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Complete english manual

1. To open the BULK DUMP window in the software click into menu MIDI the text Bulk Dump or just keyboard lt CTRL gt B Closing this window is controlled by the button Window Buttons SELECTOUT and are a copy and have the same function as one in the main window of the software Are shown to have the immediate ability to switch between the two states transmission reception and receive send messages of bulk dump The window is divided into two sections separated in pic by dotted line Red the left with the options and buttons for receiving and sending data with adjacent fields date the right which has 3 text boxes for any display of data received above and sent below The higher of these are for the data in hexadecimal and decimal The underlying data files to save transmit are in decimal because so saved the text file output but sent in hexadecimal format using the MIDI exclusive system messages To view the overlying one in mode reception from Yamaha you must check the related check boxes red circled In all this window the only editable text by user with numeric keypad is the numeric field to select the new scene or library to save and send the contents of memory circled in blue in pic All other texts will be made automatically by the software The mode of operation of this window will not cover all the features offered by Yamaha that assume the existence of a specific Hardware for Bulk Dump maybe the same Yamaha 1lf you do no
2. E Clicking LPF Off this label flash LPF Off switch off LPF On in LPF On and LowPass filter is disabled The segment related disappears from the display window The second of the four parametric filters available in the Yamaha is called Hi mid and is activable in software with its activation of the control of Yamaha by pressing the button lt has available all three controls fg 8 and also the label of the Gain Where the other three filters have gains other than O they will be visible in the display window with the corresponding segments of the same color The button enables operation of the related BandPass filter with the use of controls and labels similar to the previous Fig As you may have noticed each of the four colors yellow red green and blue marks all the controls and labels on one of the four filters available for immediate identification Each time you press one of the 8 buttons except EQ ON change knob s colors On left image the button filter is active but at the same time you can see the curve of the filter ARME Because the knobs colour now are blu in this moment you can edit with they only Frequency and Gain of Lo Shelf filter but the Hi Mid filter is active too To edit this press red Knob with actual values setted and visible for that filter show itself and tell their availability to be edit 33 EQ Channel 15 16 O E e oq Pp QQ q gt o o P QoRhR RQRQhRQDpDp EEE c ae
3. MIDI control Interface for Yamaha Digital Mixer 01v User Manual ver 3 4 x a e ed 3 HANA Vit WW i E Al af Je tit aa cade ee g e i Fag ie A eS Vi ta a Pl Vi od we A e e ea n E E fl pla de ne jo Se aaa me na Sa he a pr a ee oe INDEX General warnings pag 3 Setup pag 5 First software run MIDI options pag 8 Main window __ __ pag 9 First operations Mode Transmit Receive pag 11 Scene memories Recall and Edit title pag 12 Bulk Dump pag 14 Initial vision and using the controls pag 15 Saving files of Bulk Dump pag 16 Sending MIDI data to Yamaha pag 17 Reception MIDI data form Yamaha pag 17 Opening files of Bulk Dump pag 19 Channels strips pag 20 Home and Option I O pag 20 Channels faders and Master fader pag 21 Buttons Sel Solo On off mutes pag 22 Panning BUS master Pan pag 23 The effects send and return pag 24 Effect Send pag 24 Effect Return pag 25 The effects libraries pag 26 Effect editing window pag 28 The Auxiliary channels Aux1 4 and Masters pag 29 The Busses Bus 1 4 and Masters aq 30 The Equalization pag 31 Using the EQ panel pag 32 The Equalization libraries pag 36 Visualization of MIDI data input pag 3 Signals Routing pag 38 Menu pag 39 Notes pag 42 General warnings Although quite obvious remember that being a digital mixer is essential not to put any object on the Yamaha faders to avoid turning
4. such as to allow variation of the order of a millionth of a second 0 001 ms besides completely virtual imperceptible by the ear and annoying to set spinning like a madman the Wheel Parameter m certain that very few of you have so far had the patience to manually edit the effect parameters to change the names etc Even this feature of this software it pays to the modest expenditure For all that concerns the meaning audio editing effects see the manual of the Yamaha acoustic and technical literature BACK TO GENERAL INDEX 28 The Auxiliary channels Aux1 4 and Masters AUX 1 4 e Aux Master In mode pressing one of four buttons Aux1 1 4 that become Aux left channel fader change colour pointing out the different function activated like the Yamaha The only difference with Yamaha is that the again the is disabled light grey in pic on bottom right is replaced by a dedicated fader QUES from grey to pink top right The button 0 1 mute replace the same on CUENTA SSN to activate or not the Aux master while is always enabled in Master Fader the function Mute of Stereo Out M Off The AUX MASTER fader is always active in mode MEANS Each time you press the button corresponding Aux progress page on the Yamaha Currently you can only control channel sends 1 16 to Aux 1 4 in mode TRANSMIT and RECEIVE but not options Pre or Post Fader BACK TO GENERAL INDEX 29 The Busses B
5. the boot does not continue automatically is enough just click on it or press any key on your keyboard Later in subsequent uses of the software you can choose not to see more selecting the item in the menu Preferences and saving it or by enabling the saving of preferences on program exit BACK TO GENERAL INDEX MIDI options The window that appears left can not be closed until you have selected the MIDI In and cee SAAS SES E Out be used then activates the DONE button pu bon that finally opens the main window ae AA By Default in the text boxes drop down on will Displayed the first MIDI devices available Use that sound card or other virtual YOKE NT Microsoft MIDI Mapper etc To exit the program at this time without selecting MIDI ports press Cancel The button stops and closes the program Nothing changes if MIDIOPTIONS escencia ciao rie you reopen the window during program TE nas A execution It still possible even after changing the MIDI Next pase gael YAMAHA RS ports if necessary In this regard it should be 3 noted that the names that appear in drop down a ja menu are those of the installed devices whose drivers are in the system but has not said they are currently in memory that is loaded and available eg is The case Creamware cards of the picture on a Pulsar card whose software has not been loaded yet In the same case drivers loaded but not visible software warn
6. Channel LETALE Ee a ME E me Equalizer library Hertz HA hp GN a 155855 da e If you plan to use a single filter for a particular channel as illustrated this told is the preferable view because it does not invade the camp of the other commands of the virtual mixer EQ Channel 15 16 PQ _ N Fa Hentz G E c E c Y i F G F non non a oie 3 5 doe onl Joe S E HE Compared to the previous situation was just pressed the button Lo Peak remaining unchanged the cutoff frequency 89Hz and the Gain 6 5dB l now is by default to maximum 10 00 that tell a curve very close that is a very small band around the center frequency of the filter In addition at HighPassFilter Low band also other 3 filters are active as visualized in the window About using of all Knobs we remember it is still valid as other software the fine setting of command clicking and holding pressed mouse button go far from the figure The greater the distance the smaller will be the difference in values changed but not less than the minimum rate that varies according to the command For use all 4 filters you can use also an extese view of equalization processor To extend the window as on picture on left click on it bottom right of the window next to its label to appear the window on left that show the same equalization of the previous frame In this manner you can view and set al
7. Using the cursor keys and the ENTER button select the only virtual button SETUP MEM And deselect all other Again with the cursor keys and the ENTER key press the TRANSMIT virtual button The Yamaha will send MIDI data conceirning current and unique statement of the setup parameters see Yamaha Manual Into software MIDI data received will appear in two formats The number boxes Edit and below will be disabled and show the text no because it is a memory only and can not be renumbered Now that the data are into software and then they are stored in computer memory we have four options save memory contents to a file on hard disk re send the same setup data to the Yamaha get the contents of an other memory thus erasing the current contents of the temporary memory of the software PC or open an existing file on HD The content of the text boxes are copied but not editable BACK TO GENERAL INDEX Saving files of Bulk Dump The first chance To save the contents of the temporary memory of the PC on a file containing data setup as this case we press in the menu FILE the text SaveAs in this version will be always disabled direct saving Save Appear the window that opens the prepared folder to save the Setup memory file program dir setups and here we can choose the filename to save default SetupMemory txt It is useful rename for various settings and not to delete the previous setupMemory data If the filename already
8. exists a message warns us and 2 The problem is that the length of the transmitted data varies for each type and the software can not know in advance whether the incoming data correspond to its expectations selected through the options which control both the transmission than receipt than the opening and saving files on HD 16 overwrites the existing file by pressing YES the procedure of saving ends instead if you press NO in this case you should press again the text Save As from the File menu BACK TO GENERAL INDEX Sending MIDI data to Yamaha The second chance after receiving MIDI data from Yamaha containing the parameters of its SETUP is to return them intact to the Yamaha itself Unnecessary operation which involves replacing the original data with its exact copy We use it just because of his harmless for understanding the operation of transmission data by software The first thing to do on software is to prepare it for sending MIDI data so you must press the button Will appear Pressing the virtual button DONE on software the memory is replicated in the right window which represents the contents of the data that are being saved to a file or sent to Yamaha Better to take note that this button is disabled until you have received MIDI data or opened a file from HD After pressing turns again disabled and instead enables the button below In the same time the frame of orange field Prewiev of what are sending with bottom button
9. of the main window it is preferable that the first thing to do after boot program is to synchronize the software with the Yamaha The quotes above are due to the fact that currently the software is not yet able to recognize the current mixer settings online even when on the Yamaha will open a previously stored scene in this case the Yamaha only sends a channel message that informs about the scene number and not all parameter values So the syncronization is only recalling the scene 00 that is the scene that can not be changed by Default in the software and in the Yamaha To achieve this with transmission mode actived in Menu Memory click on Recall and Edit Title Scenes The window appears on the right is where EPS you can retrieve the stored scenes on the SSS Yamaha and easily edit the name To invoke Scene Number 00 99 SURES foo IE AL the default scene 00 preset at the beginning just press the button RECALL in this way on Yamaha either on software the opening scene is invoked To invoke another of the gt eeoa 100 available 00 99 simply type the number mr Y Ea in the box circled in the figure and press the E e button again In these cases as already DONE mentioned the scene will be called only on the Yamaha To edit the name instead always 8 characters maximum including any Spaces but the software automatically adds them if necessary and you can not type more is important first of a
10. 2 memory effects nor their name To do so in a new user memory 43 99 you must follow these steps We follow the example of a simple copy of an effect with its parameters and its name in a user memory of the Yamaha using this software Select the effect in the scroll down window Press Select a blank memory from the same scroll down Press SONS Appear the button Press Appear the window where cahnge the name and button BM In this case we decided not to change its name which also appears regularly in that box 6 Press GR ae Ol ST In so doing we have simultaneously recalled if the Yamaha was turned on and connected to the MIDI cables and correctly set the effect memory and store same effect on memory user selected deleting prevoious content if there was and setting name If you cannot still receive information from Yamaha about the content of user libraries and their parameters it is possible to edit their names do not overwrite their parameters As we will see has implemented the ability to edit all parameters of the first four effects 26 namely Reverb Hall Reverb Room Reverb Plate and Reverb Stage In reality this is a unique reverb algorithm with 14 parameters differently setted The Edit button we will talk later Now add that the window Is divided into three sections e The left has the assignment recall of the effect selected in first processor and the two buttons first for Edit to chan
11. Bulk Dump display type in this case Setup Memory the Title in this case not needed and the number in this case does not present of data that are being sent to Yamaha Only the pressure of last button actually send data to the Yamaha will use them to replace those that are in its memory Unlike what was seen in the first footnote on the page where software responds closing to a submission incongruous Yamaha is able to recognize that fairness and in case of sending incorrect data will only know by flashing with no clear void or jeopardize anything The only risks involved in using this part of the software are to override individual scenes or individual libraries for your voluntary oversight just like those that run when you save any file on your computer by overwriting a good file with a full errors or incomplete Pressing the button will sends MIDI data to Yamaha without any confirmation appears neither software nor on the same Yamaha Your data will overwrite existing ones and on software the same button will be disabled BACK TO GENERAL INDEX Reception MIDI data from Yamaha The third possibility after receiving data of Setup Mem from Yamaha is to receive other types In this case we are aware that the previous data received will be deleted from the temporary memory of the software and replaced with new ones arrive For example we receive data of first Memory scene stored on a Yamaha number 1 On softwa
12. I device but only to receive them ie Baa BACK TO GENERAL INDEX 37 Signals Routing The Routing window can be viewed by selecting Routing Window in Menu Routing It is active only in mode The controls are quite intuitive and need no explanation being a series of buttons ot the type On Each time you press the button is immediately forwarded the message to Yamaha which may display on its display in the second page of Pan Routing The button DONE serves only to disappear this page callable with the current settings at any time The only difference lies in the version of Yamaha s lack of buttons D Direct of channels 9 12 due to a bug of software of the Mixer Yamaha ambiguity of the messages so it cannot be implemented via MIDI Pregarding the routing of signals on the option card ch 17 24 currently the software does not implement them BACK TO GENERAL INDEX 38 Menu File e New lt CTRL N gt or lt ALT F gt and lt N gt is currently not possible to have multiple windows open simultaneously with different settings so each new file as every time you open a file the previous file will be closed You are prompted to save the current file first and if it is that case then see menu Salva Then open a new window that is the initial window exception made for the selection of MIDI drivers already made and preserved and the current mode of transmission or reception 0 o o e U IMPORTANT this versio
13. TRANSMIT poa 7 ete did lha Eda lad esa ho o irh la UTIUTY SETUP Hew ladas end Lubors un Panas olla ters e luranice El MEL ay conde pael sollte no or L Whar 0 Allo Japas lekci lH da mal poses on Yemen Ihs rary Bey butons Homes Opton Effect Aux 1 4 Fenske essuse dee not ens cei stale be acinar and couse rewel amoo palia rat ohisna miae To begin Anal Janay DO fom sra Jderii allel fa 10000 H Ode S 100 m pisesed Selec Dit buton Boh valua are e GQ Q aii SOLE e En i iz J LA i m E i T lt E 7 As a result of pressing the button DONE of previous MORASS opens the main program as shown in the figure lt follows that as much as possible Yamaha Mixer but contains many commands that only appear on the Mixer display plus several original utility software Be noted immediately is that all buttons are disabled except for select mode transmission to YAMAHA SEVECT IN select mode reception from YAMAHA e Hide Help exchanges the contents of the text box between the fast aid and block notes e EXIT end software e Most of the menu active only File MIDI Pref Visualize Following an initial identification of commands but not yet active Down fully visible only if the bar is not present or hidden programs bar there are 14 black label channel BB and under 8 grey 17 24 used only if there is an option card for this outs Above them are the 15 channel faders 1 16 master
14. Yamaha scene to scene library to library deleting the text with cleartext whenever and Save As already suggested phen when the need arises reopen one of these scenes from files renumber it at will re save a copy in HD and send it on Yamaha s new memories to send to software the contents of a single memory for once Conversely the Yamaha will always be able to recognize the type of data received from the software and immediately replace them in memories To rename Scenes titles since it is already present in the main window with a simpler procedure due to the use of CTRL CHANGE Message it was not necessary to repeat such a possibility in this window BulkDump A typical mistake is to forget to select the MIDI output when sending data from software and back the MIDI input to receive them The software does not indicate in any way fail to submit or failure to receive data in these cases Text boxes containing the titles and numbers of the scenes and libraries will remain visible even when you work with other types until their replacement done automatically on opening a file or receive MIDI data from Yamaha For additional enhancements and bug fixes expect any suggestions and comments BACK TO GENERAL INDEX 19 Channels strips HOME and OPTION I O Channels are implemented and appear very similar to the Yamaha the channels 17 24 of the optional card using the same channel strips than normal 1 8 Currently it
15. are not editable and then can be sent to the mixer or other device but only received from any MIDI device connected to the MIDI IN system Esclusive messages In the box in the upper left corner of the software called SysExlIn Notepad we find a text box with three features 1 Fast help immediate help for first operations 2 Notepad a notebook for notes on the current patch of the mixer 3 System Exclusive messages The window we are dealing with in this chapter This feature is turned on whenever you press FastHelpe Bo SysExin Notepad i a iev MO HEX f DEC by default active and serves to switch Misi between viewing of exclusive messages and 1 a that notepad deleting every click tick the JEO 43 103E 410220 35F7 content of the text box to his right The text A peene i box has a top bar that contains two options IFO 44104 41022038 F7 for choosing the display of messages in hex ee Dae decimal format and a button to clear it In the 5406716 24 18 2 120 err example have been placed manually the 240 67 16 62 4 16 2120 47 247 words Es esadecimale etc Also note 40671662416 2 120 4 2d that in this instance there is no relationship between the decimal and hexadecimal The contents of the box can always be numbers except that they are 10 numbers selected and copied if need Again you can whose significance goes beyond this not use it to send system exclusive discussion messages to a MID
16. ate the checksum sum of all data reversed sign of the two s complement This clarification is due to the fact that it is obviously possible to save a disk file and rename it as you like maybe with a different number but this change of name and number is useless if made in the save dialog as in the file the number or the title will suffer and once opened for reading this file comparing the original number and originale names contained in the file BACK TO GENERAL INDEX Opening files of Bulk Dump The fourth possibility is to open a saved file on HD To do that clik on Open in File menu of this window Bulk Dump Again the option that is selected among the 5 available Setup Scene Eff Dyn Eq decide the type of file to open and click on the related directory The contents of the temporary memory of the software is replaced by the contents of the file The title and number depend on the content of the file and not on the file name saved Once loaded with or without display in text boxes above may be re numbered and sent to the Yamaha or saved with the 18 new number set in the Edit Number No confirmation of overwrite memory on the Yamaha and the usual request for overwriting when saving with the same number and name Recapitulating is preferable before renaming or renumerare scenes of memory or the individual libraries to make a full backup by saving the number and title also present on the HD Yamaha by sending from
17. d and PGM and CTL TABLE TABLE because a different allocation of PGM and CTL would prevent the proper functioning of the same software deployed until now the match by default the same MIDI data Assign additional variables to this data it would become more cumbersome than a program even a little effort as helpful in this case the normal statistical and non use of these opportunities This does not mean that these parameters can not be implemented one day but given the timing and other emergencies we can say that this will be virtually impossible Summing up the software is currently implemented only previous titles in bold and underlined MIDI data sent from other in italic are not read by the software and this do not sends them to the Yamaha BACK TO GENERAL INDEX 14 Initial vision and using the controls i SA BULK DUMP a bo EE File Options dl Teas MN YIEW HEXADECIMAL BB VIEW DECIMAL Options for recelve open bd Load Dpen TITLE AND NA Y Single Effects Library E Single E phamic Library Y Single Equalization Library For receive Bulk Dump from amaba ONLY ONE BUTTON MUST BE BLACKI Read the software s manual and Yamaha s Manual Receiving Scene memory can take 15 20 seconds Wail Alter you are sure of good working deselect in Meng Preferences BulkDumpylewHesz ndDiec for faster work II FILE TO SAVE TRANSMIT LP A a a SoS Ry A Da E
18. d useful to reload automatically every run of the software e BulkDumpViewHexAndDec if selected each time you run the software the control boxes for display of MIDI data in Hex and Decimal format will be active resulting in substantial increase in time for the receipt and opening data files Memory Scenes MEMORY e Recall and edit tilte scenes lt CTRL M gt Activated only in the mode ARANSMIA brings up the window to retrieve the stored scenes on the Yamaha and possibly to change its name Only default scene 00 is called parametrically also in the software Others are invoked only on the Yamaha UTILITY e All channels off lt CTRL F gt Switch off all 24 channels the Bus master the Aux Master the Return Effect 1 and 2 the Master Effect and the Master Stereo Out e All channels On lt CTRL G gt Switch on the same e All faders inf lt CTRL I gt Down all channel s faders 1 24 but no the effects aux and Masters VISUALIZE e Background Light change the background of the main window in very light gray e Background Grey change the background of the main window in light gray e Background Grey2 change the background of the main window in dark gray e Background Dark change the background of the main window in very dark gray e BackDarkBlue change the background of the main window in dark blu e Back Black change the background of the main window in black e Background Jpg Grain change the wallpaper with an image
19. e all buttons are active once you set the Transmit mode Those colored in gray must be considered currently active only for the poor function of pressure as the corresponding buttons on the Yamaha that is not yet implemented its functions and not open new windows but do make proggress the pages on the Yamaha BACK TO GENERAL INDEX 10 First operations Mode Transmit Receive The software is now built with a double but alternative modes of operation that is MIDI only transmission Software gt Yamaha or Receive Only Yamaha gt software This was preferred to other possible ways to avoid dangerous conflicts of incoming and outgoing messages contemporaries perhaps due to transactions made by persons other than software and interface directly on the mixer Receive mode indicated by the label RECEIVE disables the software commands and displays the results of operations performed on Yamaha Mixer conversely Transmission mode indicated by the label MRANSIMIN is not able to disable the controls Mixer real To select from time to time according to momentary needs the preferred mode just press the button to transmit data to Yamaha MIDI the button pressed becomes into label recalling the current state while the other off or button SELECTIN to enable the reception of MIDI data transmitted by Yamaha The case status change is indicated by the label become the button After the first press of either button both green and than start wi
20. e not useful Higher resolutions may make it difficult to read the text labels Possible resolution 1152 864 1280 800 1280 960 1280 1024 1600 900 1600 1024 The screen is fully used then for better resolution of 1024 768 you should use the opportunity to automatically hide the taskbar right click on the taskbar Properties select Auto Hide OK Or preferably move inferiorly BACK TO GENERAL INDEX MIDI Settings and Yamaha connections Make MIDI connections as follows Connect the MIDI OUT of your sound card to Mixer MIDI In and MIDI In the back of the PC to the MIDI Out of the Mixer If you use a MIDI box you can connect other MIDI devices to MIDI Through of the Mixer that is an exact copy of the MIDI signal from the PC Turn on the Yamaha Do not power amplification Before starting the software make the following settings on Mixer YAMAHA 1 Press on it the button MIDI bring on the first page MIDI setup In it select the Tx CH and Rx CH chosen unless changed by the user they are both in default channel 1 2 Select darken the two columns on the right Tx and Rx 3 Unselect columns Omni and Echo if needed 4 Press MIDI button repeatedly to bring on the fifth page LOCAL CONTROL and make sure to select ON BACK TO GENERAL INDEX Using the shortcut on the Start menu created with the installation you start the program that appears with this splash form showing the version number To continue
21. e level panning etc will continue to be made in the main window that will be always present BACK TO GENERAL INDEX 2 Effect editing_window If the recalled memory is existing EDIT button becomes available only in the first section on the left Currently you can not edit the effect parameters 5 42 but only the first four and all effects that were saved to a file A sad message remember it to us SSS SSS I ma I LI e Pia JIO LJL 1 The window that appears when you press the button BB somewhat reminiscent of the display of the Yamaha but it condenses the parameters in a single screen instead of the two or three in the Mixer Parameters can be edited easily through the thin sliders In the usual way of the software In real time MIDI messages change the settings of the Yamaha It should be noted that in some cases have not been able to understand the scaling of the parameters adopted by Yamaha absolutely arbitrary and undocumented resulting in some minor differences with the Yanah in the numeric display by the software But what matters is that the values of Yamaha are the original ones Upon reopening recall of an effect stored in a user memory will reappear the editing window with the related title The Effect Types of 01v are the same of effects 42 then the user memory presets have associated the originary effect type effect than the edited one Some choices of Yamaha seem absolutely ridiculous and grotesque
22. ept the that it was considered prudent not to implement Keep in mind that on the Yamaha this fader is used in many ways Channel Master Aux Master Master Effect etc of these features otherwise implemented in software will be speak later BACK TO GENERAL INDEX 21 Buttons SEL SOLO ON OFF Mutes Above each channel fader are three buttons SEL SOLO ON OFF that is a faithful copy of those of Yamaha for their function Buttons SOLO SOLO MN and GFF are switch on off type their repeated pressure switches that function On the contrary the button SEL SEL is RadioButton type that mean that you can deselect one button only ein another button It is also activated when you press one of two other buttons on the same channel and when touched on the Pan or labels About using mutes MN and OFF it are the same of Yamaha In mode OPTION 1 O channels 9 16 are disabled Using lt Tab gt followed by lt Spacebar gt or lt Enter gt you can move in sequence in the channels using only the keyboard Buttons SEL SEL of software send their state to Yamaha bur this do not do the same no MIDI message But it isn t a problem Wanting to follow in as much as possible the real mixer we have kept this function which is essential to activate the window of Equalization The Yamaha buttons SOLO unlike than mutes ON do not send to software a univocal MIDI message about the state on off but only pressure state This means that if
23. even if you press the Option button on the Yamaha and change the positions of controls on the channels 17 24 the software receives them and stores them correctly and shows it soon as you press the button In general repeat when you press these buttons on Yamaha the software can not respond and this can mean for example turning off both ways HOME ch1 16 and OPTION CH1 7 24 in the software resulting in inability to act virtually the faders up the pressure on software either button Home o Option BACK TO GENERAL INDEX 20 Channels faders and Master fader The channel fader has a label at the bottom that turns color under current mode ch 1 16 or OPTION I O 17 24 in Fig alongside the fader controls the channel 7 lt supports various modes of change and that can be operated by dragging the cursor with the mouse clik within its lane using the keys lt Pag Up gt and lt Pag Down of keyboard discrete increase arrow keys and increase of one the value and decrement of one it using keyi lt Home XI gt lt End gt you bring the fader respectively maximum and minimum position Moving the mouse over the labels 0 del and see a white little hand with a simple click allows to bring the fader on the respective position OdB and inf Click on Later you will learn the original features of Menu Utility including the lowering of all faders The fader has the same characteristics of channel faders exc
24. ge the parameters and the other simply to advance the page in Yamaha e That right similar to the left minus the Edit button In fact as previously explained the effects libraries is to be considered single e The third section below should be considered common and contains common commands storage and editing of the title In addition without an equivalent in Yamaha three new buttons l save on Hard Disk actual library made by the possible new user presets and parameters added edited or not in a file in subfolder libraries with extension fxv 2 MEAN ads the contents of files stored on HD in libraries and makes them available for use 3 CLOSE EFF WINDOWS simply closes the window effects and if open the editing one For saving and opening files currently you can only edit and recall memories of the first four type you can edit and save files temporarily parameters and the names of 57 different types of reverberations Temporarily refers to software that is pressing the OK button on the software is not written yet no file on the HD but is stored the corresponding operation on the Yamaha The EDIT button is available only after invoking the selected effect and if available Pressing RECALL close any editing window to be able to reopen the new effect loaded The opening of the next window will be joined at the bottom of the previous while movable and minimized as most of it in the software Operations level effect send receiv
25. his program virtual mixer or interface or control panel etc referred to simply as software BACK TO GENERAL INDEX SETUP The distribution of the setup file takes the form of compressed file rar Uninstall any previous program MIDIMixer01v using the uninstaller in Windows Control Panel Add or Remove Programs This operation is not necessary but advisable Unrar the file to a temporary folder specially created and that you take note of the position then run the setup file The installation was created with a freeware program Cyber Installer Suite 2009 It is easily configurable options language target folder an association of 01v system rollback restoring the old files etc The only hassles are slow alerts about the use of program etc pray to ignore it Since the current version may be incompatible with files created with earlier versions please if necessary use old file and 01v pref 0Ov send them to the software company for their update For the same reason is not avaliable a update setup as new features were added folders and files Specifically e are installed in the windows system32 folder libraries I O MIDI MIDIlO32 ocx libraries of controls faders and knobs the runtime VisualBasic and some related files e folder program is created and within it the EXE MidiMixer01v exe e In the same folder are copied two files for the background image and a program file for preferences pref 00v w
26. is not yet implemented the possibility to exchange the channels with the press of virtual button GLOBAL SWAP in the fifth page of Option I O Yamaha This does not mean that we can not use the memory scenes so septate because the software works properly with all available commands the only difference is that the software does not indicate any Swap Mode UTILITY SETUP MIES To switch between channels 1 16 to optional ones 17 24 press in transmit mode the button it remark its activity becoming and pointing with channels labels on bottom of the window To return to manage the channels 1 16 you press the button MOME that things will reverse again They are as the Yamaha of course alternative and repeat being impossible receive the corresponding messages of the Yamaha is better to use only on the software Their pressure lead to the illumination of the buttons on charges Yamaha and their effective function Their function is identical to the real of Yamaha by repeatedly pressing it behave the same way changing the relevant page from first to fifth There is therefore no need to use more physical counterparts Dynamics EQ If you are in the reception mode and you are working directly on the Yamaha to switch between channels 1 16 to the optional ones is therefore necessary instead press the OPTION I O Yamaha press and GPTIGNWG on software back at the moment in and then return in mode with its button However
27. it or using this software can hinder their free movement mechanical servo controlled As you know it recalls the last status faders position reached before the shutdown and whether they were moved with the mixer off they back to their last position At first use of the software is not recommended to apply input signals to the Mixer Yamaha and especially to amplify the output signals although it was tested cannot exclude sudden changes of output due to parameter variations uncontrolled resonance filters labels sensitive moving fader to OdB etc then you can start to use it with amplified signals preferably not at maximun gain BACK TO GENERAL INDEX Notes on this edition of the Manual The manual in Acrobat PDF format provides the ability to quickly move through the document by using the links hidden under the chapter headings in the index In each chapter in the end there is a link to the MAIN as BACK TO GENERAL INDEX The document is opened in read only the changes and saving are disabled In software manual buttons are highlighted with the same ek which they appear in the program eg WUNCA DNK RECA The menus are highlighted in gray instead Menu File Menu MIDI Menu Visualize Menu The buttons on the Yamaha are just quotes As always the keyboard shortcuts and individuals keys are enclosed by lt gt eg lt CTRL gt control key To avoid confusion the real Yamaha 01v Mixer is always called Yamaha unlike t
28. ith attribute hidden viewable only with viewing hidden files and or system but not read only to be modified by the user through the program e Documentation subfolder is created and within copies the files ManualelTA pdf italian manual ManualENG pdf this document SavedParameters pdf that lists the parameters currently saved under a patch file and those of the individual libraries TabellelmplementazioniMIDI pdf that contains the list of parameters of the Mixer implemented and implementable in the future e Patches subfolder is created containing the default file InitOOMemory 01v and where other files will be saved patches with the same extension 01v e are created subfolders setups scenes lib and subfolders of this latter eff with further subfolder fxv where the effects library file default fxv is copied eq dyn This folder is the default directories for each file opened for writing or reading Should not be moved or deleted but can be duplicated or nested with others All files and folders listed are considered vital to the functioning of the software If they are corrupt or deliberately removed the software will not work Such a state will not cause any other problem BACK TO GENERAL INDEX FIRST SOFTWARE RUN Getting Started Screen resolution The program is intended to be used only with a screen resolution less than 1024 768 pixels 16 or 32 bits Minors resolutions do not allow to view full resizable windows that ar
29. ized by the software send levels from Return to Aux and from Return1 to Effect2 and vice versa In transmit mode as in the management of panning as above for all the buttons and rotary controls BACK TO GENERAL INDEX 25 The effects libraries Since version 3 3 is available the choice of effects to be applied to two banks and other functions To access the window must be clicking the menu effects and Effects Window or with the shortcut keyboard lt CTRL E gt but only if is selected mode MAASAM Appear the following window SS Effects Libraries Default mn Al EJ Effect 1 library No TITLE TYPE Reverb Hall Reverb Room gga Heverb Stage lReverb Plate Early Ret Gate Reverb a Peverse Gate Mono Dela The page 2 of programs effects in Yamaha with the choice among effects to load RECALL and STORE and edit his title is like this window Of page 3 with options Pre and Post Fader we spoken Of page 1 where you can eidt the parameters we will speak later Opening this window you visualize two effects loadedi by default by Yamaha Reverb Hall 01 and Chorus 13 Scrolling down the two windows as in picture above you can select others After selected as in Yamaha you musr recall it pressing button RECALL Pressing REGAM the button is enabled to store the effect If you try to store the effect recalled appear advide read only In fact you can not change the first 4
30. l parameters for the 4 filters also note visually the effect The knobs are all active and not need to be actived by 8 buttons to right up To return to compact Ane variable for type of filter Se pie the button 34 Keep in mind that these are four independent filters with the same range 20 20khz for all then beyond the assigned name from Yamaha Hi Hi Mid Mid LowMid Low their frequency and relative bandwidth of action is absolutely free and combined Note that the software is in continuous evolution and enormous final complexity is not currently able to view the curves that best match the performance of the filtering and especially not in a position to calculate the graphic result due to partial overlap of the various filters This does not mean it does not work already fully informing the Yamaha the timely and accurate information of the parameters The Yamaha will correctly display the curves and the interactions of the above in addition to just display the values set by the software It will be good make adjustments via software until the end and then take a look at the Yamaha display to avoid surprises due to a lack of intuition of the resulting curves Moreover any work on a mixer is to be evaluated primarily though not exclusively always just by listening Let us finally remember that a good EQ preferably uses only small negative gains deemphasis and In this version we complete the save of changes to each channel thi
31. le After few command seconds with mouse stopped the tip text appears on the knob on SEL which the cursor is stationary Description of the window On the left is the display window of the changes made it is similar to that of Yamaha by presenting the same vertical grid with references to 100 1000 10000 Hz On the right are buttons that identify and trace the 4 buttons on the Yamaha High Hi Mid Lo Mid Low in fact the High button of the Yamaha has been replaced by a different name Hi Peak as LOW by Lo Peak this is because the functions Hi shelf and LPF accessible on the Yamaha moving the lar e rotar control after selectin the Q Qualit factor at the ends of its ra Similarly you will not find a button LOW because replaced by three buttons and HPF The top button ReRe switch on off equalization of the selected channel The buttons are already in part described below are organized with different colors for the concerned frequencial bands The same colors Yellow Red Green Blue will identify the knobs at the bottom of the window These last three J Cutoff frequency center band frequency Gain el Quality factor camber Depending on the type of band button actived the knobs of frequency and of Q and of sensitive labels can be activable or not 31 Using the EQ panel EQ Channel 1 ait Pressing button HI SHELF default selected you have access to the parameters of the rotary c
32. ll make sure that the memory is existing that is already stored on the Yamaha to do this just type the number and press recall if that memory is still empty the Yamaha did not recall but In this case however be strongly discouraged to restore the legibility of the display you must restart the Mixer Yamaha and then move to the Memory Init 00 and save in the number of corrupt memory making a copy that is free of defects In fact you can not erase a memory without write it again In short e to invoke a memory type in any number and press RECALL if it is still empty the memory is not recalled no problem e To edit the name of a previously edited memory even manually on the Yamaha call it as above and make sure that the mixer has actually called that is existing full the same number set in the software should appear in the left of the display of Yamaha then type the new name in the box next to Title and press 12 These are the characters used and recognized by Yamaha Hi pr TA 2 E right lt aut so gt lt a Special characters are available in the software as in any text editor for Windows by pressing contemporary lt ALT gt and its ASCII code number The button Cancel test only serves to clear the current text of the software without any influence on the Yamaha Pressing the button DONE only makes the window disappear to use the notebook The one show above is the only way to draw a
33. n is adopted a method of reading and writing files that includes the addition of new parameters that can be saved in the file implemented in future versions Since version 3 01 the first one allows the saving of files new controls were implemented and this unfortunately does not permit the use by the new version files saved with earlier versions To use a major library already saved them you must open its files with Notepad in Windows and another notebook with the read only file InitOOmemory 01v Tile Horizontally will be fairly easy to identify the formal differences of blocks length and order and then copying the tail of the new file Future saved parameters and pasting it to the old Finally save the old file with the same or different name but always with the extension 01v all files and txt Text Document If in doubt just send the files to be converted to CENZWORKS2K Open lt CTRL O gt o lt ALT F gt e lt O gt Open a file 01v existing and formatted according version 3 3 and subsequent possibly after save and close the current Currently the file O7v are not compatible with earlier versions of the program and could create problems with its unexpected closure of the program No problem for PC or the mixer Re run the software As for the types of parameters refer to the saved file SavedFiles pdf Close lt CTRL W gt or lt ALT F gt and lt C gt Close active window with opportunity to save it Thus it become
34. nd qo p aa E and vice versa this in the same effects third page of Yamaha software is located immediately above the dk strip effects sends as shown at right zemam To note that the software fader Master Effect is not managed by AAI Sendi Send NES fader as on Yamaha but has a dedicated faders or rather two one for mi each effects processor It is on the right of the EQ window As depicted on left to pressing the button Effeetd indicates their active status becoming Effect1 this fader changes its color to pink to remember its replacement function of fader StereoMaster Again both faders are always active in transmit mode Even the underlying on off button replace the stereo master mutes of Yamaha BACK TO GENERAL INDEX Return Effect 1 2 or iiO EEeecT 7 The return effects on the Yamaha is managed in the box called tas 1 RETURN 2 through two knobs and six buttons PanlPanh PanlPanF In our software the analogue box RETURN EFFECT 1 2 on left is on the top right of the main window and contains the 4 knobs and the usual sensitive labels for panning MIDI messages sent from two knobs Yamaha are different CC and Ex and depend on how the internal display as well as the button pressed and the one selected pages 32 _35 of Yamaha manual fader Mode The software in receive mode always react correctly in the presence of MIDI messages related Only on Fader Mode AUX1 4 and Effect 1 2 pag 35 Yamaha manual are not yet recogn
35. nd edit the title of a scene As discussed in Chapter BULK DUMP in a different window you can change the number of scene and then copy it into a different memory of the Yamaha but in that case the new allocation will retain the old title to edit it in a new xxxyyy2 eg it will return to this page frame square amendment entitled Memory Scenes BACK TO GENERAL INDEX 13 Bulk Dump Introduction and software specifications The Bulk Dump is the possibility to send receive Mixer from Yamaha and from software the content of these memories on the Yamaha The Yamaha stores these data types stacked on the left in the MIDI fourth page Yamaha manual p 232 as ALL all the following memories SETUP MEM only memory containing settings Setup Source Listen Mono St Solo Setup Groups Pair Dither PGM TABLE Table assignment of scene memories to data Program Change CTL TABLE table assignment of parameters to data Control Change and right column inasmuch with other options nr type SCENE MEM scene memories from 01 to 99 00 read only containing all data transmitted and received via MIDI faders positions assigning libraries pan etc LIBRARY 3 separate libraries EQ equalization DYNA dynamics processors and EFF effects processors REMOTE also with different types and parameters In implementing these features of the Yamaha Bulk Dump in the software we had chosen to ignore the REMOTE because personally not use
36. on the center of the main window above those for panning with background effect 1 and in dark the second pic on left The box that contains them becomes blue when you press any buttons They are nonexistent in the Yamaha It is preferred to have the ability to split these commands to control them simultaneously Their function is always active in transmit mode any button is active HOME OPTION I O AUX1 etc even if not seen to move its faders on the Yamaha This means that you can vary the amount of signal sent to each of the two effects without first press Or you can press Effect1 2 on Yamaha and note the changes made in the software Pressing button or 2 light their stripe the recall show faders position and possible advancement in the pages Effect of Yamaha To distinguish the effects sends of channels 1 16 from 17 24 they have yellow gold and pale yellow left Note that in this case Option buttons 23 of self routing of effects are disablied because non existent in the Yamaha The lables m and YJ do reach the minimum and i maximum positions of the controls Buttons Pre and 25 are the same of third page of the Yamaha display Effect 1 and 2 24 then you can choose whether the effects of the channel is sent regardless of the output volume setting of the channel fader or not They are usefully placed close to the effects sends napa EFF The ability to send the first effect to the seco
37. ontrols and 8 the is disabled in grey being the type of filter selected is not compatible with this parameter The T E AR Gain label 0dB is sensitive as the previous pan L C R JE quolizer library ll and shows the command immediately at O deciBel ena E sae Turning the knob you can change the cutoff a A a frequency of filter 5646Hz in this eg and that the r Pl al af gain 6 5dB The display is still kind of in line g seee 6 5 depp 10 00 segments but it matches enough the intervention E AA Pressing Hi Peak you active the BandPass BandReject filter with center frequency set in 5981Hz the Bain 4 5 dB and also in this case his 0 3 15 All values and the range possible are those of E Pou Yamaha of course TEA gt Hert oats FRED c ERE oo BEE y Enlarge EQ Channel 1 The LowPassFilter is activable pressing LPF The Ene Cutoff frequency is always controlled by g while other Hi Pae two knobs are disabled being in this case unnecessary So also label OdB Appears instead two labels sensitive respectively named LPF Off and LPF On They replace the On Off option on the Yamaha in the box of gain when you select a Q LPF 32 EQ Channel 1 IE ee Equalizer linary Herz E p JEquabzer ibrar Hertz ae a i 1 r tt EQ Channel 13 14 SS ee ae a A l I i a nka 3 oka 0 35 APR re l G aka o Ma HP I F tae
38. re we develop MIDI reception pressing Also press the Clear button to clear the text if any of the three text windows let this once again selected or reselect check boxes display HEX and DEC and we move on Yamaha de On Yamaha select with the arrow keys and ENTER button the virtual button SCENE MEM Then go back on SETUP MEM again ENTER to unselect then we move to their right to determine how many and which scenes we want to send to the software Because we can send one at a time and we decided to send only the first using the cursor keys and the wheel PARAMETER select in both fields FROM and TO the number 1 Control that only SCENE MEM is selected move the cursor on TRANSMIT and press ENTER On software scroll bars for text boxes above begin to shrink appear finally 2056 2 HEX and DEC data concerning the contents of only first Yamaha s scene The long wait is due only to formatting text but is useful for the first time expect to realize this textual output of receipt of MIDI data coming from Yamaha Through these scrollbars check that the first and last data are always FO DEC 240 Init Sys Exlusive and F7 DEC 247 End Of Exlusive Once established and understood the operation of the window BulkDump for all operations of bulk dump data reception or open files or better for the only operations on the memory Scenes the longest in terms of bytes data can be easily do without the data on display wi
39. reminiscent of the Yamaha e Background jpg grain Dark change the wallpaper with an image elephant skin is the current default background 40 EFFECTS Effects window lt CTRL E gt Open effect window ROUTING ES Routing window lt CTRL D gt Open routing window for route signals that can be minimized or closed and eventually reopened later Manual PDF ITA lt F1 gt Open Italian PDF manual Manual PDF ENG Open this manual MIDI Implementation Tables complete list of all the existing implementations and those of future implementations and of those that are not possible Saved parameters PDF list of parameters and files that can be saved Cerca upgrade sul sito ITA Opens the italian page dedicated to the software on the site www vincenzogrossi it to see if there is a new version which from now on must be obtained from the author and do not auto send Search for upgrade ENG The english version of same page Version shows the initial wndow that contains the version number BACK TO GENERAL INDEX 41 NOTES They would like to stress the program bugs requests for specific improvements measurements errors and omissions in this manual Setup problems and so on The ANMAT does not assume any liability for damage caused to persons or objects from improper use of the program and lack of vision of the information provided in this manual It is not authorized by the copying printing modification and una
40. s means that selecting different channels are displayed on the current parameters and their respective curves The equalization of each channel are now saved in the patch file but still without a new name for the user presets Instead will be reopened parameters and the names of the libraries existing original when loaded on each channel BACK TO GENERAL INDEX The Equalization libraries Currently the software enables retrieval visualization and editing of only 40 original presets of the Yamaha over the Init Default Gain OdB It just click on the little black arrow to the right of the scrolling text box located below the display window to access it After the first selected Preset is also possible to scroll all of rat the other pressing the arrow keys up and down on the ES keyboard For each selection is immediately recalled all 423008 45d A 35 the parameters in the software that is on the Yamaha On the left we see as an example the use of preset E G Dist 2 of the library of the Yamaha As stated above these parameters are active only on the selected channel and can be changed freely but not saved in a new preset with a new name If you modify existing preset the settings will be replaced from the original even changing the channel EA As is also evident from a comparison between the BA OTE sotware s display and that of the Yamaha of this presets G C 5 are still not made the necessary calculations to crea
41. s possible to create a new file or open an existing one Pressing button of the secondary window is not possible to save the file before Save lt CTRL S gt or lt ALT F gt and lt S gt Save the active file without prompt If there is a new file or the initial opening the Save As dialog box for choosing the name As for the types of parameters refer to the saved file SavedFiles pdf SaveAs lt CTRL A gt or lt ALT F gt and lt V gt Save with chosing name As for the types of parameters refer to the saved file SavedFiles pdf Exit lt ALT F gt and lt E gt Close software asking to save actual file In addition to this menu the program is closed by pressing the button EXIT or the close symbol of main window Hd Options show initial window for select MIDI drivers Transmit lt CTRL T gt The same of button SELECTOUT active transmission of data MIDI to the Yamaha Receive lt CTRL R gt The same of button SELECT N active reception of data MIDI from the Yamaha Bulk Dump lt CTRL B gt Open the window for BulkDump operations 39 Preferences Save preferences save on hide file pref 00v actual preferences selected Show splash screen on startup show or hide initial window in the boot of software Show MIDI panel on startup actually disabled and no desectable Load on start up last saved effects library after editing in the software some libraries of effects currently Reverb only type is possible an
42. s you about incongruous or unavailability of the drivers will still be loaded without restarting either the PC or software In case of multiple doors only work is physically connected The golden yellow and pink boxes contain options for selecting MIDI channels using the communication software from to YAMAHA By default is select channel 1 for both as previously explained Last opportunity in this window is to send the message to the Yamaha MIDI next page This window will continue to show itself at every new boot software If will be saved preferences in the menu preferences menu preferences save preferences or will you be selected in the same menu Save preferences on exit following startup will no longer need to rerun the selection of ports and channels of transmission just press lt Enter gt to continue keeping the options beforehand During program execution as anticipated you can call the MIDI settings window without risk using the menu MIDI Options and also through the button MIS in the left main panel BACK TO GENERAL INDEX Main window YAMAIIA OTe DIGITAL MIXER MIDI CONTROL INTERFACE v3 3 Senza tinin E Gis e efersnces demos Ube sisusics Effects Souung O x A CATA bo ooh a Sa 2 50 AD CHARNNELL SELECTED eee RETURN EFFECT 14 aU HASTER M pl gt tan SN a bl E anann Pan Pana 1 2 3 4 en MA Pres buron SELECT OUT or SELECT ja p T al oa o O Ti TA Dal k ELA 2 E O H Senning OUT Jiga
43. t intend to display the data stream can be easily but manually resize the window hiding these text fields 15 If you possess similar hardware this part of the software may not be useful assuming the completeness of the implementations of these machines We see the operation and limitations of current software The software accepts the receipt of individual setup memories scenes memories effect library dynamic library and Equalization library sent by Yamaha If you accidentally press the TRANSMIT virtual button of Yamaha when more than one option is selected or when selecting an option other than software the software displays the following message Run time error 5 Invalid call or argument and will end immediately after pressing the OK button The software is not able to send the request for sending Bulk Dump REQUEST nor to receive it to enable its submission to the Yamaha Similarly the software can save and open files each containing a single memory Now we follow a single procedure for know how to proceed with the software on the Yamaha Now will prepare both for the transmission of memory setup SETUP MEM on Yamaha Into software press SELECTIN to receive MIDI data and select the first option Setup memory then select if not selected already check boxes for the display of incoming data VIEW HEXADECIMAL e VIEW DECIMAL On Yamaha go by pressing the MIDI button at the fourth page on the Bulk Dump
44. te a TE Ea single EQ curve but they are separate and segmented lines of the 4 filters What that it still has its usefulness CEE o 397 in the easy identification of which parameter to change z following as is always true without fail and needed just E na about listening rather than on the graphics too accurate ET r of a display The parameters of EQ for each channel GELEE o 10 00 both existing presets that those will be created starting ui from the default OdB will are reopened with the opening tis eet ra of the patch file relative to the existing name of the 15M 6d 794 original library were modified by the generic Init E Default OdB gain or without a title dE BACK TO GENERAL INDEX 36 Visualization of MIDI data input Channels messages The software can check for incoming MIDI messages via two separate panes positioned in the top left one for channel messages Parameter Change Program Change and Control Change and that for the system exclusive messages Ex Off course the software must be in receive mode Pressing In the left pane we see the first type of message is divided into which is given by the type of message channel 175 control change MIDI transmit channel 1 The 176 indicates in this case the channel fader is DATA1 of the message in this case related to channel 1 of the mixer is DATA2 the parameter received 29 position 29 of channell Fader 1 values 0 127 These data
45. th no rules set is always active either Pressing the labels and has no effect because they are only signals of the status of current mode only buttons and command transmission and reception In addition to these buttons you can switch from reception to transmission and vice versa even clicking in the menu MIDI the test Transmit or Receive or finally with the keyboard shortcuts lt CTRL T gt Transmit SelectOut or lt CTRL R gt Receive Selectin It s the case with all 17 buttons on the left side of the Yamaha from Utility to Home Note that instead they are controllable through software For this reason is highly preferable using this software do not press those buttons on Yamaha but use in transmit mode the copies of the software This is to avoid inconsistencies between the spin on the Yamaha and not display in the software It is understood that none of the PC or the Yamaha suffer any violations of this rule being a categorical imperative that adopted by HANA LO materi not to create never the slightest possibility of damage the Mixer Selecting mode all controls of software are disabled except FastHelp EXIT Menu File Menu MIDI Menu Visualize Menu Others will be rehabilitated and available only by pressing SELECT OUT and in this way passing in mode transmission BACK TO GENERAL INDEX 11 Scene memories Recall and Edit title As suggested by that appears early in the text box at the top left
46. th remarkable savings in time This will be sufficient or uncheck the boxes for manually or set deselection by deselecting of BulkDumpViewHexAndDec in the menu Preferences the main window of software accessible even with that of BulkDump This save in file pref 00v Ithe settings to be loaded with every subsequent startup of the software Also on the software in the yellow box beside the option Scene Memory appear the title of resident memory on the Yamaha and its scene number These data title and number are derived from MIDI data sent from Yamaha and are also replicated in the boxes below the frame number and Edit Prewiev At this point we can save the file as is with the same title and number of Scene simply repeat the previous operation with menu Save File As A new saving window appears in the directory of the memory scenes this time with the file name formatted as scene number SceneTitle If you want to change the scene number to be able to copy to a different memory than the current Yamaha and or save HD already a number of different scenes and then different title for the original part number we can edit the number only in the appropriate box Edit Number and press DONE It is important to clarify that the number of scene that his title is part of the 2056 data sent received via MIDI that the function of Done button is just to rewrite the 16th number of the list related at the scene number and the penultim
47. they have on their left dark blue label with the positions in dB perfectly balanced with the real one Above the faders have 3 rows of 14 buttons that double as exactly those Mixer Yamaha plus Sel buttons ON and Master Above them marked by the label PANG on left the 17 rotary controls for panning on Yamaha 9 Mixer only virtually present in the display PAN ROUTING Still above the 14 channel sends for the two effects Appear also buttons for selection PRE or fader Top right marked with different colors we find two faders for master effect send box of 2 effect returns including the 4 pan two rotating for the amount of return and 6 buttons Sel Solo and On Off In the upper right side the 4 Master auxiliary faders AUX1 4 with its on off and under 4 MasterFader BUS and its on off On top center the window for equalization Al suo fianco sinistro il taccuino in questo momento utilizzato dal Fast Help un iniziale aiuto immediato Detta casella di testo sara utilizzata anche per la visualizzazione dei messaggi esclusivi messaggi di Control Change e Canale CI invece visualizzabili nel riquadro blu a destra contrassegnato dalle etichette e BW Channel Message DATA1 e DATA2 Top left replication of all 17 buttons SEIE on o Mixer with the same label a button EXIT to close the program at any time and at the top circled in red in the image two essential buttons and A i About this panel top left in the previous figur
48. us 1 4 and Masters BUS MASTER 1 4 BUS MASTER E O The adjustment of the levels of the 4 Bus is done through four r A faders dedicated to the right of the main window with its four rotary controls for panning as described above These Bus commands are always active in mode Their function is visible on the third page of Pan Routing of Yamaha Since version 3 3 has been implemented the possibility of their routing to Stereo Out TO ST with 4 buttons ST BACK TO GENERAL INDEX 30 The Equalization Activation The parametric equalization in the Yamaha has been largely implemented through an extensible window always visible in the main window We could implement a series of knobs splitted for channel strips as in other software but it was thought that the mere display of rotary controls to a specific location value does not help much for the immediate understanding of the type of EQ acting on that channel It is therefore preferred to keep the logic of the Yamaha for which you must select the desired channel to display and to change digital filtering EN HO CHANHELL SELECTED On the left is mat eee represented the view of the window when it is not yet active EQ NO CHANNELL SELECTED To activate it it must first select a channel button SEL so that it becomes as SA No selected channel shown on the right First channel selected All No active and controllable commands are availab
49. uthorized disclosure of the program and this manual as well as the related tables Every file related to this program is marked uniquely cryptographically which identifies the legitimate user Registered users that may violate these restrictions if they had identified those files marked will be deprived of the right to be free of all future product upgrades printed on 11 11 2010 CENZWORKS2K BACK TO GENERAL INDEX 42
50. uting in software rather have 4 separate rotary controls in its routing switches to the Stereo Bus SST de T y i BACK TO GENERAL INDEX 23 The effects Effect Send 1 2 The Yamaha O1v Mixer provides 2 stereo multi effects processors each with 42 presets The entire library of 99 effects of which 42 presets and 57 user definable is unique but can be variously used in the two processors The effects user once stored are available in both banks Effects 1 and 2 emphasized this arrangement because the software will edit parameters and names of effects loaded only on the first bank knowing that these will be the same of the second unlike the Yamaha which gives the illusion of being able to edit the effect in the second bank individually The effects can be applied on 24 channels and effects returns In software with the current version you can send the command of all 24 channels 16 nr 8 Option has been implemented also the choice Pre or Post fader Also you can now choose the effect to use edit the first 4 presets reverb type save them permanently or temporarily in new libraries with numbers and titles A key difference between the Yamaha and software which can cause some embarrassment at first is the display of controls On Yamaha the effects sends use the same 15 channel faders by pressing the button Effect1 and 2 In software however they are represented by two tiers of 14 new commands rotating blue
51. you turn on the software and then on Yamaha without be passed into reception mode their functionality is reversed becaues its type is undifferentiated on off switch As with the switches of the lights when there is a diverter Later you will learn the original functionality of Menu Utility including the switching on and off of all channels BACK TO GENERAL INDEX ZZ PANNING The management of panning in the Yamaha is entrusted to a single control body in white found on the right of the display This involves the awkward pre selection of each channel to change the Pan The view of the changes made is entrusted to the small display in different ways After many years operating this dial numb and fail changes Utility software to manage a Digital Mixer revealed in similar situations We have chosen to put all the commands of panning in the main window so they are always under control even when obviously work on the Yamaha Again it was done to include useful features such as sensitive labels the appearance of the same white hand above that move the pan immediately in the three positions most used L Left O Center and Right Similar to the Pan faders on display also agree to be controlled via keyboard arrow keys etc BACK TO GENERAL INDEX BUS MASTER PAN ass An exception to what said before is that the 4 pan of Bus Master in the Yamaha can be controlled through the wheel Parameter in the page 3 of Pan Ro

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