SWAM Woodwinds User Manual
Contents
1. moves the keyswitch section 1 octave lower Off disables the Key Switches See also Keyswitches below 13 Attack Start Progressively cuts the attack for a more immediate attack response Only by setting this to 0 can the complete original attack be played Expr Trigger Mode Triggers note on amp off when the expression controller goes above or below a certain threshold This is a very important feature when playing a breath controller as with a real instrument the depressed key only determines the initial note played but does not trigger it The note is only actually played when the player blows into the BC device and stops when the airflow ceases Note Choosing the breath controller preset on the instrument preset menu automatically activates this mode and sets the expression to CC2 Available options Off Normal and Fast Fast mode attack modeling has less latency than Normal mode sampled attack Expr Trigger Sens Controls the responsiveness of the attack steepness when Expression Trigger Mode is active see above Back to Main Returns to the Main GUI Flutes differences from the other SWAM wind instruments nae pe Pn g Loses S n tune nz oR eiis F Default Flute Keyb Cntri _ fice 3 SWAM m Main Volume 3 0 0 C Flute n Further Controls and KeySwitch Breath N 64 Style 1 l Rand Dyn 7 0 Key Noise 50 PipeSplit rowl t Flutter T Dyn Pitch Harm Struct 0 102. Expression CC11 CC2 CC7 or other CCs set on the OPTIONS page controls the dynamics from pp to ff Mod wheel CC1 controls the vibrato intensity CC19 controls the vibrato rate Pitch bend controls the pitch The pitch bend range downwards upwards in semitones can be directly set by the user in the main GUI see page 7 Staccato semi legato and legato articulations are managed by a special algorithm which takes into account Note velocity Interval between the notes semitones Time between Note Off and subsequent Note On GUI parameter controls There are three types of controls in the main instrument GUI that allow you to conveniently enter data Sliders Buttons Switches Sliders Set the desired value either by dragging the slider while holding the left mouse button or moving the slider with the mouse wheel Buttons The values can be set in 3 different ways Clicking on and Using the mouse wheel to change values via the label small steps or on the buttons larger steps Vertically dragging the mouse after clicking on the displayed value Double clicking on the slider or on the number displayed beside the button reloads the previously saved or default settings MAIN page E sa Life pe T fante p te ranscn MTune Hz 440 0 fe MT Cents oF Default Sax T Keyb Contr I ransp Reverb Time 9 50 Ji N WAVA AS NJ Panpot A eee Reverb
3. C switches between two legato modes Gliss and Expr see Advanced Parameters on page 13 D triggers a squeak a short overblow on attack or a continuous overblow depending on the timing and velocity A low KS velocity triggers a squeak if the KS is pressed before note on A higher KS velocity plays a continuous overblow if the KS is pressed before note on The latter can be also applied after note on in the middle of a tone if CC11 is above 60 D behaves like D in latch mode Flutes only E triggers the Alternate Fingering F behaves like E in latch mode The key switches are colored red in the instrument GUI Legato mode Gliss Expr Overblow Latch 1AA UNUAN FUU AY AUN Alt Fingering Latch Alt Fingering Switch Overblow Switch Falldown Please note that they will stay red even if highlighted along with the blue key switches when you have entered SNM mode for Microtuning see above 20 To check for software updates please follow the link https swamengine com downloads The latest version can be viewed in the Product field Please follow the instructions if you need to download a newer version Please also note that this should not be used as a substitute for a proper backup of your downloaded files We cannot guarantee that this free service will always be available License key recovery If for whatever reason you should lose your SWAM license which you will have received via e mail a
4. Mix 18 0 i Main Volume Envelope Dynamic M Version 2 5 0 64bit licensed to john smith sky com Breath N 64 Rand Dyn 9 0 Key Noise 64 Flutter T 0 E Dyn Pitch 64 Dyn Harm 50 Attack Sens lransit Time 0 10 formant 0 00 i reper Compressor 5 00 Modal Res 50 Options Help amp el a Uia a gt t Help amp A oe modeline LELLI TH tt it Load amp Save Loads and saves instrument settings Paths see below M Tune Hz Master Tune frequency in Hz M T Cents Master Tune in cents Linked to M Tune Hz A3 440Hz Reverb Time Reverb duration Reverb Mix Reverb amount if set to 0 the reverb is bypassed saving CPU Right click to assign it to CC91 Transp Instrument transposition Key switches are not transposed current instrument range indicated on the virtual keyboard black amp white keys follows the transposition PBD U Pitch bend range can be set to bend down and up independently in semitones Panpot Panning between L and R see also Pan Type on the OPTIONS page Right click to assign this to CC10 10 Main Volume Instr Rand Dyn Dyn Pitch Attack Sens Harm Struct FallDown OverBlow SubHarm Growl Flutter T Breath N Key Noise Dyn Harm Release Compressor Formant Modal Res Transit Time Reset Options Help amp Credits Instrument output level in dB Right click to assign
5. the PipeSplit to Auto eliminates this unwanted side effect if the trill crosses this register break the split point will be automatically shifted 1 semitone to remain outside the trill range Default register breaks are Flute Eb4 E4 Eb5 E5 Bb5 B5 Piccolo D4 Eb4 D5 Eb5 A6 Bb6 Alto Flute Bb3 B3 Bb4 B4 F5 Gb5 Bass Flute Eb4 E4 Eb5 E5 Bb5 B5 By default the Bass Flute is transposed one octave above its original pitch in order to fit a 5 octave keyboard By default the Piccolo is transposed one octave below its original pitch in order to fit a 5 octave keyboard PipeSplit LGM Spectral characteristics of the instrument balance between odd and even harmonics In contrast to the other SWAM instruments the Harm Struct parameter is placed under the Key Noise parameter replacing the Dyn Harm parameter 15 Breath N Key Noise SVV AM e nn g ad r 2j ps P ps ps B re rs re re rs re agi db aifi 2 na Iiii Modelno 2 UIE LULL LLL This is an entirely new feature dealing with the requirements of musicians using non tempered scales Our approach to microtuning yields maximal flexibility providing for user defined scales where the extent of detuning range 60 60 cents can be precisely set for each note using a series of sliders These settings can be saved along with the instrument presets Detuning can be applied selectively to individual no
6. this to CC7 Changes the instrument timbre corresponding to different instruments or microphone placements Controls random modulation of dynamics and pitch Amount of pitch modulation applied while changing the dynamics Also controlled by CC8 Dyn Pitch CC mapping is not possible for the Flutes Changes the attack behavior assigning it to 1 Velocity linear response hard 2 Velocity non linear response soft or directly to Expression Spectral characteristics of the instrument balance between odd and even harmonics Clicking on this button triggers a fall This effect is also assigned to Key Switch C1 It is also possible to assign this to a CC see OPTIONS page Clicking this option triggers overblow on any quick changes to the dynamics Also assigned to Key Switch D1 momentary and D 1 latch as well as to the sustain pedal CC64 SubHarmonic intensity Also controlled by CC20 The SubHarm parameter is not available for the Flutes Growl intensity Also controlled by CC21 For a cleaner sound this should be set to zero Flutter Tongue intensity also controlled by CC23 Breath Noise intensity also controlled by CC25 Key Noise intensity also controlled by CC9 Amount of harmonic and subharmonic modulation for attack and changes in dynamics Dyn Harm parameter is not available for the Flutes Release Time on note off Volume compression controls the ratio between ff and pp levels Changes
7. 7 ora breath or a wind controller CC2 WITHOUT SUCH A CONTROLLER THE INSTRUMENT WILL NOT WORK Instead it will display the warning Expression controller not received Please move your expression controller Other physical MIDI controllers like sliders knobs or a mod wheel though not recommended can be used for this purpose Please refer to other sections of this manual for further details System requirements Required operating systems PC Windows 7 8 Vista or XP 32 or 64 bit Mac Intel only Mac OS X 10 6 10 9 Supported plugin formats PC VST 32 or 64 bit AAX 32 or 64 bit Mac AU 32 or 64 bit VST 32 or 64 bit AAX 32 or 64 bit CPU load The realism and expressiveness of the Double Reeds instrument set can be very CPU intensive It therefore requires a modern computer with at least a 1 6 GHz Core 2 Duo CPU Less powerful systems may also prove satisfactory but may require larger buffer sizes involving higher latencies Note This may not necessarily result in an actual problem Using the freeze feature or bouncing the single MIDI tracks to audio provides a useful remedy Stand alone mode If you are a PC user and do not have a host application capable of running VST or AU plugins such as a sequencer DAW or another audio application you can install a free host application such as SaviHost by Hermann Seib or Cantabile Lite Other VST hosts albeit not necessarily free can be foun
8. Attack Sens Transit Time Formant 0 00 Expressa Comoressor 3 00 Modal Res 50 ELE th ppt ate tg AHAU el modeline ALJLUUILEL LILLA LLULLU LELT E 14 Style AItF PipeSplit Harm Struct Affects parameters like dynamics sensitivity overtones and noise behavior in a way that is more suitable for particular styles like classical jazz funk or ethnic music the slider gradually varies the Style from Classical to Ethnic Alternate Fingering Can be changed by using the Key Switches E1 momentary or F1 latch or controlled by CC28 Certain real flute tones can be obtained by playing a higher overtone using a longer tube or by playing the fundamental tone using a much shorter tube i e using an alternative fingering When AItF is on the mainly high pitched tones sound like those played when using a shorter tube i e an alternative fingering This means a cleaner sound is obtained in the higher range and so is less colored by subharmonics and interharmonics Fang ove AE Can be also controlled by CC27 Shifts the register breaks of a flute by 1 semitone Crossing a register break when playing a real flute requires a rapid change of both the tube length and the overtone This leads to a characteristic knock when playing legato particularly audible when playing a trill More on the physics of the real instrument at http www swamengine com about physics Setting
9. KS Oct Transp OverBlow ON OFF Attack Start FallDown ON OFF Expr Trigger Mode ad rs re rs re rs re rs re rs re rs re rs re MicroTuning ON OFF Temperam 0 Expr Trigger Sens 2 0 id bed ie Back to N modeline SILC AN UUU ME UUU AU UUENA WUN MIDI CC Mapping Options The MIDI CC remapper allows you to remap all the control parameters to any MIDI CC depending on your needs Note OverBlow FallDown and MicroTuning have only On CC gt 64 and Off status CC lt 64 Expression Auto Enables or disables AutoLearn i e the automatic detection of the incoming Expression CC from the values CC2 CC7 and CC11 only 12 Advanced Parameters Auto Expr Attack to Sust Time Transition Max Time Transition Vel Sens Vibrato Rate Vibrato Rand Squeak gt Overblow Expression Curve Pan Behavior Chromatic On Off Attack Exprs Bias KS Oct Transp The slider controls the depth of legato transitions two different types of legato can be selected using the toggle button Expr and Gliss Expr straight legato no portamento Gliss legato with portamento glissando The currently selected mode is indicated in the status window in the Main GUI Note Transition legato time is controlled by velocity or CC5 if in wind controller mode The velocity response can be set using the Transition Vel Sens slider The maximum transition time can be set usin
10. SWAM Woodwinds User Manual Flutes v 1 2 Saxophones Clarinets amp Double Reeds v 2 5 edlaczek Sini present 4 The Flutes tO Flute Ba s Flute 7 D created oy k uio amp Emaii Parravicini MAC PC TUAL INSTRUMENT VIR CUS V z THE SOPRANO amp BASS Clarinets i Created by Stefano Lucato amp Emanuele Parravicini i a a n S Drey f The Saxophones ea by Stefano Lucato amp anaes Sar J presents Double Reeds created by A Lucato amp Emanuele Parravicini F C E oe TRUMEN INS P SWAmM m A gt VIRTUAL USER MANUAL SWAM Woodwinds rev 1 2 Table of Contents Table of Contents Before you begin Licensing Product description System requirements Required operating systems Supported plugin formats CPU load Stand alone mode Hardware requirements Audio interface sound card MIDI devices Using an appropriate range of expression The Instrument and its controls Main Instrument GUI graphical user interface Main controls vs articulations GUI parameter controls MAIN page OPTIONS page Flutes differences from the other SWAM wind instruments Microtuning Applying microtuning using the mouse Applying microtuning using key switches How to save your microtuning settings Key switches Updates License key recovery Technical support Oo O NN OO U Uno fk LR A HP WwW WD W N Before you begin Although these instruments are intuitive and easy to pla
11. al user interface Product description All SWAM instruments are designed to be PLAYED in real time by shaping the sound like a real instrumentalist would They will function on any modern computer see System requirements by using a suitable host such as a sequencer Cubase Logic etc DAW digital audio workstation or a stand alone host application see below These instruments use Stefano Lucato s proprietary SWAM Synchronous Wavelength Acoustic Modeling technology and provide an exceptional playability and realism characteristic of all Samplemodeling instruments These are not samples using pre recorded articulations but complex virtual instruments capable of shaping almost any kind of articulation and phrasing in real time They can be played using any MIDI device such as a keyboard breath or wind controller It is however essential that the instruments are suitably controlled using an appropriate MIDI device as described in this manual Direct programming via a sequencer without any MIDI devices is also possible 3 Note As with a real musical instrument or other Samplemodeling instruments and unlike any conventional sample library all our SWAM instruments allow continuous transition across the full range of dynamics from pp to ff free from any phasing artifacts To accomplish this it is absolutely necessary to use a suitable continuous physical MIDI controller such as an expression or volume pedal CC11 or CC
12. d for example at http www kvraudio com get php Mac users may use GarageBand which comes with the operating system Important note GarageBand supports only 32 bit plugins so the 32 bit version of the instrument must be installed The 64 bit version will not work Hardware requirements Audio interface sound card A good quality audio interface USB FireWire PCI with suitable low latency drivers like ASIO for PC users is required The allowed buffer size is 64 2048 samples Recommended settings are 256 samples or 512 samples higher latency but less CPU load MIDI devices SWAM instruments like any other virtual instrument can be successfully used without the need for any additional hardware except the audio interface by drawing the controller curves and programming the notes directly in the host sequencer However a much more human and interactive configuration is recommended especially when playing in real time using external MIDI devices A MIDI keyboard with at least 5 octaves mod wheel amp pitch bend connected to the computer via USB or an external MIDI interface equipped with a set of physical continuous MIDI controllers usually knobs or sliders to control effects like overblow subharmonics growl etc An expression pedal controlling the dynamics via CC11 Although the dynamics can be controlled by another physical controller knob slider a pedal is highly recommended As an alternativ
13. e a breath controller such as a Yamaha BC3 or TEControl can be used Using a pedal or a breath controller is highly recommended Woodwind or brass players may prefer to use a wind controller such as a Yamaha WX or Akai EWI USB or 4000S both provide excellent results Using an appropriate range of expression This is extremely important aspect for getting the optimal expressiveness and realism with virtual instruments All real instruments require a much greater degree of effort to achieve the highest possible dynamics for that instrument This is not the case for most physical MIDI controllers it is indeed very easy to push an expression pedal or a slider to the maximum and leave it there forever Oddly enough even breath and wind controllers tend to jump very easily to the highest dynamics unless carefully set so that the most expressive range mp to mf is seldom exploited This results all too often in the virtual instrument being played in an excessive range of dynamics leading unavoidably to a poor unrealistic performance Please keep in mind that the key to expressiveness and realism is a proper use of dynamics Always monitor the input expression value on the main display and adjust the dynamics accordingly A useful trick is to set the overall monitoring volume fairly high This automatically prevents any inclination toward over using dynamics The Instrument and its controls Main Instrument GUI graphical user i
14. easing the sus pedal or send a value below 64 via the CC assigned for this task For example If you need an Arabic scale in C and want to detune all E and B notes 50 cents the steps would be Press and hold the sus pedal Briefly press E1 and B1 Release the sus pedal The affected notes and how much they have been detuned will be displayed in the instrument GUI How to reset and modify the current microtuning As soon as you re enter SNM by pressing the sus pedal or sending a value greater than 64 via the CC you have assigned for this task the current detuning of all the notes will be cancelled and the Microtuning display in the instrument GUI will be reset to zero Keeping the pedal pressed you can immediately detune a new set of notes by pressing the appropriate key switches see 2 above This allows you to create selective microtunings on the fly 19 How to save your microtuning settings Microtuning settings except those done on the fly with key switches can be stored and loaded as instrument presets using the Save Load buttons in the instrument GUI Key switches Some parameters of SWAM instruments can also be triggered by the key switches C C and D this includes E and F for the Flutes If there is an overlap in the instrument range after transposition the key switches can be moved down one octave using the KS Oct Transp parameter see Options page C triggers a short fall
15. fter your purchase please visit the following link https swamengine com licenserecovery Please note that this should not be a substitute for a proper backup of your license code s We cannot guarantee that this free service will always be available Technical support Before requesting technical support please make sure that you have carefully read the User Manual and the FAQ on our website www samplemodeling com en fag php Select Swam based instruments at the top There you will quickly find appropriate answers to most questions Our forum is also a valuable source of technical information http www samplemodeling com forum Should you still need support first line customer care can be provided via email info samplemodeling com or via our Contact page http www samplemodeling com en contact php 21 opiy to an incorrect emailaddress o C 700Te5s Saret 1E 1S not possible to More specific technical questions should be addressed to http www swamengine com contact When requesting technical support please do not forget to provide as much system information as possible including your type of computer OS audio interface host application software version etc If the problem can be replicated a MIDI and or an audio file is usually very helpful gir J ith i modeling Revision 1 2 Copyright 2014 Samplemodeling All rights reserved 22
16. g the Transition Max Time slider see below Affects the velocity dependent duration of the transition from attack to sustain Maximum duration of portamento i e the duration of a legato portamento transition played at the lowest velocity Controls the relationship between velocity and portamento duration only if the Port Time button on the Main Instrument GUI is set to velocity Vibrato Rate also controlled by CC19 Randomization of vibrato intensity and rate Crossfade between a brief squeak on attack S or a longer Overblow O if Overblow is triggered by a CC CC Default Sus Pedal Not active if the Overblow is triggered by the Keyswitch D1 or D 1 see below Squeak does not apply for Flutes For handling linear or logarithmic expression controllers e g pedal and optimizing the overall expression controller curve Selects the pan behavior of the instrument vs reverb Dyn1 and Dyn2 mimics little movements of the player with different intensities pan does not affect the reverb Acoustic the player is Static pan does not affect the reverb Balance the player is Static pan affects both the instrument and the reverb Activates an automatic chromatic scale during slow portamentos on larger intervals Modifies the steepness of the attack vs velocity depending on Expression disabled in wind controller mode KeySwitch Octave Transposition 0 no transposition 12
17. ind controller mode These default settings can be manually changed For example if you wish to use a volume pedal to control the expression just open the Options page clicking on the Options button and set the Expression CC to 7 If needed this assignment can be permanently Stored as a preset see below Automatic assignment is also possible Just open the Options page and activate the Auto button next to the Expression MIDI CC mapping In this mode the instrument recognizes the first incoming CC number from the values 11 2 or 7 and automatically assigns it to the Expression setting The loaded preset will be displayed as Default lt instrument gt Keyb Cntrl These settings are suitable for playing the instrument with a MIDI or USB keyboard expression pedal pitch bend and mod wheel When using a breath controller please select the preset Default lt instrument gt Breath Cntrl or click on Reset gt Default Breath Controller If you are using a wind controller e g EWI or WX please load the preset Default lt instrument gt Wind Cntrl or click on Reset gt Default Wind Controller The Expression setting is automatically remapped to CC2 Please note that in WC mode the legato portamento time is controlled by CC5 Main controls vs articulations Velocity controls Initial attack for detached notes Portamento time for legato if Port Time button is set to Velocity
18. ng to notes using key switches To do this you must first go into Select Note Mode SNM see below and then press the appropriate key switches that correspond to the notes you would like to detune For example by pressing the E1 key switch detuning will be applied to all E notes How to enter Select Note Mode SNM SNM is activated by sending a suitable CC value above 64 Which particular CC value you choose is left up to you Go to the Option page and enter the desired CC number in the MicroTuning ON OFF field Entering 64 will define the sustain pedal which is the most suitable option for this task Pressing and holding down the pedal switches SNM on and highlights the key switches in blue Note CC64 sus pedal is by default assigned to Overblow see the OPTIONS page Overblow ON OFF If you are using the sus pedal for Microtuning Overblow must be assigned to another controller or to none as this can be also controlled by the key switch D1 How to detune selected notes 1 Enter Select Note Mode SNM by pressing and holding down the sus pedal or send a value greater than 64 via the CC you have assigned for Microtuning the key switches will turn blue 18 2 Press the key switches evenly and simultaneously that correspond to the notes you want to detune The detuned notes will be displayed by the microtuning bar graphs in the Main GUI see Microtuning using the mouse above 3 Exit SNM by rel
19. nterface If properly activated please read the enclosed Installation guide the instrument GUI should appear as follows after loading E A pr EA transo Peay A A i Sa R A Default Sax T Keyb Contrl easy PaD 30 boni ee SS li i S VAV VANINA i J engil Reverb Mix 18 0 Ji Main Volume 3 i ae Articulation Version 2 5 0 64bit licensed to john smith sky com Breath N 64 Instr Sax 0 Flat E narram FATELA ODIOS ana Aiakoa ead T Harm Struct 0 00 FallDowti Oversiawj Rand DOyn 9 0 E Key Naise 64 ts Flutter T 0 E SubHarm 12 Dyn Pitch 64 E pr p Attack Sens Transit Time 0 10 i Formam 0 00 i 5 00 Dyn Harm 50 Moda Res 50 pt en tr on fr tro ae ae modeline ued Please select the proper default instrument preset keyboard or wind controller by clicking the Load button to the right of the upper central display window using your currently available MIDI input device see above for example Default Oboe Breath Cntrl ol When you begin playing you may receive a warning message reminding you that an expression controller preferably CC11 CC7 or CC2 is absolutely necessary for the proper functioning of the instrument Warning Expression controller not received Please move your expression controller 5 r Check MIDI Options for expression CC assignment By default the software assigns the expression control to CC11 if in keyboard mode and to CC2 if in w
20. tes in real time using the mouse or key switches 16 The default preset is a detuning of 50 cents im of oi gt i ol TT E i i i o p oT By default detuning is set but not yet applied to any given note To apply detuning you can choose between two methods 1 Using the mouse in the instrument GUI 2 Making changes on the fly using key switches The Temperament slider if set higher than zero applies a kind of spread intonation It does not affect the pitch in the middle of the instrument The higher the pitch the more upward detuning is applied The lower the pitch the more downward detuning is applied This means that the overall intonation of the instrument can be further spaced apart to produce special effects Applying microtuning using the mouse This is the simplest method and is suitable for settings that do not need to be changed on the fly To detune a specific pitch simply click on the microtuning bar in the main instrument GUI 17 This will apply detuning set on the Options page by the microtuning sliders to the particular chosen note which is B in the example below Clicking on the bar graph again will switch detuning off Double clicking anywhere in the bar graph area will switch off detuning for all the notes Please note that the above will only work on the main instrument page Applying microtuning using key switches You can also apply microtuni
21. the formants thus the timbre of the instrument Changes the amount of lower harmonics persistence Selects the source of the note transition time control The legato portamento time can be controlled by velocity default CC large values long portamento time or CC inverted small values long portamento time Resets the engine and reloads the default or previously saved parameters Opens Midi CC Remapper and Advanced Parameter Settings see below Opens Help and Credits page 11 Load amp Save paths are Windows VST or AAX plugins lt Program Files gt Samplemodeling SWAM lt Package Name gt lt Instrument Name gt Presets Mac AU VST or AAX plugins lt HD gt Users Shared Samplemodeling lt Package Name gt lt Instrument Name gt Presets OPTIONS page Clicking on the OPTIONS button opens the Midi CC Remapper Microtuning section and Advanced Parameter settings 5 IVA A A NA AUL MIDI CC Mapping Options MicroTuning cents Advanced Parameters Options Expression Auto Auto Expr cus 0 50 Ji Vibrato Depth Attack to Sust Time 1 00 Ji 50 50 50 50 50 50 50 50 50 50 50 50 Vibrato Rate Transition Max Time 0 40 i Portamento Time Transition Vel Sens 2 00 Harmonic Structure Vibrato Rate 4 7 Ji SubH rmonics Vibrato Random Ji Growl Squeak gt Overblow Flutter Tongue Expression Curve Formant Pan Behaviour Breath Noise Chromatic On Off Key Noise Attack Exprs Bias Dynamic Pitch
22. y getting excellent results requires a certain amount of practice and experience Please read this user manual carefully It contains very important information that will help you achieve the best results in a much shorter time Also listen to the demos and have a closer look at the demo MIDI file s available on our homepage www samplemodeling com The demo MIDI files clearly demonstrate how the instrument is played and which parameters are most important for achieving a realistic performance O Sistema Tae cae tt ee mere Licensing We provide two license keys How they are used is left up to the customer You can either elect to install the instrument on two different systems if both belong to you and are not used simultaneously or you can keep a spare license for a future installation Each license key activates all instruments belonging to a given product Please note that a change in operating system or hard drive does not affect instrument activation However major hardware upgrades or installing the instrument on a new computer will require a new activation In such cases you must deactivate your previous license in order to free up the license for a new installation This is easily accomplished by sending us a deactivation request by e mail Sharing unused license keys is Strictly prohibited Please note that all license keys are personalized and associated with your email address which will be displayed in the instrument GUI graphic
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