tip ground shield left signal sleeve ring ring tip right signal Fig 4 5 1 4 TRS connector for headphones 5 SPECIFICATIONS Mono inputs Microphone inputs Type XLR el
26. th the pan control and the channel fader see chapter 2 3 6 Level meters and monitoring The channel fader determines the level of the channel signal in the main mix or submix 2 2 Stereo channels 2 2 1 Channel inputs LINE use LINE IN 9 10 Fig 2 5 Stereo channel inputs LEVEL switch and USB LINE switch Each stereo channel has two balanced line level input on 1 4 connectors for left and right channels If only the connector marked L is used the channel operates in mono Stereo channels are designed to handle typical line level signals Both input can also be used with unbalanced jacks USB LINE switch Switch pop up for line input Press the switch for USB input LEVEL For level matching the stereo inputs feature a LEVEL switch which selects between 4 dBu and 10 dBV At 10 dBV home recording level the input is more sensitive than at 4 dBu studio level 2 2 2 Equalizer stereo channels The equalizer of the stereo channel is of course stereo The filter characteristics and crossover frequencies are the same as those of the mono channels A stereo equalizer is always preferable to mono equalizers if frequency correction of a stereo signal is needed There is often a discrepancy between the settings of the left and the right channels when using separate equalizers 2 2 3 Aux sends stereo channels In principle the aux sends of the stereo channels function in just the same way as those of the mono
27. ting only the left side of the peak meter operates Drive the individual channels to the 0 dB mark of the U meter SOLO When the MODE switch is not depressed the stereo solo bus is activate Solo is short for Solo In Place This is the customary method for listening to an individual signal or to a group of signals As soon as a solo switch is pressed all channels in the control room and headphones that have not been selected are muted thereby retaining stereo panning The solo bus can carry the output signals of the channel pan controls the aux sends and he Sud line inputs The solo bus is as a rule switched post The PAN control in the channel strip offers a constant power characteristic This means that the signal is always at a constant level irrespective of its position in the stereo panorama If the PAN control is moved fully left or right from center the level increases by 4 dB in that channel This signal is not louder For this reason with the solo function activated Solo In Place audio signals from the channels with PAN controls that have not be moved fully to the left or right are displayed at a lower volume that in the PFL function Also a rule solo signals are monitored via the control room output and headphones connector and are displayed by the level meters If a also switch is pressed the signals from the tape input Alt 3 4 and main mix are blocked from the control room outputs the headphone connect
28. urning the PROGRAM control The display flashes the number of the current preset To recall the selected preset press the button the flashing stops You can also recall the selected preset with the foot switch 4 INSTALLATION 4 1 Rack mounting The packing of your mixing console contains two 19 rack mount wings which can be installed on the side panels of the console Before you can attach the rack mount wings to the mixing console you need to remove the screws holding the left and right side panels Use these screws to fasten the two wings onto the console being careful to note that each wing fits a specific side With the rack mount wing installed You can mount the mixing console in a commercially available 19 rack Be sure to allow for proper air flow around the unit and do not place the mixing console close to radiators or power amps So as to avoid overheating gt Only use the screws holding the mixing console side panels to fasten the 19 rack mounts 4 2 Cable connections You will need a larger number of cable for the various connections to and from the console The illustrations below show The wing of these cables Be sure to use only high grade cable 1 4 TS connector for use with foot switch strain relief clamp sleeve tip pole 1 ground pole 2 sleeve tip E The foot switch connects the two poles momentarily Fig 4 1 1 4 TS connector for foot swi
29. x while the phantom power supply is switched on Connect microphones before you switch on the power supply In addition the monitor PA loudspeakers should be muted before you activate the phantom power supply After switching on wait approx One minute to allow for system stabilization LEVEL METER The high procision level meter accurately displays the appropriate signal level LEVEL SETTING When recording to a digital device the recorders peak metre should mot exceed 0 dB This is because unlike analog recordings slightly excessive levels can create unpleasant digital distortion When recording to an analog device the VU meters of the recording machine should reach approx 3 dB with low frequency signals e g Kick drum Due to their inertia VU meters tend to display too low a signals level at frequencies above 1 kHz This is why for example a Hi Hat should only be driven as far as 10dB Snare drums should be driven to approx 0 dB The peak metres of your NEOMIX display the level virtually independent of frequency A recording level of 0dB is recommended for all signal types MODE The MODE switch determines whether the channels SOLO switch operates as PFL Pre Fader Listen or as solo Solo In Place PFL To activate the PFL function depress the MODE switch The PFL function should as a rule be used for gain setting purposes The signal is sourced pre fader and assigned to the mono PFL bus In the PFL set
30. x sends for effects processing and monitor mix distribution to one or several recording tracks power amp s control room and 2 track outputs Mix Setting the volume level frequency distribution and positioning of the individual signals in the stereo field level control of the total mix to match the recording devices crossover power amplifier s All other mixer functions can be included in this main function The mixing consoles is optimized for these tasks enabling you to easily keep track of the signal path 1 2 The users manual The users manual is designed to give you both an overview of the controls as well as detailed information on how to use them In order to help you understand the links between the controls we have arranged them in groups according to their function 1 3 Before you get started 1 3 1 Shipment Your mixing console was carefully packed in the factory to guarantee safe transport Nevertheless we recommend that you careful examine the packing and its contents for any signs of physical damage Which may have occurred during transit If the unit is damaged please do NOT return it to us but notify your dealer and the shipping company immediately otherwise claims for damage or replacement may not be granted 1 3 2 Initial operation Be sure that there is enough space around the unit for cooling purposes and to avoid over heating please do not place your mixing console on high temperature devices
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