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ARRIFLEX 435 Instruction Manual, March 1996, English, 72 dpi

1. GO 11 31415 61 1 8 t Warning Remedy TC magazine not recognized use a suitable 435 magazine TC not set to NDF RT reset TC at current frame rate and swiched to RT NDF RT Real Time is 24 25 30 fps NDF Nondrop Frame is 23 976 and 29 97 fps TC LED not recognized attach or check TC module TC not buffered reset TC either the TC buffer battery is used up or the power supply was insufficient or interrupted or over 10 hours passed since TC was last set 4th Display Digit for TC Warnings 0 118 3 4 5 5 1 8 C Warning Remedy error in external synchronization repeat external synchronization check LTC signal TC switched on but not set set TC via CCU 1 ICC or external synchronization TC not ready have functional expansion module FEM checked 12 Maintenance When maintaining and cleaning the camera and accessories pay careful attention to the following notes and tips Always disconnect the camera from the power supply Clean the camera and accessories only on a clean and flat surface which is covered with foam material or a clean lint free cloth Under no circumstances use acetone or nitro thinner These chemicals dissolve the paint and can damage highly polished surfaces For cleaning it is recommended to use soft lint free cloths and swabs Also suitable are special cleaning tissues and small sponges as used in cleaning com pu
2. 97 R S Socket Distributor 3 pin 97 10 Super 35 aan 99 Converting the Lens Mount Receptacle to Super 35 99 Converting the Bridge Plate to Super 35 100 11 Time Code aaa een 101 Time Code Frame Rote 101 Mounting the Time Code Module 102 Checking the Loop Length ee 103 Setting Film Sensitivity TCS Value 104 Time Code Inpede e LN MER 106 Switching On and Off the Time Code Recording 109 Time Code Output EE 109 Time Code andthe ESU T ns 110 Time Code Buffer Battery nee 110 Overview of the Display Indications in TC Operation 112 12 Maintenance eeeeeees 115 ERR edens ee age 116 Cleaning the Spacer Gate nennen 118 Cleaning the Field Lens 119 Magazinen ee 120 Appendix sse 123 Technical Data nenn 127 Order N mberss c coo 2 nm Rai 129 1 General Description of the ARRIFLEX 435 435ES The ARRIFLEX 435 435ES is a compact light weight MOS and HS camera Due to the modular design of the camera its range of functions can be individually expanded The following features are already integrated into the basic version of the ARRIFLEX 435 435ES Operational parameters can be set directly on the camera The frame rates range from 1 150 fps for forward or reverse running The ARRIFLEX 435 43585 i is equipped with a low main tenance
3. Camera Control Unit CCU 1 The CCU 1 gt photo can only be used in conjunction with the functional expansion module The electronic adjustment of the shutter angle is only possible on the ARRIFLEX 435ES The camera control unit CCU 1 enables control of the following functions Starting and stopping the camera Selection of the frame rate Selection of the shutter angle only 435ES Checking all set operational parameters Entry of programmed frame rate changes programs Entry of programmed shutter angle changes programs only 435ES Display and operation of the film counter Setting of warning signals Display and setting of TC time time code and TC user bits Display of the set TC sensitivity in the REMOTE menu The camera control unit is supplied with power by the camera If the camera is not connected the camera control unit will be powered by the internal batteries As the life of the camera control unit s batteries is limited to to approx 5 hours the display illumination switches off approx 10 seconds after the last operation when it is being run on batteries and the camera control unit itself switches off after approx 5 minutes Replacing the Batteries e Open the battery compartment gt photo withacoin Pull out the battery pack AN Insert batteries as indicated on the battery pack Insert the battery pack into the camera control unit and close the battery co
4. ssssmA 25 Loading the ARRIMAG 120 26 Removing Exposed Film ee 29 Transport and Storage ssssssssssssses 30 5 Camera Body sossuussuuss 31 Mechanically Adjustable Mirror Shutter ARRIFLEX E 31 Electronically Adjustable Mirror Shutter ARRIFLEX A35ES eieaa 34 Exchanging the Ground Glass ss 38 SIN 39 MOVEMENT eier 42 Attaching the Magazine Threading the Movement 43 Pireh Adjushtient nee 46 Removing the Magazine cccccsceeeeeeeeeeeeeees 47 6 OPTICS nt 49 besessen 49 Viewfinder System cc cccceseeceesteeeeeseeeeeeseeees 50 7 Camera Operation ee 57 Main Camera SwilcIi rcc sea RO RU Gir canst avon pa 57 Running and Stopping the Camera ssiseeaeeeeee 58 Displaying and Setting Operational Parameters 59 8 Video Assist System 69 Mounting the Video AssistSystem ssss 70 Adjusting the Video Ote 72 9 Accessories l 75 Anamorphic Viewfinder ANE 2 75 Video Viewfinder VT 77 Work et 78 Heated Eyecup HE 3 nennen 79 Remote Run Switch RSA 79 Functional Expansion Module FEM 80 External Synchronization Unit ESU 1 81 Camera Control Unit CCU 1 ssssssss 82 Remote Control Unit RCU 1 eee 95 Laptop Camera Controller LC 96 Accessory Socket Distributor 11 pin
5. 70 video camera mounting nn 71 white balance ee eec e einen ee 69 WIN Ener ee E 72 viewfinder am extending E 52 ER 52 E EE 52 furning theieyepiece m nu 2ue a ob aise eee b eee 52 KEE Yiewfinder system au tree e Nase RE RR AN adjusting attaching zt e tn Ua bU RARE prp pa ele displays in viewfinder sss 50 EXCHANGING soror t EUR e pe ERE epos 55 E GE 55 voltage ol TE D 1 10 Kale el CG 19 128 w waririg display module err see 54 warning displays warning signal SENING dientitenudeo trii nora ente 68 switching on and off degt ede eden dede 68 Vollmer ee ee 68 Ka EE 5 Klee 26 WIS essen E Ee 78 work light WS 78 ARRI Service Germany ee Arnold amp Richter Cine Technik T rkenstra e 89 D 80799 M nchen phone 089 3809 0 fax 089 3809 1244 fax service 089 3809 1793 E mail service KDenk arri de ARRI USA 617 Route 303 Blauvelt New York 10913 phone 914 353 14 00 fax 914 425 12 50 E mail arriflex arri com ARRI USA 600 North Victory Blvd Burbank California 91502 phone 818 841 70 70 fax 818 848 40 28 E mail arriflex arri com ARRI GB Ltd The Movie House 1 3 Airlinks Spitfire Way phone 0208 848 88 81 fax 0208 561 13 12 E mail sales arri gb com Canada ARRI ITALIA S R L Viale Edison 318 20099 Sesto S Giovanni Milano phone 02 26 22 71 75 fax 02 242 16 92 E mail info arr
6. Check the tension Note X Repeat this procedure until ring 5 is shown After setting the friction replace the tensioning plate Fasten the plate with the three screws transparent tensioning plate special key Screws measurement device roller arms Appendix The frame rate of the camera is constantly monitored while it is running If the actual frame rate deviates from the set frame rate the operation control indicator glows red and the camera display shows the warning for asynchronous running asy The synchronization of the shutter and the movement is also monitored Should an undue deviation in the synchronization occur the camera will stop The display will show asy This monitor function is built into the electronic control of the drive system As an additional security feature for the user a second in dependently operating monitor system for the shutter move ment synchronization is integrated into the camera electronics If this additional circuit stops working while the camera is running the display will show a warning after the camera is stopped The operation control indicator will remain red the camera cannot be re started and must be checked by an ARRI service center This display only indicates that the additional monitor system is defective If the warning Monitoring Defective is over ridden an additional fault in the electronic control of the dri
7. Correlation Frame Rate Frames 23 976 23 24 000 24 25 000 25 29 970 29 30 000 30 m Displaying Time Code User Bits Mode 5 H EXE b e Depress the MODE button four times to change from TOUR Pole a Mode 1 to Mode 5 User bits will be displayed in the first DAR d and second lines of the camera display Setting user bits is only possible via the CCU the LCC or external synchroni zation Switching On and Off the Time Code Recording Before switching on time code recording the TCS value must be set TCS value gt 0 Switching on Time Code Mode 4 Depress the MODE button three times to change from Mode 1 to Mode 4 Hold the SET button depressed for three seconds until the TC symbol appears Switching off Time Code Mode 4 Depress the MODE button three times to change from Mode 1 to Mode 4 Hold the SET button depressed for three seconds until the TC symbol disappears Note For test purposes time code recording can be switched on even if no valid time code is set In this case the acoustic TC warning TC switched on but not set will sound see TC Warnings at the end of this chapter It is possible to record a test time code with a non valid time Time Code Output Time code information is available as 80 bit LTC at the CCU socket in standby and during camera operation with 2 5 V at 600 Q asymmetric at the ACC socket in standby with 5 V asymmetric Via the LT
8. e For unrestricted viewing turn the lever gt photo back into the OFF position until it locks in locking key adjustment knob locking key lever for contrast filter ke fastening screws ARRIGLOW Attaching ARRIGLOW The ARRIGLOW module is available as an option It allows illuminated format markings to be superimposed onto the viewfinder image with continuously adjustable brightness e Loosen both fastening screws gt photo on the warning display module Pull the warning display module off sideways Attach the ARRIGLOW module straight Attaching at an angle could damage the plug Push on the ARRIGLOW module gt photo Screw both fastening screws tight Adjusting ARRIGLOW Brightness The brightness of the illuminated format markings can be continuously adjusted by turning the adjustment knob c photo By turning the adjustment knob counter clockwise as far as it will go the ARRIGLOW can be turned off Exchanging the Format Mask Open the camera door as wide as possible e Grip the format mask gt photo with the special forceps and pull downwards and out Now grip the new format mask with the special forceps and push in with the notch gt photo facing towards the rear until it locks in place securely Exchanging the Viewfinder System The entire viewfinder system can be replaced by a 100 video finder See Chapter 9 Accessories Removing th
9. 5 to change to the time code menu e Depress key 1 TIMECODE is displayed against a dark background Depress the ENTER key the camera control unit is ready for input of the new TC time Enter a TC time value within the acceptable range of 00 00 00 to 23 59 59 the new TC time is displayed Confirm the input by depressing the ENTER key all unfilled digits will default to zero e Transfer the new TC time to the camera with the SEND key e Depress the EXIT key to return to the main menu Changing Time Code User Bits with the CCU 1 Normally the date and camera number are entered as user bits e g 290895C1 This ensures clear identification of the film stock on productions lasting several days However it is possible to use letters A to F and numbers 0 to 9 as desired Depress key 5 to change to the time code menu Depress key 2 USERBITS is displayed against a dark background Depress the ENTER key the camera control unit is ready for input of the new user bits Enter up to 8 user bits with figures O 9 or letters A F the new user bits are displayed Confirm the input by depressing the ENTER key all unfilled digits will default to zero Transfer the new user bits to the camera with the SEND key Return to the main menu by depressing the EXIT key External Synchronization The ARRIFLEX 435 435ES can also be synchronized to other time code compatible eq
10. Again depress the RUN button gt photo briefly While the camera is running down the operation control indicator glows red The mirror shutter automatically stops in a position that enables unrestricted viewing through the viewfinder On reaching this position the operation control indicator flashes green before going out Inching Inching can be started by depressing the PHASE button while the camera is in standby If the PHASE button is only briefly depressed the movement rotates one revolution and the mirror shutter rotates half a revolution to enable an un restricted view of the film gate e g for checking the gate If the PHASE button is held depressed longer the camera will inch forward at approx 1 fps The upper line of the display indicates the measured shutter angle the lower line the measured voltage of the power supply While inching shutter and movement are not AN exactly synchronized As this can cause faulty exposures do not film while inching Displaying and Setting Operational Parameters The currently set operational parameters on the ARRIFLEX 435 435ES are displayed on the camera display photo in various modes The desired mode is selected via the MODE button In each mode the corresponding operational parameters can be set using the SEL and SET buttons gt photo Note Mode 1 is indicated gt photo in the display by a black horizontal bar To prevent an unintentional al
11. Depress the SEL button Cd blinks Hold the SET button depressed for more than three seconds The display shows an R for reverse operation at the bottom left The frame rate can be altered as described above Changing the Frame Rate while the Camera is Running By means of the NORM PS switch it is possible to switch between the standard frame rate NORM and the pro grammed frame rate PS CCU while the camera is running Note The attached magazine must be suited for the programmed frame rate For HS operation above 130 fps an appropriate power supply must be connected xpo 8 15000 Fine Tuning the Programmed Frame Rate PS Mode Fine tuning of the programmed frame rate can be carried out while the camera is running by means of the buttons SEL slower and SET faster The setting can be adjusted in increments of 0 001 fps 1 000 to 99 999 Set the NORM PS switch to PS CCU Run the camera Depress the MODE button once to change to Mode 2 e With the buttons SEL slower and SET faster change the frame rate Shifting Phase To film quartz synchronized monitors hold the PHASE button depressed after the camera has run up until the horizontal bar is no longer visible in the viewfinder The frame rate will increase by 0 2 fps while the button is de pressed Displaying the Power Supply Voltage Mode 3 Change from Mode 1 to Mode 3 by depressing th
12. With the keys 1 to 8 choose the desired menu The menu FORMAT 4 is intended for the ARRIFLEX 535 and has no function on the ARRIFLEX 435 435ES On the ARRIFLEX 435 the menu SHUTTER 2 has no function The SPEED Menu With the SPEED menu any frame rate within the acceptable range can be set from 1 to 99 999 fps in increments of 0 001 fps above 100 fps in increments of 0 01 fps The frame rate can be altered in standby as well as while the camera is running In the upper line the frame rate currently set on the camera control unit is displayed and below that the frame rate of the camera e Switch the sliding switch gt photo onthecamerato PS CCU Using keys 1 to 7 select one of the standard frame rates listed in the SPEED menu The selected frame rate is displayed in the uppermost line Transfer the selected value to the camera with the SEND key Alternatively other frame rates within the acceptable range can be entered directly e Switch the sliding switch gt photo on the camera to PS CCU Depress key 8 VAR in the SPEED menu Enter the desired frame rate If digits after the decimal point are to have the value O these need not be entered Complete the input with the ENTER key The selected frame rate is displayed in the uppermost line on the CCU Transfer the chosen value to the camera with the SEND key All selected frame rates within the acceptable range can be
13. Accessory socket distributor 11 pin 12V K2 52003 0 RS socket distributor 3 pin 24 K2 52001 0 Accessory set 435 Los centes UR ENS K4 52094 0 Video Video e EE K2 47086 0 1 2 colour video camera CCD 2 FR NTSC eee K2 45866 0 1 2 colour video camera CCD 2 FR PALL K2 45865 0 Anti flicker processor AFP 2 HTC K2 43195 0 Anti flicker processor AFP 2 PAL K2 43194 0 Beamsplitter SO ED sss dei tie eie dd K2 47089 0 Time Code SMPTE Time code module sssssssssseeeee K2 52000 0 Index KE 22 NEE 23 Eemere 111 A AGG sockel c dioses n EG AEN TECTA E Ig 80 107 109 acceptable temperature ronge eee 1 28 ACCES SONES PEE Z5 12 APEE ANEI EEA E A Nee ers AE e Eed anamorphic viewfinder AVF 2 camera control unit CCU l eeneneneneneneneeeenenner nenne external synchronization unit ESU 1 sse 81 functional expansion module FEM sss 80 heated eyecup HE 3 iris conirol unit IGU iii ne laptop camera controller LCC sss 96 R S socket diskribulor 3 n teo Phe ete 97 remote control unit ee E 95 remote run switch RSA iem dene 79 video viewfinder VI 77 work light WL 3 accessory power supply s a e tte t i tk accessory socket pP netRe 22 RS SOCKEP ss acia UN ERROR T DRAN 23 accessory socket distributor 11 pin sssss nennen 97 acoustic w
14. Lens Support The lens support consists of the lens support LS 7 can be snapped onto 19 mm support rods gt photo or the lens clamp screw base support LS 8 can be pushed onto 15 mm support rods and lens support ring plate the respective lens support ring gt photo for the lens in use lens support LS 8 Mount the lens support onto the support rods from above and let it click into place by applying slight pressure push the LS 8 onto the support rods from the front e Slide the relevant support ring gt photo onto the lens but do not tighten Then slide the lens into the lens mount receptacle and lock Connect the support ring to the lens support and tighten the knurled screw photo as well as the clamping lever gt photo Complete the process by tightening the clamp screw gt photo on the support ring Note Mounting the support ring on the relevant lens is usually carried out only once The support ring knurled lens support clamping lever wedge plate can then remain in position on the lens screw LS 7 Grip System The multipurpose grip system on the ARRIFLEX 435 435ES guarantees highest stability through its fixed connection to the camera body and provides numerous possibilities for attaching accessories Five 3 8 inner threads allow attachment in diverse positions gt photo Attaching Additional Handgrips Additional handgrips can be screwed onto the grip system in various position
15. 4 Time Code time hours minutes Time Code time seconds frames Time Code on off Time Code time can only be set via the CCU or externally Mode 5 Time Code user bits Time Code user bits Time Code user bits can only be set via Time Code warnings the CCU or externally Mode 6 Volume of the acoustic warning signal TCS value or Warning signal on off Voltage of the time code buffer battery V Volume TCS value Mode 7 Stored program settings Frame rate fps I435ES Setting of the shutter angle A35ES set shutter angle Stored program settings Overview of Display Symbols gt lt 8 6 8 8 8 T Te UB 4 23 c PROG 4388888 Symbol Meaning Symbol Meaning WW glows The display is in Mode 1 X blinks Only on ARRIFLEX 435ES bat glows Battery voltage too low for the set frame rate The shutter is mechanically locked in electronic operation lt 130 fps and voltage lt 20 6 V or 130 150 fps and voltage 24V the electronic shutter function is switched off blinks Battery is too soft voltage will collapse on use The symbol blinks and the operation control indicator glows asy glows Asynchronous operation red although the shutter is not locked camera is not running at set frame rate The electronic shutter adjustment is defective blinks Movement shutter not synchronous the electronic shutter adjustment can be switched off end glows film end see chapter 5 fps blin
16. 5 link movement with dual transport claws and registration pins The angle of the mirror shutter can be adjusted mechanically from 11 2 to 180 in fixed stops on the ARRIFLEX 435 when the camera is not running The electronic mirror shutter on ha ARRIFLEX 435ES can be set continuously from 11 2 to 180 while the camera is running The viewfinder can be rotated in two axes and can be used on both sides of the camera with full image compensation Via an integrated optical tap a CCD video camera can be attached The versatile grip system is connected directly to the camera body and can be used as a carrying handle or as an accessory holder A comprehensive range of optical mechanical and electronic accessories further expands the operational possibilities of the camera magazine opening cover movement in locked position loop protector 2 Installation of the Camera Packing and Transport AN In order to prevent damage to the mirror shutter a protective cap must be on the lens mount receptacle at all times When transporting the camera pay attention that the movement is in the locked position gt photo If the ARRIFLEX 435 435ES is transported or stored without a magazine the magazine opening cover photo should be attached Loaded or empty magazines should only be trans ported or stored with the loop protector gt photo attached to avoid damage to the film s
17. Hedge Hydrohead Studio 80 II M sss Hydrohead 150 H E Wedge E Lens support LS 7 19mm sss Lens support LS 8 amp 15mm sse Shoulder set S 4 without shoulder cushion ssss Shoulder cushion ise eite Bridge plate BP 8 o 19mm eeneennenenneneen Bridge plate BP 9 o 15mm 1 Support rods 240mm o 19mm neennnnennenn Support rods 240mm o 15mm eeneennnennenn Support rods 340mm o 19mm eneennnnennenn Support rods 340mm o 15mm eeenennnennenn K0 59991 0 K0 59992 0 K0 59993 0 K0 59994 0 K2 43670 0 K2 45348 0 K2 50491 0 K2 47092 0 K2 42538 0 K2 49012 0 K2 47093 0 K4 46446 0 K2 47090 0 K2 47091 0 K2 43046 0 K2 21958 0 K2 47347 0 K2 47348 0 Power Supply Battery NC 24 7 REESEN K2 41950 0 HS supply module CHS 1 sss K2 52002 0 Battery cable KC 205 K2 41966 0 Charger INCL 24 R reete rete K2 42010 0 Mains unit NG I2 24R K2 44481 A Mains unit NG 12 26 4 pin eeeeeeeneenennnene K2 47352 0 Mains unit NG 12 26 5 pin eeeeeenennnee K2 47351 0 Spiral battery cable KC 29S sess K2 44693 0 Magazines ARRIMAG120 120m 400 ft magazine sse K2 47083 0 150 m 500 ft magazine ARRIFLEX 35 Wi K2 15700 0 300 m 1000 ft magazine ARRIFLEX 35 III K2 17800 0 Tool set for adjusting magazine friction sss K2 26100 0 Optical Access
18. cec ee e RI ER RARE TREES 110 TG generator so bt ue RN Ud bed 106 TC module mounting e d itd 102 IGsymbol ce etr E E 109 112 TCtime displaying sc one t bes 108 TC time setting with CCU 1 sss 87 106 IGwarhlngs i e iet tee OR OD 112 TESvalue displ ying a 2 orte eite tert 105 TCS value setting uiae otn ite t t at des 105 LCS Vale Tabla eot m te NS 104 testing mode hh e ER OE eT 109 hime code and ESUT ioi ER EE 110 time code and user bits displaying sess 108 time code and user bits setting 106 time code clock nterne 110 warning signal switching on and oft 68 total amount of exposed Dim cese eed 63 tripod removing the camera from the tripod tripod heads M U unit of measurement meters feet changing on film counter sss 63 e EE 1 06 v video camera CCD 2 FR video Opti M Q 2 5 er rude etae re t reb setenta 69 GT EE DEE E EE AE FOMOVING EE VIDEO OUT BNC socket EE Ee E 69 Video yiewfinder MI stees eege dE SE EECH 50 77 mounting video assistsystem ER i orte esoe anti flicker processor mounting ss 71 aperture of video optic adjusting sss 72 bearmsplifl r eere EEN 69 focus of video optic adjusting 72 image position of video optic adjusting sssss 72 MOUNHING e 70 TEE 72 special wrench
19. fine tuned from 1 to 99 999 fps in increments of 0 001 fps above 100 fps in increments of 0 01 fps This can be done in standby or while the camera is running To carry out a fine tuning of the frame rate Switch the sliding switch on the camera to PS CCU Pre select the frame rate Depress key 9 in the SPEED menu Switch the camera to Mode 2 Carry out fine tuning Increase frame rate with key F1 Decrease frame rate with key F2 Exit fine tuning with the EXIT key sliding switch NORM PS CCU The SHUTTER Menu This menu has no function on the ARRIFLEX 435 With the SHUTTER menu shutter angles within acceptable range of 11 2 to 180 can be set as desired with an accu racy of 0 1 The shutter angle can be changed in standby or while the camera is running In the upper line the shutter angle currently set on the camera control unit is displayed below that the shutter angle of the camera Using keys 1 to 7 select one of the standard shutter angles listed in the SHUTTER menu The selected shutter angle is displayed in the uppermost line Transfer the selected value to the camera with the SEND key Alternatively other shutter angles within the acceptable range can be entered directly Depress key 9 VAR in the SHUTTER menu Enter the desired shutter angle If the digit after the decimal point is to have the value O this needs not be entered Complete the in
20. has been inserted into the camera s functional expansion module Ten hours after time code was last set time code time will cease to be buffered Displaying the Time Code Buffer Battery Voltage Mode 6 Depress the MODE button five times to change from Mode 1 to Mode 6 e Depress the SEL button once The TC battery voltage is shown in the second line of the display If the voltage is lt 1 V there will be no display Note The voltage should be gt 7 5 V as otherwise the TC values will not be stored Eo a u ap Replacing the Buffer Battery The buffer battery gt photo isa standard 9V battery we recommend IEC designation GLRG 1 e g Duracell MN 1604 or Varta No 4022 which in normal operation lasts for at least a week The buffer battery is located in a compartment on the side of the functional expansion module Switch off the camera s main switch and disconnect the camera from the power supply e Completely unscrew the two fastening screws gt photo with a screwdriver Remove the cover Remove the battery and unplug AN Pay attention to polarity Plug in a new 9V battery Place the battery into the compartment Replace the cover and screw tight battery screws Time Code 112 Overview of the Display Indications in Time Code Operation hin H 8 0 D Ice oes 88 88 Time code symbol TC Time code is set and will
21. is not electronically adjustable Enter the desired ramp time If the digit after the decimal point needs not be entered complete the entry with the ENTER key Transfer the program to the camera by depressing the SEND key Note A program previously stored in the camera will be erased by this process Ramping with the ARRIFLEX 435ES User Defined Ramping This function is not available on the ARRIFLEX 435 as it is not equipped with an electronically ad justable mirror shutter Note In user defined ramping the user can set the starting frame rate and the starting shutter angle the end frame rate and the end shutter angle and the ramp time independently of each other Depress key 7 to change to the PROGRAM menu With keys 1 to 6 activate one of the available memory areas Depress the E key The values can now be edited Enter the desired starting frame rate If the digits after the decimal point need not be entered complete the entry with the ENTER key Enter the desired starting shutter angle If the digit after the decimal point needs not be entered complete the entry with the ENTER key Enter the desired end frame rate If the digits after the decimal point need not be entered complete the entry with the ENTER key Enter the desired end shutter angle If the digit after the decimal point needs not be entered complete the entry with the ENTER key Enter the
22. marking photo e Unscrew the index pin gt photo and screw into the opposite inner thread Screw both locking grips firmly into the correct operating position gt photo Replace the six cylindrical screws and screw tight Check the flange focal distance locking grips o marking cylindrical screws index arrows screws Converting the Bridge Plate to Super 35 The current position standard or Super 35 is displayed by two index arrows on the sliding upper plate The bridge plate can be converted to Super 35 as follows e Removethetwoscrews photo Turn the compensation bar 180 and screw tightly in this position Note The viewfinder system is so designed that no alteration is necessary for shooting in Super 35 For instructions on inserting format masks into the film gate for Super 35 see Chapter 5 Camera Body Film Gate Regarding illuminated format markings for this format see Chapter 6 Optics Viewfinder System ARRIGLOW 11 Time Code In modern post production time code TC is finding in creased application The precise correlation of the film sound and video recordings is made possible by the use of equipment with time code capability The ARRIFLEX 435 435ES is prepared for recording time code onto film It is only necessary to fit the TC recording module in place of the film recognition module and to attach the functional expansion module Time code is
23. off the eyecup heating during extended breaks in filming Remote Run Switch RS 4 Attach the remote run switch with the spring clamp photo e g tothe panhandle e Plug the RS 4 plug into the RS socket fastening screw fastening flaps Functional Expansion Module FEM The functional expansion module expands the application possibilities of the ARRIFLEX 435 It is included in the standard package of the ARRIFLEX 435ES The TC generator the TC buffer and the TC in and outputs are integrated into the FEM In addition the FEM offers interfaces for camera accessories ACC socket ESU 1 RU 1 CCU socket CCU 1 RCU 1 LCC and RS 232 interface Note Use of the RU 1 is possible but not recommended The range of frame rates that can be adjusted with the RU 1 is limited to 8 1 130 fps Furthermore the set frame rate does not correspond to the scale on the adjusting wheel The exposure time in Auto mode is also not 1 100 s but 1 260 s The FEM is mounted directly onto the camera in place of the electronic cover Switch off the camera s main switch and disconnect the camera from the power supply Unscrew the fastening screw on the electronic cover Swing the electronic cover away to the side and pull off backwards Place the fastening flaps ofthe FEM photo intothe recesses in the camera housing Ensure that the fastening flaps are properly po si
24. photo By turning the drive gear counter clockwise transport the Do not catch the film film further until it reaches to the loop length marking e With your free hand turn the drive gear counter clockwise gt photo while carefully pushing the film through until both perfo ration holes are picked up simultaneously by the sprockets Ensure that the film is lying flat against the Keep turning the gear until the film has been transported outside of the magazine housing through the throat assembly Flip up the hinged locking clip on the feed shaft gt photo Place the film roll on the feed shaft ensuring that the feed shaft catch engages the slot on the plastic core rol ler arms feed shaft loop length marking hinged locking cli drive gear g g clip g Without changing the length thread the film into the right film channel Do not catch the film By again turning the drive gear counter clockwise trans port the film inside the magazine Flip up the hinged locking clip on the take up shaft c photo Place an empty film core on the take up shaft The slit must point in the direction of operation Ensure that the take up shaft catch engages the slot on the plostic core Press down the hinged locking clip on the take up shaft hinged locking clip film core Hang the head of the film into the film core and bend over gt photo The bent film head should not stick out of t
25. photo on the movement until its marking matches that on the movement block e Turn the movement locking lever photo towards the OPEN position to swing the movement block away from the film gate Press the film gate locking lever photo towards the ma gazine throat assembly and swing the film gate photo towards the movement block pressing lightly on the lower end of the film gate and taking care that the film gate does not hit the movement block Take hold of the film gate by the filter holder gt photo lift it up and remove To clean the film gate Remove the layer of emulsion from the film gate with a plastic rod e g an ARRI film gate cleaner Under no circumstances use hard or metal objects When cleaning pay particular attention to the area opposite the film guides of the movement if film stock with a strong tendency to build up emulsion e g b w stock is being used Inserting the film gate Check that the film gate and the film gate shaft are com pletely free of dust and dirt Take hold of the film gate by the filter holder and place onto the film gate shaft from above Check that the film gate is correctly seated on the shaft Press the film gate locking lever gt photo towards the magazine throat assembly and push the film gate forwards to the correct position Ensure that the film gate locking lever gt photo swings back completely AN Warning It is absolutely essential to ens
26. ri teni eroe died oie eur 12 standard frame rates rece cese nce tes nere eed 64 Selecting xc e et ete e tiber ie 65 standard video signal extenal sss EN standard viewfinder system removing Standby een Nennen SZ Cre Ta A WE A8 Stopping csse dee iir tei tent bb as ee t i ee eb tdem de ib fides 58 Super BS sis anne 99 converting bridge plate sss 100 converting lens m unf nn toe e coe re cs ch 99 SUPPOTPFING EE 14 SUPPO TOAS aA users rem E OAE 13 IX m 12 F mmen eve CLR UG CR VETE e Yen 12 synchronization of camera to other ecuipment 81 T take length cet n Re e o gr quid 63 teehnicalkdata wer me eene aa aA tension measurement devlce eene 120 acoustic warning switching off buffer bahy c si e de RR ER ann buffet battery ste placing eric ett ee camera n rmber is viec dees displays ireo nesia een i Eoi tes Ae dE dees film sensitivity E frame rates oriire NEE E e RE OH edes generator loop length checking oet RES 103 Due ES 109 LTC signal 107 DJ p 109 quartz accuracy siete coe coe e eoe Rz 128 recording switching off 109 recording switching on 109 SONG cos e 106 Switching off s c e RERO OM ems 109 SWIIChIntj ON crisi ER BE One n ASA ERR 109 TC user bits displaying ii dee 108 TC user bits setting with CCU 1 106 e a
27. the SEND key Changing Time Code User Bits Depress key 2 USERBITS is displayed against a dark background Depress the ENTER key the camera control unit is ready for input of the new user bits Enter up to 8 user bits with figures 0 9 or letters A F the new user bits are displayed Confirm the input by depressing the ENTER key all unfilled digits will default to zero Transfer the new user bits to the camera with the SEND key Note On productions lasting several days we recom mend that the date and the camera number be entered as user bits e g 280895C1 in order to ensure clear identification of the film stock The OPTIONS Menu The OPTIONS menu allows access to the sub menus ASYNC MODE LENGTH UNIT END WARNING and COUNTER DISPLAY MODE Note The menu point END WARNING is not available on the ARRIFLEX 435 435ES With the keys 1 to 4 select the desired function ASYNC MODE The ASYNC mode enables switching the warning signal for asynchronous running on and off There are four possibilities available LENGTH UNIT The LENGTH UNIT mode enables switching the film counter between meters and feet Select meters with key 1 or feet with key 2 the selected unit of measurement is displayed against a dark background Transfer the chosen setting to the camera with the SEND key COUNTER DISPLAY MODE The COUNTER DISPLAY mode enables changing the configur
28. the 1 2 colour video camera CCD 2 FR and the anti flicker processor AFP 2 The brightness of the video image is automatically adapted to the given lighting conditions This adjustment can also be carried out manually The white balance is set to standard values for interior and exterior lighting situations The inte grated image storage technology enables viewing of a stored image or the alternation between the real and the stored image e g to align the camera to an earlier scene or for stop motion filming The video camera CCD 2 FR is equipped with a GEN LOCK input This allows the video assist system to be synchronized to an external video signal In the standard configuration the ARRIFLEX 435 435ES is equipped with a beamsplitter which reflects 20 of the viewfinder beam into the video camera b w video A 50 50 beamsplitter colour video can be fitted in a service center video camera CCD 2 FR anti flicker processor AFP 2 special wrench Kaf C cover index pin video optic VO 2 Mounting the Video Assist System Mounting the Video Optic e First unscrew the cover gt photo on the viewfinder system If the cover cannot be removed by hand use the special wrench photo Unscrew the cover on the video optic by turning the re taining ring Remove the cover e Attach the video optic The index pin gt photo on the viewfinder system defines the correct pos
29. the camera will not run If the frame rate is adjusted above the magazine speed limit during running the camera s speed will be limited to 130 fps The frame rate must be reset Note All magazines listed above are loaded with the same loop length as on the ARRIFLEX 35 III The loading of ARRIFLEX 35 IIl magazines is described in the respective instruction manuals Loading the ARRIMAG 120 Loading the magazine should be practised in daylight with a piece of test film until the procedure can also be carried out confidently in a darkroom or film changing bag Cutting the film through the middle of the perforation holes simplifies the loading process considerably The ARRI Film Cutting Gauge gt photo simplifies cutting in the darkroom film cutting gauge N The following steps should be carried out in a darkroom or film changing bag Remove the loop protector and lay the magazine on a flat surface with its cover facing upwards To open the cover depress the safety catch flip up the flag hinged locking grip and turn it counter clockwise photo e Flip up the magazine cover Swing both roller arms gt photo away from the winding shafts until they lock in place Place the film roll next to the magazine flag hinged locking clip e safety catch e Insert the film through the left slit on the magazine throat e Press down the hinged locking clip on the feed shaft assembly from the inside gt
30. throat assembly photo Ensure that the loop does not get twisted behind the movement block as otherwise the film could be damaged when removing the magazine Swing the movement block forwards again and lock Hold the magazine firmly with one hand and pull the magazine locking lever back with the other When pulling away the magazine ensure that the film does not get damaged Pull the magazine off upwards Replace the cover on the camera opening If the entire film has run through the camera Hold the magazine firmly with one hand and pull the magazine release lever back with the other Pull the magazine off upwards Replace the cover on the camera opening 6 Optics bayonet ring index pin Lenses All ARRIFLEX lenses with a PL mount can be used on the ARRIFLEX 435 435ES Lenses with a 41 mm standard or bayonet mount cannot be used Heavy and long lenses such as zoom lenses must be supported at all times Attaching Lenses Remove the protective cap from the lens mount receptacle by turning the bayonet ring photo counter clockwise as far as it will go and then pulling out the protective cap Never put your fingers into the lens mount receptacle e Push the lens into the lens mount receptacle without catching it at the edges One of the four slots on the lens mount must fit over the index pin gt photo Press the lens flat onto the lens mount receptacle and pull the bayone
31. with the focus ad justment ring For more accurate judgement the aperture can be completely opened Tighten the clamp on the focus adjustment ring adjustment screw vertical position clamping ring gear adjustment screw clamp for focus horizontal position adjustment ring aperture adjustment knob Note The focus range of the video optic can be shifted with the gear photo on the video camera 9 Accessories Anamorphic Viewfinder AVF 2 When using anamorphic lenses the AVF 2 allows de squeezed viewing of the ground glass image This viewfinder arm can also be switched over to check the anamorphically squeezed image The anamorphic viewfinder AVF 2 can be fitted in place of the standard viewfinder arm by a service center or in a rental house To switch over the viewfinder image turn the switching knob gt photo The knob does not need to be unlocked All other operating elements are identical in function to those on the standard viewfinder The anamorphic viewfinder can also be used together with the finder extender FE 3 A mechanical remote control fa cilitates switching over the viewfinder image in this operating position The remote control is attached under the viewfinder arm to the shaft of the switching knob The operating knob can be attached to the finder extender switching knob Adjusting the AVF 2 Unlike the standard viewfinder the anamorphic viewf
32. 5 switching off switching on emulsion build up Nee P 116 Spacer gate nee oo ENEE D Ener 118 ESU T een Rie th e PET eni etd 80 81 110 exposure compensation rccte td n e REENEN 92 QUIOMONG in 95 external standard video song 81 external synchronization unit ESU 1 80 81 110 external time code synchonization sss 107 ll 73 CYC PIECE eegene ra e ppt eese dee iet aee ies ES e e degeger a 51 adjusting friction 52 adjusting the diopter nn sense 51 attaching sero eco tU ears d RUE 51 FOMOVING GE 51 F FEM e 80 field lens cleaning tet sess dest tet t OUR e teens 119 film changing bag 26 loading ARRIMAG 120 nunmehr metr 26 threading the movement sss 43 filimicounier c tree re Rud rt C Herm ree rt egal 63 changing unit of measurement meters feet ss 63 CONFIQUTING anna sen nenn 63 displaying film counting Values sss 63 VOSCHIA GE 63 film lt ufting gauge n anne ne een DID i n teneat 24 Film E 127 Film Ot eot e eene tbi mem Eed 39 changing the format masks sssssssss 39 cleaning ce E be t ARTE na 116 inserting leegen 2 e o Re o oes 4l film gate cleaner 117 118 film recognition module cesses eects AEE 101 102 UE EE 96 filter fillerToils xii onines filter holder inserting in hilm gaess creo re a e
33. ARRI ARRIFLEX 435 Instruction Manual As of March 1996 Au ARTWORK PICTURES AND TEXTS ARE COVERED BY OUR COPY RIGHT THEY MUST NOT BE COPIED FOR REPRODUCTION E c ON CD ROM pisks OR INTERNET SITES OR USED IN THEIR ENTIRE FORM OR IN EXCERPTS WITHOUT OUR PREVIOUS WRITTEN AGREEMENT IF YOU ARE DOWNLOADING PDF FILES FROM OUR INTERNET HOME PAGE FOR YOUR PERSONAL USE MAKE SURE TO CHECK FOR UPDATED VERSIONS WE CANNOT TAKE ANY LIABILITY WHATSOEVER FOR DOWNLOADED FILES AS TECHNICAL DATA ARE SUBJECT TO CHANGE WITHOUT NOTICE eyepiece lock eyepiece eyecup 120m magazine locking grip on magazine cover locking grip on camera door sliding switch DISPLAY LOCK sliding switch NORM PS CCU MODE button SEL button PHASE button SET button PROG button display mechanical footage indicator video optical tap tensioning plate RS socket overload display functional expansion compartment for module FEM TC buffer battery adjustment knob for manual image friction adjustment lock for telescoping unlocking key for compensation finder arm finder arm finder arm spirit level book for tape focus grip system 11 pin accessory socket locking key for manual image overload display compensation for 11 pin accessory socket functional expansion module FEM finder arm ACC socket Cy CCU socket ground glass adjustable PL mount cover on main camera switch power supp
34. C output other TC compatible equipment on the set can be synchronized once to the camera s time code or from the CCU socket receive constant time code from the camera The camera then takes on the function of the master clock Without a constant connection the equipment should be newly synchronized after approx 8 hours operation Time Code and the External Synchronization Unit ESU 1 Via the ESU 1 it is also possible to operate the ARRIFLEX 435 A35ES synchronously to other equipment e g a television monitor during TC operation Before plugging in the ESU 1 it is necessary to set the camera and therewith the integra ted time code generator to the expected ESU frame rate A deviation of maximum 1 from the time code frame rate is acceptable If the ESU frame rate varies too much from that of the time code the time code recording will switch off the TC symbol on the camera display goes off Only when the acceptable speed range has been reached will time code be recorded again Note During simultaneous time code and ESU operation the counting of the images and of time code can run apart if the source of synchronization does not run at an exact time code rate This can cause a jump in the time code count Time Code Buffer Battery The internal time code clock on the camera continues running if the camera is switched off or if the camera is disconnected from the power supply as long as a time code buffer battery
35. Color Neg 5 Kodak 5296 Color Neg 5 Kodak 5297 Color Neg 5 Kodak 5298 Color Neg 4 Setting Film Sensitivity TCS Value In order to attain optimal readability of the recorded time code the brightness of the recording LED must be adapted to the film stock being used The time code sensitivity TCS value of various film stocks is listed in the following table The corresponding TCS value is set on the camera Setting the TCS Value Mode 6 Depress the MODE button five times to change from Mode 1 to Mode 6 Depress the SEL button four times an S appears in the lower line and the next digit blinks Depress the SET button repeatedly until the desired value appears Confirm the entry with the SEL button Displaying the TCS Value Mode 6 Depress the MODE button five times to change from Mode 1 to Mode 6 e The TCS value appears in the second line of the display with values of 1 to 9 Note The TCS value must be set beforehand for the film stock used Time Code Input Setting Time Code Time and User Bits The time code generator TCG which is integrated into the functional expansion module can be set via the CCU 1 the LCC or an external LTC source The following section de scribes the setting of TC time and user bits via the camera control unit CCU 1 See also Chapter 9 Camera Control Unit CCU 1 Setting Time Code Time with the CCU 1 Depress key
36. E inverting the image e reactivating automatic image compensation eesss 53 image position adjusting on video optic ess 72 inverting the viewfinder image sess 53 DEE 59 EE EEN iris control Unit IGU arreter ver E ERE UR ee veel 96 L laptop camera controller LC LGC d length unit meters feet changing length unit meters feet changing with CCU 1 lens mounta Sere cen et reci ep e test dte esee e ie UG 49 lens mount conveting to Super 28 99 lens sUpp rt rilg coe deter ere bebe edente de eed deed Ren 14 lenses M 49 attaching EE 49 lens support LS7 3 der ica e LE RED n 14 lens support E 3 3 nr ere 14 SUPPOr E 14 LOCK sliding switch T loop protector cauce ere era De loose film loops in the magazine ss 123 te RE 109 LTC output LTC signal M Macintosh PowerBook eiert deefe 96 magazine S 25 127 ARRIFLEX 35 Ill magazine 25 ARRIMAG 120 i itti RBRENSERDUS ARRIMAG 12089 Ree dep eee ARRIMAG 300E Gehier abd b ip e er RT E film tension measuring poto tud eie 120 friction of ARRIMAG 120 adjusting sess 120 loading re tec a nnd ren hv ean ev at ace ah soap 26 loose film loops 123 magazine throat cleaning ee 120 TemoVIHOg EE 47 remeyingexposed film a e ee Ret 29 r lleriarms
37. However this locking does not affect connected accessories such as the CCU 1 Note The program itself is stored in the camera and therefore can also be activated if the CCU is not plugged in As soon as a program is activated accessories connected to the ACC socket will no longer control the camera At the same time it is no longer possible to send a new program from the CCU to the camera Furthermore the RCU 1 can only be used in the CAM Mode Displaying Programs which are Stored in the Camera Depress the PROG button to activate the stored program Depress the MODE button six times or four times if no functional expansion module is attached to change to Mode 7 The display shows an angle symbol and the starting shutter angle in the upper line In the lower line the starting frame rate is shown e Depress the SEL button The display shows an angle symbol and the end shutter angle in the upper line In the lower line the end frame rate is shown Depress the SEL button n the upper line SEC is shown in the lower line the ramp fime Note After 3 seconds the display switches back ito the start display of mode 7 Accessories 93 The INFO Menu The INFO menu allows access to the menu points STATUS and COUNTER and enables switching on and off the acoustic signal on the camera control unit The 3rd menu point is not available on the ARRIFLEX 435 435ES Select the desired
38. Image Compensation The viewfinder system is fitted with an automatic image com pensation mechanism To enable setting a different image position in certain situ ations the viewfinder system is additionally equipped with a manual image adjustment mechanism Manually Adjusting Image Compensation Depress the locking key gt photo and hold depressed Turn the adjustment knob gt photo until the viewfinder image is in the desired position Reactivating Image Compensation Turn the adjustment knob photo until this locks in position Do not depress the locking key Note The automatic image compensation locks in two positions 180 apart This allows the image compensation to be set to provide an upright image when using a finder extension If the viewfinder image is inverted without the finder exten sion the image compensation must be adjusted to the oppo site locking position Inverting the Image Depress the locking key gt photo and keep depressed e Turn the adjustment knob gt photo approx 30 Release the locking key photo e Keep turning the adjustment knob gt photo until this locks in position Pivoting the Contrast Filter To enable a subjective reduction of viewfinder contrast a contrast filter ND 6 can be pivoted into the optical beam path by means of a lever gt photo e The lever photo is brought into the ON position automatically by depressing the locking key gt photo
39. OIA E 72 KEI6 72 KC BA tee EES 72 ae 79 ae 79 camera EN ensure me 31 camera number as user bi 106 Bieleser SE 11 EEN 57 Operation coetibus ate ab eH aive 57 Sfarting ERT coo e ee 58 stopping eseee 4199 testing without magazine cesses 30 camera control unit CCUT ed 80 82 activating and running programs e 93 ASYNC MODE eee batteries replacing CONNEENNg EE COUNTER M COUNTER DISPLAY MODE nasser eg 88 displaying programs stored in the camera 93 error displays eiccin onare de dade Huren 84 elek 94 key funct ns eege EA ER et EI 88 man menu anerkannten 84 ei WU KE 88 PROG buttons ico ie e eec o b ad d evt ries 93 PROGRAM menu iti tic e be NT Eee 89 ramping with the ARRIFLEX 435 ssssss 90 ramping with the ARRIFLEX A35ES csssssssss 91 REMOTE menu SHUTTER menu SOUND CCU ee 9A eg 84 speed ramping with exposure compensation ses 92 speed ramping with the ARRIFLEX 435 sss 90 STATUS eege eet een ne ee eo i REO OU RES lime code time changing TIMECODE menu eire e e ir e are IMS user bits changing io ep e i ep e Camerd report ue o eorr c tiere d aa dco enema eru re CG codeseorrecl ee ee eege reet ee 107 CCU socket estre REC HARE TNR 80 107 109 ol EE 82 changing bag co en se 26 Charger NEL 24 Ryanair een 20 CH
40. SA ana 2 21 CID discharge lamps oe Tree ru Hen Hs 37 E ntinuous cuffent ans eter nr der PR Pe PH 22 23 conirast filier unten ront ba ter tiet eed 53 cover for lens mount receptacle uunnenennennenennnenenenenenenennnn 5 for Magazin opening EE 30 for video opti n s dee tote ete qi de DIO DO DOE RR 70 AAKOO m 26 dimensions 128 diopter adjustments caderet et ee ete det eee ee n 5 1 IEN 62 GE code correct EE 107 configuring Mode 1 ARRIFLEX A3SES nennen 64 display lock naron obtenu OE n Man 59 93 display movement open uunuenensenneneeneneenennennennennnennenennen 62 displays in time code operation 112 displays in viewfinder ssssssssss iia 50 EG external Code Hungen 107 film counter 5 ondes b ERR eR ER 59 60 63 64 65 Geesse 60 65 66 bg EEE SE souk tet EINEN allt noe t nor die ER 60 63 67 SE E TA 60 108 109 lee e or ER Red 60 68 105 110 lee RU TREE tete ier ase 60 monitoring defective e etd D e d 123 overview of display modes sss 60 shuffer angle a e eo EEN 64 symbols ees DIESE Ge ap d UNE REUS 61 fake length RR NUR err trud 63 TE symbol ioc e i EPA OS 109 total amount of exposed film sss 63 GEI Z1 78 E EC s extemal code tette rte etes edens 107 electronically adjustable shutter checking the locking mechanism sss 3
41. a is off Set the voltage switch on the mains unit to 24 V Plug the battery cable KC 20S or the spiral battery cable KC 298 into the power supply socket on the camera and into the 24 V socket on the mains unit Mains Unit NG 12 26 R Use of the mains unit is recommended for filming in the studio and when using electronic accessories with a high power consumption It is suitable for frame rates up to 150 fps e First check that the correct mains voltage is set on the mains unit Ensure that the main switch on the camera is off Set the voltage switch on the mains unit to 26 V Plug the battery cable KC 20S or the spiral battery cable KC 29S into the power supply socket on the camera and into the 26 V socket on the mains unit Note The NG 12 24 R can easily be upgraded to an NG 12 26 R at an ARRI service center Accessory Power Supply 12 V Accessories 12 V accessories can be attached to the 11 pin accessory socket photo which provides stabilized 12 V DC with 3 A maximum continuous current and 5 A peak load Note The 11 pin accessory socket can only be used as an output socket Accessories that feed signals into the camera will not function at this socket 11 pin accessory sockel 24 V Accessories The RS socket supplies the same voltage as the AN camera power supply Voltages over 32 V will be limited to 32 V In this case the allowable continuous current is 2 A maximum Ensure that the acce
42. ain switch and disconnect the camera from the power supply before exchanging the format mask e Turn the knurled knob photo on the movement until its marking matches that on the movement block e Turn the movement locking lever photo towards the OPEN position to swing the movement block away from the film gate Press the film gate locking lever gt photo towards the ma gazine throat assembly and swing the film gate photo towards the movement block pressing lightly on the lower end of the film gate and taking care that the film gate does not hit the movement block Take hold of the film gate by the filter holder photo lift it up and remove e Now pull the filter holder photo sideways out of the film gate Press the format mask photo lightly on its side flap towards the film gate and then pull this out sideways too film format SN gate locking lever knurled knob Wh CH filin holder movement locking lever film gate a RUN film gate shaft filter foil filter holder format mask film gate To insert a format mask Check that the film gate frame and the contact surface are absolutely clean e Push the new format mask photo sideways into the film gate Push the filter holder sideways into the film gate gt photo Check that the film gate and the film gate shaft are com pletely free of dust and dirt Take hold of the film gate by the filte
43. aming setting warning signals un hen 68 switching off TC warning essen 112 activating and running Drogroms ene 93 ATE2 E 69 71 72 anamorphic viewfinder AR 2 nun epe d a een 75 anglexadj stment o oret ARCA TER Caere 31 anti flicker processor AFP 2 69 mounting EE 71 perure OF Video Opie eee e RR RR CENE nenne 72 GIE 1 23 ARRIGLOW adjusting brightness GHOCHING mei DRE E TREO ERE exchanging the format mask sssssssssseesees 55 ARRIMAG 120 irr itte eter mere 25 127 loading er RR EROR dE EUNT Ue 26 ARRIMAG 1208 una nern 25 127 AVF 2 anamorphic viewfinder sss 75 balancing the camera ete aan did batteries replacing UE 83 TE buffer battery root coe eet bea 111 batten cable KE 208 nasser 20 21 22 battery NE 2477 Reese Ben 20 beamsplitter u acs deiere tee hd be E e 50 69 beamsplitter ratios cere menu 50 D 12 BPO se Sense e em hen ve E ERRARE ES 12 bridge plate attaching to camera BRE BP O u scade tait be iib tees converting to Super 23 100 buffer battery replacing e tiae EROR RR RENE 111 buttons MODE aestu ack a nbn e t e 59 86 PHASE s recede c EE 59 64 67 86 93 59 86 93 LR ee Eeer 58 60 desde RR Eegeregie tede 59 93 59 86 93 C EE Z1 cable RE ee d E ER 20 21 22 KE E 83 ee 20 21 22 KGB OS i i senis iia ae HE Reds 83 K
44. ation of the film counter There are three possible combinations Note The third menu point is not available on the Warning tone on camera start Warning tone on camera stop ARRIFLEX 435 A35ES 1 off on 2 on off camera diplay camera display 3 on on Mode 1 Mode3 4 off off 1 total exposed film counter take counter 2 take counter total exposed film counter e Select the desired setting with the corresponding key total exposed film counter remaining film counter Transfer the chosen setting to the camera with the SEND key e Select the desired combination with the corresponding key Transfer the chosen setting to the camera with the SEND key The PROGRAM Menu The PROGRAM menu enables writing and storing of programs ramps to change the frame rate and shutter angle only on the ARRIFLEX 435ES Up to 6 programs can be stored by the CCU 1 One at a time can be transferred to the camera by depressing the SEND key If the functional limits of the camera are exceeded the CCU 1 will show an error reading when the selected values are sent to the camera General information The FETCH key transfers a program that is already stored in the camera to the selected memory area of the CCU 1 e The DELETE key deletes the selected memory area e The E edit key initiates the input of new values with the keys Note Frame rate programs ramps are defined by a startin
45. be recorded when the camera is running No Time code symbol TC Time code is off Time code symbol blinks in standby Time code symbol blinks while the camera is running Time code was last set external synchronization was last carried out over 8 hours ago Note If the last setting or synchronization was over 8 hours ago time code can still be recorded for test purposes Time code is not beeing recorded on the film because of a functional disturbance TC Warnings ATC warning is displayed firstly as a blinking TC symbol in the camera display If the warning signal volume on the camera is set to 1 or higher an acoustic tone will also sound in the same rhythm as the blinking of the symbol when the camera is in standby The acoustic warning can be switched off as follows Remedy the cause of the warning Switch off time code Set the warning tone volume to O see under Switching On and Off the Warning Signal for Asynchronous Running and the Acoustic TC Warning Chapter 7 By briefly depressing the SET button in Mode 1 of the display the acoustic warning can be suppressed for 15 minutes The acoustic TC warning is automatically switched off as long as the camera is running After stopping the camera the warning tone will begin to sound again in standby after approx 3 seconds Additionally the camera is capable of displaying one or several more detailed warnings in hexadecimal fo
46. button confirm switching off the electronic angle adjustment As the electronic shutter has been switched off the shutter angle must now be adjusted and locked manually See the section Mechanically Ad justable Mirror Shutter Note As a warning that the electronic shutter has been switched off the angle symbol in the camera display blinks in all modes cnc S U oue Switching On the Electronically Adjustable Shutter Switching on the electronically adjustable shutter when the shutter is locked can cause damage to the camera See Checking the Shutter Locking Mechanism Before switching on ensure that the shutter locking mechanism is in LOOSE position Switch on the camera s main switch Change into Mode 7 by depressing the MODE button six times or four times if no functional expansion module is attached The display shows the angle symbol and OFF in the upper line Depress the SEL button repeatedly until the display shows the desired shutter angle The SET button confirms the entry and activates the electronic shutter adjustment Filming with HMI Light When lighting scenes with HMI CID discharge lamps the pulsing light intensity is dependent on the supply frequency To achieve constant exposure the camera s frame rate the supply frequency of the lighting and the angle of the mirror shutter must all relate to each other As the camera frame rate and the supply frequency of the lig
47. d insert the filter foil photo Cut off the jutting edge Check that the film gate frame and the contact surface are absolutely clean The camera display does not show a warning when a filter is in use Push the filter holder sideways into the film gate gt photo Check that the film gate the filter and the film gate shaft photo are free of dust and dirt Take hold of the film gate by the filter holder and place onto the film gate shaft from above Check that the film gate is correctly seated on the shaft Press the film gate locking lever photo towards the magazine throat assembly and push the film gate forwards to the correct position Ensure that the film gate locking lever photo swings back completely Note AN The film gate can only be locked if the formot mask and the filter holder are correctly inserted Swinging the movement block forwards when the film gate is not correctly in place can cause damage to the camera Camera Body 42 I aS spacer gate handle s fety spring Movement The ARRIFLEX 435 435ES features a highspeed 5 link move ment equipped with ball bearings for low maintenance Never operate the movement locking mechanism while the camera is running Removing the Spacer Gate Press the safety spring photo downwards at the same time pressing the spacer gate backwards by its handle to Then remove by pulling upwards Installing th
48. der System Lock the viewfinder arm into horizontal position Unscrew the three fastening screws of the standard viewfinder system photo Pull the viewfinder system up and off Mounting the VT 2 Position the VT 2 on the camera body from above Tighten the fastening screws Mounting the video optic is carried out in the same way as on the standard viewfinder system see Chapter 8 fastening screws Work Light WL 3 RS socket Work Light WL 3 e Screw the dovetail adapter to the handgrip Slide the work light into the dovetail guide and clamp Connect the plug to the RS socket gt photo By adjusting the flexible arm bring the work light into the desired position The work light can be turned on and off with the ring on the lamp head gt photo Thebright ness of the work light can be adjusted with the mechanical aperture Heated Eyecup HE 3 The heated eyecup prevents the eyepiece gt photo from fogging in low temperatures e g when filming outdoors in winter Pull the normal eyecup off the eyepiece then place the heated eyecup on the eyepiece Plug the heated eyecup either with cable KC 26S to the 11 pin accessory socket or with cable KC 42S to the RS socket e Set the heating level with the toggle switch gt photo LO low heat output HI higher heat output If the camera and accessories are powered by battery it is recommended to switch
49. desired ramp time If the digit after the decimal point needs not be entered complete the entry with the ENTER key Depress the SEND key to transfer the program to the camera Note A program previously stored in the camera will be erased by this process Speed Ramping with Exposure Compensation This function is not available on the ARRIFLEX 435 as it is not equipped with an electronically adjustable mirror shutter Note In addition to pure speed ramping exposure compensa tion is possible The shutter angle is then linked to the speed ramp for constant exposure The CCU 1 offers the possibility to automatically calculate such programs Depress key 7 to change to the PROGRAM menu With key 1 to 6 activate one of the available memory areas Depress the A key to activate the AUTO mode Depress the E key The values can now be edited Enter the desired starting frame rate If the digits after the decimal point need not be entered complete the entry with the ENTER key Enter the desired end frame rate If the digits after the decimal point need not be entered complete the entry with the ENTER key Note A maximum of four aperture stops can be com pensated via the shutter angle The starting and end frame rates may therefore only differ from each other by a maximum of factor 16 Depress the C key Calculation is started The display shows the set frame rates star
50. e MODE button twice The power supply voltage is shown in the lower line of the display 7m RUN a wy PHASE button Display Warning tone on start Warning tone on stop Switching On and Off the War ning Signal Sse off of for Asynchronous Running LS on off Mode 6 Le off on Standby Operation ig on on Change from Mode 1 to Mode 6 by depressing the MODE button five times or three times if no functional expansion module is attached L o NN j By depressing the SEL button twice activate the display for setting the warning signal o 4 e Within three seconds depress the SET button to select one of the four settings Depressing the MODE button confirms the selection and changes the display back to Mode 1 I o SES 3 Setting the Volume L of the Warning Signal Change from Mode 1 to Mode 6 by depressing the o 7 MODE button five times or three times if no functional expansion module is attached Depress the SEL button three times to activate the display for setting the warning signal volume Select the desired volume with the SET button At volume level O the acoustic TC warning is also switched off 0 off 3 maximum volume 8 Video Assist System The video assist system provides a high quality practically flicker free monitor image for PAL or NTSC The video assist system consists of the video optic VO 2
51. e Spacer Gate Take hold of the spacer gate by its handle photo and insert it at an angle from above into the movement block Push the spacer gate downwards until it locks audibly in place Attaching the Magazine Threading the Movement Pull the magazine release lever photo back and remove the cover Open the camera door Check that the movement block is swung forwards Remove the loop protector from the magazine When attaching the magazine pay attention that the film does not get caught between the magazine and the dovetail on the camera opening magazine release lever Position the back part of the magazine s throat assembly on the lower dovetail of the camera opening With your left hand pull the film loop through the camera opening as far as possible into the movement block area c photo Before locking the magazine into place ensure that the film is pulled far enough into the movement block area so that the film does not get caught between the magazine and the magazine locking mechanism Lock the magazine completely into the camera opening Note Lightly turning the knurled knob on the movement block facilitates the precise engagement of the gear wheel if necessary Check that the magazine is firmly seated With your right hand pull the film loop downwards out of the camera photo Then push it as far upwards as The magazine drive gear engages automat
52. e Viewfinder System Before removing the viewfinder system the viewfinder arm should be brought back to its normal position Loosen the three fastening screws photo Pull the viewfinder system up and off Attaching the Viewfinder System Position the viewfinder system on the camera body from above Tighten the fastening screws adjustment knob notch N x format mask 7 Camera Operation Main Camera Switch The main camera switch gt photo is located on the back of the camera below the magazine opening e First switch on the mains unit if used Connect the camera to the mains unit or to the battery Switch on the main camera switch In the ON position the camera is in standby In the OFF P y position the camera is cut off from the power supply main camera switch MODE button RUN button operation control indicator PHASE button Running and Stopping the Camera A RUN button is located on the left side of the camera c photo Running the Camera If the operation control indicator glows red while in standby the camera is not ready and will not run see Overview of Display Symbols e Briefly depress the RUN button While the camera is running up the operation control indicator gt photo glows red Once the set frame rate has been reached the operation control indicator turns green Stopping the Camera
53. e film roll from sagging down The film should under no circumstances be pulled tight This could cause scratches and static charging Transport and Storage Loaded or empty magazines should only be transported or stored with the loop protector gt photo attached to avoid damage to the film stock and the magazine throat assembly If the ARRIFLEX 435 435ES is transported without a maga zine it is recommended to attach the magazine opening cover Note The cover must be attached to the ARRIFLEX 435 A35ES to run frame rates above 130 fps without a magazine for testing purposes loop protector cover for magazine opening 5 Camera Body Mechanically Adjustable Mirror Shutter ARRIFLEX 435 The mirror shutter can be adjusted mechanically while the camera is switched off The shutter angle can be adjusted from 11 2 to 180 The shutter locks in the following positions 11 2 22 5 30 45 60 75 90 105 120 135 144 172 8 and 180 Setting the Mirror Shutter Angle By briefly depressing the PHASE button the mirror shutter is positioned to allow access to the shutter angle adjusting mechanism gt photo and the locking mechanism c photo Switch off the camera and disconnect the camera from the power supply Remove the lens or the protective cap from the lens mount receptacle Do not touch the surface of the mirror shutter angle adjusting mecha
54. e power supply socket on the camera and e Plug the charger cable into the battery socket into the battery socket Press the start button Note Ifthe battery voltage is not sufficient for the Indication of the LEDs chosen frame rate the bat symbol will show in the camera display LED Indication yellow discharging 1A red charging green charger connected to the mains CHS 1 Camera Highspeed Supply Module The CHS 1 connects two 24 V batteries together to provide a HS power supply with an output voltage of 30 V DC for frame rates up to 150 fps Connecting the batteries together considerably lowers the camera s current demand Ensure that the main camera switch is off Connect both batteries to the input sockets of the CHS 1 with battery cables KC 20S or spiral cables KC 29S Plug the output cable of the CHS 1 into the camera s power supply socket Note Battery voltages below 20 V are indicated for each battery by a LOW BAT LED next to the respective input socket of the CHS 1 To prevent over discharging the module switches off if either battery voltage drops below 17 V Mains Unit NG 12 24 R Use of the mains unit is recommended for filming in the studio and when using electronic accessories with a high power consumption It is suitable for frame rates up to 130 fps e First check that the correct mains voltage is set on the mains unit Ensure that the main switch on the camer
55. e up to 150 fps ARRIMAG 1208 forwards reverse up to 150 fps ARRIMAG 300E sees forwards reverse up to 150 fps Recording of TC is possible with these magazines All ARRIFLEX 35 IIl and 35 Il magazines with exception of the shoulder magazine 150m magazine see forwards reverse up to 130 fps forwards up to 130 fps 60m and 300m magazine Recording of TC is not possible with these magazines Lens Mount 54mm PL mount positive locking Convertible for Super 35 Flange Focal Distance 51 98 0 01mm Mirror Shutter ARRIFLEX 435 Can be adjusted mechanically from 11 29 180 and locks in the following positions 11 25 22 55 30 45 60 75 90 105 120 135 144 172 8 and 180 Mirror Shutter ARRIFLEX 435ES Continuously adjustable from 11 2 180 in standby or while running Movement 5 link highspeed movement with dual pin registration and dual three pin pull down claws for 35mm negative film DIN 15501 equipped with ball bearings for low maintenance Speed Range 1 150 fps forwards and reverse quartz stabilized adjustable to 0 001 fps for frame rates up to 100 fps adjustable to 0 01 fps for frame rates over 100 fps Viewfinder Adjustable in two axes with automatic image compensation and additional manual image compensation Warning for asynchronous film running is reflected in Available as an option the ARRIGLOW provides an illuminated frame
56. er supply Remove the lens or the protective cap Do not touch the mirror surface Pull the ground glass gt photo out of the holder by its tongue gt photo using the special forceps Push the safety plate gt photo upwards with a screw driver Pull the field lens photo out off the holder by its tongue gt photo using the special forceps Clean the field lens with a dry lint free cloth Make sure that the frame is completely clean Using the special forceps push the field lens as far as it will go into the holder A ball catch fixes the field lens in the correct position Push the safety plate gt photo down again with the screwdriver Check if the ground glass to be used and the ground glass frame are completely clean Using the special forceps push the ground glass into the holder as far as it will go A ball catch fixes the ground glass in the correct position Check that the ground glass is locked in place safety plate Magazine Cleaning the Throat Assembly The throat assembly gt photo can be disassembled for holder plate cleaning e Loosen the three screws photo on the throat assembly cover gt photo Remove the holder plate photo for the loop protector e Pull out the throat assembly cover e Clean the film running surfaces gt photo and guide rollers gt photo with a brush Put the throat assembly cover back in place Replace the hold
57. er 35 This ensures that the accessories are also exactly adapted to the displaced optical center of the Super 35 format See also Chapter 10 Super 35 support rods upper plate Attaching the Bridge Plate to the Camera e Fasten the sliding upper plate photo with the two slit screws to the camera base Both cylindrical pins gt photo twist prevention must glide into the holes Then screw the base plate onto the wedge plate of the tripod and lock onto the tripod head Slide the camera with the upper plate into the dovetail guide of the base plate until the spring loaded stop pin gt photo snaps back audibly The camera s position can then be fixed with the clamp lever Slide the support rods into the guides and clamp Equip the camera with the required accessories to determine the center of gravity Loosen the clamping lever gt photo and by sliding the camera on the base plate find the optimal position Then retighten the clamping lever Removing the Camera from the Tripod Before removing the camera make sure that all cables are disconnected and that the eyepiece leveling rod is de tached For fast removal of the camera from the tripod loosen the clamping lever gt photo push in the stop pin photo and then pull the camera with the upper plate gt photo from the base plate cylindrical pins sliding upper plate screws sliding upper plate
58. er plate for the loop protector and re tighten the throat assembly cover with the three screws Setting Friction on the ARRIMAG 120 Swing both roller arms gt photo away from the winding shafts until they lock in place guide rollers Unscrew the three screws on the transparent tensioning plate gt photo Remove the plate Place film cores on both winding shafts Place the tension measurement device gt photo on the film core which will not be measured e Hang the hook of the measurement device gt photo on the film core which is to be measured Attach the open magazine to the camera screws running surfaces AN Do not place your hand in the running magazine To set the take up shaft run the camera at 24 fps For setting the tension of the feed shaft the camera must run at 24 fps reverse The tension measurement device should be showing ring 5 e If the tension measurement device is not showing 5 stop the camera Switch off the camera s main switch and disconnect the camera from the power supply Place the special key gt photo in the holes of the friction adjustment and turn in steps The adjustment must lock in at each step When setting friction the corresponding winding shaft must be held firmly Turn clockwise to increase friction counter clockwise to decrease friction Connect the camera to the power supply and switch on Run the camera at 24 fps
59. etting sss 59 OPTICS occ 49 order numbers ee eite RENE er reet 129 overload display uctor t rr Lese ta cose OR CRY ud 23 P packing and transpot peak load current near phase shifting nisse item ten e sa SE 59 64 67 86 pilottone generator pitch adjustment x s een E gau es 46 GE d TEE 46 N T 127 power supply 19 128 highspeed 3 2ER EEE 19 21 power supply for accessories 22 power supply voltage display sss 67 d PHR MOREEEES 96 PROG bultiori cr er ceo x Y OY Gr am 86 93 programmed frame rate seng 65 programs activating and running 93 programs displaying iiir terme eren reete 93 PS Mode eoo ERE eer 66 PS GGU Positl 64 Q GUAZ EEN reese 128 quartz synchronized monitors cesse 67 R S socket distrib lor erri nen 97 ramping speed ramping with exposure compensation ses 92 speed ramping with the ARRIFLEX 435 sss 90 with the ARRIFLEX 435 te eme dE with the ARRIFLEX 435ES Le remole control Unit RCUT oor i oreet eh ales ees remote run switch ROA eer nass ars 72 reverse operation scite e e ere Re e eo rene E 64 RS 232 interface KL X M MOON Z9 RUM erer AAE EEE 80 RUN buton es ses ara Bad IE Reus 58 60 97 additional o
60. exposed onto the film in accordance to SMPTE guidelines RP 135 and RP 136 Form C For recording time code only the new magazines AN ARRIMAG may be used on the ARRIFLEX 435 With the ARRIFLEX 35 Ill or 35 Il magazines no time code can be recorded Time Code Frame Rates Recording time code is only possible at the following frame rates in forward operation 23 976 fps 24 000 fps 25 000 fps 29 970 fps 30 000 fps At other frame rates time code will not be recorded However the time code generator on the camera continues counting with the last set time code frame rate If the camera is later set back to a time code frame rate time code will again be available At 29 970 fps and 23 976 fps the time code frame rate will be counted in the Nondrop Frame mode adapted to NTSC video Time in the Nondrop Frame mode runs exactly 0 1 slower than real time screws fastening screws Mounting the Time Code Module Switch off the camera s main switch and disconnect the camera from the power supply Unscrew the three screws from the cover of the magazine locking mechanism gt photo Remove the cover of the magazine locking mechanism Hold the film recognition module firmly so that it does not fall on the movement block and damage the film guides e Unscrew both fastening screws gt photo Remove the film recognition module gt photo inthe direction of the movement block When installin
61. g frame rate an end frame rate and an adjustment time In the same manner the shutter angle can be changed simultaneously within given limits sliding switch NORM PS CCU PROG button Ramping with the ARRIFLEX 435 The ARRIFLEX 435 is unlike the ARRIFLEX 435ES not equipped with an electronically adjustable shutter Therefore exposure compensation through parallel adjustment of the shutter angle during frame rate changes is not possible Speed Ramping with the ARRIFLEX 435 Note This description does not apply to the ARRIFLEX 435ES Depress key 7 to change to the PROGRAM menu With keys 1 to 6 activate one of the available memory areas Depress the E key The values can now be edited Enter the desired starting frame rate If the digits after the decimal point need not be entered complete the entry with the ENTER key Confirm the displayed shutter angle value should be bet ween 11 2 and 180 with the ENTER key This value will not be transferred to the camera as the mirror shutter of the ARRIFLEX 435 is not electronically adjustable Enter the desired end frame rate If the digits after the decimal point need not be entered complete the entry with the ENTER key Confirm the displayed shutter angle value should be bet ween 11 2 and 180 with the ENTER key This value will not be transferred to the camera as the mirror shutter of the ARRIFLEX 435
62. g the module make certain that the plug is correctly seated otherwise the plug contacts may be damaged Attach the time code module photo e Tighten both screws gt photo Replace the cover of the magazine locking mechanism and tighten with the three screws gt photo After switching on the camera the time code frame rate and time code must be set Checking the Loop Length The upper film loop must lie within the marking otherwise the time code recording position will not have the correct relation to the image e Set the knurled knob gt photo to LOADING POSITION e The upper film loop must lie within the marking N E v Nofe For instructions on setting the loop length see Chapter 5 Attaching the Magazine Threading the Movement A TC module b film recognition module Filmstock TCS value Agfa PAN 250 B W Neg 7 Agfa XT 100 Color Neg 6 Agfa XTR 250 Color Neg 5 Agfa XTS 400 Color Neg 5 Fuji 8510 Color Neg 7 Fuji 8520 Color Neg 5 Fuji 8521 Color Neg 7 Fuji 8530 Color Neg 6 Fuji 8531 Color Neg 7 Fuji 8550 Color Neg 4 Fuji 8551 Color Neg 6 Fuji 8560 Color Neg 6 Fuji 8561 Color Neg 5 Fuji 8570 Color Neg 6 Kodak 5222 B W Neg 8 Kodak 5231 B W Neg 8 Kodak 5239 Color Rev 6 Kodak 5240 Color Rev 5 Kodak 5245 Color Neg 7 Kodak 5247 Color Neg 6 Kodak 5248 Color Neg 7 Kodak 5293 Color Neg 6 Kodak 5294
63. ge will also not be guaranteed Close the camera door Threading the movement is described and displayed on the inside of the camera door Camera Body 46 Pitch Adjustment The camera is delivered with a transport claw pitch adjusted to 4 74 mm short pitch With this basic setting negative film stock having a perforation hole distance within the to lerance range is transported smoothly and reliably by the movement If the film stock used differs from this perforation distance the movement can be optimally adapted using the pitch adjustment mechanism It is recommended to establish the optimal pitch setting for the film stock in use at a frame rate of 24 fps before begin ning filming Attach a loaded magazine and thread the movement See Attaching the Magazine Threading the Movement Leave the camera door open Run the camera Slowly turn the pitch adjustment back and forth until the quietest setting is reached Removing the Magazine If the film has not run through the camera completely Open the camera door Swing back the movement block just far enough to en able the film to be pulled out from between the film gate and the movement block Note When slowly swinging back the movement block a ball catch is noticeable Pull out the film loop sideways from between the move ment block and the film gate Bring the loop into the area between the movement block and the magazine
64. he film core as this could cause unbalance If the film head has been bent over the film head must not be pulled through the throat assembly during reverse operation Note e Wind the film on at least one revolution until it is certain that the film is firmly seated on the film core Check that the film is being taken up perpendicular to the shaft gt photo Close the magazine cover The roller arms will be auto matically unlocked To lock the cover turn the locking grip clockwise and flip it back into the recess The safety catch locks automatically Note To tension the film in the magazine press in both tensioning plates gt photo and turn out wards tensioning plates Removing Exposed Film The following steps should be carried out in a darkroom or a changing bag Check if the entire film has been wound into the interior of the magazine If not transport the film into the magazine by turning the drive gear counter clockwise To open the cover depress the safety catch and flip the locking grip upwards Then turn the grip counter clock wise Flip up the cover Swing both roller arms gt photo away from the winding shafts until they lock in place Flip up the hinged locking clip on the take up shaft Pull the film roll upwards and off Note AN When pulling the film roll off the shaft grip it from underneath as far as possible to prevent the middle of th
65. hting are normally given compensation must be carried out through the angle of the mirror shutter The following table indicates the mirror shutter angle that needs to be set Supply frequency 50 Hz 60 Hz Frame rate 25 fps 24 fps 24 fps Shutter angle 180 172 8 144 ground glass tongue Exchanging the Ground Glass By briefly depressing the PHASE button in standby the shutter is positioned to protect the mirror surface from damage as far as possible photo Before exchanging the ground glass switch the camera s main switch off and disconnect the camera from the power supply Remove the lens or the protective cap Do not touch the mirror surface Using the included special forceps pull the ground glass photo out of the holder by its tongue photo Check that the ground glass to be inserted as well as the ground glass frame are completely clean With the special forceps push the chosen ground glass into the holder as far as it will go The red marker point must be on the left A ball catch fixes the ground glass exactly in the right position Check that the ground glass is correctly locked in place Note Cleaning or exchanging the field lens see Chapter 11 Cleaning the Field Lens Film Gate Changing the Format Masks A format mask and filter holder must always be inserted in the film gate To take out the format mask Switch off the camera s m
66. i it ARRI ITALIA S R L Via Placanica 97 00040 Morena Roma phone 06 79 89 02 02 fax 06 79 89 02 39 ARRI Canada Ltd 415 Horner Avenue Unit 11 Etobicoke Ontario Canada M8W 4W3 phone 416 255 33 35 fax 416 255 33 99 E mail service arrican com Technical data are subject to change without notice Printed in Germany Ident Nr 09 91924 0
67. ically possible until the loop can be positioned between the movement plate and the film gate Note The film cannot yet be completely placed into the film channel e Turn the knurled knob photo on the movement until its marking matches that on the movement block Turn the movement locking lever towards the OPEN position to swing the movement block away from the film gate Bring the film loop into position photo Turn the movement locking lever counter clockwise as far Position the film by one perforation hole onto the positioning as it will go This will cause the movement block to swing pin photo in the film guide bringing the film loop to forwards and to lock into position rest within the marking photo By turning the knurled knob photo check that the film Check that the film is correctly fixed on the positioning pin runs smoothly and that the loop is positioned within the upper marking Turn the knurled knob until its marking matches that on the movement block and again check if the loop is lying Note Before the movement block is swung forwards within the marking make sure that the film is correctly positioned in relation to the film gate over entire area otherwise the film may be damaged marking Note for film loop If the loop does not lie within the marking the film may be torn and the equipment damaged In TC operation the correct recording position in relation to the ima
68. iece on the viewfinder e Turn the knurled ring photo towards the LOCK position Check that the eyepiece is correctly seated Adjusting the Diopter The diopter compensation is fitted with a scale gt photo of 1 to 12 Position 6 is normal focus To adjust turn the ring right left until the ground glass markings are totally in focus knurled ring Fr a eyepiece Allen screw knurled ring viewfinder arm Adjusting the Viewfinder Turning the Eyepiece The eyepiece can be rotated 360 around the viewfinder arm The eyepiece is held in adjusted position by friction To set friction turn the knurled ring gt photo right left until the desired friction has been reached Swivelling the Viewfinder Arm The viewfinder arm can be swivelled approx 270 left to right On the left side of the camera the viewfinder arm locks into the horizontal position The viewfinder arm friction can be altered if necessary by turning the Allen screw photo To adjust the viewfinder arm release the locking mechanism by depressing the unlocking key gt photo Turn the viewfinder arm to the desired position Extending the Viewfinder Arm The viewfinder arm can be telescoped continuously by approx 50 mm e Turn the knurled ring gt photo towards the LOOSE position e Pull the viewfinder arm gt photo out to the desired length Retighten the knurled ring
69. in the position NORM e Depress the SEL button repeatedly until the desired frame rate is selected Within 3 seconds confirm this choice by depressing the SET button otherwise the initial setting is retained Setting a Programmed Frame Rate Mode 2 Standby Operation Change from Mode 1 to Mode 2 by depressing the MODE button once Depress the SEL button repeatedly until the digit to be set blinks Depress the SET button repeatedly until the desired value is reached Repeat this procedure until all digits are set to the desired values For frame rates below 100 fps a 0 should be entered as the first digit for frame rates above 100 fps a 1 A final confirmation of the set frame rate is not necessary Note The frame rate can be set between 1 and 150 fps For frame rates over 130 fps a power supply voltage greater than 24 V is necessary nn m UU j I nnn 24000 iCOnn 15000 Note An internal buffer battery ensures that the pro grammed frame rate is stored even if the camera is not switched on at the main switch This battery has a lifetime of approx 10 years If the pro grammed frame rate is not available when the camera is switched on again the buffer battery must be exchanged by an ARRI service center Switching Between Forward and Reverse Operation Mode 2 Standby Operation Change from Mode 1 to Mode 2 by depressing the MODE button once
70. inder will only provide an undistorted image in horizontal locked adjusting screw position The locking stops of the AVF 2 can be adjusted Allen screws to an exactly horizontal position Using the AVF 2 on the Left Side of the Camera Loosen do not remove the two Allen screws photo in the locking stop Turn the adjusting screw photo with an Allen key until the viewfinder image is free of distortion Retighten the Allen screws Using the AVF 2 on the Right Side of the Camera The AVF 2 can also be locked into horizontal position on the right side of the camera An adjustable brace gt photo can be fitted to the camera for this purpose The brace is attached to the accessory flange on the camera body with a screw photo Thehorizontal position of the AVF 2 on the right side of the camera is adjusted solely on the brace e Loosen the clamping screw photo OX e Using the adjusting screw photo pivot the brace TI adjusting until the viewfinder image is free of distortion screw Retighten the clamping screw brace clamping screw fastening screw Video Viewfinder VT 2 The video viewfinder VT 2 is a 100 video tap module It can easily be fitted in place of the standard viewfinder system for Steadicam or crane operation The same video optic that is used on the standard viewfinder system can be also fitted to the video viewfinder Mounting the Video Viewfinder Removing the Standard Viewfin
71. ing values are shown in Modes 1 and 3 Two different counting values are shown respectively e the total amount of exposed film or e the take length amount of film used in an individual take A t in the first digit of the upper display line indicates the display of take length Setting the Film Counter Configuration Mode 3 The display configuration can be set individually The two shown combinations are possible The desired display configuration can be set in Mode 3 Change from Mode 1 to Mode 3 by depressing the MODE button twice Depress the SEL button twice the first digit in the upper display line blinks e Within three seconds depress the SET button The currently set counting value of Mode 3 is displayed The corresponding counting value in Mode 1 is auto matically altered nnn m iw nnn j U U u Uu nnn B f ue 4 0 UUW LI d H U Mode 1 Mode 3 Take length or Total exposed film or Total exposed film Take length Resetting the Film Counter Modes 1 and 3 Change to the mode which shows the total amount of exposed film MODE button The total exposed film counter can be set to zero by depressing the SET button for at least 3 seconds while in standby The take length counter is automatically reset each time the camera is started Changing the Unit of Measurement Meters Feet Mode 3 Standby Operation Change from Mode 1 to Mode 3 by depressi
72. ition Tighten the retaining ring by hand Note The video optic is tilted upwards by 5 Removing the Video Optic Hold the video optic firmly in one hand Loosen the retaining ring with the other hand Note Ifthe retaining ring cannot be loosened by hand use the special wrench gt photo Pull the video optic off sideways Replace the cover on the viewfinder system and tighten by hand Mounting the Video Camera Unscrew the protective cover from the C mount on the video optic Unscrew the protective cap of the video camera e Screw the video camera photo onto the C mount thread on the video optic Mounting the Anti Flicker Processor AFP 2 Screw the dovetail adapter photo onto the grip system of the ARRIFLEX 435 435ES Note The dovetail guide must be also be tilted approx 5 upwards to correspond to the video optic Then slide the anti flicker processor into the dovetail guide and screw tight video camera C mount dovetail adapter Video Assist Saystem 72 Wiring the Video Assist System t is imperative to turn off the main switch on the ARRIFLEX 435 435ES e The anti flicker processor AFP 2 is connected from the socket MOVIE CAMERA to the RS socket of the camera with the cable KC 37 or to the 12 V socket with the cable KC 36 Plug the cable KC 34 into the socket VIDEO CAMERA on the AFP 2 and into the video camera The video signal for the moni
73. k accounting functions offer a clear overview of raw stock and exposed film Camera reports can be created and filled in either auto matically or manually For each take information such as frame rate shutter angle take length frame numbers time of day or time code data can be automatically recorded in the camera report This can then be printed or exported as a text file A daily film report lists all the footage used according to emulsion number For further details see the information pamphlet File Edit FPS Shutter Programs Accounting Tools a Sample Accounting t Bal Status Standby 435 FPS 24 000 Phase Shutter 180 0 PGM Trigger wee Roll sl New Roll Close Roll open E Take 6 Mode ake 4 Scene Take WNG Te Bhuter fut Total Jo Total 10 Reset Total Lim Li f e 12 000 180 0 1 3 EEE Frames 434 Run at 1 fps 0 001 fps 0 001 fps Battery 24V Program None VVT 2 z ii 24000 1800 D 49 1 118878 1800 ii Feo Timecode 00 05 25 01 NDF Userbits 00 01 19 96 On Lon TC Status On E gt Accessory Socket Distributor 11 pin Mounting the Accessory Socket Distributor e Push the accessory socket distributor gt photo onto the 11 pin socket Tighten the fastening screw R S Socket Di
74. ks The magazine is not suited to the set frame rate or R glows Reverse operation is switched on ESU is connected TC glows TC generator is switched on and set and no sync frequency is available blinks TC generator is switched on PROGglows The stored program is activated and can be started while during running no recording the camera is running by depressing the PROG button during standby the last synchronization was over 8 hours ago blinks The activated program cannot be run with the set values additional acoustic warning e g incorrect magazine for the frame rate set in the program or battery voltage too low for the frame rate set in the program see also TC warning display m Display Movement Open The display shows if the movement has not been locked correctly into operating position The operation control indicator glows red the movement block is not correctly locked the camera is not operational nm Dom Display Warning of Reverse Opera UULUU tion with an ARRIFLEX 35 UI 300 m Magazine fps N N N N Reverse operation is not possible with an ARRIFLEX 35 Ill 300 m magazine If the camera is set to reverse operation and an ARRIFLEX 35 Ill 300 m magazine is attached this warning will show in the camera display Note If other digits of the display show a bar instead of a zero see Appendix Film Counter Displaying the Film Counting Values Modes 1 and 3 Film count
75. ly mirror shutter magazine opening socket Safety Specifications Warnings Note Operational error possible Danger of injury or equipment damage possible General Safety Specifications AN n order to ensure optimal performance it is essential that you acquaint yourself with this instruction manual Attention Danger of injury Never place your hand in the lens mount receptacle or the inside of the camera while it is running Assembly and initial operation should be carried out only by persons who are familiar with the equipment Never run the camera without a lens or a protective cap in the lens mount receptacle Never operate the movement locking mechanism while the camera is running Ensure that the camera is stabily positioned Remove the battery cable before transport or servicing Repairs should be carried out only by authorized service centers Use only original ARRI replacement parts and accessories Important Notes n wet weather the normal safety precautions for handling electrical equipment should be taken Avoid operational errors Clean optical surfaces only with a lens brush or a clean lens cloth In cases of solid dirt moisten a lens cloth with pure alcohol Do not use solvents in cleaning the film gate Do not remove any screws which are secured with paint Product Specifications In the case of enquiries or when ordering parts please advise camera
76. menu point with keys 1 to 2 Switch on or off the acoustic signal with key 4 STATUS STATUS displays the values currently set on the camera COUNTER COUNTER displays the current values of the total exposed film and take counters as well as the power supply voltage to the camera SOUND CCU ON OFF The acoustic signal of the CCU can be switched on and off with key 4 When switched on a test signal sounds Remote Control Unit RCU 1 Use of the RCU 1 gt photo is only possible in conjunction with the functional expansion module The RCU 1 is a practical remote control unit for all new generation ARRIFLEX cameras not only for the ARRIFLEX 435 435ES but also for the ARRIFLEX 16SR 3 535 and 535B It can be used in all applications that call for an uncom plicated quick sturdy and yet still comprehensive remote control An automatic mode enables synchronous control of running speed and shutter opening angle for automatic exposure compensation Complete programs can easily be created to control changing of frame rate and angle of the mirror shutter over a certain period of time These programs can be recalled repeatedly as necessary The RCU 1 auto matically calculates the actual screen time for the program med speed ramps Running values can be regulated with the large handwheel The free programming of end stops to individually defined minimum and maximum values is particularly comfortable The illuminated LCD displa
77. mirror shutter is also equipped with an adjustment mechanism that allows mechanical adjustment The electronic mirror shutter function must then be switched off Before electronically adjusting the mirror shutter check that the shutter locking mechanism is in the LOOSE position photo Adjusting the shutter angle while the shutter is locked could cause damage to the camera Checking the Shutter Locking Mechanism Switch on the camera s main switch In standby briefly depress the PHASE button Switch off the camera s main switch Remove the lens or the protective cap from the lens mount receptacle Never put your fingers into the lens mount receptacle The locking mechanism should be in the unlocked position photo If the shutter locking mechanism is unlocked Replace the lens or the protective cover If the shutter is locked in position Disconnect the camera from the power supply With a 2 mm Allen key turn the locking mechanism photo towards the LOOSE position until it stops Replace the lens or the protective cover Setting the Mirror Shutter Angles Without accessories the following shutter angles can be set directly on the camera 11 2 22 5 30 45 60 75 90 105 120 135 144 172 8 and 180 With accessories such as the LCC CCU or RCU 1 other shutter angles can be set The procedure is described in the respective instruction manuals A Swi
78. mpartment Pay attention to the correct polarity of the battery pack Connecting the Camera Control Unit e Switch off the main camera switch position OFF Plug the cable KC 24S 2 4m or KC 30S 20m into the socket on the side gt photo ofthe camera control unit pressing the slide on the plug in the direction of the plug e Plug the cable into the CCU socket gt photo onthe camera Switch on the camera Switch on the camera control unit with the red button photo ontheside Key Functions in all Menus Key Function RUN Starts and stops the camera SEND Sends the selected values to the camera HELP Shows the help text for the activated menu Cannot be used in the input mode The help text can be exited by depressing the ENTER key EXIT Ends input mode or exits the activated menu Q Switches display illumination on off Error Displays In the case of operational errors on the CCU 1 the display on the camera control unit will show an error display that disappears again after the next key operation Additionally an acoustic signal will sound This can be turned off The Main Menu When the camera control unit is switched on the main menu appears on the display It enables access to the sub menus It also shows whether the camera is switched off OFFLINE is in standby STANDBY or is running RUN In addition the frame rate set on the camera is displayed
79. n right side iiti dee te 97 S S4 shovlder set err Ras te UE IER TRIS 17 sd ely SpectHications fece ctt ette teretes uta ete fes ee ee Ss screen time for speed romps 95 96 SELD OHO Ni ern 59 SETbutton 39 86 DT WE 62 SHOT Ou 46 DT EE LoS shoulder magazine ARRIFLEX 35 H 127 shoulderoperati On acrior tci Hits 17 shoulder operation without the shoulder set 18 shoulder Set S 4 with the bridge plate sss 17 sh ulder seE S4 rne dieti EES 17 without the bridge plate sss 18 shutter angle adjustment shutter angle display s tete i etd shutter angle for HMI CID light 55 rrt etg 37 shutter angle locking mechanism sss 31 32 shutter angle locking mechanism checkng sss 35 Shutter angle sIops 4 sess seve goes e HR p OD EE eet 3 1 sockets EE 80 107 109 BNGVIDEQ QUT E 72 COU Sas S 80 107 109 MINKMONITOR 2 nun sie nennen isses 72 MOVIE CAMERA eer 72 VIDEO GQAMERA ett RO SOR EORR 72 spacer gate cleaning installing removing special forceps for ground glass 38 119 special tool for adjusting magazine friction for coverof video dap ias border t oe tees speed ramping with exposure Compensotlon re 92 speed WC 127 spiral battery cable KC 298 sss 20 21 22 spirite level iuste tote beet
80. ng the MODE button twice Depress the SEL button once the symbol m ft blinks Depress the SET button within three seconds to change the unit of measurement Camera Operation 63 Displaying the Angle of the Mirror Shutter Mode 1 As long as the PHASE button is depressed while in standby the set angle of the mirror shutter appears in the upper display line The camera runs at inching speed Setting the shutter angle on the 435 435ES see Chapter 5 Configuring Mode 1 On the ARRIFLEX 435ES a constant display of the shutter angle can be configured in Mode 1 Depress the SEL button repeatedly until the upper display line blinks The SET button switches between film counter and shutter angle Frame Rates The ARRIFLEX 435 435ES offers the possibility to set and store two frame rates It is possible to select and store a standard frame rate 23 976 24 25 29 97 and 30 fps and a freely programmed frame rate in increments of 0 001 fps for frame rates up to 100 fps and above 100 fps in increments of 0 01 fps The frame rate is activated via the NORM PS switch gt photo on the left of the camera The NORM position corresponds to the standard frame rate the PS CCU position to the freely programmed frame rate NORM PS switch PHASE button Selecting a Standard Frame Rate Mode 1 Standby Operation The camera must be in Mode 1 and the NORM PS switch must be
81. nge focal distance Problem Cause Remedy Problems at extremely low temperatures Damage to the film The camera does not reach the selected frame rate Greatly reduced tensile strength and increased brittleness of raw stock In temperatures under 15 C 5 F especially a change in the film s friction properties ocurs Capacity or voltage of the battery is insufficient The camera battery and particularly the film stock must be protected from extreme cold When a cold camera is brought into a warm and humid room condensation builds up This can be prevented by interim storage of the equipment at approx 0 C 32 F Check the battery charge following the directions in the instruction manual Check that the camera movement turns easily by turning the knurled knob on the movement manually If difficult to turn let the camera run for a few minutes without film Check that the magazine turns easily Problems in extremely high temperatures Increased emulsion build up The mechanical properties of the film change considerably at temperatures of over 30 C 86 F The film becomes soft and easily deformed The friction coefficient changes and the film builds up more emulsion Protect the camera and the film stock from extreme heat e g by shading or white covering etc Technical Data Film Format 35mm DIN 15501 Magazines ARRIMAG 130 forwards revers
82. nism locking mechanism C locking mechanism mmy unlocked C locking mechanism locked With a 2 mm Allen key turn the locking mechanism photo towards the LOOSE position until it stops e Turn the shutter angle adjusting mechanism photo with the same Allen key until the desired shutter angle is reached e Turn the locking mechanism photo towards the LOCK position until this locks in place The adjusting mechanism may possibly have to be turned slightly back and forth By gently twisting the shutter angle adjusting mechanism check if the shutter angle has locked in correctly Operation of the camera when the mirror shutter is not correctly locked in position may cause in correct exposure With an unlocked mirror shutter the camera may switch off during camera run Shutter Angle Measurement Holding the PHASE button depressed in standby will make the camera inch forward The display shows the measured shutter angle in the upper line The lower line displays the voltage of the power supply UNIS LI Que C locking mechanism unlocked C locking mechanism locked Electronically Adjustable Mirror Shutter ARRIFLEX 435ES The mirror shutter on the ARRIFLEX 435ES can be electroni cally adjusted from 11 2 to 180 when the camera is run ning as well as in standby Note The electronically adjustable
83. ories Followifoc s FE IS Sasan e eto Mes K0 59973 0 3 x 3 light weight matte box LWB 2 K0 59954 0 4 x 4 light weight matte box IMB 3 nenne K2 44471 0 A x 4 production matte box MB 16 sssssssessee K2 44472 0 4 x 5 65 production matte box M 18 K2 47178 0 4 x 5 65 production matte box MB 19 K2 47099 0 5 x 6 production matte box M I 5 K2 44473 0 6 6 x 6 6 production matte box MB 14 nennen K0 59971 0 Heated eyecup HE NENNEN K2 47097 0 Cable KC 42 for RS socket sss K4 47473 0 Cable KC 26 for accessory socket K4 44093 0 Finder extender FE 3 K2 47082 0 Super wide angle eyepiece 10x sss K2 41822 0 Wide angle eyepiece 8x sss K2 47081 0 Anamorphic viewfinder AVF 2 sss K2 47084 0 These order numbers refer to matte boxes for 19mm support rods Accessories Functional expansion module FEM ssssssssesess K4 52136 0 ARRIGLOW moche K2 47088 0 Extra handgrip K4 46680 0 Camera control unit CCU 1 with code K2 42320 0 External synchronization unit ES K2 46006 0 Remote switch RSA K2 46942 0 Remote control unit BCL K2 47197 0 Work light E ii tete ee dre K2 47098 0 Iris control unit CU K2 47028 0 Zoom control set LCS K2 41377 0 Focus iris control unit IEU 31 K2 41383 0 Laptop Camera Controller LCC software sss K2 47119 0
84. put with the ENTER key The selected shutter angle is displayed in the uppermost line on the CCU Transfer the chosen value to the camera with the SEND key The REMOTE Menu In the REMOTE menu the camera control unit displays the same information as the camera display The last digit after the decimal point will be suppressed 4 digits instead of 5 as in the camera display The keys F1 to F4 assume the functions of the operating elements on the camera The lower line of the CCU display shows the key functions Fl PHASE button F2 MODE button F3 SET button RESET on the CCU F4 PROG button program Operating the camera in the REMOTE menu is analogous to operation with the respective buttons on the camera The TIMECODE Menu In the TIMECODE menu the current values are displayed the time code time and user bits last entered on the CCU as well as the time code time and user bits of the camera Changing Time Code Time Depress key 5 to change to the time code menu Depress key 1 TIMECODE is displayed against a dark background e Depress the ENTER key the camera control unit is ready for input of the new TC time Enter a TC time value within the acceptable range of 00 00 00 to 23 59 59 the new TC time is displayed Confirm the input by depressing the ENTER key all unfilled digits will default to zero Transfer the new TC time to the camera with
85. r holder and place onto the film gate shaft from above Check that the film gate is correctly seated on the shaft Press the film gate locking lever towards the magazine throat assembly and push the film gate forwards to the correct position Ensure that the film gate locking lever swings back completely Note The film gate can only be locked if the format mask and the filter holder are correctly inserted the film gate is not correctly in place can cause damage to the camera Swinging the movement block forwards when Inserting Filters into the Film Gate Filter foils such as gelatine filters can be inserted into the filter holder AN Switch off the camera s main switch and disconnect the camera from the power supply before inserting a filter e Turn the knurled knob photo p 5 9 on the movement until its marking matches that on the movement block e Turn the movement locking lever photo towards the OPEN position to swing the movement block away from the film gate Press the film gate locking lever gt photo towards the ma gazine throat assembly and swing the film gate photo towards the movement block pressing lightly on the lower end of the film gate and taking care that the film gate does not hit the movement block Take hold of the film gate by the filter holder photo lift it up and remove e Now pull the filter holder photo sideways out of the film gate Open the filter holder slightly an
86. rm Change to display Mode 5 user bits with the MODE button and depress the SEL button In the upper line four figures or letters will be shown Their meaning can be looked up in the following table If there is no warning the upper line displays 00 00 Example The message 00 03 indicates two warnings error in external synchronization and TC is switched on but not set Both warnings can be remedied by external synchronization or by setting TC via the CCU 1 1st Display Digit for TC Warnings 0 17 8 3 415 8 118 E Warning Remedy no valid TC frame rate set correct TC frame rate or switch off TC no TC with PROG switch off TC no TC in REVERSE switch off TC in the last take no briefly depress the PHASE button or only intermittent TC or reshoot 2nd Display Digit for TC Warnings 0 1 18 3 94 5 58 118 9 C Warning Remedy gt 8 hours since TC last set reset TC as last setting was over 8 hours ago TCS value not valid reset TCS value given ESU frame rate outside TC range check given ESU frame rate display Mode 1 and TC generator frame rate Mode 4 allowable difference of max 1 no TC with variable speed switch off variable speed accessory or TC as TC operation with variable speed is not possible 3rd Display Digit for TC Warnings
87. s as required A safety mechanism in the handgrip prevents automatic loosening This mechanism is activated by screwing in the handgrips tightly Before screwing in the handgrips make sure that the 3 8 threaded bolt is completely screwed out of the handgrip Removing the Grip System In order to minimize camera height the entire grip system can be removed First remove the magazine e Loosen both the hexagon screws gt photo in the strut and pull the grip system photo upwards To attach the grip system proceed in the reverse order grip system hexagon screws shoulder set S 4 base plate shoulder cushion Operation from the Shoulder Shoulder Set S 4 The shoulder set S 4 was designed to optimize shoulder operation of the ARRIFLEX 435 435ES It allows the camera to be quickly transferred from the tripod onto the operator s shoulder without having to remove the optical accessories Shoulder Set S 4 with the Bridge Plate Remove the camera from the tripod see under Bridge Plates BP 8 BP 9 The mounting screws on the shoulder set must first be screwed back as far as they will go gt photo e Now slide the shoulder set from the rear into the dovetail guide on the bridge plate as far as it will go It locks auto matically in position Clamp the shoulder set using the bridge plate clamping lever Plug the cable for starting and stopping the camera into the RS
88. s from 20 6 to 35 V DC Depending on the desired frame rate the following voltage range should be chosen for the power supply Frame Rate Range Voltage 1 130 fps 20 6 35V DC 130 150 fps 24 35V DC The power supply cable is attached to the power supply socket on the camera Available are for 1 130 fps e the battery NC 24 7 R photo with charger NCL 24 R photo and the mains unit NG 12 24 R for 1 150 fps e two batteries NC 24 7 R photo with charger NCL 24 R together with the HS power supply module CHS 1 Camera Highspeed Supply Module and e the mains unit NG 12 26 R photo battery NC 24 7R __ N NG 12 26 NCL 24 R e First switch on the mains unit if used Connect the camera to the mains unit or to the battery Switch on the main switch of the camera A Do not open the batteries Charge batteries only with the ARRI chargers Do not bypass the fuse or temperature switch Do not heat NC batteries Do not short circuit NC batteries Battery NC 24 7 R Charger NCL 24 R The battery NC 24 7 R has a capacity of 7 ampere hours With this charger all ARRI 24 V batteries can be charged and is suitable for frame rates up to 130 fps e First check whether the correct mains voltage is set on Ensure that the main switch on the camera is off the charger e Plug the battery cable KC 20S or the spiral battery cable Connect the charger to the mains supply KC 295 into th
89. serial number and model Note This instruction manual applies to the ARRIFLEX 435 as well as to the ARRIFLEX 435ES model Sections that only apply to one model are indi cated as such in the heading Explanation of the Symbols in the Instruction Manual photo indicates objects which are shown in the photo graphs Note This product and the accessories recommended by the manufacturer fulfill the specifications of the EU Guideline 89 336 EWG Contents Safety Specifications suuuusus 5 VON qua drach PERDERE EE OR EUR 5 General Safety Specifications neee 5 Important Notes ess 5 Product Specifications ssssssssssssss 6 Explanation of the Symbols in the Instruction Manual 6 1 General Description of the ARRIFLEX 435 435ES 9 2 Installation of the Comerg 11 Packing and Transport 11 Tripod Header EE 11 Horizontal Leveling of the Camera 12 Bridge Plates BP 8 BP een 12 Lens Support accep tert datbeiebe E 14 Grip Syse m ae ete c PO INIRE He 15 Operation from the Shoulder sss 17 3 Power Supply een 19 Battery NC 24 7 R o cea mre eee tud es Lem A 20 Charger NCL 24 Ric coe ee 20 CHS 1 Camera Highspeed Supply Module 21 Mains Unit NG I2 24R 21 Mains Unit NG 12 26 Ru 2 22 Accessory Power Supp 22 4 Magazines
90. socket Check that the shoulder set is firmly seated on the camera Position the shoulder cushion on the camera with the index pin and fasten it to the camera with the mounting screw photo Check that the shoulder cushion is firmly seated on the camera mounting screws shoulder set S 4 mounting screw fastening screw handgrip RUN button Shoulder Set S 4 without the Bridge Plate Remove the camera from the tripod Detach the bridge plate Position the shoulder set on the camera and fasten with the two mounting screws Plug the cable for starting and stopping the camera into the RS socket Check that the shoulder set is firmly seated on the camera Position the shoulder cushion on the camera with the index pin and fasten it to the camera with the mounting screw Check that the shoulder cushion is firmly seated on the camera Operation from the Shoulder without the Shoulder Set The shoulder cushion can be used with or without the bridge plates BP 8 and BP 9 Position the shoulder cushion on the camera with the index pin and fasten it to the camera with the mounting screw Check that the shoulder cushion is firmly seated on the camera Position the handgrip on the rosette and fasten with the fastening screw photo Plug the cable for starting and stopping the camera into the RS socket 3 Power Supply The acceptable voltage range i
91. ssories to be used are suited to the available voltage 24 V accessories are normally attached to the RS socket photo At 24 V the available continuous current is 3 A maximum the peak load 5 A Overload Display If the current drawn at the accessory sockets exceeds the allowable maximum a safety circuit interrupts the power supply and a red warning LED lights up photo warning LED 4 Magazines In addition to the new 435 ARRIMAG magazines gt photo all ARRIFLEX 35 Ill and 35 Il magazines with the exception of the shoulder magazine can be used Magazine Speed limit Forward Reverse TC operation Recording ARRIFLEX 435 ARRIMAG 120 150 fps forw rev yes ARRIMAG 120S 150 fps forw rev yes ARRIMAG 300E 150 fps forw rev yes ARRIFLEX 35 III 35 II 60 m magazine 130 fps only forwards no 150 m magazine 130 fps forw rev no 300 m magazine 130 fps only forwards no Reverse operation with the ARRIFLEX 35 Ill 35 Il A 300 m and 60 m magazines can lead to damage of the magazine or the camera Time code can only be recorded with the new ARRIMAG magazines The ARRIMAG magazines and the ARRIFLEX Ill magazines are automatically recognized For the ARRIFLEX 35 Ill 300 m magazine the camera s run up time is automatically exten ded If the camera is set to a frame rate that exceeds the speed limit of the attached magazine the fps symbol flashes on the camera display and
92. stributor 3 pin To facilitate operating the camera from the right side a RUN button is also integrated into the R S socket distributor Mounting the R S Socket Distributor e Plug the R S socket distributor into the R S socket gt photo Tighten the fastening screw photo camera power supply Voltages over 32 V will be limited to 32 V Ensure that the accessories to be used are suited to the available voltage d The RS socket supplies the same voltage as the R S socket distributor 10 Super 35 The Super 35 format offers a range of technical advantages compared to filming with anamorphic lenses a larger selection of available focal lengths e smaller and lighter weight lenses faster lenses e shorter lens focus for close up shots clearly reduced image distortion and geometric aberrations In addition a greater variety of post production possibilities is available For shooting in Super 35 the lens mount receptacle and the upper plate of the bridge plate must be altered for the format This ensures that the lenses and accessories are exactly aligned to the displaced optical center of Super 35 Converting the Lens Mount Receptacle to Super 35 For shooting in Super 35 the lens mount receptacle must be turned 180 e Remove the six cylindrical screws gt photo e Unscrew both locking grips photo Turn the lens mount receptacle so that the number 2 is positioned next to the
93. t ring clockwise to tighten Note For Super 35 shots the lens mount receptacle must be turned 180 See Chapter 10 Super 35 Viewfinder System The viewfinder system on the ARRIFLEX 435 435ES can be swivelled in two axes The viewfinder image is always up right and correct left to right when the viewfinder is swivelled within the main axes gt photo A warning signal red LED for asynchronous running is re flected into the viewfinder An 80 20 beamsplitter for b w video cameras is integrated into the viewfinder system For colour video cameras a beamsplitter with a ratio of 50 50 is also available and can be fitted by a service center The entire viewfinder system can be replaced by a video finder 100 An anamorphic viewfinder arm is also available An ARRIGLOW module is available as an option Using slide in masks the filming format currently in use can be displayed in the viewfinder as an illuminated frame with continuously adjustable brightness The ARRIGLOW also displays the warnings ASY asynchronous running BAT supply voltage too low and END end of film in the viewfinder The Eyepiece Removing the Eyepiece Hold the eyepiece with one hand and with the other turn the knurled ring photo towards the OPEN position as far as it will go e Remove the eyepiece photo Attaching the Eyepiece Ensure that the knurled ring is turned to the OPEN position Position the eyep
94. tch on the camera s main switch e Change to Mode 7 by depressing the MODE button six times or four times if no functional expansion module is attached The display shows the angle symbol and in the upper line the current shutter angle Adjusting the shutter angle when the shutter is locked could cause damage to the camera Ensure that the locking mechanism is in LOOSE position before adjusting the shutter angle If the display shows OFF the electronic adjust ment of the mirror shutter is deactivated The shutter angle can be adjusted mechanically and must then be locked See the section Mechanically Adjustable Mirror Shutter Depress the SEL button repeatedly until the desired value blinks in the display With the SET button confirm the desired shutter angle Camera Body 36 Shutter Angle Measurement Holding the PHASE button depressed in standby will make the camera inch forward The display shows the measured shutter angle in the upper line The lower line displays the voltage of the power supply Switching Off the Electronically Adjustable Shutter e Switch on the camera s main switch e Change to Mode 7 by depressing the MODE button six times or four times if no functional expansion module is attached The display shows the angle symbol and in the upper line the current shutter angle Depress the SEL button repeatedly until the display shows OFF With the SET
95. te Al fine tuning the programmed frame vote 66 flange focal distance acento avin eR TERR 127 focus of the video plic erem ees 72 format masks lt hanging aureneneshneshnenin in a a 39 forward operation ists it esters a f page rede pter 66 frame rate changing while camera is running 66 E EE 66 freely programmed frame rate sess 65 setting dnd storing EE 64 shifiing Dhaser l c RE EES stay 67 standard frame rate friction EYEPIECE ayir a SEA 52 viewfinder AP sirieni rena nenne 52 friction of ARRIMAG 120 odiusting 120 function monitoring ci eee eai e a e eebe 1 28 functional expansion module FEN 80 UE M ere See 80 un A EE E E E OS 123 G EI al GEN LOCK input general description GEINT 13 attaching additional handgrips ss 15 FOMOVING E 15 ground glasses dead da et eo e D eee tes rn 128 exchanging e RED NORTON ERE 38 EE 38 special forceps un RR Ree e 38 handgrips ziehe ERE DUREE eege A 1 3 BE ere prece retra rt et e n UI D eset peas 495 heated seyect pv HESS eir nee 79 helicopter mount sett highspeed power supply irre t beris 19 21 EMISIT E M 27 HMI CID discharge lamps sa cei t tete terere err gs 37 HS supply module GHS s ces een 2 illuminated format markings enesenn ie eE E EEEE attaching ARRIGLOW module exchanging the format mask s sess Uu EE GUIOMOTIC E
96. teration of the operational parameters the buttons SEL SET PROG and PHASE can by locked using the sliding switch LOCK If a button is depressed when the display is locked the display will show the OFF sign Nolte AN Locking the PHASE button has no influence on the inching function Locking the SEL and SET buttons has no influence on accessories such as the RCU 1 Overview of Display Modes Mode 1 is displayed after switching on the camera after depressing the RUN button or 30 seconds after the last operation Mode 4 and 5 can only be selected if the functional expansion module is attached 1st Display Line 2nd Display Line Adjustment Possibility Mode 1 Total exposed film counter m ft or Frame rate fps or Selection of a standard frame rate take counter m f or ESU SU in standby and Configuration of the 1st display line mirror shutter angle of the ARRIFLEX 435ES frame rate fps while running on the ARRIFLEX 435ES external control connected or Pr if a program is activated Mode 2 Programmed frame rate PS Programmed frame rate fps Programmed frame rate ESU SU external control connected Current frame rate if a program forwards reverse Current shutter angle if a program is activated is activated Mode 3 Total exposed film counter m ft or Power supply voltage V Configuration of the film counter take counter m ft Unit of measurement m f Mode
97. ters and video equipment When cleaning the film movement do not exert too much pressure Use only the prescribed special tools Use only screwdrivers of the correct size From time to time at the latest however after the occurrence of a film jam it is recommended to clean the entire interior of the camera and also the magazine throat the film movement and the film gate with a brush In most cases it is sufficient to vacuum out dust and film chips from the camera and the magazine interiors A small battery powered vacuum cleaner as used in cleaning computers is suitable for this task film gate format SN locking lever filin holder movement locking lever film gate b RUN film gate shaft MODE a IA WE Camera Cleaning the Film Gate To avoid a build up of dirt in the image area the format mask on the ARRIFLEX 435 435ES is set back from the sur face of the film gate Loose dust or dirt leads to a layer of emulsion forming on the film gate This can cause scratches on the film and can also lead to a change in the film s coefficient of friction The film gate must be removed for cleaning Attention fX Keep fingers out of the film gate opening as this may dirty or damage the mirror shutter To remove the film gate Switch off the camera s main switch and disconnect the camera from the power supply before removing the film gate e Turn the knurled knob gt
98. the image area Dirty or damaged longitidinal bars on the film track or film running surfaces in the magazine throat Scratching in general Strong tendency of raw film stock to build up emulsion dust on raw stock from perforation process extreme temperatures scratched raw stock Clean film track movement and spacer gate or if defective replace Carefully clean longitudinal bars and magazine throat or if defective replace Complain to the manufacturer of the film stock use different film stock Problem Cause Remedy Unsteady Image Vertical Horizontal Pressure exposures arround perforation holes Heavy emulsion build up in the film gate area damaged film perforation very poor gliding ability of the raw film stock film stock with positive perforation dimensions of raw stock not within tolerance Heavy emulsion build up in the film gate area film edge is not straight Mechanical stress on the perforation holes Clean film gate area use different film stock Clean film gate area use different film stock Pressure exposures do not effect the image steadiness Image Problems Blurred image Flange focal distance is incorrectly set lens is incorrectly set poor quality or defective lens film gate is not properly locked into position When cleaning or exchanging the film gate ensure that the surfaces are absolutely clean check the lens and the fla
99. ting and end with the corresponding shutter angles as well as the time which the CCU 1 suggests for the ramp To change the suggested ramp time depress the E key Confirm frame rates and shutter angles by depressing the ENTER key four times Enter the desired ramp time If the digit after the decimal point needs not be entered complete the entry with the ENTER key Transfer the program to the camera with the SEND key Note A program previously stored in the camera will be erased by this process Activating and Running Programs If the PROG button on the camera is not accessible the FA key in the REMOTE menu on the CCU 1 can be used as a PROG button Note Set the NORM PS switch on the camera to PS CCU Activate the program mode with the PROG button on the left side of the camera the indication Pr appears in the camera display Start the camera The camera runs at the starting frame rate and the corresponding shutter angle e Depress the PROG button The camera changes its frame rate and the shutter angle only 435ES in the programmed time to the end frame rate and end shutter angle only 435ES By again depressing the PROG button the frame rate and shutter angle only 435ES will return to their starting values simultaneously Note To prevent an unintentional alteration the function of PROG button can be locked using the sliding switch LOCK
100. tioned in the camera housing before swinging the FEM into place otherwise they may catch and be damaged AN Swing the functional expansion module onto the camera housing Screw tight the fastening screw gt photo on the functional expansion module External Synchronization Unit ESU 1 The use ofthe ESU 1 photo _ is only possible with the function expansion module attached to the camera The external synchronization unit ESU 1 can be used with the ARRIFLEX 435 435ES as well as with the ARRIFLEX 535 535B and 16SR 3 It allows synchronization of the camera to other equipment such as TV monitors By means of a BNC socket it is possible to synchronize to an external standard video signal 50 60 Hz or through an inductive pickup to a computer or video monitor The camera display shows ESU in the upper line The ESU 1 can be used for frame rates from 3 to 60 fps Note The ARRIFLEX 435 435ES can additionally be synchronized within a frame rate range of 3 to 150 fps An appropriate cable is available on request The frame rate is indicated on the camera display in Mode 2 A phase shifter and a pilottone generator have also been integrated into the external synchronization unit The synchro nization is retained even when the camera is switched off See TECHN INFORMATION External Synchronization Unit ESU 1 090000009090 eooooo CES er LOECEORN N ECEnETEM battery compartment
101. tock and the magazine throat assembly Tripod Heads The following tripod heads are suitable for use with the 435 A35ES ARRIHEAD ARRIHEAD 2 ARRI Fluid Heads e Sachtler Studio 7 150 H Mitchell Head Moy Head Ronford F7 Hot Head Cam Remote Head Worall Head In applications where the camera mount is subject AN to high forces e g helicopter mounts the camera must be additionally secured with retaining cords All fastening screws must be tightened firmly with an appropriate screwdriver not with the commonly used coin Horizontal Leveling of the Camera The ARRIFLEX 435 435ES is equipped with a spirit level to aid horizontal leveling of the camera gt photo l If the camera is set on a level surface with the l magazine in place the camera may tip back as the center of gravity is located far to the rear Bridge Plates BP 8 BP 9 The bridge plates facilitate balancing of the camera on the tripod and mounting of accessories The BP 8 is designed for 19 mm support rods the BP 9 for 15 mm support rods The bridge plates consist of the base plate gt photo the sliding upper plate gt photo and a pair of support rods photo In the standard version the support rods are 440mm long Optionally support rods are available in the lengths 240mm and 340mm spirit level base plate sliding Note The upper plate of the bridge plate can be con verted for use with Sup
102. tor is available from two sockets on the AFP 2 Mini monitor socket MINI MONITOR Standard video monitor BNC socket VIDEO OUT The BNC socket VD in on the video camera CCD 2 FR is used for synchronizing to an external video signal Do not connect as a video output Set the rotary code switch on the underside of the anti flicker processor to 9 Switch on the main switch of the ARRIFLEX 435 435ES Switch on the video assist system using the switch on the AFP 2 Note The anti flicker function can be optimized by adjusting the slit screw PHASE ADJ Adiusting the Video Optic Adjusting the Image Position Loosen the clamping ring approx 15 as seen in the direction of filming counter clockwise Adjust the angle position by turning the video camera at the same time checking the image on the monitor Set the horizontal position with the adjustment screw marked X using a 1 3 mm Allen key e Set the vertical position with the adjustment screw marked Y using a 1 3 mm Allen key If the adjustment screw is loosened check that the image follows Otherwise press the video camera gently upwards at the flange Retighten the clamping ring Adjusting the Aperture Loosen the aperture clamp on the aperture adjustment knob Set the aperture via the monitor Retighten the aperture clamp Adjusting Focus Loosen the clamp on the focus adjustment ring Check focus on the monitor and adjust
103. uipment For this it is necessary to plug an LTC signal longitudinal time code into either the CCU or the ACC socket It is possible to use signals from a time code master clock a time code recorder a video recorder another camera or a time code studio supply A suitably configured cable available through an ARRI service center and an LTC signal level of gt 500 mV are necessary If the time code cable with the correct LTC signal is connected to the CCU or ACC socket time code time and user bits will automatically be taken on by the camera Synchronization can be checked in Mode 4 on the camera display when the LTC signal is plugged in a blinking EC external code will be displayed in the last two display digits instead of the time code frame rate When the information has been correctly transferred the display CC code correct will appear at the same position for 10 seconds After this the time code frame rate will be displayed again Nolte For external synchronization both pieces of equipment to be synchronized must be running at the same speed n n Displaying Time Code and User Bits hmn H TL d TC Displaying Current Time Code Time Mode 4 j d u Depress the MODE button three times to change from sec f Mode 1 to Mode 4 Time code time will be displayed with Hours Minutes in the first line and Seconds Frames in the second line of the camera display
104. uo con eR Ee CEA M EE 26 Safely ett 26 tensioning plates ios a ie an dent 29 transporband storage ec teo oes e ete 30 magazine throat cleaning rire ttt ett 120 mains unit NG 12 24 R SS mains Unit NG 12 26 nnansaansranrannannn IER MINI MONITOR socket mirror ShUtfer a rore RR REA eisernen 31 angle medsurement oreet tec Rite 33 36 displaying shutter angle sss 64 electronically adjustable sse 34 angle adj stment x eintreten 35 checking the shutter locking mechanism 35 switching off i ere ats 36 Switching ons Meere 36 mechanically adjustable een 31 angle adjustment ae ee eres 31 shutter angle stops seal position LOCK i s stet b b b bere EA 32 position LOOSE EE 32 mirror shutter ARRIFLEX 435 eti eoe n he hd ees idees 127 mirror shutter ARRIFLEX ASSES nassen 127 Mode 1 eee ete Re e ettet ides 59 60 63 64 65 configuring ARRIFLEX 435ES sss 64 Mode 2 eeleren eege 60 63 67 OG 60 108 109 display movement open uuenensennenensennenennennenennennenenennen 62 pitch adjustment technical Glo 2 nna a ae kenne rein MOVIE CAMERAss cket un nrc es ee m Pe em 72 multiple exposures with frame accurate rewinding 96 N EE nee 101 Ile E 64 INORM PS swilchiz EE 66 Oo operational parameters displaying and s
105. ure that the connecting surfaces are free of dust and debris e g film chips in order to guarantee the accuracy of the film channel Swinging the movement block forwards when the film gate is not correctly in place can cause damage to the camera 118 spacer gate handle Safety spring Cleaning the Spacer Gate Loose dust leads to a build up of emulsion on the spacer gate This can cause scratches on the film and a change in the coefficient of friction Switch the camera s main switch off and disconnect the camera from the power supply Press the safety spring photo downwards at the same time pressing the spacer gate backwards by its handle to Then remove by pulling upwards Remove the layer of emulsion from the spacer gate with a plastic rod e g an ARRI film gate cleaner Under no circumstances use hard or metal objects When cleaning pay particular attention to the spacer gate if film stock with a strong tendency to build up emulsion e g b w stock is being used Take hold of the spacer gate by its handle and insert it at an angle from above into the movement block Push the spacer gate downwards until it locks audibly in place Cleaning the Field Lens By briefly depressing the PHASE button the shutter is positioned to protect the mirror surface from damage as far as possible Before cleaning the field lens switch the camera s main switch off and disconnect the camera from the pow
106. ve system will not be detected and may cause faulty exposure X om Display Monitoring Defective o nnnn m 2 UUUUL Q p NNNNA NM lt LI UUUU Note The warning Monitoring Defective can be over ridden by switching off and on the camera s main switch Loose Film beeps in the Magazine If the camera shuts off automatically while running loose film loops may be formed in the magazine Before the camera is started again the film in the magazine must be tensioned manually Fuses The ARRIFLEX 435 435ES is equipped with self resetting automatic fuses It is therefore not necessary to replace blown fuses 123 Problem Cause Remedy Scratches on the emulsion side of the negative In the image area Dirty or damaged cross bars over several frames on the film gate In the image area Upper or lower film loop too long short and periodically recurring film touches inside of camera housing above and below Outside the image area Dirty or damaged longitudinal bars on the film gate or film running surfaces in the magazine throat Clean or if defective replace the film gate or format mask Check the position of the upper loop in relation to the marking Check the loop length of the magazine Carefully clean film gate and magazine throat or if defective replace Scratches on the glossy side of the negative In the image area Dirty or damaged film track or spacer gate Outside
107. with continuously adjustable brightness and warnings for ASY BAT and END Ground Glasses Interchangeable for various filming formats Acceptable Temperature Range 20 C to 50 C 4 F to 122 F Power Supply UE fps zo te dettes ta d Whalen ek 24V DC Above T ter 224 V DC Acceptable voltage range 20 6 35 V DC Function Monitoring Power supply voltage BAT Synchronous running ASY Time code recording TC Display of time code information Time Code The time code generator that is integrated into the functional expansion module generates 80 bit time code in accordance to SMPTE RP136 Form C Time code quartz accuracy 1 frame in 8 hours at 0 C to 50 C 32 F to 122 F Dimensions Length with 120m magazine without Jens 400mm 15 Width with viewfinder on the Jet 250 mm 10 with viewfinder on the geht 300mm 12 Height with grip 1 270mm 10 Without grip in esent tenete 230mm 9 Weight Camera without magazine without lens ARRIFIEX 435 4 eoe ee 6 45 kg 14 2 lbs RRIFLEX A35ES 2 22 2250 ae 6 77 kg 14 9 lbs including functional expansion module Order Numbers ARRIFLEX ABI SER iia e HM ena e wien ARRIFLEX ABBESE 2m he ARRIFLEX 435 anamorphic viewfinder sss ARRIFLEX 435ES anamorphic viewfinder sss Installation of the Camera ARRIEIEAD 2 sans Eet eret
108. y quickly precisely and compre hensively shows all set values as well as the status of the camera or the RCU 1 respectively including all warning signals For further information see the RCU 1 instruction manual Laptop Camera Controller LCC The LCC is a computer program that allows the ARRIFLEX 435 435 ES 535 535B or 16SR 3 to be controlled from a lap top or notebook computer The LCC is available for Macintosh PowerBooks Series 100 200 500 and for Windows PC s An easily understandable user interface gt photo provides access to all camera status information and enables setting operational parameters as well as time code time and user bits Additionally the LCC can be used to log film stock and to create camera reports Monitoring Controlling Frame rate and shutter angle can be precisely controlled Often used values can be stored in a menu Frame rate changes in any number of steps can easily be programmed and stored The LCC automatically computes the screen time the shutter angles necessary for exposure compensation and the length of film that will be exposed In conjunction with the iris control unit ICU it is possible to run exposure compensated frame rate programs with cameras not equipped with an electronically adjustable shutter For multiple exposures frame accurate rewinding is possible Setting time code and camera preferences is simplified Accounting The film stoc

ARRIFLEX 435 Instruction Manual, March 1996, English, 72 dpi

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