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USER MANUAL

1. S A L B LL l AA L 26 A R UNBALANCED LEFT RIGHT GROUND S LEFT RIGHT LEFT DV RIGHT GROUND S LEFT RIGHT Input 5 Inputs 7 and AUX or 10 pin male connector Input 6 Balanced connection DVI 2 Output specifications ANALOG OUTPUTS Connector Outputs 1 Main amp 2 Preview female HD15 DVI I analog pins Resolutions Format Ratio Available Refresh Rates Reduced Blanking 640 x 480 4 3 50Hz 60Hz 72Hz 75Hz 800 x 600 4 3 50Hz 60Hz 72Hz 75Hz 848 x 480 16 9 50Hz 60Hz 72Hz 75Hz 1024 x 768 4 3 50Hz 60Hz 72Hz 75Hz 1280 x 720 16 9 50Hz 60Hz 1280 x 768 15 9 50Hz 60Hz 72Hz 75Hz 1280 x 800 16 10 50Hz 60Hz 72Hz 75Hz 1280 x 1024 5 4 50Hz 60Hz 72Hz 75Hz 1360 x 768 16 9 50Hz 60Hz 72Hz 75Hz 1366 x 800 15 9 50Hz 60Hz 72Hz 75Hz 1400 x 1050 4 3 50Hz 60Hz 72Hz 75Hz 1440 x 900 16 10 50Hz 60Hz 72Hz 75Hz 1600 x 1200 4 3 50Hz 60Hz 1680 x 1050 16 10 50Hz 60Hz 1920 x 1080 16 9 50Hz 60Hz 72Hz 75Hz YES 1920 x 1080 B 16 9 50Hz 60Hz YES 1920 x 1080 C 16 9 50Hz 60Hz YES 1920 x 1080 HD 16 9 50Hz 60Hz YES 1920 x 1200 16 10 50Hz 60Hz YES 2048 x 1080 19 10 50Hz 60Hz YES Signals RGBHV RGBS and RGsB Levels B 0 7 Vp p Sync Separate amp V TTL negative Composite TTL negative SOG 0 3 Vp p negative Impedance R 75 ohms K NN 222222222 AL m
2. All changes have to be validated by pressing the OK button in order to be saved Video Out In Native Matrix mode the menu connection mode allows you to choose recording Output 1 or Output 2 Output 1 Menu Video Out Connection Output 1 Output 2 Menu Video Out Connection Output 2 Working with Layers Same as MIXER Mode Settings Background Live amp Frame Output 1 amp Output 2 Position NO Size NO Zoom YES Transparency YES Border NO Opening effects YES Closing effects YES Smooth move YES H Flip V Flip NO Working with Native Matrix Mode To activate the Native Matrix Mode Mode Menu Native Matrix mode menu You ll find all menus from the Mixer Mode in the main menu except some specific matrix function added To work with Native Matrix Mode you have to use the Matrix buttons first For instance if you want to put the Frame 1 on the Output 1 and the Live source 3 on the output 2 Press Matrix 1 button Press Background Frame button Press input 1 Press Matrix 2 button Press Background live button Press input 3 Press TAKE to view the result on both screens Don t forget to press the correct Matrix button before pressing the Layer selection button in order to be sure doing the manipulation on the correct output Working with Cut Fade or Transitions All the transitions Cut Fade or Transitions
3. Set up your logo Store menu logo To set up your logo you have several features available Position Size Adjustment Keying type Chroma key Cut out color Select the logo number you want to save and wait until the unit finish saving Your logo is now saved and you can use it through the background logo button You can save up to 8 logos with the OPS300 The capture of logos can be done only with the following conditions The unit can be in Mixer Mode or Matrix Mode The capture be done on the Main output or the Preview output selected source The disappearance of logos the Preview and Main output is normal The logos are captured with the same size as is visible on the Main output without any form of adjustments If zooming is required resize the PIP or use the layer or input zoom A logo captures the state of the defined area on the specified output at the Main output resolution and must be recalled using the same output resolution Resizing or other image manipulation of the captured logo is not possible The capture zone is outlined by a white rectangle and includes the pixels beneath the white border The non captured area is reduced in brightness Logo capture is limited in the number of pixels being captured When the logo capture area is resized extending the horizontal size may reduce the vertical size to compensate Logos can also be captured and displayed with transpa
4. 1 to 12 to display in a selected layer Select one of 12 simultaneous inputs analog inputs 2 DVI D inputs 2 SDI inputs by simply pressing one of the Input buttons BJ 1 2 i E 5 T H Li Li J O0 Le a The BLACK button allows users to remove layer content on screen Freeze button The FREEZE button of the OPS300 allows users to freeze the Main output current display or the active input depending on the freeze mode FREEZE ALL or freeze the current selected input Audio Video input 8 Z E 2 a u N m The handy front panel Audio Video Input 8 lets users quickly access an extra universal analog input source without the hastle of re cabling the OPS300 rear panel or for quick source changes during T Bar RV 0 gt O D n D 5 0 p The OPS300 T Bar allows to switch from Preview to Main outputs manually and as gradually as you wish By sliding the T Bar what you have setup on your preview screen will go live on the Main output display at the same speed as you slide it Effect selection button The OPS300 EFFECT selection button is the shortcut to the current layer Preset selection button The OPS300 PRESET selection button allows you to instantly O recall a saved preset 4 2 THE OPS300 MENU Menu navigation To access the 300 menu press the EXIT MENU button in the control section 4
5. 2 5 In Mixer Mode select Audio Prelist from the Audio menu to determine pre listen audio output level balance and delay settings for each audio input or to mute Prelist audio output NOTE in Matrix Mode select Out1 Prelist or Out2 Prelist from the Audio menu to set audio pre listen output parameters 6 Select Delay Mode to determine how the OPS300 deals with audio delay Select Auto Adjust to let the OPS300 determine audio output delay Select Manual Adjust to determine audio delay manually NOTE selecting Manual Adjust will give access to audio delay value in milliseconds of the Main and Prelist audio output Menus Special Features Dynamic Fit automatically activates the Transparent Background Dynamic amp Automatic adjustment of the PIP to fit the source image borders Black Stripe Transparent Background Transparent Background allows you to remove the black band on sources in the background live layer in order to display behind a background frame or background color Image Live Smooth Move effect Smooth Move PIP control the acceleration of the PIP The time can be different between the opening and closing PIP Preview ID The function disables all the display of information in Preview Mode The colorful frames and numbers with the same color are disable To set up your Preview ld Menu Control Preview ld Working with DSK Chroma Luma key OPS300 allows to use a
6. All still frames make an opening and closing phase All sources of the same layer are completely different between the Current Preset and the Next Preset The opening and closing effects of the Layer are set to Cut e TAKE shot 2 One of the Layer makes a change of source which be not in Cut The opening and closing phases can be done with different effects The still frame appears and disappears of the layer with the following effects Cut Fade Slide or Wipe Frame setup menu In the frame setup menu you have the possibility to save a frame and the possibility to erase a stored frame Logos Frames menu save Frame Frame Logos Frames menu Erase Frame Frames as Layer The background frame is considered as a layer and has some settings available Transparency Opening Closing effect Smooth move and Status Those settings have to be used as Layer settings Press BACKGROUND FRAME button to have access to the Layer menu settings You can change frame or delete frame on the preview screen using the same way the layers do Delete Press BACKGROUND FRAME button Press BLACK Change Press BACKGROUND FRAME button Press another Frame Press TAKE to view the result on the main screen Capturing Logos To capture a Logo display the exact content you want to save on the main screen you can use the FREEZE button if you want Then follow these steps Logos Frames menu Record Logo menu
7. Blue Level RS 2 2 Pulldown 3 2 Pulldown 88 Force 4 3 R9 Reset settings KEYING TITLING t1 only displayed for Type Luma Key or LumaKey Titling t2 only displayed for Type Chroma Key or ChromaKey Titling t3 only displayed for Type LumaKey Titling or ChromaKey Titling t4 only displayed for Type different from Lumakey Chromakey H position V position Tolerance Level Black Level White Red key Green key Blue key Tolerance Level Black Level White Titling alpha Invert keying LAYER Layer adjust b1 Not available for Background Frame amp Live b2 Not available for Logos b3 Not available for Frames amp logos Layer zoom 3 Size templates Transparency Border Opening effect Clean Cut 9 Slide Wipe Left to Right Right to Left Bottom to Top Top to Bottom Vertical from Center Horizontal from Center 9 HV From Center From Bottom Left Corner From Bottom Right Corner From Top Left Corner From Top Right Corner 5 Closing effect Cut Clean Cut Fade Slide Wipe Left to Right 1 Right to Left 44 Bottom to Top Top to Bottom Vertical to Center 5 Horizontal to Center 5 HV to Center To Bottom Left Corner To Bottom Right Corner To Top Left Corner To Top Right Corner Smooth Move Status LOGO FRAME Rec
8. Numerous wipes can be selected horizontal and vertical from Adjustable pre timed fades or manual the center or outside in circle Zoom in and out transition with T Bar Fade between any input computer or video Horizontal from left center or vertical from up down center Adjustable cross fading duration or corner Preview Sliding of video or computer images during the transition Horizontal from to left or vertical from to up down amp corner A comes back on Preview if the Preset Toggle function is activated BA BA RRB The border has to be setting up in the Layer Menu Press PIP button go in border menu select and set your border with colour and size Press Take to view the result on the main screen No border Color border Layer transitions amp effects The OPS300 offers a wide variety of transitions between the scenes you create for your shows and events It allows for live recall of 4 user presets each of which you can edit at any given time 1 Whether catering for complex event setups or putting together intricate shows your OPS300 will also deliver some of what you could expect from a dedicated mixer along with its switcher and scaler capabilities 2 In the Layer Selection section press the PIP1 button The button will start blinking On your Preview screen PIP 1 will appear as a color rectangle The parameters of the layer will automatically appea
9. can be stored into one of the 4 available user presets 1 After having configured layers PIP transitions logos your screen see Working with the RCS chapter 64 click on one of the four available Preset buttons In the dropdown menu choose Save From Main or Save From Preview to determine which screen you want to memorize the preset from Click on the TAKE button to view your preset on the Main screen Working with Presets The four OPS300 user presets can be called back at any stage during your show or event Click on one of the four available Preset buttons to choose which memory you wish to use Select Load to Preview from the dropdown menu your preset will appear on the Preview screen Once you have selected your preset simply 3 click on the TAKE button to view the result on your Main screen Working with Audio The OPS300 allows to work with up to 10 stereo inputs 1 auxiliary input and 2 embedded SDI audio inputs via the SDI BNC connectors all accessible via the Audio menu of the OPS300 and which can be affected to one or both of the 2 independent symetrical asymetrical outputs of the device Audio configuration To configure audio settings ofthe OPS300 plug all audio inputs into the device and click on the Audio tab of the RCS home page 1 Set the Main audio output level and delay accessible only if Delay Mode 1 set to Manual Adjust or c
10. 3 ON O D D 5 O A gt gt U o e lt 77 C e 3 Ry O O lt O OPS300 menu It gives users a constant indication of available menu options parameters of any selected object system information and everything you need to know to control the device Menu scroll knob The Menu scroll knob allows users to quickly scroll through menu items and increase or decrease any modifiable value in the OPS300 menu Simply scroll to the desired menu item and press the ENTER button to confirm your choice Control section The EXI T MENU and the ENTER button in the Control section of the OPS300 allow users to respectively enter and exit the OPS300 menu and confirm selected menu items Layer selection section The Layer Selection section allows to select which type of layer to work with Background Frame non positionable non resizable static back MES CUN mr ect ground Background Live positionable resizable animated background PIP positionable sizable floating window Logo positionable key sensitive layer GATES QUT KJ LB waa Take button The OPS300 TAKE button allows to switch from Preview to Main outputs By pressing the TAKE button what you have setup on your preview screen will be transitioned to the Main output display Input selection section The Input Selection section allows to select which input
11. MENU button and select Control in the menu by rotating the corresponding knob Then press the ENTER button to enter the Control sub menu Select Default Values by rotating the scroll knob and press the ENTER button to enter your choice to restart your OPS300 with its factory settings This operation should take approximately 30 seconds OPS300 color codes Analog Way engineers have developed a handy user friendly way of identifying machine status on the front panel via the use of color codes on the buttons of the machine new Analog Way machines use the same codes for quick recognition of the status of any device of the range at any given time For the OPS300 button color codes are as follow Sources on the Main output are indicated in red when active Sources on the Preview output are indicated green when active Buttons in the layer section turn red or green depending on whether the selected layer is active in respectively the Main or Preview window Menu buttons are indicated in green Selecting a button with an available source or function will cause that button to blink green the preview or red once it is on the Main output TAKE button reacts as follows e If take function is available the button will appear in green e When the take function is active it will light up red 1 Source Layer Window is on Blinking red SS Active Layer or Source for modification on Main Solid re
12. To highlight items in the menu which will appear on the VFD screen 2 turn the scroll knob 3 left or right to the desired menu item When you have reached the desired menu item press the ENTER button in the control section 4 to access that menu function Pressing the ENTER button when a selection has been made sets the value to that selection in the OPS300 memory When all settings have been made press the EXIT MENU button to exit sub menus and return to the main menu IMPORTANT simply selecting a menu item will not set it to that value Be sure to press the ENTER button when parametering the menu items Eae NAY S Pressing the MENU button in the menu section of the OPS300 will display and give you access to the following items on the menu VFD screen MODE select to choose which mode the OPS300 will work in Mixer or Matrix see OPS300 Modes p 4 INPUT select to configure the 12 individual input types and resolutions MAIN OUT in Mixer Mode select to set the output types and resolutions of the Main output OUTPUT 1 in Matrix Mode select to set the output types and resolutions of Output 1 PREVIEW OUT in Mixer Mode select to set the output types and resolutions of the Preview output OUTPUT 2 in Matrix Mode select to set the output types and resolutions of Output 2 VIDEO OUT select to configure Video output card settings PRESET select to store and use presets IMAGE select
13. a 4 pin Mini DIN connector also called Oshiden connector For inputs 1 to 5 connect 2 x BNC from your S VIDEO Y G Y amp C R R Y to the HD15 input of the device For input Z8 connect a 2 x BNC from your S VIDEO Y G Y amp C R R Y to a 4 pin mini DIN cable or to the HD15 input of the device S Video Source COMPONENT VIDEO SOURCES The Component Video signal also called YUV Y Pr Pb or BETACAM is widely used in broadcasting and is available on high quality DVD players The COMPONENT signal is transmitted with 3 coaxial cables and also has a better quality picture COMPOSITE and S VIDEO signals The COMPONENT connectors are usually RCA x3 or BNC x3 For inputs 5 to 8 connect a HD15 to 3 x BNC cable between the HD15 connector of the device and your Component source RGBS VIDEO SOURCES This signal is widely used in broadcasting and is available on European DVD player The RGB S signal is transmitted with 4 coaxial cables and also has a better picture quality than COMPOSITE and S VIDEO signals The RGB S connectors are usually BNC connectors for Broadcasting equipment and SCART connector for DVD players For inputs 1 to 5 and 8 connect a HD15 to 4 x BNC cable between the HD15 connector of the device and your RGB S source DVI Inputs 1 2 DVI AND ANALOG SOURCES DVI Inputs 1 2 on the OPS300 accept up to 2 live sources in Digital format DVI I 1 x digital DVI and 1 x a
14. content that appears correctly in the correct aspect ratio when viewed within a 4 3 format ie 2 35 letterboxed DVD PILLAR BOX Adds black bars on sides to create a 4 3 image from a 16 9 signal Useful when you have 4 3 content with black bars on the sides in a 16 9 signal ANAMORPHIC Adds black bars to image to create a 1 78 image from a 4 3 signal and stretches horizontally while compres sing image vertically to fit Useful when you have 16 9 content that is horizontally squashed when viewed within a 4 3 signal ie anamorphic wide screen DVD Aspect Out Provides aspect ratio adjustments for frame in which the image will be displayed 1 1 No scaling or resizing of any kind is done Aspect ratio preserved CENTERED The image is scaled until it fits vertically or horizontally whichever keeps the entire image visible Aspect ratio preserved but black bars will be added if necessary FULL SCREEN The image fits Horizontally and Vertically of the incoming raster ot the output raster This will compromised the aspect ratio CROPPED The image is scaled until it fits vertically or horizontally whichever eliminates all black bars Aspect ratio pre served but some content will be cropped out of the raster offscreen default settings OPS300 Force to 4 3 From the Image Menu The Force to 4 3 capability allows you to give a 4 3 aspect Ratio to a SDTV Input this allows you to keep the ratio of a PAL input ie shown on a S
15. to change source image settings of an input KEYING TITLING select to access keying and titling controls and parameters when video layer is selected LAYER select to adjust layer size position border transparency or transitions LOGO FRAME select to store record and manage logos and frames into the OPS300 AUDIO select to access all audio input and output parameters CONTROL select to access device software information LAN settings reset factory settings amongst other user oriented functions 4 3 WORKING WITH THE OPS300 Operating modes The OPS300 offers 2 modes to work from the Mixer Mode which is the OPS300 default mode and the Matrix Mode which turns your OPS300 into a true 12 x 2 scaled matrix with numerous effects NOTE the OPS300 will only let you work on your preview screen direct access to main screen is locked In Matrix mode the OPS300 loses the use of layers PIPs and logos To choose which mode the OPS300 will work in press the EXIT MENU button and select Mode in the menu by rotating the scroll knob Then press the ENTER button to enter the Mode sub menu Select the desired mode by rotating the scroll knob and press the ENTER button to confirm your choice Press the EXIT MENU button to return to the main menu Reseting default values It is strongly recommended resetting all of the default values of your OPS300 unit before setting up your shows and events To do so press the EXIT
16. A Click Execute to record your logo into the selected memory slot The OPS300 RCS will display a progress bar while recording the logo d In the Input Selection section click the LOGO1 button and select logo number 1 to 8 you wish to use Your logo will appear on the preview screen above any existing layer on screen gt Click the TAKE button Your logo will appear on the main display Layer transitions amp effects The OPS300 offers a wide variety of transitions prese between the scenes you create for your shows zer and events It allows for live recall of 4 user presets each of which you can edit at any given time 1 In the Layer Selection section click the en PIP1 button On your Preview screen PIP1 will appear as a color rectangle The parameters of the layer will automatically appear in the RCS Preview section At the bottom the Preview section click on the Transition tab then select the transition type from the left dropdown menu and the effect behaviour from the right dropdown menu Determine effect duration by sliding the duration bar left shorter or right longer or by manually setting the value in the duration value box Repeat the procedure in the Closing Effect tab to determine the way your layer will close Creating Presets OPS300 allows the creation of user defined presets very easily Any setup you have configured on screen
17. DTV PAL Output The image will be scaled to fit a 4 3 aspect Ratio The Force to 4 3 setting will not affect an image in a Fullscreen aspect Out The Force to 4 3 setting will react as an Image Setting will be recalled each time the input is shown PAL Input sampling Force to 4 3 gt NTSC Input Using the Control Menu In the Control Menu you will find all setup which cannot be classified in the image layer input or output Menu Version RS232 LAN LAN SETUP HDCP Summary Sync Loss Auto Lock Auto Take Preset Toggle UT Bar Transparent Bkngd Dynamic Fit Preview ld Freeze mode Key Locking LCD Brightness Key Brightness Standby Layer parameters Erase Memories Default values it indicates the actual software version of the OPS300 it can help if you need to contact our technical support team choose your connection type when controling by a R C S or an external program in this menu you can adjust every settings reluted in the network show all HDCP Inputs Outputs Status see p 30 enable disable the source selection when no synch are detected allow the unit to take by itself as soon as it detects a change source layer position enable this feature to put you last program on your preview after a TAKE enable disable the virtual T Bar it will appear in the Main Preview see p 42 see p 41 see p 42 choose between 2 modes Single Layer Freeze Mode or A
18. IR lime Que s then select the desired mode by clicking on one of the two mode buttons Mixer or Sync Matrix NOTE for further details on different modes restrictions and settings please refer to the Working with the OPS300 chapter p 29 and the Home Menu chapter p 28 Source input configuration Once your OPS300 is wired up to your PC the Ec first step in properly configuring your machine is Fame u rn pren dire Birre de s to individually select and parameter your inputs AA Ed Bell HEF E MAA ee pes vit Remi ETS RR c Lex lt ENT D LORS ine cim CO a ew fe a Ei e he 1 Click on the Inputs tab of the RCS 2 Inthe Plug column of the Input page select the plug type by clicking the appropriate field 3 Activate the input in the Enabled column if it is not 4 Inthe scroll down menu of the Type column select the signal type connected to that plug maa 1 E LI II mz Alia MAL 5 Repeat steps 2 to 4 for all sources connected to the rear panel of your OPS300 6 Click on the Inputs tab to return to the main screen NOTE autosetting mode allows an easy setup of sources Sometimes problems might appears with analog or HDCP sources Source output configuration 1 Click on the Output
19. RCS program file on your PC to run the software Click on the Connections tab and select RS 232 as the connection type In the drop down menu select the COM port number corresponding to the connected device default is Port Com 1 Click apply and wait for devices to synchronize The RCS will display the following connection message Device Connected Click on the Connections tab to return to the main screen Ethernet connection 1 AAA ELLE Amo tee Connect crossed RJ45 cable between the OPS300 and your PC then power on your devices Use Straight RJ45 cable if connecting through a network switcher Click on the RCS program file on your PC to run the software Click on the Connections tab and select LAN as the connection type In the Remote Address field enter the IP address of the OPS300 you wish to control see also Working with the OPS300 In the Remote Port field enter the remote port number of the OPS300 you wish to control see also Working with the OPS300 29 Click Apply and wait for devices to synchronize The RCS will display a connection message Click on the Connections tab to return to the main screen EN A H Semi YHS Mer T 5 2 WORKING WITH THE RCS Operating Mode To choose the operating mode you want your MELLA OPS300 to work in simply click the Mode tab Fine R E fieno
20. Sie die folgenden Hinweise Wenn Ger te dauerhaft am Netz bleiben m ssen sie ber eine leicht zug ngliche Trennvorrichtung verf gen die au en am Ger t angebracht sein muss Das Kabel mittels dem Stecker herausziehen Niemals am Stromkabel selbst ziehen Die Steckdose mu sich in der Nahe des Ger ts befinden und leicht zug nglich sein Das Stromkabel nicht fallen lassen und keine schweren Gegenst nde auf es stellen Wenn das Stromkabel besch digt ist das Ger t sofort abschalten Es ist gef hrlich das Ger t mit einem besch digten Stromkabel zu betreiben ein abgenutztes Kabel kann zu einem Feuer oder Stromschlag f hren Das Stromkabel regelm ig untersuchen F r den Ersatz wenden Sie sich an Ihren Verk ufer oder Kundendienststelle ANSCHL SSE Bei allen Ein und Ausg ngen au er der Stromversorgung handelt es sich gem EN 60950 um Sicherheits Kleinspannunganschl sse REPARATUR UND WARTUNG Der Benutzer darf keinesfalls versuchen das Ger t selbst zu reparieren die ffnung des Ger ts durch Abnahme der Abdeckhaube oder jeglichen anderen Teils des Geh uses sowie die Entfernung von au en sichtbaren Schrauben zu Stromschl gen oder anderen Gefahren f r den Benutzer f hren kann Wenden Sie sich an Ihren Verk ufer Ihre Kundendienststelle oder an qualifizierte Fachkr fte FFNUNGEN UND MUNDUNGEN Die Ger te k nnen ber ffnungen verf gen Bel ftung Schlitze usw Niemals Gegenst nde in die f
21. a transition All inputs are not locked on to scalers All the necessary closing transitions are performed to free occupied scalers The OPS300 locks on to new sources and performs all openings Working with PIPs A PIP is used as a layer Please report to WORKING WITH LAYERS section 1 PIP Live Background 2 PIPs Live Background 3 PIPs Still Background PIP adjustment menu To have access to the PIP adjustment menu a source has to be affected to your PIP Press PIP button Press source Once a source 1 attached to PIP you can have access to the PIP adjustment Menu Press PIP button Press TAKE to view the result on the main screen PIP configuration All the settings and shortcuts available for layers are available for PIPs Please refer to Working with Layer and Working on Layer functions sections PIPs as Layers A PIP is considered as a layer and has the same properties All of the same manipulations are possible PIPs with Transitions amp Borders Transitions All the settings are available in the Layer Menu after pressing the selected PIP The transition effects have a shortcut on the front panel too To Use it Press the selected layer Background Live PIP 1 or PIP 2 Press the EFFECT button The effect will be immediately attached to the selected PIP Concerning the User 1 and User 2 button they have to be set up before in the Control Menu gt Prog Keys Wipe
22. acto con su distribuidor o con el servicio de posventa si necesita cambiarlo CONEXIONES Todas las entradas y salidas excepto la entrada del sector son de tipo TBTS Muy Baja Tensi n de Seguridad definidas seg n EN 60950 REPARACI N Y MANTENIMIENTO Por ning n motivo el usuario deber tratar de efectuar operaciones de reparaci n ya que si abre los aparatos retirando el cap o cualquier otra pieza que forma parte de las cajas o si destornilla los tornillos aparentes exteriores existe el riesgo de producirse una explosi n choques el ctricos o cualquier otro incidente Contacte el servicio de posventa a su distribuidor o dirigirse con personal cualificado nicamente ABERTURAS Y ORIFICIOS Los aparatos pueden contener aberturas aireaci n ranuras etc No introduzca all ning n objeto ni obstruya nunca estas aberturas Si un l quido o un objeto penetra al interior del aparato descon ctelo y h galo revisar por personal cualificado antes de ponerlo nuevamente en servicio 2 2 UNPACKING AND INSPECTION 1 x OPS300 1 x Power supply cord WARNING 2 x DVI male to HD15 female and DVI female cable If required front handles of the device can be dismantled 1 x HD15 to 5 BNC cable but with caution 1 x Ethernet cross cable for device update The original screws removed must not be reintroduced to di exe their location without handles place 1 x DB9 to 4 BNC cable mini Din 4 video out Substantial damages can occur incl
23. anced R A R RT 7 2 A R 0 dB nominal BALANCED The video output generates SDI signal in which is embedded only one stereo audio stream Settings Availability Gain Yes from to 18dB Balanced Audio Left and Right Auxiliary Input Mixing Yes Adjusting Audio Delay Yes from 0 to 80ms Automatic or Manual e VIDEO OUT Connector 1 x female BNC SD SDI Female BNC Formats SMPTE 259M C Data rate 270 Mbps serial digital Impedance 15 ohms HD SDI Female BNC Formats 720p 50 59 94 amp 60 Hz 10351 59 94 amp 60 Hz 10801 50 59 94 amp 60 Hz 1080 23 97 24 25 29 97 30 amp 60 Hz 1080sF 50 59 94 amp 60 Hz Data rate 1 54 Gbps serial digital SMPTE 292M 2 97 Gbps serial digital SMPTE 424M 3G SDI Connector 1 x female DB9 This connection must be used with the cable supplied in the packaging DB9 to 4 BNC cable mini 4Din Formats SDTV PAL amp NTSC Signals Component Red green and blue wires S Video Mini 4Din white and black wires Composite Grey wire Impedence 75 ohms Cable reference for spare part 10120 Communication specifications COMMUNICATION PORTS REMOTE RS232 Connector DB 9 female Protocol RS 232 Data Rate 9600 Bauds 8 data bits 1 stop bit no parity bit no flow control by default amp RTS needed for upgrade e LAN Connector RJ45 Protocol TCP Transmission Control Protocol
24. ansitions Capturing still frames Working with frames Capturing logos Memorizing logos Working with logos Layer transitions amp effects Creating presets Working with presets Working with audio Working with preset layouts Audio configuration AE D REMOTE CONTROL SOFTWARE D REMOTE CONTROL SOFTWARE 5 1 THE OPS300 RCS RCS presentation How to use the RCS Software installation Software overview Serial connection Ethernet connection 25 25 28 29 61 61 5 2 WORKING WITH THE RCS 64 Memorizing Frames Working with Logos Memorizing Logos Layer transitions amp effects Creating Presets Working with Presets Working with Audio Audio configuration OPTIONAL REMOTE CONTROL SYSTEMS 70 6 1 Axion2 Ref ARC 200 70 6 2 Orchestra Ref ORC50 6 3 TRK 800 Ref TRK 800 71 6 4 RK 300 Ref RK 300 EXAMPLES AND TIPS 2 7 1 ABOUT EXAMPLES 72 7 2 EXAMPLES 72 7 3 EXTERNAL PROGRAMMING 74 WARRANTY AND SERVICES INFORMATION 75 8 1 ANALOG WAY LIMITED WARRANTY 8 2 SERVICES AND TO CONTACT INFORMATION 76 HOW CONTACT US TD INFORMATION DISPOSAL 76 INTRODUCTION 1 1 THE OPS300 OPERATING MODES Before you start setting up your OPS300 for the first time be sure you know what you actually want to do with it The OPS300 offers a choice of two operating modes which results in a versatile video production tool for live event staging a
25. are available in the Native Matrix Mode Although the Matrix Mode is activated you will be able to perform powerful transition effects seamlessly 1 background live on each output 2 scalers used 2 seamless transitions The background Frame and the Logos are not considered as live layers and are not counted as using a scaler Output selection settings oame as Mixer Mode Preview is replaced by output 2 in this case Capturing Still Frames Same as Mixer Mode Working with Frames Same as Mixer Mode Capturing logos Memorizing logos Working with logos Layer transitions amp effects CD ON ON ON eb o o o o x x x x D D D D nm Q Q Q Q Creating Presets Same as Mixer Mode Working with Presets Same as Mixer Mode Working with Audio Same as Mixer Mode Audio configuration Same as Mixer Mode ps300 bara irm ia n E Dx MIXER MODE PREVIEW AA A Logo2 Logo 2 Logo 8 Logo1 Logo 1 Logo 7 Pip2 SDI2 SDI 1 Pipi DVI 1 DVI 2 Live Input 1 Input 8 Frame Frame1 Frame8 I d a Mew wat Mi Ex hr IE TENEANT YID NN Am N mnr as m p j Eze a MATRIX MODE Live Input1 SDI2 MODE Mixer Mode Matrix Mode INPUT Config status i1 d
26. arecchiatura in prossimit di sorgenti di calore come un radiatore o una fuoruscita d aria calda n in un posto esposto direttamente ai raggi del sole a polvere eccessiva a vibrazioni o a shock meccanici Ci potrebbe provocare un erroneo funzionamento e un incidente ALIMENTAZIONE Far funzionare l apparecchiatura solo con la sorgente d alimentazione indicata sull apparecchiatura Le apparecchiature queste devono essere obbligatoriamente collegate su una sorgente fornita di una efficiente messa a terra In nessun caso questo collegamento potr essere modificato sostituito o eliminato CAVO DI ALIMENTAZIONE Gli apparecchi con un interrutore commutatore generale Accesso Speuto 0 accendere ou spagnere l apparecchio si fa usando l interrutore Attenzione il cavo di alimentazione il solo modo di disconnettere l apparecchio dell alimentazione Per assicurarsi che totalemente l apparecchio non pi collegato il cavo deve essere disconesso della presa murale Seguire le instruzioni seguenti materiale collegato a residenza alla rete deve avere un dispositivo di sezionamento facile da raggiongere eche deve essere inserito all esterno del apparecchio Disconnettere l apparecchiatura dalla presa murale se si prevede di non utilizzarla per qualche giorno Per disconnettere il cavo tirare facendo forza sul connettore La presa d alimentazione deve trovarsi in prossimit dell apparecchiatura ed essere facilmente accessib
27. atus 6 4 RK 300 RK 300 Remote Control Keypad designed to control Analog Way s new Seamless Switchers gt Very User friendly Remote Control Keypad gt Controls different Switchers gt Mini Joystick for easy ele ment control gt Ethernet LAN RJ45 connec tor for easy connection gt Large VFD display offering high contrast menu NOTE for further information concerning our optional remote controllers please connect to our website on www analogway com EXAMPLES AND TIPS 7 1 ABOUT EXAMPLES Examples are intended to make the use of the 300 as easy as possible by providing visual help in setting up your equipment In an effort to make the use of our machines the most pleasant experience possible the Analog Way team is constantly aiming to create easy to follow examples update information and furnish our website with useful user information Please check on www analogway com 7 2 EXAMPLES EXAMPLE 1 TYPICAL SCREEN PRESENTATION USING OPS300 in Mixer Mode I Hinin SOURCES ES L 4 zl m n d E ae pr x DVO BluRay i Background Frame HZ Cam 1 Background HD Cam PAP m DG PIP 2 Computer PIP 1 PIP 11 Le Baskogrcune 2 DOUBLE SCREEN PRESENTATION USING OPS300 in Matrix Mode Main eut SOURCES Rec
28. d 2 Freeze enable HN 1 Source Layer is on Preview Solid green n 2 Function available for modification Blinking green Active Layer or Source for modification on Preview 3 Current output on Matrix Mode Dim green Button available for selection Dim red m Stand by button SETTINGS IN MIXER MODE Source Input selection Plug your sources thanks to the 8 universal inputs 2 DVI I Inputs or 2 SDI inputs Don t forget that the 2 DVI I inputs can be used with DVI D computer sources DVI 1 8 DVI 2 but also with a DVI I adaptor for analog sources too source 5 amp 6 shipped with your unit Be sure that all connectors are firmly attached using all available locking screws Input selection settings To set up your inputs Input menu gt Auto settings You can also do it manually on each using the ENTER the Knob button and set up the inputs type one by one You can also check your actual input configuration using the config status Input menu Config Status You can find several settings for each input some settings are specific to some signal type Type to set up your input type Computer Video etc Enabled disabled to enable disable input Audio input to set up the audio regarding the input sync load to change the load of the Sync signal Hi Z 75 ohms EDID to set up the EDID in terms of resolution and rate Status to summarize the input status C
29. e intuitive rear panel of the OPS300 will let you set up for the first time quickly and easily Here is an example of a typical OPS300 setup ANNUAL SALES REPORT Preview Monitor Sources Preview out Computer gt HD Cam HD Cam Laptop Laptop Live Background Laptop i ONE wir ee DVD BluRay Background Frame Live Background 3 2 THE 5300 REAR PANEL Overview The OPS300 rear panel is equipped with 11 universal digital and analog inputs Inputs 1 through 5 3 are universal analog inputs Inputs 6 amp 7 share a DVI D signal and a universal analog signal plug the shipped Analog Way DVI HD15 adaptor cable to use DVI D and analog signals simultaneously The Main and Preview 6 outputs will allow for the OPS300 high resolution digital and analog signals to be viewed on screen and or on a preview monitor see also Output Specifications in this chapter The extra Video Out card installed on the OPS300 can be used for recording broadcasting or previewing purposes in a wide range of formats for maximum compatibility with industry viewing or recording equipment Finally the audio in and output card will let users trigger audio with any source accurately balance or tweak sound sources and outputs AC outlet and ON OFF switch IP LAN connector Universal Analog inputs DVI I Input DVI D Analog HD SDI inputs Main and Preview outputs SD HD SDI output SD HDTV output Audio inputs 10 Aud
30. ectados obligatoriamente a una fuente equipada con una puesta a tierra eficaz Por ning n motivo este enlace de tierra deber ser modificado cambiado o suprimido CABLE DE ALIMENTACI N Los equipos incluyan interruptor general de alimentaci n Encender Apagar 0 la puesta en marcha o desconexi n se realiza por medio de este interruptor El cable de alimentaci n constituye el nico medio de desconectar el aparato totalmente de la red el ctrica Para estar seguro de que el aparato no est m s alimentado este cable debe de ser desconectado de la toma de corriente Aplicar las siguientes consignas El material conectado a residencia a la red informatica debe de tener un dispositivo de seccionamiento facilmente accesible que debe de ser incorporado al exterior del aparato Desconectar el aparato del enchufe mural si no piensa utilizarlo durante varios d as Para desconectar el cable tire de la clavija No tire nunca del cable propiamente dicho El enchufe de alimentaci n debe estar cerca del aparato y ser de f cil acceso No deje caer el cable de alimentaci n ni coloque objetos pesados encima de l Si el cable de alimentaci n sufriera alg n da o ponga el aparato inmediatamente fuera de tensi n Es peligroso hacer funcionar este aparato con un cable averiado ya que un cable da ado puede provocar un incendio o un choque el ctrico Verifique el estado del cable de alimentaci n de vez en cuando P ngase en cont
31. ed input pictures with vertical scaling more with medium contrasted images and mainly with inter laced output format The default value of this setting is O for standard motion correction and can be increased up to 100 for full motion correction The correct level must be adjusted according to the image preferably not at maximum in the following examples around 80 or 90 Examples Here is an example of a worst case scenario using an analog HD YUV input signal from an HD camera run ning in 10801 50Hz split in two layers side by side with and without correction displayed in interlaced 10801 50Hz frame locked on the input with a few scaling The camera 1 panning over a medium contrasted scene as viewed here This panned scene 1 viewed here Another typical case is viewed here OPS300 Aspect Ratio From the Menu select the following Aspect options Select first the Aspect In then Adjust the Aspect Out Aspect In Provides aspect ratio adjustments for the content of the image Affects the raster size of content provided to the signal processing chain NATIVE No adjustment LETTER BOX 1 78 Adds black bars to image to create a 1 78 image from a 4 3 signal Useful when you have 16 9 content that appears correctly in the correct aspect ratio when viewed within a 4 3 format ie 1 78 letterboxed DVD LETTER BOX 2 35 Adds black bars to image to create a 2 35 image from a 4 3 signal Useful when you have 2 35
32. een To delete a Layer from the Preview screen Press Layers Press BLACK button Press TAKE to view the result on the Main screen To delete every Layers on your Preview screen Hold the BLACK button briefly Press TAKE to view the result on the Main screen To freeze a layer Select a Layer Press FREEZE button Working with Layers Functions Once a source is attached to a layer you will have access to some layer settings in the Layer menu or directly by pressing the layer button The settings available depend on the layer selected Layer adjusts set up layer size and position Layer zoom set up layer zoom size and position Size Template set up your layer in predefined size template Transparency adjust the Layer transparency Border choose the border and adjust its properties Opening and Closing effect adjust the Open Close effect type and duration Smooth move enable disable smooth move Status get the selected layer status All changes have to be validated by pressing the OK button in order to be saved Press TAKE to view the result on the main screen Settings available Settings Background Live PIP 1 PIP 2 PIP 3 Position YES YES YES Size YES YES YES Zoom YES YES YES Transparency YES YES YES Border YES YES YES Opening effects YES YES YES Closing effects YES YES YES Smooth Move YES YES YES H Flip V Flip NO NO NO Even the Logo a
33. el is the lumi nance lower bound Colors in the selected hue range with a luminance brighter than the Black Level but darker than the White Level will be considered part of the key White Level This option permits adjustment of the luminance levels of the keyed hue The White Level is the lumi nance lower bound Colors in the selected hue range with a luminance brighter than the Black Level but darker than the White Level will be considered part of the key Titling alpha If you have selected one of the two Titling mode the titling menu appears This option places a transparent black backdrop behind the entire layer to which the key is applied This effect is useful for using bright titles on bright backgrounds such as clouds Invert keying By default this mode 1 disabled When this mode 1 activated the key selection will remain on screen and all other portions of the image will be keyed away For example you would see the green screen behind the actor while the actor would be keyed away OPS300 Motion Correction This item gives information about the new Motion correction setting added in the OPS300 device Aim of the Motion Correction setting The aim of the motion correction setting is to correct a comb effect sometime visible on OPS300 device From the front panel a new setting has been added in the Menu Image Advanced section Typical case The comb effect appears only with moving interlac
34. ers must appear on the return shipping label 3 All shipping and insurance charges on all RMAs must be prepaid by the customer B North amp South America Europe Middle East and Africa Asia Pacific Analog Way Inc Analog Way SAS Analog Way Pte Ltd 299 Broadway Suite1620 33 rue du Saule Trapu No 10 Ubi Crescent New York NY 10007 Parc du Moulin 03 05 Ubi Techpark Lobby A United States of America 91300 Massy FRANCE Singapore 408564 CONTACT INFORMATION HOW TO CONTACT US Analog Way SAS 33 rue du Saule Trapu Parc du Moulin 91300 Massy France Tel 33 1 64 47 16 03 Fax 33 1 64 47 14 73 saleseuro analogway com Analog Way Inc 299 Broadway Suite 1620 New York NY 10007 United States of America Tel 1 212 269 1902 Fax 1 212 269 1943 salesusa analogway com Analog Way Pte Ltd No 10 Ubi Crescent 03 05 Ubi Techpark Lobby A Singapore 408564 Tel 65 6292 5800 Fax 65 6292 5205 sales analogwayasia com For more documentation general information or simply to keep up to date with new releases and upcoming Analog Way products please log on to www analogway com Before calling your regional maintenance center please gather the following information Serial number of the unit Firmware version look CONTROL MENU VERSIONS Model reference OPS300 Description of failure INFORMATION ON UNIT DISPOSAL In the European Union If the product is used for business purposes and you wan
35. essible via the Audio menu of the OPS300 and which can be assigned to one or both of the 2 independant symetrical asymetrical outputs of the device Working with Preset Layouts On the OPS300 a list of pre saved preset layouts can be recalled at any time 1 Go in the Preset Menu and choose Preset Layouts 2 Now you have access to a list of 12 layouts Select the desired pattern and press OK to apply this pattern to your current preview a Press TAKE to see the result on the main output Audio configuration To configure audio settings of the 300 plug all audio inputs into the device and navigate to the Audio menu 1 Choose the Audio mode Break Away or Top Layer Follow which you wish the audio to work in NOTE the Break Away mode will route the selected audio source while the Layer Follow mode will route audio from the topmost active layer of the OPS300 2 Select Source Settings from the Audio Menu to select the audio source you wish to work with then set levels and left right balance for each input 3 Select Auxiliary Settings to determine level and balance of the auxiliary input NOTE the auxiliary input is combined with the currently selected input 4 In Mixer Mode select the Main Output Menu to determine main audio output level balance and delay settings or to mute main audio output NOTE in Matrix Mode all output parameters can be assigned separately to outputs 1 and
36. etup the LAN parameters in UDP mode in the Console LAN Setup menu In example RK Address 192 168 000 002 Remote Address 192 168 000 010 Gateway Address 192 168 000 001 RK Port 10500 Remote Port 10500 Netmask 255 255 255 000 6 Select the LAN communication port in the remote controller console RS232 LAN port menu 7 You can now control your OPS300 product with an External Remote Controller LAN Setup Local Address 192168010 Local Fort CCS Gateway E NetMask 255 255 2550 Remote Address 1921880255 Remote Port foo 7 Exit LAN Setup Remote IP Address 192168010 Remote Port fo WARRANTY 8 1 ANALOG WAY LIMITED WARRANTY All Analog Way products have a 3 year warranty on parts and labor back to factory This warranty does not include faults resulting from user negligence special modifications electrical surges abuse drop crush and or other unusual damage 8 2 SERVICES AND RMA In the unlikely event that a product is required to return for repair please call the regional Maintenance center Customer Service and ask to receive a Return Material Authorization number RMA Three regional maintenance centers are available depending on your location See map below for information on which regional maintenance center you depend on RMA Conditions 1 Prior to returning any item you must receive a Return Material Authorization RMA number 2 All RMA numb
37. ey and so forth until the entire picture 1 keyed out at 255 Level White As the White Level is changed from 255 to 0 things that are white are first keyed out followed by light grey then dark grey and so forth until the entire picture 1 keyed out at 0 Non Inverted Mode Keyed Away Visible Picture Keyed Away Black level White level Chroma Key Chroma Keying is used to key from a particular color lt produces a soft edged key which is most suitable for moving images and weatherman style applications Color grabber Select Chroma Key menu gt Select Color grabber menu Using a crosshair you can select a particular hue based on what is on screen Once you have adjusted the crosshairs to a desired position press set enter to capture the color value at that instant You can then adjust the other parameters such as Tolerance to further refine your key Manual Setting Select Chroma Key menu gt Manual Settings menu R G B These controls allow you to manually select a hue defined by its Red Green and Blue values as you can find in Windows Paint software Tolerance The Tolerance parameter allows you to expand your key color selection to include colors which are similar to the selected value A tolerance of 1 will select only the desired hue whereas a tolerance of 255 will select nearly all hues Black Level This option permits adjustment of the luminance levels of the keyed hue The Black Lev
38. fnungen einf hren oder die ffnungen verschlie en Wenn eine Fl ssigkeit oder ein Gegenstand in das Ger t gelangt den Stecker herausziehen und es vor einer neuen Inbetriebnahme von qualifiziertem Fachpersonal berpr fen lassen INSTRUCCIONES DE SEGURIDAD Para comprender mejor el funcionamiento de este aparato le recomendamos que le acuidadosamente todas las consignas de seguridad y de funcionamiento del aparato antes de usarlo Conserve las instrucciones de seguridad y de funcionamiento para que pueda consultarlas posteriormente Respete todas las consignas indicadas en la documentaci n relacionadas con el producto y este documento CUIDADO Para prevenir cualquier riesgo de choque el ctrico y de incendio no exponga este aparato a la lluvia a la humedad ni a fuentes de calorintensas INSTALACI N Cerci rese de que haya una circulaci n de aire suficiente para evitar cualquier sobrecalentamiento al interior del aparato No coloque el aparato cerca ni sobre una superficie textil que pudiera obstruir los orificios de ventilaci n No instale el aparato cerca de fuentes de calor como radiador o boca de aire caliente ni en un lugar expuesto a los rayos solares directos o al polvo excesivo a las vibraciones o a los choques mec nicos Esto podr a provocar su mal funcionamiento o un accidente ALIMENTACI N Ponga a funcionar el aparato nicamente con la fuente de alimentaci n que se indica en el aparato Los aparatos deben estar con
39. fter having pressed TAKE In Breakaway Mode it is the selected audio layer input that is permanently diffused AUDIO VIDEO QU di SDR OT Y OPERATING THE OPS300 4 1 THE OPS300 FRONT PANEL Overview The highly intuitive front panel of the OPS300 was designed by Analog Way engineers to simply and quickly meet all of your event needs Within minutes you will be able to enjoy its full potential and easily parameter most of its functions without having to be an expert audio visual engineer leaving room for what is most important to our users concentrating on their event The OPS300 front panel is comprised of several sections each carefully labelled and self explanatory corresponding to all machines versatile functions Standby button Menu screen Menu scroll knob Control section Layer Selection section Input Selection section Freeze button Audio Video input 8 Take button T Bar Effect selection button Preset selection button O1 gt da di N 8 1 4 5 1112 9 10 On Off button The STANDBY button allows users to put the OPS300 into sleep mode and startup again The STANDBY button does not replace the ON OFF switch at the rear of the unit and is implemented essentially for ease of use in rackmount situations gt Hold for 3 seconds for stand by mode F ANALOG WAY S 3 D lt
40. gos Frames menu the logos can be deleted in the Erase menu Logos Frames menu gt Erase menu Select Logo Working with Logos A Logo can be manipulated through the front panel On the front panel the logo are associated to the input respectively To assign a logo to the logo layer Press LOGO Layer button Press Input Logos 1 to 6 are available directly by the input button on the front panel For logo 7 and 8 you have to use shift button first Press LOGO 1 Layer button Press Shift button Press Input For logo 7 or 8 use Shift then Input button You can change logos or delete logos on the preview screen using the same way the layers do Clear Press LOGO 1 or 2 button Press BLACK Change Press LOGO 1 or 2 button Press another Input Logos as Layer Logos are under the Layer rules you will have direct access to settings by pressing the Logo Layer button You have 2 logos layer buttons available You can use the Pos Size Zoom adjustment button and the EFFECT button from the front panel too Creating Presets OPS300 allows the creation of user defined presets very easily Any setup you have configured on screen can be stored into one of the 4 available user presets After having configured Layers PIP transitions logos on your screen see Working with the OPS300 go to the Preset menu by pressing the EXIT MENU button and select Preset by rotating the
41. ible and located outside the unit Unplug the power cord do not pull on the power cord but always on the plug itself The outlet should always be near the device and easily accessible Power supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them If the power supply cord is damaged unplug the device Using the device with a damaged power supply cord may expose your device to electric shocks or other hazards Verify the condition of the power supply cords once in a while Contact your dealer or service center for replacement if damaged e CONNECTIONS All inputs and outputs except for the power input are TBTS defined under EN60950 e SERVICING Do not attempt to service this product yourself by opening or removing covers and screws since it may expose your device to electric shocks or other hazards Refer all problems to qualified service personnel e OPENINGS Never push objects of any kind into this product through the openings If liquids have been spilled or objects have fallen into the device unplug it immediately and have it checked by a qualified technician INSTRUCTIONS SECURITE Afin de mieux comprendre le fonctionnement de cet appareil nous vous conseillons de bien lire toutes les consignes de s curit et de fonctionnement de l appareil avant utilisation Conservez les instructions de s curit et de fonctionnement afin de pouvoir les consulter ult rieu
42. ile far cadere il cavo di alimentazione n appoggiarci sopra degli oggetti pesanti il cavo di alimentazione danneggiato spegnere immediatamente l apparecchiatura E pericoloso far funzionare questa apparecchiatura con un cavo di alimentazione danneggiato un cavo graffiato pu provocare un rischio di incendio o uno shock elettrico Verificare il cavo di alimentazione spesso Contattare il vostro rivenditore o il servizio assistenza per una sostituzione CONNESSIONE Tutti gli ingressi e le uscite eccetto l alimentazione sono di tipo TBTS definite secondo EN 60950 RIPARAZIONI EASSISTENZA l utilizzatore deveinnessun caso cercare diripararel apparecchiatura poich con l apertura del coperchio metallico o di qualsiasi altro pezzo costituente la scatola metallica nonch svitare le viti che appaiono esteriormente poich ci pu provocare all utilizzatore un rischio di shock elettrico o altri rischi APERTURE DI VENTILAZIONE Le apparecchiature possono comportare delle aperture di ventilazione si prega di non introdurre mai oggetti o ostruire le sue fessure Se un liquido o un oggetto penetra all interno dell apparecchiatura disconnetterla e farla controllare da personale qualificato prima di rimetterla in servizio SICHERHEITSHINWEISE Um den Betrieb dieses zu verstehen raten wir Innen vor der Inbetriebnahme alle Sicherheits und Betriebsanweisungen genau zu lesen Diese Sicherheits und Betriebsan
43. in front or in back of another layer LAYER HIERARCHY The OPS300 can simultaneously view no less than 6 layers 3 video or live layers 10602 1 frame layer or background and 2 logo layers OPS300 can insert up to 2 live background plus 2 logos PIPA Background Live Background Frame PIP a PIP Picture In Picture is a picture typically of reduced size which is positioned over another background image or PIP PIPs can be reduced enlarged and bordered PIPs can overlap depending on their visual priority OPS300 allows for Dynamic PIP on the opening and closing of the sequence vertically or horizontally A flying PIP is also possible over the screen with vertical horizontal or diagonal animation A PIP is considered as a live layer FRAME a Frame is full screen image which is selected from one of the eight still frames which you can capture with the OPS300 A Frame can be flash captured from any video or computer source plugged into the machine 8 max LOGO a Logo is a partiel screen image that can be flash captured from any Video or Computer source by keying or image cut out OPS300 can record up to 8 still logos They can be positioned anywhere on the screen An animated logo is also available on the eighth input KEYING a Key is an electronic process whereby an image is electronically superimposed over another source or background by cutting out either a color Chroma Key or its brightness o
44. io outputs 11 RS232 connector O1 gt Inputs 1 to 8 UNIVERSAL COMPUTER amp VIDEO INPUTS Universal Inputs accept computer sources RGBHV RGBS and RGsB SOG signals standard TV VIDEO sources Composite video S VIDEO Component video YUV RGBS amp RGsB SOG and HDTV sources 480p 720p 10801 HD15 1 x Universal Analog input on female HD15 connector COMPUTER SOURCES The device accepts the following computer signals RGBHV RGB S and RGsB on inputs 1 to 8 COMPOSITE VIDEO SOURCES The Composite Video signal usually called COMPOSITE or VIDEO is available on most video equipment VCR DVD CAMCORDER but is also the lowest in picture quality The video standard of this signal can be NTSC PAL or SECAM The signal is transmitted on a single coaxial cable and is connected to the video equipment with an HD15 connector For inputs 1 to 5 connect a 1 x BNC from your composite source to the HD15 input of the device For input 8 connect 1 x BNC from your composite source to the composite RCA input of the device Composite Source S VIDEO SOURCES The S VIDEO signal also called Y C HI 8 or S VHS is available on DVD players and high quality VCRs S VHS The S VIDEO signal in which the Luminance Y and Chrominance C information are separately transmitted gives a higher quality picture than the Composite video signal The S VIDEO connector is usually
45. is strongly advised to avoid using front handles as rests for your OPS300 they are Dismantling front handles of the device could invalidate warranty on after sales services of your designed for manipulation purposes only If required front handles of the device can be dismantled but with caution The original screws removed must not be reintroduced to their location without handles in place Substancial damages can occur including risk of electric shock from the main voltage Only M4x12mm screws can be used They are supplied with the unit 2 4 CABLE AND ADAPTOR INFORMATION A large choice of cables and adaptors are compatible with the OPS300 To find which are to be used in your setup please refer to the Hardware Specifications chapter Please contact your distributor for a list of available cables and connectors for your OPS300 2 5 HARDWARE SPECIFICATIONS Input specifications ANALOG COMPUTER Connectors Inputs 1 to 5 female HD15 Inputs 6 amp 7 female DVI I analog pins Input 8 female HD15 Line frequency Up to 130 kHz 165 MHz Max pixel rate Resolution Up to 1600x1200 165Mhz 1920x1200px RB Max V size 1200px Max H size 2048px Sync types RGBHV RGB S RGsB Sync On Green Levels R B 0 7 Vp p amp V Sync TTL Composite Sync TTL and 0 3 V negative SOG Sync On Green 0 3 V Impedance R 75 ohms 75 ohms Hi Z V Hi Z RGB S RGsB VIDEO Co
46. isplayed when plug is not SDI i2 displayed when type is analog video i3 displayed when plug is analog i4 displayed for input In1 In2 In8 DVI1 amp DVI2 Autoset all Synchronized nput 2 nput 3 nput 4 nput 5 nput 6 nput 7 nput 8 SDTV Composite SEVEN SD ED HD RGBS 1 SD ED HD RGsB 1 SD ED HD YUV 11 Computer SOG 1 Computer HV C 1 Computer RW 19 Computer 0 255 19 Computer 16 235 10 DVI video RGB 9 DVI video YUV 10 Input 1 Analog E Input 2 Analog Input 3 Analog Input 4 Analog Input 5 Analog Input 6 Analog Input 7 Analog Input 8 Analog DVI 1 DVI 2 i SDI 1 012 None Audio Input 1 Audio Input 2 Audio Input 3 Audio Input 4 Audio Input 5 Audio Input 6 Audio DVI 1 Audio DVI 2 Audio SDI 1 i Left Audio SDI 2 Right Hi Z 75 Ohms Edit EDID 640x480 852 480 800x600 1280 720 hos A 580 768 A 1360 768 1200 800 E6300 1 1440 900 250 960 1 1280x1024 1364x1024 E5105 1 Esos 1 Foxos 1 boss 1 500x200 1 1920 1200 MAIN OUT OUTPUT 19 PREVIEW OUT OUTPUT 2 A1 displayed in Mixer amp Quadravision Mode A2 displayed in Matrix Mode Output format Sync WOUT 1 Output status Output rate Out Sync Polarity Gamma Flicker filter 9 Analog Type HDCP Detection Bkgd Color Test Pattern 01 on
47. lick on the MUTE button to mute Main audio output N Repeat step 2 for the Prelist audio output x Individual source settings level and balance for each audio input can be configured in the right hand section of the Audio tab OPTIONAL REMOTE CONTROL SYSTEMS 6 1 Axion2 Axion2 The Axion2 is an ergonomic and reliable remote controller for rental amp staging multi venues at an optimal price performance ratio It controls simultaneously up to 6 screens in a single or multiple display configuration The Axion2 integrates a offline mode for setup the devices not connected A sequences mode is also available for automatic recall of presets ITTICA 8888818818911 i T i T 6 2 Orchestra Orchestra The Orchestra is ergonomic and Zo BER reliable remote controller for rental amp staging multi venues at an optimal price performance ratio It controls simultaneously up to 6 screens in a single or multiple display configuration 11 mams SDS una O EA ES E SEE 6 3 TRK 800 TRK 800 Triple Remote Keypad designed to control up to 3 units gt Powerful High End Remote Controller gt Controls up to 3 different switchers gt Mini Joystick for easy element control gt Ethernet LAN RJ45 connector for easy connection gt Double Large VFD display offering high contrast menu and st
48. live source with green or blue or any color background and to key it over another live input Background is removed and replaced by another source Title can be keyed DSK on Analog or Digital Sources y E di m To use Keying first select a source the desired layer Layer button gt source number button Then in the main menu select the Keying Titling menu You now have several choices to key your sources The Luma Key and the Chroma Key based on the Luma pixel values and the Chroma pixel values and for both an additional Titling menu which can be useful to choose the transparency value of your keying Keying Titling menu gt Type menu gt Select your keying type Once your keying mode is selected the OPS300 provides you some keying advance setting For Luma Key Luma Keying is used to key from a particular luminous intensity It produces a hard edged key based on intensity which is most suitable for titling effects You can choose to key things that are extremely dark or extremely bright and keep everything in between or invert to key only things that are of a me dium intensity The black and white levels define where to begin the keying In the range to 255 0 represents no luminance or black and 255 represents full luminance or white Level Black As the Black Level is changed from 0 to 255 things that are black are first keyed out followed by dark grey then light gr
49. ll Layers Freeze Mode enable to lock a part or all your front panel adjust the LCD Brightness adjust the Key Brightness parameters for the standby mode allow you to reset at the original size position all layers erase all image settings blanckings colors put every internal values to factory default except Ethernet values SETTINGS IN NATIVE MATRIX MODE Source Input selection Same as MIXER Mode Input selection settings Same as MIXER Mode Source output selection Same as MIXER Mode NOTE if you want to use HDCP content from your sources be sure to plug HDCP compliant screens or projectors If it s not the case the output image could be disabled Output selection settings To set up the outputs go in the Output 1 or Output 2 menu and choose first the appropriate format reso lution and then the adapted rate for your screens by using the knob button and the ENTER button Output Output Format Output rate You can also in the Output 2 menu synchronise all the changes from the Output 1 to the Output 2 by checking the case Synch w Out 1 It allows you to set up both outputs at the same time Output Z2 Synch w Out 1 Try to use the native resolution of your screens projectors in order to obtain the best image quality NOTE The output status can provide you all information about the output in real time This feature is particularly needed when HDCP is used thanks to the HDCP status
50. log pins Input 8 female HD15 RCA Standard PAL SECAM 15 625 kHz 50 Hz 625 lines NTSC 3 58 4 43 MHz 15 734 kHz 60 Hz 525 lines Level 1 Vp p 0 7 V Luma 0 3 V Sync Impedance 75 ohms DVI Digital Video Interface Connector DVI Inputs 1 amp 2 female DVI I digital pins Line frequency Up to 130 kHz 165 MHz Max pixel rate Format Digital Visual Interface DVI TMDS single link Resolution Up to 1600x1200 165Mhz 1920x1200px RB Max V size 1200px Max H size 2048px e SD SDI Connector SDI Inputs 1 amp 2 female BNC Formats SMPE 259M C Data rate 270 Mbps serial digital Impedance 75 ohms e HD SDI Connector SDI Inputs 1 to 2 female BNC Formats 720p 50 59 94 amp 60 Hz 10351 50 59 94 amp 60 Hz 10801 50 59 94 amp 60 Hz 1080 23 97 24 25 29 97 30 amp 60 Hz 1080sF 50 59 94 amp 60 Hz Data rate 1 54 Gbps serial digital SMPTE 292M 2 97 Gbps serial digital SMPTE 424M 3G SDI Impedance 75 ohms e AUDIO INPUT Connectors Balanced or unbalanced mono stereo inputs or 10 pin MCO male connector or 3 5mm Jack Inputs 1 amp 4 3 5mm Jack Stereo Connector input unbalanced connection Inputs 5 to 6 and DVI 1 to DVI 2 or 10 pin MCO male connector Unbalanced connection RIGHT ring 3 5 JACK Connector GROUND LEFT tip ee 512 L Y MIR m gt A m 62 A L um AIR
51. ly for Preview out Output2 02 depending on output format 03 computer amp HDTV only 04 Interlaced output onl 23 97 Hz 24 Hz 25 Hz 29 97 Hz 2 20 HZ 1072 50 Hz 2 59 94 Hz 2 60 Hz 02 Z2 22 75 Hz Frame lock from Input 1 Analog Input 2 Analog Input 3 Analog Input 4 Analog Input 5 Analog Input 6 Analog Input 7 Analog Input 8 Analog DVI 1 DVI 2 SDI 1 SDI 2 Connection VIDEO OUT 01 available in near future 02 according to output format Output status Output format Output rate Pos Size adjust Gamma Flicker Filter Sharpness Under Overscan Test Pattern FRESET LAYOUT Preset mgmt p1 available only on Matrix Mode p2 available only on Matrix Mode Preset Layouts Step Back Main Preview Save Preset 1 2 Memory 3 Memory 4 Main Preview Load Preset Memory 1 Memory 2 Memory 3 Memory 4 IMAGE Auto Centering Blanking Adjust A3 displayed when an input is active Cropping R1 Analog Computer Input R2 Analog Input R3 Video Input R4 EDTV HDTV Input R5 RGB or YUV or YC or CV R6 NTSC Input R7 Interlaced 50 Hz R8 Interlaced 60 Hz R9 SDTV R10 Analog input or interlaced signal R11 Interlaced signal Optimize Under Over Aspect IN Aspect OUT Colorimetry Advanced R10 Red Level F9 Green Level 85
52. mes layers and logos directly by clicking on the corresponding button then navigating through the different available tabs The red window of the RCS 3 represents your Main window and can also be used much like the front panel of the OPS300 Create user presets directly in the RCS main window by clicking on one of the four available Preset icons 4 and setting up your preset in the Preview window Clear unwanted steps with the clear button 5 reload a fresh copy of your screen via the Reload Main button 6 make smooth takes directly with your mouse or trackpad with the virtual T bar 7 The Take button 9 will allow you to view any changes made to your preview screen on your main screen Analog Way engineers have even implemented a Stepback button 8 to quickly return to your previous setup in case of a manipulation error recall of Preset before Take The status section 10 allows for easy monitoring of the connection status The RCS software for your OPS300 can be viewed as the software version of the 300 front panel menu section It allows you to quickly access all of the OPS300 functions via a single page interface and easily edit your settings directly from your laptop or PC Before starting with the RCS software you must establish a connection from your laptop to the OPS300 you wish to run Serial connection 1 Connect a RS 232 cable between the OPS300 and your PC then power on your devices Click on the
53. nalog input on female DVI I universal connector SD HD SDI Inputs 1 2 SD HD SDI SOURCES SD HD SDI Inputs 1 2 on the OPS300 accept up to 2 live sources in Digital formats SD HD SDI 1 x digital input on female BNC connector HD SDI Source Preview Outputs PREVIEW OUTPUT ANALOG 1 x analog output for the main display device on female HD15 connector DIGITAL ANALOG 1 x main output on female DVI I connector simultaneous analog and digital MAIN OUTPUT ANALOG 1 analog output for the main display device on female HD15 connector DIGITAL ANALOG 1x main output on female DVI I connector simultaneous analog and digital VIDEO OUTPUT Video Output card provides SD or HDTV formats in various signals and connectors from Composite Video to HD SDI This output can be used to record your show by outputting the same content as the Main output in Mixer Mode or a choice between output 1 or 2 in Matrix Mode see also OPS300 Modes p 4 AUDIO SWITCHER Audio Stereo Switcher card features 12 inputs and 2 outputs An additional auxiliary input can be mixed with any other input Master Volume and individual input level can be adjusted Each input and output offers balanced or unbalanced connections It should be noted that the management of the audio output follows the selection of video layers Two modes are available Top Follow or Breakaway In Top Follow Mode the audio follows the topmost video layer a
54. nd Frame buttons can access to their own settings but a source has to be affected too The Main output can displayed simultaneously up to 6 layers stacked from bottom to top as follows The Background Frame One stored frame selected from 8 available The Background Live PIP 1 One source selected from 12 inputs available The PIP 2 One source selected from 12 inputs available The PIP 3 One source selected from 12 inputs available The Logo 1 One stored Logo selected from 8 available The Logo 2 One stored Logo selected from 8 available Opening transitions and closing Live Layers When transitioning live layers depending on how many scalers are in use the 300 TAKE function will act in one of 3 different ways when transitioning the Next Preset Preview to the Current Preset Main e TAKE 1 shot Case 1 There are enough scalers for making a transition All inputs are locked on to scalers There are no contraints for closing before the TAKE All opening and closing transitions can be performed simultaneously e TAKE 2 shot Case 2 There are enough scalers for making a transition All inputs are locked on to scalers before the TAKE There are no constraints for closing during the TAKE All the necessary closing transitions are performed to free occupied scalers and then the OPS300 performs all openings e TAKE sequenced shot Case 3 There are not enough scalers for making
55. nd fixed installation applications NOTE We recommend resetting the device to its default values every time you set up your shows or events see the Operating The OPS300 chapter p25 MIXER MODE This mode allows for a single OPS300 to seamlessly switch and blend any of its 12 analog digital inputs with any other of the inputs add PIP titling or logo insertion to the live frame while previewing your every move before going live to avoid embarrassing errors on your main screen The Mixer mode is the OPS300 native mode and with no less than 6 layers of which 3 live layers The OPS300 with the Video output allows to have a full Main screen for recording or broadcasting MATRIX MODE This mode turns your OPS300 into a true 12x2 scaled matrix while preserving seamless switching capabilities Output 1 and 2 can be set to different resolutions and rates Switching between any of the inputs can be done with the various effects Cut Fade Slides and synchronized on both outputs NOTE This mode leads the following restrictions no PIPs no logos and no frames 1 2 USEFUL TERMS AND DEFINITIONS BACKGROUND a Background is a source typically originating from a computer OPS300 enables you to work with live or still frame background sources visually in back of all other sources LAYER a Layer is an image display element such as a PIP window Key Logo s or Background that has an associated visual priority either
56. nnectors Inputs 1 to 5 female HD15 Inputs 6 amp 7 female DVI I analog pins Input 8 female HD15 Frequency 15 625 KHZ 50 Hz 625 lines 15 734 KHZ 60 Hz 525 lines Levels B 0 7 Vp p SYNC 0 3 Vp p or TTL negative Impedance RGB 75 ohms SYNC 75 ohms or Hi Z e COMPONENT Connectors Inputs 1 to 5 female HD15 Inputs 6 amp 7 female DVI I analog pins Input 8 female HD15 Frequency 15 625 kHz 50 Hz 625 lines 15 734 kHz 60 Hz 525 lines Levels Y 1 Vp p 0 7 V Luma 0 3 V Sync Cr Pr amp Co Pb 0 7 Vp p Impedance 75 ohms HDTV HD YUV Connectors Inputs 1 to 5 female HD15 Inputs 6 amp 7 female DVI I analog pins Input 8 female HD15 Formats 720p 576p 60Hz 10801 50 60Hz EDTV Levels Y 1 Vp p 0 7 V sync Cr Pr amp Cb Pb 1 Vp p 0 7 V sync Sync Tri level 0 3V positive negative Bi level 0 3V negative Impedance 75 ohms Or Di HHH LE e S VIDEO Connectors Inputs 1 to 5 female HD15 Inputs 6 amp 7 female DVI I analog pins Input 8 female HD15 4 pin MiniDin Standard PAL SECAM 15 625 kHz 50Hz 625 lines NTSC 3 58 4 43 MHz 15 734 kHz 60Hz 525 lines Levels Y 1 Vp p 0 7 V Luma 0 3 V Sync C 0 3 Vp p Chroma Burst Impedance 75 ohms e COMPOSITE VIDEO Connectors Inputs 1 to 5 female HD15 Inputs 6 amp 7 female DVI I ana
57. ns projectors in order to obtain the best image quality In the Preview Output menu you can also match the output configuration the Main Output to the Preview Output by checking the case Sync w Qut 1 lt allows you to set up your outputs via the output 1 menu Preview output Sync w Out 1 Some other settings are available too Output sync polarity Gamma use this feature to set up the output Gamma Flicker Filter Video Out only apply a flicker filter on your video output Analog type set up the type of synchronisation of your Analog output DVI type set up the type of color space of your Digital output HDCP detection set up to enable disable the HDCP detection on the output Background color add a background color in place of the default black Test pattern use test pattern Main or Preview screen to configure your projectors All changes have to be validated by pressing the ENTER button in order to be saved NOTE the output status can provide you all information about the output in real time This feature is particularly needed when HDCP is used with long cable to be sure that the communication is well handled Video Out The Video Out allows you the same settings as other outputs with some additional specific options Sharpness set up the sharpness on the video out image Flicker Filter apply a flicker filter on your video output to eliminate flickering Under Over Scan perfo
58. nt les boitiers ainsi que le d vissage des vis apparentes l ext rieur risquent d exposer l utilisateur des chocs lectriques ou autres dangers Contactez le service apr s vente votre revendeur ou s adresser un personnel qualifi uniquement e OUVERTURES ET ORIFICES Les appareils peuvent comporter des ouvertures a ration fentes etc veuillez ne jamais y introduire d objets et ne jamais obstruer ses ouvertures Si un liquide ou un objet penetre l int rieur de l appareil d branchez imm diatement l appareil et faites le contr ler par un personnel qualifi avant de le remettre en service INSTRUZIONI DI SECURE ZZ A Allo scopo di capire meglio il funzionamento di questa apparecchiatura vi consigliamo di leggere bene tutti i consigli di sicurezza e di funzionamento prima dell utilizzo Conservare le istruzioni di sicurezza e di funzionamento al fine di poterle consultare ulteriormente Seguire tutti i consigli indicati su questo manuale e sull apparecchiatura ATTENZIONE Al fine di prevenire qualsiasi rischio di shock elettrico e d incendio non esporre l apparecchiatura a pioggia umidit e a sorgenti di eccessivo calore INSTALLAZIONE Assicuratevi che vi sia una sufficiente circolazione d aria per evitare qualsiasi surriscaldamento all interno dell apparecchiatura Non collocare l apparecchiatura in prossimit o su superfici tessili suscettibili di ostruire il funzionamento della ventilazione Non installate l app
59. oncerning the DVI inputs a specific feature allows enable disable the HDCP receiver for the input chosen It can be very useful especially using a Mac Input menu gt DVI HDCP detection NOTE the input status is available at any time in status input menu and can give you information about format rate and HDCP If you have any trouble to detect source please check the Input status and see if the unit is receiving a source or not Input Sync Loss Function The Input Sync Loss function allows to display a source in case of sync loss of the selected input To set up the Sync Loss function Menu gt Control gt Sync Loss Press Input The selected input must be activated to be visible in case of sync loss Source output selection Once your inputs all have been configured the output settings of he OPS300 must be set according to the machines plugged on your OPS300 main and preview outputs video projector preview monitor NOTE if you want to use HDCP content from your sources be sure to attach HDCP compliant screens or projectors If it s not the case the output image could be disabled Output selection settings To set up the output go in the Main Output or Preview Output menu and choose first the adapted format resolution and then the appropriate rate for your screens by using the knob button and the ENTER button Main Output Output Format Output rate Use the native resolution of your scree
60. or UDP User Datagram Protocol Ethernet Base 10 100 Environmental specifications Dimensions W 482 x D 330 x 88 19 W x 13 D x 3 50 Weight 5 kg 11 16 Compatible with a Standard 19 rack Height 2 U Cooling air flow from right side to left side Max ambient operating temperature lt 40 lt 104 F Operating temperature 0 to 40 C 32 F to 104 F Storage temperature 25 to 85 C 13 F to 185 F Operating humidity 10 to 80 non condensing Input voltage range 100 240 VAC 50 60 Hz Typical consumption 90 W CE Compliancy test following EN 55022 2006 2007 EN 55024 1998 A1 2001 A2 2003 EN 61000 3 2 2006 EN 61000 3 3 1995 A1 2001 A2 2005 oafety test following EC 60950 1 2005 UL 60950 1 2007 CAN CSA C22 2 NO 60950 1 Power supply IEC EN UL CSA 60950 1 internal autoswitching Mechanical in carton Vibration IEC60068 2 64 Free fall IEC60068 2 32 RoHS WEEE e VGA STANDARD VGA 1 Red 6 Red Return 11 ID Bit O 2 Green 7 Green Return 12 1D Bit 1 3 Blue 8 Blue Return 13 H Sync 4 ID Bit 2 9 No Pin 14 V Sync 5 Test Gnd 10 Sync Return 15 ID Bit 3 e DIGITAL VISUAL INTERFACE DVI Pin 1 TMDS Data 2 7 Data 13 Not used 19 TMDS Data 0 Shield 2 TMDS Data 2 8 Analog Vertical Sync 14 5V Power 20 Not used 3 TMDS Data 2 Shield 9 TMDS Data 1 15 Ground for 5V 21 Not used 4 No
61. ord Frames 11 Empty if slot is free for a Frame 12 Empty if slot is free for a logo Displays only list of valid Frames and Logos If4 Displays only for animated Logo 15 Displays according to keying type chosen Record Logos H pos V pos H size V size None Luma Level black Level white Color Grabber H Position V Position Tolerance Level Black Level White Manual setting Red Key Greeen Key Blue key Tolerance Level Black Level White Cut out black Cut out white Logo 4 empty 2 Logo 5 empty 2 Logo 6 empty 2 Logo 7 empty 2 Logo 8 AUDIO Mode Source settings Aux setting Audio Main m Audio Out 1 2 m1 Available only on Mixer Mode f m2 Available only on Matrix Mode Audio Out 2 2 OUT1 Prelist 2 eve i OUT2 Prelist 2 i Input 1 Balance Input 2 Input 3 Input 4 Input 5 Input 6 Input 7 Input 8 Audio Prelist None Input 1 Level Input 2 Balance Input 3 Input 4 Input 5 Input 6 Input 7 Input 8 DVI 1 DVI 2 SDI 1 SDI 2 Delay Mode CONTROL Versions 1 1 UDP only L2 Confirmation asked L3 Only for User 1 amp User 2 L4 Visible if Sync Loss is activated RS232 LAN 1 LAN setup Device address TOR Y Remote address Gateway address Device Remote Netmask Default setup Sync loss Auto LOCK Auto TAKE P
62. ording device Preview out 1 lf Camera HD Cam i Lapto Laptop plop Computer 7 3 EXTERNAL PROGRAMMING If you need to use your own Software Control program from a PC or automation the device allows communication through an ASCII code protocol All commands can be found on our website www analogway com technical_support All Analog Way products equipped with an RS232 input are compatible with Crestron AMX Medialon and most major control systems TCP IP control ports are also available on most Analog Way products as standard or as options To control an OPS300 product with an External Remote Controller PC Software Control Touch Pad Controller follow the indications below 1 First establish an RS 232 communication between the Remote Control Software and the OPS300 in order to setup the LAN parameters of the product 2 In the Control 5300 LAN Setup menu configure the connection of the 300 product in UDP mode and setup the Local and Remote Addresses as well as the Local and Remote Ports in concordance with your Network 3 Configure the TCP IP address of your External Remote Controller In example 192 168 000 001 4 Setup the UDP connection of your External Remote Controller in concordance with your Network In example on the Remote Software in the Control RS232 LAN Setup LAN Setup menu 5 S
63. ources on non HDCP compliant equipment the following message will be displayed on the device VFD screen Due to HDCP content non HDCP screens cannot display protected sources Your screen will go to black without displaying the HDCP input image or partially layer out non HDCP content Concerning the DVI inputs a specific feature allows enable disable the HDCP receiver for the input chosen It can be very useful especially when using a Mac Input Menu gt DVI gt HDCP detection The output status can provides you all information about the output in real time This feature is particularly needed when HDCP is used with long cable to be sure that the communication is well handled To summarize all HDCP status please see in the Control Menu gt HDCP Summary design and specification changes for product improvements without prior notice The performance specification figures indicated are nominal values of production units There may be some deviations from these values in individual units NOTE as part of our policy of continuous improvement Analog Way reserves the right to make CONNECTING THE OPS300 3 1 CONNECTING THE OPS300 The OPS300 can be set up with up to 12 different sources and will drive up to 2 digital DVI D sources 2 SD SDI sources and 8 analog computer video sources simultaneously The versatility of the OPS300 will allow for almost any event configuration and cater for all your projection needs Th
64. ow or event setup and can be recorded from any of the 8 OPS300 sources and called back at the click of a single button NOTE to memorize a frame select an input and take it to the Main screen Once the frame is displayed on your Main output it is then possible to store it to the OPS300 non volatile memory NOTE frames may be used only one at a time A frame may not be used as a Live Background Memorizing Frames 1 In the Input Selection section click on the PO EIL SOURCE button 1 to 12 ofthe source you wish to record as a frame ys 2 Click on the Logos Frames tab ofthe RCS im interface Then click on the RECORD FRAME button 3 Click on the field next to the first free Frame to select it 4 Click on the ENTER button Working with Logos It is possible to store up to 8 logos in the OPS300 non volatile memory Logos work in much the same way as frames and can be recorded from any of the OPS300 12 sources Logos have more attributes than frames They can be sized positionned but also keyed via color cutout selection or Luma Key Memorizing Logos In the Input Selection section click on the source button 1 to 12 of the source you wish to record as a logo D In the Logos Frames tab click on Record Logo then select an empty logo memory slot 1 to 8 to record your logo into EP Adjust position size and keying attributes for your logo
65. r luminance levels Luma Key Keys are typically used for titles logos and special effects OPS300 allows to use a live source with green or blue background and to key it over any other live input HARDWARE INSTALLATION 2 1 SAFETY INSTRUCTION CAUTION All of the safety and operating instructions should be read before the product is operated and should be maintained for further reference Please follow all the warnings regarding this product and its operating instructions e WARNING prevent the risk of electric shock and fire do not expose this device to rain humidity intense heat sources such as heaters and direct sunlight Slots and openings in the device are provided for ventilation and to avoid overheating Make sure the device is never placed near a textile surface that could block the openings Also keep away from excessive dust vibrations and shocks e POWER Only use the power supply indicated on the device of the power source Devices equipped with a grounding plug should only be used with a grounding type outlet In no way should this grounding be modified avoided or suppressed e POWER CORD The device is equipped with a main switch On I Off O The Switch ON and OFF is initiated by the main switch Caution The power cord is the only way to totaly disconnect the equipment from the main power Apply the following guidelines The equipment connected to the network must have a release system easily access
66. r on your OPS300 VFD menu screen Inthe Layer Menu make the position size border and transparency settings you like then select Opening Effect in the layer options press the ENTER button and select Type Select Slide Left Right for example and press the ENTER button to confirm Navigate to Duration in the Opening Effect sub menu and set the duration of your effect by rotating the SCROLL knob and pressing ENTER Repeat the procedure in the Closing Effect sub menu to determine the way your layer will close Try Slide From Left Right for the closing type with a duration of 1 5 seconds for example Capturing still Frames To capture a frame display the exact content you want to save on one of your outputs at the exact resolution you can use the FREEZE button if you want Then follow this step Logos Frames menu gt record Frame menu Frame Choose the frame number slot and wait until the unit to finish saving Your frame is now saved and you can use it through the BACKGROUND FRAME button The capture of frames can be done only under the following conditions the unit can be in Mixer Mode the capture be done the Main output the Preview output the disappearance of frames on the Preview and Main output is normal A frame captures the state of the specified output at the main output resolution and must be recalled using the same output resolution Resizing or other image manipulation of the capt
67. re certain que l appareil n est plus aliment ce cordon doit tre d branch de la prise murale Appliquer les consignes suivantes Lemat riel reli demeure au r seau doit avoir un dispositif de sectionnement facilement accessible qui doit tre incorpor l ext rieur de l appareil D brancher le cordon d alimentation de la prise murale si vous pr voyez de ne pas utiliser l appareil pendant quelques jours ou plus Pour d brancher le cordon tirez le par la fiche Ne tirez jamais sur le cordon proprement dit La prise d alimentation doit se trouver proximit de l appareil et tre ais ment accessible laissez pas tomber le cordon d alimentation et ne posez pas d objets lourds dessus Si le cordon d alimentation est endommag d branchez le imm diatement de la prise murale Il est dangereux de faire fonctionner un appareil avec un cordon endommag un c ble abim peut provoquer un risque d incendie ou un choc lectrique V rifiez le c ble d alimentation de temps en temps Contactez votre revendeur ou le service apr s vente pour un remplacement e CONNEXIONS Toutes les entr es et sorties except e l entr e secteur sont de type TBTS Tr s Basse Tension de S curit d finies selon EN 60950 e R PARATION ET MAINTENANCE L utilisateur ne doit en aucun cas essayer de proc der aux op rations de d pannage car l ouverture des appareils par retrait des capots ou de toutes autres pi ces constitua
68. rement Respectez toutes les consignes marqu es dans la documentation sur le produit et sur ce document e ATTENTION Afin de pr venir tout risque de choc lectrique et d incendie ne pas exposer cet appareil a la pluie l humidit et aux sources de chaleur intense e INSTALLATION Veillez assurer une circulation d air suffisante pour viter toute surchauffe l int rieur de l appareil Ne placez pas l appareil sur ou proximit d une surface textile susceptible d obstruer les orifices de ventilation N installez pas l appareil proximit de sources de chaleur comme un radiateur ou une poche d air chaud ni dans un endroit expos au rayonnement solaire direct des poussi res excessives des vibrations ou des chocs m caniques Ceci pourrait provoquer un mauvais fonctionnement et un accident e ALIMENTATION Ne faire fonctionner l appareil qu avec la source d alimentation indiqu e sur l appareil Les appareils doivent tre obligatoirement connect s sur une source quip e d une mise la terre efficace En aucun cas cette liaison de terre ne devra tre modifi e contourn e ou supprim e e CORDON D ALIMENTATION Les appareils sont quip s d un interrupteur g n ral Marche Arr t O la mise en tension et la mise hors tension se fait en actionnant cet interrupteur g n ral Attention le cordon d alimentation constitue le seul moyen de d brancher l appareil totalement de l alimentation secteur Pour t
69. rent areas By adjusting the keyer in the logo capture menu the portions of the captured area can be keyed away and captured as transparent The menu Cut out color can help display which portions of the image will be captured as tranparent NOTE The cut out color is only a visual tool to help identify the transparent areas of the logo These colored regions will not be captured but later displayed as transparent area NOTE Capturing a Logo is limited to a small percentage of the output resolution To capture and display a full screen image use the still Frame Memorizing logos the OPS300 In the Input Selection section press the source button 1 to 12 of the source you wish to record as a logo The source button will start blinking 2 Select the Logos Frames menu by scrolling through the menu with the scroll knob then pressing the ENTER button 3 Select Record Logos in the Logos Frames menu by rotating the scroll knob then pressing ENTER A small white rectangle will appear on your main display indicating the logo that will be captured 4 Adjust logo size position and fine tune key attributes by rotating the scroll knob and pressing ENTER to memorize logo settings 5 Select an empty logo memory empty logos are indicated in the sub menu to store the logo into Press the ENTER button The OPS300 will display a progress status bar on the VFD screen Logos setup menu In the Lo
70. reset Toggle TBar enable Transp Backgr Dynamic Fit Preview ID Freeze mode Key locking LCD brightness Key brightness Standby Reset Layers Erase Memories 3 Default values 3 REMOTE CONTROL SOFTWARE 5 1 THE OPS300 RCS RCS presentation The RCS is a powerful tool to exploit all the features of your OPS300 at distance By LAN or RS 232 you will be able to do exactly the same manipulations as you could do from the front panel User Friendly and easy to use you will very quickly be able to manipulate the RCS tool How to use the RCS You have to install the software on a Computer and have a LAN board or RS 232 link to use the RCS After the installation launch the program and proceed to the network establishment Software installation N o a Connect you on www analogway com In the menu select Technical Support menu then click on Remote Control Software select the name of your device and click on Download Click on Open with or Register the file select the exe file Follow the Windows installation instructions Software overview The RCS software for your OPS300 is composed of several easily identified sections The tabs menu 1 allows you to navigate through the equivalent of the 300 front panel menu items see also The OPS300 Menu p 28 The green window of the RCS 2 represents your Preview window and can be used to parameter sources fra
71. rm an automatic zoom on the output Adjust allow you to setup the video out image in V position and V size Connection allow you to choose between several output pattern In Matrix mode the menu Connection Mode appears It allows you to choose recording Output 1 or 2 The Output menu also allows you to generate test patterns The test patterns are available through the Output menu and let you quickly and reliably setup your projectors 1 In the menu section press the EXIT MENU button and select Output in the menu by rotating the corresponding knob Then press the ENTER button to enter the Output sub menu 2 In the Output sub menu select the Test Pattern menu then select the output Main or Preview on which you want the test pattern to appear by rotating the scroll knob Press the ENTER button to enter the Test Pattern menu Choose the test pattern you wish to use in the Test Pattern menu by rotating the scroll knob and press ENTER The chosen test pattern will immediately appear on the selected screen s di Press the EXIT MENU button twice to return to the main menu NOTE be sure to turn the test pattern off to display your sources again Working with Layers To attach a source to a layer press the Layer button press the Source you want to attach Ex BACKGROUND LIVE Source 4 The source number 4 will be displayed in the Background live Press TAKE to view the result on the Main scr
72. s tab of the RCS 2 Select the type of plug which is connected to outputs 1 amp 2 of your OPS300 by clicking in the appropriate field in Analog Type or DVI Type for both Main and Preview outputs 3 Select the appropriate output format and output rate 4 Click on the Outputs tab to return to the main screen The Output menu also allows you to generate test patterns The test patterns available through the Output menu let you quickly and reliably setup your projectors NOTE be sure to turn the test pattern off to display your sources again Working with PIPs The OPS300 allows users to manipulate 2 PIPs Picture In Picture which you can move size crop or zoom apply transparency or transitions to PIP configuration 1 Click on the Image tab of the RCS interface The empty mage screen will appear on screen 2 By clicking on the drop down menu the Preview section situated next to the layer you wish to use as a PIP you will access the image parameters of the PIP source you select 1 to 12 ii sd al aj di jt L 3 Set the desired PIP attributes size position zoom border transparency im IUBET 4 Click on the mage tab to return to the main screen Working with Frames It is possible to store up to 8 frames in the OPS300 non volatile memory Frames are mainly used as backgrounds in a typical sh
73. scroll knob Then press the ENTER button to enter the Preset sub menu Choose Preset Copy by scrolling with the corresponding knob and press the ENTER button to access the sub menu 2 n the sub menu choose Save From Main or Save From Preview to determine which screen you want to memorize the preset from then set the preset memory 1 to 4 you wish to use as your User Preset by default the OPS300 will choose the next available preset in the OPS300 memory 3 Bypressing the ENTER button the OPS300 will ask you to confirm Select Yes your screen is memorized as a preset In Mixer Mode In the preset Menu some already existing preset are available in the preset layout menu Choose your layout with associated PIPs and TAKE it to the main to see the result You can at any time memorize those presets in one of the preset memory buttons Working with Presets The four user presets of the OPS300 can be recalled at any stage during your show or event 1 Press the PRESET button then press one of the four first Input Selection section buttons to choose which memory 1 to 4 you wish to use The preset will be displayed on your preview screen N Once you have selected your preset simply press the TAKE button to view the result on your main screen Working with Audio OPS300 allows to work with up to 10 stereo inputs 1 auxiliary input and 2 stereo embedded SDI audio inputs via the SDI BNC connectors all acc
74. t to discard it Please contact your Analog Way dealer who will inform you about returning of the product You might be charged for the costs arising from returning and recycling For Spain Please contact the established collection system or your local authority for take back of your used product In other countries outside the EU If you wish to discard of this product please contact your local authorities and ask for the correct method of disposal Code 140105 Version 3 60 M5 0 11 10 2011
75. t used 10 TMDS Data 1 16 Hot Plug Detect 22 TMDS Clock Shield 5 Not used 11 TMDS Data 1 Shield 17 TMDS Data 0 23 TMDS Clock 6 DDC Clock 12 Not used 18 TMDS Data 0 24 TMDS Clock C1 Analog Red Video or Cr Pr or C C4 Analog Horizontal Sync or Composite Sync C2 Analog Green Video or Y or Composite Video C5 Analog Common Ground Return C3 Analog Blue Video or Cb Pb DDC Display Data Channel TMDS Transition Minimized differential signal Z E e RS 232 CONNECTOR Pin 1 NC 6 NC 2 Transmit data to PC Tx1 7 NC 3 Transmit data from PC Rx1 8 NC or 12V dc 4 Receive data from display unit Rx2 9 Transmit data to display unit Tx2 5 Ground S VIDEO Y C CONNECTOR 4 pin Mini Din Pin 1 Y Ground 2 C Ground 3 Y Signal 4 C Signal e VESA DDC Inputs 1 2 and 8 1 Red 6 Red Return 11 ID Bit 2 Green 7 Green Return 12 Bi directional data SDA 3 Blue 8 Blue Return 13 H Sync 4 ID Bit 2 0 9 DDC 5 Volt supply 14 V Sync 5 Test 10 Sync Return 15 Data Clock SCL e Video Out SD HDTV Specific Wiring Ground red green blue composite Y S VIDEO COMPOSITE VIDEO Ground Y C si Sue BV CS SVIDEO HDCP compliance If you want to use HDCP content from your sources be sure pluging HDCP compliant screens or projectors If it s not the case the output image could be disabled When displaying HDCP protected s
76. uding risk of elec 1 x Set of 3 audio 10 pin screw terminals tric shock from the mains voltage 1 x RCS Remote Control Software N Only M4x12mm screws be used 1 x User Manual PDF version They are supplied with the unit 1 x Quick Start Guide PDF version Download on our website www analogway com 2 3 RACKMOUNT INFORMATION Tabletop mounting The OPS300 can be used directly on a table the unit is equipped with 4 handy anti slip rubber feet Rack mounting The OPS300 is compatible with 19 enclosure Please follow the instructions below to install the device in a 19 rack Place the device in your rack Attach the device to the rack by using 4 screws through the front panel holes screws not included Rear fixing is also recommended in particular for permanent installations The OPS300 is equipped with drill holes designed for compatibility with most rackmount braces Connect all of the cables of the device and attach them to the rack with the help of tie wraps IMPORTANT The openings in the side and rear panels of the device are for cooling Do not cover these openings to avoid cutting air circulation Be sure that no weight in excess of 2 kg 4 4 Lbs is added onto the OPS300 The maximum ambient operating temperature should not exceed 40 104 F The rack and mounted equipment in it must be reliably grounded according to national and or local electrical standards OPS300 It
77. um Dri mem Dr DVI Digital Video Interface OUTPUTS Connector Outputs 1 Main amp 2 Preview female DVI I digital pins re FEAS Signal Digital Visual Interface DVI TMDS single link Se Resolutions Format Ratio Refresh Rate Reduced Blanking 640 x 480 4 3 50Hz 60Hz 72Hz 75Hz 800 x 600 4 3 50Hz 60Hz 72Hz 75Hz 848 x 480 16 9 50Hz 60Hz 72Hz 75Hz 1024 x 768 4 3 50Hz 60Hz 72Hz 75Hz 1280 x 720 16 9 50Hz 60Hz 1280 x 768 15 9 50Hz 60Hz 72Hz 75Hz 1280 x 800 16 10 50Hz 60Hz 72Hz 75Hz 1280 x 1024 5 4 50Hz 60Hz 72Hz 75Hz 1360 x 768 16 9 50Hz 60Hz 72Hz 75Hz 1366 x 800 15 9 50Hz 60Hz 72Hz 75Hz 1400 x 1050 4 3 50Hz 60Hz 72Hz 75Hz 1440 x 900 16 10 50Hz 60Hz 72Hz 75Hz 1600 x 1200 4 3 50Hz 60Hz 1680 x 1050 16 10 50Hz 60Hz 1920 x 1080 16 9 50Hz 60Hz 72Hz 75Hz YES 1920 x 1080 B 16 9 50Hz 60Hz YES 1920 x 1080 C 16 9 50Hz 60Hz YES 1920 x 1080 HD 16 9 50Hz 60Hz YES 1920 x 1200 16 10 50Hz 60Hz YES 2048 x 1080 19 10 50Hz 60Hz YES e AUDIO OUTPUT Connector Output 1 Main and 2 Prelist 2 Balanced or unbalanced mono stereo Outputs 1 to 2 Balanced amp unbalanced connection 4 outputs on 10 pin MCO male connector 2 Bi GROUND S Q 2 03 Vo max Unbalanced 15dBu at 3000 load ii es n Balanced 21dBu at 6000 load mme Q A L Zo 6000 balanced uni 2 Zo 3000 unbal
78. ured frame is not possible Attempting to use a Frame at a different resolution will result in a partial Frame display or a Frame which does not fill the step The captured output is outlined by a white border and includes the pixels beneath the white border Working with Frames It is possible to store up to 8 frames in the OPS300 non volatile memory Frames are mainly used as backgrounds in a typical show or event setup and can be recorded from any of the OPS300 12 sources and called back at the press of a single button To use a frame be sure first that it is well saved then Press BACKGROUND FRAME button Press the source button 1 to 12 of the source memorized Press the TAKE button to display NOTE Frames may be used only one at a time and can be placed only in the background Frame layer The Frame Logo can be memorized from Output 1 or 2 To record a Frame Logo please refer to the chap ter Capturing still Frame Logo in the Mixer mode To use a Frame Logo refer to Working with Frame Logo As a source each frame logo can be used by both outputs you just have to select the correct matrix button first Opening transitions closing Still Layers Logos or Frames When transitioning still layers depending on how many scalers are in use the OPS300 TAKE function will act in one of 2 different ways when transitioning the Next Preset Preview to the Current Preset Main e TAKE shot 1
79. version 3 60 0 300 ANALOG WAY Ops300 nil fr el CS m 2 eue PoR TENTER Liu Ms Pur ANALOG WAY NT Thank you for choosing Analog Way By following these simple steps you will be able to operate the powerful OPS300 TABLE OF CONTENTS 1 INTRODUCTION 1 1 OPS300 OPERATING MODES 4 Mixer Mode Matrix Mode 1 2 USEFUL TERMS AND DEFINITIONS 5 2 1 SAFETY INSTRUCTION HARDWARE INSTALLATION 6 6 2 2 UNPACKING AND INSPECTION 11 2 3 RACKMOUNT INFORMATION 11 2 4 CABLE amp ADAPTOR INFORMATION 11 2 5 HARDWARE SPECIFICATIONS 12 CONNECTING THE OPS300 3 1 CONNECTING THE OPS300 20 3 2 THE OPS300 REAR PANEL 21 SD HD SDI Inputs 1 2 C Main Outputs OPERATING THE 5300 4 1 THE OPS300 FRONT PANEL On Off button Menu scroll knob Control section Layer selection section Take button Input selection section Freeze button Audio Video input 8 T Bar Effect selection button Preset selection button 4 2 THE OPS300 MENU Menu navigation 4 3 WORKING WITH THE OPS300 Operating modes Reseting default values OPS300 color codes A Settings in Mixer Mode B Settings in Native Matrix Mode Source input selection Input selection settings Source output selection Output selection settings Working with Layers Working with Native Matirx Mode Working with Cut Fade or Tr
80. weisungen f r einen spateren Gebrauch sicher aufbewahren Alle in den Unterlagen an dem Ger t und hier angegebenen Sicherheitsanweisungen einhalten ACHTUNG um jegliches Risiko eines Stromschlags oder Feuers zu vermeiden das Ger t nicht Regen Feuchtigkeit oder intensiven Warmequellen aussetzen EINBAU Eine ausreichende Luftzufuhr sicherstellen um jegliche berhitzung im Ger t zu vermeiden Das Ger t nicht auf und in N he von Textiloberflachen die Bel ftungs ffnungen verschlie en k nnen aufstellen Das Ger t nicht in N he von Warmequellen wie z B Heizk rper oder Warmluftkappe aufstellen und es nicht dem direkten Sonnenlicht Staub Vibrationen oder mechanischen St en aussetzen Dies kann zu Betriebsst rungen und Unf llen f hren STROMVERSORGUNG Das Ger t nur mit der auf dem Ger t bezeichnete Stromquelle betreiben Ger t mit geerdeter Hauptstromversorgung muss an eine Stromquelle mit effizienter Erdung angeschlossen werden Diese Erdung darf auf keinen Fall ge ndert umgangen oder entfernt werden NETZKABEL Da die Ger te ber einen Hauptschalter An I Aus 0 verf gen erfolgt die Stromversorgung und unterbrechung ber diesen Hauptschalter Achtung Das Netzkabel stellt die einzige M glichkeit dar das Ger t vollst ndig vom Netzanschluss zu trennen Um sicherzustellen dass das Ger t nicht mehr versorgt wird muss dieses Kabel aus der Netzsteckdose ausgesteckt werden Bitte beachten

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