Kodak E-2411 User's Manual
Contents
1. 122 and 158 F If the temperature is too high the paper may curl If the temperature is too low the surface gloss of the paper is reduced and the risk of the paper sticking is increased VIEWING Evaluate prints under light of the same color and brightness that you will use to view the final prints A good average viewing condition is a light source with a color temperature of 4000 1000 K a Color Rendering Index CRI of 85 to 100 and an illuminance of a least 538 lux 50 footcandles Fluorescent lamps such as the cool white deluxe fluorescent lamp made by several manufacturers meet these conditions You can also use a mixture of incandescent and fluorescent lamps For each pair of 40 watt cool white deluxe fluorescent lamps use a 75 watt frosted tungsen bulb MOUNTING You can mount prints with KODAK Dry Mounting Tissue Type 2 The temperature across the heating platen of the mounting press should be between 82 and 99 C 180 and 210 F Temperatures above 110 C 230 F or high pressure may cause physical and color changes in prints Preheat the cover sheet that you use over the face of the print to remove moisture Apply pressure for 30 seconds or longer for a thick mount DISPLAYING Photographic dyes like all dyes can change with time and exposure to sunlight ultraviolet radiation excessive heat and high humidity To help prevent changes in photographic dyes follow these guidelines Iluminate prints with tun2. 0 K you can use any of the following pulsed xenon incandescent flood or halogen lamps Do not use fluorescent lamps or electronic flash Using a Process Repro Camera For a 1 1 ratio in a Klimsch Super M3 Repro Camera equipped with a halogen light source use these trial exposure conditions Trial Exposure Using a Process Repro Camera to Expose KODAK EKTACHROME RADIANCE III HC Copy Paper Exposure Time in Printing Method Filters e Sn of f 22 Subtractive CC10Y 4 4 Tricolor additive No 29 Red 4 5 with KODAK WRATTEN Gelatin NO 61 Green lg Filters No 47B Blue 9 2 Semi additive with ___ White Light 2 3 KODAK WRATTEN No 29 Red 1 5 Gelatin Filters No 61 Green 45 Because exposure times and filtration will differ with the equipment the light source the original your process control etc use the tables as a guide To maintain high image quality control flare as much as possible Flare consists of stray ambient light and scattered image light that might reach the paper during exposure Follow these procedures to control flare e Keep the lens surfaces mirrors filters and copyboard glass clean and free of scratches e Keep the interior of the camera clean e Use the additive or semi additive printing method whenever possible to minimize the number of filters in the optical path Adjust the copyboard lights and room lights so that neither the lights nor reflections fro
3. TECHNICAL DATA COLOR PAPER KODAK EKTACHROME RADIANCE Ill HC Copy Paper SIZES AVAILABLE Sizes and catalog numbers may differ from country to country See your dealer who supplies KODAK PROFESSIONAL Products The following sizes are available in the U S and Canada NOTICE Discontinuance of KODAK PROFESSIONAL EKTACHROME RADIANCE Ill Papers and Materials and KODAK EKTACHROME R 3 Chemicals Alternative options for image capture and output have gradually eliminated the need for PROFESSIONAL EKTACHROME RADIANCE III Papers and Materials as well as chemicals for Process R 3 Therefore dependent on individual country and market requirements Kodak will discontinue these products as inventories are exhausted Technology has made the option of scanning manipulating and outputting images directly to traditional color paper very popular and photographers are increasingly using color negative film and digital cameras for image capture Producing positive prints even from transparencies for image display no longer requires the use of RADIANCE Papers and Materials Information on Kodak Professional Modular Digital Workflow Products Equipment and Software is available at www kodak com go digitalprolab Thank you for using KODAK PROFESSIONAL Products Use this resin coated color reversal paper to make direct color copies when you need high contrast reproduction of line copy originals such as drawings maps doc
4. gsten light whenever possible Display prints in the lowest light level consistent with your viewing needs If a print is exposed to direct or indirect sunlight or fluorescent light use an ultraviolet absorbing filter between the light source and the print Keep the temperature and humidity as low as possible KODAK EKTACHROME RADIANCE III HC Copy Paper e E 2411 CURVES Characteristic Curves Spectral Dye Density Curves 4 0 2 5 Exposure 1 2 second Process R 3 Process R 3 Densitometry Status A Reflection 2 0 F 3 0 H a a Z W 3 1 5 F l 5 z 9 E fra O a co N 1 0 W ao Ww L Q Magenta 0 5 0 0 i i l 0 0 0 0 1 0 2 0 3 0 4 0 400 500 600 700 F002_0777AC F002_0779AC LOG EXPOSURE lux seconds WAVELENGTH nm Spectral Sensitivity Curves 2 0 Magenta 1 0 Forming pa Layer Yellow 9 0 0 Forming zZ Ww Layer n Cyan 5 Forming ae o Layer 2 0 250 300 350 400 450 500 550 600 650 700 750 WAVELENGTH nm Sensitivity reciprocal of exposure erg cm required to produce specified density F002_0778AC NOTICE The sensitometric curves and data in this publication represent product tested under the conditions of exposure and processing specified They are representative of production coatings and therefore do not apply directly to a particular box or roll of photographic material T
5. hey do not represent standards or specifications that must be met by Eastman Kodak Company The company reserves the right to change and improve product characteristics at any time 4 KODAK EKTACHROME RADIANCE III HC Copy Paper e E 2411 MORE INFORMATION Kodak has many publications to assist you with information on Kodak products equipment and materials The following publications are available from dealers who sell Kodak products or you can contact Kodak in your country for more information E 30 Storage and Care of KODAK Photographic Materials Before and After Processing E 1766 KODAK EKTACHROME RADIANCE III Paper E 1767 KODAK EKTACHROME RADIANCE IlI SELECT Material E 67 Finishing Prints on KODAK Water Resistant Papers E 70 Retouching Prints on KODAK EKTACOLOR and EKTACHROME Papers E 2410 KODAK EKTACHROME RADIANCE III Copy Paper E 2412A KODAK EKTACHROME RADIANCE III Overhead Material E 2412B KODAK EKTACHROME RADIANCE IlI Clear Display Material E 2413 KODAK EKTACHROME RADIANCE III Translucent Display Material Z 129 Using KODAK EKTACHROME R 3 Chemicals Sixth Edition Z 129A KODAK EKTACHROME R 3 and R 3000 Chemicals Z 129B Using KODAK EKTACHROME R 3 Chemicals in Continuous and Roller Transport Processors Z 129C Using KODAK EKTACHROME R 3000 and R 3 Chemicals in Batch Type Processors Z 129E Monitoring and Troubleshooting Processes Using KODAK EKTACHROME R 3 and R 3000 Chemicals Z 129G Recovering Silver f
6. m the copyboard glass fall on the camera lens Mask the areas surrounding the original with black material Adjustment for Long or Short Exposures You will not notice a change in the speed or in the contrast of RADIANCE III HC Copy Paper at exposure times from 0 5 second to 100 seconds with tungsten halogen or pulsed xenon light sources We do not recommend using flash to expose this paper The short flash exposure times will affect the quality of the prints LATENT IMAGE KEEPING You should not see any shifts in the latent image with different keeping times between exposure and processing Therefore you do not need to change your printing procedures to compensate for latent image shifts under normal temperature and handling conditions 2 KODAK EKTACHROME RADIANCE III HC Copy Paper e E 2411 PROCESSING Use KODAK EKTACHROME R 3 or R 3 LU Chemicals to process this paper in continuous or roller transport processors For specific processing instructions see KODAK Publication No Z 129B Using KODAK EKTACHROME R 3 Chemicals in Continuous and Roller Transport Processors available on our website at www kodak com go professional DRYING Do not ferrotype this paper Remove excess water from the surface of the paper before drying Dry the prints using dust free air The temperature of the air will depend on the design of the dryer the air flow rate and the total drying time The ideal drying temperature is between 50 and 70 C
7. package For best results remove the paper from cold storage the day before printing or use the warm up times in the following table For more storage information see KODAK Publication No E 30 Storage and Care of KODAK Photographic Materials Before and After Processing Warm Up Times in Hours to Reach Room Temperature of 24 C 75 F From a Storage Temperature of 18 C 2 C 10 C Size 0 F 36 F 50 F 50 sheet box 3 2 2 100 sheet box 4 3 2 Rolls wider than 11 in 28 cm 1 s 6 These times are based on a single package positioned to allow free air circulation After you remove the paper you need re wrap the package and reseal it with tape to restore the moisture barrier Handle this paper very carefully by the edges to avoid creases and fingerprints This high speed paper is extremely sensitive to light store and transport it in lighttight boxes DARKROOM RECOMMENDATIONS Do not use a safelight handle unprocessed paper in total darkness Be sure that your darkroom is lighttight Eliminate stray light from the repro camera lamps timers digital displays etc even indicator lights and fluorescent tape can fog the paper EXPOSURE You can expose EKTACHROME RADIANCE III HC Copy Paper from opaque originals in a process or repro camera by using subtractive tricolor additive or semi additive methods Although this paper is balanced for exposure with a light source of 320
8. rom Processes Using KODAK EKTACHROME R 3 Chemicals Z 129H Using KODAK EKTACHROME R 3 LU Chemicals in Roller Transport Processors For the latest version of technical support publications for KODAK PROFESSIONAL Products visit Kodak on line at http www kodak com go professional If you have questions about KODAK PROFESSIONAL Products call Kodak In the U S A 1 800 242 2424 Ext 19 Monday Friday 9 a m 7 p m Eastern time In Canada 1 800 465 6325 Monday Friday 8 a m 5 p m Eastern time Note The Kodak materials described in this publication for use with KODAK EKTACHROME RADIANCE III HC Copy Paper are available from dealers who supply KODAK PROFESSIONAL Products You can use other materials but you may not obtain similar results KODAK EKTACHROME RADIANCE III HC Copy Paper e E 2411 5 KODAK EKTACHROME RADIANCE Ill HC Copy Paper Kodak KODAK EKTACHROME Kodak Kodak Professional Ektachrome Ektacolor Minor Revision 2 03 RADIANCE III HC Copy Paper Radiance and Wratten are trademarks Printed in U S A KODAK Publication No E 2411
9. uments blueprints and layouts EKTACHROME RADIANCE III HC Copy Paper has higher contrast and D max than KODAK EKTACHROME RADIANCE III Copy Paper The HC stands for high contrast This paper is available in both rolls and sheets with F glossy and N semi matt surfaces You can process it with KODAK EKTACHROME R 3 Chemicals FEATURES e Improved color reproduction BENEFITS e More accurate colors e Extremely low minimum e Cleaner whiter whites density e Elimination of thermal e Longer print life under yellowing dark storage conditions Eastman Kodak Company 1999 February 2003 E 2411 Sheets Pe B ees Surface CAT No cm x cm ener 100 N 508 6673 E 50 F 508 6756 eae 50 N 508 6699 Do o 50 N 508 6707 P a 50 F 508 6715 a a 50 N 508 6657 Rolls Rolls in x ft Spec No Surface CAT No cmxm 279 er 193 F 508 6897 PEN 193 N 508 6830 arrel 198 N 508 6764 arei A8 F 508 6848 R 229 N 508 6822 pee 223 F 508 6855 oe as 223 N 521 1461 ta7xa0s 223 F 508 7036 os a N 508 6814 ao 224 F 508 6871 a 224 N 508 6806 STORAGE AND HANDLING Store unexposed paper at 13 C 55 F or lower High temperatures or high humidity may produce unwanted quality changes To avoid moisture condensation on paper that has been refrigerated allow it to completely warm up to room temperature before opening the
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