Impact series
Contents
1. 14 17300 EFFECT PROCESSOR GUITAR EFFECTS ELECTRIC GUITAR XP 1000 AMPLIFIER mm m m um m 2 TRACK RECORDER IMPRESSION 12 STAGE MONITORS HEADPHONES IMPACT 8 4 12 4 16 4 24 4 8 4X 12 4X 16 4X 24 4X PHONIC CHURCH SETUP 70V TAPPED LOUDSPEAKERS DISTRIBUTED THROUGH BUILDING EA SPEAKERS PERFORMER A530 FOH ACTIVE SPEAKERS P8A ACTIVE MONITORS ICON 700 AMPLIFIER REC OUT MINI FOOT switce EFX ON OFF S TAPE AS O SY CASSETTE RECORDER IMPRESSION 12 STAGE MONITORS MICROPHONES 7600 EQ 1 CD PLAYER IMPACT 8 4 12 4 16 4 24 4 8 4X 12 4X 16 4X 22. choruserev REV CHORUS go et 2 Jo 2 s s ea 518 s s 7 sr s J s 1 1 2 2 go 3 oo s 5 ruwcmmve 6 5 os ruwcmmve 8 8 GATEDREV RELEASE REV ee GATEDREV1 00 ee GaTeDReva o 0 REVERSE PLATE 99 os REVERSE PLATE RANGE ko as 80 FREQUENCY SHAPE PINKNOISE 13 PHONIC APPLICATION PA OR LIVE EVENT SETUP ES 152 SPEAKERS XP 3000 AMPLIFIER A 17600 EQ FOOT SWITCH REC OUT MINI LJ UNBAL GUITAR EFFECTS 1 i7600 cat lt THU
3. p __ __ 312 FARIYLEVEL o o smmemu 2 RECTALHAL He 9 2 9 21 Lor 26 mM m DELAYAVERG m o ss o o 29 SHORT DELAY sorrcmonuss os WARMER CHORUS 1 32 oo 96 s amer cewneruwcER os so 45 MODERNFALANGER 28 peer racancer wo 53 HEAVY PHASER 6 sa _ 5 oe IMPACT 8 4 12 4 16 4 24 4 8 4X 12 4X 16 4X 24 4X PHONIC PROGRAMNAWE PARAMETER SETTING 0 Ret 12 R tremolo 3 MODETYPE ea Lazy TREMOLO o os ___ 28 meo __ 5 oe mo petaverev REV 1 gt J gt 74 338 75 414 ze 7 6 ro
4. 48V PEAK K CHANNEL7 amp CHANNEL8 SAME FREQ MID 9 MINI STEREO 2 gt EFX 1 EFX SEND1 TAPE INPUT gt Al EFX 2 EFFECT IN ON OFF EFFECTL OUT S UA EFFECTR OUT DSP FOOT SW ey LANA CTR OU 12VDC PROGRAM 49 GLOBAL 48V PHANTOM POWER SUPPLY wp TS le ST RTN 1 E ST RTN 2 SAME AS ST RTN 1 MUTE 19 IMPACT 8 4 12 4 16 4 24 4 8 4X 12 4X 16 4X 24 4X TO PURCHASE ADDITIONAL PHONIC GEAR AND ACCESSORIES To purchase Phonic gear and optional accessories contact any authorized Phonic distributor For a list of Phonic distributors please visit our website at www phonic com and click on Get Gear You may also contact Phonic directly and we will assist you in locating a distributor near you SERVICE AND REPAIR Phonic has over 100 service centers worldwide For replacement parts service and repairs please contact the Phonic distributor in your country Phonic does not release service manuals to consumers and advice users to not attempt any self repairs as doing so voids all warranties You can locate a dealer near you at www phonic com WARRANTY INFORMATION Phonic stands behind every product we make with a no hassles warranty Warranty coverage may be extended depending on your region Phonic Corporation warrants this product for a minimum of one year from the original date of purchase against defects in material and workman ship under use as instruc
5. O 00 0 0000000000000 000 L le HE 6 HE o HE 80000 0 HE 6 O HE 0 O HE Oo o Bo Bo Bon Bo measurements are shown in mm inches HE 6 6 e o o o o o o o O BO IMPACT 8 4 IMPACT 12 4 IMPACT 16 4 IMPACT 24 4 X mm inches 440 17 3 072122 704 27 7 968 38 1 510 20 642 25 3 774 30 5 1038 40 9 18 IMPACT 8 4 12 4 16 4 24 4 8 4X 12 4X 16 4X 24 4X PHONIC BLOCK DIAGRAMS MONO CHANNEL 60 104 UNBAL LINE 40 10dB Al MIC A MOMO SUBWOOFER lt NT 5 de gt LPF K o x 75Hz 4 x LINE 2 SES 2 7 60 160Hz BAL o GAIN LOW 92 HIGH BAL INS FREQ MID CHANNEL 1 CHANNEL6 SAME LEFT BAL m 7 MIC 60 10dB M NER LINE 440 10dB Es n peu y O so gt ax o 75Hz MUTE G 5 Low OO bs MUTE Al L CTRL RM 5 1 eS A PHONE EEG s UU 104 ZFF
6. These controls adjust the pre fader level of the signal from the Stereo Return controls to the corresponding AUX mixing buses for effect to monitor sends 43 Stereo Return Level Controls These rotary control will alter the signal level that is sent from the Stereo Retuns to the Main L R mix 44 Stereo Return PFL Buttons The PFL or Pre Fader Listen buttons are pushed to allow the Stereo Return signals to be sent to the Control Room Phones mix pre fader post EQ for use with either headphones or studio monitors This allows easier tracking of audio by sound engineers 45 AUX 1 and 2 Master Controls These 60 mm fader will alter the signal level that is sent from the AUX 1 and 2 to their corresponding outputs Both faders are accompanied by AFL or After Fader Listen buttons allowing users to send the post fader signal to the Control Room Phones mixing bus 2 v 00 dB 20 dB 20 AUX 1 PE 2 MALI BEES CIT eire IMPACT 8 4 12 4 16 4 24 4 8 4X 12 4X 16 4X 24 4X 46 Phantom Power Button and Indicator When this button is pushed in 48V of Phantom Power is activated for all microphone inputs allowing condenser microphones well the ones that don t use batteries to be used on these channels Activating Phantom Power will be accompanied by an illuminated LED above th
7. 8 4 12 4 16 4 24 4 8 4X 12 4X 16 4X 24 4X PHONIC Channel Setup 1 To ensure the correct audio levels of each input channel is selected every channel should first be switched off and all faders set to 0 Choose the channel that you wish to set the level of and ensure that channel has a signal sent to it similar to the signal that will be sent when in common use For example if the channel is using a microphone then you should speak or sing at the same level the performer normally would during a performance If a guitar is plugged into that channel then the guitar should also be used as it normally would be Press the PFL button of the channel allowing you to see the audio properties in the level meter Turn the gain of the selected channel to a degree that allows the audio level shown in the level meter to sit around O dB ensuring it never reaches 7 dB This channel is now ready to be used you can stop making the audio signal and disengage the PFL button You should now select the next channel to set and go back to follow steps 1 through 6 PHONIC MAKING CONNECTIONS Connecting Panel 1 NB XLR Jacks These jacks accept XLR inputs for balanced signals They can be used in conjunction with microphones such as professional condenser dynamic or ribbon microphones with standard XLR male connectors With low noise preamplifiers these inputs serve for crystal clear sound replication When usin
8. is dynamically clipped To make the maximum use of audio set the various level controls so that it sits steadily around O dB to make full use of audio while still maintaining fantastic clarity If any PFL or AFL buttons are activated the Main L R Level Meter will display the properties of the Control Room Phones signal instead PFL AFL Indicator The PFL AFL indicator on the top of this meter is bi colored and illuminates green when a PFL switch is active and red for an AFL Due to the fact that any PFL has priority over any AFL see section 54 if both an AFL and PFL are activated only the green PFL indicator will illuminated and processed by the CTRL RM PHONES control area Power Indicator The Power Indicator will light up when the power of the mixer is on in case you weren t too sure Main L R Faders These fader are the final level control for the Main Left and Right audio feeds sent to the Main Left and Right outputs on the rear of the device When pushed all the way up the Main L R fader provides 10 dB of gain to the signal and when set all the way down the signal is effectively muted MASTER PFL AFL POWER IMPACT 8 4 12 4 16 4 24 4 8 4X 12 4X 16 4X 24 4X DIGITAL EFFECT TABLE PROGRAMNAME PARAMETER SETTING Row oo os or cowmcrmowz o os
9. 0 HZ 15 15 dB 15 TEST TONE CID ate mu nu ED ES lt PINK NOISE pad MASTER PFL AFL POWER PROGRAM ne 32 40 BIT HIGH RES es DIGITAL EFFECTS O O O 2 O 7 5 O O 20 O LEFT 30 RIGHT PEAK _ PEAK PEAK PEAK L R ENGLISH IMPACT 8 4X IMPORTANT SAFETY INSTRUCTIONS The apparatus shall not be exposed to dripping or splashing and that no objects filled with liquids such as vases shall be placed on the apparatus The MAINS plug is used as the disconnect device the disconnect device shall remain readily operable Warning the user shall not place this apparatus in the confined area during the operation so that the mains switch can be easily accessible er d 10 11 12 13 14 Read these instructions before oper
10. 4 4X 15 PHONIC SPECIFICATIONS IMPACT 8 4 IMPACT 12 4 IMPACT 16 4 IMPACT 24 4 Balanced Mic Line channel N N Stereo channel with mic preamp Stereo Aux Returns 2T Input Mini stereo and stereo Main L R Stereo Main Mono 2 x 1 4 TS Unbal 4 2 x 1 x 1 4 TS Unbal amp 1 x XLR Aux sends 4 4x 1 4 TS Unbal amp 2x XLR Rec Out Mini stereo and stereo RCA CTRL RM L R 2x 1 4 TS 2 1 4 TS 2 x 1 4 TS 2x 1 4 TS Phones Channel Strips Aux Sends Pan Balance Control Yes Yes Yes Yes Channel On Mute Yes Yes Yes Yes Channel Solo PFL with Vas Yes Vas Mes metering LED indicators Volume Controls Mute Peak Signal PFL 60mm fader 60mm fader 60mm fader 60mm fader Master Section Aux Send Masters Master Aux Send Solo AFL Stereo Aux Returns Effects Return to Monitor Faders 60 mm Efx Rtn Aux 1 Aux 2 Mono Main L R Number of Channels Phantom Power Supply 48V DC 48V DC Switches Master Effect Processor Impact X Models only 100 effects with tap delay control 32 bit DSP 32 40 BIT DSP with test tone and foot switch effect on off Frequency Response Mic input to any output 20Hz 60KHz 0 1 dB 0 1 dB 20Hz 100KHz 0 3 dB 0 3 dB Crosstalk 1KHz OdBu 20Hz to 20KHz bandwidth channel in to main L R outputs Channel fader down other lt 90 dB 90 dB 90 dB 90 dB channels at unity Noise 20Hz 20KHz measured at ma
11. OF CONTENTS INTRODUCTION 4 FEATURE So 4 SETUP 5 cal 5 Cranner SE DS O 5 MAKING CONNECTIONS c 6 connecting M T T IU 6 FINS 7 Main Panel a n CONTROLS AND SETTINGS 8 o RP 8 Sic NR gt 8 Digital E HeC 9 NET UU atienden 10 Master Control o RE UU nen eee en 10 DIGITAL EFFECT TABLE ee ee ee ee 13 APPEICATION 14 SPECIFICATION SS E SESS Sl nE e e 16 DIMENSIONS 18 BLOCK DIAGISANL tana 19 Phonic reserves the right to improve or alter any information suppied within this document without prior notice V1 2 JUL 05 2006 PHONIC INTRODUCTION Thank you for choosing one of Phonic s many quality compact mixers The Impact mixing consoles designed by the same talented engineers that have created a variety of mixers fantastic in style and performance in the past display similar proficiency that previous Phonic products have shown with more than a few refinements of course With a total of 8 models in the Impact series the Impact 8 4 Impact 12 4 Impact 16 4 Impact 24 4 Impact 8 4 X Impact 12 4 X Impact 16 4 X and Impact 24 4 X all wi
12. PHONIC IMPACT 8 4 12 4 16 4 24 4 IMPACT 8 4X 12 4X 16 4X 24 4X Mixing Console 32 40 BIT HIGH RES DIGITAL EFFECTS 01 CompactRoom 64 Lazy Tremolo 07 Tunnel 58 Hot Tremolo 08 Jazz Club 73 Delay REV2 14 Recital Hall 76 Delay REV5 17 Tail Plate 83 Chorus REV4 Long Plate 92 Flanger REV5 BAL UNBAL BAL UNBAL 24 Short Delay 98 Gate Reverb 32 Soft Chorus 80 88 Tap Delay N 39 Heavy Chorus 0 t2 Test Tone 00 KOY y Classic Flanger Pr Pink Noise 20dB PAD 20dB 44 Modern Flanger 50 Cool Phaser 54 Wild Phaser 5 Slow Pan 59 Mild Shift 1 e 3 4 5 6 7 9 11 10 12 PHONIC 00 23 __ 12 CHANNEL MIC LINE DLSU CH URUS IM PACT 8 1 MIXER WITH 32 40 BIT EFX 24 39 FLNGE PHASER 40 55 CTRLRM PAN TREMOLO PHONES O REC OUT 55 71 ace COMBO VERB 7 12 991 5 7 4 TAP DELAY gt LMID NS E p LN IASS RO AB 100 Hz 100 Hz gk 10
13. as to allow the PEAK indicator to light up on regular intervals only This will ensure a greater dynamic range of audio This indicator also doubles as a Mute indicator when the channel s mute button is engaged Sig Indicator This LED indicator shows when the input level reaches 20 dBu basically showing when a signal is received by the corresponding channel PFL Button The PFL or Pre Fader Listen button is pushed to allow the signal of a channel to be sent to the CTRL RM PHONES mix pre fader post EQ for use with either headphones or studio monitors This allows easier setting of the input gain and tracking of audio by sound engineers The Sig LED above the button will illuminate when PFL is activated Channel Level Control This 60 mm fader will alter the signal level that is sent from the corresponding channel to the Main L R mixing bus IMPACT 8 4 12 4 16 4 24 4 8 4X 12 4X 16 4X 24 4X PHONIC Digital Effect Engine The following refers to Impact X models only 32 33 34 Digital Effect Display This 2 digital numeric display shows the program number that is currently applied to your EFX audio signal When you rotate the Program control you can scroll through different program numbers however the display will revert back to the original program if a new program is not selected within a few seconds For a list of available effects please observe the Digital Effect Table Sig and Clip Indicators L
14. ating this apparatus Keep these instructions for future reference Heed all warnings to ensure safe operation Follow all instructions provided in this document Do not use this apparatus near water or in locations where condensation may occur Clean only with dry cloth Do not use aerosol or liquid cleaners Unplug this apparatus before cleaning Do not block any of the ventilation openings Install in accordance with the manufacturer s instructions Do not install near any heat sources such as radiators heat registers stoves or other apparatus including amplifiers that produce heat Do not defeat the safety purpose of the polarized or grounding type plug A polarized plug has two blades with one wider than the other A grounding type plug has two blades and a third grounding prong The wide blade or the third prong is provided for your safety If the provided plug does not fit into your outlet consult an electrician for replacement of the obsolete outlet Protect the power cord from being walked on or pinched particularly at plug convenience receptacles and the point where they exit from the apparatus Only use attachments accessories specified by the manufacturer Use only with a cart stand tripod bracket or table specified by the manufacturer or sold with the apparatus When a cart is used use caution when moving the cart apparatus combination to avoid injury from tip over Unplug this apparatus during
15. d to provide a peaking style of boost and cut to the level of middle frequency sounds ata range of 15 dB The Impact mixer also provides a sweep control allowing you to select a center frequency between 100 Hz and 8 kHz Changing middle frequencies of an audio feed can be rather difficult when used in a professional audio mix as it is usually more desirable to cut middle frequency sounds rather than boost them soothing overly harsh vocal and instrument sounds in the audio Stereo channels differ slightly in that they feature a High Mid and Low Mid control for adjusting Middle Frequency sounds with set frequencies of 3 kHz and 800 Hz 23 24 25 SL sir A LE a a o a a o o a om te e 13 ope m nnn 5 Ld vlr o 13 o oe ES T A silo 1 a a es m te IES Ld 8 aS A l9 te o ES Li aS Be 12 te ie ES 8 e LA 12 te te 4 ers 10 v dB 15 gt vili Pas P3 fua Low Frequency Control This control is used to give a shelving boost or cut of x15 dB to low frequency 80 Hz sounds This will adjust the amount of bass included in the audio of the channel and bring more warmth and punch to drums and bass guitars AUX Cont
16. e button Before turning Phantom Power on turn all level controls to a minimum to avoid the possibility of a ghastly popping sound from the speakers PHANTOM POWER NB Phantom Power should be used in conjunction with balanced microphones When Phantom Power is engaged single ended unbalanced microphones and instruments should not be used on the Mic inputs Phantom Power will not cause damage to most dynamic microphones however if unsure the microphone s user manual should be consulted a a o N 10 5 10 E 47 EFX Send 1 and 2 Master Controls These rotary controls adjust the final level of the EFX 1 and 2 signals as taken from the EFX controls on each channel strip the audio of which is sent to the corresponding EFX sends Also accompanying the EFX Send controls is an AFL button allowing users to send the post fader signal to the Control Room Phones mixing bus The EFX 2 master control also determines the final level of the audio sent to the built in Effects processor of the Impact X mixer IMPACT 8 4 12 4 16 4 24 4 8 4X 12 4X 16 4X 24 4X 48 49 PHONIC Mono Channel Controls The 60 mm faders is the final level control for the Mono mixing bus the signal of which is sent to the Mono Subwoofer output on the rear of the Impact Th
17. e included AFL button allows users to send the post fader Mono signal to the Control Room mixing bus A Low Pass Filter has been included to cut unwanted high frequency sounds of the mono output at a rate of 12 dB per octave for a clearer bass sound when using subwoofers The switch turns the Low Pass Filter on and off whereas the accompanying control adjusts the cut off frequency between 60 and 160 Hz Control Room Phones Control This control is used to adjust the audio level of the Control Room and Phones feeds for use in the monitoring and tracking of audio The signal is then sent to the Control Room outputs on the rear of the Impact mixer as well as the Phones jack on the face of the mixer Typically the signal sent to the Control Room and Phones mixing buses will be the Main L and R signal however if any AFL After fader listen buttons are pushed they will take precedent over the Main L and signal If however a PFL Pre fader listen is pushed that will be the signal heard instead of either the AFL or Main L and R signals as shown in the table below Priority Signal From PFL 11 PHONIC 50 Level Meter 51 52 53 12 These 12 segment level meters give an accurate indication the level of the Main left and right audio signals The O dB indicator illuminates is approximately equal to an output level of 4 dBu balanced and the PEAK indicator illuminates about 1 5 dB before the signal
18. eaker Tape input can be routed to aux 1 and aux 2 Handy mini stereo for MD MP3 player re corder e Built in switching power supply with universal connector 100 240VAC 50 60Hz e Optional Rack mounting kit for Impact 8 4 and Impact 8 4 X only model name ER8IM e impact X models further feature 32 bit DSP dig ital multi effect processor with 99 programs IMPACT 8 4 12 4 16 4 24 4 8 4X 12 4X 16 4X 24 4X BASIC SETUP Getting Started 1 Ensure all power is turned off on the Impact Mixer To totally ensure this the AC cable should not be connected to the unit All faders and level controls should be set at the lowest level and all channels switched off to ensure no sound is inadvertently sent through the outputs when the device is switched on All levels should be altered to acceptable degrees after the device is turned on Plug all necessary instruments and equipment into the device s various inputs as required This may include line signal devices as well as microphones and or guitars keyboards etc PTurn the gain of the selected channel to a degree that allows the audio level shown in the level meter to sit around O dB ensuring it never reaches 7 dB Plug the supplied AC cable into the AC inlet on the back of the device ensuring the local voltage level is identical to that required on your device Plug the supplied AC cable into a power outlet of a suitable voltage Turn the power switch on IMPACT
19. eo inputs The feed from these inputs can be adjusted using the Stereo Return controls on the face of the mixer When connecting a monaural device to the AUX Return inputs simply plug a 1 4 phone jack into the left mono input and the signal will appear in the right as well Auxiliary AUX 1 and 2 Outputs These balanced XLR jacks and unbalanced 1 4 TS phone jacks are the final output of line level signal fed from the corresponding auxiliary send mixing buses and are best suited for use with external effect processors or stage monitors Feeding the output from the Auxiliary outs to an amplifier and possibly an equalizer and then to a floor monitor speaker allows artists to monitor their own instruments or vocals whilst performing 7 EFX Effect Sends These 1 4 TS outputs are the final output from the EFX send mixing bus This feed may be used to con nect to an external digital effect processor or even to an amplifier and speakers depending on your de sired settings IMPACT 8 4 12 4 16 4 24 4 8 4X 12 4X 16 4X 24 4X Rear Panel 8 Foot Switch Jacks Impact X only 10 11 12 This port is for the inclusion of a foot switch non latchable used to remotely adjust properties of the Impact X s built in Digital Effects Engine Using a footswitch with this jack will allow users to mute and un mute the Digital Effects Control Room Phones These tw
20. ers to listen to the music that is being played Mute Button This button mutes the EFX channel effectively stopping the signal processed by the built in Effects Engine from being sent to the Main L R mixing bus PFL Button The PFL or Pre Fader Listen button is pushed to allow the signal of the Effects Engine to be sent to the CTRL RM PHONES mix This allows easier tracking of audio by sound engineers DSP Effects Fader This 60mm fader will alter the signal level that is sent from the Effects Engine to the Main L R mix Tape In Section 39 40 10 Level Control This controls the level of the signal received through the Tape In mixing bus to be sent to the Control Room Phones and or Main L R mixing buses as selected by the user CTRL RM and MAIN Buttons These buttons allow users to send the Tape In signal to these particular mixes Sending the Tape In signal to the Control Room mixing bus is useful in monitoring of the signal whereas sending it to the Main L R allows users to combine the Tape In signal with the main mix To avoid any unwanted feedback don t press the MAIN button down when the Record Out signal is returned to the Mixer through the Tape Inputs 41 To AUX 1 and 2 Controls These controls allow users to adjust the signal level of the Tape In that is sent to the auxiliary 1 and 2 mixing buses Master Control Section 42 Stereo Return To AUX 1 and 2 Controls
21. g an unbalanced microphone please ensure phantom power is switched off However when using condenser microphones the phantom power should be activated Line In Jacks These balanced inputs accept 1 4 TRS and 1 4 TS line inputs for the addition of various music instruments such as keyboards drum machines electric guitars as well as a variety of other electric instruments Insert Jacks The primary use for these TRS phone jacks is for the addition of external devices such as dynamic processors or equalizers to the corresponding mono input channel This will require a Y cord that can send and receive signals of the mixer to and from an external processor The tip of the TRS jack will send the signal from the input channel and the ring will return the signal back to the mixer the sleeve is the grounding INSERT Y CORD i eeve Stereo Channels The two stereo channels on the Impact mixers include XLR Mic inputs and 1 4 TS phone jacks They can be used in conjunction with various stereo devices such as synthesizers and keyboards Also by connecting a mono signal to the left phone jack the Impact automatically doubles the signal over to the right channel This is known as jack normalizing Stereo Returns The 1 4 TS Stereo Return inputs are for the return of audio to the Impact mixer processed by an external signal processor If really needed they can also be used as additional ster
22. in output Channels 1 4 unit gain EQ flat all channels on main mix chan 48V DC Master 48V DC Master 0 1 dB 0 3 dB 0 1 dB 0 3 dB nels 1 3 as far left as possible channels 2 4 as far right as possible Reference 6dBu Master unity channel fader 86 5 dBu 86 5 dBu 86 5 dBu 86 5 dBu down Master unity channel fader 84 dBu 84 dBu 84 dBu 84 dBu unity 16 IMPACT 8 4 12 4 16 4 24 4 8 4X 12 4X 16 4X 24 4X PHONIC pa MEN 150 ohms terminated max lt 129 5 dBm lt 129 5 dBm lt 129 5 dBm lt 129 5 dBm gain 14dBu 20Hz to 20 2 lt 0 005 lt 0 005 lt 0 005 lt 0 005 channel inputs a cut filter on mono chan 75 Hz 48 75 Hz 18 dB oct 75 Hz 18 dB oct 75 Hz 18 dB oct Low pass filter on main mono 60 160 Hz variable 60 160 Hz variable 60 160 Hz variable 60 160 Hz variable output 12 dB oct 12 dB oct 12 dB oct 12 dB oct Built in Switching Power m 240 VAC E 240 VAC m 240 VAC 2 240 VAC o 50 60 Hz 50 60 Hz 50 60 Hz 50 60 Hz 7 2 kg 15 9 8 7 kg 19 2 lbs 10 5 kg 23 1 Ibs 13 5 kg 29 7 Ibs 510x112x437 2 642x112x437 2 774x112x437 2 1038x112x437 2 Dimensions WxHxD mm mm mm mm 20 4 4 17 2 25 3 4 4 17 2 30 5 4 4 17 2 40 9 4 4 17 2 IMPACT 8 4 12 4 16 4 24 4 8 4X 12 4X 16 4X 24 4X 17 PHONIC DIMENSIONS Oo ell O
23. is switch is used to turn the mixer on and off Ensure you turn all level controls down before activating Channel Controls 18 19 20 21 22 Low Cut Filter 75 Hz This button located on all mono PAD channels will active a high pass gt 19 filter that reduces all frequencies below 75 Hz at 18 dB per octave 18 helping to remove unwanted ground noise or stage rumble PAD Button Stereo Channels Only This button located on channels the final 4 mono channsl of all Impact mixers attenuates the input signal of the Mic or Line inputs by 20 dB This gives a greater dynamic range to the input allowing inputs with higher level signals to be used without the possibility of clipping Gain Control This controls the sensitivity of the input signal of the Line Microphone input of mono channels The gain should be adjusted to a level that allows the maximum use of the audio while still maintaining the quality of the feed This can be accomplished by adjusting it to a level that will allow the peak indicator occasionally illuminate or slightly lower than this High Frequency Control This control is used to give a shelving boost or cut of 15 dB to high frequency 12 kHz sounds This will adjust the amount of treble included in the audio of the channel adding strength and crispness to sounds such as guitars cymbals and synthesizers Middle Frequency Control This control is use
24. lighting storms or when unused for long periods of time Refer all servicing to qualified service personnel Servicing is required when the apparatus has been damaged in any way such as power supply cord or plug is damaged liquid has been spilled or objects have fallen into the apparatus the apparatus has been exposed to rain or moisture does not operate normally or has been dropped CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER OR BACK NO USER SERVICEABLE PARTS INSIDE REFER SERVICING TO QUALIFIED PERSONNEL The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated dangerous voltage within the product s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons The exclamation point within an equilateral triangle is in tended to alert the user to the presence of important operat ing and maintenance servicing instructions in the literature accompanying the appliance WARNING To reduce the risk of fire or electric shock do not expose this apparatus to rain or moisture CAUTION Use of controls or adjustments or performance of procedures other than those specified may result in hazardous radiation exposure IMPACT 8 4 12 4 16 4 24 4 IMPACT 8 4X 12 4X 16 4X 24 4X Mixing Console USER S MAIN UATE TABLE
25. o 1 4 Phone Jack outputs feed the signal altered by the Control Room level control on the face of the mixer This output has extensive use as it can be used to feed the signal from the mixer to an active monitor for the monitoring of the audio signal from within a booth among many other possible uses Mono Subwoofer Output This male XLR and 1 4 TS output feeds a monaural signal of the Main L R signals combined as adjusted by the accompanying level control This is ideal for use with a mono sound system or for the addition of a subwoofer to your set of speakers adding more punch to low frequency sounds Main Outputs These outputs will output the final stereo line level signal sent from the main mixing bus The primary purpose of the two male XLR jacks and 1 4 phone jacks is to send the main left and right output signal to external devices which may include power amplifiers and in turn a pair of speakers other mixers as well as a wide range of other possible signal processors equalizers crossovers etcetera 12V Lamp This XLR socket allows you to attach a 12 Volt 7 Watt gooseneck lamp allowing better visability in areas with poor light IMPACT 8 4 12 4 16 4 24 4 8 4X 12 4X 16 4X 24 4X PHONIC CONTROL RM FOOT B SWITCH L EFX ON OFF Q 13 Power Connector This is for the addition of an AC power cable allowing power to be supplied to the mixer Please use the power cable that is included with
26. ocated within the Digital Effect Display are Clip and Sig LEDs The Sig LED will light up when any signal is received by the effect processor and the Clip LED will light up shortly before excessive signals are dynamically clipped If the Clip LED lights up too often it may be advisable to turn down one or all EFX controls on input channels to ensure the signal level is not too high Program Control This control is used to scroll through the various effects Turning the control clockwise will allow users to ascend into higher program numbers and turning it counter clockwise will allow users to descend into lower program numbers Pushing this control will apply the new effect When a tap delay effect is selected pressing this control will allow users to select the tap delay time By pushing the button several times the effect processor interprets the time between last two pushes and remembers this as the delay time until the button is pushed again this is kept even after the power is turned off When the tap delay effect is selected a small LED will flash within the digital effect display window at the selected intervals PROGRAM PHONIC 35 36 38 To Aux 1 and 2 Controls These controls allow users to adjust the signal level that is being sent from the Effects Engine to the auxiliary 1 and 2 mixing buses the signal of which IS suitable for connecting stage monitors allowing artists or engine
27. rols These two AUX controls alters the signal level that is being sent to the auxiliary 1 and 2 mixing buses the signal of which is suitable for connecting stage monitors allowing artists to listen to the music that is being played or to fed to an external effect processors EFX 1 and 2 These two controls adjust the level of audio sent from the channel to the EFX 1 and 2 mixing buses The EFX 2 signal is also sent to the built in digital effects processor allowing users to apply effects to the signal IMPACT 8 4 12 4 16 4 24 4 8 4X 12 4X 16 4X 24 4X 26 27 28 29 30 31 Pan Balance Controls This alternates the degree or level of audio that the left and right side of the main mix should receive On mono channels the PAN control will adjust the level that the left and right should receive pan where as on a stereo channel adjusting the BAL control will attenuate the left or right audio signals accordingly balance Mute Button This button mutes the channel effectively stopping all audio fed into the inputs from being send to the Main L R mixing bus as well as the AUX 1 AUX 2 EFX 1 and EFX 2 mixing buses This indicated just below the button labeled Peak will be illuminated when the channel is muted Peak Indicator This LED indicator which doubles as a mute indicator will illuminate when the channel hits high peaks 6 dB before overload occurs It is best to adjust the channel level control so
28. ted by the user s manual Phonic at its option shall repair or replace the defective unit covered by this warranty Please retain the dated sales receipt as evidence of the date of purchase You will need it for any warranty service No returns or repairs will be accepted without a proper RMA number return merchandise authorization In order to keep this warranty in effect the product must have been handled and used as prescribed in the instructions accom panying this warranty Any tempering of the product or attempts of self repair voids all warranty This warranty does not cover any damage due to accident misuse abuse or negligence This warranty is valid only if the product was purchased new from an authorized Phonic dealer distributor For complete warranty policy information please visit http www phonic com CUSTOMER SERVICE AND TECHNICAL SUPPORT We encourage you to visit our online help at http www phonic com help There you can find answers to frequently asked questions tech tips driver downloads returns instruction and other helpful information We make every effort to answer your questions within one business day Phonic America Corporation 6103 Johns Road 7 Tampa FL 33634 813 890 8872 support phonic com http www phonic com PHONIC PHONIC WWW PHONICE
29. th varying inputs yet displaying the same efficacy you have no doubt purchased a mixer that will not only proove ideal for your application but will outlast many others We know how eager you are to get started wanting to get the mixer out and hook it all up is probably your number one priority right now but before you do we strongly urge you to take a look through this manual Inside you will find important facts and figures on the set up use and applications of your brand new mixer If you do happen to be one of the many people who flatly refuse to read user manuals then we just urge you to at least glance at the Instant Setup section After reading through the manual please store it in a place that is easy for you to find because chances are there is something you missed the first time around FEATURES e Audiophile Quality 4 ultra low noise e Mono channels with inserts and phantom power e 2 stereo channels with 4 band EQ 10 14 18 26 mic preamps on Impact 8 4 8 4 X 12 4 12 4X 16 4 16 4X 24 4 24 4X e EQ with swept mid range plus low cut on each mono channel 18dB oct 75Hz low cut filter on each mono channels 4 aux sends aux 1 amp 2 with XLR and 1 4 output jacks 2 stereo aux returns each with effect to moni tor Pad on mono channels to handle difficult sig nals e Main Stereo and Mono output with XLR and 1 4 jacks e Mono output with variable low pass filter for subwoofer sp
30. this mixer only The Fuse holder located below the AC Power connector is of course for the Impact s fuse If the fuse happens to blow open the holder cover and replace the fuse with a 13 suitable replacement as indicated underneath the power connector MAINS POWER 100 240V 50 60Hz 50W FUSE T1 6AL 250V for 100 240V Main Mixing Panel 14 Tape Inputs The first of these inputs accommo dates RCA cables from such devices as tape and CD players In addi tion to these inputs REC OUT however Phonic has incorporated a mini stereo port for the inclusion of mini disc MD portable CD and MP3 players such as the Apple iPod as well as lap top computers The line from this feed is directed to the Tape In mixing bus which users are able to feed to the Control Room AUX 1 and 2 or Main L R mix ing buses 15 Record Outputs As with the Tape In ports these outputs will accom modate RCA cables able to be fed to a variety of re cording devices Also included are mini stereo ports for the addition of recording devices such as MD players and laptop computers 16 Headphones Output This output port is best suited for use with headphones allowing monitoring of the mix The audio level of this output is controlled using the Control Room Phones control on the front panel s master section PHONIC CONTROLS AND SETTINGS Rear Panel 17 Power Switch Th
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