User Manual
Contents
1. closed loop impedance converter JFET input with bipolar buffering Cardioid see graph 20Hz 20 000Hz see graph 1000 36dB re 1V Pa 1kHz 16mV 94dB SPL 1dB 1kHz 6dBA SPL per IEC651 13dBu 1kHz 1 THD into 1kQ gt 134dB per IEC651 gt 140dB O 1kHz 1 THD into 1kQ gt 88dB SPL 1kHz rel 1Pa per IEC651 6MA Phantom P48 2mA Phantom P24 3 pin XLR balanced output between pin 2 3 and pin 1 ground 682g Specifications Freguency Response dB re 1 V Pa 307 20Hz 100 1000 10 000 20 000 2007 2401 250 90 dB rel 1V Pa Frequency 500 Hz mm 1000 Hz mm 4000 Hz mm Accessories oc N RM2 Stand Mount ZP1 Zip pouch SM2 Shock Mount WS2 Windshield optional optional Features e HF2 1 capsule with gold plated diaphragm e Ultra low noise transformerless circuitry e Cardioid polar pattern e Durable satin nickel finish e High strength welded and heat treated mesh head e Internal capsule shock mounting e True externally biased condenser e Full frequency response e Designed amp manufactured in Australia e Full 10 year guarantee Using the NT1000 e The NT1000 requires a power supply which for optimum results should be a P48 standard 48 Volt DC Supply Most professional mixing consoles have an internal 48 V supply alternatively you can purchase a separate supply Ensure that the power supply y2. or absorbent panels at various angles adjacent to the source being recorded Using the NT1000 e Changing the acoustic properties of the space around the microphone is our recommended initial approach for obtaining best sound guality Remember you cannot change a room s acoustic properties with EO When the preferred sound has been achieved as above then EO and effects such as reverb or indeed any signal processing can be used for enhancement but should be used sparingly Storage e Afteruse the NT1000 should be removed from its stand or shock mount wiped with a dry soft cloth and placed in its protective zip pouch or case with the supplied moisture absorbent crystals e Be sure to place the moisture absorbent crystals supplied at the head of the microphone so as to absorb any moisture present Eventually this pack of crystals will need to be dried This is indicated by the crystals turning pink in colour They can easily be re used by placing them in an oven at 100 150 degrees celsius for approximately ten minutes The crystals will operate effectively again once they have turned blue Warranty All RODE microphones are warranted for one year from date of purchase You can extend that to a full ten years if you register online at www rodemic com The warranty covers parts and labour that may be required to repair the microphone during the warranty period The warranty excludes d
3. Instruction Manual RODE O NT1000 gt Tm A www rodemic com CE EMC WD Introduction want to thank you for your purchase of the RODE NT1000 large diaphragm microphone With its ultra low 6 dBA self noise and transformer less SMT circuitry the RODE NT1000 exhibits exceptional performance when recording both vocals and instruments in the studio Voiced for application versatility the NT1000 has been hailed by many as the ultimate drum over head and grand piano mic selection The NT1000 is also equally at home as a first call vocal mic With its Australian made 1 HF 2 capsule incorporating internal shock mounting the NT1000 boasts a 134 dB dynamic range and 140 dBA SPL capabilities as well as a 20 Hz 20 kHz frequency response Please take the time to visit www rodemic com and register your microphone for a full ten year warranty While there you can view studio tips and techniques as well as browse the comprehensive range of accessories for the NT1000 and other RODE microphones Ce is Peter Freedman R DE Microphones Sydney Australia Specifications Acoustic Principle Active Electronics Directional Pattern Freguency Range Output Impedence Sensitivity Equivalent Noise Maximum Output Dynamic Range Maximum SPL Signal Noise Power Requirement Output Connection Net Weight Pressure gradient Unity gain
4. efects caused by normal wear and tear modification shipping damage or failure to use the microphone as per the instruction guide If you experience any problem or have any questions regarding your RODE microphone first contact the dealer who sold it to you If the microphone requires a factory authorised service return will be organised by that dealer We have an extensive distributor dealer network but if you have difficulty getting the advice or assistance you require do not hesitate to contact us directly RODE Microphones International PO Box 6685 Silverwater NSW 2128 Australia Ph 61 2 9648 5855 Fax 61 2 9648 2455 USA P O Box 4189 Santa Barbara CA 93140 4189 Ph 805 566 7777 Fax 805 566 0071 Technical Support For information and technical support questions contact support rodemic com In the Unites States and Puerto Rico contact usasupport rodemic com or call 805 566 7777 In Australia contact ozsupport rodemic com or call 02 9648 5855 Anywhere except Australia the United States and Puerto Rico contact support rodemic com or call 61 2 9648 5855 8
5. ou use is a professional unit that is operating correctly Damage due to connection of the NT1000 to a faulty power supply is not covered by the warranty e The NT1000 comes complete with a microphone stand mount RM2 This should be used to attach the microphone to a good quality stand Online product registration required SG Using the NT1000 The stand mount includes a thread adaptor allowing connection to either 3 8 or 5 8 stand thread e Always use a high quality microphone cable and ensure that it is wired Pin 1 screen Pin 2 Pin 3 e We recommend that any connections made to the mixer or recorder are made with the attenuation gain set to OFF e When first switching the mixer on and phantom power has been applied to the NT1000 you should allow several seconds for the microphone to stabilize e To ensure the lowest noise distortion your mixer input gain control should be set so that the Peak Program Indicator PPI LED flashes ON during peaks of the source voice instrument If there is no PPI adjust the input gain while listening for distortion of the sound If distortion is heard gradually reduce the gain until it is no longer present e Microphone technique or how to get the sound you want requires experimentation We suggest that you start with the channel EO set to OFF or FLAT no boost or cut Try to get the sound you want by placing either reflective
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