PSM 300 User Guide
Contents
1. P3R von mep dei power AUX 12. PST P3T STEREO MX MONO MONO STEREO MX
3. 2 2 3 3
4. P3T P3T MONO TRIMER IR
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6. FCC 15 B 1
7. AN t MixMode 21 CH AUX MON 1 Aux Mon 1 Out Aux Mon 2 Out AUX MON 2 1 2 1 2 2
8. LED RF LED D 1 2 3 2 P3RA
9. ICES 003 CAN ICES 3 B NMB 3 B EMC EMC ACMA 2014 12 31 520 820 MHz 2014 12 31 694 820 MHz EMC
10. 13 16 AC 17 70 dB A 18
11. 1 1 GROUP 2 CHANNEL
12. AUX AUX AUX P3T
13. 6 11cm 22 RF 488 937 5 MHz 15 24 MHz 90 m 300 ft 38 Hz 15 kHz SIN A 90dB P3T RF 10 20 30 mW RF 50 0 783 g 27 6 43 x 198 x 172 mm 1 7 x 7 8 x 6 8 x X 12 15V DC 260 mA 6 35 mm TRS 40 KQ 4 dBu 10 dBV 4 dBu 22 dBu 10 dBV 12 2 dBu 60 V DC 6 35 mm TRS
14. SYNC IM A 1 1 1 1 R IR SYNC SYNC LED R 1
15. R SYNC 1 1 1 555 IR 6 11cm RF LED SYNC SYNC Rx Tx RF LED
16. Stereo MX MixMode Stereo GROUP 17 P3T PSMano Tranter PaT O 5 AUX DOIN PSM300 2 AUx
17. 90 RF MixMode 2 90 dB SN Shure Sound Isolating a ers 3 2 GG SE112 SE215 4
18. THD 34 kHz 1 kHz lt 0 5 12dB SINAD gt 80dB 2 5 ppm MPX 19 kHz 1 Hz FM MPX 34 kHz 1 kHz 18 C 63 C P3R RF 20 gB SINAD 2 2 pV gt 90dB gt 60dB gt 50dB gt 60dB 1kHz lt 7 32Q 80 mW 16 Q 3 5 mm 98 g 3 5 110 x 64 x 21 mm X X 5 7 23 mw G20 488 512 30 H8E 518 542 10 J10 584 608 30 J13 566 590 30 JB 806 810 10 K12 614 638 30 KSE 606 630 30 L18 630 654 10 L19 630 654 30 M16 686 710 30 M18 686 710 10 Q25 742 766 30 R12 794 806 10 S8
19. AUX LEFT CH1 2 1 2 MONO MONO 1 2 2
20. EMC SHURE LEGENDARY PERFORMANCE 2015 Shure Incorporated United States Canada Latin America Caribbean Shure Incorporated 5800 West Touhy Avenue Niles IL 60714 4608 USA Phone 847 600 2000 Fax 847 600 1212 USA Fax 847 600 6446 Email info shure com Europe Middle East Africa Shure Europe GmbH Jakob Dieffenbacher Str 12 75031 Eppingen Germany Phone 49 7262 92490 Fax 49 7262 9249114 Email info shure de Asia Pacific Shure Asia Limited 22 F 625 King s Road North Point Island East Hong Kong Phone 852 2893 4290 Fax 852 2893 4055 Email info shure com hk PT GOSHEN SWARA INDONESIA Kompleks Harco Mangga Dua Blok L No 35 Jakarta Pusat 16 GSI31 00501 0211
21. 90 dB SPL 95 dB SPL 100 dB SPL 105 dB SPL 8 4 2 1 110 dB SPL 115 dB SPL 120 dB SPL 30 15 PSM300 PSM300 PSM300 Shure PSM300 2
22. 2 RF AC P3T AC 2 P3T BNC 6 35mm P3T LEFT CH1 WONO N RF
23. Shure PA411 4 PSM RF 2 LST TM LOOP Line Aux AUX 1 2 PSM300 PSM300
24. P3T P3T PSM300 Shure PSM300 PSM300 2 P3T 19 1U 2 P3T Shure PA411 4 RF 18 AUX II JA NA ANA A TANANAN AAN TN a
25. 20 No MN A ow MN Co O 10 11 12 14 15 19 21 13
26. AUX P3R 1 2 STERE0 MX 1 GROUP
27. P3T P3T IR iR LCD RF P3T at sync TxeRx stereo mx mono aux line group 9 channel G8 tvgg odB AOOOOOOOOOOOOOOOOOOOOO BOOOOOOOOOOOOOOOOOOOOO TV
28. Shure P3R P3RA www shure com LED 5 7 1 3 0 5 1 ar SD 0 EnergizerW 4dBu 100 dB ShureSE112 LED PSM300 PSM300
29. 4 Shure PSAC 8 JB Tx gt Rx Tx lt Rx Stereo MX Mono 2 Stereo MX Mono Aux line
30. PSM300 SN PSM300 P3T N N LINE 4 dBu Aux 10 dBV SN
31. TV TV 15 P3T Shure PS23 AC Mono Stereo MX Stereo MX 2 Mono Line Aux Aux 10 dBV Line 4dBu 6 35mm TRS PSM 0 6 35mm TRS O BNC
32. MONO STEREO MX LINE AUX 75 dB 0L SHURE Psm300 Transmitter P3T AN O20 sync 20
33. Aux Line 0 dB 0 dB P3R 16 IR
34. LED P3T SCAN PSM300 SCAN SCAN 19
35. P3T PSM300 6 35mm EVR 3 2 2 P3T
36. Group Button Press to display group Press and hold to edit the group then press to scroll when display flashes Channel Button Press to display channel Press and hold to edit the channel then press to scroll when display flashes IR Sync Window Sends and receives sync data between the receiver and transmitter Scan Button Press and hold to perform a group scan Press to perform a channel scan Note A channel scan selects the best channel in the current group A group scan finds the group with the most open channels and selects the first available chan nel in that group Antenna Power LED Indicator Indicates when receiver is on remaining battery life and when power save mode is active See battery life table for more information Power Switch Volume Control Knob Turns the receiver on off and adjusts master headphone volume level RF LED Indicator blue Iluminates when tuned to an active transmitter group and channel Headphone Output Connects to earphones or headphones MixMode Control Knob When operating in MixMode this knob blends channels 1 and 2 into a single mix When operating in stereo mode this knob adjusts the left right balance Battery Compartment Holds 2 x AA batteries P3RA Receiver For more demanding applications Shure offers the P3RA receiver which features all metal construction and advanced menu navigation in addition to the features included on the
37. RSS 2 1 2 Le pr sent appareil est conforme aux CNR d Industrie Canada applicables aux appareils radio exempts de licence L exploitation est autorisee aux deux conditions suivantes 1 l appareil ne doit pas produire de brouillage et 2 l utilisateur de l appareil doit accepter tout brouillage radioelectrique subi meme si le brouillage est susceptible den compromettre le fonctionnement 24 Shure Incorporated Shure
38. SE846 95A2313 1 4 774 952 MHz UA400 1 4 470 752 MHz UA400B A Avo CE 2006 95 EC A R amp TTE 99 5 EC WEEE 2002 96 EC 2008 34 EC RoHS 2002 95 EC 2008 35 EC EC No 278 2009 EN 300 422 1 2 EN 301 489 1 9 P3T FCC 74 RSS 123 RSS 102 IC IC 616A P3TA 616A P3TB 616A P3TD FCC DD4P3TA DD4P3TB DD4P3TD P3R FCC 15 DoC RSS GEN B Canadian ICES 003 Cet appareil num rique de la classe B est conforme a la norme NMB 003 du Canada
39. 90 dB SPL 95 dB SPL 100 dB SPL 105 dB SPL at 8 hours at 4 hours at 2 hours at 1 hour 110 dB SPL 115 dB SPL 120 dB SPL at Ye hour at15 minutes Avoid or damage may occur PSM 300 The PSM300 Personal Monitor System delivers wireless stereo monitoring for improved clarity and reduced feedback over traditional stage wedges Performers can create their own custom mixes by adjusting the stereo blend and overall volume level at the bodypack resulting in lower volume on stage and enhanced audio detail Easy to set up and operate PSM300 features one touch frequency syncing and solid wireless RF stability be tween transmitters and receivers With rugged dependable hardware and hard working technology Shure PSM300 Personal Monitor Systems deliv er a greatly improved monitoring experience on stage Features Send two channels of audio wirelessly to performers onstage Solid RF connection over a 300 foot 90 meter range Create a personal mix on each bodypack with adjustable stereo bal ance or MixMode two channel mono blend Up to 90 dB signal to noise ratio provides clear detailed audio at any volume Systems available with Shure Sound Isolating earphones One touch scan and IR sync quickly and easily assigns a clean wireless channel No complicated menus just simple volume and mix controls that focus on the performance All metal half rack transmitter Slim lightweight bodypack attaches easily to a belt or guitar s
40. Changes or modifications not expressly approved by the manufac turer could void the user s authority to operate the equipment Australia Warning for Wireless This device operates under an ACMA class licence and must comply with all the conditions of that licence including operating frequencies Before 31 December 2014 this device will comply if it is operated in the 520 820 MHz frequency band WARNING After 31 December 2014 in order to comply this device must not be operated in the 694 820 MHz band Note EMC conformance testing is based on the use of supplied and rec ommended cable types The use of other cable types may degrade EMC performance Please follow your regional recycling scheme for batteries packaging and electronic waste
41. Note When using consumer audio devices the output volume of the device should typically be adjusted as close to the maximum setting as possible without distorting or clipping at the output of the device This maximizes the signal to noise ratio MONO STEREO MX LINE AUX Input Level Adjust the level so that average levels on the audio meter reach approximately 75 of the full range The highest levels should occasionally hit the dB indicator on the audio input meter without reaching the OL overload indicator Tip If a sound check before the performance is possible everyone should play at the loudest anticipated volume so that attenuation is not required during the performance SHURE PSM300 Transmitter P3T WAN G group channel power AN 0 9 000 syne Adjust Receiver Volume After levels are established at the mixer and transmitter use the head phone volume control on the bodypack receiver to adjust overall listening volume For information on adjusting the left right balance or customizing the mix blend see MixMode and Stereo Monitoring Operation Creating Monitor Mixes The mix that performers hear on stage is usually different than the mix heard by the audience In live sound applications the engineer creates a separate mix to send to the performer by routing the input signals to speci fied mixer outputs usually called Monitor or Auxiliary outputs The followi
42. transmitter Sync Button Press to synchronize the transmitter and receiver to the same group and channel Note Sync data is sent through the IR sync window LCD Display Displays audio RF and system information Group Button Press to scroll through group settings Channel Button Press to scroll through channel settings Power Turns power on or off Power Input Connect the supplied Shure PS23 external power supply P3T Transmitter Display syne TX gt Rx stereo mx mono aux line jgroup 9 channel 8 tv88 0dB L BOOOOOOOOOOOOOOOOOOONO 00000000000000000I Audio Input Meter Indicates the audio signal level Group Channel TV Setting Displays selected group and channel settings and the corresponding television channel Note the TV indicator only applies to U S A channels and remains blank in other regions OY roo OUT A MONO STEREO UNEAUX LEPVONTIN RIGHT CHZIN ANTENNA P3T Rear Panel Mono Stereo MX Switch StereoMX Sends a two channel stereo mix to the receiver Mono Sends a summed audio mix to both receiver channels Line Aux Switch Adjust the input sensitivity using the following as a connection reference Aux 10 dBV Consumer audio devices such as computers or por table media players Line 4 dBu Mixers or other professional audio devices Lo
43. The MixMode indicator light on the receiver display turns on to confirm the setting The receiver will return to stereo mode after it has been powered off AN e t MixMode OR AUX MON 1 Aux Mon 1 Out ONE Aux Mon 2 Out AUX MON 2 Stereo Audio from channel 1 is heard on the left earphone while audio from channel 2 is heard on the right earphone Listening in stereo mode in creases separation between the sources on each channel which can im prove clarity when many sources are being monitored The MixMode knob on the bodypack adjusts left right balance when operating in stereo mode Left Channel 1 Right Channel 2 MixMode MixMode allows performers to adjust the blend between two monitoring mixes an instrumental mix and a vocal mix for example When using MixMode Each mix is heard through both the left and right earphones The MixMode knob adjusts the volume blend between the two monitor mixes channel 1 and channel 2 Each bodypack receiver can dial in a unique blend to meet the monitor ing needs of each performer Adjusting mix levels In this scenario an instrumental mix is on channel 1 and a vocal mix is on When to Use the Mono Setting In some cases only a single input on the transmitter is used if the mixer only features a single monitor auxiliary output for example To ensure that audio is heard on both the left and right earphones Use the LEFT CH1 inpu
44. 823 832 20 T11 863 865 10 X7 925 937 5 10 PSR P3T P3RA PA411 PSM P9HW SE112 SE215 SE315 SE425 SE535
45. P3R P3RA 14 eid Me Srana af da ENAK WA PA 2 P3T P3T
46. P3R receiver For more information please visit www shure com Battery Life LED Behavior Remaining Runtime Hours Green 5 7 Amber 1 3 Red solid 0 5 1 Red flashing 0 Battery life was measured using Energizer alkaline batteries under the following conditions Transmitter sensitivity Line 4dBu Audio output from receiver 100 dB through Shure SE112 earphones Power save mode When there are no earphones plugged in the receiv er enters power save mode to preserve battery life The LED slowly fades on off in this mode and continues to display the color that represents the remaining battery life System Applications Refer to the following PSM300 system scenarios prior to installation Understanding the configuration options before setting up helps to iden tify signal routing requirements and plan for future expansion Specific information on how to set up the PSM300 system and create mixes for monitoring can be found in the System Setup and Configuration and Operation sections of this user guide Single System for an Individual Performer This configuration provides in ear monitoring in a solo performance or ina group performance in which only one person requires wireless monitoring This system can be expanded for multiple performers by using additional P3R bodypack receivers tuned to the same transmitter P3T a OB Mixer Outputs Au
47. SHURE LEGENDARY PERFORMANCE WIRELESS SYSTEM PSM300 USER GUIDE 3 FZ KO 2015 Shure Incorporated 27A23050 rev 3 Printed in Japan IMPORTANT SAFETY INSTRUCTIONS READ these instructions KEEP these instructions HEED all warnings FOLLOW all instructions DO NOT use this apparatus near water CLEAN ONLY with dry cloth DO NOT block any ventilation openings Allow sufficient distances for adequate ventilation and install in accordance with the manufacturer s instructions NO Of WD 8 DO NOT install near any heat sources such as open flames radiators heat registers stoves or other apparatus including amplifiers that pro duce heat Do not place any open flame sources on the product 9 DO NOT defeat the safety purpose of the polarized or groundingtype plug A polarized plug has two blades with one wider than the other A grounding type plug has two blades and a third grounding prong The wider blade or the third prong are provided for your safety If the provid ed plug does not fit into your outlet consult an electrician for replace ment of the obsolete outlet 10 PROTECT the power cord from being walked on or pinched partic ularly at plugs convenience receptacles and the point where they exit from the apparatus 11 ONLY USE attachments accessories specified by the manufacturer 12 USE only with a cart stand tripod bracket or table specified by the
48. distance between receiver and transmitter is between 6 11 cm 10 Specifications RF Carrier Range 488 937 5 MHz varies by region Compatible Frequencies Per band up to 15 Tuning Bandwidth 24 MHz Maximum Note varies by region Operating Range environment dependent 90 m 300 ft Audio Frequency Response 38 Hz 15 kHz Signal To Noise Ratio A Weighted 90 dB typical P3T RF Output Power 10 20 30 mw Note varies by region RF Output Impedance 50 Q typical Net Weight 783 g 27 6 oz Dimensions 43 x 198 x 172 mm 1 7 x 7 8 x 6 8 in H xWxD Power Requirement 12 15V DC 260 mA Maximum Audio Input Connector Type 6 35 mm 1 4 TRS Polarity Tip positive with respect to ring Configuration Electronically balanced Impedance 40 kQ actual Nominal Input Level switchable 4 dBu 10 dBV Maximum Input Level 4 dBu 22 dBu 10 dBV 12 2 dBu Pin Assignments Tip hot Ring cold Sleeve ground Phantom Power Protection Up to 60 V DC Audio Output Connector Type 6 35 mm 1 4 TRS Configuration Electronically balanced Impedance Connected directly to inputs Total Harmonic Distortion ref 34 kHz deviation 1 kHz lt 0 5 typical Companding Patented Shure Audio Reference Companding Spurious Rejection ref 12dB SINAD gt 80 dB typical Frequency Stability 2 5 ppm MPX Pilot Tone 19 kHz 1 Hz Modulation FM MPX Stereo ref 34 kHz dev
49. iation 1 kHz Operating Temperature 18 C to 63 C P3R Active RF Sensitivity at 20 dB SINAD 2 2 uV Image Rejection gt 90 dB Adjacent Channel Rejection gt 60 dB Intermodulation Attenuation gt 50 dB Blocking gt 60 dB Audio Output Power 1kHz lt 1 distortion peak power 320 80 mW per output Minimum Load Impedance 169 Headphone Output 3 5 mm 1 8 stereo Net Weight 98 g 3 5 oz without batteries Dimensions 110 x 64x21 mmHxWxD Battery Life 5 7 hours continuous use AA batteries 11 Frequency Range and Transmitter Output Power BAND RANGE MHz Output Power mW G20 488 512 30 H8E 518 542 10 J10 584 608 30 J13 566 590 30 JB 806 810 10 K12 614 638 30 K3E 606 630 30 L18 630 654 10 L19 630 654 30 M16 686 710 30 M18 686 710 10 Q25 742 766 30 R12 794 806 10 S8 823 832 20 T11 863 865 10 X7 925 937 5 10 NOTE This Radio equipment is intended for use in musical professional entertainment and similar applications This Radio apparatus may be capable of operating on some frequencies not authorized in your region Please contact your national authority to obtain information on authorized frequencies and RF power levels for wireless microphone products Optional Accessories and Replacement Parts Bodypack receiver P3R Half rack Transmitter P3T Universal bodypack receiver P3RA Ante
50. iner system can be used to consolidate and distribute all RF and power for up to four transmitters Stage Monitor Loudspeaker Amplifier Mixer Auxiliary Monitor Outputs MM WW IN Note Always use both straddle bars when mounting two units Power Audio and RF Connections 1 Use the power adapter to connect the P3T to an AC power source 2 Install 2 AA batteries in the bodypack receiver 3 Attach the antenna to the BNC antenna connector on the P3T rear panel 4 Connect the mixer or audio source to the P3T audio inputs using inch balanced cables Important When connecting to only one transmitter input use the LEFT CH1 in put Set the transmitter to MONO to hear audio on both channels of the receiver 7 gt fonini O LE EE NM Ne sy Scanning for the Best Open Channel Follow these steps to scan the RF environment and find the best available frequency for operation 1 Turn on the bodypack receiver and any potential sources of interfer ence including wireless systems computers audio equipment cellular phones LED panels and other electronic devices that will be in use during a performance 2 Make sure the P3T transmitter is OFF 3 Position the receiver in the performance area and press SCAN to survey the available channels within the current group setting If using
51. is successful The arrow between Rx receiver and Tx transmitter shows the direction of the sync Note When the RF LED on the receiver is flashing after performing a scan the re ceiver sends its frequency setting to the transmitter After it stops flashing press ing SYNC sends the frequency setting from the transmitter to the receiver Single Transmitter and Multiple Receivers The following sync procedure should be used with a setup that consists of a single transmitter with multiple receivers or if a specific group channel setting has been assigned to the transmitter prior to a performance Sync from transmitter to receivers 1 Sync the first receiver to the transmitter using the sync procedure for a single receiver Performing a scan and using the resulting group and channel from the receiver is recommended 2 Set additional receivers to the transmitter frequency one at a time us ing IR sync Align the IR windows on the receiver and transmitter and press SYNC The receiver LED should not be flashing when pressing SYNC Note Receivers can also be manually tuned to the transmitter if an IR sync is not practical Multiple Transmitters and Multiple Receivers 1 Set up the first transmitter and all associated receivers according to the appropriate sync procedure Keep the transmitter and all receivers from this first system powered on when setting up additional systems 2 Set up each additional system usi
52. manufacturer or sold with the apparatus When a cart is used use cau tion when moving the cart apparatus combination to avoid injury from tip over 13 UNPLUG this apparatus during lightning storms or when unused for long periods of time 14 REFER all servicing to qualified service personnel Servicing is required when the apparatus has been damaged in any way such as power supply cord or plug is damaged liquid has been spilled or objects have fallen into the apparatus the apparatus has been exposed to rain or moisture does not operate normally or has been dropped 15 DO NOT expose the apparatus to dripping and splashing DO NOT put objects filled with liquids such as vases on the apparatus 16 The MAINS plug or an appliance coupler shall remain readily operable 17 The airborne noise of the Apparatus does not exceed 70dB A 18 Apparatus with CLASS construction shall be connected to a MAINS socket outlet with a protective earthing connection 19 To reduce the risk of fire or electric shock do not expose this appara tus to rain or moisture 20 Do not attempt to modify this product Doing so could result in per sonal injury and or product failure 21 Operate this product within its specified operating temperature range WARNING This product contains a chemical known to the State of California to cause cancer and birth defects or other reproductive harm SAFETY PRECAUTIONS The possible results of incorrec
53. ng scenario demonstrates a generic signal path for monitoring mixes and may not reflect the routing for all mixer types Consult the user guide for your mixer for detailed signal routing options Mixer Channel Each mixer channel controls audio processing and routing for a single audio source In this example a vocal microphone is plugged into the mixer channel Monitor Auxiliary Sends Adjust the signal levels to send to the monitor auxiliary outputs each of which corresponds to a separate monitoring mix Each of these mixes are sent to separate channels on the P3T transmitter Note The channel faders on most mixers do not affect the volume of the monitor auxiliary sends Wireless Transmission Each monitoring mix is transmitted on a separate channel to the P3R receiver The MixMode knob on the bodypack adjusts the blend between the audio from channel 1 and channel 2 MixMode and Stereo Monitoring The receiver can operate in stereo or MixMode when the transmitter is set to STEREO MX In applications that involve multiple bodypack receivers tuned to a single transmitter some bodypacks can operate in stereo while others operate in MixMode Selecting the Mode Stereo The receiver is set to stereo mode by default To switch from MixMode to stereo simply turn the receiver off and it will return to stereo mode when powered back on MixMode Press and hold the GROUP button on the bodypack receiver while turning the power on
54. ng the appropriate sync process Always leave each new system on before setting up an additional one Manual Selection If frequencies have been planned ahead of time the group and channel can be set manually without performing a scan Refer to the frequency table at the end of this user guide to identify frequencies for each group channel setting To select group channel settings on the receiver and transmitter 1 Press GROUP to scroll through group settings 2 Press CHANNEL to scroll through channel settings within the selected group Adjusting Gain and Listening Volume For the best audio quality start by adjusting the levels from the mixer or audio source and then adjust levels through the PSM300 system This approach corresponds to the way that the audio signal flows through the system and maximizes the signal to noise ratio Before you begin verify all signal routing and gain settings at the mixer or source prior to adjusting any levels from the PSM300 system If the sound is distorted or faint when it enters the P3T transmitter there is likely an issue elsewhere in the signal chain that needs to be resolved Adjust Transmitter Levels Input Sensitivity Select the setting that matches the input source Line 4 dBu Use with mixers or other professional audio devices that send line level signals Aux 10 dBV Use when connecting consumer audio devices such as portable audio players or computers
55. nna and power distribution system PA411 Wired PSM bodypack P9HW Dynamic MicroDriver earphones SE112 Dynamic MicroDriver earphones SE215 High definition MicroDriver earphones with tuned bass port EOID SE425 SE535 High definition earphones with dual MicroDrivers High definition earphones with triple MicroDrivers High definition earphones with quad MicroDrivers SE846 Carrying Storage Bag 95A2313 1 4 Wave Antenna 748 865 MHz for SLX Wireless System yaa 1 4 wave antenna 470 752 MHz UA400B Certifications This product meets the Essential Requirements of all relevant European directives and is eligible for CE marking Meets essential requirements of the following European Directives Low Voltage Directive 2006 95 EC R amp TTE Directive 99 5 EC WEEE Directive 2002 96 EC as amended by 2008 34 EC lt RoHS Directive 2002 95 EC as amended by 2008 35 EC Note Please follow your regional recycling scheme for batteries and electronic waste Conforms to the relevant requirements of regulation EC No 278 2009 for low voltage external power supplies Meets requirements of the following standards EN 300 422 Parts 1 and 2 EN 301 489 Parts 1 and 9 P3T Certified under FCC Part 74 Certified by IC in Canada under RSS 123 and RSS 102 IC 616A P3TA 616A P3TB 616A P3TD FCC DD4P3TA DD4P3TB DD4P3TD P3R Approved under the Declaration of Conformity DoC provision
56. of FCC Part 15 Complies with requirements set out in RSS GEN This Class B digital apparatus complies with Canadian ICES 003 Cet appareil num rique de la classe B est conforme a la norme NMB 003 du Canada This device complies with Industry Canada licence exempt RSS stan dard s Operation of this device is subject to the following two conditions 1 this device may not cause interference and 2 this device must accept any interference including interference that may cause undesired opera tion of the device Le pr sent appareil est conforme aux CNR d Industrie Canada applicables aux appareils radio exempts de licence L exploitation est autoris e aux deux conditions suivantes 1 l appareil ne doit pas produire de brouil lage et 2 l utilisateur de l appareil doit accepter tout brouillage radio lec trique subi m me si le brouillage est susceptible d en compromettre le fonctionnement 12 Important Product Information LICENSING INFORMATION Licensing A ministerial license to operate this equipment may be required in certain areas Consult your national authority for possible requirements Changes or modifications not expressly approved by Shure Incorporated could void your authority to operate the equipment Licensing of Shure wireless microphone equipment is the user s responsibility and licens ability depends on the user s classification and application and on the selected frequency Shure strongly urges the user
57. op Outputs 14 Inch TRS Balanced Connect outputs to additional PSM systems or other audio devices Audio Inputs 4 Inch TRS Balanced Connect to mixer outputs or other audio sources for monitoring by the performers BNC Antenna Connector Connect the supplied 1 4 wave antenna directional antenna or a Shure P3AC antenna combiner Note For JB band models the antenna is permanently fixed to the transmitter Removing the antenna on JB band models is prohibited by law in Japan and attempting to do so may cause damage to the transmitter Lock Status To lock or unlock the controls press and hold the group and channel buttons until the lock icon appears disappears Sync Status Appears after a successful sync between the transmitter and receiver The direction of the sync is shown as Tx gt Rx transmitter sends frequency to receiver or Tx lt Rx receiver sends frequency to transmitter Stereo MX Mono Mix Indicates whether the audio sent to the receiver is a single or two channel mix corresponds to the Stereo MX Mono switch on the rear panel Aux Line Mode Indicates the input sensitivity setting corresponds to the Aux Line switch on the rear panel 0 GB Indicator Turns on when input signal reaches 0 dB Refer to the section on adjusting gain and listening volume for information on how to use this icon P3R Wireless Receiver Channel Display Shows group channel and MixMode settings
58. r outputs as they are amplified signals and will overload the P3T inputs No sound from receiver Make sure the transmitter and receiver are linked to the same group and channel Verify levels are registering at the transmitter and that the volume is turned up on the receiver Check that the receiver is on and that the headphones are properly connected to the receiver Turning the MixMode knob does not affect the sound The Stereo MX Mono switch on the rear panel of the P3T may be switched to mono For the MixMode knob to work the transmitter must be set to Stereo MX Verify that the signals going from the mixer to the transmitter are not identical Check that the bodypack is set to MixMode Low audio output at the receiver Check headphone connection and volume level If only sending a single channel into the P3T transmitter check it the MixMode knob isn t turned towards a silent channel If using one channel set the P3T transmitter to mono mode Audio or RF drops out IR sync failure V Perform a scan to ensure the receiver is on a clear available frequency Make sure there is a line of sight path between the transmitter antenna and the bodypack receivers Verify that other wireless devices that are being monitored such as wireless microphones are not experiencing RF dropouts lf using an antenna other than the one included with the system make sure it is designed to operate in the correct frequency range erify
59. several PSM300 systems or operating in a location with a high volume of wireless devices perform a group scan first followed by a channel scan Group Scan Press and hold the SCAN button on the receiver Channel Scan Press the SCAN button on the receiver Creating a Wireless Connection Between Receivers and Transmitters Sync To pass audio from the transmitter to the receiver both must be tuned to the same frequency The easiest way to configure the system is to use the automatic sync feature This transfers group and channel settings with a press of a button Based on your system configuration use one of the following processes to sync the components 606 Pressing the SYNC button transfers group channel data Single Transmitter and Receiver The following sync procedure should be used with a setup that consists of a single transmitter and receiver unless a group channel setting has been assigned prior to a performance 666 Sync from receiver to transmitter 1 Perform a scan on the receiver see Scanning for the Best Open Channel for best practices 2 Align the IR windows on the receiver and transmitter The windows should be 6 11 cm apart 3 Press the SYNC button on the transmitter while the blue RF LED on the receiver is flashing 4 The Transmitter displays SYNC when the sync
60. t on the transmitter Set the transmitter to MONO Note When the transmitter is set to mono operation the MixMode knob will not affect the sound channel 2 Instruments O Vocals To hear more of channel one turn the MixMode knob to the left N B T Q Instruments To hear more of channel two turn the MixMode knob to the right Troubleshooting Problem Solution Distorted Audio Check the volume levels at the P3T transmitter and verify that the meter is not reaching the overload indicator Check levels going in and out of the mixer If audio is distorting anywhere in the signal chain it will be distorted even if the PSM300 system is not overloading Make sure batteries in the receiver are fresh Verify that the cables are 1 4 inch balanced If an unbalanced instrument or speaker cable is used it may introduce noise Tip To tell the difference look at the connectors on the cable The metal connector on a balanced cable has two plastic rings that di vide it into three separate sections tip ring sleeve An unbalanced cable only has a single plastic ring that divides the metal portion into two sections tip sleeve Check that all cables are plugged all the way into the mixer and the P3T inputs Sometimes if a cable is not fully inserted the signal will be faint and distorted Make sure you are using the line level outputs from the mixer If you have a powered mixer do not use the main speake
61. t use are marked by one of the two sym bols WARNING and CAUTION depending on the imminence of the danger and the severity of the damage WARNING Ignoring these warnings may cause severe injury or death as a result of incorrect operation CAUTION Ignoring these cautions may cause moderate injury or property dam age as a result of incorrect operation CAUTION Never disassemble or modify the device as failures may result Do not subject to extreme force and do not pull on the cable or failures may result Keep the product dry and avoid exposure to extreme temperatures and humidity WARNING If water or other foreign objects enter the inside of the device fire or electric shock may result Do not attempt to modify this product Doing so could result in personal injury and or product failure This device is able to produce sound volume higher than 85 dB SPL Please check your maximum allowed continuous noise exposure level based on your national employment protection requirements WARNING LISTENING TO AUDIO AT EXCESSIVE VOLUMES CAN CAUSE PERMANENT HEARING DAMAGE USE AS LOW A VOLUME AS POSSIBLE Over exposure to excessive sound levels can damage your ears resulting in permanent noise induced hearing loss NIHL Please use the following guidelines established by the Occupational Safety Health Administration OSHA on maximum time exposure to sound pressure lev els before hearing damage occurs
62. to contact the appropri ate telecommunications authority concerning proper licensing and before choosing and ordering frequencies Information to the user This equipment has been tested and found to comply with the limits for a Class B digital device pursuant to Part 15 of the FCC Rules These limits are designed to provide reasonable protection against harmful interference in a residential installation This equipment generates uses and can radi ate radio frequency energy and if not installed and used in accordance with the instructions may cause harmful interference to radio communi cations However there is no guarantee that interference will not occur in a particular installation If this equipment does cause harmful interference to radio or television reception which can be determined by turning the equipment off and on the user is encouraged to try to correct the interfer ence by one or more of the following measures Reorient or relocate the receiving antenna Increase the separation between the equipment and the receiver Connect the equipment to an outlet on a circuit different from that to which the receiver is connected Consult the dealer or an experienced radio TV technician for help Industry Canada ICES 003 Compliance Label CAN ICES 3 B NMB 3 B Note EMC conformance testing is based on the use of supplied and rec ommended cable types The use of other cable types may degrade EMC performance
63. trap Included Components SHURE PsM300 Transmitter P3T TP 9999 eee Rackmount Hardware Kit CC 2 AA Batteries SE112 or SE215 Earphones C E m D Ys Wave Antenna P3R or P3RA Bodypack Receiver Not included in Argentina System Overview fal P3T o a This example shows a typical setup for musical performance See the System Applications section for additional examples Route audio signals Send Instrument and microphone signals from the stage to a mixer or PA system Create monitor mixes From the mixer create two mixes one of just the instruments and a second with just the vocals Route each of these to separate mixer outputs and connect them to the P3T inputs Send wireless audio to the performers Sync the bodypacks to the P3T transmitter to send the mixes to the performers for in ear monitoring Adjust personal mixes Each performer uses the MixMode knob on the bodypack to control their own mix between the instruments and vocals Hardware P3T Transmitter Front and Rear Panels SHURE PM300 Trhnsmitter P3T inpift syhic rou channel Sa Fy power OO P3T Front Panel Input Level Control Adjusts the level of the incoming audio signal IR Sync Window Sends and receives group channel data to sync receivers with the
64. x 1 Mix 2 IIMMMMMMMMMMMMMM JENANG ma Signal Routing to External Devices Combination Systems The LOOP outputs pass audio to an external device such as other person al monitoring systems recording devices or stage monitors The signal at the LOOP outputs is identical to the signal coming from the mixer and is not affected by the transmitter volume or input sensitivity line aux set tings This makes the LOOP outputs particularly useful when using a mixer that has one or two monitor auxiliary sends Using the PSM300 simultaneously with Loudspeakers A combination monitoring system can be used where some of the per formers are using the PSM300 wireless system and others are listening through loudspeakers on stage Note If using passive stage monitors the P3T outputs must be connected to an amplifier Active amplified speakers can be connected directly to the P3T outputs Using the PSM300 Combined with Other Wireless Monitoring Systems In a scenario where two performers have their own wireless monitoring systems one Shure PSM300 system and one third party system for ex ample the PSM300 can pass the signal from the mixer on to the second monitoring system System Setup and Configuration Rack Mounting The P3T Transmitter can be mounted in a standard 19 inch rack Up to two units can be mounted in a single rack space If using multiple P3T transmitters the Shure PA411 Antenna Comb
65. xiliary Monitor Single Transmitter with Multiple Receivers Multiple performers can monitor audio from the same transmitter and still adjust the signal at their bodypack to personalize the mix Simply tune each bodypack to the same frequency as the transmitter and use the MixMode knob to adjust the mix MixMode or Stereo Operation Each performer has the option of setting their bodypack to MixMode or Stereo when the transmitter is set to Stereo MX When the bodypack is powered on it is set to stereo by default To operate in MixMode hold the GROUP button when turning the power on For information on these modes see MixMode and Stereo Monitoring Mixer Outputs Auxiliary Monitor mm EE Multiple Transmitters with Separate Mixes When several performers in a group have different monitoring require ments multiple PSM300 systems may be used simultaneously to send different mixes through each transmitter This setup requires a mixer with two monitor auxiliary outputs for each transmitter Tip To simplify setup in applications that involve multiple transmitters Shure offers the P3AC antenna and power distribution system which sup plies up to four PSM transmitters with power and RF from a single source TEN SS gt gt P3T P3T OO 6 Gao ooO Mi
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