Logic Pro 9 Level Two Exam Preparation Guide - Training
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1. Answers 1 Aux channels are automated by first adding them to the Arrange window with the Create Arrange Tracks for Selected Channel Strips command 2 Snap automation is enabled in the Arrange area s Snap menu 3 You can scale automation data by Command dragging the value fader for the automation parameter Logic Pro9 Exam Preparation Guide Level 2 4 In order to apply automation to multiple tracks at once the channels must be grouped 5 MIDI controls are assigned to Logic s transport in the Key Commands window 6 MIDI controllers are assigned to plug in parameters and channel controls in the Controller Assignments window Lesson Thirteen objectives The Logic 301 class does not cover the material in Lesson 13 None of the material in this chapter is included in the end user certification exam However the material in this chapter is included in the Trainer exam Lesson Fourteen objectives Upon completion of Lesson Fourteen MIDI Processing in the Environment in Logic Pro 9 Advanced Music Production you should be able to complete the following tasks Items from this lesson are included in the pool of exam questions drawn randomly from the following objectives e Use and create layers in the Environment e Understand MIDI signal flow within the Environment e Create objects for processing MIDI data e Create serial and parallel routing for complex real time processing e Trigger MIDI regions with2. in Logic Pro 9 Advanced Music Production you should be able to complete the following tasks Items from this lesson are included in the pool of exam questions drawn randomly from the following objectives e Apply crossfades to multiple regions simultaneously e Draw out clicks in audio files Create a composite take using take folders o Edit multiple tracks simultaneously with groups e Use phase locked editing to edit and quantize drums e Replace bad drum hits with good ones using transient detection techniques e Use drum replacement doubling to replace recorded drum sounds with samples Use Soundtrack Pro as an external audio editor 8 Lesson Eight review questions After completing Lesson Eight you should be able to answer the following questions 1 How can you smooth transitions between edited regions 2 How can you eliminate clicks and pops within an audio file 3 How can you create new parts from existing material 4 How can you edit multiple tracks of a drum recording Logic Pro9 Exam Preparation Guide Level 2 5 How can you quantize an acoustically recorded drum kit How can you quickly replace bad sections of audio with good sections 7 What features exist within Soundtrack Pro that are not found in Logic 8 How do you move audio edited in Soundtrack Pro back to Logic 9 How can you replace the sound of a drum instrument Answers 1 Smooth transitions with crossfades To accom
3. becoming an Apple Certified Pro allows you to leverage the power of the Apple brand When you pass an Apple Certification exam you receive an email with a PDF copy of your Apple certificate along with instructions on how to order a printed and or a printed and framed certificate The email includes LinkedIn Facebook and Twitter icons to make it easy for you to share your certification news with your networks on these sites You also receive a login for the Apple Certification Records System where you can e Update your profile information and opt in to display your Apple Logic Pro9 Exam Preparation Guide Level 2 e Review your certification progress e Download your certification logo s to use on business cards resumes e Provide access to employers to verify your certifications Exam Details The Logic Pro 9 Level Two exam is a computer based test offered at Apple Authorized Training Centers AATCs To find the closest AATC please visit training apple com locations Many AATCs schedule Certification Exam Sessions at training apple com schedule If you don t see a session scheduled at your nearest AATC you can contact the AATC and they will often schedule a session Please note that all AATCs offer all Mac OS X and Pro Apps exams even if they don t offer the corresponding course The Logic Pro 9 Level Two exam details are as follows e Exam number 9L0 839 e Number of test questions approximately 56 technical
4. Training Centers AATCs offer classes where you can learn hands on with the technology and benefit from the expertise of Apple Certified Trainers and your peers Visit the Apple Training amp Certification website to find course offerings at nearby AATCs Study the Apple Pro Training Series Book Apple Pro Training Series books are the basis for the Certification exams The book for this exam is Apple Pro Training Series book Logic Pro 9 Advanced Music Production by David Dvorin with Robert Brock ISBN 0 321 64745 9 You can purchase the book at peachpit com click here for a 30 discount code Creative Edge an on demand digital library offers subscription access to the Apple Pro Training Series as well as thousands of other reference videos and books You can also purchase an ebook version from the iBookstore Review the Optional Study Materials Review the appropriate sections of the User Manuals at e documentation apple com You can also launch the Logic Pro documentation by choosing Help gt Logic Pro User Manual when Logic Pro is launched Information on new features is available by choosing Help gt New Features when Logic Pro is launched e Many online resources allow you to ask questions and learn tips To other online materials visit www apple com logicpro resources J For information on the Apple Pro Training Program visit J To provide comments and feedback to Apple about Logic Pro visit e Re
5. disturbed how it is played 4 The object sliders can be positioned anywhere along the length of string by adjusting within the Pickup display 5 The pickups are used to sense vibrations along the string similar to an electric guitar 6 Components such as the Waveshaper Body EQ and Delay allow you to further process the instrument in interesting ways 7 The Morph Pad enables you to smoothly move from various states of control settings Lesson Six objectives Upon completion of Lesson Six Building Drum Sounds with Ultrabeat in Logic Pro 9 Advanced Music Production you should be able to complete the following tasks Items from this lesson are included in the pool of exam questions drawn randomly from the following objectives e Create drum sounds using Ultrabeat s synthesis and sample playback sound generators e Modulate targets using envelopes and LFOs as sources e Use the filter and distortion circuit to process drum sounds e Automate parameters with step sequencing Lesson Six review questions After completing Lesson Six you should be able to answer the following questions 1 Oscillator 1 offers what modes of sound generation 2 Oscillator 2 offers what modes of sound generation 3 Source modulation routings appear in what color on the interface 4 Via modulation routings appear in what color on the interface 5 Routing to the filter and distortion circuit is done by enabling what
6. 6 In order to define the target parameter for Step mode you need to do what Answers 1 Oscillator 1 offers phase oscillator and frequency modulation synthesis as well as side chain input 2 Oscillator 2 offers phase oscillator sample playback and physical modeling Logic Pro9 Exam Preparation Guide Level 2 9 Source modulation routings appear in blue 4 Via modulation routings appear in green 5 You can route to the filter and distortion circuit by enabling the Signal Flow buttons located around each oscillator s Volume knob 6 You need to click a control first in order to define it as the target parameter for Step mode Lesson Seven objectives Upon completion of Lesson Seven Working with the Arrangement in Logic Pro 9 Advanced Music Production you should be able to complete the following tasks Items from this lesson are included in the pool of exam questions drawn randomly from the following objectives e Use specialized playback commands for editing tasks e Create and edit markers using a variety of techniques e Understand playback and transport hierarchy e Perform global edits to add and subtract song sections e Navigate via markers using a variety of techniques e Rearrange song sections using folders e Use locators to skip over entire sections in the project e Learn zoom techniques to visualize and edit material Lesson Seven review questions After completing Lesson Seven you shoul
7. I Training and Certification Logic Pro 9 Level Two Exam Preparation Guide Updated September 2013 Logic Pro9 Exam Preparation Guide Level 2 Contents About this Guide Becoming an Apple Certified Pro Exam Details Recommended Exam Preparation Lesson One objectives Lesson Two objectives Lesson Three objectives Lesson Four objectives Lesson Five objectives Lesson Six objectives Lesson Seven objectives Lesson Eight objectives Lesson Nine objectives Lesson Ten objectives Lesson Eleven objectives Lesson Twelve objectives Lesson Thirteen objectives Lesson Fourteen objectives Lesson Fifteen Sixteen and Seventeen Objectives Taking the Logic Pro 9 Level Two exam Exam FAQs 11 12 13 14 15 17 18 19 20 20 21 21 22 TM and 2013 Apple Inc All rights reserved Other product and company names mentioned herein may be trademarks of their respective companies Mention of third party products is for information purposes only and constitutes neither an endorsement nor a warranty Apple assumes no responsibility with regard to the selection performance or use of these vendors or products Logic Pro9 Exam Preparation Guide Level 2 About this Guide This guide provides all the information that you need to prepare for the Logic Pro 9 exam to earn Apple Certified Pro Level Two certification From this guide you can e Learn about Apple Certification e Find out how to take the exam e L
8. Lesson Five Sound Design with Sculpture in Logic Pro 9 Advanced Music Production you should be able to complete the following tasks Items from this lesson are included in the pool of exam questions drawn randomly from the following objectives e Explore different material characteristics on which to base your sound e Apply different objects to select how the material is played e Process the sound using the Waveshaper and Body EQ e Morph between variances of the sound using the Morph Pad e Record your movements in the Morph Pad to use as a modulation Lesson Five review questions After completing Lesson Five you should be able to answer the following questions 1 What is the basis for sound generation in Sculpture 2 What controls the basic material of the string 3 What does an object do 4 What is used to control where each object interacts with the string 5 What is used to sense vibrations along the string 6 Besides the sound generation and modulation sections in Sculpture what other components are used to further process the sound 7 Which modulation control enables you to program smooth transitions between various parameter states Answers 1 Sculpture utilizes a string acted upon by objects as the basis for sound generation 2 The Material Pad controls the damping and stiffness of the string Logic Pro9 Exam Preparation Guide Level 2 3 The objects determine how the string is excited or
9. ad the late breaking news at www apple com support manuals e Many third party manufacturers create reference troubleshooting and provide you with dozens of options e If you have any questions you can post them to the Logic Pro Lesson One objectives Upon completion of Lesson One Speeding Up Your Workflow in Logic Pro 9 Advanced Music Production you should be able to complete the following tasks Items from this lesson are included in the pool of exam questions drawn randomly from the following objectives e Create and save their own custom template Logic Pro9 Exam Preparation Guide Level 2 e Customize existing screensets for session needs gt Know the advantages and disadvantages of locking screensets e Assign key commands to speed up a workflow e Access needed tools quickly and efficiently gt Back up and share your settings Lesson One review questions After completing Lesson One you should be able to answer the following questions 1 What are project templates 2 What are some of the ways you can customize a project file 3 What is the advantage of an unlocked screenset 4 Identify two strategies for creating key commands that help you remember them 5 Are all key commands accessible via menus 6 In what ways can you quickly access the Tool menus 7 In what ways can you back up and share your settings Answers 1 Project templates are premade project files containing various configu
10. cted and deselects any regions or events that are selected The Select Equal Subpositions command selects all regions or events with a similar bar or beat relationship to the selection The transform functions can be accessed via the main Window menu or via the Functions gt Transform menu in all MIDI editors The transform functions contain many helpful operations for processing MIDI data such as humanizing performances Separate by MIDI Events separates combined parts recorded in a single MIDI region into individual regions for further editing Logic Pro9 Exam Preparation Guide Level 2 Lesson Ten objectives Upon completion of Lesson Ten Managing the Mix in Logic Pro 9 Advanced Music Production you should be able to complete the following tasks Items from this lesson are included in the pool of exam questions drawn randomly from the following objectives s Import channel strips automation and audio content from other Use Mixer views to navigate in a mix Create production notes and save them with your project Control the balance and imaging width of a stereo signal Create a dedicated alternative Mixer view to access frequently used channel strips Change the plug in order in a signal chain Create channel groups to link the controls of multiple channels Lesson Ten review questions After completing Lesson Ten you should be able to answer the following questions 1 What track data can you impor
11. d be able to answer the following questions 1 How do markers aid in a production 2 How is changing the text and color of markers useful in a production 3 Where are markers accessed 4 How can you initiate playback from the bar number displayed on the far left side of Arrange area 5 How are locators set 6 Where do you configure playback hierarchy 7 How can you insert or delete measures across all tracks of a project including global tracks at once 8 How can you compartmentalize large groups of regions for quick simple rearranging Logic Pro9 Exam Preparation Guide Level 2 Answers 1 Markers can designate section material or serve as navigation points 2 Changing the appearance of markers including production notes helps you easily identify and navigate to sections within the arrangement 3 Markers can be accessed in the Bar ruler Marker track or Marker List 4 Use the Play From Left Window Edge key command 5 Locators can quickly be set by dragging within the Bar ruler or by creating cycle areas for any region event or marker 6 Hold the Play button in the Transport area 7 Set locators around the measure to be added or deleted and then choose Cut Insert Time commands from the Edit menu 8 Pack all regions of a song into a folder The folder can then be divided into song sections and rearranged Lesson Eight objectives Upon completion of Lesson Eight Advanced Audio Editing
12. e time grid Flex time transient markers can only be edited where 8 How are speed fades created True or false Varispeed can alter both pitch and time of an entire project 10 Which global track lets you graphically align Logic s time grid to a rubato part Logic Pro9 Exam Preparation Guide Level 2 11 True or false Both audio and MIDI regions can be beat mapped Answers 1 10 11 Transients They must be defined accurately through automatic and manual means to achieve the best results when creating Apple Loops The project s key and tempo determine how Apple Loops are conformed The Time and Pitch Machine provides detailed control over pitch and time and it uses pitch shifting to preserve the natural resonances of a given sound The Pitch Correction plug in intonates audio input in real time dynamically intonating a performance by aligning it to a pitch quantization grid Flex markers are used as points of reference for time manipulation and they may be created independently of or on top of transient markers When making region based time adjustments like quantizing flex time uses both flex markers and transient markers as timing references aligning to Logic s time grid Flex time transient markers can only be edited in the Sample Editor Speed fades are created with the Fade tool and specified within the Region Parameter box True Varispeed can alter both pitch and time of an enti
13. five e The exam uses a random pool of multiple choice fill in the blank and e Passing score 80 scores are not rounded you must earn a score of 80 or higher to pass the exam e Details on exam scoring appear at training apple com certification faq b Exam duration One hour thirty minutes exams are available in other languages please visit training apple com certification localized The exam timer does not start until you view the first technical question You may not access any resources or references during the exam Recommended Exam Preparation We recommend the following exam preparation strategies e Gain experience with the application e Learn from experts Logic 301 Advanced Music Production in Logic Pro e Study the Apple Pro Training Series book Logic Pro 9 Advanced Music Production by David Dvorin with Robert Brock ISBN 0 321 64745 9 e Review the optional study materials e Review the objectives and sample questions in this guide Gain Experience with the Application Nothing can substitute for time spent learning the technology first hand After you read the book and or take the class spend time increasing your familiarity with the software on your own to ensure your success on the certification exam Music Production Creating and Producing Professional Music David Dvorin Logic Pro 9 Advanced Logic Pro9 Exam Preparation Guide Level 2 Learn from Experts Apple Authorized
14. g to multiple channels Logic Pro9 Exam Preparation Guide Level 2 2 Side chaining plug ins allows you to control an effect on one channel by the signal from another channel 3 Sends can be configured post fader pre fader and post pan and fader 4 Insert external effects processors into the signal chain using the I O plug in 5 When bouncing regions or tracks in place a channel s audio signal can be rendered to a new audio file with or without plug ins effect tail and volume and pan automation Lesson Twelve objectives Upon completion of Lesson Twelve Controlling the Mix in Logic Pro 9 Advanced Music Production you should be able to complete the following tasks Items from this lesson are included in the pool of exam questions drawn randomly from the following objectives e Automate an aux channel e Copy automation data between tracks e Scale automation e Apply automation to multiple tracks at once e Map your MIDI controller to Logic s controls Lesson Twelve review questions After completing Lesson Twelve you should be able to answer the following questions 1 How can you automate an aux channel Snap automation is enabled where How is automation data scaled A 2 BN What must be done in order to apply automation to multiple tracks at once a Where do you assign MIDI controls to Logic s transport How do you assign MIDI controllers to plug in parameters and channel controls
15. ilters be configured In the ES2 modulation is assigned where 8 The ES2 vector envelope can be assigned to what two targets Answers 1 Signal flow moves from left to right which helps with understanding the instrument as well as locating controls 2 Each oscillator offers 100 Digiwaves 3 Oscillator 1 acts as the carrier and Oscillator 2 acts as the modulation source 4 Oscillator 2 acts as the carrier and Oscillator 1 acts as the modulation source 5 Oscillator 1 is the master when using oscillator synchronization 6 The filters can be configured in either series or parallel 7 Modulation is assigned within slots of the modulation router 8 The ES2 vector envelope can be assigned to Mix Triangle and the X Y Planar pad Lesson Four objectives Upon completion of Lesson Four Sampling with the EXS24 mkll in Logic Pro 9 Advanced Music Production you should be able to complete the following tasks Items from this lesson are included in the pool of exam questions drawn randomly from the following objectives e Build new sampler instruments from audio regions e Assign pitch mapping and tuning to zones e Create loop points for sustaining sounds Logic Pro9 Exam Preparation Guide Level 2 e Use groups to assign common parameters to multiple zones e Use filters and modulation to change the character of sampled e Route output of specific groups for individual processing Lesson Four review ques
16. ndividually in a selectable pattern 8 Chord memorizer objects map a single note to a set of up to 12 user selected notes 9 Delay line objects repeat MIDI events passing through them achieving a result similar to that of a delay processor creating echoes from audio signals 10 Transformer objects primarily change one type of MIDI data to another They can also act as a MIDI filter track automation splitter SysEx mapper and condition splitter 11 Cable switcher objects are used to manually direct the signal flow out of multiple outputs 12 Touch tracks objects allow you to trigger MIDI regions or folders by playing single notes Lesson Fifteen Sixteen and Seventeen Objectives The Logic 301 class does not cover the material in Lessons Fifteen Sixteen and Seventeen Material in these chapters is not included in the end user certification exam the material in these chapters is included in the Trainer certification exam However many candidates seek certification to bolster their resume as a Logic consultant and the information in these lessons can help clients transition to Logic from another program Taking the Logic Pro 9 Level Two exam The Logic Pro 9 Level Two certification exam must be taken at an Apple Authorized Training Center AATC in a proctored setting To find the closest AATC please visit training apple com aatc Logic Pro9 Exam Preparation Guide Level 2 Many AATCs schedule Certification Exam Ses
17. o change the insert order by dragging and dropping plug ins within a single channel or from channel to channel 7 Use groups to link the controls of multiple channels while mixing 8 Engage the group clutch press Command G or in the Mixer s menu bar choose Options gt Group Clutch Lesson Eleven objectives Upon completion of Lesson Eleven Controlling Signal Flow in Logic Pro 9 Advanced Music Production you should be able to complete the following tasks Items from this lesson are included in the pool of exam questions drawn randomly from the following objectives e Create submixes for processing multiple channels e Create a headphone mix e Use plug in side chains e Use parallel compression while maintaining stereo placement e Incorporate external effects processors into Logic s Mixer e Bounce both regions and tracks in place Lesson Eleven review questions After completing Lesson Eleven you should be able to answer the following questions 1 What is the most efficient way to apply effects processing to multiple channels at once 2 Side chaining plug ins allows you to do what 3 Sends can be configured in what three ways 4 How do you insert an external effects processor into the signal chain 5 When bouncing regions or tracks in place a channel s audio signal can be rendered to a new audio file with and without what Answers 1 Use aux channels as submixes to apply effects processin
18. ocate resources to help you prepare for the exam e Review the range of objectives that the exam may cover e Get a feel for the type of questions that appear on the exam Becoming an Apple Certified Pro The Apple Training amp Certification program is designed to keep you at the fore front of Apple technology Apple Certification creates a benchmark to demonstrate your proficiency in specific Apple technologies and gives you a competitive edge in today s evolving job market What is an Apple Certified Pro An Apple Certified Pro is a user who has reached the highest skill level in the use and operation of Apple s Pro Applications as attested to by Apple How do become an Apple Certified Pro To become an Apple Certified Pro you must pass an online exam administered at an Apple Authorized Training Center AATC Level One exams are administered at the end of specific courses If you prefer to learn on your own or believe you already have the necessary skills in your chosen application you may take an exam at an AATC for a fee Level One attests to basic operational knowledge Level Two attests to a deeper understanding of an application Class attendance is recommended but not required To be eligible to earn Level Two Logic 9 certification you must first earn Logic 9 Level One certification What are the benefits of being an Apple Certified Pro Beside differentiating you as a skilled user of a specific Apple application
19. plish this for large numbers of regions set crossfade parameters in the Region Parameter box 2 Inthe Sample Editor zoom in on the waveform and draw out the click with the Pencil tool 3 Pack a take folder of selected regions and then use Quick Swipe Comping to edit the parts together 4 Using Mixer groups create an Edit group with phase locked editing enabled 5 Assign drum tracks to a phase locked edit group and then enable quantization parameters in the Region Parameter box 6 Cut and paste material using marquee selections that are precisely tuned using the Snap to Transient commands Actions Paste Mix and Frequency Spectrum view 8 Save over the exported audio file making sure the file type and bit depth match the original 9 Apply the Drum Replacement Doubling command to convert audio tracks into a MIDI track that will trigger sampled instruments Lesson Nine objectives Upon completion of Lesson Nine Advanced MIDI Editing in Logic Pro 9 Advanced Music Production you should be able to complete the following tasks Items from this lesson are included in the pool of exam questions drawn randomly from the following objectives e Utilize aliases to repeat performances in other parts of the project e Edit regions by applying playback parameters e Use quantization techniques to change the rhythmic feel e Use specialized selection techniques to edit MIDI events e Modify MIDI data using the Transform windo
20. rations specific to certain session tasks such as composing and mixing 2 Project files can be customized by adding buttons to the toolbar and Transport bar and by maximizing various areas of the workspace 3 An unlocked screenset can be advantageous during the editing stage because it allows a dynamic view of the current data 4 Assign a key command only if you find yourself performing menu command often Assign keys that provide a clue to the function of a command such as a key with a graphic representation or the first letter of the function 5 No Some useful functions are accessible only via key command indicated by a bullet preceding the name in the Key Commands window 6 You can access the Tool menus quickly by using alternate tools using the key to display the Tool menu at the pointer location and using a two button mouse 7 Custom key commands plug in settings and channel strip settings can be backed up to traditional storage media as well as to a Bonjour account on a local network or a MobileMe account accessed via an Internet connection Logic Pro9 Exam Preparation Guide Level 2 Lesson Two objectives Upon completion of Lesson Two Working with Time and Pitch in Logic Pro 9 Advanced Music Production you should be able to complete the following tasks Items from this lesson are included in the pool of exam questions drawn randomly from the following objectives e Use the Apple Loops Utility to c
21. re project including MIDI regions The Beat Mapping track allows the accurate rescaling of the time grid to a rubato part True Both audio and MIDI regions can be used as the basis for beat mapping Lesson Three objectives Upon competion of Lesson Three Synthesis with the ES2 Synthesizer in Logic Pro 9 Advanced Music Production you should be able to complete the following tasks Items from this lesson are included in the pool of exam questions drawn randomly from the following objectives e a e e Trace the signal flow through the ES2 Select combine and blend multiple waveforms from all three oscillators to generate interesting sounds Shape the generated sound with the filters Modulate parameters with low frequency oscillators and envelopes Add additional processing through output parameters Logic Pro9 Exam Preparation Guide Level 2 Lesson Three review questions After completing Lesson Three you should be able to answer the following questions 1 Which direction does signal flow in the ES2 2 Each of the three oscillators in ES2 offers what in addition to analog style waveforms and modulation options 3 When in FM mode Oscillator 1 acts as the carrier and Oscillator 2 acts as what 4 When in Ring Modulation mode Oscillator 2 acts as the carrier and Oscillator 1 acts as the what 5 When using oscillator synchronization which oscillator is the master 6 How can the E82 f
22. reate their own Apple Loops e Use the Time and Pitch Machine to create a harmonized part e Use the Pitch Correction effect to intonate an audio track e Manipulate the phrasing and feel of audio tracks using the Flex tool gt Quantize audio regions with flex time to change the feel or tighten the timing Conform the timing of one region to that of another by creating custom groove templates e Use speed fades to simulate turntable or tape machine effects Use varispeed to smoothly change the tempo of the entire project e Match a project s time grid to a freely played recording for further editing and development Lesson Two review questions After completing Lesson Two you should be able to answer the following questions 1 Which important aspect of an audio file determines how the Apple Loops Utility manipulates timing 2 Which two attributes of a Logic project determine how Apple Loops are conformed 3 Which offline Logic feature is used to exercise detailed control over an audio file s pitch in addition to its timing including the natural resonances formants of a given sound 4 What works on audio input dynamically intonating a performance in real time by aligning it to a pitch quantization grid 5 Flex time uses what as a point of reference when time compressing or expanding 6 When making region based time adjustments on audio like quantizing flex time uses what to adjust the timing in relation to th
23. sions at training apple com schedule If you don t see a session scheduled you can contact the AATC and they will often schedule one for you Please note that all AATCS can offer all OS X and Pro Apps exams even if they don t offer the corresponding course Exam FAQs Please visit training apple com certification faq for a list of Frequently Asked Questions If you do not find the answer to your question then email us Please allow at least two business days for a response
24. t from one project to another 2 Explain the difference between the Mixer s Arrange All and Single view modes 3 Notes can be created for both the project and what 4 Which insert plug in aids in accurate stereo placement within a mix 5 Aplug in s Show Channel Strip and Show Insert menus allow what 6 Which tool allows you to change the insert order thereby affecting signal flow 7 How do you link the controls of multiple channels while mixing 8 How do you temporarily disengage a group Answers 1 You can import track content channel strip configuration including plug ins and routings and automation data from one project into another 2 The Mixer s Arrange view adapts to the Arrange area s track list and vice versa The All view mode displays all the channels existing in a project s Environment and it can be used to create an alternative mixer with commonly accessed channels The Single view displays the entire signal flow from a selected channel including send channels and output 3 Notes can be created for both the project and tracks Logic Pro9 Exam Preparation Guide Level 2 4 Stereo tracks can be accurately balanced and their images adjusted by means of the Direction Mixer plug in 5 A plug in s Show Channel Strip and Show Insert menus allow navigation from plug in to plug in within the same window making it easier to copy and paste settings between plug ins 6 The Hand tool allows you t
25. tions After completing Lesson Four you should be able to answer the following questions 1 Individual samples are referenced and mapped within what 2 What contains the settings for how a sample will be played back including key ranges 3 Which tuning parameter in the EXS24 Instrument Editor would be used to tune by cents Coarse or Fine 4 Are loop points set within zones or groups 5 What parameter in the EXS24 Instrument Editor is used to smooth out transitions between the end points and start points of a loop 6 How are groups used in the EXS24 Instrument Editor 7 Are filter and envelope offsets set within zones or groups 8 What do multi output instruments do Answers 1 Samples are mapped within sampler instruments 2 Zones contain the settings for how a sample will be played back including key range 3 The Fine parameter is used to tune by cents 4 Loop points are set within zones as they refer to specific samples Logic Pro9 Exam Preparation Guide Level 2 5 The Xfade parameter allows you to assign a crossfade between the end and start points of a loop making it smoother 6 Groups are used to assign common parameters to multiple zones 7 Filter and envelope offsets are set within groups 8 Multi output instruments such as Ultrabeat and EXS24 mkill can route individual sounds to separate channel strips for isolation or further processing Lesson Five objectives Upon completion of
26. touch tracks objects Lesson Fourteen review questions After completing Lesson Fourteen you should be able to answer the following questions 1 How are layers used within the Environment What does the Physical Input object represent What does the keyboard object do What does the monitor object do What does the Sequencer Input object represent How do you cable an object from one layer to another What does an arpeggiator object do What does a chord memorizer object do o ONnNeogaPpr amp DN What does a delay line object do 10 What does a transformer object do 11 What does a cable switcher object do 12 What does a touch tracks object do Logic Pro9 Exam Preparation Guide Level 2 Answers 1 Layers are used to organize objects of like type or function within the Environment 2 The Physical Input object represents the ports of your MIDI interface or MIDI controller with direct MIDI to USB connection 3 The keyboard object displays incoming MIDI notes as well as generating new ones from its output 4 Monitor objects display MIDI events passing from their input to their output in a list form 5 The Sequencer Input object represents the connection to Logic s sequencer 6 Cabling across layers is performed by Option clicking the output of the object and selecting the input object from the menu 7 An arpeggiator object arpeggiates harmonic input chords outputting each note i
27. w e Split multipart MIDI regions into individual parts for editing Logic Pro9 Exam Preparation Guide Level 2 Lesson Nine review questions After completing Lesson Nine you should be able to answer the following questions 1 oo FPF Y DN How are aliases used What does the Region Parameter box do How can you quickly modify the timing a MIDI region What are the Q Velocity and Q Length parameters used for What does the Invert Selection command do in a MIDI editor What does the Select Equal Subpositions command do in a MIDI editor Where can you access the transform functions How are the transform functions useful What does Separate by MIDI Events do Answers 1 Aliases are used for duplicating material that needs to automatically update when the original is edited The Region Parameter box allows real time control over various playback parameters enabling you to transpose and adjust the feel of events in a MIDI region Select a Quantize setting to determine the timing grid that notes will be aligned to Use the Q Swing and Q Strength to further refine how the notes are placed in relationship to the grid Q Velocity and Q Length can be used to conform MIDI notes to the length and velocity values defined in a quantization template that is selected using the Quantize parameter The Invert Selection command selects all regions in the Arrange area or events in a MIDI editor that are not currently sele
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