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Tapco pmn Stereo Amplifier User Manual

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Contents

1. 9 Thermal Considerctions n a anne oes aie 10 AC Power Considerations 10 Input AT alg oee alia 10 OE der s 10 Appendix Service Information 14 War ARS EMASE 14 14 REBANE SD 15 Appendix Technical 16 Do The Math Ohms Loads and 16 Juice Series Specifications 17 Juice Series Black Did 18 TAPCO Limited Warranty stents 19 Don t forget to visit our website at www tapcogear com for more information about this and other products Introduction Thank you for choosing a TAPCO Juice power amplifier The TAPCO product line hails back to the days of TAPCO Corporation Greg Mackie s first company TAPCO revolutionized the audio industry in 1969 with the very first 6 channel mixer specifically designed for keyboards and rock N roll PA In essence TAPCO re defined the price performance ratio and made high quality professional audio mixers accessible to virtually anyone Today TAPCO is reborn with the same ideals and is backed by the world class engineering and manufacturing horsepower of Mackie The TAPCO J 800 J 1400 and J 2500 are the first power amplifiers in the TAPCO family The Juice
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3. binding post connectors are wired as follows red hot speaker terminal black cold speaker terminal Speakon connectors are wired as follows 1 hot speaker terminal 1 cold speaker terminal 5 In BRIDGE mode if using the binding post outputs e CHANNEL 1 SPEAKER OUTPUT red post hot speaker terminal e CHANNEL 2 SPEAKER OUTPUT red post cold speaker terminal Do not use the black terminals If using a Speakon connector connect the Speakon to the center BRIDGED connector BRIDGED Speakon connector is wired as follows 1 hot speaker terminal 2 cold speaker terminal 6 Plug all the sound system components into suitable AC outlets properly grounded and capable of delivering adequate current 7 Make sure your signal source is powered up and delivering signal to the amp 8 Turn the power amplifier s switch on Verify that the POWER LED lights 9 Slowly turn up both Level controls on the amplifier You should hear music and see the SIG LEDs flashing If the OL Overload LEDs are flashing turn down either the Level controls on the amp or the source signal s output level controls i e master faders until the OL LEDs either blink occasionally or not at all 10 For quieter listening it is preferable to adjust the amp s Level controls rather than the source signal s output level unless you have the source s control all the way up
4. STEREO POWER AMPLIFIERS owners manual TOTAL AUDIO PRODUCTION SAFETY INSTRUCTIONS NAAN TS 10 11 12 Read these instructions Keep these instructions Heed all warnings Follow all instructions Do not use this apparatus near water Clean only with a dry cloth Do not block any ventilation openings Install in accordance with the manufacturer s instructions Do not install near any heat sources such as radiators heat registers stoves or other apparatus including amplifiers that produce heat Do not defeat the safety purpose of the polarized or grounding type plug A polarized plug has two blades with one wider than the other A grounding type plug has two blades and a third grounding prong The wide blade or the thrid prong are provided for your safety If the provided plug does not fit into your outlet consult an electrician for replacement of the obsolete outlet Protect the power cord from being walked on or pinched particularly at plugs convenience receptacles and the point where they exit from the apparatus Only use attachments accessories specified by the manufacturer Use only with a cart stand tripod bracket or table specified by the manufacturer or sold with the apparatus When a cart is used use caution when moving the cart apparatus combination to avoid injury from tip over PORTABLE CART WARNING Carts and stands The Component should be used only with a cart or
5. most speakers reproduce frequencies that low By engaging the SUBSONIC FILTER you allow the amplifier to power only the frequencies that you can hear In addition this filter can remove low frequency stage noise footsteps and accidental microphone pops that could damage a loudspeaker 10 CLIP LIMIT The CLIP LIMIT switch is there to protect your loudspeakers from the effects of clipping It is designed to be virtually transparent meaning you probably won t even notice any audible difference when the switch is turned on We recommend that you leave this switch on at all times However if you are working at quiet levels or you have already placed a compressor limiter in the signal path you can leave the CLIP LIMIT switch off 11 AMP MODE This switch determines the input signal routing within the amplifier For most applications you will use the STEREO setting However some applications might be better suited for using either the MONO or the BRIDGE setting STEREO This mode accepts separate left and right inputs A and B and routes them to the CHANNEL 1 and CHANNEL 2 outputs Each channel s Level control adjusts the gain for its own channel MONO This mode accepts a single input INPUT 1 and routes it to both the CHANNEL 1 and CHANNEL 2 outputs Each channel s Level control adjusts the gain for its own channel BRIDGE This mode accepts a single input INPUT 1 and uses both amplifier outputs to double th
6. 16 Appendix Technical Info Do The Math Ohms Loads and Such An ohm is a unit of resistance the more ohms the more resistance or more accurately in this case impedance The more the resistance the less the power If you re dealing with just one speaker or cabinet per output the load in ohms is usually printed on it somewhere That s your load usually 8 ohms or 4 ohms If you re driving an assortment of speakers things can get complicated There are two basic ways of linking multiple loads or speakers in this case series and parallel Since series connections are not normally used in PA applications we ll concentrate the parallel connection Parallel means that the positive amp output connects to the positive terminals of all the speakers and the negative amp output connects to the negative terminals of all the speakers If one speaker fails in a parallel configuration the others will still work Calculating parallel loads is easy as long as each speaker has the same value just divide the value by the number of speakers For instance four 8 ohm speakers connected in parallel will equal 2 ohms 8 4 2 If the loads are not all the same the formula gets little more complicated but nothing that you can t do with a simple calculator 1 Poe 1 1 1 21 4 B Using this formula an 8 ohm speaker and a 4 ohm speaker connected in parallel will egual 2 7 ohms Rememb
7. For the cable connecting the Thru connector to the second speaker you need to use a crossover cable that connects pins 2 and 2 on the Thru connector to pins 1 and 1 on the second speaker input end FROM MIXING CONSOLE LEFT AND RIGHT MAIN OUT 2265 Passive Speakers Mackie C300s AMP MODE SWITCH STEREO TO FIRST CHANNEL A SPEAKER INPUT AMPLIFIER COLD SPEAKER END FROM THRU TO SECOND OUTPUT SPEAKER INPUT Crossover Cable Pin 2 to Pin 1 Pin 2 to Pin 1 COLD CHANNELB TO SECOND SPEAKER INPUT FROM THRU OUTPUT Dual Channel Speakon Connection CHANNEL 13 14 Appendix A Service Information Warranty Service Details concerning Warranty Service are spelled out inthe Warranty section on page 19 If you think your amplifier has a problem please do everything you can to confirm it before calling for service Doing so might save you from the deprivation of your amplifier and the associated suffering These may sound obvious to you but here are some things you can check Read on Troubleshooting No Power Our favorite question 15 it plugged in Make sure the AC outlet is live check with a tester or lamp Our next favorite question the POWER switch on If not try turning it on Is the red LED next to the POWER switch illuminate
8. Try switching sides Turn off the amp swap the speaker cables at the amp turn the amp back on If the same side is still louder the problem is with your speaker cabling If the other side is louder now the problem is with the mixer the amp or the line level cabling The stereo music sounds kind of sideways and the bass frequencies diminish when standing center but get louder as you approach one side Check the polarity of the speaker cable connections You may have your positive and negative reversed at one end of one speaker cable As soon as the music gets loud the amp shuts down Check the OL LEDs and make sure that they are not lighting continuously If they are turn down the signal source or the Level controls on the amp the amp breathe The amplifier draws its ventilation air in from the back It needs plenty of fresh air to stay cool Do not block the ventilation holes hear thunder even when the amplifier is turned off It s going to rain Get inside quickly Bring the amplifier with you Poor sound Is it loud and distorted Turn down the signal coming from the mixer or signal source Is the input connector plugged completely into the jack Check the speaker connections and verify that all connections are tight and that there are no stray strands of wire shorting across the speaker terminals If possible listen to the signal source with headphones plugged into the console If i
9. cleaner punchier bass If you have more than one amplifier sharing an AC outlet you should avoid turning them all on at the same time Rather sequence them on one ata time to prevent popping the circuit breaker due to in rush current Input Wiring Use a high quality 3 conductor shielded cable to connect the signal between the signal source mixing console equalizer etc and the balanced inputs to the amplifier If you are using unbalanced inputs use a high quality 2 conductor shielded cable Your TAPCO Dealer can recommend a suitable cable for your application When connecting a balanced signal the connectors are wired thusly according to the AES Audio Engineering Society standards XLR TRS Hot Pin2 Tip Cold Pin3 Ring Shield Pin 1 Shield SHIELD 2 Balanced XLR Connector RING SLEEVE De SLEEVE RING Balanced 1 4 TRS Plug Unbalanced TS Tip Sleeve lines can be accommodated via the TRS jack Make sure the cord terminates with a TS plug like a guitar plug or if it TRS plug like a headphone plug make sure the ring is tied to the shield preferably at the source SLEEVE SLEEVE TIP Va 7 SLEEVE Unbalanced 1 4 TS Plug If you set the AMP MODE switch to MONO or BRIDGE use the INPUT 1 input only VERY IMPORTANT Using the 1 4 TRS INPUT 15 a Thru Connector Because the XLR connector and the 1 4 TRS co
10. presence of important operating and maintenance servicing instructions in the literature accompanying the appliance Le point d exclamation l int rieur d un triangle quilat ral est employ pour alerter les utilisateurs de la pr sence d instructions importantes pour le fonctionnement et l entretien service dans le livret d instruction accompagnant l appareil WARNING To reduce the risk of fire or electric shock do not expose this appliance to rain or moisture 19 Exposure to extremely high noise levels cause permanent hearing loss Individuals vary considerably in susceptibility to noise induced hearing loss but nearly everyone will lose some hearing if exposed to sufficiently intense noise for a period of time The U S Government s Occupational Safety and Health Administration OSHA has specified the permissible noise level exposures shown in the following chart Duration Per Day Sound Level dBA Slow Response In Hours 0 5 0 25 or less What me read a manual According to OSHA any exposure in excess of these permissible limits could result in some hearing loss To ensure against potentially dangerous exposure to high sound pressure levels it is recommended that all persons exposed to equipment capable of producing high sound pressure levels use hearing protectors while the equipment is in operation Ear plugs or protectors in the ear canals or over the ears must be worn when operating th
11. up The amplifiers are designed so that a 3 4 dBu 1 15V rms input signal drives the amplifier to full power into 4 ohms J 800 300 watts per channel into 4 ohms J 1400 450 watts per channel into 4 ohms J 2500 750 watts per channel into 4 ohms This equates to a gain of about 30 dB 30 dB 32 dB and 34 dB respectively The graphics around the knob indicate full gain of about 30 dB when the knob is all the way up fully clockwise After you have set the levels for the mixer or other signal source adjust the Level controls on the amplifier as the final adjustment to set the overall volume for the system 2 SIG This is short for signal present These green LEDs indicate when a signal is present after the Level controls at the output stage of the power amplifier If the Level controls are turned all the way down fully counterclockwise these indicators will not light JUICE 192500 power AMPLIFI ER 5 OL This is short for overload These red LEDs indicate when the output of the amplifier has reached the maximum and is right on the hairy edge of clipping Clipping is bad for speakers and should be avoided It is okay if the OL LED blinks occasionally It means that the transient peaks of the music are just hitting the full output of the amplifier However if the OL overload LED is blinking frequently or continuously turn down the source signal i e the mixer s master faders or the amplif
12. ND LOUD TECHNOLOGIES INC SHALL NOT BE LIABLE FOR ANY INCIDENTAL SPECIAL OR CONSEQUENTIAL DAMAGES THAT MAY RESULT FROM ANY DEFECT IN THE TAPCO PRODUCT OR ANY WARRANTY CLAIM Some states do not allow exclusion or limitation of incidental special or consequential damages or a limitation on how long warranties last so some of the above limitations and exclusions may not apply to you This warranty provides specific legal rights and you may have other rights which vary from state to state Please keep your sales receipt in a safe place 19 v tCADCOgear com
13. Series of amplifiers are powerful and tough They are designed to withstand the punishing rigors of the road and continue to crank out amplified sound day after day year after year Here s a quick glance at the features packed into these juicy amplifiers J 800 800 watts continuous 4 ohms bridged J 1400 1400 watts continuous 4 ohms bridged J 2500 2500 watts continuous 4 ohms bridged Ultra low noise low distortion design Switchable low cut filter 30 Hz on both channels Switchable limiter on both channels Balanced unbalanced 1 4 TRS and XLR line input jacks Speakon output connectors Detented rotary gain controls calibrated in dB Signal present and OL overload LEDs Variable speed fans for superior cooling Hookup Diagrams OPTIONAL CONNECTION USING BINDING POSTS TO SPEAKERS Stereo Hookup GA AMP MODE SWITCH STEREO OPTIONAL CONNECTION USING BINDING POSTS i kers Macki TO SPEAKERS Passive Speakers Mackie C300s Mono Hookup i MODE SWITCH BRIDGE Passive Speaker Mackie C300 TAPCO Juice Features FRONT PANEL FEATURES 1 Level These two knobs control the levels of Channels 1 and 2 The knobs detented to make it easy to set both controls to the same level Usually these controls are setall the way
14. Things To Remember Never plug amplifier outputs into anything except speakers unless you have an outboard box specifically designed to handle speaker level signals VERY IMPORTANT Before making connections to or reconfiguring an amps routing turn the amps level controls down turn the power off make the changes turn the power back on and then turn the level controls back up Contents If you shut down your equipment turn off the amplifiers first When powering up turn on the amplifiers last Save the shipping box and packing material You may need it someday If not it makes a great end table or hiding place for your cat Safety 2 Getting 4 10 siner 6 Hookup 45 7 TAPCO Juice Features tm samuti 8 Front Panel Features dent 8 NN 8 8 8 POWER a 8 Rear Panel 8 POWER CORD SOCKET sument 8 BREAKER ete cite cca hth 9 SPEAKER OUTPUTS senen 9 INPUTS 9 SUBSONIC FILTER 9 9 lakata 9 GeneralPeeeaulisiisis 9 Rack
15. al Program 2 70 106 1724 AC Power Reguirements US 120 VAC 60 Hz Europe 240 VAC 50 Hz Japan 100 VAC 50 60 Hz Korea 220 VAC 60 Hz Physical Dimensions and Weight Height 3 5 in 89 mm Width 19 0 in 483 mm Depth 15 7 in 400 mm Weight J 800 43 6 lb 19 8 kg J 1400 48 5 lb 22 0 kg J 2500 56 2 lb 25 5 kg Disclaimer Since we are always striving to make our products better by incorporating new and improved materials components and manufacturing methods we reserve the right to change these specifications at any time without notice is a registered trademark of LOUD Technologies Inc Juice is a trademark of LOUD Technologies Inc All other brand names mentioned are trademarks or registered trademarks of their respective holders and are hereby acknowledged 2003 2005 LOUD Technologies Inc All Rights Reserved 17 Juice Series Block Diagram This shows outline of the interesting things going on inside the amplifier
16. areil num rique n met pas de bruits radio lectriques d passant las limites applicables aux appareils num riques de class A de class B selon le cas prescrites dans le reglement sur le brouillage radio lectrique dict par les ministere des communications du Canada CAUTION AVIS RISK OF ELECTRIC SHOCK DO NOT OPEN RISAUE DE CHOC ELECTRIQUE NE PAS OUVRIR CAUTION TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER OR BACK NO USER SERVICEABLE PARTS INSIDE REFER SERVICING TO QUALIFIED PERSONNEL ATTENTION POUR EVITER LES RISQUES DE CHOC ELECTRIQUE NE PAS ENLEVER LE COUVERCLE AUCUN ENTRETIEN DE PIECES INTERIEURES PAR L USAGER CONFIER L ENTRETIEN AU PERSONNEL QUALIFIE AVIS POUR EVITER LES RISQUES D INCENDIE OU D ELECTROCUTION N EXPOSEZ PAS CET ARTICLE A LA PLUIE OU A L HUMIDITE The lighining flash with arrowhead symbol within an eguilateral triangle is intended to alert the user to the presence of uninsulated dangerous voltage within the product s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons Le symbole clair avec point de fl che l int rieur d un triangle quilat ral est utilis pour alerter l utilisateur de pr sence a l int rieur du coffret de voltage dangereux non isol d ampleur suffisante pour constituer un risque d l ctrocution The exclamation point within an equilateral triangle is intended to alert the user of the
17. available at the back of the amplifier and that there is room in the front for the warm air to exit from the amplifier and dissipate If rack mounted make sure the air being drawn from the rack is cool Some rack mounted equipment expel warm air into the rack When the amplifier is first turned on the fans run at low speed As the power output increases and the amp warms up the fans gradually increase in speed to provide additional cooling AC Power Considerations Be sure the amplifier is plugged into an AC outlet that is able to supply the specified voltage Be sure the AC outlet can supply enough current to allow full power operation of all the amplifiers plugged into it The outlet should be a three prong socket that matches the power cord WARNING Bypassing the plug s safety ground pin can be dangerous Don t do it The AC current demand of an amplifier varies depending on several factors including the load impedance the crest factor and the duty cycle of the program material Under typical conditions reproducing rock music where musical peaks are just below clipping the Juice amplifiers require the following average currents J 800 5 A J 1400 7 A J 2500 10 A It is recommended that a stiff supply of AC power be used because the amplifier places high current demands on the AC line The more power that is available on the line the louder the amplifier will play and the more peak output power will be available for
18. ch Support know if you need new packaging You can order new packaging through our parts department TAPCO is not responsible for any damage that occurs due to non factory packaging Include a legible note stating your name shipping address no P O boxes daytime phone number RA number and a detailed description of the problem including how we can duplicate it Write the Service Request Number in BIG PRINT top of the box Units sent to us without the Service Request Number will be refused Tech Support will tell you where to ship the amplifier for repair We suggest insurance for all forms of cartage We ll try to fix the amplifier within five business days Ask Tech Support for the latest turn around times when you call for your Service Request Number The amplifier must be packaged in its original packing box and must have the Service Request Number on the box Once it s repaired we ll ship it back the same way in which it was received This paragraph does not necessarily apply to non warranty repair Note You must have a sales receipt from an Authorized TAPCO Dealer to qualify for a warranty repair Lonely Looking for that special someone Do you have a question about your TAPCO Amplifier Please call our Technical Support folks at 1 877 827 2669 Monday to Friday from 7 am to 5 pm PST After hours visit www tapcogear com and look under Support or e mail us at techmail tapcogear com 15
19. d If not make sure the AC outlet is live If so refer to No Sound below e Has the BREAKER switch popped Try pushing in the BREAKER switch If it pops out again right away refer to Repair on the next page The AC fuse inside the amplifier is blown This is not a user serviceable part Refer to Repair on the next page to find out how to proceed No Sound Are the channel Level controls turned up Slowly turn them up and see if you hear anything the signal source turned up Make sure the signal level from the mixing console or whatever device immediately precedes the amplifier is high enough to produce sound in the amplifier The SIG LEDs should be blinking to indicate that signal is present e Ifthe speakers are wired for BRIDGE mode make sure the AMP MODE switch is set to BRIDGE If the amplifier has gotten extremely hot the thermal protection circuit may have activated Allow the amplifier to cool down and normal operation should resume Are there fuses in the speakers or in line fuses the speaker wire Check em to see if they re blown e Make sure the speakers are working properly One side is way louder than the other Are both Level controls set to the same position Check your source signal to make sure the left and right signals are balanced Are the speaker impedances matched Different speaker loads can cause different volume levels on each side
20. d Warranty we may at our option charge for service time 3 Ship the product in its original shipping carton freight prepaid to the authorized service center The address of your closest authorized service center will be given to you by Technical Support IMPORTANT Make sure that the Service Reguest Number is plainly written on the shipping carton LOUD Technologies Inc reserves the right to inspect any products that may be the subject of any warranty claims before repair or replacement is carried out LOUD Technologies may at our option require proof of the original date of purchase the form of a dated copy of the original dealer s invoice or sales receipt Final determination of warranty coverage lies solely with LOUD Technologies Inc TAPCO products returned to one the LOUD Technologies factory authorized service centers and deemed eligible for repair or replacement under the terms of this warranty will be repaired or replaced within thirty days of receipt LOUD Technologies and its authorized service centers may use refurbished parts for repair or replacement of any product Products returned to LOUD Technologies that do not meet the terms of this Warranty will not be repaired unless payment is received for labor materials return freight and insurance Products repaired under warranty will be returned freight prepaid by LOUD Technologies to any location within the boundaries of the USA LOUD Technologies
21. e If any defects are found the materials or workmanship or if the product fails to function properly during the applicable warranty period LOUD Technologies at its option will repair or replace the product This warranty applies only to eguipment sold and delivered within the U S by LOUD Technologies or its authorized dealers Failure to register online or return the product registration card will not void the one year warranty Service and repairs of TAPCO products are tobe performed only at a factory authorized service center Unauthorized service repairs or modification will void this warranty To obtain repairs under warranty you must have a copy of your sales receipt from the authorized TAPCO dealer where you purchased the product It is necessary to establish purchase date and determine whether your product is within the warranty period To obtain factory authorized service 1 Call TAPCO Technical Support at 877 827 2669 7 AMto 5 PM Monday through Friday Pacific Time to geta Service Reguest Number Products returned without a Service Reguest Number will be refused 2 Pack the product in its original shipping carton Also include a note explaining exactly how to duplicate the problem a copy ofthe sales receipt with price and date showing and your return stree address no boxes or route numbers please If we cannot duplicate the problem or establish the starting date of your Limite
22. e power to one speaker or set of speakers Use the CHANNEL 1 Level control to adjust the gain turn the CHANNEL 2 Level control all the way down See Output Wiring on page 11 for information on how to connect a speaker in Bridge mode GENERAL PRECAUTIONS AND CONSIDERATIONS Rack Mounting The Juice amplifiers are designed to be mounted standard rack They require two rack spaces 2U 3 5 They also require 15 75 depth inside the rack including the rear support brackets When designing your rack put the heavier items at the bottom and the lighter items toward the top Secure the front panel of the amplifier to the front of the rack using four screws with soft washers to prevent scratching the panel In addition because of the weight of the amplifier you must secure the rear support brackets of the amplifier to the back of the rack You could use a support rail or 10 shelf across the back of the rack or angle brackets attached between the rear support rails and the rear rails of the rack This is recommended for all components mounted in a rack that is going to be moved frequently or thrown in the back of a pickup truck and transported down a bumpy gravel road to that outdoor festival Thermal Considerations The Juice amplifiers are fan cooled with two separate fans One fan brings cool air in from the back and the other fan blows the warm air out the front of the chassis Make sure that cool air is
23. e equipment in order to prevent permanent hearing loss if exposure is in excess of the limits set forth here Typical Example Packed garage concert VW Bus Peace Train Cranked psychedelic tunes High speed chase on C H I P s Loudest parts at Heavy Metal concert Before you begin please make sure you read the Safety Instructions on page 2 and Getting Started on page 4 Your new TAPCO amplifier is designed to set up quickly and operate easily We know it s often seen as a sign of weakness to read a manual along with asking for directions when lost but maybe you can read the rest when nobody is looking It is important to keep your receipt in a safe place and not a bad idea to write your product information here for future reference i e insurance claims tech support return authorization etc Product Serial Purchased at Date of purchase Part 0007787 Rev 06 05 2003 2005 LOUD Technologies Inc All Rights Reserved Printed in China Getting Started levels just right SETTINGS 1 2 5 4 sure the amplifier s POWER switch is off Turn down both Level controls On the rear panel set the SUBSONIC FILTER switch OFF and the CLIP LIMIT switch ON Determine which AMP MODE is best for your application STEREO mode is the typical setup for amplifying stereo signals INPUT 1 is routed to CHANNEL 1 output and INPUT 2 is routed to CHANNEL 2 output MONO mode i
24. er that the Juice amplifiers reguire 2 ohms orgreater per channel in Stereo or Mono mode and 4 ohms or greater in Bridge mode Juice Series Specifications Continuous Sine Wave Average Output Power for each channel with both channels driven 20 Hz to 20 kHz J 800 24400 1 2500 oos 480W 800W 1400W 4 ohms 300W 450W 750W 8 ohms 205W 310W 575W Bridged Mono Operation 20 Hz to 20 kHz J 800 24400 1 2500 4 ohms 800W 1400W 2500W 8 ohms 560W 900W 1500W Note Power ratings are specified at 120 VAC line voltage Power Bandwidth 5 Hz to 50 kHz 0 3 dB Frequency Response 25 Hz to 25 kHz 0 1 dB Distortion THD and SMPTE IMD 20Hz to 20kHz lt 0 03 8 ohms Signal to Noise Ratio gt 100 dB below rated power into 4 ohms Channel Separation gt 90 dB 6 1 kHz Damping Factor gt 300 1 kHz and below Input Impedance 20 k balanced 10 k unbalanced Input Sensitivity 1 15 V 3 4 dBu for rated power into 4 ohms Gain J 800 30 dB J 1400 52 dB J 2500 54 dB Maximum Input Level 9 75 Vrms 22 dBu Turn On Delay 2 5 seconds Subsonic Filter 9 dB 6 30 Hz Topology J 800 J 1400 Class AB J 2500 Class H Cooling Dual variable speed fans with back to front airflow Indicators Channels A and B SIG Signal Present OL Overload POWER Current Consumption J 800 1400 J 2500 Idle 0 5 A 0 5 A 1 0 A Musical Program 8 3 9 5 1 A 8 1 A Musical Program 4 5 0 A 674 Music
25. ier s Level controls 4 POWER This handy switch turns the power amplifier on and off When the amplifier is on the POWER LED lights to let you know Juice is ready and rarin to go REAR PANEL FEATURES 5 Power Cord Socket Here is where you connect the detachable power cord that came in the box with your amplifier Plug the other end of the power cord into an AC outlet properly configured with the voltage required for your particular model INPUT 2 SPEAKER CONNECTION CHANNEL 2 Ze ge 2 CHANNEL 1 6 BREAKER This resettable circuit breaker that monitors the amount of current being drawn by the amplifier Under normal operating conditions this should never An unusual condition may cause the breaker to pop such as a mains voltage surge occurring at the same time as a peak amplifier output Turn the POWER switch off and push the BREAKER button in to reset the circuit breaker Turn the POWER switch back on and the amplifier should resume normal operation If the circuit breaker pops again something probably isn t right e Make sure that the total impedance of the speakers connected to the outputs is 2 ohms or greater per channel in stereo mode or 4 ohms or greater in bridged mode If the breaker pops right away even with the Level controls turned down and the speakers disconnected there may be something wrong in
26. nnector are in parallel you can use the 1 4 TRS jack as a Thru connector to passthe input signal on to another amplifier s input see Figure below Note If you use an unbalanced 1 4 TS cable to daisy chain the TRS input jack to another amplifier you will unbalance the XLR input on the Juice amplifier This negates the benefits associated with balanced lines and inputs VERY IMPORTANT JUICE NES 82 6 Using the 1 4 TRS INPUT 1s a Thru Connector In MONO and BRIDGE modes INPUT 1 and INPUT 2 are connected together in parallel Pa This allows you to use INPUT 2 as a FELOSER Thru connector to daisy chain the input signal to another amplifier Output Wiring Use heavy gauge stranded wire for connecting speakers to the Speakon outputs jacks As the distance between the amplifier and the speakers increases the thickness of the wire should also increase Speaker wire has resistance and when electricity passes through a resistor power is lost The thicker the wire the less resistance it offers and the more power actually gets to the speaker The thickness of the wire is rated in gauges Use the chart at the right to determine the correct gauge of wire to use according to the distance between the speakers and the amplifier and the impedance of the load the amplifier is driving This ensures that the power lo
27. ositive side of the speaker cable to the CHANNEL 1 red binding post and connect the negative side of the speaker cable to the CHANNEL 2 red binding post No that s not a typo You only use the red binding posts in Bridged mode Do notuse the black posts TO SPEAKER CHANNEL 2 SPEAKER CONNECTION Bridged Binding Post Connection Since bridged mode is a type of mono mode turning a stereo amplifier into a single channel amplifier use only the CHANNEL 1 input Turn the CHANNEL 2 level control all the way down Speakons When using bridge mode wire the Speakon connector as follows AMPLIFIER 11 SPEAKER END HOT 00 Bridged Speakon Connection Dual Channel Connection The BRIDGED connector has the added feature of providing both speaker outputs on single connector This allows you to use a single cable to carry both channels from the amplifier to the speakers Many speakers with Speakon connectors provide an Input connector and a Thru connector for connecting a second speaker in parallel You can use the Thru connector to connect the CHANNEL 2 amplifier output to the CHANNEL 2 speaker In stereo mode CHANNEL 1 output is available at Pins 1 and 1 and CHANNEL 2 is available at Pins 2 and 2 on the BRIDGED connector Wire all four pins in the Speakon connector as shown below at both ends of the cable
28. s used for sending a mono signal to both outputs with separately adjustable level controls INPUT 1 is used in MONO mode leave INPUT 2 disconnected BRIDGE mode uses both outputs to double the power to one speaker or set of speakers INPUT 1 is used in BRIDGE mode leave INPUT 2 disconnected and the B Level control turned down NOTE 4 ohms is the minimum speaker impedance you should connect to the amplifier in BRIDGE mode See Do the Math in Appendix B for information on calculating speaker impedances Set the AMP MODE switch according to your application CONNECTIONS 1 Using balanced cables make connections from your mixer or other signal source MAIN OUT to your amplifier s INPUTs In STEREO mode connect the cables from your signal source to the amplifier s INPUT jacks either XLR or 1 4 TRS e The XLR and TRS inputs for each channel are wired in parallel balanced XLR inputs are wired as follows Pin 1 shield ground Pin 2 hot Pin 3 cold 1 4 TRS inputs are wired as follows Tip hot Ring cold Sleeve shield ground In MONO mode and BRIDGE mode connect one cable from the input source to INPUT 1 and connect nothing to INPUT 2 The following steps will help you set up your amplifier and get the 4 In STEREO and MONO modes connect speaker cables to the SPEAKER OUTPUTS either the binding posts or the Speakon connectors
29. side the amplifier Refer to Appendix A Service Info 7 SPEAKER OUTPUTS You have two options for connecting your speakers binding posts and Speakon connectors Normally you would use either the binding posts or the Speakon connectors Since the connectors are wired in parallel e g CHANNEL 1 binding post and Speakon are in parallel and CHANNEL 2 binding post and Speakon are in parallel you can connect a speaker to each connector as long as the total impedance per channel is two ohms or more Two 8 ohm speakers in parallel equals 4 ohms Two 4 ohm speakers in parallel equals 2 ohms See Output Wiring on page 11 for information on output connection wiring 8 INPUTS The Juice amplifiers give you two options for connecting the input signal XLR input connectors and 1 4 TRS Tip Ring Sleeve connectors These inputs are in parallel and are identical electrically speaking You can connect either a balanced or an unbalanced signal here Since these two inputs are in parallel you shouldn t connect more than one source to the INPUT 1 or INPUT 2 jacks However you can use the unused input jack as a Thru connector to daisy chain the signal to another amplifier See Input Wiring on page 10 for information on input connection wiring 9 SUBSONIC FILTER Turn this switch on to engage a low frequency cutoff high pass filter at 30 Hz The Juice amplifiers can amplify signals below 20 Hz but
30. st across the speaker wire is less than 0 5 Passive Speakers Mackie C300s Load Gauge of WireLength Impedance Wire Up to 25 ft Up to 40 ft Up to 60 ft Up to 100 ft Up to 150 ft Up to 250 ft 11 Stereo and Mono Modes Binding Posts When using the binding post outputs in stereo or mono modes you can terminate your speaker cables with single or double banana plugs spade lugs or leave them unterminated bare wires unscrew the binding posts enough to reveal the holes on their sides then insert your stripped wires stripped about 3 8 back into the holes and retighten the posts finger tight is fine Be careful that no runaway strands touch the chassis or other terminal The red posts are labeled which means positive The black posts are labeled for negative You probably know the importance of getting these correct if one speaker is hooked up in phase and the other speaker is out of phase you ll be out of work By the way although everyone says phase this situation the correct word is polarity Speakons When using the Speakon outputs in stereo or mono modes wire the Speakon connectors as shown below COLD HOT EE Stereo Mono Speakon Connection Bridged Mode Binding Posts When using the binding posts in bridge mode connect the p
31. stand that is recommended by the manufacturer A Component and cart combination should be moved with care Quick stops excessive force and uneven surfaces may cause the Component and cart combination to overturn 13 14 15 16 17 18 Unplug this apparatus during lightning storms or when unused for long periods of time Refer all servicing to gualified service personnel Servicing is reguired when the apparatus has been damaged in any way such as when the power supply cord or plug has been damaged liguid has been spilled or objects have fallen into the apparatus the apparatus has been exposed to rain or moisture does not operate normally or has been dropped This apparatus shall not be exposed to dripping or splashing and no object filled with liguids such as vases shall be placed onthe apparatus This apparatus has been designed with Class l construction and must be connected to a mains socket outlet with a protective earthing connection the third grounding This apparatus has been eguipped with a single pole rocker style AC mains power switch This switch is located on the front panel and should remain readily accessible to the user This apparatus does not exceed the Class A Class whichever is applicable limits for radio noise emissions from digital apparatus as set out in the radio interference regulations of the Canadian Department of Communications ATTENTION Le pr sent app
32. t sounds bad there the problem is not in the amplifier Noise Hum e Check the signal cable between the mixer and the amplifier Make sure all connections are good and sound sure the signal cable is not routed near AC cables power transformers or other EMI inducing devices Is there alight dimmer or other SCR based device on the same AC circuit as the amplifier Use an AC line filter or plug the amplifier into a different AC circuit e If possible listen to the signal source with headphones plugged into the console If it sounds noisy there the problem is not in the amplifier Repair Service for TAPCO amplifiers is available at a factory authorized service center Service for TAPCO amplifiers living outside the United States can be obtained through local dealers or distributors If your amplifier needs service follow these instructions 1 Review the preceding troubleshooting suggestions Please 2 Call Tech Support at 1 877 827 2669 7 am to 5 pm PST to explain the problem and obtain a Service Request Number Have your amplifier s serial number ready You must have a Service Request Number before you can obtain factory authorized 3 Keep this owner s manual and the detachable power cord We don t need them to repair the amplifier Pack the amplifier in its original package including endcaps and box This is VERY IMPORTANT When you call for the Service Request Number please let Te
33. warrants all repairs performed for 90 days or for the remainder of the original warranty period This warranty does not extend to damage resulting from improper installation misuse neglect or abuse or to exterior appearance This warranty is recognized only if the inspection seals and serial number on the unit have not been defaced or removed LOUD Technologies assumes no responsibility for the quality or timeliness of repairs performed by Authorized TAPCO Service Centers This warranty is extended to the original purchaser and to anyone who may subsequently purchase this product within the applicable warranty period A copy of the sales receipt is required to obtain warranty repairs This is your sole warranty LOUD Technologies Inc does not authorize any third party including any dealer or sales representative to assume any liability on behalf of LOUD Technologies or to make any warranty for LOUD Technologies Inc THE WARRANTY GIVEN ON THIS PAGE IS THE SOLE WARRANTY GIVEN BY LOUD TECHNOLOGIES INC AND IS IN LIEU OF ALL OTHER WARRANTIES EXPRESS AND IMPLIED INCLUDING THE WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE THE WARRANTY GIVEN ON THIS PAGE SHALL BE STRICTLY LIMITED IN DURATION TO ONE YEAR FROM THE DATE OF ORIGINAL PURCHASE FROM AN AUTHORIZED TAPCO DEALER UPON EXPIRATION OF THE APPLICABLE WARRANTY PERIOD LOUD TECHNOLOGIES INC SHALL HAVE NO FURTHER WARRANTY OBLIGATION OF ANY KI

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