Home

Roland Jupiter 6 Owners Manual

1. PORTA GUS BALANCE BENDER TIME MENTO SANDO RATE RANGE DOWN DE EI CTS E 00 5 el x 89 on T New E o w __ 00 O 09 060 NOTE If the PATCH PRESET buttons turn ed on the same BANK and Patch Num ber e g A 1 will sound completely dif ferent i e the Patch Preset of A 1 is in use instead of the Patch Memory A 1 s 1 SPLIT 2 SOLO UNISON POLY POLY 2 HOLD 2 2 4 WHOLE LOWER UPPER PATCH PRESET Check if this button is ON or OFF Performance with a Patch Preset The Patch Preset function allows you to write a tone color and various effect modes into a Patch Preset or even one pair of tone colors and two different mode setting in the SPLIT mode There are 32 Patch Presets and any of these can be in use just by pressing the buttons Operation Turn the PATCH PRESET button on The indicator will light up Then select a Patch Preset by pressing a BANK but and Patch Number button P Example PATCH PRESET D 8 PATCH PRESET By using a Pedal Switch DP 2 etc the Patch Shift function is made available Each time you press the Pedal the Patch Preset Number will change as 1 gt 2 gt ee gt 8 1 i e you can call the Patch Presets in the same Bank one after another during live performance SC An NUMBER z IES FETT ON ON BAN
2. e 30119 pue 1281044 aul EE 7777 QOH 01093 wos Away e Burseajay 2 bp eee sogni 1 UOUN 1081014 2 1 7 TEXT Oi993duv Asouayy 2 auus us p o NOISSV e EUR a mee uonounj 12091014 8 A C GONV Ive Aowa 1 Qo PCT 370HM 11145 A33 62000070 apow SIOHM V 9 22227277 yoked e bunsales Be EE yed 941 9 e D jeuiBuQ MOA AL 9 777777777 u01128S jaueg aui puedjonuo9 D Eso uona JOJIUOD i S suon3euuo O Ud U0D 10120485 QN38 0 GOW 2 047 8 H 30N38 0 zi gt Kee 1 roe dee E BEBES GE GE GE GE SEE Etape Es 2 041 6 5 TVNNVIA 10182ipui 1931043 AUOWay 5 fi AYOWAW Y NY 3 HILSYN 6 saquinn Q 13538d HOLVd INV 135384 Q zanas D B Nosinn 1 A104 B z A10d uaadn 8 Doa r z t r Fo ate Ae HIJHWNN fi
3. When Power up next mode messages are sent ver 1 2 POLY ON ver 3 4 All Notes OFF OMNI OFF POLY ON ver 1 2 127 ver 127 124 123 ver 4 123 Mode 1 OMNI ON POLY Mode 2 OMNI ON MONO O Yes Mode 3 OMNI OFF POLY Mode 4 OMNI OFF MONO X No 6 voice synthesizer MODEL JP 6 TRANSMITTED DATA Status Second Third Description 1001 0000 Okkk kkkk 0100 0000 Note on 1001 0001 Okkk kkkk 0100 0000 Note on lower only kkkkkkk 36 96 1001 0000 Okkk kkkk 0000 0000 Note off 1001 0001 Okkk kkkk 0000 0000 Note off Clower only kkkkkkk 36 96 1100 0000 Oppp Program Change 1100 0001 Oppp pppp Program Change PPPPPPP 0 31 1011 0000 0111 1011 0000 0000 ALL NOTES OFF 1011 0001 0111 1011 0000 0000 ALL NOTES OFF Clower only 1011 0000 0111 1100 0000 0000 OMNI OFF 1011 0001 0111 1100 0000 0000 OMNI OFF 1011 0000 0111 1111 0000 0000 POLY ON 1011 0001 0111 1111 0000 0000 POLY 1111 0110 Tune notes half In WHOLE mode the 1 6 sends messages in only channel 1 In SPLIT mode channel 1 and 2 are allocated to the upper ang lower of the keyboard respectively is applied following messages are sant ch 1 ALL NOTES OFF OMNI OFF POLY ON When power When PATCH PRESET button is pressed following messages are sent OFF messages for being ON notes cth 1 and ch 2 ALL NOTES OFF OMNI OFF POLY ON ch 1 and ch 2 PROGRAM CHANGE NOTE ON messages for being pressed notes Whe
4. d an 101821pui Y OLNSINVLHOd an o ONVSSI15 8l 4 1 usav 6 A3 09 usay MO1104 A33 ono am Z ANZ NAS 6 9 anni 8 WHOdJ3AVM 2 L AN3 GOW SSOHO G WHOAZAVM 13A31 ZAN3 031 8 uonoes jaueg 10108185 ZGON uaxiw GD JONVNOS3H 60 10128885 ANI pow AN3 EZ Md EL 3NMIOA Wd pl 1 10193195 NMd G TVANVA GOW SSOYO 9 aw QL WHOJ3AVM 9 on rana ED 10333485 POW el UOHDS j041u0 ENUEN Basic Connections EXT CONTROL ARPEGGIO PATCH PEDA CLOCK IN SHIFT HOLD Unbalance P22 GH Please be sure that this switch is set to ON when turning the JP 6 on or off Keyboard Amp Audio Amp Recording Unit PA Mixer MIDI standard devices JX 3P HP 300 400 etc Guitar Amp PEDAL SWITCH important The Balance output is not Please do not connect affected by LEVEL HM the DIN pida M not STEREO HEADPHONES MIDI FOOT VOLUME Adjust the volume ES 200 level with the VOLUME knob on the JP 6 Bescheinigung des Herstellers importeurs em EC Ger t Typ Bezeichnung in bereinstimmung mit den Bestimmungen der MM cR MN Amtsblattverfiigung lt gt A wech Ke 00
5. Now you cari use the data of the Tape 11 at any time you need by loading the Bank data separately into the JP 6 t is even more convenient to give a Data Name to each Bank data For instance you can give Data Name A to the Bank A data and Data Name B to the Bank B and so on If you wish to load only the Bank B data just assign the Data Name B and play the tape from the beginning Then only the Bank B data will be loaded If you choose the Data Name which is not saved in the tape nothing will be loaded even though the tape is played up to the end 37 SPECIFICATIONS e Jupiter 6 6 Voice Programmable Polyphonic Synthesizer Keyboard 61 key 5 Octaves C scale VOLUME Manual Section RANGE 32 2 chromatic adjustment CROSS MOD ENV 1 MANUAL VCO 2 WAVEFORM A TJ NOISE RANGE Low 32 2 chromatic adjustment High High 2 0 5 or more Low 1 5Hz 50Hz TUNE x 50 cent SYNC 1 VCO 2 VCO 2 gt VCO 1 VCO MOD LFO 10 oct ENV 1 5 oct VCO MOD selector VCO 1 VCO 2 PWM PW 50 096 PWM PWM selector ENV 1 LFO MIXER SOURCE MIX VCO 1 VCO 2 VCF Mode LPF 24dB 244 BPF 12dB CUTOFF FREQ 5Hz 30kHz RESONANCE ENV 10 oct or more ENV selector ENV 1 ENV 2 LFO 10 oct or more KEY FOLLOW 0 120 VCA ENV 2 LEVEL Max 60dB LFO ENV 1 for VCO VCF PWM Attack Time Max 18s Decay Time Max 20s Sustain Level Release Time Ma
6. 0 31 0000 ALL NOTES OFF 0000 ALL NOTES OFF lower only 0000 OMNI OFF CALL NOTES OFF 0000 OMNI OFF CALL NOTES OFF 0000 OMNI ON CALL NOTES OFF 0000 OMNI ON CALL NOTES OFF mmmm MONO ON CALL NOTES OFF mmmm MONO ON CALL NOTES OFF 0000 POLY ON CALL NOTES OFF 0000 POLY ON ALL NOTES OFF5 Tune 123 127 are also recognized as ALL NOTES OFF Mode messages are recognized as follows H D OMNI OFF 87C OMNI ON 87 t DH In this mo POLY ON MONO ON OMNI OFF OMNI ON POLY 1 POLY OMN H NI ON Buy 1 BONY de only message can change to OMNI OFF Recognized channels defer to the KEY moda and MIDI mode as follows KEY m SPLIT ode MIDI mode POLY POLY MONO MONO OMNI OMNI OMNI OFF ON ON recognized channel number voice messages mode messages ch 1 ch 1 ch 2 all channels ch71 ch 2 ch 1 for upper ch 2 ch 2 for lower all ch for upper ch 1l ch 2 6 voice synthesizer JP 6 MIDI Implementation Chart Transmitted Recognized Remarks Function ver 1 2 OLD MIDI Basic Default CH2 Lower Channel Changed ver 1234 X 6 0 Default x ver 1 2 3 4 Mode 1 Messages OMNI OFF POLY OMNI ONZ OFF POLY 6 Mode 3 Altered 36 96 The Note Number message that gi ves less than 5 ms from Note ON to Note OFF cannot be r
7. You can write the patch you have synthe sized in the Manual Section or the edited patch into the Patch Memories The old patch memory previously written is auto matically deleted when you have com plated writing a new patch memory IV Writing your Original Patches into the Patch Memories A Writing in the WHOLE mode eSet the Key Mode to WHOLE eTurn the PATCH PRESET button eft ePress the MANUAL button synthesize your own sound or edit the existing Patch Memory by controlling the Manual Section ePress the WRITE button The indicators of the Patch Number but tons will flash Pressing the WRITE button again will cancel this mode eBy pressing the BANK button and the Patch Number button select the Patch Program to be written a The indicators of the chosen Patch Memory light up and the indicator of the other NUMBER buttons go out displaying that writing into a Patch Memory is completed b If you select the Patch Memory that is protected indicators of that Patch Memory will keep flashing display ing that writing is not possible If you wish to replace this Patch Memory with a new one do as instructed in 3 Releasing a Patch Memory from the Memory Protect and writing a New Patch a on P 24 f you write the Edited patch into the same Patch Memory where it was nally written the original Patch will be replaced with the Edited one If you write this Edite
8. D funk entst rt ist Der Deutschen Bundespost wurde das Inverkehrbringen dieses Ger tes angezeigt und die Berechtigung zur berpr fung der Serie auf Einhaltung der Bestimmungen eingeraumt Roland Corporation Name des Herstellers Importeurs GLIS MENTO SANDO RATE RANGE DOWN DETUNE KEY MODE The Memory Panel section includes various performance control functions By using any of the 48 pre programmed Patch Memories or your own synthesized patch with the various effects such as an Arpeggio or Glissand etc wide variety of Performance with a Patch Memory Selecting a Patch Memory Press the PATCH PRESET button to turn it off The indicator goes out Then select any Patch Memory you like with the BANK button and Patch Number button By connecting a Pedal Switch DP 2 etc to the PATCH SHIFT jack the Patch Shift function is available P 33 i e each time you press the Pedal the Patch Number in the same Bank changes as 1 gt 2 gt 3 gt 4e 8 5 1111110101118 SOLO UNISON POLY POLY 2 HOLD I Performance Control in the Memory Panel Section performance is available Also you can write this into a Patch Preset for quick retrieval later in live performance The JP 6 offers even more attractive fun ctions please read this manual and ex plore them Example B 3 Patch Memory B 3 ____
9. Roland J S Owner s Manual JP 6 Roland Operation Manual JUPITER B PROGRAMMABLE POLYPHONIC SYNTHESIZER The 6 includes memory capacity to retain up to 48 different synthesizer patches P 22 Any program in memory can be tem porarily edited during live performance P 13 You can write a Tone color and various effect modes into any of the 32 Patch Preset memories for quickly using them later during live performance 14 Battery back up system to retain the memory even when switched off P 26 eDETUNE function allows a powerful ensemble effect in SOLO UNISON or UNISON mode quick tuning of all the 12 VCO s is possible by the automatic tuning function P 13 By changing the Key Mode WHOLE SPLIT 1 amp SPLIT 2 and Key Assign POLY 1 POLY 2 UNISON SOLO and SOLO UNISON various attractive ef fects will be obtained FEATURES The Jupiter 6 JP 6 is the 61 key 6 voice 12 VCO polyphonic synthesizer that offers an exceptionally wide va riety of rich sounds therefore greatly expands the performance capabilities different Arpeggio effects available by controlling the Arpeggio MODE and RANGE The tape interface enables you to save the 48 Patch Programs and 32 Patch Preset memories into an ordinary tape recorder for storage and later retrieval The Manual Section includes various interesting functi
10. 1111 0000 0000 POLY ON 1011 bbbb 0111 1111 0000 0000 POLY ON 1111 0110 Tune notes version 6 MIDI channel 1 1 if 1111 then bbbb 0000 When power is applied 0000 version 3 4 0000 bbbb 0001 In following description A and B represent 1 and bbbb 1 respectively In WHOLE mode the JP 6 sends messages in only channel A In SPLIT mode channel A and B are allocated to the upper and lower half of the keyboard respectively Where 15 1 B is bbbb 1 When power is applied following messages are sent ch 1 ALL NOTES OFF OMNI OFF POLY ON When MIDI channel is changed following messages are sent version 6 OFF messages for being ON notes Old and ch B ALL NOTES OFF OMNI OFF POLY ON New ch A and ch B ALL NOTES OFF OMNI OFF POLY ON NOTE ON messages for being pressed notes When PATCH PRESET button is pressed following Messages are sent OFF messages for being ON notes ch A and ch B ALL NOTES OFF OMNI OFF POLY ON ch A and ch B PROGRAM CHANGE NOTE ON messages for being pressed notes When all notes turn OFF Version Messages transmitted 3 ch 4 or ch B ALL NOTES OFF OMNI OFF POLY ON 4 6 ch A or ch B ALL NOTES OFF MIDI Implementation 2 RECOGNIZED RECEIVE DATA When power is first applied receiver s mode is set as follows t Version Mode 3 4 OMNI ON POLY 6 OMNI OFF POLY OMNI ON POLY While TUNE button is pre
11. WIDE button with the CROSS MOD SYNC 9 a unique effect can be obtained BEND VCO This sets the maximum Bender effect on the VCO VCF This sets the maximum Bender effect on the VCF When the Jupiter 6 is in the SPLIT mode you can turn the BENDER button on or off in the UPPER and LOWER section separately In the WHOLE mode the BENDER button is always on 8 BENDER lever Move this lever to change the pitch or tone color At its center position this has no effect on the Jupiter 6 s sound or settings while the left and right extremes of movement achieve the same amount of Bend in opposite directions LFO 2 MOD This is to turn on or off the effects set by the controls in the LFO 2 LFO 2 Sine Wave VCO This sets the depth of the vibrato effect when the LFO 2 is modulating the VCO The output of the LFO is a sine wave v Deep modulation is not available by this LFO 2 as this is just for the vibrato effect VCF This sets the depth of the growl effect when the LFO 2 modulates the VCF RATE This adjusts the rate frequency of the LFO 2 Turning it clockwise raises the rate between approx 1Hz 10Hz RISE TIME This determines the time required for the LFO 2 s modulation to reach the depth set by the BEND knob in the Performance Control Section RISE TIME 21 eg Memory Protect Function If the MEMORY PROTECT switch is Please note that the MEMORY PRO set to ON all inter
12. press the appropriate BANK button You can choose more than one Bank but not more than the Banks saved in the tape Set the tape recorder to Play The data now will be loaded into the chosen Banks one by one in the priority order of A B C D E gt Example 1 When selecting BANKs A and D BANK Data Tape D E F acer PTET of the JP 6 6 If you hear the Pilot tone again the Tape Memory indicator is turned off and the indicators of the same Bank and Patch Number buttons light up as before Loading is completed Stop the tape recorder If you have loaded a Bank it will be loaded in the same Bank as saved gt Example BANK PA Data Tape B c D E mee ei of the JP 6 31 gt Example 2 When selecting BANKs C D E and F BANK wem ele oTe b N F bai bei end d gd ei of the JP 6 7 If you hear the Pilot tone again and the Tape Memory indicator is turned of and the indicators of the same Bank and Patch Number buttons light up as before stop the tape recorder Selecting a Data Name 1 Set the tape recorder so that the tape 4 Release the TAPE MEMORY button will start from just before the data f selecting a Bank here follow the you are going to load procedure 5 in the Selecting a Bank 2 Set the MEMORY PROTECT switch to OFF 5 Set the tape recorder to Play When the tape proceeds up
13. tape recorder 29 30 VERIFY 1 Set the tape recorder so that the tape will be played back from the very beginning of the recorded Data where you hear a Pilot tone f you use a tape recorder with the play back volume control set it to fairly high level 2 Press the VERIFY button while holding the TAPE MEMORY button down 3 Release the VERIFY button and the TAPE MEMORY button 4 Set the tape recorder to Play playing mode Now playing back the data and verifying it start 5 If you hear the Pilot tone again and the Tape Memory indicator is turned off and the indicators of the same Bank and Patch Number buttons light up as before verifying Verify is completed Stop the tape recorder For reassurance you may always verify after saving S there is an error the indi cators will be as shown below gt Example When there is an error within the BANK C B c p F Remains lighting Repeat the Verify procedures taking care of following points 1 Be sure to press the VERIFY button while the Pilot tone is still heard 2 Be sure to adjust the play back level of the tape recorder 3 Check if connections have been cor rectly made 4 Check if the Bank you are trying to verify is the one you saved If there was an error in the very beginning of the Verify procedure particularly take care of 1 and 4 If the Verify proce dure did not complete even a
14. the intensity of the ENV modulation over the VCF cutoff point This however has no effect if the FREQ knob f is set at 10 4 ENV Selector You can select between the ENV 1 or ENV 2 for the ENV modulation 050 LFO MOD This controls the amount of the LFO out put signal modulating the VCF the depth of the growl or wah effect 06 KEY FOLLOW This control the amount of the keyboard CV that changes the Cutoff Point of the VCF Raising this knob makes higher notes brighter The Jupiter 6 allows maximum of 120 percent over keyboard CV follow when this knob is set at 10 B 07 ENV 2 LEVEL This is used for the volume control when the VCA is modulated by the ENV 2 out put signal When you are writing the tone colors adjust the volume level to your ears to make them all sound in the same level for later comfortable listening NOTE The JP 6 features excellent capability of sound synthesizing so in some settings of the controls sound distortion may occur because of its excessively high volume If so lower this knob LFO MOD This knob is used to change the depth of the tremolo effect when the VCA is con trolled by the LFO output signal When all of the ADSR knobs are set at zero the waveform will be an extremely short Pulse wave and only a short click is heard Please be careful KEY FOLLOW Raising this knob makes the higher sound shorter This is useful to g
15. 1 DELAY TIME This sets the time required for the LFO signal to start working after the key is pressed When it is set to 10 delay time is approximately 2 5 seconds This Delay 19 MIX This is to mix the sounds from the VCO 1 and the VCO 2 at any proportion your like Turning this counterclockwise increase the volume of the VCO 1 and 60 MODE f the HPF switch is pressed down the VCF will function as a High Pass Filter and if the LPF is pressed as a Low Pass Filter If both switches are pressed down it will work as a Band Pass Filter 0 FREO In the LPF mode as you lower this knob higher frequency will be blocked in the HPF mode raising the same knob will block lower frequency the Band Pass mode raising this knob blocks the frequencies other than at the Cutoff Point 02 RESONANCE Raising this knob will emphasize the har monics at the Cutoff Point If controlling the VCF with this RES knob set to high you can obtain a sort of tone color im possible to make with any other musical instrument function does not work unless the key 18 attacked for each note Therefore in legato this is applied to only the first note Also this Delay function has no effect on PWM 14 and clockwise gt increases the VCO 2 If however the RANGE in the VCO 2 is set to LOW and this knob is turned fully clockwise there might be no sound heard Q3 ENV MOD This knob controls
16. K D NUMBER 8 14 ON MANUAL PROTECT WRITE TAPE MEMORY TETTE EEEEEEEE d e d EE LI e o o e Editing the Patch Preset You can edit any Patch Preset in use as This is where a Patch Preset you play While editing a Patch Preset by is edited using the controls in the Memory Panel section the indicator of the PATCH PRESET will flash If you are editing a Patch Preset by using the controls in the Manual Section no indicator flashes If you turn the PATCH PRESET button off at this stage the indicators start flashing This Edit function may be used asa real time performance control since this Edit function does not automatically rewrite the existing program unless the appro priate procedure for rewriting is done Refer to P 26 Therefore if you select the same Patch Program later you will hear the original tone color unchanged P Example 1 Editing the Patch Preset A 1 with the controls in the Memory Panel section eren SECH p flashes showing that this Patch Preset is being edited gt Example 2 Editing the Patch Preset A 1 as you play with the controls in the Manual section ERR PRESET III EEEE No indicator flashes PATCH PRESET PATCH PRESET ED CEP OFF This flashes showing that this Patch is edite
17. Though the Patch Memories are protected by battery back up system it is better to save them into a tape to prevent acciden tal erasure of the important data gt Connections SAVE TAPE RECORDER SAVE LINE IN Q MIC IN usc n a VERIFY LOAD Loap LINE OUT EAR MONITOR A SAVE 1 Set the tape recorder to REC re 2 While holding the TAPE MEMORY cording mode button down press the SAVE button f you put a Data Name to each data you are saving later loading proce REC PLAY dure will be considerably quickened Any BANK button of A to F can be used as a Data Name After pressing the SAVE button assign the Data Name Bank A to F quickly without releasing the TAPE MEMORY button If the Data are named B C D and A and saved in a tape In the same order you can load any one of these data much quicker just by pressing the relevant BANK button BANK A F hal on fa Data Name A ___ Holding this down TAPE MEMORY 27 3 Release the SAVE button first then the TAPE MEMORY button The Pilct tone will be sent from the SAVE jack TAPE MEMORY 4 If your tape recorder features the recording level control adjust it so that the Pilot tone will register near O VU In about five seconds the JP 6 starts to produce a Modulated tone instead of the Pilot tone i e saving into a tape recorder begins Be sure to complete adjusting the recor
18. UNISON POLY 1 POLY 2 HOLD WHOLE LOWER UPPE 8 s pa CEA TATEM EJ t Eg E CCO eg o 10 mE 0 B Changing the Split Point In the SPLIT mode the Split Point can be set at any place you like by the follow ing procedures Operation While holding either the SPLIT 1 SPLIT 2 button down press any key you like and the key will be the lowest note in the UPPER section UPPER LOWER SPLIT 1 SPLIT 2 4 2 2 4 d ji Hold this switch Press a key down O 09008 O 6000 eo DOB f you press the different keys one after another while holding the SPLIT but ton the first key will have the priority The first key will be the lowest note in the UPPER section The Split Point you have set will stay until you turn the JP 6 off or set a new Split Point The Split Point you have set cannot be written in the Patch Preset P 26 in this mode the JP 6 entire keyboard will react to one patch as a single 6 voice synthesizer Press the WHOLE button When you change from the WHOLE mode to the SPLIT mode the patch and the mode settings of the WHOLE mode will stay in the UPPER section un changed The LOWER section however differs f you change from the SPLIT mode to the WHOLE mode the patch and the mode settings of the UPPER section will stay in the WHOLE mode BALANCE This sets the volume level balance of the UPPER and LOWER sections in the SPLIT mode Rotati
19. ___ CH 5 ET OFF 1 1 N Please explore other Patch Memories too You can split the keyboard into LOWER and UPPER sections where even two dif ferent tone colors and mode settings can be assigned So the JP 6 can be played as two polyphonic synthesizers Press the SPLIT 1 button or the SPLIT 2 button to select this mode ee PROTECT WRITE TAPE MEMORY ESCH zeegt TL 9 o Press the UPPER button then set the n the SPLIT 1 mode 4 voices are as UPPER section to your taste If setting singed to the LOWER section and 2 the LOWER section press the LOWER voices to the UPPER button 68 In the SPLIT 2 mode 4 voices are as signed to the UPPER section and 2 voices to the LOWER Setting Example Organ like sound Piano like sound Split Point is where the keyboard is 511 you press the UPPER or LOWER splited into UPPER and LOWER button the indicators of the Patch Me sections mory and mode buttons light up dis This Split Point is automatically set at playing how each section has been set W mark when the JP 6 is turned on The Split Point when the JP 6 is turned on BALANCE BENDER TIME 5 1 om und d j PORTA GLIS UNISON MENTO SANDO RATE RANGE uP DOWN DETUNE ASSIGN SPLIT 1 SPLIT 2 4 2 2 4 SOLO
20. ately press and release another key the key being held down and the other key will alternately sound This effect is not available when more than 4 keys are pressed ln the SPLIT mode maximum voices applied to one key will be as follows 4 notes lkey gt 4voices 2 keys 2 voices each 3 4keys 1 voice each 2 notes lkey 2 voices each 2 keys 1 voice each JP 6 is turned to a monophonic synthe sizer and in the WHOLE mode all 6 synthesizer voices will be assigned to each key In the SPLIT mode 2 or 4 synthe sizer voices will be assigned to each key As you turn the DETUNE knob clockwise the pitch differences increase and the ensemble effect will be more intensive This mode turns the JP 6 to a 6 voice polyphonic synthesizer assigning one synthesizer voice to each key pressed It is suitable for the sound whose envelope curve is similar to Piano or Guitar etc but not appropriate for the Portamento effect e e _ UNISON 10 ARPEGGIO PORTA GLIS MENTO SANOO SPLIT 1 SPLIT 2 4 2 2 4 WHOLE LOWER UPPER This is very similar to POLY 1 assigning only one synthesizer voice to each key pressed The primary advantage of POLY 2 is that only the last note or notes play ed together receive their natural release length This mode is suitable for the per formance with the Portamento or Glis sando effect The JP 6 will
21. c f the PATCH PRESET button is turned on the Patch shift function is applied to Patch Presets The Patch Number can also be changed by the ven v LOAD 1 23 A external voltage over 2 5V pulse width over 20 ms CR 8000 5000 TRIGGER OUT D 55 eee ER aT DBS CSO 606 808 01 TRIGGER OUT 303 OUT CSQ 600 MC 4 der GATE OUT MPX OUT You can play Arpeggio with many kinds of patterns MIDI Musical Instrument Digital Interface MID BUS is the interface system that converts the CV or Gate signal to the digital signal for the communication between two connected units The information avaialble in the JP 6 is as follows a Key which key is played b Auto Tune c Patch Preset selection f the PATCH PRESET selector Switch is turned off information c cannot be exchanged Although the JP 6 MIDI BUS sends all the information a to c some of this may not be received by the external device if the relevant func tions are missing For instance if the external device does not include the Auto Tune function using the Auto Tune knob does not affect the external device at all On the other hand if the information other than a to c is sent to the JP 6 the JP 6 does not react at all 33 VII Arranging the Data By using the Copy function and the Tape Memory function you can change the order of the data previo
22. ccessories Options Headphone RH 10 Foot Volume FV 200 1 4 Standard jack level 0 15 30 dBm XLR Connector imp 600 22 Headphone jack Stereo 8 2 ARPEGGIO CLOCK IN 1 step 1 pulse 2 5V or more PATCH SHIFT DP 2 PEDAL HOLD DP 2 VCA CONTROL 20dB FV 200 VCF CONTROL 2 oct 6 oct FV 200 MEMORY PROTECT ON OFF ON LOAD DIN Connector OUT IN 30W 1063 W x 434 D x 120 H mm 41 7 8 W x 17 1 16 D x 4 3 4 in 16 kg 35 Ib 4 oz Power cable Connecting cord e Aluminum Case TB 6 Pedal Switch DP 2 VUrVUIUS JP 6 MIDI Implementation Chart Transmitted Recognized Remarks Function Basic Default 1 2 ver 1 2 OLD MIDI Channel Changed Default Mode Messages Altered OMNI OFF POLY OMNI ON OFF POLY MONO gt 0MNI Note 36 96 Number True voice 36 96 Note ON Note OFF X 9 v 64 9n v 0 fixed Velocity Control Change Prog O 0 31 Change True ok ok ck sk ok ok ole oe oe ke ok kk 0 21 System Song Pos x Song Sel x Common Tune Q System Clock X 5 X Real Time Commands Local ON OFF All Notes OFF Mes Active Sense Reset ver 1 2 125 127 ver 3 4 123 127 X X C X x 123 123 127
23. d 15 Manual Control Section WAVEFORM Ed EA EX p 0 n this section you can synthesize tone colors and save them into memory or edit the Patch Memory previously writ ten E VOLUME D VOLUME This knob adjusts the overall volume The volume level set here cannot be written in the Patch Memory When synthesizing in the Manual Con trol Section turn the MANUAL button on If you wish to edit the Patch Me mory call it by pressing the BANK and Patch Number buttons then edit it by using the controls within the Manual Control Section VCO 1 2 RANGE This RANGE Control enables the pitch control of the VCO 1 in half steps as the rotary switch is swept through its range 3 WAVEFORM This is to select the output waveform of the VCO 1 It is even possible to mix the different waveforms by pressing the switches at the same time but 1 and cannot be mixed together 4 CROSS MOD MANUAL When modulating the VCO 1 by the output signal of the VCO 2 you can con trol the intensity of the modulation with this knob If not using the VCO 2 as the sound generator turn the MIXER fully counterclockwise f the VCO 2 is set to function in its Low Frequency range Refer to O it will work as the LFO and the VCO 1 will produce more sophisticated modu lation effects Also if the VCO 2 is in its normal audio range the CROSS MO DULATION of the VCO 1 will pr
24. d patch into a different Patch Memory both the original patch and edited one will be retained If writing the Edited patch into the same Bank you do not need to press the BANK button but if into the dif ferent Bank it is strictly required to press the appropriate BANK button first then Patch Number button The indicators of this Edited Patch Memory light and other indicators flash so that you can easily tell which Patch Memory is edited If the writing is completed those indicators light and other go out f the MEMORY PROTECT switch is turned on all the memories will be protected but they can be accidentally lost by improper operation if turned off So to be secured it is recommened to protect the individual patch when writing it into memory as follows 23 24 eSet the Key Mode to WHOLE eTurn the PATCH PRESET button off ePress the MANUAL button and synthesize your own sound or edit the existing Patch Memory by con trolling the Manual Section While holding the WRITE button down select the Patch Memory where you wish to write a The Memory Protect indicator will turn orange and the indicators other than the Patch 5 go out dis playing that Writing with the Memory Protect is completed Set the Key Mode to WHOLE eTurn the PATCH PRESET button off ePress the MANUAL button and synthesize your own sound or edit a Patch Memory a Press the WRITE button then select the Patch
25. de the BENDER button will be always on Turn the BENDER button B on if con trolling the Control Panel section P 20 SES In the SPLIT mode you can turn this bender button on or off separately in the UPPER and LOWER sections Also in the SPLIT mode if you use the Foot Volume FV 200 to control the VCF it will have an effect on the section where the BENDER button has been turned on Whether this BENDER button is turned on or off does not af fect the VCA control with the Foot Volume Auto TUNE If you notice pitch differences among the VCO s simply press the Auto TUNE but ton then 12 VCO s will be immedia tely tuned automatically The overall tuning can be done with the MASTER TUNE knob B Y ou can edit any patch program in use as you play by moving the controls in the Manual Section The indicators of the Patch Number you are editing will light up displaying that The moment the JP 6 is switched on tuning is automatically done The Fi may be detuned if its body temperature changes so tuning will be necessary even after switched on This Edit function may be used as a real time performance control since this Edit function does not automatically rewrite the existing program unless the appro priate procedure for rewriting is done Refer to P 22 Therefore if you select the same Patch Program later you will hear the original tone color unchanged 13
26. ding level before this Modulated tone is heard f the Pilot tone is heard again saving is completed Stop the tape recorder All these saving procedures take about thirteen seconds STOP E Saving a Bank You can save each Bank separately as well as all 48 patches together 1 Set the tape recorder to REC re cording mode 2 While holding the TArE MEMORY button EB down press the SAVE button 3 Release the SAVE button first then the TAPE MEMORY button The Pilot tone will be sent from the SAVE jack Please remember to release the SAVE button before the TAPE MEMORY button TAPE MEMORY N Da 7 28 4 After releasing the TAPE MEMORY button choose any Bank you like quickly Complete this proce dure before the Modulated tone starts f you wish to save a Patch Preset data turn the PATCH PRESET button on when pressing the BANK button You can select up to 6 BAN Ks PATCH PRESET H P Example Pressing BANK button A will save the Patch Memories 1 to 8 in its Bank 8 patches and pressing B and F will save the Patch Memories within the Bank B and F 16 patches The Patch Memory of BANK A PATCH NUMBER 1 to 8 is saved E lt All the Patch Presets Patch Memory of BANK B x PATCH NUMBER 1 to 8 are saved Patch Memory of BANK F x PATCH NUMBER 1 to 8 5 If the Pilot tone is heard again saving is completed Stop the
27. e As you raise the slider the pulse width will be narrower If this is set to 10 the duty will be O percent i e there is no sound comming out PWM This sets the intensity of the pulse width modulation by the LFO or ENV 1 By WAVEFORM These switches are used to select the LFO output signal RANDOM will generate irregular voltage alteration SYNC This is used when syncronizing the VCO 1 and VCO 2 It is possible to synchronize the pitch of the VCO 1 to VCO 2 or that of VCO 2 to VCO 1 in both ways by changing the position of this switch Also using the CROSS MOD simultaneously will result in a wide variety of tone colors and effects 2 VCO MOD Selector By these two switches you can select if the LFO modulation or the ENV modula tion will be applied to either the VCO 1 or VCO 2 or both controlling the pulse width wide variety of tone colors are obtained f the PW is set at 10 the pulse width modulation by the ENV 1 signal does not have any effect Please adjust the PW 19 PWM Selector By pressing one of these switches you can select the pulse width modulation by either LFO or ENV 1 signal 47 RATE This knob changes the rate frequency of the LFO If raising this knob and select ing the RANDOM signal of the LFO you can obtain the effect just like pink noise modulation 17 18 WAVEFORM RATE DELAY E MIXER VCF ENV
28. eceived en jn ie NE Note OFF x 9n v 0 on the channel setting Pitch Bender dx x Control Change Prog Q 0 31 Change True k K GK ok ok K ok ok aK ok ok ok System Song Pos x Song Sel x Common Tune Q Q Clock Commands System Real Time Local ON OFF All Notes OFF CO 129 129 127 ver 1 2 125 127 Mes Active S OLD MIDI ense ver 3 123 127 x ver 46 123 127 MIDI 1 0 sages Reset When Power up next mode messages are sent ver 1 2 POLY ON ver 3 4 6 All Notes OFF OMNI OFF POLY ver 1 2 127 ver 3 127 124 123 ver 46 123 Mode 1 OMNI ON POLY Mode 2 OMNI ON MONO O 1 Yes Manda AMNI OEE POLY Mode 4 OMNI OFF MONO X NO 6 voice synthesizer MODEL JP 6 1 TRANSMITTED DATA Status Second Third Description 1001 Okkk kkkk 0100 0000 Note on 1001 bbbb Okkk kkkk 0100 0000 Note on lower only kkkkkkk 36 96 1001 Okkk 0000 0000 1001 bbbb Okkk kkkk 0000 0000 Note off Note off lower only kkkkkkk 38 96 1100 Oppp pppp 1100 bbbb Oppp pppp Program Change Program Change 0 31 1011 0111 1011 0000 0000 1011 bbbb 0111 1011 0000 0000 ALL NOTES OFF ALL NOTES OFF lower only 1011 0111 1100 0000 0000 OMNI OFF 1011 bbbb 0111 1100 0000 0000 OMNI OFF 1011 0111
29. enerate realistic percussive sounds 81 POLARITY This selects the polarity of the envelope curve Normally this is set to gm 1 Q9 ADSR A ATTACK TIME This sets the time required for the voltage to reach its maximum from the moment the key is pressed down D DECAY TIME This determines the time required for the voltage to drop from the maxi mum to the level set by the Sustain Level When the Sustain level is high the envelope curve does not change by adjusting this knob S SUSTAIN LEVEL This determines the Sustain Level to which the voltage falls at the end of the Decay Time R RELEASE TIME This sets the time needed for the volt age to reach zero BH ENV 2 62 ADSR These function exactly the same as Q9 83 KEY FOLLOW This functions the same as 80 19 Performance Control Sections 20 In this section creative real time control is available by using the controls such as the BENDER or LFO 2 f the BENDER button B is off the Performance Control Section does not work m Control Panel BEND Selector These are to turn on or off the Bender function Each can be controlled sepa rately 5 WIDE When this button is on the Bender effect will be applied to the VCO 1 or VCO 2 whichever you have selected and its maximum variable range will be more than 3 octaves In this case the indicator will turn to orange and the BENDER knob 86 will not work Using this
30. fter fifteen seconds 2 and 3 are particularly required If the above procedures were all correctly done it is likely that there is something wrong with the tape itself mm TAPE MEMORY the error is indicated again and again no matter how many times you try e Replace with a new tape eClean and demagnetize the head of the tape recorder Use a different tape recorder and repeat the same procedures Preserving the data tape Please do not keep the data recorded tape in a place of high temperature or humidi ty or near a strong magnetic unit such as a speaker or an amplifier C LOAD 1 Set the tape so that it will be played back from the very beginning of the data where you hear a Pilot tone Set the MEMORY PROTECT switch on the rear panel of the JP 6 to OFF Hold the TAPE MEMORY button B down and press the LOAD button Release the LOAD button first then the TAPE MEMORY button Set the tape recorder to Play playing mode Now the loading starts Selecting the Bank where you are loading 1 2 3 Set the tape so that it will be played back from the very beginning of the data where you hear a Pilot tone Set the MEMORY PROTECT switch on the rear panel of the JP 6 to OFF Holding the TAPE MEMORY button down and press the LOAD button Release the LOAD button first then the TAPE MEMORY button Immediately after you release the TAPE MEMORY button
31. ies are now protected MEMORY PROTECT oe ON OFF ON d n 5 pa Turns red B Writing in the SPLIT mode n the SPLIT mode you can write the tone color in either UPPER or LOWER section where the indicator lights By using this function you can for inst ance call a Patch Preset and edit the tone color of the UPPER section only then write this Edited patch into the same Patch Memory in other words you can call any Patch Preset you like and edit the tone color of only one section and write this Edited patch into the same Patch Memory Example Y PATCH PRESET A 1 PATCH PATCH As you play Patch Preset MEMORY MEMORY A 1 edit the Patch Memo A 1 B 8 ry B 8 PATCH PRESET A 1 PATCH PATCH Write the Edit into 8 MEMORY MEMORY The Patch Preset A 1 con 1 8 tains the same Patch Me mories gt Operation 1 Turn the PATCH PRESET button off 2 Set the Key Mode to SPLIT 3 Select either LOWER or UPPER in the Panel Mode section The tone color of the selected section can be edited and later written 4 Now write the Edited patch just like writing in the WHOLE mode Then the edited patch is written into the same Patch Memory V Writing into a Patch Preset 26 You can write two different tone colors and various modes into a Patch Preset Up to 32 Patch Presets are available In the SPLIT mode each LOWER and UPPER section can have a different tone co
32. lable NOTE Setting different Arpeggio Modes and Ranges is possible in the SPLIT mode The Rate works in common for both the UPPER and LOWER sections Unless you turn the Hold function on and Arpeggio will be only repeated while keys are pressed By connecting a rhythm unit to the ARPEGGIO CLOCK IN the Arpeggio pattern will perfectly synchronize with its rhythm When the HOLD button D is turned on the sound remains even after you release the key The level of the sound is deter mined by the Sustain level you have set in the ENV P 19 Therefore you cannot hold a sound with Sustain level of zero f you wish to stop the Arpeggio play ing press any one of the four Assign buttons 11 a TT PANEL MOD UNISON PORTA GLIS SPLIT 1 SPLIT 2 TIME MENTO SANDO RATE RANGE DETUNE SOLO UNISON POLY 1 POLY 2 HOLD 4 2 4 WHOLE LOWER UPPEF a ri T X Os Or CEA DIE DE 2 ES 0606 O 0 oo eo eo ooo H Operation Turn the HOLD button 4 on and press Also in the SPLIT mode the Hold it again to turn it off function is available only in the section where its indicator LOWER or UPPER Sin the SPLIT mode you can turn the lights Hold function on or off separately in the UPPER and LOWER section In this case turn the LOWER or UPPER button on then the HOLD button Up LOWER to 6 notes can be held at a time If you release the keys
33. lor and effect mode settings This Patch Preset function enables extremely simple and quick retrieval of the desired Patch which is specially useful during live performance gt Operation 1 Select any Patch Memory you like or synthesize your own tone color then set the effect modes to your taste 2 Set the MEMORY PROTECT switch on the rear panel to OFF 3 Turn the PATCH PRESET button on 4 Press the WRITE button The indicator will light up 5 Select the Patch Preset to be written by pressing the BANK button and the Patch Number button This Patch Preset function is just to remember the combination of the Patch Memories and modes This has no ability of retaining the tone color itself there fore the Patch Preset will change if the Patch Memories in the Patch Preset are edited or new patches are written 6 Set the MEMORY PROTECT switch ON Now you have completed writing a Patch Preset Refer to P 14 for calling the Patch Preset in memory NOTE The Jupiter 6 features battery back up system to retain the memory even when switched off The batteries should be replaced with a new set in every five years In this case please have your local Roland dealer do the job The first replacement might be required before five years VI Tape Memory The Jupiter 6 contains the Tape Interface that enables you to save the Patch Memory and Patch Preset Data into an ordinary tape recorder
34. n all notes turn OFF version messages 3 ch 1 Cor ch 2 ALL NOTES OFF OMNI OFF POLY ON 4 ch 1 or ch 2 ALL NOTES OFF IDI Implementation RECOGNIZED RECEIVE DATA When power Statu 1001 1001 1001 1001 1001 1001 1100 1100 1100 1011 1011 1011 1011 1011 1011 1011 1011 1011 1011 1111 5 0000 0001 nnnn 0000 0001 nnnn 0000 0001 nnnn 0000 0001 0000 0001 0000 0001 0000 0001 0000 0001 0110 Notes Mode messages is first applied Okkk kkkk Okkk kkkk Okkk kkkk Okkk Okkk Okkk Okkk Okkk Okkk Oppp Oppp Oppp 0111 0111 0111 0111 0111 0111 0111 0111 0111 0111 PPP PPP PPP 101 101 110 110 110 110 111 111 111 111 kkkk kkkk kkkk kkkk kkkk kkkk P 1 1 0 0 1 1 0 0 1 1 0000 0000 0000 0000 0000 0000 Ommm Ommm 0000 0000 receiver s mode is OMNI ON POLY mode Description Note OFF vvvv Note OFF lower only Note OFF Cin OMNI mode kkkkkkk 0 127 36 96 velocity ignored 0000 Note OFF 0000 Note OFF lower only 0000 Note OFF Cin OMNI mode kkkkkkk 0 127 36 96 velocity ignored vvvv Note ON vvvv Note Clower only Note ON Cin OMNI mode 0 127 36 96 vvvvvvv 1 127 velocity ignored Program Change Program Change Program Change Cin OMNI mode
35. nal memories will be TECT switch should be set to ON ex protected so you will be released from cept in writing mode accidental lost of the patch memories MEMORY When this switch is set to the OFF PROTECT position i e if you are writing a new ON OFF ON patch into memory it may be a good idea to individually protect each patch during each writing operation Please be sure to return this MEMORY PROTECT switch to the ON position right after writing is completed Operation 2 Writing a new 1 Writing a new Patch Memory with Protect Patch Memory without Protect WRITE Press this button Hold this button and then select a Patch Memory Select a Patch Memory a If selecting a Patch Memory a f Selecting a Patch Memory without Protect Writing is completed without Protect Writing is completed If Selecting a Patch Memory The PATCH NUM with Protect BER button will flash Af Selecting a Patch Memory The PATCH NUM with Protect BER button will flash b b Writing a new Patch Memory without Protect WRITE Press the WRITE button then 3 Releasing press the Patch Memory buttons BANK Protect and and PATCH NUMBER twice Writing is completed Writing 5 Writing a new Patch Memory with Protect WRITE Hold the WRITE button down then press the Patch Memory buttons BANK and PATCH NUMBER twice Writing is completed 22
36. ng it clockwise 03 increases the volume level of the UPPER and counterclockwise has the oppo site effect ASSIGN The four ASSIGN mode selectors deter min how the 6 synthesizer voices availa ble within the JP 6 will be applied to the keys played The ASSIGN mode and Key mode have a certain relation KEY MODE PANEL PATCH PRE Fesch BAN PROTECT WRITE TAPE MEMORY MANUAL Nu del pee 00 o 606 hal The SOLO Assign mode turns the JP 6 into a single voice synthesizer following Last Note Priority LAST NOTE PRIORITY The Lower Note Priority is that the lower key is selected when more than two keys UNISON Maximum synthesizer voices applied to one key changes depending how many keys you are pressing 1key 6 voices 2keys voices each keys 2 voices each 4 6keys 1 voice each Also by adjusting the DETUNE knob an ensemble effect will be obtained SOLO UNISON TM TW To turn the JP 6 into this mode press the SOLO button and the UNISON button at the same time Now the T are being played The Higher Note Prio rity is the opposite If the last note pres sed has the priority it is called the Last Note Priority and this is adopted in the JP 6 SOLO mode This Last Note Priority function allows an interesting solo perfor mance i e if you hold a key down and tern
37. oduce ring modulation style effects such as metalic sounds This is useful for syn thesizing the tone colors of bell or Japanese musical instruments etc 5 CROSS MOD ENV 1 When the output signal of the VCO 2 is modulating the VCO 1 and the signal is controlled by the ENV 1 this knob de cides the intensity of the modulation There may be no effect if the ENV 1 is set to x c If so please raise the MA NUAL knob to an appropriate level VCO 2 6 RANGE This sets the pitch range of the VCO 2 The pitch changes in half steps as the rotary control is swept through its range When this knob is set to LOW the VCO 2 16 will produce only Low Frequency signals which are not audible approx 1 5 Hz 50 Hz If set to HIGH the range will be higher than 2 1 2 WAVEFORM This selects the output waveform of the VCO 2 Like the VCO 1 it is possible to mix the different waveforms 8 TUNE This allows adjustment between the dis creet half steps selected by the VCO 2 RANGE control This has a variable range of 50 cent 1 4 note VCO MODULATOR gm PWM LFO LFO This knob controls the amount of the LFO output signal modulating the VCO depth of the vibrato effect D ENV This knob sets the amount of the ENV 1 output signal controlling the VCO 13 Pw This sets the width of the pulse wave When this is set to O the duty of the pulse wave is 50 percent i e the square wav
38. once and press other keys the previous notes will be replaced with the ones newly played By connecting the Pedal Switch DP 2 to the JP 6 P 33 you can turn the Hold function on or off by using the Pedal Switch Any 6 notes pressed last will be held if you keep changing the chords ARPEGGIO amp HOLD If you press the HOLD button 4 while This Arpeggio and Hold function is also an Arpeggio is being played it will be obtained by using the Pedal Switch DP repeated until a new chord is played 2 This is effective for the sound whose envelope curve is similar to the 5 etc Also in the SPLIT mode this func tion is obtained only in the UPPER or LOWER section whose indicator lights GLIDE The Portamento effect will be on by pres in the SPLIT mode you can turn the sing the PORTAMENTO button Portamento or Glissando effect on in Pressing the GLISSANDO button will either section UPPER or LOWER turn the Glissando effect on It is not pos The Glide TIME knob however will sible to turn both effects on at the same work commonly for both time The time of the Portamento or Glis sand can be controlled with the Glide POLY 2 key mode is most suitable for TIME knob these effects 12 JE 85 bou pu DEO MER DUUM PATCH PRESET A MANUAL PROTECT WRITE MEMORY 7 AA O0 e BENDER In the WHOLE mo
39. ons such as Cross Mo dulation Synchronization chromatic Range adjustment intensity control of the Key Follow effect Patch Shift func tion etc elf connecting a Pedal Switch to the PATCH SHIFT jack you can call 8 Patch Memories within a Bank one after another simply by pressing the pedal The DIN jack OUT IN for MIDI standard external device xit is necessary for you to clearly under stand all the functions of the JP 6 to make the best use of it Please read this owner s manual carefully in operating your JP 6 gt The JP 6 includes 3 main sections Manual Section Memory Panel Section Performance Control Panel Section 6 7777 CAN3 GEOP T bev ht NDA EN RAE SNOILdO DU CAN D ee n BERTA SNOILVOIdIO3dS O Di uaxiw D 7 uonoun ayi Susi 9 SORS 041 G RE Ado au Bui v LE 177 EMO SER eeg aui Busbuesy HHA 11772777 HOLVYINGOW ODA O au D EE EEN jeux 3 IA 91772777 7 0 EPA o 91 11011335 jenueyy 11 8 MB 3AVS V Le Be oway adeg A NOIL VH3dO Vi 77 a2ueunojag O m NES iese4g A El 1103 985 77777 117145 ayi ul 8 EPE S A
40. rsion 3 4 version 6 0000 MIDI channel 1 bbbb 0001 Basa 1 if 1111 then bbbb 0000 When power 18 applied 0000 noon 0000 1111 In following description A and B represent aasa 1 and bbbb 1 respectively Mode messages 123 127 are also recognized as ALL NOTES OFF Mode messages are recognized as follows POLY MONO ON OMNI OFF 7C OMNI OFF OMNI ON amp POLY POLY OMNI ON 870 OMNI ON 1 OMNI ON POLY POLY In this mode only POLY ON message can change to OMNI OFF Recognized channels defer to the KEY mode and MIDI mode as follows KEY mode MIDI mode recognized channel number voice messages node messages WHOLE POLY OMNI OFF Ch A Ch A ch B POLY OMNI ON 11 channels ch A ch B MONO OMNI OFF MONO OMNI ON SPLIT POLY OMNI OFF ch A for upper ch A ch B ch B for lower POLY OMNI ON all ch for upper ch A ch B MONO OMNI OFF MONO OMNI ON Roland f amp Rolend 10172 TN
41. sequence any notes played on the keyboard in the order that they are pressed within the Arpeggio range of 4 octaves ARPEGGIO 3 2 1 1 Arpeggio Mode There are following 4 modes and you can select any of those simply by pressing the button m Flash ON Flash a UP d DOWN amp UP Turn only the UP button on While holding the DOWN button B down press the UP button The b DOWN Turn only the DOWN button on indicator of the DOWN button flashes and that of the UP button lights dis playing that it is in the D amp U mode c UP amp DOWN While pressing the UP button 8 press the DOWN button The indi cator of the UPPER button flashes and that of the DOWN button lights up showing that it is now in the U amp D mode PATCH PRESET a MANUAL PATCH PRY ser ean OG WII PROTECT WRITE TAPE MEMORY NE eee 4 00 HOLD 2 RANGE This button sets the range of the Arpeg gio Each time you press this RANGE button 20 its indicator will change 1 gt 2253541 Those figures indi cate the ranges as shown beside 3 Arpeggio RATE This knob determines the rate of the Arpeggio Rotating this clockwise 09 quicken the rate BON 1 octave 2 octaves 3 octaves 4 octaves H A By controlling those buttons and knob wide variety of Arpeggios are avai
42. ssed When MIDI channel is changed the OMNI mode will be turned OFF Status Second Third Description 1000 Okkk kkkk vvvv Note OFF 1000 bbbb Okkk kkkk vvv vvvv Note OFF lower only 1000 nnnn Okkk kkkk vvvv Note OFF in OMNI mode kkkkkkk 0 127 36 96 velocity ignored 1001 aaaa Okkk kkkk 0000 0000 Note OFF 1001 bbbb Okkk kkkk 0000 0000 Note OFF lower only 1001 nnnn Okkk 0000 0000 Note OFF in OMNI mode kkkkkkk 0 127 36 96 velocity ignored 1001 Okkk kkkk vvv vvvv Note ON 1001 bbbb Okkk kkkk vvvv Note ON lower only 1001 nnnn Okkk kkkk vvvv Note ON in OMNI mode kkkkkkk 0 127 36 98 vvvvvvv 1 127 velocity ignored 1100 Oppp pppp Program Change 1100 bbbb Oppp pppp Program Change 1100 nnnn Oppp pppp Program Change in OMNI mode PPPPPPP 0 31 1011 0111 1011 0000 0000 NOTES OFF 1011 bbbb 0111 1011 0000 0000 ALL NOTES OFF lower only 1011 0111 1100 0000 0000 OMNI OFF ALL NOTES OFF 1011 bbbb 0111 1100 0000 0000 OMNI OFF ALL NOTES OFF 1011 assa 0111 1101 0000 0000 OMNI ON ALL NOTES OFF 1011 bbbb 0111 1101 0000 0000 OMNI ON ALL NOTES OFF 1011 aasa 0111 1110 0000 mmmm MONO ON ALL NOTES OFF 1011 bbbb 0111 1110 0000 mumm MONO ON ALL NOTES OFF 1011 0111 1111 0000 0000 POLY ON ALL NOTES OFF 1011 bbbb 0111 1111 0000 0000 POLY ON ALL NOTES OFF 1111 0110 Tune Notes ve
43. to be written by pressing the appropriate BANK button and Patch Number button twice The Memory Protect indicator will turn green and the indicators other than the Patch Memory s go out displaying that the new patch is written without the Protect Lal al Lal JA b If you have selected the Patch Memory that was written with the Memory Protect function its indi cator will keep flashing showing that Writing is impossible If you wish to replace this Patch Memory with a new one do as instructed in 3 Releasing a Patch Memory from the Memory Protect and Writing a New Patch b When the MEMORY PROTECT switch on the rear panel is set to OFF the Memory Protect indicator displays two different things by its color A protected Patch Memory is shown by the orange light indicator and the green indicator means that the Patch Memory was written without the Protect This is useful in arranging the order of the Patch Memories Refer to P 34 b While holding the WRITE button down select a Patch Memory by pressing the relevant buttons twice gt Example b WRITE 8 3 3 vi A i 1st time 2nd time Keep pressing The Memory Protect indicator will turn to orange and other indicators go out displaying that the new patch is written with the Protect Setting the MEMORY PROTECT switch on the rear panel to ON will turn the Memory Protect indicator red This dis plays that all the Patch Memor
44. to the Data 3 Press the LOAD button while Name you have chosen loading will holding the TAPE MEMORY button start down Then without releasing the TAPE MEMORY button select the Data Name you like gt Example If selecting the Data Name F in loading WR Tape with the Data Names on LOAD Y Only the data with the Data Name F JP 6 is loaded 6 Ifyou hear the Pilot tone again and Try using the good quality tape and the Tape Memory indicator is turned tape recorder if dubbing the data from a off and the indicators of the same cassette tape to another Bank and Patch Number buttons light up as before stop the tape re corder VII External Control EXT CONTROL ARPEGGIO PATCH PEDAL CLOCK IN SHIFT HOLD VCF 99090 Refer to P 12 for the function in SPLIT mode 2 Each time you press the pedal the Patch Number in the same back changes as shown besides 1 note per 1 pulse RHYTHM MACHINE Please do not connect non MIDI device to the JP 6 When it is connected to the ARPEGGIO CLOCK IN the Arpeggio Rate knob on the panel does not function Dd bad bad Bad bad bad bad bal SEQUENCER etc FREQ Connect to gt 1 OUTPUT Pressing the Pedal increases the Y i cutoff point When the BENDER button is eg FV 200 turned off the Foot Volume does not function Pressing the Pedal increases the volume FV 200 et
45. usly written A Using the Copy function e Copying a Patch Memory There may be some Patch Memories to decide where to write a new patch which are more frequently used than which after all saves a great deal of your others f these Patch Memories are col work and time lected in the same Bank it will be easier gt Copying the Patch Memory B 3 into 7 BANK NUMBER PATCH PRESET a 3 Press the BANK button B ludi and the PATCH NUMBER OFF button 3 Press the WRITE button Press the BANK button A IS PATCH NUMBER 7 NOTE Please be sure to press the BANK button first then the PATCH NUMBER button If you press the PATCH NUMBER button 7 first the patch will be written into B 7 The color of the Memory Protect indi This function is particularly useful when cator green or orange will make this the Patch Shift function see P 33 is job a lot easier being used Copying a Patch Preset A Patch Preset can be copied and Patch Shifted 34 gt Copying the Patch Preset 1 to C 6 BANK NUMBER PATCH PRESET A 1 Press the BANK button A E and PATCH NUMBER 1 ON Press the WRITE button BANK NUMBER 6 Press the BANK button 2 IS then PATCH NUMBER button 6 Be sure to press the BANK button first gt Patch shift of the Patch Presets NUMBER PATCH PRESET 1 2 3 4 5 6 7 ON DP 2 etc 35 B Using the Tape Memor
46. x 20s KEY FOLLOW 0 12096 POLARITY AX ENV 2 for VCF VCA Attack Time Max 18s Decay Time Max 20s Sustain Level Release Time Max 20s KEY FOLLOW 0 12096 LFO 1 WAVEFORM N IX M RANDOM RATE 0 04 100Hz RANDOM 0 04 400Hz Delay Time O 2s 38 Memory Panel Section Memory PANEL MODE KEY MODE ASSIGN ARPEGGIO GLIDE HOLD BALANCE BENDER TAPE MEMORY TUNING Control Panel Section BENDER LFO 2 Patch Presets Bank 4 x Patch Number 8232 Presets Patch Memories Bank 6 x Patch Number 8248 Memories MANUAL button WRITE button Memory Protect indicator LOWER UPPER SPLIT 1 LOWER 4 notes UPPER 2 notes SPLIT 2 LOWER 2 notes UPPER 4 notes WHOLE Mode SOLO UNISON SOLO UNISON POLY 1 POLY 2 DETUNE 550 cent RATE 1 25Hz RANGE 1 2 3 4 oct Mode UP DOWN U amp D D amp U TIME 0 1 6 sec oct Mode PORTAMENTO GLISSANDO HOLD button ON OFF UPPER LOWER BENDER button ON OFF SAVE button VERIFY button LOAD button TAPE MEMORY button TUNE MASTER TUNE 50 cent BENDER lever BEND selector VCO 1 VCO 2 BEND WIDE 3 oct or more VCO SENS x 1 oct VCF SENS 5 oct MOD VCO SENS 100 cent or more VCF SENS 4 oct RATE 1Hz 10Hz RISE TIME 50ms 1 sec 39 40 OUTPUT External Control TAPE MEMORY MIDI POWER switch Power Consumption Dimension Weight A
47. y function By saving and loading the Banks it is possible to retain all the Patch Memories Collecting the Patches you like into one Bank without erasing any Patch Memory P Example Arranging the Banks without erasing the existing data JP 6 1 The data of is all the banks the data 2 3 ii uc All the data A B m JP 6 TAPE 1 4 DATA BANK F SAVE TAPE 7 and arrange L All the data BANK E E E All the data 5 Take the same procedures for BANK D and E JP 6 BANK C Copy and arrange TAPE II HAMAS ASIA All the data Ld Ll i IJ All the data E ABC DE F Complete 36 Save all the Patch Memories into the Tape 1 Copy the Patches you like into Bank A and save the whole Bank into the Tape 11 Load the data of the Tape into the JP 6 and copy some Patches you like into Bank B Then save the whole data of Bank B into the Tape ll In this case save it just after Bank A data d Load the data of the Tape to the JP 6 and again select some patches you like and copy them into Bank C Save the whole data of Bank C into the Tape Again be sure that it comes after Bank B data Repeat the same procedure for Bank D and E Load the data of the Tape into the JP 6 and select the Patches you like and copy them into Bank F Save the whole data of Bank F into the Tape II

Roland Jupiter 6 Owners Manual

Contents

Download Pdf Manuals

Related Search

Related Contents