QMIX™ FOR iPHONE UNIVERSAL CONTROL
Contents
1. DSP Effects Included Software Front Panel USB Bit Depth Sample Rate Converters XMAX Mic Preamp EIN XMAX Mic Preamp Fre quency Response XMAX Mic Preamp THD N XMAX Mic Preamp S N Ratio S PDIF ADAT Word Clock Power Configuration Weight 2 Mic Instrument Two XLR with phantom power 2 14 TRS Mains 14 Headphones In and Out Near zero latency effects and same Fat Channel processing as StudioLive 16 0 2 digital mixer Virtual StudioLive with AudioBox VSL 22 4 x 2 monitor mixing software Studio One Artist for recording and production Trim Mains Phones Mix 48V con trols Power blue Clip red LEDs 2 0 high speed 24 hit 96 kHz ADC DAC 114 dB dynamic range 129 dB 20 kHz BW max gain Rs 40Q A wtd 20 Hz 20 kHz 0 3 dB unity gain 0 005 0 dBu 1 kHz unity gain 20 kHz BW A wtd 94 dB 0 dBu 1 kHz unity gain 20 kHz BW unwtd USB Bus Power 1 6 Ib 0 7 kg Vista and E Physical E Professional grade A D A converters 114 dBu dynamic range E Zero latency analog monitoring with playback input Mix control knob E Mac and Windows compatible including Mac OS X 10 6 Snow Leopard and 10 7 Lion and Windows E Supports ASIO Core Audio Windows Audio Session API E Road rugged construction with all metal chassis and metal knobs E 12 VDC external power supply included E Software E AudioBox VSL PreSonus groundbreaking control2. QMIK IR IPHONE UNI VERSA Lt CONTROL L AUDIOBOX VSL STUDIO ONE 2 DAW T UBE PREAMPS Ve Mix from anywhere with an iPad Adjust monitor mixes with iPhones s Fine tune room acoustics with Smaart Run your StudtoLive from a laptop Record everything in two mouse clicks Only StudioLive can do all of this and more ou don t Vs a mixer You need solutions I My mixer has to be set up right next When we add to the stage so how do 1 more functions to adjust the mix and EQ from front of house StudioLive you get Ee them free Even if your mixer is two or three years old Now Virtual StudioLive part of Universal Control v 1 5 3 adds QMix for iPhone and iPod touch and provides additional functions for StudioLive Remote for iPad This spring Universal Control 1 6 will add Ra tional Software s world renowned Smaart technology for sound system measurement and optimization And StudioLive 16 4 2 24 4 2 and 16 0 2 owners get it free g Our bass player and vocalist are never satisfied with their moni tor mixes We can t afford one of those expensive personal monitoring sys tems so I spend all my time tweaking auxes J Our church needs a mixing solution that s easy for volunteers to use all those mixer knobs and buttons intimidate them g We play a different venue every weekend and the acoustics var
3. software E Studio One Artist Presonus powerful but easy to use digital audio workstation with unlimited track count and 4 GB of third party resources 2 Mic Instrument 2 Mic Line Four XLR with phantom power 2 14 TRS Mains 4 4 TRS General Purpose 4 Headphones In and Out Near zero latency effects and same Fat Channel processing as StudioLive 16 0 2 digital mixer Virtual StudioLive with AudioBox VSL 44 8 x 4 monitor mixing software Studio One Artist for recording and production Trim Mains Phones Mix 48V controls Power Sync red blue Clip red LEDs 2 0 high speed 24 bit 96 kHz ADC DAC 114 dB dynamic range 133 dB 20 kHz BW max gain Rs 40Q A wtd 20 Hz 22 kHz 0 25 dB unity gain 0 002 4 dBu 1 kHz unity gain 22 kHz BW A wtd 97 dB 4 dBu 1 kHz unity gain 22 kHz BW A wtd 12 VDC 1A power supply 1 2U rack mountable screw mount to standard rack tray not included 2 6 Ib 1 2 kg 2 Mic Instrument 6 Mic Line Eight XLR with phantom power 2 14 TRS Mains 8 14 TRS General Purpose 4 Headphones In and Out Near zero latency effects and same Fat Channel processing as StudioLive 16 0 2 digital mixer Virtual StudioLive with AudioBox VSL 1818 26 x 8 monitor mixing software Studio One Artist for recording and production Trim Mains Phones 48V x 2 controls Power Sync red blue Clip red LEDs 2 0 high speed 24 bit 96 kH
4. GEQ 3 PEAR ala ot ih OS AT TER AT nu SCT i F 7 1 i la ke all it using the 1 25 Hz GEQ slider This is just the start of a beautiful relationship more Smaart to come Next we ll be adding the Spectrograph to VSLs Fat Channel display so you can see the effects of apply ing parametric EQ StudioLive 24 4 2 or semi parametric EQ 16 4 2 and 16 0 2 Then we re going Preliminary design for the Fat Channel Parametric EQ screen with Spectrogram This and other Smaart imple to add the Smaart ANR em GEG 7 Sup 1 k I a AL Ei 4 i the sound arrivals from your band s back line with the P A Or sync church balcony speakers with the main sanctuary system In future Universal Control VSL releases you ll also see Smaart Response algorithms developed for powering and enhancing Smaart s Frequency Response Measure ewer ment Engines Transfer Function with LS libraries for advanced averaging smooth all Ta ing and data gating processes Smaart Smaart It s all free for StudioLive owners A StudioLive mixer just keeps on giving Everything we ve described will be mentations are subject to change and user input Locator a pro prietary Delay Locator function that will maximize the functionality of the 0 to 500 ms output delays we ve built into subgroups 1 through 4 of the 16 4 2 and 24 4 2 For ex ample you
5. HN ipili Ni ii Lil ii EE i s q I oF LL TH r ory Lil eu i i 1 un are il TI rt LEE EA teria 4 Fie i 4 i TE F Lii aos a T aS A 7 T LN 7 r i E s 1 J ee a iS i 4 Pens en D j Ger z f m I ee m T i Ter L 1 i een Can F1 i i pue 1 i ar ors ona i A 7 fe eos Toad zri J a a 1 d i a as g m n pis oe i i a J i a amp d 16 il 2 F Ch 24 bit 96 kHz 18 x 18 USB 2 0 recording interface Main output level control P tu IULIVE at ANNE fe 2 dual purpose front panel input channels with Power USB sync LED DOWNWARD 2 B as a oma SR Pen ee LED clip indicator for each channel E ie 4 instrument inpu 2s E E E A Meera R pan goni meter dual 7 segment LED ladder ae E Individual channel trim controls with Mix adjust input and playback returns levels and 0 to 35 dBu mic gain range add effects and other processing from your laptop or other computer 6 dual purpose front panel input channels with me ead ee o CN i yeh E Combo XLR mic and balanced 4 line input ees a E 7 E Class AXMAX mic preamp Sik mn a f E Individual channel trim controls with 0 to 35 dBu mic gain range True 48V phantom power for condenser microphones switchable in two banks for channels 1 4 and
6. Language Pack lestnames S testnames T Pitchnames 4 T Presets p T Effects 4 Instruments a Mojito 4 T Soundsels WHS PreSonus CB Future Music Cum CC LE ie Mojito Acid Dreams Yestendiay Instruments Effects Sounds 5 Pool Upload your own creations comment on other Studio One users submissions After you register for Exchange you can upload your own creations using a special page on our Studio One Web site Each submission is rigorously checked out by the PreSonus Software Ltd team before posting to ensure quality You can also comment on and rate material that you ve used Studio One 2 Videos Get your QR er QR ing and check out these short introductory videos You ll find many more videos on our YouTube and Vimeo channels AUDI QE Rh rem at eee the Way you record and perform You Il make dramatically better pe SSR er TE qu z yi a j Mail i HH a 5 g i x i i Ai a 4 y ry L h o i ar recordings when you can hear real CS 4 2 j TEF E PR w OX i sw WAS 18 t l M Ji we i Ba toa 4 Ee time reverb compression and EQ in our headphones 8 i HP wS i 4 4 os ji oe M p i 1 1 5 ax b 7 re al Easy to do if you have a digital niieg Te a mixer or outboard effects processors Impossible if you try to use DAW PIAA F z Okay we ll just come out
7. ME page Here you select the mixer channels you want to instantly con trol in your personal monitor mix ready for the STUDIOLIVE Remote ll QT dl NNI i af i it UNIRUL I lease face the blackboard and take be famous WHEEL of ME notes You will be tested on this a virtual thumbwheel that Universal Control is the adjusts the volume of your ME PreSonus software that handles channels in relation to the rest interaction between your Mac or of the band You can have as PC and your StudioLive mixer much ME as you want Ifyou We ve just released Universal push ME past Unity Gain level Control v 1 53 QMix simply reduces the level of the other Built into Universal Control is Virtual mix channels StudioLive VSL our mixer remote controller editor librarian Our newest version includes QMix for iPhone as well as more StudioLive Re mote for iPad features Set your monitor mix s individual channel levels in QMix Landscape mode yd Unless VSL permissions are set to Later in the spring Universal Control VSL WHEEL ONLY you can rotate your iPhone version 1 6 will incorporate important features of to get access to all of the StudioLive chan Rational Software s highly respected Smaart En nel levels Want more kick drum Dialitin gine Technology for sound system measurement More keyboard Dial it in You can also set alignment and optimization LR Tr iS mae ee ne Pes enar
8. One com munity without ever leaving the program i E E a ail Once upon a time there was your DAW program and there was your Web browser At the other end of your Web browser were online communities where DAW users could share presets loops samples etc PreSonus started blurring the distinction between the Web and Studio One by building an RSS feed into our Start Page Now we ve es sentially put a whole online com munity right inside Studio One 2 2 Exchange Is an integral part of Studio One 2 2 s built in browser You don t have to interrupt your workflow by firing up a Web brows er digging up a URL remembering your password etc The entire contents of the Studio One user community are accessible from the right side of the Song window Presets Presets can be audio effects 4 or instrument presets created in __ Studio One FX Chains An FX chain contains oy multiple plug ins with all of their set tings stored Pitchnames are lists of names for pitches in the piano roll of the Music Editor and are most often used with drum instruments to quickly identify the various parts of the kit These are easily created in and exported from the Music Editor Zs Soundsets Soundsets are collec o tions of content for use in Studio One and are easily installed using drag and drop The audio content in the collection can be any format that Studio One supports Soundset Builder Al
9. mix master and distribute your music in an integrated and truly professional environment Check out the details on the next page Some of the more than 100 new features in all three versions include Multitrack MIDI editing Browser search Presence SFZ support Project PQ editing track split DDP export New Dual Pan and Tone Generator plug ins H Contextual editing menu with icons Event color selector and Recent Items M New edit snapping modes Relative Grid Event and Drag Complete Crossfade W Groove Template presets MH A staggering 12 GB of third party re sources including Native instruments Komplete Elements Toontrack EZDrum mer Lite and Nine Volt Audio Guitars This is futile There are just too many to list anywhere but on www presonus com s1 where you ll find the whole story of Stu dio One 2 including tutorial videos and fun for the whole family Transient detection and editing in other D DAY is slow and it s fraught with deci sions along the way In Studio One you can quantize multitrack drums in two steps group the tracks then quantize Studio One does the analysis and phase coherent quan tization for you with great sounding results in seconds b h pi vs eu Eis e Pi The Project page is a dedicated mastering solu tion that is integrated into Studio One Profes sional Here you can burn industry standard Red B
10. propin b eS NEC ae ing its capability without increasing its DAWS can be very slow since you have to UE complexity Even advanced tasks such as fix the audio without hearing itin contextof Transient Detection Editing and comping pitch correction and transient de the rest of the arrangement Groove Extraction tection editing are accomplished far more In contrast new Studio One Professional reed tae A easily than with competitive DAWs 2 seamlessly integrates Melodyne essential diti f ther DAWs _but it s sl d Overall version 2 adds over 100 new so tightly that for practical purposes it is er ee EE De vag ah features and enhancements Of these new simply a part of Studio One Studio One vooren ornare BOTOREN along the way features the most important are Artist and Producer come with a Melodyne 5 y AULO U nrrently Juj File Edit Song Trk Event Audio Transport Options View Studio One Help Ed Mu in Chr EN Ess res 2 1 n iE MITTITI Contino Mr wis board Da 0001 01 01 00 iv AVL J vase tasresoe unde a 0001 91 01 00 0001 91 01 00 In Studio One 2 Professional Producer and even Artist you can quantize multitrack drums in two steps Group the tracks then quantize Studio One does the analysis and phase coherent quantization for you with ereat sounding results Want
11. the display Then when a frequen cy band in the spectrum is over the lower threshold it shows up on the plot starting with a dark blue color at lower levels and transitioning through green yellow orange and red with higher levels eventually showing up as white if the level reaches or _exceeds the upper threshold This is particularly useful for quickly identifying feedback frequencies so that you can quash them with StudioLive GEQs At left is the RTA display of a band being mixed through StudioLive Can you find the 1 25 kHz feedback spike Not easily due to all the other frequencies happening at the same time But in the Spectrograph display the con stant feedback tone stands out vividly as a vertical line so you can do something about What is Smaart As told in Rational Acoustics own words The name was derived from System Measurement Acoustic Analysis Real time Tool but that bit of trivia has been basically consigned to the island of obscure acronyms The genesis of Smaart in pro audio began in the early 1990s when our choices of sound system measurement tools were limited to some moderately priced RTAs Real Time Analyz ers and a limited number of extremely expensive hardware based dual channel acoustic analyzers mostly developed for industries and purposes other than professional audio GEGe Spectra i is and optim ization from the industry leaders GEGQ 4 Rue Pure Fa
12. 5 8 Virtual StudioLive VSL control software included manages E Near zero latency monitoring with extensive signal processing E 26 x 8 DSP mixer E StudioLive 16 02 Fat Channel compressor limiter expander high pass filter and semi parametric EQ Headphone jack with level control for each analog input and its DAW return USB 2 0 SYNC Word ADAT IN OUT Clock OUT MIDI IN OUT S PDIF IN OUT nr l E 2 stereo effects buses with reverb and delay E More than 50 Fat Channel DSP presets for enhancing instrument and vocal recordings E Input Output E 1 USB 2 0 port E 2 combo XLR 4 mic instrument inputs Oe A a a a a e Besian i pu RE FE LU 3 im le If you re comfortable mixing on a laptop our AudioBox 44VSL and 1818VSL interfac es make great live mixers for solo acts and small combos Since AudioBox VSL software gives you all of our StudioLive 16 0 2 digital MAIN OUT 8balanced TRS LINE OUTPUTS balanced TRS E 6 combo XLR 4 balanced mic line inputs E balanced 14 main L R line outputs E 6 balanced 14 auxiliary L R line outputs E 8 channels ADAT optical input and output at 44 1 or 48 kHz 4 channels at 88 2 or 96 kHz E channels stereo S PDIF coaxial input and output E 1 stereo 4 headphone output E 1 BNC word clock output BE MIDI In Out Wei VO mixer s Fat Chan
13. Dyw ah tee Fe Fie rhb bebe bee Reb Bd er b id Miss t lad Hovet i Mitiiard Eric Gd One A Frapa Dest Fret Ged Foti Hors b fe Este Sere gd Pro EG A defaut HCl Drama 4 ratremerss mi Ens Ochi Eur jah ak Gaoli Ll Bass Gener inl Baws Fork F m Eais Aar lial Basa Vlr if Uren Mach m Gir Chase ligt Gt Fu ae Gi Gul ibaa Heer S inal om T Kee AN Kaya m Keam Are r Bara Ll ee li Li yey ET wy paj bulbe i py hee alaita li LL LIEN Bees Dpi Treg sais Ds LE ae Crem Eu LI be Of o EEE Integrated Melodyne essential essential trial version Pitch Correction With one click your audio opens in the Editor with the familiar Melodyne interface and capabilities Hear your edits in context with the rest of the arrangement and when finished editing easily render the audio in Celemony s Melodyne is the most sought after pitch correction solution in the market and it has been the model for pro Elegant one window interface intuitive drag and drop functionality users and the media rave about how easy prietary solutions in several DAWS But in ILA RENE rar ep ET mb Studio One is to learn and use direct comparisons Melodyne consistently P P 5 uy o f Studio One 2 takes this award winning outperforms these proprietary solutions PE ENGE CA G MERE Ne program to the next level by vastly expand Furthermore using Melodyne in other
14. Q for each analog input and its DAW return E 2 stereo effects buses with reverb and delay E More than 50 Fat Channel DSP presets for enhancing instrument and vocal recordings E Input Output E 1 USB 2 0 port E 2 combo XLR 4 mic instrument inputs E balanced 14 main L R line outputs E stereo 4 headphone output E MIDI In Out WU PreSoncs kua sie PEAN DUR ue res 1 Pi beypiegeeers 24 bit resolution and 44 1 48 88 2 and 96 kHz E Professional grade A D A converters 114 dBu dynamic range E Mac and Windows compatible including Mac OS X 10 6 Snow Leopard and 10 7 Lion and Windows E Supports ASIO Core Audio Windows Audio Session API E Rugged construction with metal chassis and knobs E Weighs just 1 6 Ib 0 7 kg E Powered via USB bus no wall wart E AudioBox VSL PreSonus groundbreaking control E Studio One 2 Artist PreSonus easy to use digital audio workstation with unlimited track count and 4 GB of third party resources M FE i pu Se F mmn F ig preamplifier Ons CHC For all of the impres sive advances in electronics nobody has managed to dupli cate the behavior of a tube The warmth The harmonics The mellow way it distorts your tone when driven hard The 12AX7 isa miniature dual triode vacuum tube with high voltage gain that was developed around 1946 by RCA engineers It was first released for p
15. a Hitchhikers Guide To the Galaxy fan Our free QMix app lets onstage performers adjust their own StudioLive monitor aux mixes Six different mixes with a 16 4 2 Ten in dividual mixes with a 24 4 2 Four mixes with a StudioLive 16 0 2 Personal monitor mixing without the cost and complication Do the math Personal monitor mixing systems run between 200 and 700 per person and require boo coo connections Even if you don t own an iPhone a used 3G or 4G iPod touch can run you as little as 100 QMix on an iPhone or iPod touch automatically syncs with the monitor aux channels on your StudioLive mixer via Uni versal Control 1 53 And it s wireless And you can play Angry Birds on it One monitor mix per iPhone It all begins with Universal Control 1 53 running on a FireWire equipped laptop and connected to your StudioLive In the Virtual StudioLive portion of Uni versal Control you can set permissions so that each iPhone user can only control one specified mix or all mixes You can Il Ill DT UT TT MAMA ll Hil I Il I a PE i d at Pi H 11 1 li i E p a ae Il 1 i f F l _also name the mixes with more descriptive names than Aux 1 Aux When you fire up QMix on an iPhone the Start Page displays any wireless network con nected StudioLive mixers it Pick your channels on the
16. age as well as the Aux Remote Devices Preferences Gwi Eceo mi Le Scott Harrell s IPhone 45 ap delay M on cameoy Ant Download StudioLive Remote 1 2 from the Apple COPY MIX TO AUX 10 iPhone Simulator any lk y App Store Download new lONORE oo Whoel only Noro Universal Control 1 5 3 the brains behind the opera tion from our Web site SCOTT HARRELL s iPad FA Link channel faders IONORE __ FCH Aux 1 E Aux FAT L Default to fader locate Built in sound system analys Soon you ll be able to really put Studio Live s output EQs including graphic EQ to work improving the sound of your P A Precisely identify nasty feedback frequen cies Get your loudspeakers to play nicer with the room they re in all without having a degree in acoustical engineering We ve begun to incorporate MO LAS PETER RS A Spectra screen in the full boat x Smaart 7 3 Rational Acoustics highly regarded Smaart RCE qe Measurement Technology directly into Virtual StudioLive beginning with Smaart Spectra in UC 1 6 later this spring See the spectral content of your mix in real time Then do something about it When you click on the Graphic Equal izer button in UC 1 6 Smaart Spectra s Real Time Analyzer and Spectrograph algo rithms go to work showing you the spectral content of whatever is routed though a Virtual particular GEQ StudioLive You Can activate a Real Time A
17. and say it balanced outputs effects plug ins n ETIL Fi HILY Some studio engineers consider USB Packed with StudioLive Fat Channel So we sliced up a StudioLive interfaces sort of wussy The AudioBox signal processing features and a whole m 18 in i 18 out enr 1818VSL proves them wrong It thrives on palette of customizable reverbs and delays 16 0 2 digital mixer and put its Fat up to 18 simultaneous inputs including 8 the AudioBox 1818VSL should seriously be Channel Class A XMAX preamps for your micro considered as an onstage 26 x 8 mixer for processors METTRE run phones It has word clock output eight any small group that s comfortable mixing Se Cl channels of ADAT optical I O and stereo through a laptop f p S PDIF coax input and output But whether it s the centerpiece of your AudioBox You also get seven segment ladder project studio part of a live recording rig or VSL SSS metering plus clip LEDs on all 8 XLR inputs used on stage you re gonna love this inter interface Fr APP RED bank switched phantom power and eight face s performance and then al Je Far i oe wl L added reverb nr O COMPRESSOR ag _ FE XA Outa Oaie Gurtm PE and delay a FILTER az ma ms mal oa pe E ba 1 a re rr a et ew CS RCE ACL MUC IEAR ZERO LATENCY __ REVERB amp DELAY studioLive 16 0 2 Fat Channel a i i i Fee ji i aE T n i i TRT
18. d your signals flow through the tube section where you can dial in anything from gentle warmth to edgy distortion If you re a singer songwriter who per forms solo with a guitar you can run your vocal through one channel and your guitar through the other then feed both to the house system no guitar amp needed In your studio use the BlueTube DP V2 as a front end for your DAW and enjoy the flexibility of both tube and solid state op eration It s the best of both worlds M Dual path mic instrument tube preamp M 2 input channels each with E 12AX7 vacuum tube gain stage with Tube Drive saturation control E XMAX Class A solid state preamplifier with 80 dB gain range E 48V phantom power switch E 80 Hz high pass filter E 20 dB pad to reduce hot input levels E Phase reverse switch E Illuminated analog VU input level meter M nput output E 2 combo balanced combo mic unbalanced instrument inputs E balanced XLR main L R line outputs Single Channel 12AX7 Tube Preamplifer DI Box Twist the TubePre V2 Drive saturation con trol and add the color that only a hand selected 12AX7 vacuum tube can deliver from gentle warmth to total fuzz We ve added all the extras you need for profes sional operation including a high pass filter phantom power for condenser mics a polarity reverse switch and a backlit VU meter Unlike other compact tube preamps TubePre V2 starts with the low noise high headroom C
19. e i lt En sou E Individual channel trim controls with 0 to 35 dBu mic gain range M True 48V phantom power for condenser microphones global M Mixer control blends the input signal with the computer playback stream for zero latency analog monitoring M Headphone jack with level control E Main output level control M Power USB sync LED M LED clip indicator for each channel E Mix adjust input and playback returns levels and add effects and signal processing from your laptop or other computer M Virtual StudioLive VSL control software included manages E Near zero latency monitoring with extensive signal processing E 8 x 4 DSP mixer E StudioLive M 16 0 2 Fat Channel compressor limiter expander high pass filter and semi parametric EQ for each analog input and its DAW return E 2 stereo effects buses with reverb and delay E More than 50 Fat Channel DSP presets for enhancing instrument and vocal recordings E Input Output E 1 USB 2 0 port E 2 combo XLR 4 mic instrument inputs E 2 combo XLR 4 mic line inputs USB 2 0 MIDI IN OUT MAINOUT 4balanced TRS PHONES TRS balanced LINE OUTPUTS OUT E balanced 14 main L R line outputs E 4 balanced 14 auxiliary L R line outputs E stereo 4 headphone output E MIDI In Out M Digitalia E 24 bit resolution and 44 1 48 88 2 and 96 kHz sampling rate Analog Inputs XMAX Preamps Analog Outputs
20. e track to Melodyne and the fact that Melodyne knows nothing about edits in the arrangement after this transfer In contrast Studio One 2 seamlessly inte grates Melodyne so tightly that for practical purposes Melodyne is simply a part of Studio One With one click your audio opens in the Editor with the familiar Melodyne interface and capabilities Hear your Melodyne edits in context with the rest of the arrangement and when finished editing easily render the audio in place no track transfer or manual render ing Furthermore edits made in the arrange ment are seamlessly synced in Melodyne Want to go back to where you were in Melodyne No problem It takes one click No other DAW can do this Studio One Professional includes a fully licensed copy of Melodyne essential Studio One Artist and Producer come with the Melodyne trial version If you already own a copy of Melo dyne essential assistant or editor version 1 3 a free upgrade from Celemony or later you can use it with Studio One Artist Producer or Pro fessional and it will integrate perfectly with all of the capability of your Melodyne version intact including Direct Note Access technology in Melodyne editor Our new improved Mojito RENE instrument when you need to see the individual drum tracks Group and bus your Folder Tracks with the click of a button an exclusive Stu dio One feature This can save a lot of time when working wit
21. en New in Universal Control 1 53 VSL Onstage Monitor Mix Engineer with access to all of the QMix monitor mixes M Set QMix iPod and StudioLive Remote iPad This is just a quick summary of what permissions so that each user only control one QMix can do Download it from the Apple or more specified mixes App Store and put it to work with Universal W Name auxes so that they show up on QMix LE Control 1 53 and your StudioLive mixer iPhones as keyboards vocal etc or Fred Bartholomew and The new drum mer with the weird Norwegian name FIRELIRE FIREWIRE Johns Copy and load channels TAPE IH TAPE IH Copy main mix to aux mix and aux to aux AUR INA GEQ 1 AU IH A GEQ 2 Link channel faders so that they move together AU IH B so i se Tap tempo HA FH A Make your StudioLive mixer default to Fader CE toil Locate Mode once a fader has been adjusted in SELECT TALREI SELECT VSL or in StudioLive Remote for iPad You asked for it We listened We wrote code Now our free StudioLive Remote app for iPad has 1 And it will go down on your permanent record 2 Just to complicate things the new StudioLive Remote version is called 1 2 Go figure 3 Engineering soberly wishes to inform you that although they appreciate the Marketing Department s humor aux naming is limited to ten characters E Track naming E Effects mutes are avail able from the Master p
22. h large track counts and it helps keep your work environment nice and clean supporting a quick workflow Track List keeps you organized The Track List provides a well organized overview of all existing Tracks in the ar rangement including Folder Track hier archy automation envelopes and layers Configurations of shown and hidden Tracks can be stored as Presets making it pos sible to quickly focus on any desired Tracks in an instant In addition the Track List can be synced to the Mix Banks panel so that any Tracks hidden or shown in the Track List have their related audio channels hidden or shown in the Console and vice versa Enhanced Mastering with Studio One Professional No other DAW offers a truly integrated mastering suite comparable to the Project page in Studio One 2 Professional In v 1 x this integration set a new stan dard for ease of use As you add Songs to a Project collection of Songs the Songs and the Project are intelligently linked so that changes to one are automatically updated in the other Inevitably when you are mastering a Project you Il need to change an arrangement or alter a mix Studio One Professional keeps track of all these changes and automatically updates all Projects that contain the revised Song Anyone who has resequenced an album for the 39th time to accommodate a tweak to a vocal outro on the 12th chorus knows how big an advan tage this is Mastering is much more t
23. han sequenc ing and level matching though Studio One Professional provides all of the necessary tools for professional production including a phase meter and spectrum and peak RMS Track List is a really nifty addition but as a screenshot it s bo ring This is our new improved Ampire XT plug in with convolution cabinet modeling Master upload to SoundCloud and burn Re d Book CDs without leaving Studio One STUDIO ONE 2 M OPEN All Impact Studio One s flexible easy to use sample trigger virtual instrument now fea tures Sample Offset Start End Note As sign per Pad Select Next or Previous Sample in Folder and One Shot Overlapped One Shot Note On Off Gate Toggle and Synced playback modes sk be LE s m OpenAIR is a highly efficient convolution reverb capable of delivering ultra realistic reverbera tion based on impulses captured from both real spaces and classic hardware reverbs The included Studio One Impulses soundset provides hundreds of presets Use any impulse and even make your own with IR Maker a util ity that enables you to capture impulse respons es from in room mics or outboard reverbs or Seah level meters with K System options To all of this Studio One Professional 2 adds DDP Export PQ editing higher quality sample rate conversion and other professional features Only one DAW on Earth lets you record edit
24. l Acoustics SMaartSpectra SmaartLocator and Smaart Response afe trademarks of Rational AcousticseAll Specifications are subject to change PrintedwnUSA
25. lass A XMAX preamp input stage found in our premium interfaces and digital mixers Discrete components and high voltage operation deliver best in class dynamic range and detail not found in other single channel tube preamps UBEPRE V2 12AX7 tube warmth and XMAX precision for stage or studio E balanced 14 main L R line outputs M Sealed detented metal rotary controls E Rugged all metal chassis M External 12 VDC power supply APreN2 a i 7 i i oe E YU N W m XMAX Class A preamp input stage m 12AX dual servo vacuum tube output stage M Tube Saturation control M Input Gain control M 48V phantom power M 80 Hz high pass filter M Instrument input select M Polarity reverse switch Backlit VU meter M Clip LED M Input Output E unbalanced 14 instrument input E balanced XLR line input E unbalanced 4 line output E balanced XLR line output M Rugged metal 1 3U chassis M Sealed metal rotary controls M External 12 VDC 1A power supply included XMAX XMAX UV B UNIVERSAL f ON IX FOR PHONE Smaart SPECTRA ONTROL TM NE e DAW 7042 PreSohus A did ElectronicSine Alkights reserved studioLive Audio Box XMAX and QMix are tradema ks Of PreSonus Audio El ctronicssino WaceiPhonesiPad and iPod touch are registered trademarks 01 Apple Ine Windowsasia registered trademark of Microsoft IncSmaart is a registered trademark of Rationa
26. ll be able to better synchronize While all of those measurement tools proved helpful for sound system measurement the substantial cost and learning curve were major barriers to use by the in the trenches sound engineers who needed them most By the mid 1990s however a new tool appeared that changed everything the laptop computer The processors in our personal computers had become strong enough to run the mathematical algorithms lurking in those expensive hardware DSP based dual channel analyzers Finally it became possible to create those advanced analyzers in software and hence in 1995 Smaart was born and the price barrier fell Over the next 17 years Smaart software continually part of free Universal Control updates You can buy in now and be assured that more problem solving software is on the way It s another thing that sets us apart from our competition We really care about our users developed and evolved leveraging the growth of computer processing power and the refinement of audio gear We have expanded our collective experience understanding and techniques for applying these measurement technologies to the sound reinforcement industry In 2008 Rational Acoustics was launched with the spe cific purposes of ensuring the continued development of the Smaart measurement platform and substantially enhancing the educational efforts and support that back it Put simply Smaart is not a single technology but an evo
27. lved collection of audio measurement tools and techniques Studio Gne v 2 adds Melodyne and 100 en hancements to our powerful DAW Sound on Sound Magazine December 2011 ar i b F i al t i d File Edit Song Trek Event Audio Teapot Options View Studio Ome Help tow amp aw Action a Track Tania Estami i bone CN see 2 a EEY Lau fav b ia g j i ii 13 5 i 3 Sere by TAH Foide ve pr Category T I a t laj iar Toana 3 b Las Beat Dain Teri du Dar el i dre d i Erral Far ins ME mi oy ror iari N CT aie t la Chance See i AA EFFE 112 ANS ST es LL 248183 Ald des Maddala Au sde bb pose bee ob be bb mb Loi Chorus Stan es ah FY gt eee ok Pe ee eo vbb eee i Lhe I ET ee ET ET ee ye be gt eb eee AU l Coreene 1 ag a l tT Dun Poe es CS eee Snare Bottom 4h TORET DL ETES Cee PPP bb Pb Re aati CEE Tala Hat Ate d a rh ALLL Co Le t ayer 3 be ebb bib i G Fiancee ee mmen Ti ate db FF daa Fee aie Lomme coon ms a S CE FEFEFE FIFFI FI dun mt til Moses cw J TI 1 my 1 i De RES mim jeje TH Hh cb ee gt PD ada An pures THETTA parimi hgh tguiality M5 mpo EG ee ebb bbe heb bbe i D s 7 ma LAEE pr j TT 171 11 Titi e rife je Overt ah dey er PPP ht ie EEY TUNIS Lie Maier nar i mieis tann Li SE isin Tea
28. mmercial and Web distribution It can promote you and your Songs with Web tags and can act as a copyright notice It also makes your Project look very professional You can enter metadata for the entire album and can add your name at any time after creating a Project file In addition you can add detailed descriptions including an image musical genre and artist Web site link for each Song or group of Songs Studio One Professional takes care of updating the running time data field for the Project and tracks it as you prog ress Publishing You can create versions of your Project for distribution on CD DVD and vinyl as well as creating MP3s You can even burn a CD from within Studio One Professional for your homies and your grandma Album and song art can be added to the Project and will be included in any exported digital release Studio One Professional adheres to the Red Book CD standard to assure compatibility with the majority of duplication services The Red Book standard defines things like the number of tracks intertrack pause durations master ing level recording resolution and sampling frequency Studio One Professional knows that You will be gently nudged if you exceed certain limits D e E ee Sn NS ee el En ie de ur D ee ee ee Er dE a nou N y 3 nrouwse nreL JW arag z share resources from the Studio
29. nalyzer RTA screen much like the Studio One 2 plug in But the real magic is Smaart s unique Spectrograph display Audio in three dimensions The Smaart Spectra Spectrograph shows level versus frequency versus time It a j graphs a continuous series of Spec a ona ACOUSTICS What is Smaart Overamped PreSonus Marketing Department version If you re a live sound engineer or sound contractor you re already properly awed by Smaart s reputation as the gold standard of room sound system analysis We asked Rational Acoustics the developers of Smart Measurement Technology to explain it and what they wrote while all true is way too modest They freaking rock This is the real thing trusted by ac ousticians and live sound engineers the world over And we re thrilled to be incorporating their Smaart Spectra and Smaart Locator into the next rev of Virtual StudioLive GEQ Select and Assign ec ment tabs shown in UC SEU 1 6 for StudioLive 16 4 2 Aux 1 Each has a GEQ Assign ment pull down menu Clicking on the menu provides the user with a complete list ofauxes subgroups and mains Spectrogram RTA Off radio buttons Dynamic Range sliders GEQ sliders mapped directly over the Spectro gram display trum measurements with frequency on one axis time on another and level indicated by colors First you move the two Threshold Adjust ment triangles to optimize the dynamic range of
30. nel processing plus multi parameter reverb and delay you can route them to your P A and monitor while re cording your whole performance in Studio One multi track at the same time ti Aiit instrument JLUDU 4 in 4 out Interface For live recording or multi channel studio tracking with Fat Channel processing and digital effects the AudioBox 44VSL yields impressive results As you can see from the screenshot we really have added a big slice of the StudioLive 16 0 2 s capabilities including individual outputs and effects channels That means the 44VSL makes a perfect mixer for use with one vocal mic one guitar and stereo backing tracks You can run all those cool Fat Channel effects directly in to your P A and record your gig at the same time with Studio One Artist E 24 bit 96 kHz 4 x 4 USB 2 0 recording interface M dual purpose front panel input channels with E Combo XLR mic and balanced 4 instrument input E Class A XMAX mic instrument preamp E Individual channel trim controls with 0 to 35 dBu mic gain range M dual purpose front panel input channels with E Combo XLR mic and balanced 4 line input E Class A XMAX mic preamp AudioBox 44VSL Fat Channel 3 Band Parametric EQ AudioBox 44VSL Fat Channel Hi Pass Filter and Noise Gate a e weurer wevecr pevect meien a ET ms ee pus mans s ur neer LE izi se ED su
31. ong with Exchange we ve created Soundset Builder a free extension to Studio One that can be down loaded via Exchange With Soundset Builder any folder in the Studio One file browser can be made into a Stu dio One soundset complete with a name description List feb A Sa ee icon and URL This is an excellent way to create and share packages of content including audio loops MIDI loops presets and more Soundset Builder installs into Studio One easily by you guessed it drag and drop Extensions An extension is an eas 5 ily installed via drag and drop of course package that extends the capabilities of Studio One in some way The first examples of this are the SoundCloud Exchange and Soundset Builder exten sions This system will eventually expand to allow users to extend Studio One them selves Quantize Settings A Quantize A iy Settings file is effectively a Groove d Template that can be exported from loaded into the Quantize Panel of Stu dio One for instant access to very complex quantization setups When you find something you like drag it right into your song b Gy Studio One 4 iii Exchange Studio One Polish Language Pack Most Recent aj 1 3256 sw CY 1478 a Compressor 2 Dance Drums 001 120bpm se EQ Chorus Comp CB Future Music se High Gain Quiet Soloing Q J amp B Groove Delay Q Mojito Acid Dreams Q Slayer Riff B Studio One Polish
32. ook audio CDs create high quality MP3 albums and much more Songs and audio files are arranged as a sequence of tracks on a con tinuous timeline You can apply effects to individual tracks as well as to the master output track in order to achieve sonic continuity throughout the Project The integrated Browser makes import ing Songs audio files and audio effects fast and easy High quality master output metering is displayed at all times including Spectrum Peak RMS and Phase meters These tools will help you know at a glance exactly what is going on in your Project As mentioned Songs can be imported directly into your Projects without having to export a Song mix After a Song has been imported into a Project you can go back and change the Song mix and the Project will be automatically up dated No other DAW offers this kind of seam less workflow Instant Digital Distribution is Built In Studio One Professional enables you to upload songs art and metadata to the Sound Cloud Web service directly from the DAW A basic SoundCloud account is free Using your SoundCloud account from within Studio One 2 Professional s Project page you can upload instantly to multiple sites including FaceBook pages Visit www soundcloud com for complete info RS Mm j Built in SoundCloud upload screen in Studio One Professional 2 Add Metadata Metadata is an important addition that is re quired for co
33. to quantize au dio to other existing audio Drag and drop audio into the Groove panel then quantize Groove extraction is as simple as drag and drop extract a groove from any audio and apply it to any other audio in seconds Multitrack comping done right Single and multitrack comping are quick and easy in Studio One 2 all versions and faster than with most DAWs No tool switching is needed and cross fading be tween takes is automated although you can edit the fades Auditioning takes is as simple as holding Alt and clicking on a take no more manually soloing entire lanes as in other DAWS Folder tracks speed up your workflow Nobody like to scroll up and down a huge number of tracks even our one win dow interface can t give you a display four feet tall So we added Folder Tracks Collapse all of your drum tracks to a single drum track folder and then expand it v d bd D 207 O 2MONV Ody directly into its arrange page so you can us e Melodyne as if it were part of the host application Sound on Sound Magazine Celemony s Melodyne is the most sought after pitch correction solution in the market and it has been the model for proprietary solutions in several DAWs Studio One 2 seamlessly inte grates Melodyne so tightly that for practical pur poses Melodyne is simply a part of Studio One Using Melodyne in other DAWs can be slow due to the long winded transfer from th
34. ublic sale way back in 1947 and hasn t changed design since Part electronic fabri cation part glass blow ing and part voodoo tube E manufac turing is nearly a lost art only three factories in the world still produce the 12AX7 All 12AX7 vacuum tubes are not created equal The tubes in the BlueTube DP V2 and TubePre V2 were hand selected and carefully tested for electrical conformity and freedom from microphonics All mic preamplifiers are not created equal either Nothing in the BlueTube DP V2 or Tube Pre V2 s price range can match the quality of their microphone pre amplifiers Thanks to high volt age power rails and XMAX discrete Class A cir cuitry our XMAX pre amp design has high headroom low noise wide dynamic range extended frequency response and most important musicality and transpar ency with smooth highs solid deep lows and everything in between Baar ohare Solid State Solid state clarity plus tube warmth BlueTube DP V2 gives you both Now you can choose the character of your sound for recording or live perfor mance The BlueTube DP V2 dual path mic instrument preamp lets you apply fat warm 12AX7 tube tone or go with solid state XMAX transparency Plug mics or instruments into either channel to get the transparency of our classic high headroom Class A XMAX mic preamplifier with its 65 dB of gain Click on the Tube Drive an
35. y wildly Even though we re not experienced sound engineers we really need some way to improve our P A s sound Buy a StudioLive now Expect more great stuff in the future g We want a simple easy no stress way to multitrack record all of our live performances Even though our mixers can do five previously impossible things before break fast there are still a lot more live sound and recording problems out there to be solved Chances are we re probably working on them right now So when you decide to buy a digital mixer ask yourself if you want a hunk of dumb hardware No other digital mixer manufacturer offers such a well integrated or an integrated solution Then pick StudioLive suite of software to solve the problems you encounter every day It s one major reason that PreSonus StudioLive family is the best selling brand of compact digital mixer in sms 0 ie 3 ie a 4 4 hed ET hes es ir 1 NS aaa Elegant software solutions specifically designed for StudioLive eu Si E E E j _ i i f aly i f i l J eee a i z i 1 ig aU a it i Ei i E h TE iim el 4 1 a ial x u veel ra i 5 B z gt Z 1 tS a ial ii W Eh ga Gi D E FE L mr P a f 4 Hi Leu ME i r Anna a E S E E ei E F E L LI i i Ps al ag L E F Ea T E G d E i ee eee That probably didn t make much sense if you re not
36. z ADC DAC 114 dB dynamic range 133 dB 20 kHz BW max gain Rs 40Q A wtd 20 Hz 22 kHz 0 25 dB unity gain 0 002 4 dBu 1 kHz unity gain 22 kHz BW A wtd 97 dB 4 dBu 1 kHz unity gain 22 kHz BW A wtd In and Out In and Out BNC Output 18 VDC 1A power supply 1U rack mountable 4 6 Ib 2 1 kg 2 in 2 out Interface Effects and Fat Channel signal processing in your headphones premium XMAX mic preamps that render the finest details and offer extended dynamic range even the most compact AudioBox VSL lets you create studio quality recordings The bus powered 22VSL can go anywhere you can to capture those flashes of music inspiration E 24 bit 96 kHz 2 x 2 USB 2 0 recording interface M dual purpose front panel input channels each with E Combo XLR mic and balanced 4 instrument input E Class AXMAX mic instrument preamp E Channel trim control with 0 to 35 dBu mic gain range BLED clip indicator M 48V phantom power for condenser microphones global M Mixer control blends the input signal with the com puter playback stream for zero latency monitoring E Headphone jack with level control M Main Output level control M Virtual StudioLive VSL control software included manages E Near zero latency monitoring with extensive signal processing E 4 x 2 DSP mixer E StudioLive 16 0 2 Fat Channel compressor limiter expander high pass filter and semi parametric E
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