513-300-118_r10 User Guide, SoloAmp.indd
Contents
1. 9 4 LO Phantom Power FAQs Q A gt o have heard 48V phantom power can damage some audio devices True Yes phantom power can damage the following 1 An unbalanced dynamic mic that has been modified for XLR 2 A balanced line level device that is not designed to accept phantom power ex some effects processors Contact the manufacturer to confirm compatibility 3 Some older balanced wireless receivers can be damaged by phantom power Consult the manufacturer of the wireless unit for compatibility 4 An instrument preamp or stompbox with an unbalanced output that is modified for XLR 5 Many ribbon microphones Which devices are safe with 48V phantom power All the following can be used safely with phantom power 1 All balanced condenser microphones 2 All balanced dynamic microphones 3 Many new wireless units Check with the manufacturer for compatibility 4 A preamp D l designed for phantom power operation such as the Fishman Platinum Block Diagram HOLIMS TBNVd 1408 5 01 1003 Q35012 12 VINOO N3HM2. Neve ovr gu HOLME 1004 Va Ld WOLNVHd m aen ASWHd Z HO Kl d Now Si NIS IN DIN Z HO men 1 d Immo rg AU THNNVHO ueg H Zu P d8POL jeu H 3 1 DU DA 3L AISHA d 1 Van aN3s 333408 x x H21ON AIW NIVO 55 4 YOLINOW O B EO mae MOI ZH 423135 708 E rege p YOLINOW 1 6 WLIDI E d Hi 3Amo TBNNVHO xnv 1 XQ V Haze 73 91 N3AOSSONO i SYNNY 4 HO L u vd D AL ANJ _ 2 2 zm 0 NE geet HOP 1504 Nuni34 uadand E x x HOLON IW SSvd IH 1504 anam NO NOINOW San summ Aacht SIN THO Andino ra Andino 1 HD THNNVHO ase HD DEI Technical Specifications Channe Channe Channe 1 amp 20 1 Out Output Impedance 600 Ohm balanced Phantom power tolerant ground isolated 1 amp 2 Effects Sends Output Impedance 2k Ohm Output Level 10dBV Nominal 1 amp 2 Effects Returns Input Impedance 20k Ohm Input Voltage 3dBV 1 4Vrms max 10dBV Nominal Sends and returns are compatible with battery operated effects processors Mix D I Out Output Impedance 600 Ohm
3. out and slowly raise the Master Volume to the desired level 0020000 060595995 5050586 5059595 50505905 250209595 5059260 50505905 5950200 5059590 5029590 5959000 50595905 20505905 20020595 0069995 5009590 5009590 50095905 90095905 9056595 0059595 5059590 9099090 5059580 5959690 5059595 5059605 9059586 5960505 5089505 5059590 50595985 5050590 lt SAX Master Volume Mute ux In Monitor SCC 1 Channel 1 Channel 2 ey Gain Gain ce Os High r Anti feedback High o Mid r Reverb Level OO 1048 Pad 10dB Pad Good FISHMAN Ew Es Front Panel Controls The following pages describe the functions of each control or jack on the SA220 front and rear panels Refer to these numbered diagrams for each numbered control on the following pages 1 Mute The Mute switch shuts off the signals from Channels 1 and 2 to the speakers and all the XLR outputs The mute does not affect the Aux Input Monitor Input Tuner Out or the effects sends 2 Master Volume Set the overall level of the SA220 with the Master Volume Note Controls 3 through 13 are identical for both channels 3 Clip LED The Clip LED will light when the Gain level is too high and the signal becomes distorted If the light comes on when you play lower the Gain until the distortion goes away 4 Gain Use the Gain knob to set the
4. No part of this document may be reproduced in any form without the written permission of FISHMAN TRANSDUCERS INC 2 Welcome Thank you for making Fishman a part of your acoustic experience We are proud to offer the finest acoustic amplification products available high quality professional grade tools which empower you to sound your very best Before using your SA220 carefully read the following sections Important Safety Instructions Page 2 Getting Started Page 4 and 5 Save Your Packing Materials The box and packing materials for the SA220 were specially designed to protect the amplifier during shipping Save all this stuff in case you need to re ship the SA220 Troubleshooting Should you have any problems please check with your installer or refer to the online installation guide for this product Technical support troubleshooting tips and installation information can be found at http www fishman com support Hear This The SA220 amplifier is capable of cleanly reproducing the sound of your instrument at very high volume levels Prolonged repeated exposure to high sound pressure levels SPLs without protection can cause permanent hearing loss OSHA has set guidelines and specified permissible sound exposure limits for those who work in high SPL environments Permissible Noise Exposures Duration per day hours Sound level dBA slow response 1 2 1 4 or less To ensure against permanent hearing loss wear hearing
5. protection when you perform with amplification FISHMAN 54220 Tested to Comply with FCC standards LISTED HEN 3 AUDIO EQUIPMENT FOR HOME OR OFFICE USE E323115 Getting Started Here are some basic setup tips to help get you going To operate your SA220 safely please read the entire manual especially the Important Safety Instructions on page 2 Setting the SA220 on its Stand SA220 is intended for use with the included tripod speaker stand in portable applications where the amplifier and stand are to be placed directly on a level solid flat surface Do not substitute the speaker stand with a non Fishman part or attempt to mount or suspend the SA220 in a permanent or temporary method other than that as described in this guide or by Fishman 1 Locate the stand in a place that is free of obstructions where it may be accidentally pushed over or where it may be a trip hazard 2 Loosen the lower of the two large thumbscrews and spread the tripod legs Follow the height warnings printed on the stand for safe operation Figure 1 Setting the height outside this area is forbidden Tighten the thumbscrew before placing the SA220 on the stand 3 Remove the safety pin and loosen the top large thumbscrews Extend the top tube to the third hole or lower if you are seated while performing Replace the safety pin Allow the tube to rest on this pin and tighten the top thumbscrew Figure 2 4 Lift the SA220 using th
6. should remain readily operable 19 23 24 Serial Number ON Channel 1 Channel 2 RZ Tweeter Level Mute Foot Switch D Mix 0 1 Post On Power Off Designed and Engineered in the U S A by Fishman Transducers Inc Assembled in China FISHMAN SA220 Model PRO AMP SL1 Input 100 240V 50 60Hz MEER Max Power 265Watts 3 15A Date Code E323115 100 240V 50 60Hz CAUTION Risk ot electric shock A not open i Rear Panel Controls cont 25 Aux Input Plug in a line level stereo audio source such as a CD or MP3 26 27 28 player in this input The 1 4 inch stereo TRS Aux Input mixes the signals to mono when amplified Monitor In amp Out The monitor feature on the SA220 allows two performers each with a SA220 to send their own mix to each other The Monitor level on the front panel then blends in the other players mix It essentially acts as a monitor allowing the performer to hear the other player more easily The Monitor In may also be used as another audio input just like the Aux Input The Monitor Out can serve a secondary function as another line level mix output This output is always ground isolated to prevent ground loop hum Mix D I Post Plug in here when you wish to send signals from both Channels an
7. balanced Phantom power tolerant ground isolated Tuner Out Output Impedance 5k Ohm Speaker System Woofer Six 4 patented dual gap woofers with neodymium magnet Tweeter One 1 soft dome neodymium magnet ferrofluid cooled Tweeter Level Up to 6dB cut Crossover 4kHz Bi amplified with active crossover Amplifier Woofer 200Watts Tweeter 20Watts Physical Dimensions 6 7 x 5 6 x 41 54 16 92cm x 14 34cm x 105 5 Weight 24 lbs 11 kg without stand and carry bag Ship Weight 43 Ibs 19 5 kg Specifications and information in this manual subject to change without notice 19 FISHMAN www fishman com Fishman and Fishman Transducers are trademarks or tradenames of Fishman Transducers Inc 513 300 118 Rev I 6 09
8. d Aux Input to mixing console This post EO output is always ground isolated to prevent ground loop hum Mute Foot Switch Plug a mono on off latching type foot switch into this jack for remote access to the Mute feature The Mute Footswitch duplicates and overrides the front panel Mute switch 29 AC Power Input Connect the SA220 to the AC mains supply here C Serial Number e Channel 1 Channel 2 Aux Input 22 SI Effects N SZ p Effects ff Return n LZ D I Out Monitor Pre Out D D Tuner Tweeter Mute SS Foot Switch Mix D I Post Ch 1 Level On Power Off Designed and Engineered in the U S A by Fishman Transducers Inc Assembled in China SW amp SA220 Model PRO AMP SL1 Input 100 240V 50 60Hz MEER Max Power 265Watts 3 15A 37MF Date Code E323115 100 240V 50 60Hz CAUTION Risk ot electric shock A not open 13 25 26 29 About Acoustic Feedback There are two features provided to help control acoustic feedback the Phase switch and the Anti Feedback notch control Feedback usually occurs in the lowest octaves of your instrument The natural resonances which produce an instrument s tone also react with amplified sound The louder an instrument is amplified the m
9. e handle on the back of the unit while supporting the weight with your other hand A guide is molded into the underside of the SA220 and acts as an aid in positioning the SA220 onto the tripod Once positioned lower the SA220 onto the tripod until it rests firmly on the tube Warning Follow the height warnings printed on the stand for safe operation Setting the height outside d e VaN this area is forbidden Safety Pin Loosen Tighten A 7 Sh d N d Max stand diameter 43inches 110cm Figure 1 Figure 2 Cabling Precautions When making your cable connections always be sure to route the cables so that the audience performers or anyone else will not trip over them or accidentally pull the SA220 over Setting SA220 Controls 1 Plug the provided AC line cord into the back of the amplifier 2 Locate the Power switch and switch it off then connect the power cord 3 Plug the SA220 into an electrical outlet with the appropriate AC voltage 4 Push in the Mute switch and turn on the Power switch You should see the front panel power LED glow green 5 Connect your instrument to the Channel 1 input with a shielded 1 4 inch cable 6 Play aggressively and raise the Channel 1 Gain knob until the Clip LED flashes then back off the Gain until no clipping occurs Set the controls as shown here 8 Push the Mute switch
10. e provided plug does not fit into your outlet consult an electrician for replacement of the obsolete outlet Protect the power cord from being walked on or pinched particularly at the plugs convenience receptacles and the point where they exit from the apparatus Use only attachments accessories specified by the manufacturer Use only with a cart stand tripod bracket or table specified by the manufacturer or sold with the apparatus When a cart is used use caution when moving the cart apparatus combination to avoid injury from tip over Unplug this apparatus during lightning storms or when unused for long periods of time Refer all servicing to qualified service personnel Servicing is required when the apparatus has been damaged in any way such as a power supply cord or plug is damaged liquid has been spilled or objects have fallen into the apparatus the apparatus has been exposed to rain or moisture does not operate normally or has been dropped Do not expose the apparatus to dripping or splashing liquids and do not place objects filled with liquids such as a beverage container or a vase on the apparatus Warning To reduce the risk of fire or electric shock do not expose this apparatus to moisture The apparatus should be connected to mains outliet with a protective earthing connection Disconnect device is Mains Plug which should remain readily operable Copyright 2008 FISHMAN TRANSDUCERS INC All rights reserved
11. ed 14 Setting Phase and Anti Feedback The Phase and Anti feedback controls can be used to restrict the two most dominant feedback notes allowing greater volume before feedback than otherwise possible In most cases the Phase switch is used to control the lower dominant note while the Anti Feedback notch is used to control the higher 1 Start with the Anti Feedback control turned down completely 2 Turm up the level of the amp until feedback begins 3 Flip between the two Phase positions Each position will produce a different dominant feedback frequency Listen to the frequencies and select the Phase position which allows the higher note to feedback while subduing the lower 4 Adjust the Ant Feedback clockwise until it subdues the frequency of the higher feedback note Since optimal tone is a matter of taste one can also experiment with reversing the order using the Phase switch to control the upper feedback note and the Anti Feedback notch for the lower Monitor Feature The monitor feature on the SA220 allows two performers each with a SA220 to cross feed their EO d and mixed outputs to each other This allows each player to turn up the other player s mix as heard through through their own SA220 Connect two SA220s as shown then turn up the Monitor knob to mix in the other performer s SA220 Aux Input Channel 1 Channel 2 Aux Input 9 O 0O 9 5 ee E E
12. hrough the send and return jacks for each channel Use a standard 1 4 inch shielded instrument cable to connect the effects send to the input of the effect This serial effects loop is located post and is compatible with battery operated stompbox style effects processors Channel 1 amp 2 Effects Loop Return This is the effects return for each channel Connect the Channel 2 return jack to the output of the effect Channel 1 amp 2 D I Out Pre EQ Use this output when you want a flat signal to go to the board This pre EO output is always ground isolated to prevent ground loop hum Tuner Out Plug in an electronic tuner here This output receives only the Channel 1 signal and is independent of the mute so you can tune with the speakers and the XLR outs muted The Tuner Out may also be used as unbalanced D I out for Channel 1 Tweeter Level Set the front panel controls flat and adjust the tweeter level to where it sounds best to you AC Power The SA220 has a universal power supply and can accept voltages from around the world For amplifiers purchased in the USA Canada and Mexico plug in the supplied detachable AC power cable For amplifiers purchased outside the USA and Canada you will need to supply your own detachable AC cable This cable must have an IEC style 320 connector at one end and a male AC plug appropriate for your region at the other N Disconnect device is Mains Plug which
13. level of the signal 5 Phase Use the Phase switch in conjunction with the Anti Feedback filter to eliminate acoustic feedback To learn more about acoustic feedback see page 14 6 High Boost highs to add air to the sound of the instrument With the knob set at 12 o clock the control is effectively out of the circuit 7 Anti Feedback If you encounter low frequency feedback sweep this control to isolate and eliminate it To learn more about acoustic feedback see page 14 8 Mid This control affects how well the instrument blends in or stands out in the mix At loud volumes a midrange cut will achieve a more natural sound With the dial set at 12 o clock the control is effectively out of the circuit 9 Reverb Level Controls the amount of digital reverb in the channel 10 Low Boost here to add weight to the sound In general boost bass at low volumes and flatten it out or cut at higher levels With the dial set at 12 o clock the control is effectively out of the circuit oO Oi SA iIS M Gain T Hr 6 9 O High r Anti feedback High r Reverb Level Mid ow Low Reverb Select 234 Master Vo ut Aux In Monitor SS Q Power L Channel 1 Channel 2 Gain lt p Front Panel Controls cont 11 12 13 14 15 16 17 10dB Pad If
14. ore it will interact Feedback occurs when a note on the instrument resonates in sync with the amplified sound reinforcing and building to a sustained howl Phase Switch The Phase switch flips the polarity of your instrument signal from positive to negative changing its relationship to the sound coming from the amplifier One phase setting usually provides better resistance to feedback than the other and will vary depending on the instrument and playing environment Another approach to determining optimal phase is the selection which sounds or feels most natural when playing In certain playing environments the Phase switch may not have an audible impact When not using the Phase switch for feedback suppression it is recommended to leave it in the out position The Phase switch also affects the signal polarity to the balanced D I and Monitor outputs synchronizing the amplifier with other sound systems in use Anti Feedback The Anti Feedback control is a variable frequency notch filter designed to subdue a resonant peak on the instrument which is prone to feedback Turning the knob adjusts the center frequency of the filter ranging from subsonic off to 330Hz at full clockwise When not being used for feedback the Anti Feedback notch can also be used as a tone control to subdue an unpleasant frequency in a microphone or room Play a note which accentuates the offending frequency and turn the control until the intensity is diminish
15. www fishman com F ISHMAN i USER GUIDE SA220 Whenever this symbol appears it alerts you to the presence of important operating and maintenance servicing instructions in the user s manual for this CAUTION amplifier Risk of electric shock Do not open No user serviceable parts inside pe Refer servicing to qualified personnel presence of uninsulated dangerous voltage inside Do not expose to rain or moisture the enclosure that may be sufficient to constitute a risk of shock Wherever this symbol appears it alerts you to the Important Safety Instructions To ensure your personal safety and the safety of others operate this apparatus only after reading these instructions and heeding the warnings listed below aN onhwn 0 tile 12 16 17 Read these instructions Keep these instructions Heed all warnings Follow all instructions Do not use this apparatus near water Clean only with a dry cloth Do not block the ventilation openings Install in accordance with the manufacturer s instructions Do not install near any heat sources such as radiators heat registers stoves or other apparatus including amplifiers that produce heat Do not defeat the safety purpose of the polarized or grounding type plug A polarized plug has two blades with one wider than the other A grounding type plug has two blades and a third grounding prong The wide blade or the third prong are provided for your safety If th
16. you have a high output pickup and the Clip LED comes on at low Gain settings push this switch in for a more usable range XLR Mic Input You may also connect an outboard preamp with balanced XLR out to this input 1 4 Instrument Input Accepts all types of passive or active acoustic pickups Note If you attempt to plug in both the XLR and 1 4 inch inputs at the same time the XLR shuts off Aux In Use this to control the level of a device plugged into the Aux Input Note that the Aux channel is independent of the Mute switch so you can play pre recorded music on your breaks Monitor Use this to control the level of the device you plug into the Monitor Input See page 16 on Monitor input applications Reverb Select Press the Reverb button to select among four preset reverb effects Phantom Power Provides 48V to the XLR input for use with a condenser Microphone The Phantom LED will light to indicate 48V is being supplied to the XLR jack For more information on Phantom Power see page 17 11 12 13 SA Master Volume Mute 5 Gi L Channel 1 Channel 2 clip Gain Phase Phas High r Reverb Reverb Selec 9999 O A Xa Clip Gain 14 15 Rear Panel Controls 19 20 21 22 23 24 Channel 1 amp 2 Effects Loop Send Patch an external effect delay reverb chorus t
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