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Kawai R100 User's Manual

1. STEP NEW 99 BAR 01 04 04 Select the time signature beats per bar STEP 99 BAR 01 04 04 Select the time signature beat value STEP BD 99 BAR 01 04704 Specify the BAR CORRECT parameter lt OFF gt ON BAR CORRECT ON STEP PTN 99 BAR 01 04 04 Press the sixth instrument pad STEP HHCL PTN 99 BAR 01 04 04 BDI Once you have specified the parameters press the START or CONT START key to start step record ing The REC LED in the job indicator section will light Note The TEMPO indicator also lights because you are currently at the first beat of a bar The instrument pads now represent notes and rests for the current instrument as shown by notes printed in orange Note The rest pads produce a metronome sound when pressed The ERASE NOTE key switches between quarters and triplets The LEDs next to this key show which of the two sets of labels below the instrument pads is currently in effect The lt and gt keys change to the preceding or next bar respectively The touch response feature remains active during recording so the harder you hit a note the louder the output Pressing the STOP key terminates the recording for the current instrument You may now repeat the above procedure for another instrument or use the CALL PATTERN command to play the pattern During recording holding down the BACK FLAM key while you strike a note p
2. The ENTER and BACK keys switch through the steps in the order indicated Choose TRIG OUT or OUTPUT See ASSIGN OUTPUT N NENES Switch to TRIG OUT ASSIGN TRIG OUT Select instrument ASSIGN TRIG OUT CONG 22 12222 Press the ENTER key CALL PTN 00 8805 FE AR 01 04 704 8 00000000 295 LDCIJCIDIETEM IF e e 17 Storing Data 171 SAVE LOAD Command The SAVE LOAD command allows you to transfer the pattern song and chain data from the R 100 s memory to cassette tape or an RC 16 memory cartridge available separately The command takes you through three steps RC 16 Cartridge available from lt gt gt Keypad your KAWAI Cassette tape Eee e CASSETTE TRIDGE dealer Choose CARTRIDGE or Hs CASSETTE pM a ie Ez READY Press the ENTER key to proceed E ate CARTRID GE the BACK key to cancel SER 5 ged SAVE LOAD VERIFY 5 CARTRIDGE SAVE Copy data from R 100 to cartridge or gt DA D T A WI Choose subcommand Check settings cassette h SAV READY VERIFY Compare data in R 100 with that in the The ENTER and BACK keys switch HM E EE cartridge or cassette through the steps in the order indicated LOAD Copy data from cartridge or cassette
3. qi 5 982964216 M 82 Specifying the Starting Point The CALL commands allow you to specify the Select the starting pattern for the starting point relative to the entire sequence Simply uia stl press the ENTER KEY once to shift the cursor to CALL SONG 00 the second field in the second line and then use the l reese BED 013 001 10 and gt to change the number To start the 8990 Select the starting song for the chain playback press the CONT START key og CALL CHAIN 0 Note Do not press the START key as it starts at zl 005 001 SONG 00 the beginning of the entire sequence Use the lt and gt to change the number Press the CONT START key to start the playback PLAY SONG 00 1 013 002 3 pao OC too A Og 37 9 Erasing a Song or Chain 9 1 TypesofErasures _ The R 100 offers you a choice of two types of Confirmation messages erasures at both the song and chain levels SONG 00 1 Erase one particular song or chain ERASE READY 2 Erase all songs or chains CHAIN 0 ERASE READY ALL SONG ERASE READY ALL CHAIN ERASE READY 2 Erasing a Particular Song or Chain i 1 Activate any command except COPY 2 Specify the song or chain number 3 Press the ERASE key CALL SONG 00 DANCIN FOO Press the ERASE key 5
4. 228 PLAY 00 Pressing the STOP key suspends the playback You egn DD 1000 FE BAR 02 01 04 204 can then resume playing the same pattern by press 5 T USER ing either the START key plays from the beginning of the pattern or the STOP CONT START EE which resumes where it left off PLAY PTN 090 BL EEDHEDY BAR 02 01 04 04 PEDIR Press the START or STOP CONT PLAY PTN 00 BAR 02 01 04 04 110000 5 JA Note the position of the cursor KXOOOD OOOO 18 The keypad the lt key and the gt key change the pattern number The change the pattern number as long as they are held down Note These two keys no longer produce any effects when the number reaches either end point 00 or 99 If the machine is playing the new pattern number appears to the right of the current one and plays after the machine reaches the end of the current pattern 4 4 Changing the Bar Number Pressing the ENTER key shifts the cursor to the current bar number field the second number in the second line Use the lt or gt key to change this number and then press the CONT START key Note Do not press the START key It always takes you back to the beginning of the pattern 7 11 kik ___ NENNEN
5. INSERT SONG 09 005 006 Select the pattern 10 INSERT SONG 09 005 006 PTN 10 Press the ENTER key INSERT SONG 09 009 001 00 44 vus T MM AM 112 DELETE Commands The DELETE commands DELETE SONG and DELETE CHAIN allow you to remove segments patterns or songs from an existing sequence To access select the appropriate group and press the COMMAND SELECT key 4 The command takes you through four steps Song chain number Song 00 99 Chain 0 9 Starting location 001 Last segment End tocation Starting location Last segment READY Press the ENTER key to proceed the BACK key to cancel acooo IC 1 4 ti n inco m incen TH Oe a i CHO m J The ENTER and BACK keys switch through the steps in the order indicated Select the song or chain number DELETE SONG 00 013 001 10 DELETE CHAIN 0 005 001 SONG 00 Select the starting location DELETE SONG 00 001 10 001 10 Select the end location DELETE SONG 00 001 01 004 13 Check the specifications DELETE READY 00 001 10 004 13 Press BACK to cancel DELETE CANCEL 00 001 10 004 13 Example The following procedure deletes four patterns in locations 003 006 from song No 09 1 Activate the command and enter with the key pad o
6. ii LLI S8 LOU H 6k IL proce q f oa3980 OC in 0O900C When the machine is not playing Press the gt key CALL 01 BAR 02 04 04 Press the 1 and 2 keys CALL PTN 12 BAR 01 04 704 When the machine is playing PLAY PTN 00 BAR 02 01 04 704 Press the gt key PLAY PTN 00 01 BAR 02 01 04 04 PLAY PTN 01 BAR 02 01 04704 CALL PTN 01 BAR 02 04704 You may now change the starting bar number CALL PTN 01 BAR 02 01 04704 CALL PTN 01 BAR 02 01 04704 Use the lt or gt key to change the number CALL PTN 01 BAR 02 02 04 04 CALL PTN 01 BAR 02 02 04 04 Press the CONT START key to start playing at that point PLAY PTN 01 BAR 02 02 04 04 5 Erasing a Pattern The R 100 allows you to erase PTN 00 1 One particular pattern ERASE READY 2 A particular instrument from a pattern 3 A particular bar from a multi bar pattern and PTN 00 BD 4 All data patterns songs and chains ERASE READY 1 You can also erase particular instruments during recording see Section 6 4 PTN 00 01 2 Erase functions for song and chains are dis ERASE READY cussed in Section 9 ALL MEMORY ERASE READY Press any of the first five COMMAND SELECT CALL PTN 00 keys not BAR PUNCH IN OUT EXCHANGE or BAR
7. 888 500000000 318 955545580 apy 90000 0000 He cm un Ji Hx j Le mm E Press simultaneously REAL BAR 01 01 PTN 99 04704 Both the PLAYBACK and REC LEDs next to the start key will light Press the instrument pads to record REAL PTN 99 BAR 01 01 04 04 The TEMPO indicator flashes on the down beat of each bar OTEMPO 3 TEMPO REC REC REC Simultaneously pressing the ERASE key and an instrument pad erases that instrument at that point ERROR CORRECT 1 16 i The instrument repeats as long as both keys are pressed 23 24 E e 64 STEP Para The STEP REC command has five parts to set the recording parameters Parameter number Length in Bars 01 BAR CORRECT ON OFF Note The BAR CORRECT function automatically cuts short any note values that would other wise sustain across a bar In this mode the first note or rest programmed will always start at the beginning of the bar Before starting the actual recording move the cursor to a parameter other than BAR CORRECT and select the first instrument by pressing the appropriate pad The default is BD1 The ENTER and BACK keys go through the steps in the order indicated 90000 B OUO
8. POLY only Use the lt and gt keys to change the channel number Press the ENTER key to store the change o o v lt 9 lt o z o 3 o a mp 299 100128 The ENTER and BACK keys switch through the steps in the order indicated OO OOO pu if yi 40000 aro Select MIDI IN or OUT MIDI CHANNEL OUT MIDI CHANNEL OUT POLY MONO MONO Select POLY channel number MIDI CHANNEL OUT POLY xl Select instrument for MONO mode MIDI CHANNEL OUT MONO COWB 1 Select MONO channel number MIDI CHANNEL OUT MONO COWB 1 Access the MIDI CH command MIDI CHANNEL IN Use the lt or gt key to change to MIDI CHANNEL OUT CHANNEL OUT lt Use the or gt key to switch between POL Y and MONO modes MIDI CHANNEL OUT POLY MONO MONO MONO mode Select the instrument with a pad MIDI CHANNEL OUT MONO AGOG 1 Use the lt and gt keys to change the channel number MIDI CHANNEL OUT MONO AGOG 5 POLY mode Use the lt and gt keys to change the channel number MIDI CHANNEL OUT POLY 2s 2 59 60 184 MIDI IN and MIDI OUT Commands The MIDI IN and MIDI OUT commands allow you to controi the types of information sent or received through the MIDI interface You can for exa
9. 55 2 s ID 004 001 SONG 00 PART NO 001 002 003 004 005 006 007 20 50 50 20 50 20 J 250 1 250 J iy Le rg 131 J 240 j 240 47 48 Song chain number Initial tempo Chain only Location Change in tempo Example The following procedure introduces tempo changes between the four patterns in song No 09 Song 00 99 Chain 0 9 40 250 50 b p m Press the ENTER key for next bar the BACK key for the previous one 1 Access the command and enter keypad or change and gt keys the song number 09 Press ENTER 2 Press the ENTER key until the second number on the second line reads 003 3 Use the arrow keys to lower the tempo to 20 for both 003 and 004 4 Press ENTER to complete the command Note The display automatically returns to the beginning of the TEMPO CHANGE com mand You may now press the START key to review the results Note The TEMPO CHANGE function cannot change the tempo beyond the R 100 s range of 40 250 bpm Select the song number 09 T CHANGE SONG 09 004 001 00 Select a change of 20 for the third segment T CHANGE SONG 09 004 003 20 Select a change of 20 for the fourth segment T CHANGE SONG
10. Connect the device to the R 100 in the manner shown at the right 2 Select external synchronization EXT 3 Select a DIN source The R 100 starts playing when the external device does 70 CLK OUT Drum machine sequencer etc SYNC OUT Drum machine sequencer etc The TIMING ADJUST feature allows you to adjust the R 100 s timing relative to the external device MIDI TAPE DIN or CLOCK Each step corre sponds to 1 24 note 1 Connect the two instruments using one of the procedures in Sections 14 2 14 6 2 Start the controlling instrument 3 Press the TEMPO key then TIMING ADJUST BACK key 4 Use the lt and gt keys to adjust the relative timing BARN R00 l 1 LI tre pni ii ox oF of ol Start the two instruments playing together PLAY SONG 12 012 001 PTN 03 Press the TEMPO key then TIMING ADJUST key J 120 SONG 12 012 001 PTN 03 ADJ Q SONG 12 012 001 PTN 03 Use the lt and gt keys to adjust the relative timing ADJ 6 SONG 12 012 001 PTN 03 72 15 SYSTEM EXCLUSIVE Commands The R 100 s MIDI implementation includes SYSTEM EXCLUSIVE messages which allow you to use one R 100 A in the diagram at the right to control another B 1 change the MULTI programming parameters LEVEL TUNE SENS an
11. EXT Type of synchronization 52010001000 28e SYNC EXT PT ommo 4 MIDE s HOOO OR EXT CLOCK Time base SYNC EXT The ENTER and BACK keys switch TIME BASE 24 through the steps in the order indicated MIDI JOUT GO 0000999 9060 00000000 Drum machine sequencer etc 20 9 0000009 00000000 Drum machine sequencer etc 228 9 00000900 00000000 Drum machine sequencer etc oc 68 Choosing EXT allows the R 100 to accept synchro nization signals from external devices One possible signal is MIDI timing clock messages from a se quencer personal computer or similarly equipped MIDI device Procedure 1 Connect the device to the R 100 in the manner shown at the right 2 Select externai synchronization EXT 3 Select a MIDI source The R 100 starts playing when the external device does Note The external device can also tell the R 100 which rhythm pattern to use and where to start Drum machine sequencer etc The 100 can record sync tone onto tape for subsequent synchronized playback Choosing TAPE selects synchronization to this tone Recording the Timing Signal 1 Connect the tape recorder to the R 100 in the manner shown at the right 2 Select a pattern song or chain 3 Select internal synchronization INT 4 Make sure that the R 100 is not playing ba
12. R2 REPEAT SONG 10 R2 Fr027T0028 04 JO JUMP SONG 10 JO 0 2670015 02 JI JUMP SONG 10 JitFr019T0027 03 51 52 Notes 1 Clearing only one of the FROM or TO fields is sufficient to cancel the REPEAT JUMP com mand 2 The machine automatically adjusts the FROM and TO fields whenever you use the INSERT or DELETE commands 3 The repetition covers not only the individua segments patterns or songs but also any LEVEL CHANGE or TEMPO CHANGE specifi cations associated with them You must there fore check the results carefully to make sure that such combinations do not produce undesirable side effects 4 If you press the CONT START key the machine continues from the first repetition of the particu lar segment 717 COPY Commands The COPY commands COPY SONG and COPY CHAIN allow you to copy a song or chain to another location so that you can edit the result rather than starting from scratch To access select the appropriate group and press the COMMAND SELECT key 48 The command takes you through three steps Song chain number Song source Chain Song chain number Song destination Chain Press the ENTER key to proceed the BACK key for the previous field Error Message certain cases the copy will fail and produce the error message MEMORY OVERFLOW instead This message tells you that there is not enough memory space left to store the result Free so
13. SD BD STEP REC R700 01 D ora STEP NEW BAR 01 Press the HiHat instrument pad STEP HHCL PTN 20 BAR BAR 01 01 01 Press the START key STEP HHCL PTN 20 1N NHEMBLECE NE N PTN 20 04 04 04 04 04 04 TEMPO OTEMPO TEMPO REC e REC REC STEP HHCL PTN 20 BAR 01 01 Press the STOP key STEP HHCL 20 01 01 04 04 04 04 The CRASH 1 and snare drum SD parts of the pattern are simpler so use the REALTIME REC command 1 Press the REALTIME REC command key 2 To prevent timing errors use the lt and gt keys to change the ERROR CORRECT parameter to 1 4 3 Press the START key to start recording 4 Strike the CRASH 1 and SD instrument pads at the appropriate points of the hi hat rhythm b Press the STOP key to end the recording All that remains is the bass drum BD Perhaps the STEP REC command is better for such a complex pattern 1 Set up for step recording using the same first three steps that you used for the high hat part 2 Play the rhythm on the instrument pads Note For the dotted eighth notes and eighth rest x substitute a eighth note followed by a sixteenth rest 3 Press the STOP key to end the recording The recording is now complete To listen to the result select the pattern number with the CALL PATTERN command and press
14. SONG 00 4 When the message ERASE READY appears 5 000000 ERASE READY the second line of the display press the ENTER fi key to complete Press the BACK key to OOOO Note A few seconds later the original display re Press the BACK key appears SONG 00 ERASE CANCEL CALL SONG 00 1 Simultaneously press the first COMMAND SELECT key and the ERASE key 2 When the message ERASE READY appears press the ENTER key to complete Press the BACK key to cancel Note A few seconds later the display reverts to the corresponding CALL command CALL CHAIN 0 R 100 DEMO Simultaneously press the first COMMAND SELECT key and the ERASE key ALL CHAIN ERASE READY Press the BACK key ALL CHAIN ERASE CANCEL CALL CHAIN 0 39 40 10 Songs and Chains General M RETESET Umen eres tmm 10 1 BUILD Commands The BUILD commands BUILD SONG and BUILD CHAIN allow you to join up to 999 smailer units to form longer playback sequences and to edit the sequences 102 BUILD Parameters They have four steps Default 00 99 0 49 A Z 0 9 Song Chain Song chain number Only aD ati eee Ta digits are By 2515 available amp lt At this point voc eii the ERASE FOIE UA key yields a space Tempo Chain only O
15. manner shown at the right 2 Press COMMAND SELECT key 8 to access the SAVE LOAD command 3 Use the lt or gt key to select CASSETTE and press the ENTER key 4 Use the or gt key to select SAVE and press the ENTER key 5 On the tape recorder adjust the recording level 6 Start recording on the tape recorder 7 Wait a few seconds and press the R 100 START key 8 Wait for the message SAVE END Verify Cassette Contents 1 Connect the R 100 and the tape recorder in the manner shown at the right 2 Press COMMAND SELECT key 8 to access the SAVE LOAD command 3 Use the lt or gt key to select CASSETTE and press the ENTER key 4 Use the lt or gt key to select VERIFY and press the ENTER key 5 Press the R 100 START key and start the tape recorder playback 6 Wait for the message VERIFY OK oo 66 000 MTR Tape recorder e Dt oo am OME TAY o o 0000 600 MTR Tape recorder 82 Load from Cassette 1 2 3 4 5 6 Connect the R 100 and the tape recorder in the manner shown at the right Press COMMAND SELECT key 8 to access the SAVE LOAD command Use the lt or gt key to select CASSETTE and press the ENTER key Use the or gt key to select
16. 13 ttttttt 0 127 x 1 over dub data exist x not exist x 1 followed by over dub data x 0 data end Over dub instrument See 3 1 over dub data 1 followed by next over dub data 0 data end An absolute trigger timing of the instrument in SONG is expressed by timing data timing data overflow count count part count Part count is total part number including repeat or jump Each data is divided into high and low nibbles when transmitted lt 3 3 CHAIN DATA Osssssss Chain no Total step count low 000000 high ffftffff First song no NAUN Chain titie by ASCII code 20 aaaaaaaa 21 22 tttttttt 23 rrrrjiii Repeat amp Jump data count sssssss Start step low 0000003 s high eeeeeeee End step low 000000 high 0000 Repeat count 95555555 Start step low 0000005 s high eeeeeeee Destination step low 000000ee high 0000ccce Jump count Song zvvvvvvv L vel change value 21111116 Tempo change value 0000000x Over dub 1101000x Chain end mark 00099499 Instrument no tttttttt Timing data 000 Timing data overflow count Oxxxxxxx Barcount XXXXxxxx Part count i
17. MIDI OUT channel The command takes you through three steps mer worms Note These settings remain effect even after the power is removed Notes 1 When the OMNI mode is ON the R 100 receives on all channels There is therefore no need to specify a MID IN channel 2 This step tells the R 100 which channel to receive on when the OMN mode is OFF 888 s LULL Ste J The ENTER and BACK keys switch through the steps in the order indicated Select MIDI IN or OUT MIDI CHANNEL IN Select OMNI ON or OFF MIDI CHANNEL iN OMNI ON If OMNI is OFF select MIDI channel number MIDI CHANNEL IN OMNI OFF 1 57 Example Set the MIDI IN channel to 3 1 Press the GROUP SELECT key until the LED next to FUNCTION lights Then press the COMMAND SELECT key 2 2 Press the ENTER key to select MIDI IN 3 Press the lt or gt key to set the OMNI mode to OFF When OMNI mode is ON the R 100 receives on all channels 4 Use the lt and gt keys to change the channel number to 3 Press the ENTER key to store the change To send data from your R 100 to a personal com puter synthesizer or other suitably equipped MIDI device you must first use the MIDI CH command to make sure that the R 100 s sending MIDI OUT channel is the same as the device s receiving MIDI IN channel
18. Song chain number Song 00 99 Chain 0 9 000 001 1 000 001 nnn Last segment in sequence Insert location Insert pattern chain Song number Chain 00 99 At this point the ERASE key yields as the signal to cance the insertion Example The following procedure inserts pattern No 10 be tween the fifth and sixth patterns of song No 09 1 Access the command and enter 10 key digital pad or change and gt keys the song number 09 Press ENTER 2 Select the location with the lt and gt keys 3 Enter or change the pattern number 4 Press ENTER to complete the insertion and return to the beginning of the command Note Check the total the first number in the second row It is now one greater than before 4 100 OO Dooo tui pi i 90000 pe rt UH L Lj L 40 L of Df Ot COR The ENTER and BACK keys switch through the steps in the order indicated Select the song or chain number INSERT SONG 00 013 001 PTN 10 INSERT CHAIN 0 005 001 SONG 00 Select the location INSERT SONG 00 000 001 Select the pattern or song INSERT SONG 00 002 003 PTN xx INSERT CHAIN 0 003 004 SONG Select the song number 09 INSERT SONG 09 008 001 PTN 00 Select the location 0057006
19. be Set the same DATA DUMP channel able to be used to store data onto computers on both or other devices DATA DUMP CH 2 Press the ENTER key DATA DUMP CH 2 KAMIR 100 i READY co 5 Press the START e eur cn DATA DUMP CH 2 DORERILIEZESE I ogg BUSY BE 580 5 iL JL JL IL P 16 ASSIGN Command Choose TRIG OUT or OUTPUT ASSIGN OUTPUT Select trigger instrument The ASSIGN command allows you to select the output jacks for each instrument and also which instrument controls the trigger It takes you through three steps pac aes ASSIGN OUTPUT Subcommand TRIG OUT OUTPUT 2 Select output instrument OUTPUT Instrument ASSIGN OUTPUT BD1 CHINA The ENTER and BACK keys switch TOMM BOTH through the steps in the order BOTH STEREO INDIV indicated Select output jack l TPUT TRIG OUTI 801 CHINA Instrument Use the instrument pads to select 9 E 1 GN S B u nstrument pads instruments the and gt key to select output jacks Note These settings remain in effect even after the power is removed Note You can hear both and STEREO set ting sound with headphone OOOO 9990999 00000000 OOOUG ROO KOC R L MONO 8 7654321 Oe eee Stereo output output amp 1 75 76 This OUTPUT subcommand allows you to
20. instrument and parameter 5 Use the COMMAND SELECT keys to change the parameter values on the A display and simultaneously in B LJ Kxooaoo B S TET T H RC 100 A Access the MIDI DATA DUMP command on both R 100s SYSTEM OFF EXCLUSIVE Use the lt or gt key to access the SYSTEM EXCLUSIVE feature SYSTEM ON EXCLUSIVE Set the same DATA DUMP channel on both DATA DUMP CH 2 Press the GROUP SELECT key CALL PTN 04 BAR 01 04 04 5 THT T H RC R 100 B 73 15 3 MIDI DATA DUMP Another SYSTEM EXCLUSI VE message allows you to transfer all data from A to B MIDI JOUT Procedure GQQ O O0 O 0000900 1 Connect the two R 100s in the manner shown 9 99 00000000 999 90009 099 at the right R 100 A 100 B 2 Press the COMMAND SELECT key 5 and the lt or gt key to access the SYSTEM EXCLUSIVE feature 3 Press the ENTER key and specify the DATA DUMP channel 4 Press the ENTER key 5 Press the START key Note Remember that copying process replaces the Access the MIDI DATA DUMP command on both R 100s SYSTEM OFF EXCLUSIVE Use the lt or gt key to access the SYSTEM EXCLUSIVE feature 44 oa S Y S T E M ON memory contents of B with those of A EXCLUSIVE Note The R 100 s MIDI DATA DUMP may
21. key niao rai NG PTN The SWING command not only produces shuffle effects but also allows you to vary the swing rate Use the lt and gt keys to change between instruments to produce more authentically FEE 7 the SWING percentage to 67 human effects 5 1 0000000 HE PONE duc Note f the pattern is empty pressing the ENTER Di ES 2 key produces the error message EMPTY 5 OOOO im mont key to complete PATTERN The command waits a few WINS ta seconds and then asks you for different i CE READY pattern number CALL PTN 09 Sample VII BAR 01 04 04 288 Press the ENTER key ind ee The BAR PUNCH IN OUT command allows you to change part of a long pattern or add instruments using real time recording It takes you through six steps Tom PUNCH IN bar 01 Y N Last bar in pattern PUNCH OUT bar PUNCH IN bar Y N Last bar in pattern 01 PUNCH IN bar Pattern number Starting bar Metronome note value OFF 1 4 1 6 1 8 1 16 1 24 1 32 1 4 1 6 1 8 1 12 1 16 1 24 1 32 1 48 1 64 1 96 1 192 ERROR CORRECT Note Pressing the ERASE key instead of numbers for the PUNCH IN or PUNCH OUT bar changes the field to Once you have set the parameters press the START key to begin recording Note As with REALTIME recording the BAR PUNCH command allows you to u
22. key digital pad or change lt and gt keys the song number 04 4 Press ENTER to store Note It is not necessary to advance to the end of the song Simply press another COMMAND SELECT key to terminate the BUILD command TUUM Te 19 M 9 vemm memet nen SONG 09 NORMAL 8 BEAT PART 001 002 003 004 005 006 007 008 00 01 00 02 00 03 00 01 PTN Change this to 04 Press the second COMMAND KMA R100 nuc pa MI SELECT key Puo sone og SEEPSERES NORMAL 8 BEAT Gib 888 Press the BACK key BUILD SONG 09 LJLIL YE 3C IC IDEs 008 001 00 H H Press the ENTER key until the 004 appears BUILD SONG 09 008 004 0 c5 EOE BUILD SONG 09 n omo oon 008 004 PTN 04 D le ENTER nce on t forget to press the iS 0 0 J 0 0 D os key to store the new value BUILD SONG 00 128 Eu E 008 005 PTN 00 You may now switch to another command 11 Songs and Chains Additional Commands 11 1 INSERT Commands The INSERT commands INSERT SONG and INSERT CHAIN allow you to splice a new segment pattern or song into an existing sequence To activate select the appropriate group and press the third COMMAND SELECT key INSERT The command then takes you through three steps Keypad Parameter Default lt gt
23. message ERASE READY appears press the ENTER key to proceed the BACK key to cancel Notes e In either case you return to the first step of the OVERDUB command e You can change instruments without erasing the OVERDUB track The track will now be played by the new instru ment WARNING The R 100 automatically erases the OVERDUB track if you use any command INSERT DELETE or REPEAT JUMP that changes length and there fore destroys the synchronization MA RIO E RE Giese sae le LI Is EN Vm RIOO Select SONG or CHAIN OVERDUB SONG Select song or chain number OVERDUB SONG 09 NORMAL 8 BEAT Press the ERASE key OVERDUB SONG 09 ERASE READY Press the ENTER key Return to the start of the OVERDUB command OVERDUB SONG 13 MIDI Operation The letters MIDI stand for the Musical Instrument Digital interface an internationally recognized standard interface for electronic musical instru ments personal computers and other equipment You can connect equipment from various manu facturers provided that each complies with the MIDI standard To play your R 100 from a keyboard synthesizer personal computer or other suitably equipped MIDI device you must first use the MIDI CH command to make sure that the R 100 s receiving MIDI IN channel is the same as the device s sending MIDI OUT channel See Section 13 3 for the
24. pad usually a sixteenth note 3 While you are at it why not change the stereo balance PAN to provide further separation of the two lines The number of keystrokes involved might make it seem like a lot of work but once you are accustomed to the procedure you will find the results well worth the effort 4 When you have finished entering all the notes press the STOP key to end the recording The recording is now complete To listen to the results select the pattern number with the CALL PATTERN command and press the START key Note You might also want to speed up the tempo to the 130 140 range and add a TIMBALE fill in to create an even more authentic latin rhythm Sampie I Samba Rhythm SHAKER COWBELL AGOGO CONGA ua max STEP DUB 09 BAR 02 02 04 Select CONGA with the conga amp 1 t TERE 3 g Tom Mid instrument pad 520 0000000 STEP CONG PTN 09 Binz 02 02 04 Sample Conga Rhythm gt gt gt gt gt gt CONGA Vi IE B SAC HvH N Press the ends of the COMMAND SELECT key 4 to adjust the height of the bar B 5 CHT 7 Editing Patterns M 7 1 REFRAME Command The REFRAME command allows you to ERROR CORRECT a previously recorded pattern There are five s
25. parameter values and press the instru ment pad For further details see Section 6 8 Actual Recordings Sample n ntis gd S ET tium tM meme This section takes you step by step through the procedure for recording the rhythm pattern shown at the right First since it may be difficult to record the six teenth notes for the high hat pattern with the REALTIME command use the STEP REC com mand 1 Press the STEP REC command key f the word DUB appears on the display either press the ERASE Key or change to a pattern with the word NEW This pattern is one bar in 4 4 time the defaults so it is not necessary to change any other part of the display 2 Select the instrument by pressing the appropri ate instrument pad HH CLOSE 3 Press the START or CONT START key to start recording 4 Press the instrument pads for the rhythm pat tern a sixteenth rest followed by 15 sixteenth notes Hit the fourth and twelve notes harder to add accents b Press the STOP key to end the recording Note If at this point you would like to review what you have recorded select the pattern number with the CALL PATTERN com mand and press the START key Sample I DUUM MM m onc rms 5 6 Using MULTI Programming During Recording s REAL BAR 02 01 Press the MULTI key BNESNETETETNEHEFCRBCH c Si mim HH CLOSE
26. select whether an instrument s output goes to the individ ual channel jacks INDIV the stereo output jacks STEREO or both BOTH Connected Y wow vy Example The chart below shows one possible setup The diagram at the right shows the effects that these settings have on the outputs A er mss ER z Bie tte 2M SEN a INDIV WY These go to the individual channel outputs only EUN AUC STEREO These go to the stereo outputs only WS et BOTH These go to both outputs 2 OAS ENLEVER OF PRE OR Tees PRODUCT PHONES TOM HI SHAKER COWBELL IN OUT TIMBALE CLAPS 01 CRASHI TIMBALE TOM MID RIDEI CONGA 502 CRASH2 T RIDE2 TOMLO 03 BD CLAVES SHAKER AGOGO Be CRASH2 TOMMID CHINA TAMBOURINE HH CLOSE HH OPEN 16 3 TRIG OUT The TRIG OUT subcommand allows you to select an instrument to trigger an external sound source Procedure 2 0000099 1 Connect the R 100 and the sound source in the e 99 900090000 manner shown at the right 2 Press COMMAND SELECT key 7 and the lt or gt key to access the TRIG OUT sub command 3 Press the pad to specify the instrument 4 Press the ENTER key to store the setting 5 Press the START key to start playback and listen to the rhythm on the external sound source External sound source
27. various commands for the three organizational levels Patterns Songs and Chains The fourth is primarily for MIDI and synchronization function Group 3 CHAIN e CALL CHAIN BUILD INSERT e DELETE LEVEL CHANGE e TEMPO CHANGE e REPEAT JUMP e COPY Group 4 FUNCTION e OVER DUB e MIDI CH MIDI IN COMMANDS MIDI OUT COMMANDS MIDI DATA DUMP SYNC ASSIGN e SAVE LOAD The largest unit of all a chain links up to 999 songs together into one extended percussion accompaniment The R 100 has a capacity of 10 chains wee ae creer ae ae A Ea TT TATUR TU TD TU s 24 Selecting Commands _ When the power is first applied the LCD screen R 100 x reads KAWAI R 100 DRUM MACHINE for a few DRUM MACHINE seconds and then switches to the CALL PATTERN upon command the first command in the first row on zfTfzirp DOC change FERT sere the front panel pion 885 CALL PNO Pressing the GROUP SELECT key changes the row s Tii BAR 02 0 704 The changes are cyclic LIOODCIEXXEXEIZCID lt PATTERN gt SONG gt CHAIN gt FUNCTION see RRS Z gt PATTERN CALL SONG 00 DANCIN FOO The LEDs at the left show the current row Note You cannot change rows when you are CALL CHAIN 0 recording or playing back a rhythm pattern R 100 DEMO Press one of the eight COMM
28. 02 04 04 COPY in the PATTERN group to display the EJEN Press the ERASE key pattern number entry field on the first line Press sezrzzzzrpr 089 PTN 00 the ERASE key to display the message ERASE sgznnnnnnnn EBB READY on the second Press the ENTER key to 0 0 10 11 l J 382 ERASE READY complete the erasure the BACK key to cancel I g pum Press the BACK key na PTN 00 ERASE CANCEL SEEPEER FE 888 810000000 545 CALL PTN 00 01 04 04 E EE 19 With the message ERASE READY on the screen hit the desired instrument pad The instrument s three or four letter abbreviation will appear on the right half of the first line on the display If this is the correct instrument press the ENTER key to com plete the erasure Otherwise press the BACK key to cancel M tM m M 5 4 Erasing One Bar of a Pattern Use the CALL PATTERN command to select the pattern number and the bar number then press the ERASE key to shift the two numbers to the first line Press the ENTER key to complete the erasure the BACK key to cancel ani pn 900900 WOOD Kxooaoo on i C Rz an 00 ERASE READY Press the HiHat instrument pad PTN 00 HHCL ERASE READY Press the BACK key PTN 00 HHCL ERASE CANCEL Press the ENTER key to e
29. 09 004 004 20 Press the ENTER T CHANGE SONG 09 004 001 PTN 00 M M The REPEAT JUMP commands REPEAT JUMP SONG and REPEAT JUMP CHAIN allow you to repeat or skip over certain sections in a sequence As such they expand the musica notation available to you to include the repeat signs I and Il D S dal segno and coda You may use up to ten of each labelled RO R9 and JO J9 per song or chain To access the command select the appropriate group and pres the COMMAND SELECT key 47 The command takes you through five steps 00 99 0 9 Song chain number Song Chain REPEAT or JUMP REPEAT JUMP Starting point 001 Last FROM Ending point TO Count 01 99 oe Y Y Starting point Last Last REPEAT Starting point 001 Last aoe Y N FROM a 2 Ending point 001 Last Y N In al steps except the first two pressing the ERASE key clears the field to t used to cancel value or commands REPEAT JUMP Commands Description CEEPEHE TE 5810000000 285 Notes The REPEAT command requires that the number in the TO field be greater than the one in the FROM field There is no such restriction for the JUMP command The count for the REPEAT command sets the number of r
30. 5 16 17 18 19 13 8 MIDI OUT Key Numbers Factory Settings 64 13 9 Sample MIDI Applications 65 66 SYNC Command 67 14 1 Introduction 67 14 2 INT Internal Clock 67 14 3 MIDI SYNC 68 14 4 TAPE 69 14 5 CLOCK SYNC 70 14 6 DIN 70 14 7 TIMING ADJUST Feature 71 SYSTEM EXCLUSIVE Commands 72 15 1 SYSTEM EXCLUSIVE 72 15 2 Remote MULTI Programming 73 15 3 MIDI DATA DUMP 74 ASSIGN Command 75 16 1 Introduction 75 16 2 ASSIGN OUTPUT 76 16 3 TRIG OUT 2 4 DE 77 Storing Data 78 17 1 SAVE LOAD Command 78 172 79 80 17 3 Cassette clo lesus dre 81 82 MIDI Data Format 83 85 Specifications 86 1 Controls Front Panel KAWA r3 1OO METRONOME STEREO VOLUME VOLUME GROUP PATTERN SELECT LI EL 1 FUNCTION i teve SENS m TUNE E E gloal aaj Midi iN MID OUT v ASSPGN SA INST SELECT so TOM
31. 92 Starting location Instrument pads 1 8 Instrument ERROR CORRECT After completing the specifications press either the START key to start at the beginning of the song or chain or the CONT START to start at the start ing location Note At this point all eight instrument pads are connected to the same sound source To delete a note however you must use the one with the appropriate label The recording stops automatically when the song or chain reaches the end and the message END SONG or END CHAIN appears on the display You can also stop at an intermediate point simply by press ing the STOP key n either case the command then returns you to the first step choosing SONG or CHAIN As with REALTIME recording you can set tuning and panning for each note in the OVERDUB track Song or chain track single instrument only MEM R 100 ee aaa oga ogo 514 d mam The ENTER and BACK keys switch through the steps in the order indicated wa 2100 _ EE teat ee 006 5500003000 85 0000059000 CONS You can use all eight instrument pads to record The values of TUNE and PAN automatically depend upon each instrument pad MES To erase however you must use the E
32. AND SELECT keys to access the desired command that row The EffIZtrfT Bae name of that command then appears in the upper 3 Dae left hand corner of the screen The rest of the Qm E screen contains data fields for that command s CALL PTN 00 parameters Press the ENTER or BACK key to BAR 02 04 04 change fields The cursor underline shows the current field Example The CALL PATTERN command asks for two Len m Des numbers the pattern number and the number of co EXCHANGE the bar to start from When first activated it dis 5 x e gt xx plays a small underline called the Cursor at Press COMMAND SELECT key 1 the right end of the pattern number field Pressing k COOC the ENTER key shifts the cursor to the second line CALL PTN 00 to the bar number field Pressing the ENTER key a ME JL Js 1 02 04 04 second time or the BACK key returns the cursor to at Press the ENTER the pattern number field CALL 00 02 01 04 04 CALL PTN 00 BAR 02 01 04 04 800000000 Press the ENTER or BACK D CALL 00 HLJOCILIL CTS CCS BAR 02 04 04 2 5 Entering a Parameter Pattern numbers bar numbers and other para meters can be entered using the keypad located toward the up
33. FF 40 250 Pattern chain Pattern numbers 00 99 Song Notes 1 The CHAIN BUILD ignores a song if it is empty Pressing the ENTER key after the number only produces the warning message EMPTY SONG 2 When you erase any of the songin achain it stops playback at that point The ENTER and BACK keys switch through the steps in the order indicated They also change the cursor position in the title At this point the BACK key skips the tempo and title entry steps and takes you right back to the first step SONG BUILD BUILD SONG 00 DANCIN FOO CHAIN BUILD BUITD CHAIN Q R 100 DEMO Select the song or chain number BUILD SONG 10 Enter the title using lt amp gt keys to select the characters BUILD SONG 10 Select the tempo Chain only BUILD CHAIN O Select the segment number pattern or song BUILD SONG 09 001 001 PTN BUILD CHAIN 0 KAWA R 1 00 DEMO Press the BACK key BUILD CHAIN 0 005 001 SONG 00 The following procedure builds an eight bar song by combining four different single bar patterns 1 Select the SONG group and press the BUILD COMMAND SELECT key 2 Enter keypad or change and gt keys the song number 09 Press ENTER to store 3 Enter the title using the and gt keys Press ENTER to advance to the next character 4 Enter or chan
34. H Bar end mark 11000100 Pattern end mark Each data is divided into high and low nibbles when transmitted gt 32 SONG DATA Osssssss Songno Total part count iow p high fffffftff First pattern aaaaaaaa NAUN Song title by ASCII code 20 aaaaaaaa 21 00100111 errrjjii Repeat amp Jump data count BR ssssssss Start part low 000000ss high eeeeseee End part low 000000ee high O000cccc Repeat count 33355355 Start part low 000000s s high eeeeeeee Destination part iow 000000 high O000cccc Jump count Pattern no 2vvvvvvv Level change value zttttttt Tempo change value 0000000x Over dub flag 1101000x Song end mark 00043449 instrument no tttttttt Timing data 000 Timing data overflow count Oxxxxxxx Bar count Part count low high 11111111 11111111 Volume data ttttpppp Tune amp pan data 11010 10 Over dub end mark Over dub data one instrument only 3555555 0 99 07999 ftffffff 0 99 XXXXXXXX 39 FFH over dub data exist 0 not exist rerr 0 10 repeat count ijji 0 10 jump count one repeat data 5535555155 0 999 0 999 cece 1710 jump data Ssssssssss 0 999 0 999 ecce 1 10 0 99 one part data 1 0 vvvvvvv 0 127 z
35. IN jack 27 MIDI OUT jack 28 MIDI THRU jack 29 POWER switch 30 Headphone jack 31 Stereo output jack R 32 Stereo output jack L MONO 33 TAPE CLOCK IN jack 34 TAPE OUT jack 35 CLOCK OUT jack 36 HH Hi hat foot switch jack 37 START STOP foot switch jack 38 TRIG Trigger output jack 39 METRONOME output jack 40 INDIVIDUAL output jacks 1 2 Connections To tape recorder for To SYNC IN OUT connectors Memory save and other instruments SYNC to TAPE gt To CLOCK IN To MIDI jack equipment To foot switches To TRIG IN jack Lj a o 990 IN tad THN our SING IN OUT TAPE CLK IN TAPEOUT CLK OUT HH START STOP TRIG OUT METRO 00000000 L MONO OUTPUTS 8 PHONES To headphones To amplifier mixer or PA system To amplifier mixer or PA system OUTPUTS The 100 does not include a power amplifier or speaker To hear the output you must use a set of headphones or connect the R 100 to a sound system using the appropriate jack or jacks a METRO METRONOME This jack provides the metronome signal TRIG OUT This jack provides regular 5 volt 20 ms trigger pulses To assign the instrument see Section 16 3 TRIG OUT ASSIGN START STOP This jack accepts the optional F 1 foot switch for con trol of playback and recording a HH CLOSE OPEN This jack accepts a foot switch for swit
36. KAWAI DIGITAL DRUM MACHINE rx IC C Owner s Manual Introduction FEATURES Professional Quality PCM Sound Recordings The R 100 s 24 separate drum and percussion sounds have all been recorded in a professional level 12 bit PCM format with a sampling rate of 32 kHz The sound quality is suitable for any recording situation even for Compact Disc recording Touch response Touch response is fast becoming a standard feature for synthesizers The R 100 now brings the same feature to drum machines providing volume control over a wide dynamic range from pp to ff Each of the 24 sound sources has its own touch sensitivity control for full control over the touch response Programming ease The sound sources each have their own LEVEL SEN SITIVITY TUNE and PAN controls The parameter settings are displayed in groups of eight voices each as a bar graph on the LCD screen Pressing the correspond ing COMMAND SELECT key changes the value for that particular source and parameter Programmable TUNE PAN The R 100 also allows you to vary the TUNE and PAN settings for each note when recording a pattern Thank you for purchasing a Kawai R 100 Digital Drum Machine This Owner s Manual contains valuable infor mation that will help you make full use of this instru ment s many capabilities Read it carefully and keep it handy for future reference Variety of line outputs The R 100 provides eight indivi
37. L EACH EACH Press the SD1 instrument pad 100 REFRAME PTN 08 EHI EACH SDI 1 96 86 Use the lt and gt keys to change 810000000 m S oe the parameter to 1 4 5 7 z2rz2zz of REFRAME PTN 08 OOOO EACH SDI 17 4 Press the ENTER key to complete the command The ENTER and BACK keys go through the steps in the order REE RAMEE FIN 8 indicated EACH SD READY 29 After reframing the display automatically changes to the CALL PATTERN command To listen to the results simply press the START key Note f the pattern is empty pressing the ENTER key produces the error message EMPTY PATTERN The command waits a few seconds and then asks you for a different pattern number 90000 OOOO m Deli pell J Before reframing After reframing Select an empty pattern REFRAME PTN 99 Press the ENTER key EMPTY PATTERN Return to the starting point REFRAME PTN 99 72 SWING Command The SWING command produces a shuffle feeling by introducing delays for the even notes in the pattern There are six steps Pattern number ALL EACH SWING NOTE value SWING percentage 1 16 71 75 1 32 50 58 67 75 BD1 CHINA Any of the 24 built in sound sources Instrument pads 1 8 Instrument EACH only Press the ENTER key to proceed the BACK key
38. LN EUR e L CHANGE SONG 09 004 004 10 Note After you specify a level change for the last pattern the display automatically returns to Press the ENTER the beginning of the LEVEL CHANGE L CHANGE SONG 09 command You may now press the START 004 001 PTN 00 key to review the results SONG 09 PART 001 002 003 004 00 01 00 01 Note Certain situations limit the full range of the LEVEL CHANGE function a A repeating increasing or decreasing sequence b Instruments that are already at their maxi mum levels and c A sequence recorded with maximum velocity or with the touch sensitivity set to zero One way to ensure adequate room for maneuver ing is to add a drop before any series of rises 11 4 TEMPO CHANGE Commands The TEMPO CHANGE commands TEMPO CHANGE SONG and TEMPO CHANGE CHAIN allow you to change the tempo between segments patterns or songs in a sequence The one for chains also allows you to specify the initial tempo for even more pronounced effects At each point you can slow down retardando or speed up accelerando the tempo by up to 99 beats per minute To activate the command select the appro priate group and press the COMMAND SELECT key 6 The command takes you through three four for a chain steps Lud cii Select the song number NIHEEEER 0 013 001 PTN 00 Xii 22 Select the chain number 5200100 E EN T CHANGE CHAIN 0 O
39. LOAD and press the ENTER key Press the R 100 START key and start the tape recorder playback Wait for the message LOAD END Note Remember that the LOAD operation erases the current contents of the R 100 s memory Errors If you get an error message during cassette LOAD or VERIFY you may need to readjust your record or playback level If you are using data recorder with an invert Switch try setting the switch to the opposite position MTR Tape recorder MIDI Data Format 1 RECOGNIZED AND TRANSMITTED DATA 22 PARAMETER CHANGE 1 1 RECOGNIZED 22 1 MULTI MODE PARAMETER Descripti Status 11110000 FOH System exciusive i and a Kawai 10 01000000 40H 1001nnnn Okkkkkkk Ovvvvvvv Note on kkkkkkkv0 127 Channel no 0000nnnn OnH 0 15 vvvvvvv 1 127 Function no 00010000 10H Parameter change Group no 00000010 02H Orum machine group 1100 Oppppppp Program change 0 99 song no Machine ID 00000001 01H R 100 D no 100 109 chain no Data 00000000 00H Sub status multi mode parameter 11110010 01111111 Ohhhhhhh Song position pointer 1111111 0 127 least signification Data Ommddddd Parameter no hhhhhhh 0 127 most signification Data 0000vvvv Value 11110011 03333333 Song select 3533533 70 99 song no EOX 11110111 F7H End of exclusive 100 109 chain no 11771000 eee ee eee Real time clock mm 0 3 Mode no 0 Level 11111010 Start 1 Se
40. N RIDE 1 2 CRASH 1 2 CHINA COWBELL CLAPS SHAKER AGOGO CONGA TAMBOURINE TIMBALE CLAVES Control and Indicators Stereo volume Metronome volume GROUP SELECT key and LED indicators MULTI key and LED indicators INST SELECT key and LED indicators ERASE NOTE SELECT key NOTE SELECT LED indicators Instrument pads 1 8 Keypad 0 9 INCREMENT key DECREMENT key ENTER TAP REPEAT key BACK TIMING ADJUST FLAM key TEMPO key and LED indicator START key STOP CONT START key Job LED indicators Memory cartridge slot for RC 16 Rear Panel Phones Stereo outputs L MONO amp R Individual channel outputs 1 8 MIDI IN OUT THRU SYNC IN OUT TAPE CLOCK IN TAPE OUT CLOCK OUT Foot switch jacks HH CLOSE OPEN START STOP TRIG OUT METRONOME Power consumption Overall dimensions Weight Accessories Options 10W 436 W x 251 D x 74 H mm 17 1 8 W x 9 7 8 D x 2 156 H 4 0 kg 9 Ibs Owner s Manual Warranty certificate Data cassette F 1 Foot switch RC 16 Memory cartridge Printed in Japan
41. PUNCH OUT bar to 05 Use the lt and gt keys to change the start ing bar to 04 Turn the metronome off because the recorded pattern is sufficient to provide the timing Use the lt and gt keys to change the ERROR CORRECT parameter to 1 32 Press the CONT START key to start recording Note Pressing the START key will take you to the 8 very beginning of the pattern Press the STOP key to stop recording Note As with the REALTIME REC command the BAR PUNCH IN OUT command auto matically returns to the beginning when you reach the end of the bar An 8 bar pattern BAR 01 02 03 04 Add a fill in here oo DOD uii n caen m Of OQ Off Access the PUNCH IN OUT command PUNCH PTN 20 BAR x xx 08 01 Use the lt gt keys to change the PUNCH IN bar PUNCH PTN 20 BAR 04 204 08 01 Use the lt and gt keys to change the PUNCH OUT bar PUNCH PTN 20 BAR 04205 08 01 Use the lt and gt keys to change the starting bar PUNCH PTN 20 BAR 04205 08 04 Use the lt and gt keys to turn the metronome off METRONOME SELECT OFF the ERROR CORRECT value to 1 32 ERROR CORRECT 1732 BAR PUNCH N OUT display PUNCH PTN 20 BAR 04 05 08 01 c Ld 7 3 x
42. RASE key and the one with the label for that instrument OVERDUB Select SONG or CHAIN OVERDUB SONG o 2 8 a 5 vo v 3 3 3 OVERDUB SONG 00 DANCIN FOO Select the starting location OVERDUB SONG 00 013 001 CRS 1 Select the instrument OVERDUB SONG 00 013 001 CRSi OVERDUB SONG 00 CORRECT 1 16 Begin overdubbing OVERDUB SONG 00 013 001 CRSI Reach the end END SONG Return to the first step OVERDUB SONG 122 OVERDUB Command Example 7 The following procedure shows how you can use the OVERDUB command to simplify song construc tion You may find yourself using the drum machine for a rhythm sequence such as the one shown at the right Each bar uses the same basic pattern for the Snare drum bass drum high hat etc and only the Position of the cymbal crashes changes Although the COPY command makes it easy to develop the variations from the original the process still takes time and you have to then combine the individual patterns into a song The OVERDUB command provides an alternative First you record the basic sequence and then you add the cymbal crashes as separate track See second score at right The three shaded bars share the same basic rhythm pattern as the others and differ only in the placement of the cymbal crashes One approach would be to construct separate a pattern for each Alternatively you can use the OVERDUB comm
43. RTRIDGE Verify Cartridge Contents Access the SAVE LOAD command SAVE LOAD CARTRIDGE Use the lt or key to select CARTRIDGE SAVE LORD CARTRIDGE Use the lt or gt key to select VERIFY SAVE LOAD VERIFY CARTRIDGE Press the ENTER key VERIFY CARTRIDGE Press the START key VERIFY OK CARTRIDGE READY 79 Load from Cartridge 1 Shift the PROTECT switch on the cartridge to the ON position and insert the cartridge in the slot provided 2 Press COMMAND SELECT key 8 to access the SAVE LOAD command 3 Use the lt or key to select CARTRIDGE and press the ENTER key 4 Use the or gt key to select LOAD and press the ENTER key b Press the START key 6 Wait for the message LOAD END Errors If a SAVE VERIFY or LOAD operation produces the message ERROR double check and then repeat the procedure Things to check include the position of the cartridge s PROTECT switch and the connec tion between the cartridge and the R 100 Load from Cartridgel Access the SAVE LOAD command SAVE LOAD CARTRIDGE Use the lt or gt key to select CARTRIDGE SAVE LORD CARTRIDGE Use the lt or gt key to select LOAD SAVE LOAD VERIFY CARTRIDGE Press the ENTER key LOAD READY CARTRIDGE Press the START key LOAD END CARTRIDGE SAVE ERROR CARTRIDGE Save to Cassette 1 Connect the R 100 and the tape recorder in the
44. TOM MID TOM LO HH CLOSE RIDE CRASH 1 802 502 COWBELL CLAPS SHAKER MM OPEN RIDE 2 CRASH 2 503 AGOGO CONGA TAMBOURINE TIMBALE CLAVES CHINA ec ee nore m an m M d NOTE START STOP CONT STAAT OG Go9OG 7 e 0000000 TAPE CLK IN TAPEOUT CLKOUT START STOP TRIGOUT METRO CAUTION rec OF ATTENTION asaut CLEC TIC SMOC NOT REMOVE COVER WARNING ro ret ex OF FIRE oo NO USER SERVICCABLC PARTS INSOF REFER CLECTANC SHOCK DO NOT CAPOSC POODUCT 7 6 5 4 3 2 i SERVICING TO QUALE EO SERVICE PERSONNEL TO RAN OR C ATRCMC MOS TULC PHONES LIMONO OUTPUTS RUIN POWER MIDI THRU OUT IN SYNC IN OUT a Front Panel 0o OOF WN 21 22 23 24 Memory cartridge slot COMMAND SELECT keys 1 8 GROUP SELECT key GROUP SELECT indicators MULTI SELECT key MULTI SELECT indicators INST SELECT key INST SELECT indicators ERASE NOTE SELECT key NOTE SELECT indicators Instrument pads LCD display Metronome volume knob STEREO volume knob KEYPAD INCREMENT key DECREMENT key TAP ENTER REPEAT key TIMING ADJUST BACK FLAM key TEMPO key TEMPO indicator STOP CONTINUE key START key Job indicator m Rear Panel 25 SYNC IN OUT jack 26 MIDI
45. The command takes you through three POLY mode or four MONO mode steps onm annua 87 Access the MIDI CH command MIDI CHANNEL OUT Use the lt or gt key to change to MIDI CHANNEL IN MIDI CHANNEL IN Use the lt or gt key to turn the OMNI mode OFF MIDI CHANNEL IN OMNI OFF Use the lt and gt keys to change the channe number MIDI CHANNEL IN OMN I OFF 3 Press the ENTER key CALL PTN 090 BAR 02 04 04 MIDI IN Direction IN OUT POLY MONO select POLY MONO POLY OUT channel 1 16 1 Instrument pads Instrument MONO mode CHINA L MONO OUT channel 1 16 Note These settings remain effect even after the power is removed Note The MONO mode allows you to specify different channel for individual instrument The POLY mode sends all instrument signals over the same channel Procedure 1 Press the GROUP SELECT key until the LED next to FUNCTION lights Then press the COMMAND SELECT key 2 2 Use the lt or gt key to select MIDI OUT 3 Use the lt or gt key to switch between POLY and MONO modes 4 only Press the pad for the instrument Use the lt and gt keys to change the channel number Press the ENTER key to store the change e Repeat steps 3 for the other instruments
46. and BACK keys switch through the steps in the order indicated IH it m 59 60K 62 64 Access the STEP REC command STEP NEW PTN 12 BAR 01 04 04 Set the parameters See Section 6 4 STEP REC Command STEP CONG PTN 27 BAR 04 06108 Press the START key STEP CONG PTN 27 BAR 04 01 06108 The notes values are assigned to the following keys on the MIDI key board 70 71 72 66 68 aj A 69 65 67 14 SYNC Command The SYNC command enables a choice of synchroni zation sources the internal clock INT or one of four types of external sources EXT MIDI TAPE DIN or CLOCK There are three steps DASS EGER internal or externat external EXT MIDI TAPE Type of synchronization DIN CLOCK EXT CLOCK 24 48 96 Time base oie 14 2 INT Internal Clock _ Choosing INT tells the R 100 to use its internal clock for timing The R 100 can also provide synchronization signals from its internal clock to external devices Procedure 1 Connect the device to one of the three output jacks provided MIDI OUT DIN OUT or CLK OUT 2 Select internal synchronization INT 3 Adjust the external device that it accepts external synchronization signals 4 Press the R 100 START key Internal or external SYNC INT EXT INT 2208
47. and to separate the basic rhythm from the cymbal crashes Score 2 SONG OVERDUB track SONG OVERDUB track OVERDUB track If the basic rhythm remains constant throughout the REPEAT JUMP command allows you to repeat the basic sequence for the bulk of the song in this example 15 times and a second one for the last bar See third score and display at right You can then use the OVERDUB command to add the cymbal crashes Note The OVERDUB track is linear and complete ly separate from the song or chain It gets longer with every repetition in the original so the net effect is the same as if the original were completely linear that is without repetitions or jumps WARNING Notes recorded using the OVERDUB command use twice as much memory as those recorded in a PATTERN Excessive use of the OVERDUB com mand can limit the amount of space to store other patterns songs and chains Score 3 SONG NQ 10 SONG OVERDUB track SONG OVERDUB track CALL SONG 10 r 002 001 PTN 00 15 times Repeat REPEAT SONG 10 RO Fr001T0001 14 This song produces this result pt 55 123 Erasing the OVERDUB Track The ERASE key erases the entire OVERDUB track Procedure 1 Access the OVERDUB command 2 Select whether SONG or CHAIN then the song or chain number 3 Press the ERASE key 4 When the
48. aneously CALL BAR 02 PTN 00 04 04 Simultaneously press the first COMMAND SELECT key and the GROUP SELECT key Available 98 The display automatically clears after a few seconds CALL PTN 0 BAR 02 0 Memory o 4 04 21 22 6 Recording Rhythm Patterns The R 100 offers a choice of two recording methods 1 REALTIME REC The R 100 records the rhythm exactly as play ed on the instrument pads 2 STEP REC You sequentially play the beats and rests for each instrument one at a time Both allow you complete access to all 24 instru ments available 62 REALTIME REC Parameters The REALTIME REC command has six parts used to set the recording parameters Metronome value OFF 1 4 1 6 1 8 1 12 1 16 1 24 1 32 1 4 1 6 1 8 1 12 1 16 1 24 1 32 1 48 1 64 1 96 1 192 ERROR CORRECT Notes 1 These can only be set for a NEW pattern 2 The ERROR CORRECT function automatically corrects your playing to this note value The ENTER and BACK keys switch through the steps in the order indicated Remember that you cannot change the length or time signature of a pattern after recording even a single note REALTIME REC REAL NEW 08 BAR 01 04 04 STEP REC STEP BDI PTN 08 BAR 01 04 04 Note DUB indicates that the pattern already contains data NEW that it is completely blank D Select the pattern numbe
49. art in Section i 13 6 61 key key board for example 88 key keyboard Kawai EP 308M for example MN oA m PT TR MERE d apr ap ra 20 22 25 27 30 32 34 3 3 42 44 46 49 51 94 56 58 CRASH 503 02 02 3 so CLAPS CRASH CRASH RIDE CHINA 1 0 HI EE 2 801 J SDI TOM TOM Lo fco f Lo f Lo io J Lo J to Fu Hi f HI LO 29 9 co L 19 23 24 26 28 01 NGA 31 33 35 3 38 40 41 43 45 47 48 5052 53 55 57 61 62 63 66 68 1 Press the MIDI IN COMMANDS and then use the ENTER key to reach the MIDI IN KEY NUMBER DISPLAY 2 Use the ENTER and BACK keys to change the key number 3 Press the pad for the desired instrument Press the MULTI key and adjust the TUNE and PAN parameters for the instrument 4 Press the instrument pad again to store the new assignment Repeat steps 2 through 4 for other combina tions Note To cancel an assignment press the ERASE key to change the field to instead of an instrument pad at step 3 PEPEE ETE EIER 82 MIDI IN command ke
50. c ords the key velocity of each note Never use drumsticks to play the synthesizer or the R 100 However you can play the R 100 from MIDI drumpads MIDI cable lt REALTIME recording gt The ENTER and BACK keys switch through the steps in the order indicated MIDI out jack Kawai K 3 or other MIDI synthesizer Access the REALTIME REC command REAL NEW PTN 88 BAR 01 04 04 Set the parameters See Section 6 2 REALTIME REC Command REAL NEW PTN 28 BAR 04 03 04 Press the START key REAL PTN 28 BAR 04 01 03 04 See Section 13 6 MIDI IN Key Numbers Description for the relationships between keys and R 100 instruments 65 STEP Recording From a MIDI Keyboard 1 Connect the R 100 to the MIDI keyboard and make sure that they are using the same MIDI channel 2 Use the R 100 s GROUP SELECT and third COMMAND SELECT keys to activate the STEP REC command 3 Use the keypad as well as the lt and gt keys to select the pattern number number of bars time signature and BAR CORRECT parameter 4 Press the pad for the instrument 5 Press the START key 6 Use keys 36 48 and 60 72 on the MIDI key board to record the rhythm pattern Note If you use a keyboard with touch sensitivity the R 100 also records the key velocity Note These keys assignments cannot be changed 36 C 38 40 41 47 48 50 66 The ENTER
51. cess MANUAL CONTROL only while MIO ue 02 d 04 stopped Press MULTI key 2 Even when MANUAL CONTROL is ON you can 7 5 5 1 9 record rhythm pattern with current value LEVEL TUNE Press ENTER key MANUAL CONTROL TUNE OFF Press gt key to select ON MANTAL CONTROL 5 10000000 28 E Press ENTER key HOODOO 4 BESS TETRA TEHN REC E 1iM NHHEBVBELECH N U Press START key PLAY PTN 00 BAR 02 01 04 04 16 Press the upper end of the command select key to muc raise the value of the corresponding instrument 1 press the other end to lower it 9 SEETIIREE BE 12 5 201 EHE s Le 36 T mpo Multi Control 1 Availability Li Lit Group Command PATTERN CALL PTN REALTIME REC STEP REC REFRAME SWING BAR PUNCH IN OUT EXCHANGE COPY Y4 Y4 Y2 SONG CHAIN CALL SONG CHAIN BUILD INSERT DELETE LEVEL CHANGE TEMPO CHANGE REPEAT JUMP COPY Y2 4 5 FUNCTION MIDI CH SYNC ASSIGN SAVE LO OVERDUB MID IN COMMANDS MIDI OUT COMMANDS MIDI DATA DUMP Both always available B S T T T HRC iMiH HEvVHELECHE NE N Press the upper end of the COMMAND SELECT key 2 B SMT T T H R C Press the low
52. ching between the open and closed high hat CLK OUT CLOCK OUT This jack provides a clock signal 24 pulses per quarter note for synchronizing sequencers and other instru ments with the drum machine OUT This jack provides tape synchronization signal or data signal TAPE CLK IN This jack accepts a tape synchronization signal data signal or a clock signal from other external equipment SYNC IN OUT This DIN jack provides or accepts external synchroniza tion signals at 24 pulses per quarter note MIDI IN OUT THRU These jacks accept and transmit MIDI signals 2 Overview 1 2 3 4 5 6 7 8 801 01 TOM HI TOM MID TOM LO HH CLOSE RIDE 1 1 BD2 02 COWBELL CLAPS SHAKER HH OPEN RIDE 2 CRASH2 BD3 SD3 AGOGO CONGA TAMBOURINE TI MBALE CLAVES CHINA These groups are listed in three rows above the INS SELECT 3odiestor respective drum pad ps X Note BD Bass Drum SD Snare Drum a Se o 39 Pressing the INST SELECT key shifts to the next row of instruments as shown by the LED indicator All eight instruments in the current group can be played from the eight large keys in the lowermost row Pressing the INST SELECT key cycles among the three groups Note The LED to the right of the INST SELECT key indicates the current group os y or The R 100 s twenty four instruments are divided into eight groups of three instrument each Since the
53. ck then set the tape recorder to RECORD and PAUSE 5b Adjust the tape recorder s recording level about 3 dB 6 Start the tape recorder wait a few seconds and then press the R 100 s START key 7 When the R 100 finishes stop the tape recorder Synchronizing with the Tape 1 Connect the tape recorder to the R 100 in the manner shown at the right 2 Select external synchronization EXT and TAPE input 3 Start the tape recorder playback 4 Press the R 100 START key after the steady tone appears but before it turns into an alter nating one The R 100 starts playing when the tone changes Note It may take some trial amp error to get the levels adjusted for proper operation TAPE OUT OSS 6600000 BSS MTR Tape recorder 00000000 Sample setup TAPE CLK Synthesizer guitar etc 69 14 5 CLOCK SYNC Choosing CLOCK synchronizes the R 100 to an external clock source Procedure 1 Connect the device to the R 100 in the manner shown at the right 2 Select external synchronization EXT and CLOCK input 3 Select the time base 24 48 96 Consult the manuals for your other equipment to determine which setting is best The R 100 starts playing when the external device does 146 DINSYNC Choosing DIN synchronizes the R 100 to any ex ternal device using DIN SYNC timing Procedure 1
54. d 2 change the MIDI IN key numbers and 3 send or receive the data in memory These SYSTEM EXCLUSIVE functions are accessed from the MIDI DATA DUMP command The MIDI DATA DUMP command takes you through three steps Y Y SYSTEM EXCLUSIVE ON OFF o y READY Press the ENTER key to proceed the BACK key to cancel MIDI OUT QQQ Q 0000900 000 006000006 a IN QQQ 9000000 _ 900990000 R 100 A pe 1 i C n dii C t1 DUO Of O ag The ENTER and BACK keys switch through the steps in the order indicated 100 B Switch the SYSTEM EXCLUSIVE feature ON or OFF SYSTEM EXCLUSIVE Select the DATA DUMP channel DATA DUMP CH 1 Check the specifications DATA DUMP CH 1 READY One SYSTEM EXCLUSIVE message allows you to use the MULTI programming feature on one A MIDI OUT to change the LEVEL TUNE SENS and PAN t the other GQOGQO Q 9OC O 9999999 M SES 600 000060600 600 60666606 Procedure eee 1 Connect the two R 100s in the manner shown 100 A R 100 B at the right 2 Press the COMMAND SELECT key 5 and the lt or gt key to access the SYSTEM EXCLUSIVE feature R 1OO a 3 Press the ENTER key and select the DATA DUMP channel 4 Use the GROUP SELECT and MULTI keys to select the
55. dual channel outputs as wel as stereo or mono outputs Detailed editing functions Kawai s advanced editing features make the R 100 much more powerful than other drum machine Such features include a choice of real time or step recording PUNCH IN OUT at the bar level and REPEAT and JUMP functions for song and chain editing Memory cartridge slot The RC 16 cartridge available separately stores backup copies of all information currently in the R 100 s inter nal memory Full MIDI implementation The R 100 s MIDI implernentation not only allows you to do such things as record a pattern from an external keyboard but also includes such advanced features as Song Position Pointer and system exclusive messages for control of additional R 100 s as well as loading and storage of memory to MIDI peripherals Care and Maintenance Protect your R 100 from e Direct sunlight and exposure to the elements e Temperature and humidity extremes e Unstable or noisy AC power e Dust and sand e Vibration during transport Power Supply e Use a supply within the stated voltage limits e Make sure that all power swithces are off before changing equipment connections e Connect the unit as shown on p 6 Cleaning e Clean the instrument with a soft cloth a mild deter gent and lukewarm water e Never use harsh or abrasive cleansers or organic sol vents Helpful Hints Battery Backup The lithium battery protecting the mem
56. epeats for the specified section after playing it the first time A count of n therefore plays the n 1 section times A count of 00 plays once through only The count for the JUMP com mand on the other hand sets which playing of the from segment will the jump occur This is useful when a section including the from segment is repeated a number of times before the jump is to occur A count of 1 means the jump will occur the first time ti is encountered A count of 92 means the jump will be ignored the first time through To eliminate a REPEAT JUMP command clear the count field to by pressing the ERASE key and then press the ENTER key The command automatical ly renumbers the subsequent REPEAT or JUMP sections In case the same ending point is used for two or more REPEAT commands the R 100 works as the example shown at the right e When the REPEAT and JUMP commands appear at the same segment the R 100 ignores the latter one Select the song number REP JUMP SONG 00 013 001 PTN 10 Select the chain number REP ZJUMP CHAIN 0 005 001 SONG 00 Select REPEAT or JUMP REP JUMP SONG 00 REPEAT Select the starting point 01 for the REPEAT command REPEAT SONG 00 RO FrOOITo001 xx Select the ending point 04 for the REPEAT command REPEAT SONG 00 RO FrOOITITo004 x Select the count 01 for the REPEAT command REPEAT SONG 00 0 0 1 004 01 Select the starting poin
57. er end of the COMMAND SELECT key 7 B SET T T HRC 1N8 BHEVMHELECR HN AD Both available in select No field and during recording playback Both available in select No field and Only Multi available during recording Available only during Initial Mode Selection Only MULTI available for the KEY NO setting mode Neither available 4 Playing a Rhythm Pattern KAWAI R 100 DRUM MACHINE The CALL PATTERN command is used to play back a previously recorded pattern It appears when you first apply power or when you select the PATTERN group CALL PTN BAR 02 0 0 04 04 Pressing the START key changes the display from 55 CALL PTN 00 CALL to PLAY lights the PLAYBACK LED c BAR 02 04 04 and starts the playback The pattern then repeats Press the START key endlessly You can select another pattern while SzrrzrziEg BB PLAY PTN 00 laying which will be played after the current B VASA p 5 10000000 58 BAR 02 01 04 704 pattern Bb Ic UNE Note You cannot change to another command while a pattern is playing On the left side of the lower line of the display the PLAY PTN 00 BAM R 100 total number of bars in the pattern and the number BAR 02 01 of the current bar respectively shown on the 9 Press the STOP right side is the time signature
58. g Song or Chain for Playback The CALL commands CALL SONG and CALL o o CHAIN allow you to specify what is to be played m UTE au As with the CALL PATTERN command they are m SONG S automatically activated when you change the group 909 o 39 CHAIN with the GROUP SELECT key il j goa o o To play a song or chain first change the number ES with the keypad or the lt and gt keys and then 05 0 Example CALL SONG press the START key MEE CALL SONG 00 The second line of the display gives four pieces of DANCIN FOO information the total number of segments Example CALL CHAIN terns or songs respectively for songs and chains CAT CHAIN in the sequence the sequence number of the current KAWAI DEMO segment the name of the segment PTN SONG and the storage number of the current unit Typical display during SONG If you use the STOP key to interrupt the playback playback pressing the CONT START key will resume where RUE SER PLAY SONG 00 playback was interrupted pressing the START key Me RCO 013 002 13 will play from the beginning of the entire sequence E Typical display during CHAIN You can also change the current segment before playback continuing PLAY CHAIN 0 005 002 SONG 01 PLAY SONG 00 013 008 PTN 17 PLAY CHAIN 005 003 SONG 02 MEER ooo 3 REEI gag Bi
59. ge the pattern number Press ENTER to store Note At this point you can press the START key to check the pattern To return to the BUILD command simply press the STOP key 5 Repeat step 4 until you reach the end of the song 6 To edit the BUILD command press the CALL SONG command key At this point you can press the START key to review the results SONG 09 NORMAL 8 BEAT PART 001 002 01 003 00 004 02 Select the song number BUILD SONG 09 Enter the title BUILD SONG 09 NORMAL 8 BEAT Select a pattern number BUILD SONG 09 001 001 Use the lt gt and digital keys BUILD SONG 09 004 004 PTN 0 Press the ENTER key to store BUILD SONG 09 008 008 PTN 0 Press the ENTER key a second time to terminate the BUILD command BUILD SONG 09 009 009 PTN BUILD SONG 09 NORMAL 8 BEAT Press the START key PLAY SONG 09 008 001 00 41 104 Example Editing Song with BUILD The following procedure changes part of the SONG No 09 stored in the preceding section 1 Activate the SONG BUILD command and press the BACK key to jump immediately to the pattern number entry step 2 Press the ENTER key until the second number on the second line is 004 Note Holding down the ENTER key will provide continuous updating but be careful not to go past the at the end and terminate the command 3 Enter 10
60. gn ment display MIDI OUT KEY NO BOI 37 Select the instrument with the appropriate pad MIDI OUT KEY NO RIDI 54 Use the and gt keys to change the key number MIDI OUT KEY NO RIDI 53 Press the ENTER key to store CALL PTN 00 BAR 0 04 04 63 erecta iat tae arts ARETE UEE 138 MIDI OUT Key Numbers Factory KEY NO KEY NO 36 39 3140 41 47 49 53 55 57 59 66 68 70 m inns L 62 64 65 67 69 71 74 176 77 81 83 84 86 88 89 9 s 95 Using the R 100 as a Slave 1 Connect the MIDI OUT jack of the synthesizer sequencer or similar device to the R 100 s MIDI IN jack with a MIDI cable 2 Set the R 100 s MIDI N channel to the same number as the sending device s MIDI OUT channel REALTIME Recording From a MIDI Keyboard 1 2 3 4 Note Note Connect the R 100 to the MIDI keyboard and make sure that both are set to the same MIDI channel Use the R 100 s GROUP SELECT and second COMMAND SELECT keys to activate the REALTIME REC command Use the keypad as well as the lt and gt keys to specify the pattern number number of bars time signature metronome speed and ERROR CORRECT parameter Press the START key and begin recording See Section 13 6 MIDI IN Key Number Descrip tion for the key assignments If you use a Kawai K 3 or other keyboard with touch sensitivity the R 100 also re
61. layback u C NE cae UNE oe gt ee ee ee CALL PTN 00 BAR 01 04704 Press the MULT SELECT key BNSETBTNETEHNBCECH eLEVEL OLEVEL OLEVEL OLEVEL OSENS SENS OSENS OSENS OTUNE OTUNE eTUNE OTUNE PAN a BBS T T HRC Press the INST SELECT key BESBCHECESBHBRECH 28 2 2828 To exit press either GROUP SELECT or START key BESHABCETSTScCHCH 3H 30 CGCHOBSELSVBHE Press the GROUP SELECT key CALL PTN 00 BAR 01 04 04 Press the START or CONT START key PLAY 00 _ BAR 01 01 04 04 Weem e oa epee n name mi eem mae aae m san n o aame e e aea e e m an e s a a e E a e a amea ae I aea E ERI siaina tas TET ECTS AT The R 100 allows you to change TUNE and PAN MANUAL CONTROL TUNE value of instruments with MANUAL CONTROL E S pci duc mei MANUAL CONTROL after recording TUNE ON 3 a MANUAL CONTROL PAN MANUAL CONTROL command MANUAL CONTROL 1 Press MULTI key to access TUNE or PAN PAN OFF 2 Press ENTER key 3 Press the or gt key to select OFF or ON lt for OFF gt for ON default OFF 4 Press ENTER or START key ENTER key for bar graph display START key for playback Notes 1 You can ac
62. lt wu e o o F amp 8 The EXCHANGE command allows you to exchange the contents of two patterns for organizational purposes for example There are three steps Note The only way to proceed from the first step to the second is to enter a number Example 1 Press the COMMAND SELECT key 7 to activate the EXCHANGE command 2 Select the pattern numbers with the keypad or the lt and gt keys next to it 3 Press the ENTER key to complete the com mand Press the BACK key to cancel When the exchange is complete the display auto matically changes to the CALL PATTERN com mand To listen to the results simply press the START key DIDODD GOOD Of OI Of D 8 die Select the first pattern number EXCHANGE 00 e Select the second pattern number EXCHANGE 00 50 Check specifications EXCHANGE READY 00 e 50 Select the EXCHANGE command EXCHANGE Select the pattern numbers EXCHANGE 01 e gt 01 e 5 Check specifications EXCHANGE READY 01 e 55 Press the ENTER key to complete CALL 01 BAR 01 04 04 35 Command The COPY command allows you to copy and join patterns so that you can edit the result rather than sta
63. m machine group Data Okkkkkkk Key no 0 127 Machine ID 00000001 01H 100 ID no Data O00ddddd Instrument no See 2 2 1 Oata 00010000 10H Pattern data start mark EOX 11110111 of Data 0000 1st low Data 0000xxxx high pattern data block Data 0000 2nd data low Data O000xxxx high Data 00100000 20H Pattern data end mark Data 00010001 11H Song start mark Data 0000 song data block Data 0000xxxx Data 00110001 31H Songskipmark note Data Song no Data 00100001 21H Song data end mark Data 00010010 12H Chain data start mark 71 Data 0000 Data 0000 chain data block Data 00110010 32H Chain skip mark 2 Data Chain no Data 0000 Data 0000 Data 0000 Last data low 0000 high _ Data 00100010 22H Chain data end mark EOX 11110111 F7H End of exctusive note 1 If song data do not exist the R 100 sends song skip mark 31H before the song no note2 If chain data do not exist the R 100 sends chain skip mark 32H before the chain M 3 PATTERN SONG AND CHAIN DATA FORMAT 3 1 PATTERN DATA 1 Pattern no 90 99 2 Onnannnn Barcount 0 99 total bar number 3 Ottttttt Beat ttttttt 1 99 4 OO0TTTTT Measure TTTTT 4 8 16 5 00000000 6 00000001 7 xxxxxxxx Pa
64. me space by deleting unnecessary chains or songs M dui Lv EHI 20 k OOOO age cpu inde ie doooo ko um of cuo 12 Jas a The ENTER and BACK keys switch through the steps in the order indicated In particular pressing the BACK key when the message COPY READY appears takes you back to the destination specification step Select the source COPY SONG Select the source COPY CHAIN Select the destination COPY SONG 0 0 Check the specifications COPY CHAIN 0 Check the specifications COPY READY SONG 0 0 COPY READY CHAIN 0 9 0 9 Return to CALL command CALL CHAIN ROCK N ROLLS 12 Editing a Song or Chain with the OVERDUB Command The OVERDUB command allows you to record one instrument as part of the song or chain this is very useful for creating variations in an otherwise repeat ing pattern To access select the FUNCTION group and press the COMMAND SELECT key 1 The command takes you through five steps Range Default lt gt Keypad SONG CHAIN SONG Song 00 99 Chain 0 9 aj Parameter SONG or CHAIN Song chain number 001 Last 001 501 CHINA CRS1 One of the 24 instruments 1 4 1 6 1 8 1 12 1 16 Y N 1 16 1 24 1 32 1 48 1 64 1 96 1 1
65. mple turn the send or receive functions ON and OFF and change the KEY NO assignments See Sections 13 5 13 8 for the latter The commands take you through four MIDI OUT or five MIDI IN steps psu x Ee eed ow v Due wee po v 8 vum wo v Hee ow See Sections 13 5 13 8 Note These settings remain in effect even after the power is removed Note The R 100 cannot send VOLUME data It can only receive it fo 0000 om of ot oF The ENTER and BACK keys switch through the steps in the order indicated The lt and gt keys switch between ON and OFF i Turn KEY INFORMATION ON and OFF MIDI IN KEY INFO ON Turn VELOCITY ON and OFF MIDI IN VELOCITY ON Turn VOLUME ON and OFF MIDI IN VOLUME ON Turn PROGRAM NO ON and OFF MIDI IN PROGRAM ON Adjust key numbers See Sections 13 5 13 8 MIDI IN KEY NO 0 a 13 5 MIDI IN Key Numbers Dept etus The final step of the MIDI IN command allows you to assign the key numbers 0 127 to various instruments You can also assign separate numbers to different TUNE and PAN combina operans you might want to group the numbers together When it leaves the factory your R 100 contains 0 C1 C2 C3 C4 C5 C6 C7 the assignments shown in the ch
66. n a sequence stored with the REALTIME or STEP REC com mands J 120 PTN 00 BAR 02 04 04 J 180 00 02 04 04 96 PTN 00 BAR 02 04 04 LEVEL TUNE Min Max Min Mid Max 0 15 8 7 SENS PAN Min Max L Center R 0 15 7 7 13 To access the MULTI programming functions press the MULTI SELECT key The LED next to the LEVEL label then lights Note Certain commands ignore the MULTI key See the chart in Section 3 6 The multi selector key cycles through the para meters The LED shows the current parameters LEVEL gt SENS gt TUNE gt gt LEVEL To change the instrument group press the INST SELECT key As confirmation the display always gives the two character abbreviations See chart for the instruments currently selected To change the value of the parameter for a particu lar instrument press the corresponding COMMAND SELECT key See next section BD1 B1 BD2 B2 BD3 B3 501 81 02 2 503 S3 TOM HI TH TOMH COWBELL CB COWB AGOGO AG AGOG TOM MID TM TOMM CLAPS CP CLPS CONGA CO CONG TOM LO TL TOML SHAKER SH SHAK TAMBOURINE HHCLOSE HC HHCL HH OPEN HO HHOP TIMBALE TL TMBL RIDE1 R1 RID1 RIDE2 R2 RID2 CLAVES CV CLVS CRASH1 C1 CRS1 CRASH2 C2 CRS2 CHINA CH CHNA Note The parameters remain on the display until you press the GROUP SELECT key or begin or end recording or p
67. ng the Starting Point 37 2 3 Commands usn i Me Rw tek Bid M ee 9 9 Erasing a Song or Chain 38 2 4 Selecting Commands 10 2 5 EnteringaParameter 11 9 1 Types of 38 9 2 Erasing a Particular Song Chain 38 3 Tempo and MULTI Programming 9 3 Erasing All Songs or Chains 39 Functions 12 10 Songs and Chains General 40 3 1 Changing the Tempo Method 1 12 3 2 Changing the Tempo Method 2 Ai E EE 13 10 1 BUILD Commands sum een 40 3 3 MULTI Programming Functions 13 10 2 BUILD Parameters Teese hunger pepe eene did 40 3 4 Accessing the MULTI Programming 10 3 Example Building a Song 41 Functions 14 15 10 4 Example Editing a Song with BUILD 42 i lie oss EUM List ie 11 Songs and Chains Y Additional Commands 43 4 Playinga Rhythm Patten 17 11 1 INSERT Commands 43 4 1 Basic Command 17 11 2 DELETE Commands 44 45 4 2 Playing the Pattern 17 11 3 LEVEL CHANGE Commands 46 47 4 3 Changing the Pattern Number 18 11 4 TEMPO CHANGE Commands 47 48 4 4 Changing the Bar Number 18 11 5 REPEAT JUMP Commands Description 49 50 5 Erasi
68. nga Pattern 19 11 6 REPEAT JUMP Commands Example 51 52 5 1 Types of Erasures 19 5 2 Erasing a Pattern _ 19 11 7 COPY Commands 52 5 3 Erasing a Particular Instrument 20 12 Editing a Song or Chain with the 5 4 Erasing One Bar of a Pattern 20 OVERDUB COMMAND 53 5 5 21 ES Gadling penne Mero pe 12 1 OVERDUB Command Description 53 p edd d CK QUIE M Oe 12 2 OVERDUB Command Example 54 55 6 Recording Rhythm Patterns 22 12 3 Erasing the OVERDUB Track 56 6 1 Recording Methods 22 13 MIDI Operation 57 6 2 REAL TIME REC Parameters 22 13 1 The MIDI Interface 57 6 3 REAL TIME REC Recording 23 13 2 Setting the MIDI IN Channel 57 58 841 STEP REC Parameters i ce iesus 24 13 3 Setting the MIDI OUT Channel 58 59 6 5 STEP REC Hecording SPARS site Sop be 25 13 4 MIDI IN and MIDI OUT Commands 60 6 6 ons ME Programming During 5 13 5 MIDI IN Key Numbers Description 61 13 6 MIDI IN Key Numbers Exampl 6 61 62 6 7 Actual Recordings 1 26 27 t 13 7 MIDI OUT Key Numbers 63 6 8 Actual Recordings Sample 28 14 1
69. ns 11111011 Continue 2 Tune 11111100 Stop 3 annn 0 15 Channel no ddddd 0 23 Instrument no o BD1 8 BD2 16 1 501 9 502 17 503 2 10 COWBELL 18 AGOGO 1 2 TRANSMITTED 3 TOMMIO 11 CLAPS 19 CONGA NA 4 TOMLO 12 SHAKER 20 TAMBOURINE i 2nd 3rd Description 5 HHCLOSE 13 HHOPEN 21 TIMBALE 1001 Okkkkkkk Ovvvvvvv Nate on off kkkkkkk 0 127 6 RIDE 14 RIDE2 22 CLAVES vevvunved ont 7 1 15 CRASH2 23 CHINA vvvvvvvo1 127 on vvwv 0 15 Parameter value 11000170 Opppppop Program change 0 99 song no 100 109 chain no Value Mods TARER CEET 15 11110011 Osssssss Song select 3355 5 0 109 songno 100 109 chain Level fip ss 11111000 Real time clock Sens mins n n ttr t max 11111010 Start Tune low 3 3 0 ev high 11111011 Continue 11111100 Stop Pan left center right nnnn 0 15 Channel no Parameter value of Pan ranges from 1 15 22 2 MIDI IN KEY NO 2 RECEIVE AND TRANSMITTED EXCLUSIVE DATA Status 11110000 FOH System exclusive Kewai iD 01000000 40H 2 1 ALL DATA DUMP Channel no 0000 0 15 Function no 00010000 10H Parameter change H i Group no 00000010 02H Drum machine group Machine ID 00000001 01H 100 ID no Channel no 0000 OnH 0 15 Function n 00100001 21H data dump Data 00000001 01H Sub status MIDI in key information Group no 00000010 02H Dru
70. ollowing example uses the REPEAT and JUMP commands to create the rhythm pattern shown at the right as Song No 10 1 Use the BUILD SONG command to link the thirty patterns into a linear sequence 2 Access the REPEAT JUMP command with the COMMAND SELECT key 7 and enter the specifications for the three repeated sections ens rnm come See displays at right The section always plays at least once so the count is the number of repeats after the initial playing See displays at right 3 Next create the D S after pattern 026 using a JUMP from 026 to 015 4 Finally create the coda The only problem here is the count You want the machine to play pattern 019 once for the repeat and again for the D S The jump therefore must not occur until the third time through See displays at right At this example shows the REPEAT JUMP com mands allow you to handle even the most compli cated rhythm combinations 005 006 007 008 013 014 015 016 SONG 10 PART NO RO 001 002 003 004 Repeat 4 times R1 Q9 00 011 012 017 018 oio toe 025 026 D S Play XX times means play the number of times specified D S segno means continue from the sign To means finish with the coda 020 Repeat 5 times 021 022 023 024 Coda R2 027 028 029 030 Repeat 5 times RO REPEAT SONG 10 RO Fr001T0002 0 RI REPEAT SONG 10 R1 Fr011To022 01
71. or stop the R 100 or press another COM E BAR 02 04 04 MAND SELECT 608 Hold down the lt im er ae oan FRA 116 00 BAR 02 04 04 LLDOLDDICICISQIE B i E Press the COMMAND SELECT key 2 REAL DUB PTN 00 BAR 02 04704 Press the TEMPO key CALL PTN 00 BAR 02 04 04 Press the START CONT START key PLAY PTN 00 _ BAR 02 01 04 04 The TAP ENTER key provides a faster way to change the tempo on the display Simply tap this key several times at the desired tempo The R 100 measures the intervals between taps calculates the tempo in beats per minute and displays the result Notes e This mode is also available in playback e You must hit the TAP key at least twice e The R 100 interprets a tap that arrives 1 5 seconds or more after the preceding one as the first of a new series 33 MULTI Programming Functions Each of the 24 instruments has four parameters accessed from the MULTI key e LEVEL The maximum output level e SENS sensitivity The response to key veloci ty or dynamic range This actually sets the mini mum output level The larger the value the greater the range between minimum and maxi mum dynamic At zero they are the same e TUNE The sound s pitch e PAN The balance between left and right stereo output Note The last two TUNE and PAN may also be edited for each note i
72. ory contents while the power supply is off is good for more than five years of normal use We recommend however that you have your nearest authorized service representative replace it promptly after five years have passed Line Noise Reset In the unlikely event of a lockup due to line inter ference simply turn the R 100 off for a few seconds and then reapply the power Repairs Always save your valuable internal data to a cassette tape or RC 16 memory cartridge available separately before taking your drum machine in for repairs or ser vicing Otherwise it may be lost during testing Table of Contents Introduction 1 7 Editing Patterns 29 Care and Maintenance 7 4 REFAME Command 29 30 7 2 SWING Command 31 32 Table of Contents 2 3 7 3 BAR PUNCH IN OUT Command Description 33 1 Controls 3 7 4 BAR PUNCH IN OUT Command 1 1 Names of Parts 4 5 Example 34 1 2 Connections 6 7 5 EXCHANGE Command 35 1 3 7 76 COPY Command 36 2 Overview 8 8 Playing Songs Chains 37 2 1 Sound Sources 8 8 1 Selecting a Song or Chain for Playback 37 2 2 Structuring Rhythm Patterns 9 8 2 Specifyi
73. ow high XXXXxxxx Step count low XXXXXXXX high Ovvvvvvv Volume data ttttpppp Tune amp pan data 11010x10 Over dub end mark Over dub data one instrument only 5555355 0 99 0 999 ffffffft 0 99 XXXXXXXX over dub data exist 0 not exist fttttttt 39 initial tempo off 40 250 initial tempo cree 0 10 0 10 repeat data 5555555553 0 999 0 999 cece 1 10 one jump data 5325553355 0 999 eeerececee 0 999 cece 1 10 5325555 0 99 2 1 2 0 wows 0 127 2 1 0 0 127 x 1 over dub data exist not exist x 1 followed by over dub data 0 data end Over dub instrument See 3 1 one over dub data x 1 followed by next over dub data 0 data end An absolute trigger timing of the instrument in SONG is expressed by timing data timing data Overflow count bar count part count and step count Part count step count is a total part step number inciuding repeat or jump respectively Each data is divided into high and low nibbles when transmitted 85 19 Specifications TUUM mn TOTUM aaa mum er rectum HM i eem mime e mme emet t e meer R 100 DIGITAL f DRUM MACHINE Storage capacity max Patterns 100 Songs 100 Chains 10 Sound sources 24 BD 1 2 3 SD 1 2 3 TOM HI MID LO HH CLOSE OPE
74. per right hand corner of the front panel and the INCREMENT gt or DECREMENT lt keys next to it Note Always prefix a single digit number with a zero 8 gt 0 Certain commands STEP REC REFRAME and SWING for example require an instrument name Select the instrument by pressing the pad for the appropriate instrument Use the instrument select key if necessary um m m ELE i v mU e mmm URS m CALL PTN 00 BAR 02 04 04 Press the 0 and B keys CALL PTN 08 BAR 01 04 04 Press the gt key CALL PTN 10 BAR 02 04 04 STEP DUB PTN 00 BAR 01 04704 Press the SD1 pad STEP 01 00 BAR 02 04 04 3 Tempo and MULTI Programming Functions 3 1 Changing the Tempo Method 1 Press the TEMPO key which is located under the CALL PTN 00 i E KASAI keypad to light the LED next to it and display the BAR 02 04 04 current tempo g 120 Press the TEMPO key Note Certain commands ignore the TEMPO key 120 00 See the chart Section 3 6 BAR 02 04704 The INCREMENT gt or DECREMENT lt SUE keys raise and lower the tempo over the range oc 40 250 Note The tempo remains on the display until you waBRADO sis Hold down the gt press the TEMPO key a second time start E 130 PTN 00
75. propriate group and press the fifth COMMAND nm i X n p i 288 L CHANGE CHAIN SELECT key LEVEL CHANGE The command Ofs 005 001 SONG 00 takes you through three steps pg The ENTER and BACK keys switch through the steps in the order indicated and then through the segments Song chain number Song 00 99 Chain 0 9 Press the ENTER key for next bar the BACK key for the previous one Location Location Select the song number 09 L CHANGE SONG 09 004 001 PTN 00 Select a change of 30 for the first segment L CHANGE SONG 09 Change in level Example 004 001 30 The following procedure introduces level changes Select a change of 10 for the between the four patterns left in song No 09 second segment L CHANGE SONG 09 004 002 19 Select a change of 10 for the third segment 1 Activate the command and enter keypad or change and gt keys the song number 09 Press ENTER 2 Use the arrow keys to lower the level to 30 BAM HOO at the beginning of the sequence SLESZTSR RE dou MO 2 00000 amp 3 Similarly increase the level to 10 for the 5 1 l 17 AM Select a change of 10 for the other three patterns fourth segment 4 Press ENTER to complete the command P
76. r REAL NEW 99 01 04 04 Select the number of bars REAL PTN 99 BAR 01 04704 Select the time signature beats per bar REAL PTN 99 BAR 01 047 04 Select the time signature beat value REAL PTN 99 BAR 01 04 04 METRONOME SELECT 8 5 3 o 3 o 3 E o lt v c m 1 4 Select the note value for error correction ERROR CORRECT 17 16 REAL NEW PTN 99 BAR 01 04 704 Once you have specified the parameters press the START or CONT START key to start recording The metronome will beat in time and what you play on the instrument pads will be recorded Erasing notes while recording To erase a note from the pattern hold down the ERASE key and press the appropriate instrument pad at that particular moment Holding down the instrument pad erases all notes played by that particular instrument Check the INST SELECT indicator to make sure that you are erasing the correct instrument Recording repeated notes Holding down the ENTER REPEAT key and an instrument pad produces repeated notes The inter val between notes is determined by the ERROR CORRECT parameter 1 4 1 96 available A setting of 1 16 for example produces a sequence of sixteenth notes T creer esos geq S DOO 510000000 83 a 1 i 898 100000 283 54 400
77. r change lt gt keys the song number 09 Press ENTER 2 Select the starting location 003 with the lt and gt keys 3 Select the starting location 006 with the same keys 4 When the message DELETE READY appears press ENTER to complete the deletion or BACK to cancel Note A few seconds later the display returns to the beginning of the DELETE command If you pressed the ENTER key the total the first number in the second row should now be smaller than before SONG 09 gt PART 001 PTN ex Select the song number 09 DELETE SONG 09 feel 008 001 PTN 00 eee g y Select the starting location 003 8 10080000 LE DELETE SONG 09 003 00 003 00 5 ae ae ge Select the end location 006 DELETE SONG 09 003 00 006 03 DELETE READY 09 003 00 006 03 Press the ENTER key DELETE SONG 09 004 001 PTN 00 Song No 09 after the deletion PART 001 002 003 004 Note that the total number of patterns in the song has decreased 00 01 00 01 from 8 to 4 PTN 45 11 3 LEVEL CHANGE Commands The LEVEL CHANGE commands LEVEL CHANGE TS Select the song number SONG and LEVEL CHANGE CHAIN allow you to MET L CHANGE SONG 00 change the output levels between segments patterns ca 013 001 10 or songs in a sequence activate select the Bgg Select the chain number ap
78. roduces two notes instead one This function automatically adjusts the relative levels so that the second is a little louder than the first and also adjusts the interval so that shorter notes are closer together creating a true flam The time between the flammed note and the main note is determined by the note value used to play the note i e the flam is farther apart for a quarter note than for a sixteenth note Note Simultaneously press the INST SELECT key and INST pad you can overdub desired note 1 90000 K cooo C Ll y Lh C Hold down the FLAM key as you strike the note a SOOO 10000 STEP 05 02 04 04 Press the START or CONT START key STEP BDI BAR 02 01 PTN 05 04 04 eTEMPO OTEMPO TEMPO eREC eREC je STEP BD 05 BAR 02 02 04 04 Press the key STEP BDI PTN 05 BAR 02 01 04 04 STEP 05 BAR 02 02 04704 Press the STOP key STEP 05 BAR 02 02 04 04 Playing the instrument With pad alone FLAM key 25 26 67 Actual Recordings SampleT M rire i o ieu Ti ai Ami es e mem ms You can change the pitch TUNE or stereo balance PAN of any instrument during either REALTIME or STEP recording Simply press the MULTI key change the
79. rting from scratch There are four steps Parameter First pattern number Second pattern number Third pattern number The ENTER and BACK keys switch through the steps in the order Note The only way to proceed from the first step to the second is to enter a number This restriction does not apply between the second and third steps because you are allowed to give a null specification for the second field Error Messages In certain cases the copy will fail and produce an error message instead ILLEGAL INPUT linking two patterns you have either 1 specified two with different time signatures or 2 tried to create a pattern that is more than 99 bars long MEMORY OVERFLOW There is not enough memory space left to store the result The message remains on the display for a few seconds You can double the length of a pattern by linking two copies onto the original See illustration Example Simple copy COPY 00 55 Example Linking operation COPY 00 01 0 Select the first pattern number COPY PTN 00 xx Select the second pattern number COPY 00 01 Select the third pattern number COPY PTN 00 01 02 Check specifications COPY READY PTN 00 01 02 End in CALL PATTERN command CALL PTN 02 BAR 04 04 04 INPUT MEMORY OVERFLOW 8 Playing Songs and Chains 8 1 Selectin
80. se the MULTI programming function to alter the TUNE and PAN settings for individual notes 223 BAR PUNCH IN OUT Command Description 888 55000100000 gge The ENTER and BACK keys switch through the steps in the order indicated Select the pattern number PUNCH PTN 20 BAR 3x 08 01 Select the PUNCH IN bar PUNCH PTN 20 BAR x 08 01 Select the PUNCH OUT bar PUNCH PTN 20 BAR 04204 08 01 Select the starting bar PUNCH PTN 20 BAR 04206 08 01 Select the metronome value METRONOME SELECT 17 4 Select the ERROR CORRECT value ERROR CORRECT 1 16 BAR PUNCH IN OUT display PUNCH PTN 20 BAR 04 206 08 01 Press the MULTI key B S T T T HRC Adjust the parameters with the COMMAND SELECT keys BMS T T T HRC 1 Change instrument groups with the INST SELECT key B 5 CC S RC 2 2 2 2 Press the GROUP SELECT key to return to recording PUNCH PTN 20 BAR 04 06 08 05 33 To illustrate the procedure add a fill in to an eight bar pattern stored as pattern No 20 1 2 3 4 5 6 7 Press the COMMAND SELECT 6 key to active the PUNCH IN OUT command and type the pattern number 20 Use the lt and gt keys to change the PUNCH IN bar to 04 Use the lt and gt keys to change the
81. t 09 with the cursor on the count para meters for the JUMP command JUMP SONG 00 0 0 0 9 Select the ending point 01 for the JUMP command JUMP SONG 00 0 00 9 001 Select the count 02 for the JUMP command JUMP SONG 00 J0O Fr00970001 02 REPEAT SONGOO RO Fr004T0005 03 REPEAT SONGOO R1 Fr004T0005 05 Playback 003 005 three times 004 005 three times REPEAT SONG 00 RO Fr003T0005 02 JUMP SONG 00 J0 Fr00570001 01 49 ELIMINATING A REPEAT OR JUMP REPEAT SONG 00 RO Fr009T70001 02 Press the ERASE REPEAT SONG 00 RO Fro009ToO001 x Press the ENTER key to eliminate the current REPEAT RO REPEAT SONG 00 1 The displays change as follows REPEAT SONG 00 RO gt R1 becomes blank REPEAT SONG 00 RO Fr004T0010 03 The old R1 moves to RO Example REPEAT REPEAT SONG 05 The REPEAT shown at the right changes the original Fr002T0006 0 8 pattern song into a 13 pattern one 001 002 003 PART u 004 005 006 002 003 004 005 006 007 008 001 002 003 004 005 006 007 008 Example JUMP The JUMP shown at the right adds alternate ending to the above REPEAT 001 002 JUMP SONG 05 003 004 005 006 002 003 004 007 008 J0 Fr004To007 02 PART 1 2 001 002 003 004 005 000 007 008 M TM ns REPEAT JUMP Commands Example _ The f
82. teps Parameter lt gt Keypad Pattern number ALL EACH ALL lt EACH gt REFRAME parameter 1 4 1 6 1 8 1 12 1 16 1 24 1 32 1 48 1 64 1 96 BD1 CHINA Any of the 24 built in Sound sources Instrument EACH only Instrument pads 1 8 Press the ENTER key to proceed the BACK key to cancel Note ALL reframes all instruments in the pattern EACH restricts the function to one instru ment Example Reframing the snare drum SD pattern in Sample IV Stored as No 08 Procedure 1 Press the COMMAND SELECT 4 key to access the REFRAME command and type 0 and 8 2 Press the gt key for EACH reframing for an individual instrument 3 Press the SD instrument pad to specify the instrument SD1 4 Use the lt and gt keys to change the REFRAME parameter to 1 4 Note You can do preceding two steps in either order 5 Press the ENTER key when the message READY appears Select the pattern number REFRAME PTN 00 Select ALL or EACH REFRAME 00 ALL EACH ALL Select the REFRAME parameter P The ENTER and BACK keys go oes through the steps in the order LE indicated Select the instrument REFRAME PTN 00 EACH BDI 1 96 Sample IV Pattern No 08 HH SD BD Type 08 on the keypad REFRAME PTN 08 Press gt for EACH REFRAME 08 AL
83. the START key to see how the R 100 can make you a real drummer REAL DUB 20 BAR 01 04 04 Use the lt and gt keys to set the ERROR CORRECT parameter to 1 4 ERROR CORRECT 1 4 Press the START key REAL PTN 20 BAR 01 01 04 04 REAL PTN 20 BAR 01 01 04 04 Press the STOP key REAL PTN 20 BAR 01 01 04 04 STEP DUB PTN 20 BAR 01 04 704 Press the BD instrument pad STEP BD PTN 20 BAR 01 04 04 Press the START key STEP 20 01 01 04 04 OTEMPO eTEMPO REC eREC REC STEP 20 BAR 01 01 04 704 27 28 This second example is the well known samba rhythm pattern The key point of interest is that it uses two different conga lines with a total of four different pitches Although the R 100 only has one conga sound source the MULTI programming func tion allows you to vary the pitch for individual notes and therefore produce the desired results First use the procedures demonstrated in the pre ceding section to record the SHAKER COWBELL and AGOGO lines as two bars in 2 4 time The following steps show the MULTI programming function for step recording MULTI programming is also available during REALTIME recording 1 Set up to record the conga line with the STEP REC command 2 At each step set the TUNE parameter to the value shown in the accompanying chart and press the appropriate instrument
84. three instruments in a group share the same voice channel it is impossible to play them simul taneously lt is however possible to play up to eight different voices together each with a differ ent instrument when that voice is already playing the new instrument replaces the old This also occurs when the same instrument is played over itself the new velocity tuning and pan replace the the original PATTERN The minimal unit of drum machine operation pat tern consists of combinations of the 24 instruments arranged to form a rhythm up to 99 bars long The R 100 has a capacity of 100 patterns SONG song links up to 999 patterns together into a longer unit for continuous playing The R 100 has a capacity of 100 songs Group 1 PATTERN e CALL PATTERN REALTIME REC STEP REC REFRAME SWING BAR PUNCH IN OUT e EXCHANGE e COPY Group 2 SONG CALL SONG BUILD INSERT DELETE LEVEL CHANGE TEMPO CHANGE REPEAT JUMP COPY The R 100 allows you to combine the 24 instruments in a virtually limitless number of ways To help you Keep track how ever it adopts a hierarchical approach using patterns songs and chains three units which build upon one another CHAIN Listed in four rows above the eight COMMAND SELECT keys are the 32 commands available to control recording playback and other drum machine operations The first three rows contain the
85. to R 100 Note Remember that the LOAD operation erases the current contents of the R 100 s memory 172 Cartridge Save to Cartridge 1 2 3 4 5 6 Shift the PROTECT switch on the cartridge to the OFF position and insert the cartridge in the slot provided Press COMMAND SELECT key 8 to access the SAVE LOAD command Use the or gt key to select CARTRIDGE and press the ENTER key Use the lt or gt key to select SAVE and press the ENTER key Press the START key Wait for the message SAVE END Verify Cartridge Contents 1 2 3 4 5 6 Shift the PROTECT switch on the cartridge to the ON position and insert the cartridge in the slot provided Press COMMAND SELECT key 8 to access the SAVE LOAD command Use the lt or gt key to select CARTRIDGE and press the ENTER key Use the lt or gt key to select VERIFY press the ENTER key Press the START key Wait for the message VERIFY OK Push the PROTECT Switch all the way to the right and firmly insert into the R 100 Save to Cartridgel Access the SAVE LOAD command SAVE LOAD CARTRIDGE Use the or gt key to select CARTRIDGE SAVE LOAD CARTRIDGE Use the lt or gt key to select SAVE SAVE LOAD VERIFY CARTRIDGE Press the ENTER key SAVE READY CARTRIDGE Press the START key SAVE END CA
86. to cancel Note Specifying ALL reframes all instruments in the pattern EACH restricts the function to a single instrument The ENTER and BACK keys switch through the steps in the order indicated Select the pattern number SWING PTN 00 Select ALL or EACH SWING PTN 00 ALL EACH ALL Select the SWING NOTE value SWING PTN 00 ALL 17 8 Press gt for EACH SWING PTN 00 ALL 50 Select the instrument EACH only SWING PTN 00 EACH BDI 5026 Press ENTER to proceed SWING PTN 00 EACH BD READY 31 32 Example Sample VI Pattern No 09 Changing the high hat quarter notes in Sample VI assumed to be stored as No 09 to a swing pattern HH Procedure 1 Press the fifth COMMAND SELECT key to activate the SWING command SD 2 Type 0 and 9 on the keypad BD 3 Press the lt key for ALL 4 Use the lt and gt keys to change the SWING NOTE value to 1 8 5 Use the lt and gt keys to change the SWING Percentage to 6796 6 Press the ENTER key when the message READY appears As with the REFRAME command the SWING command automatically changes to the CALL PATTERN command To listen to the results See Type 09 on the keypad SWING PTN 0 Press for ALL SWING PTN 09 ALLYEACH ALL Use the lt and gt keys to change the SWING NOTE value to 1 8 Sample VII simply press the START
87. ttern length low 0 255 8 xxxxxxxx Pattern length high XXXXXXXX 0 255 9 tttttttt Timing data 0 191 asound data 10 Ovvvvvvv Volume data vvvvvvv 0 127 11 00058889 Instrument no ddddd 0 23 See 2 2 12 ttttppop Tune amp Pan data tttt 0 15 See22 0 15 See 2 2 110000xx Timing count mark 110000xx end mark 11000100 Pattern end mark Sound data inctude four data bytes timing data volume data instrument no and tune amp pen data and are srrayed in timing order Pattern length Pattern length counted by a unit of one sixteenth note Timing deta A value counted by unit of one 192nd note from every hesd of the bar In case the value exceeds 191 timing data overflow count C1H will be placed for easier counting Volume data data processed the R 100 system and not always correspond to the MIDI velocity data Bar end mark C2H This mark C2H is placed at the end of the bar If timing data overflow count appears at the end of the bar C3H will be placed instead of C1H and C2H Pattern end mark CAH This mark C4H is placed at the end of the pattern data If sound date do not exist in a pattern the pattern date include following ten bytes Oppppppp Pattern no 0 99 00000000 OOH Bar count o 00000100 04H Best 00000100 04H Measure 00000000 00H 00000001 01H 00010000 10H Pattern length tow 00000000 Pattern length high 11000011 C3
88. xecute and return to the CALL PATTERN command CALL PTN 00 BAR 02 04 04 Specify the bar number CALL PTN 01 BAR 02 02 04 04 Press the ERASE key PTN 01 02 ERASE READY Press the BACK key PTN 01 02 ERASE CANCEL Press the ENTER key to execute and return to the CALL PATTERN command CALL PTN 01 BAR 01 01 04704 Simultaneously press the first COMMAND SELECT key and the ERASE key to display the message ALL MEMORY ERASE READY Press the ENTER key once to display the confirmation message ERASE SURE and a second time to complete the erasure Press the BACK key to cancel Note Before you erase the memory contents Kawai strongly recommends that you make a backup copy on an RC 16 memory car tridge available separately or cassette tape adig or CALL PTN 00 BAR 02 04 04 Simuitaneously press the first COMMAND SELECT key and the ERASE key ALL MEMORY ERASE READY Press the ENTER key and wait for confirmation message ALL MEMORY ERASE SURE Press the BACK key ALL MEMORY ERASE CANCEL Press the ENTER key to execute and return to the CALL PATTERN command CALL BAR 01 0 04 04 2 4 first COMMAND SELECT key and the GROUP SELECT key displays the percentage of memory available for storing new Simultaneously pressing the rhythm patterns songs and chains The display automatically clears after a few seconds Press simult
89. y assignment display MIDI IN KEY NO 1 kk kA Use the ENTER and BACK keys to change the key number MIDI IN KEY NO 12 Select the desired instrument with the appropriate pad and adjust with the MULTI programming function MIDI KEY NO 12 503 Press the instrument pad second time to store MIDI iN KEY NO 13 Mm 437 MIDI OUT Key Numbers The final step of the MIDI OUT command allows you to assign a key number to each of the R 100 s twenty four instruments This facility is handy for sending data to a sequencer personal computer or other similar MIDI device Unlike the MIDI IN command however it does not allow you to assign separate numbers to different TUNE and PAN com binations for the same instrument When it leaves the factory your R 100 contains the assignments shown in the chart in Section 13 8 Example 1 Press the MIDI OUT COMMANDS key then use the ENTER key to reach the MIDI OUT KEY NUMBER display 2 Press the pad for the desired instrument 3 Use the lt and gt keys to change the key number Mi 700 i or a o8 M ER A den nien ca Ic peer inca 144 TES amas PEETI 90000 Q The ENTER and BACK keys switch through the steps in the order indicated Ot DOO DDERILLERE EE SEHE Corr eed MIDI OUT command key assi

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