VINTAGE Art LF
Contents
1. 5 4 2 Color Concept 6 4 3 Example for Use 7 5 Firing Schedule 13 6 Troubleshooting 14 EN Notes on Use 1 1 Notes 1 Keep away from flame or ignition source 2 Wear protective glasses etc while grinding and polishing this product to avoid damages to the eyes 3 Use local dust extractor dust protective mask etc while grinding this product to avoid harmful influence of the dust on the human 4 Do not mix this product with other stain products 5 VINTAGE Art LF must only be used for the intended purpose 6 VINTAGE Art LF must only be used by dental professionals 1 2 Important Notes 1 If allergic reactions occur such as eruption or skin inflammation while using this product discontinue use immediately and seek medical advice 2 Avoid contacting soft tissues skin or eyes In case of eye contact rinse immediately with plenty amounts of water and seek medical advice A Characteristics 2 1 Compatible with various Dental Ceramic Materials VINTAGE Art LF low fusing paste stains can be used with various dental ceramic materials such as lithium disilicate press ceramics zirconia alumina based VINTAGE restorations CAD CAM porcelain blocks and PFM porcelain systems 2 2 Easy to use Paste Stain2. VINTAGE Ay Lr VINTAGE Art LF INSTRUCTIONS FOR USE SHOPFU INC VINTAGE 4 VINTAGE Introduction Thank you for purchasing our VINTAGE Art LF porcelain stains Please read this user s manual carefully before use to attain maximum benefits of this product Kindly keep this manual for your future reference VINTAGE Art LF low fusing fluorescent porcelain stains are designed to realize the internal and external modification of shades for all porcelain materials Even the ready to use Glazing Paste is fluorescent and supports a lifelike color impression In a very simple way the reproduction of every natural teeth characteristics can be created with a vital appearance in the laboratory and dental office 1 Notes 3 e CR 3 1 2 Important Notes 3 2 Characteristics 3 2 1 Compatible with various Dental Ceramic Materials 3 2 2 Easy to use Paste 3 2 3 Wide Variety of Colors amp Shades 2 4 Fluorescence 3 System 5 4 4 Indications for Use 5 4 1 Colors and Indications
3. These shades offer unique possibilities for obtaining three dimensionally with metal free and metal bonded porcelain works This can be achieved by direct application of a thin layer on the Opaque or Liner 4 3 Example for Use Please mix the Paste Stains well with a plastic spatula before usage If an adjustment of the viscosity is needed please add a small quantity of Stain Liquid according to the personal requirements Moisten the grinded and cleaned surface with a thin layer of VINTAGE Art LF Stain Liquid apply the Paste Stains pure or mixed and fire according to the firing schedule The viscosity of the fluorescent Glazing Paste can be modified as well by mixing with VINTAGE Art LF Stain Liquid 1 Base Color and Hue Color Circle The above hue color circle displays the primary colors such as Pink Yellow and Hue Color Circle Blue Between the primary colors the secondary colors are located In the center of the hue color circle there are the achromatic colors The opposing colors of the hue color circle are called complementary colors and are neutralizing each other which means that when mixed in equal quantities opposing shades turn gray This is based on the subtractive color mixing theory White Gray Black 4p Complementary Colors Violet Achromatic colors such as White Gray and Black can be used for the adjustment of brightness value In addition Gray and Black can reduce the light reflection by ap
4. A B Shade C Shade D Shade 3 g each VINTAGE Art LF Mixing Liquid 50 ml Indications for Use 4 1 Colors and Indications Color Use example Gingival shade Shade Code adjustment Cervical Incisal Proximal Stain Glazing Paste Pink Yellow Blue Orange Violet Green Black White Dark Red Brown Brown Orange Brown Black Brown Khaki Gray Blue Gray Corn Yellow Rose Pink VINTAGE Wine Red vi Vanilla Shade Shade 23 Shade CS O 24 D Shade DS es JO suoneoipu e VINTAGE 98 JO suoneoipu e 4 2 Color Concept The color concept of the VINTAGE Art LF system is logically structured in three main color groups 1 Base Color Stains The esthetic color concept includes primary colors secondary colors and achromatic colors Primary colors P Y Bl Secondary colors O Gr V Achromatic colors W G B 00050 060 2 Color Stains Based on these shades all individual colors and color adjustments can be achieved for the reproduction of every individual tooth characteristic 0000005909 L DR Br Br O Br B Br BI G 3 Shade Stains AS BS CS DS The coloration in the desired shade group of finished Lithium disilicate milled pressed or layered porcelains can be obtained just by a surface application with these stains
5. be achieved with VINTAGE Art LF Stains Basic shades with stains AS or BS Enamel effects with Blue Gray White Vanilla and Gray Cervical effects with Khaki Brown Orange Brown or Dark Red Brown Lithium disilicate restoration after Contour the final form and clean briefly divesting with Individualize with VINTAGE Art LF Then apply VINTAGE Art LF Glazing stains and perform an outer porcelain Paste and perform an outer glazing staining firing firing VINTAGE 4 JO suoneoipu e VINTAGE JO suoneoipu e 5 Inner Staining Designing of mamelon shapes and adjustment of translucency If the mamelon structure is clearly expressed Vanilla Orange or Pink can be applied onto the mamelon structure for reducing the dominance Vanilla Pink gt 2 E aye LJ LA M a z E p 3 5 Adjustment of mamelon structure Emphasized mamelon structure Shade application on the incisal area adjustment of translucency To intensify the translucency of the incisal area and to adjust the light reflexion Blue Gray Gray Violet or Orange can be thinly applied palatinally The frontal application of Paste Stains creates a stronger coloration Gray Orange i Adjustment of translucency ETT 1 Use clean spatula or brush to dispense this material from the container Water should be eliminated completely from the spatula or the brush before use Entrappin
6. ayer too thick Apply thin layer Layer too thick Apply thin layer Drying temperature too high Dry with appropriate temperature Drying time too short Dry with appropriate time Firing temperature too high Fire with appropriate temperature Firing tray Place firing tray at least 2 3 minutes Stain Bubbles temperature too high after firing stage is open Contamination of Clean the abrasive dust with application surface j sandblasting machine Contamination of Avoid contamination with water for Stain Liquid with cleaning of the brush the use of water Stain Liquid is necessary Stain Paste S Mix well with a spatula before usage smooth condition Cap was not sealed T Drying of stain tightly and liquid Add VINTAGE Art LF Stain Liquid and mix well evaporated Cracking of porcelain Too thick layer Apply with thin layer and fire Bubbles in Too thick layer and I porcelain bubble included py wi inc If the stain surface is too shiny Lifting of porcelain Too high firing select a lower temperature so that Porcelain due to shrinkage temperature the stain surface does not get a shiny White discoloration of porcelain Porcelain was contaminated by Stain Liquid surface lower the temperature Stain is applied after firing of porcelain Stain Liquid consists of organic elements and it should not be mixed with porcelain powder as it is difficult to evaporate Manufacturer SHOFU INC 11 Kamitakamat
7. clusal area Dark Red Brown can be placed in the fissure by using a very small brush The cusps can be emphasized with White Orange or Blue For interproximal and cervical areas Shade Stains or Khaki can be selected depending on the clinical case Orange Brown 7 Dark Red Brown i VINTAGE Adjustment of pits and fissures 35 Shade application of white bands and decalcifications E To create white bright bands or decalcification areas White Vanilla or Corn 9 Yellow can be used individually or mixed with a brush or a fine instrument A 1 1 mixture is often required It is also possible to stain these effects internally after the first firing of body H CE n Vanilla Corn Yellow Orang e Brown White band Decalcification VINTAGE Ag 10 suoneoipu e Dark Red Brown Shade application on the incisal area adjustment of translucency To intensify the translucency of the incisal area and to adjust the light reflection Blue Gray Gray Violet or Orange can be thinly applied palatinally The frontal application of Paste Stains creates a stronger coloration Gray Blue Gray Violet Adjustment of cervical translucency Applications of stains hair lines and crack lines Strong staining and discoloration such as experienced by smokers and tea drinkers can be accurately reproduced with Dark Red B
8. g water cases air bubbles 2 Dispense necessary amount of paste and mixing liquid Do not put remaining material back into the container 3 Stain paste must be mixed with clean spatula before dispensing on the palette or glass slab Close the cap tightly immediately after dispensing 4 Use VINTAGE Art LF Stain Liquid to adjust the viscosity of the paste Do not use water or other mixing liquid 5 Use the materials immediately after dispensing 6 Do not touch the material with bare hands E Firing Schedule For use of inner porcelain staining Drying Drying Vacuum Start Inc Temp Final Temp Vacuum Hold nc C pe min 450 9 50 60 715 0 For use of outer porcelain staining Drying Drying Vacuum Start Inc Temp Final Temp Vacuum Hold aC C min C min 450 5 50 60 760 0 5 For use of outer glazing of Lithium disilicate Drying Drying Vacuum Start Inc Temp l Vacuum End Hold min IG min 50 60 1 0 min Depending on the type of porcelain furnace the firing temperature varies so a test firing is recommended before usage VINTAGE einpeuos e VINTAGE Dunoouso qnoJ e EN Troubleshooting Porcelain Trouble Cause Solution Crack on stain L
9. plying on the surface of Opaque Porcelain or Opaque Liner If White is mixed adequately adjustment of opacity is possible 2 External Adjustment of Shades By mixing the colors in different quantities the intensity of the hue color increases and the value is reduced By utilizing complementary colors for example if the Green tone should be reduced reddis color as the complementary color of Green can be applied to adjust the tooth shade A2 shade guide green tone crown A2 shade guide after adjustment VINTAGE esf JO suoneoipu e 3 Recommended Stains for the Shade adjustment chroma and hue Shade Stains are recommended for the shade adjustment of finished ceramic restorations gt arm Q US 4 w A1 A2 B3 A3 R3 A4 rootA Shade Stains AS BS CS DS They should be applied on the porcelain surface to adjust the chroma and hue of the shade AS BS CS DS Example In order make strong A Shade AS A Shade is applied VINTAGE A3 shade adjustment of shade adjustment of guide crown guide crown 98 JO suoneoipu e Since Shade D4 has different hue an appropriate amount of B Shade shall be mixed with D Shade 4 Outer Staining interproximal cervical and occlusal applications ridges fissures and cusps To create an individual occlusal surface Orange and Brown can be applied thinly at the centre of the oc
10. rown Black Brown or Brown with a small brush To create hair lines Dark Red Brown Black Brown or Brown are recommended The thickness length or position of the lines is adjusted with a clean brush by eliminating excess of stain materials Crack lines can be also created by using White Vanilla or a mixture of White and Orange instead of Brown i Black Br own Brown Orange White Hair line crack Staining of nicotine or food Shade application of reddish gum effects on the cervical area The shade of the cervical area of natural teeth is slightly reddish because of the reflecting gum color Fine adjustment for reddish gum effects on the cervical areas can be achieved by using Pink Rose Pink or Wine Red Pink Rose Pink or Wine Red are designed gum colors used to enhance the reddish appearance on the cervical area Pink Rose Pink Wine Red Violet Vanilla Natural teeht Image of cervical shade 3 Staining Gingiva Porcelain Especially for implant supported restorations the stain colors Vanilla Pink Rose Pink or Violet are recommended for creating individual gum colors Brown and Black Brown are also used to create melanin discoloration or gingival sulcus Rose Pink gs Pink Adjustment of gum color 2 Staining of Llithium dislicate press ceramic CAD CAM crowns Any required color adjustment and natural individualisation after pressing or milling can
11. s Due to the ultra fine particle structures the ready to use paste stains have excellent handling and application properties as well as superb covering characteristics The appliance of a thin layer can easily be done from beginners to experienced ceramists 2 3 Wide Variety of Colors amp Shades 23 colors Glazing Paste The VINTAGE Art LF stain concept consists of primary stain colors Pink Blue and Yellow secondary stain colors Orange Green and Violet and shade stain colors Shade Stains In total 23 colors are available to meet the requirements of various esthetic restorations Complicated mixing is not necessary in either clinical case so the application work becomes easier 2 4 Fluorescence VINTAGE Art LF are fluorescent stains which match the fluorescence of natural dentition and enhances the vitality of the ceramic restorations VINTAGE 4 s u uoduioo e EE System Components Effect Set e Glazing Paste 5g Pink Rose Pink Corn Yellow Blue Gray Gray Orange Violet Wine Red Vanilla White Orange Brown Black Brown Khaki A Shade B Shade C Shade D Shade 3g each VINTAGE Art Stain LF Mixing Liquid 50 ml e Color Card e Instructions Refills 23 colors Glazing Paste Glazing Paste 5g Pink Yellow Blue Orange Violet Green Black White Dark Red Brown Brown Orange Brown Black Brown Khaki Gray Blue Gray Corn Yellow Rose Pink Wine Red Vanilla A Shade
12. su cho Fukuine Higashiyama ku Kyoto 605 0983 Japan SHOFU DENTAL CORPORATION 1225 Stone Drive San Marcos California 92078 4059 USA SHOFU DENTAL GmbH Am Br ll 17 40878 Ratingen Germany SHOFU DENTAL TRADING SHANGHAI CO LTD No 645 Jiye Road Sheshan Industrial Park Songjiang Shanghai 201602 China 5 SHOFU DENTAL ASIA PACIFIC PTE LTD 10 Science Park Road 03 12 The Alpha Science Park Singapore 117684 www shofu com
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