Canon EOS-1D C Family Brochure
Contents
1. 5 1 7 6 he 4K short film The Tic et shot with the EOS 1D C EOS 1D C on the set of the AK short film The Ticket The Canon Log manages to do tonal compression so that when I need to get information out of the highlights or out of the shadows can actually dig that out David Cole Senior Colorist of Technicolor BTS There was one particular scene we were going to get at midnight we d have no access to lights We were filming this at 10000 ISO and there s virtually no noise and I was absolutely floored by what the C300 could do in a low light situation don t think any other camera could have actually given us that shot with zero lights Kief Davidson Director Cinematographer Open Heart 2013 Academy Award Nominee Documentary Short ER S 2 FILM T n 4 Images on this page Frame grabs from the documentary short Open Heart shot with the EOS C300 In both the documentary portions that are going to be run and gun minimal lighting and in the produced portions where we spent a lot more time and a lot more lights to set up we got a really really strong image Not a lot of cameras can do that They often are suited to one scenario or another The C100 really excelled in both and that was really impressive Patrick Moreau Stillmotion Filmmaker LN EOS C100 on the documentary Pulse SA lt li2. Dual Card Slots and PreREC Dual and single card slots on Cinema EOS cameras help ensure operator flexibility and downstream workflow The EOS C500 EOS 1D C and EOS C300 employ reliable easily accessible Compact Flash cards as recording media while the EOS C100 uses versatile readily available SD SDHC SDXC cards Dual slots enable simultane ous recording to both media thereby creating an instant backup EOS C500 and EOS C300 EOS C100 Dual CF Card Slots Dual SD Card Slots Relay Recording or continuous recording extends the time available for shooting as a second card takes over automatically after the first becomes full you can also safely hot swap one card slot while the other is recording By recording a few seconds of material to internal memory before the record button is pressed a PreREC function helps ensure that you do not miss important moments Terminals A variety of industry standard connectors helps ensure that Cinema EOS cameras interface directly with audio and video recorders via 3G SDI HDMI and similar ports Also available are timecode In Out sync out genlock and additional monitor connectors a Local Application Control Bus LANC is also available on the EOS C500 for enhanced remote functionality Two Monitoring Ports Timecode In Out JA 3G SDI 4K 2K RAW Output Ports HD SD SD Custom Pictures An innovative Custom Pictures mode provides access to man
3. FILM Frame grab from the documentary Pulse shot with the EOS 0 CANON CINEMA amp EF LENSES Capitalizing on decades of know how while developing some of the world s most advanced optical systems Canon lenses are renowned for their accuracy clarity and optical brilliance They bring fresh perspective to your vision and stimulate your creativity This is a lens system whose standard is measured by the professionals out in the field day in and day out Canon Cinema Lenses Designed exclusively for cinematography Canon Cinema Lenses are engineered to exceed the standards of working professionals Every lens fulfills contemporary 4K production standards surpassing the performance requirements of any HD imaging system 11 blade aperture diaphragms help ensure beautiful bokeh while geared inner focusing dramatically helps minimize focus induced changes in the angle of view and greatly reduces focus breathing Select lenses utilize special glass elements such as fluorite and aspherical features to maximize the optical performance brought by Canon s advanced design technique Brilliant Sharpness of 4K Compatibility with Super 35mm Cameras The lenses are compatible with industry standard Super 35mm cameras and APS C cameras The compact zooms are compatible with larger 31 4mm sensors Suppressed Temperature induced Changes Temperature induced marking discrepancies are virtually eliminated by utilizing speci
4. FIT ANY PRODUCTION NEEDS BUDGET To help ensure full operational flexibility Cinema EOS cameras can be configured in a number of different ways depending on the specific needs of the project and the target budget Compact lightweight magnesium alloy bodies offer enhanced mobility for comfortable handheld or dolly mount shoots using PL or EF mount lenses Full compatibility with a range of third party accessories further increases camera operator comfort EOS C300 with matte box follow focus and monitor unit Third party accessories EOS C300 with monitor unit and handle Compact Modular Design Each Cinema EOS camera features a modular ergonomic body design that packs a lot of functionality into a remarkably small package while providing enhanced mobility and expandability Removable top handles with built in microphones side mount grips and adjustable LCD monitor panels enable custom configurations for specific user definable shooting styles EOS C300 with EOS C300 camera monitor unit and lens only High resolution electronic viewfinders provide widescreen aspect ratios Multiple start stop buttons enable easy triggering regardless of how the camera is rigged A variety of focus aids waveforms vectorscopes and an optional wireless file transmitter round out these truly professional camera packages Third party Accessory Compatibility Canon has collaborated with a number of third party vendors to help ensure full
5. SS r _ X hy La x ML CN 1 WE CINEMA EOS CINEMA EUS Canon 55 x gt lt St image LEAVE NO STORY UNTOLD 0172W926 02 13 2013 CANON U S A INC PRINTED IN U S A LEAVE NU STORY UNTOLD cm 8 H OZ LI C sum a J n a EM rari pam Ld DE VISION THERE S NO LIMIT TO YOUR CREATIV UR WHERE YOUR STORY CAN TAKE YOU AND WITH THE CANON CINEMA EOS SYSTEM OF CAMERAS AND LENSES YOU CAN SHOOT ANYTHING AT EVERY LEVEL OF PRODUCTION Canon Fd H 7 N ra 5 PI 5 d d AST NN Y QU NN NN N N N N N NN WW CC N SS thm eG ud Tvvvwy Y N N EOS C100 Digital Video Camera EOS C300 Digital Cinema Camera EOS C500 4K Digital Cinema Camera EOS 1D C 4K DSLR Cinema Camera oU WHEREVER THE STORY TAKES YOU It is our pleasure to present the four cameras that comprise the Cinema EOS System the EOS C500 4K Digital Cinema Camera the EOS 1D C 4K DSLR Cinema Camera the EOS C300 Digital Cinema Camera and the EOS C100 Digital Video Camera Each camera offers superb image performance and outstanding operational
6. SUPPORT Dedicated Service for Professionals The Canon Hollywood Professional Technology amp Support Center was established to bring exceptional service directly to motion picture studios the television industry and independent producers and videographers Located in the heart of Hollywood CA our facility is staffed with expert technicians who are fully prepared to take care of all your Cinema EOS products We can accurately adjust cameras and lenses repair both cinema and still photography equipment and meet the needs of professionals like yourself who are working with tight and often inflexible deadlines With industry leading turnaround times and substantial service parts inventories you ll be back in action fast And while working on location you can count on Canon s nationwide service centers and precision lens centers for factory quality repairs as well as available 24 7 100 US based Call Center support But what we can offer you is only half of the equation In providing you service we benefit from your valuable feedback and suggestions to help develop new and even better products Its a symbiotic relationship and one that has worked to stunning success before the Cinema EOS System was developed as a direct result of such feedback Support Programs Customized for Your Needs Cinematographers production companies film schools and other industry professionals can take advantage of optional service programs designed t
7. 3 AT 0 Md q 3 P Fie A A b MA Pi 7 amp HS a l i 5 i M Tet L ias LN 5 ICI film Mobius 0 0 e TA br p a y 5 T i D y u O A Ket if yr K g 1 M 1 gt h Ex Sd Z 5 n l gt a i diu 7 i 3 3 v lt Ly gt du E P 3 wy v 1 e mul 1 eh s 0 4 qo Ty 2 0 i 1 gt 5 by anl pet A 5 9 BTS Ali 7 wA pe 1 uv ee Y 1 o f ANDIE A v 8 4 K VEA ve 8 A A si de oe GE Lal Fr 14 Ld Th fa PT usd ubi Tul TAPE LP hr M at i 01 Jo Frame grab from the documentary Surviving the Peace shot with the EOS C300 FILM tary Surviving the Peace footage shot by Rick Gershon and Nathan The reason why this camera is so great for documentary v rit May 3 ins y g 2 i n shooting is that I don t have to add a bunch of workarounds to get that look It s already there it s right out of the box it s built in and Y gt ready to go which is really useful especially in an environment that was extremely dusty extremely hot and just really tough to work in Rick Gershon Director of Photography MediaStorm EOS C300 on the documentary the Pe Images on this page EOS C500 on the set of the 4K short film Man amp Beast
8. Wireless Capability To provide unique capabilities not typically available in cinema cameras Cinema EOS cameras connect to the optional Canon Wireless File Transmitter WFT E6A Unit that lets users remotely control systems from up to 150 feet away over wireless networks from a PC smartphone tablet or similar device You can start or stop recording adjust white balance gain and other parameters and even adjust the focus and aperture of Canon EF lenses WFT E6A CONTROL The history of motion picture film production has shaped camera systems to offer easy Cinema Lens Gearing and Control Canon Cinema lenses meet cinematographers highest expectations of control over focus iris and zoom Wide rotation angles especially on focus controls combine with large highly visible scales high mechanical accuracy of each control and a carefully implemented Camera Ergonomics with Customizable Buttons For added convenience Canon EOS cameras feature detachable grips that rotate to bring start stop iris control and multi controller buttons where you need them at your fingertips Logical layout of all buttons and dials makes operation simple In addition to full zoom focus and audio levels a number of customizable buttons distributed over the camera body provide convenient and intuitive access For maximum customization and to tailor the camera precisely to specific shooting needs access is provided to Custom Rich Audio Cont
9. features and benefits They are innovative digitally and physically robust and backed by Canon s legendary high quality craftsmanship Indeed these are the cinema cameras that let you go wherever the story takes you STMT Ll Mutuo x 2 od s 2 jl WHAT Hiii M WW NN NN KN od A WW NN DD A QN N N A NN AW AI RRR NN NN A WY SS EOS C100 Digital Video Camera EOS C300 Digital Cinema Camera EOS C500 4K Digital Cinema Camera EOS 1D C 4K DSLR Cinema Camera The Contents The Professionals Capturing the Story 10 Exceptional Quality 16 Canon Cinema amp EF Lenses Canon Image Quality Multiple Recording Formats 2 hane Hurlbut ASC LL Director of Photography of The Ticket On the Set Freely 30 Flexible Durable Reliable 34 Fit Any Production Needs Budget Control Unleashing the Vision 46 Post Production Dante Ariola Director of Man amp Beast Service Support and Education 52 Service amp Support Educational Resources Canon Cinema EOS System 58 Kief Davidson Director of Open Heart For additional content Using the Digimarc Discover app shoot the pictures with icons to reveal extra content on your mobile device See page 66 for details on how to downlo
10. from a 4K image sensor eliminates the Ca SS j of 16 9 HD motion imaging and full frame still images all captured debayering process and allows for uncompressed 2K or HD 4 4 4 in camera on CF cards The EOS 1D C uses Dual DiG IC 5 Image RGB video components with an additional choice of 12 bit or 10 bit 4e EOS D Processors for powerful RGB video processing that provides depth for each at up to 120P frame rates These RAW components cae NN 5 xxr 5 NN extraordinary sensitivity low noise superb image quality and are output via a 3G SDI serial interface to external recorders And 7 3 l gt ij beautiful color reproduction over a wide range of scene lighting anticipating the increasing move towards 4K production the SAN N conditions Motion JPEG compression is used for 4K YUV 4 2 2 EOS C500 camera can be switched to a 4K imaging mode that is recording and MPEG 4 AVCHD H 264 codecs for the two HD user selectable between cinematography or UHDTV 4K formats E modes each at high data rates ensure excellent image capture The EOS C500 delivers an uncompressed 4K RAW output to external RT performance The camera is compatible with all Canon Cinema Prime recorders in camera recording to CF cards of an HD proxy of the 5 3 if and EF mount Cinema Zoom lenses as well as with the wide range 2K HD 4K primary origination can be used for offline editing 58 d of standard EF Lenses
11. production Uniquely the EOS C500 structures its RAW file as a multiplex of four separate 2K components for external recording with full retention of all 4K color coded information Format 4K 2K HD Cinema Raw EOS C500 MXF HD MPEG 2 4 2 2 50 Mbps 4K 24p 4 2 2 Motion JPEG HD 4 2 0 AVC H 264 E0S1Da HD 4 2 2 Uncompressed MXF HD MPEG 2 4 2 2 50 Mbps EOS C300 HD 4 2 2 Uncompressed 4 2 0 HD AVCHD EOS C100 HD 4 2 2 Uncompressed The EOS 1D C also offers 4K acquisition as in camera recording of 4 2 2 YUV video at 24 fps using a Motion JPEG intra frame codec This unique camera further offers alternative high definition video capture with a choice of a Super Crop 35mm mode when using cine zoom lenses at frame rates of 24 25 30P or a Full Wide HD when using cine prime lenses or standard EF lenses at frame rates of 24 25 30 50 60P Recording Media 2K Acquisition All four Cinema EOS cameras support high quality HD acquisition at all of the internationally standardized frame rates The EOS C500 EOS C300 and EOS C100 cameras originate RGB video components by direct parallel readout from their Super 35mm CMOS image sensor thus avoiding any debayering processes All cameras record this HD signal in camera while also offering external 4K 2K Workflow MXF HD File based Workflow 4K Motion JPEG Workflow HD AVC H 264 Workflow HD Workflow MXF HD File based Workflow HD Workflow AVCHD F
12. 51 co Canon rs 17mm 2 y NN 3 7 f 1 E AN a 0 gt p A 1 y n EA 2 PR p 3 i EU P TC lt IP 4 _ 7 ns f m BE um 4 tt 8 hs ri t e EN j D RN LS ie T 1 57 dal f Pere E p Neyer 1 pto t gt o 1 ED SANOSIOW D f 2 a Al s eS Wit sot 5 6 18 6 22 i ONE SHOT AF gt i CINEMA LENSES EF LENSES Canon Cinema Zoom Compact Zoom and Prime Lenses fulfill contemporary 4K production standards further enhancing the performance of any HD imaging system An 11 blade aperture diaphragm markings on both sides of the lens barrel plus uniform front diameter rotational angle for operational controls and gear positions within each category of Cinema Lenses help ensure smooth shooting and operation Compatibility and flexibility are your keys to creativity productivity and profit Comprised of more than 60 prime and zoom models Canon has one of the most comprehensive range of EF lenses including specialty lenses such as Macro Tilt Shift and Fisheye Macro Lenses Macro Lenses offer a range of close up high magnification shooting solutions that help reveal the finest details and achieve extraordinary edge to edge accuracy at very shallow depth of field C
13. The EOS 1D C is a powerful B Camera or EFE C Camera to augment productions using the EOS C500 and or 3 E EOS C300 cameras E CUSTOM mt g 3 0 Y wra EOS C500PL 2 EO5 1Dm D We CANON S FIRST ENTRY INTO THE A COMPACT DIGITAL CAMERA WITH DIGITAL CINEMA MARKET HD CAPABILITIES Incorporating Canon s innovative Super 35mm imaging system the Designed specifically as an affordable high performance digital EOS C300 Digital Cinema Camera s 50 Mbps 4 2 2 XF Codec not cine system the EOS C100 Digital Video Camera targets a broad only holds up to the most rigorous color correction but also range of lower budget film and video productions with a highly conforms to worldwide broadcast standards A pair of Compact flexible modular design that supports a variety of single operator Flash slots offers a choice between double slot recording for shooting styles The camera uses the same ultra precision enhanced security and Relay Recording for continuous roll time Super 35mm imaging system found in both the EOS C500 and Coupled with its superb low light performance and filmic grain EOS C300 thereby originating equally high image quality sharpness structure the EOS C300 offers thoughtful and unique ergonomics and sensitivity The industry standard AVCHD file compression that lets it tuck into places that other cameras cannot Highly modular codec records HD video at data rates up to 24 Mbps and integrates the ca
14. ad and use the app The Projects Man amp Beast 4K short film Shot with the EOS C500 The Ticket 4K short film Shot with the EOS 1D C Open Heart Jeff Cronenweth ASC Peter Simonite Documentary film Director of Photography Cinematographer of Bart Shot with the EOS C300 of Man amp Beast 2nd Unit Director of Photography of Man amp Beast Die in New Orleans Music video Shot with the EOS C300 Afghanistan Documentary Documentary film Shot with the EOS C300 Surviving the Peace Documentary film Shot with the EOS C300 m Mobius Vincent Laforet Sam Nicholson ASC Short film Director of Mobius Director of XXIT Shot with the EOS C300 XXIT Short film Shot with the EOS C300 Max is Back Short film Shot with the EOS C300 Pulse Documentary short film Shot with the EOS C100 James Longley Rick Gershon Bart Director Cinematographer Director Cinematographer Short film of Afghanistan Documentary of Surviving the Peace Shot with the EOS C100 Movie of the Movie of the Product 0 Behind the Scenes 0 Film Trailer 0 Information BTS FILM CAPTURING THE STORY The greatest stories demand to be told without compromise That s why Canon Cinema EOS cameras make sure you have everything you need exceptional quality adaptability reliability versatility and support to tell your story Finally instruments worthy of your limitless creativity EOS C500 on the set of the 4K short fil
15. al Recorder Full HD 60p H 264 1 1 11 1 EE 4K Motion JPEG Online Editing Feel free to explore environments you never imagined Capitalize on the most challenging lighting situations Shoot creatively in tight spaces or hard to reach places And with highly intuitive features these cameras are ready to hit the ground running Or use their inherent versatility to make them fit your own intuition Pictured here Peter Simonite 2 EOS C100 on the set of the short film BTS Tri gt B EOS C100 on the documentary Pulse et of the short film XXIT What I found as a director using this camera is because of the size and the fluidity of using it it s much less obtrusive with the actors It s like a SWAT team approach as opposed toa big army Sam Nicholson ASC Director j _ EOS C300 0n the set of the short film Mobius deu z 8 S _ Trek the desert Plunge into a rainforest Explore tundra Go where you please Cinema EOS cameras won t complain won t buckle Built strong for the harshest of conditions and dependable for the longest of projects they won t stop shooting until you do p Dal MEM Ig 0 FE MA eeu e rM va ee f xs PE Yr qnt E O SE e IR E 3 S C30 M 1 E T 3 e Y 3 1 0 lt Cara n Dn EN eee de wl N 59 diede gt 4 T v M 1 N 7
16. al glasses effectively Canon Cinema Prime Lenses offer high optical speed produce exceptionally sharp 4K images and superb contrast and maintain tightly controlled geometric distortion Low T numbers enable better low light shooting and enhanced image expression with shallow depth of field Canon Cinema Zoom and Compact Zoom Lenses feature new optical glass materials new optical coatings and powerful new design techniques for advanced optical performance Canon EF Lenses Perfected in Canon laboratories and proven in the field Canon EF Lenses incorporate a rare array of the world s most advanced optical micro electric and manufacturing technologies Many lenses use Canon s advanced Peripheral Illumination Correction feature thereby rendering beautiful consistent color and brightness across the image plane Select lenses employ Optical Image Stabilizer technology which helps to reduce motion blur by counteracting camera shake Consistent Picture Qualities Attractive Bokeh Each Canon Cinema Lens provides outstanding All Canon Cinema Lenses are designed to match in 11 blade circular aperture provides optical performance that is designed to fulfill terms of picture quality maximizing your freedom to soft beautiful background bokeh that is contemporary 4K production standards mix lenses according to various shooting situations consistent throughout the lines EP Maximized Optical Performance Minimized Focus Breathing Placing sp
17. anon Cinema Zoom and Compact Zoom Lenses Available with industry standard PL mount or Canon EF mount Canon Cinema Zoom and Compact Zoom Lenses are specially designed to offer extraordinary 4K optical performance Large aspherical lens elements help to reduce size and weight and a geared inner focusing mechanism helps minimize focus induced changes in the angle of view Tilt Shift Lenses Tilt Shift Lenses provide tilt capability to alter the angle of the focal plane between the lens and image sensor modifying depth of field independently of the lens aperture and shift capability to correct or alter perspective by sliding the lens optical axis along the plane of the image sensor N f Li LANON LENS TS E 17mm 4 I a Canon Cinema Prime Lenses l Fisheye Zoom Lens The Cinema Prime Lenses offer spectacular 4K image quality and a full frame image circle in lightweight compact designs Available in EF mount these lenses feature high optical speed produce exceptionally sharp images and superb contrast and Fisheye Lenses capture images from unique stunning perspectives with their ultra wide zooms great for special effects shooting and super wide angles z rr 071 SIL 2 0 4l 01 2 A iii A 3 J v 3 ioo m LT TES t mr HEVE ZOOM LENS EF 8 15m t m maintain tightly controlled focus breathing L Series L
18. each device allowing lens metadata to be displayed in the viewfinder and for the T number and focus position to be recorded in the video file In addition when connected to the optional Canon Wireless File Transmitter WFT E6A Unit select functions can be controlled remotely further expanding the camera s flexibility EOS C300 with EF mount Rugged Durable Quiet Designed to reliably withstand use in a range of hostile and adverse environments in the field Cinema EOS cameras feature tight sealing for protection against dust and provide reliable operation in both wet and cold weather conditions Robust splash resistant magnesium alloy bodies provide tough durable strength that supports heavy lenses and accessories while the resultant light weight and compact size enables users to obtain footage in a wide Sealed areas variety of situations An internal cooling system with silent fans and vents keeps the camera cool even in hot conditions drawing unwanted heat out of the camera body through vents at separate positions An innovative graphite sheet conducts heat from the image sensor Operation is quiet and smooth thereby ensuring that sound recording and on screen images remain undisturbed Vents at three positions on the sides A highly conductive graphite sheet conducts sensor heat towards the heat sink Additionally cooling fans on top force hot air in the body away from vents and out through exhaust openings
19. ecial optical glass materials such as UD glass and fluorite in the most effective configurations reduces chromatic aberration ghosting and flare Ready for Full size 35mm Sensors The lenses are compatible with the large imaging area of cameras equipped with a full size 35mm equivalent CMOS sensor Very Fast Aperture Enables shooting with shallow depth of field and low light capability Advanced design technique and Canon know how enable lenses with minimal focus induced changes in the angle of view CANON IMAGE QUALITY At the heart of each Cinema EOS camera is a remarkable Canon CMOS sensor These sensors help ensure cinematic shallow depth of field imagery excellent low light sensitivity and high signal to noise ratio The addition of Canon Log Gamma ensures that you capture a wide filmic high dynamic range without sacrificing broadcast workflow while high speed DiG C Image Processors help ensure excellent tonal and color reproduction across a wide ISO sensitivity range Signal processing superior to that in a 3 chip RGB system Canon Large Format CMOS Sensors Designed from the ground up to specifically meet the cinema industry s motion imaging needs the EOS C500 EOS C300 and EOS C100 digital cameras feature Super 35mm 8 3 Megapixel CMOS sensors that offer the type of outstanding image performance characteristics demanded by professional cinematographers The EOS 1D C digital camera s unique 18 1 Megapixel Full F
20. enses i cre and geometric distortion They offer Highly regarded by video professionals who a m testem consistent form factors and markings demand uncompromising optical performance i Nice E 24mm ON MENS EF ramm 128 optimized for motion picture production Canon L Series Lenses are distinguished by a z me bold red ring around the outer barrel L Series N TL 1 AH Lenses incorporate a number of innovative Yo NE A a Canon technologies including Ultra low T o 0 0 Dispersion UD glass fluorite and aspherical T xb iw J 4 1 lens elements plus Super Spectra Multi Coating E A DIGITAL CINEMA CAMERA WITH THE FIRST EVER 4K CANON FEW COMPETITORS HYBRID DSLR The Canon EOS C500 4K Digital Cinema Camera is the flagship of The Canon EOS 1D C 4K DSLR Cinema Camera is perhaps the most the Cinema EOS family While it features the same Canon developed unique self contained motion imaging system in the world Super 35mm 4K CMOS image sensor used in the EOS C300 the metti An unusually innovative video camera utilizing a Canon developed EOS C500 offers significantly more contemporary high resolution Full Frame 18 1 Megapixel CMOS image sensor in a compact DSLR motion imaging choices Direct readout of the four separate 2K or non Ni body it offers digital 4K at 24 fps motion imaging two separate modes HD video components
21. ent CRD software debayers 4K files and converts the 10 bit data to RGB DPX files for direct use in post production Canon supplied information on Canon Log facilitates precise conversion to linear DPX components at higher bit depths if required Separately the Canon EOS 1D C s use of the industry standard Motion JPEG codec for 4K motion image capture supports high quality post production with its HDMI clean HD output facilitating conve nient external recording of a proxy video to support offline editing 4K RAW Recorder 2K Workflow The EOS C500 delivers a choice of uncompressed 2K or HD RAW RGB 4 4 4 video with Canon Log applied via a 3G SDI serial output to a range of digital recorders that use solid state memory packs Some of these data recorders directly capture the camera s RGB 4 4 4 video while others compress prior to recording Develop Software Cinema RAW Development mammis 5 Color Grading E EDL Codex Digital e Finish Astrodesign e Convergent Design e Keisokugiken KGC NLE Proxy File NLE Proxy File Certain recorders use a media management station to transcode the recorded Canon files to other industry file formats such as DPX ProRes and Open EXR for direct access by different grading processes The in camera 50 Mbps MPEG recording of a proxy video serves to support the offline editing process HDMI Output Uncompressed 4 2 2 Extern
22. ile based Workflow HD Workflow uncompressed 4 2 2 HD via HD SDI ports for the EOS C500 and EOS C300 and via HDMI for the EOS C100 The EOS C500 offers a choice between HD 1920x1080 and 2K 2048x1080 RGB 4 4 4 at 12 or 10 bit at frame rates up to 60P for external recording Switching to 10 bit YUV 4 2 2 allows the HD or 2K components to operate as high as 120 fps CANON 4K 2K WORKFLOW Production to post workflows vary with choices of 2K HD or 4K acquisition in camera versus external recording as well as the production application such as moviemaking or TV production Workflows can also be dependent upon a number of creative choices and delivery requirements Since flexibility is the key to successful cinema and television production Canon collaborated closely with multiple manufacturers of digital 4K 2K recorders and editing systems to help ensure full camera to post compatibility with seamless data transfer options EOS C500 EOS 1D C 4K Workflow Because of the large amounts of image data involved 4K workflow is normally determined by the choice of external digital recorder and thus that recorder s data management strategies The unique four component Canon RGB Bayer RAW and Half RAW signals at half the vertical resolution carry the 4K coded color information via SMPTE standardized 3G SDI recorder interfaces for ready ingest to data servers and media management workstations Canon s Cinema RAW Developm
23. in depth system configuration Conducted nationwide and in our Hollywood Professional Technology and Support Center professionals and enthusiasts alike have the opportunity to sharpen their skills in a range of immersive hands on settings Schedules available at usa canon com canonlivelearning BETTER STORIES ARE Sree ao T system and Canon is committed to the future of the Cinema EOS System With more camera bodies lenses and accessories already in development Canon will prove the best is yet to come because better stories are always waiting to be told ANON ZOOM LENS EF 70 300mm 1 NS EF 70 200mm 489 6 SI 500mm 1 70 ft d 020 o m v fa ETE ET Canon 400mm _ gt i CANON LENS H FTE S00mm 1 41 IS II USM o 06 l WE MDI ll AM ULTRASONIC Canon Canon N ise TT 7 PR T i t 1 Eis sd p CANON LENS 4 E CS E 7 ER lt NN A A ii om gt Pomm 1 2 8 15 n USM u RN 7 i WN TR bn Dis IMAGE STABILIZER un 1 5 MS FT Ib E ULTRASONIC E 2 TESEL 2 mU NII abb ill 1 1 m mmm r sb e ft way R 35 N N g AN 4 1 414 ia f BRBESE N 2 1 1 E 7 VN Ww i 2 wih II1 ij ei Ce i ELM 1 Ro 100m 3l 3 4 i 1 0
24. ive you a smooth finish Compositing on the set of the short film XXIT svv up Tes eee E T The image is so good because you re still working with a pretty small screen on Avid Final Cut Pro or any of the systems but the clarity of this is unbelievable Tim Solano Editor scenes of the short film Mobius FLLILLI a E a For visual effects we need very high quality imaging Because the I don t like wasting time I want to cut now And it s just signal to noise ratio of the camera is so quiet and the compression is been really fun It made editing fun again so good it works very well for green screen Vashi Nedomansky Editor Sam Nicholson ASC Director POST PRODUCTION The Cinema EOS family of four different camera systems was carefully planned as a hierarchy to address a broad range of program genres production budgets and a diversity of creative aspirations While the EOS C500 EOS C300 and EOS C100 all use the same Super 35mm CMOS 4K image sensor and associated digital imaging system they differ from one other primarily in recording strategies and associated post production requirements All recording formats conform to established worldwide standards while associated nonlinear editing and post production processes are well known The EOS 1D C uses recording codecs that are different from the other three membe
25. live CANON DIGITAL LEARNING CENTER Canon Digital Learning Center The Canon Digital Learning Center is a web based education informa tion portal for our busy working professionals It includes tutorials interviews QuickGuides and downloadable White Papers It also continues to cultivate information specific to the Cinema EOS System comprehensive system FAGs technical articles by professional cinematographers interactive menu and button simulators tutorials Events Calendar ALE R E EOS 5D uaa On Camera Tutorials 3d A s qe Home Page Mobile Friendly sample videos behind the scenes media and much more Even better this wealth of knowledge is available 24 7 And because the Canon Digital Learning Center is tablet friendly its especially easy to use anywhere anytime Hit the set in full stride and make the most out of your Cinema EOS System armed with the know how that Canon has collected from other professionals like you EOS C300 Menu Simulator Photography Classes Ban Francisco CA Learn more 31 Video Knowledge Base learn usa canon com Tutorials and es f Te SGT CANON LIVE LEARNING Canon Live Learning Canon Live Learning CLL offers seminars and workshops taught by industry experts and Canon s renowned Explorers of Light CLL events cover a range of still and cinematic topics ranging from techniques through equipment selection to
26. m Man amp Beast DIC Pd BTS A Behind the scenes of the 4K short film Man amp Beast Pictured here Dante Ariola and Peter Simonite How much can I push the envelope what are my boundaries on this journey With the C500 really had nothing to stop me from presenting those images in the fullest dramatic way could Jeff Cronenweth ASC Director of Photography a al EOS C500 on the set of the 4K sh Man amp Beast l aes here Jeff Cronenweth ASC ort film Behind the scenes location footage shot by Rick Gershon and Nathan Golon EOS C300 on the documentary Surviving the Peace BTS The sky is no longer the limit it s the stratosphere This is an A camera system and it can be as big or small as you want to make it When you can take a camera system put it in the right place the right moment that gives you the best talent the best expression the best emotions and the best performance My job is done Shane Hurlbut ASC Cinematographer 12 EOS C100 on the documentary short film Pulse EOS C300 on the set ofthe music vi Pictured here Rick Kaplan Photographed by Danielle Moir 1 BTS As filmmakers and directors and producers our job is to tell stories We need a tool that does all the things that we can do and we kind of need for them to get out of our way to let us do it And that s exactly what the C300 does It
27. mera can be stripped down for one man operations or built easily into post production workflows The EOS C100 uses the up with accessories for unison working cost effective easy to procure SD format memory card using two slots for Relay Recording or double slot recording A single 32GB T card can record almost three hours at the highest recording data E RI ANY pm mS COMM Jm A rate of 24 Mbps c MIA QNS a j SANS 2 YU ER MN 4 PP SELECT LLL 2 oT TERR 3 E f A E 1 1 i pa 1 By asm 7 J MIR mi f i 4 8 MOL w ifj pii urge E AEAVRUME ANN ONE SHOT AF EOS C300 aa I ane Si EOS C300PL ee EOS C100 a JE Look for the icons throughout this brochure to reveal extra content on your mobile device BTS a Download the free Digimarc Discover app from the App Store for iOS or Google play for Veo go o E For iOS For Android Movie of the Behind the Scenes 0 Or search Digimarc Discover FILM Movie of the Film Trailer o Find the icon on the images and launch the app 0 0 e Hold your mobile device parallel above the images about 6 away and allow the camera to focus Product Information 1 Enjoy our extra content from your mobile device Certain images and effects simulated Specifications and availabilit
28. o meet their specialized needs We offer service partnerships for full service dealers as well as rental houses thereby providing additional flexibility to Canon s industry partners We tailor our custom training packages to the needs of your specific film and TV productions with expert staff available to deliver training at our Hollywood facility or on location throughout the USA Whether you require fast repair turnaround times loaner equipment or equipment maintenance Canon has a program to keep your business and equipment up and running We will be expanding these important service offerings as the Cinema EOS production community expands Focused on Professionals Product Repair and Maintenance e Nationwide State of the Art Service Facilities Fast Repair Processing amp Available Loaner Equipment e Genuine Canon Parts e Factory Level Quality e Precision Lens Centers Customer Service amp Technical Support Team of Industry Experts Industry Leading Response Times In House Studio Test Environment 24 7 Support Available 100 US Based UNSURPASSED EDUCATIONAL RESOURCES Education is a cornerstone of Canon philosophy It represents our promise of continuing commitment to professional cinematographers Whether working online at a production lot or as part of a remote shoot we are here to help provide you with all the essential resources that you need to remain current and keep your creative passion a
29. on processes that require excellent tonal and color reproduction Frame grab after color grading Wide Dynamic Range with Low Signal to noise Cinema EOS cameras offer outstanding low light sensitivity Noise is kept remarkably under control possessing a subjective pleasing film like texture pattern devoid of the fixed pattern noise that traditionally has been the nemesis of digital cameras Excellent signal to noise ratios help ensure that all of the ISO settings offered by each camera are eminently suitable for digital cinematography Helps ensure tonal reproduction for both highlight and lowlight regions during post production Normal 1 Canon Log For added flexibility both on the set and during post production Canon Cinema EOS cameras offer multiple recording options to both in camera and external media The EOS C500 EOS C300 and EOS C100 digital cameras all support 8 bit HD in camera image acquisition The EOS C500 extends this to a choice of 2K or HD external recording at either 12 bit or 10 bit RGB 4 4 4 with an additional powerful creative option of 4K capture at high frame rates The EOS 1D C supports in camera 4K at 24 fps capture or HD capture at up to 60 fps EOS C500 4K Acquisition For both cinematic and HD video productions the 4K mode of operation offers significantly enhanced image quality The EOS C500 offers a choice of 4096x2160 format for motion picture production or 3840x2160 format for television
30. ording operates at 500 Mbps to CF cards thereby ensuring intra frame 4K capture at a modest level of compression Most post production houses can readily accommodate this well known compression format which integrates simply and with exceptional image performance directly into the color grading process Similarly HD recordings using the MPEG 4 AVCHD H 264 codec can be directly handled by many post production facilities If required these files can be transcoded to other industry format files 4K Motion JPEG 4 2 2 a trusts Compact Flash Uncompressed TL UDMA Clean HD E i IB e HD ee eej MEPG 4 H 264 E orf 0 ua JC 4 2 0 FO FILE yan EOS 1D C AN ONGOING COMMITMENT TO AVILE SUPPURT ano EDUCATION With the Canon Cinema EOS System help is never far Service facilities lens centers and technicians for the things you need Experts hands on training workshops and online resources for the advice you want Keep expanding your vision we ll keep your tools sharp Just like Canon products Canon s service and support programs are state of the art high quality and easy to use Professionals want to know they are dealing with other professionals with Canon you can count on a proven creative partner Your needs are critical which is why Canon provides individual and unique customer service and support programs specifically tailored to your needs Professional _ SERVICER
31. plug and play compatibility for Cinema EOS cameras with a range of matte boxes flag shades support rods and follow focus systems including geared control rings marking discs and adjustment knobs that simplify the camera operator s life Geared control rings are a must have for use with pitchless still camera lenses a wind around gear mounted on the focus ring lets the chosen lens function with familiar follow focus rigs With such enhanced customization cinematographers and videographers can handle a wide range of shooting scenarios PL or EF Mount To integrate easily into the working style and equipment array of film crews and production houses the Cinema EOS System offers two different camera mounts The EOS C500 PL and EOS C300 PL feature the industry standard PL mount and are compatible both with suitably configured Canon Cinema Zoom PL mount lenses and the majority of third party PL compatible zoom and prime lenses available for 35mm motion picture cameras The EOS C500 EOS 1D C EOS C300 and EOS C100 digital cameras are available with a Canon EF lens mount and are compatible with Canon Cinema Zoom Compact Zoom and Prime EF mount lenses as well as the vast array of Canon s standard EF lenses including Super Telephotos and specialty Tilt Shift Macro and Fisheye over 60 lenses in all Electronic contacts built into EF Mount cinema EOS C300 PL with PL mount cameras and lenses enable direct communication between
32. rame CMOS sensor provides excellent signal to noise ratios and ISO sensitivity allowing great detail in deeply shadowed scenes while preserving finer detail in more exposed areas of the frame Canon DiG C Image Processing The EOS C500 EOS C300 and EOS C100 digital cameras feature Canon s specially developed DiG C DV Ill Image Processors for in camera component video processing These processors highly sophisticated and proprietary architecture support flexible control over a wide range of video image parameters that empower creative choices on the set The EOS C500 includes special high speed processing to prepare and structure the 4K RGB Bayer RAW and 2K RGB RAW video formats for delivery via 3G SDI outputs to external recorders Dual DiG C 5 Image Processors within the EOS 1D C embody superb video data handling which includes refined algorithms to reduce noise at high ISO speeds E 7 Frame grab from the Sam Nicholson A S C film XXIT shot in Canon Log mode Canon Log Gamma Canon Log Gamma lets Cinema EOS cameras record the maximum dynamic range delivered by their respective image sensors The Log Gamma Curve is implemented at a high bit depth and then down converted recording the output data using Canon s 8 bit 4 2 2 XF Codec The curve facilitates post production processes that seek to restore the image sensor s linear light transfer characteristics the resultant data files are ideal for advanced post producti
33. rols Professional grade XLR format connectors are coupled with flexible recording controls for a pair of linear PCM channels automatic and manual level settings accommodate both microphone and line level inputs plus channel mixing and phantom power for condenser usability in addition to high precision For lenses a tactile interface with the ability to tactile resistance that augments operational precision A unique manual control of all parameters including iris shutter speed gain Picture Settings Custom Functions and Custom Display Options models optical design that significantly minimizes focus breathing facilitates a new level of creative focus pulls The Cinema Zoom lenses associated three gears are precisely matched in location and manipulate critical operational controls such as focus iris and zoom helps accomplish this goal For digital cine cameras which feature numerous electronic controls that empower creative intervention during shooting detachable grips and assignable buttons let cinematographers shape their own ergonomics Light Compact Smaller and lighter than conventional cinema lenses to meet a variety of shooting needs Interchangeable PL EF Mount Lenses are available in EF or PL mount and for added flexibility the mount on all models can be switched at a Canon service facility Flange back Adjustment Mechanism A covered flange back adjustment mechanism is included with broadcast application
34. rs of the Cinema EOS family but they too can be handled simply during post production EOS C500 The EOS C500 offers a broad range of motion imaging capabilities that conform to contemporary global digital production standards Intended for the very highest performance 2K for cinematography or HD high end television production the EOS C500 delivers uncompressed RAW high bit depth RGB component at high frame rates to external recorders Additionally it can also originate uncompressed 4K RAW files again with two choices that are externally recorded In post production these recorded files require processing which typically structures them as RGB DPX files 4K or 2K that are then sent to the color grading process The Canon Log setting baked into all of the RAW outputs supports the Digital Intermediate post production process which is widespread throughout the motion picture industry 50 Mbps 4 2 2 HD 1940 x 1080 Proxy Video om 7 A r m a 2K or HD Compact Flash e _ 10 bit UDMA B 4K 2K RAW EOS C500 EOS C300 The EOS C300 is tailored to exclusive HD origination it is ideal for major television production documentaries TV commercials and modest budget moviemaking The camera records outstanding HD YUV 4 2 2 component video to a pair of Compact Flash cards using the industry standard MPEG 2 MXF 50 Mbps codec which is recognized worldwide by the majority of post production sy
35. s in mind Easy to read Controls Focus zoom and iris markings are provided on angled surfaces These markings are easier to read from behind the camera Precision Control Highly visible scales and high mechanical accuracy with comfortable resistance in each control ring provides highly precise control diameter to facilitate convenient lens exchange during a shoot The same is true for the Cinema Compact Zoom lens series and for the series of Cinema Prime lenses Unified Front Lens Diameter Rotation Angle and Gear Positions Uniform gear positions within the same categories eliminate the need for accessory gear position adjustment when switching lenses 105mm Filter on Lens Front A 105mm diameter filter can be attached to the lens front making handheld shooting much more compact and easy to control EF Mount Capability Canon s Prime Lenses utilize an EF mount which ensures compatibility with Cinema EOS cameras and EOS DSLR cameras with manual operation Standard Accessories Supported Supports industry standard accessories such as power drive devices and matte boxes Geared Inner Focus Minimizes focus induced changes in the angle of view EOS C100 Button Default Value 1 6 Notdefined 7 8 Magnification 9 Peaking Zebra 11 WFM 13 1SO GAIN 14 SHUTTER 15 ONE SHOTAF Enables user settings for allocating most frequently used functions to 15 buttons EOS C500 and EOS C300 Audio controller
36. s real simple to use it gives you a great quality picture It s the camera of the future Rick Kaplan Director BTS EOS C300 on a documentary based on Afghanist Pictured here James Longley When cameras like this are put in the hands of storytellers who can be concerned with what s going on in the moment and no longer concerned with what s going on in the technical needs of just operating a camera the future is going to be very powerful Grant Peelle Stillmotion Filmmaker Canon digital cinema cameras produce quality that is so cinematic so natural so compelling With superb tonal reproduction brilliant color reproduction and comprehensive image adjustment your audience will see exactly what you want them to see M To Ce We ve got some close ups with the actor and because of the 4K you can see the different colors of the pores on his skin was blown away by the look of this camera It does not look digital it has a very filmic quality QC Allan Schollnick Post Production FILM rom the 4K short film The Ticket shot with the EOS 1D C FILM Frame grab from the 4K short film Man amp Beast shot with th It s really great to have a sensor that has 4K resolution and that has a dynamic range of 12 stops It retains every piece of detail from highlight to shadows it s beautiful Peter Simonite Director of Photography
37. stems and almost universally accepted by global broadcast organizations The EOS C300 is supplied with XF Utility software a file management program that supports back up and archive file creation clip reviewing metadata editing file merging and file name updating Canon MXF plug ins are supplied for leading NLE systems from Adobe Apple Avid and Grass Valley MPEG 2 50 Mbps 4 2 2 HD Compact Flash UDMA Uncompressed 4 2 2 1920 x 1080 HD HD SDI EOS C300 EOS C100 The EOS C100 is an HD only acquisition system specifically optimized for one person operation and intended to support a broad range of productions This cost effective camera system deploys the widely popular 24 Mbps MPEG 4 AVCHD H 264 YUV 4 2 0 codec and records to ubiquitous SDXC memory cards Supplied Data Import Utility software allows such files to be readily imported to a computer workstation Broad NLE support for this codec ensures seamless integration into established workflows The EOS C100 also outputs an uncompressed 4 2 2 HD with embedded timecode via an HDMI connector which can also be used for external recordings brought separately to the post production process Uncompressed Clean HD EOS C100 EOS 1D C The EOS 1D C is the world s first full frame hybrid DSLR capable of in camera capture of 4K motion imaging The camera also features two alternative modes of HD motion image capture The Motion JPEG codec used for 4K rec
38. th genuine Canon accessories Warning Unauthorized recording of copyrighted materials may infringe on the rights of copyright owners and be contrary to copyright laws Ls A THE KY NATIONAL ACADEMY cor TELEVISION ARTS amp SCIENCES Qu Emmy Award for Technology Engineering for 2012 Improvement to Large Format CMOS Imagers for Use in High Definition Broadcast Video Cameras Canon U S A Inc One Canon Park Melville NY 11747 U S A Canon Hollywood Professional Technology and Support Center 6060 Sunset Boulevard Los Angeles CA 90028 U S A cinemaeos usa canon com Professional SERVICEs SUPPORT Speed Quality Excellence pro usa canon com support 855 CINE EOS
39. y are subject to change without notice Products not shown to scale Weight and dimensions are approximate Not responsible for typographical errors 2013 Canon U S A Inc All rights reserved Canon DIGIC and EOS are registered trademarks of Canon Inc in the United States and may also be registered trademarks or trademarks in other countries AVCHD and the AVCHD logo are trademarks of Panasonic Corporation and Sony Corporation HDMI the HDMI logo and High Definition Multimedia Interface are registered trademarks or trademarks of HDMI Licensing LLC in the United States and or other countries LANC is a trademark of Sony Corporation The SDXC logo is a trademark of SD 3C LLC Steadicam is a registered trademark of Tiffen Apple Macintosh and Final Cut Pro are registered trademarks of Apple Inc Windows is a registered trademark of Microsoft Corporation in the United States and other countries Use of the trademarks and service marks of the National Academy of Television Arts amp Sciences NATAS including the mark EMMY requires the prior express written permission of the National Academy of Television Arts amp Sciences All other product and brand names are trademarks or service marks of their respective owners Canon makes no representations or warranties with respect to any third party accessory or product shown or mentioned herein Use of genuine Canon accessories is recommended these products are designed to perform optimally when used wi
40. y of the Cinema EOS cameras video processing parameters including Gamma Low Key Saturation Knee Sharpness Noise Reduction Color Matrix White Balance Color Correction and Setup Level Custom picture settings can be saved within the camera or to an SD media card for sharing between multiple cameras Mixed Shoot Compatibility By fully supporting both 2K and 4K image resolutions Canon Cinema EOS is an ideal choice for demanding digital video productions that range from high quality commercials and TV dramas to motion pictures A 4K workflow offers four times the resolution of standard HD acquisition resulting in life like theatrical presentations a familiar film style workflow full versatility during postproduction and enhanced flexibility for all visual effects Fast Slow Recording Slow and Fast Motion recording is available from 1 fps to 120 fps for certain Cinema EOS camera models adjustments can be made in one or two frame increments allowing precision similar to film based cameras Time lapse functionality is also available through interval recording while stop motion can capture a predetermined set of frames per trigger with the camera automatically handling the final conform POST PRODUCTION Simplify your project increase your options and advance your art Accelerate your project turn time and lower costs No matter the workflow everything we ve learned about compatibility and quality has been used to g
Download Pdf Manuals
Related Search