Samsung 943BMPLUS Computer Monitor User Manual
Contents
1. EP spp E 55 aco 988 PP 3829 2 aga CH INPUT 32333233 bl Getter bon 50084 16084 2222232 666650 ttt 34084 106901 MGeA 4X CH 16 Se 4gv 632794 1 24 PHANTOM 80 9 T 1 MG24 14FX CH1 8 0 2 15 PEAK l A 32714 cui al 63 161 10447 241 TENE 9 SIGNAL A Teac 4 77 Jem HE oo 4 PAD HA 10981 er d AE ueste e 3 4 GER i 4 HPF BEES Q4 AUX4 Leet 4 Lo o GAIN 237 PRE TIT 2668 3333 Son gt A 1 3408u 1008u a ge f A li e PRE AUXA i INSERT 1 0 3 100801 Ven ous EFFECTA AUX5 of Lee MG32 14FX CH 84 1 EFFECTRLAUXG jf LE 4 AUX5 6 PFL O 4 A CH amy E Ugg HE 355570 179 PP dada dud 5335555 tk ganso ERE 422242 uu 660000 ST CH INPUT 34084 1008u 1 3 E 02121 49102912 ro RE 2 H 4 PAD HHA oau 4 stage E0 1068081 yo 11009 A gt loop giis ET i 4 L i d H BAL 1 i 4 i PAIN PEAK E 11 f i mengen Son i E i i SIGNAL 1 E i i d PAD HHA l4 Stage El Go 31 BA SUI 1 R Ad i mY i 0 AUXI iba 4 PS AUXZ i i T 3 i 0 Sul MBA H PRE AUX i l EFFECT1lAUXG gf Ico M EFFECT2 AUX6 E2. INSERT 1 0 SUM gt p los ST oy m INSERT 1 0 Toot 2 ST SUB OUT D GROUP stim BA GROUPA OUT and MONO OUT when a si ST INSERT B INPUT MONO QU 7165 IN AETLAN ST SUB our ETAN 1291 S 7 Pones OH aux ST CH AUX 8 0 AU RETURN AUX Ret FECT ATN j 40054 MG32 14FX MG24 14FX For details of products please contact your nearest Yamaha representative or the authorized distributor listed below Pour plus de d tails sur les produits veuillez vous adresser Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante NORTH AMERICA CANADA Yamaha Canada Music Ltd 135 Milner Avenue Scarborough Ontario MIS 3R1 Canada Tel 416 298 1311 U S A Yamaha Corporation of America 6600 Orangethorpe Ave Buena Park Calif 90620 U S A Tel 714 522 9011 CENTRAL amp SOUTH AMERICA MEXICO Yamaha de M xico S A de C V Calz Javier Rojo G mez
3. 26 Connecting to Power Setting Up 1 Be sure that the mixer s power switch is off I 2 Connect the socket end of the power cord to the AC IN connec tor on the rear of the mixer gt f mmm e ilar e d WS 3 Plug the other end of the power cord into a standard household power outlet Be sure to unplug the power cord from the outlet if AN you are not going to use the mixer again for an extended period and whenever there are lightning storms in the area E Introduction 1 Before connecting to microphones and instruments be sure that all devices are turned off Also be sure that all of the mixer s channel faders and master control faders are set all the way down 2 For each connection connect one end of the cable to the rele vant microphone or instrument and connect the other end to the appropriate input jack on the mixer NOTE On each monaural channel you may use either INPUT A or INPUT B but not both On stereo chan nels that provide both a phone input jack and an RCA pin input jack you may use either of these but not both Please connect to only one of these jacks on each channel 3 Power up the devices in the following order Peripheral devices mixer power amps or powered speakers NOTE When shutting the system down turn off the power in the opposite order Power amps powered speak ers mixer peripheral devices top bo
4. Input Appropriate E Max Before Connector Input Connector PAD Gain Impedance Impedance Sensitivity Rated Level Clipping Specifications 0 80 dBu 60 dBu 40 dBu 0 078 mV 0 775 mV 7 75 mV 60 26 54 dBu 34 dBu 14 dBu A XLR 3 31 type bal CH INPUT A B 50 600 mic 155 mV 15 5 mV 155 mV anced MG32 14FX CHs 1 to 24 3 ko 600 line B Phone jack TRS MG24 14FX CHs 1 to 16 36 dBu 16 dBu 44 dBu balanced 12 3 mV 123 mV 1 23 V T hot R cold S ground 16 26 10 dBu 10 dBu 30 dBu 245 mV 2 45 V 24 5 V ST CH INPUT 34 ms 20 ms du ei E MG32 14FX CHs 25 L 26 R 55m 5m m to 31 L 32 R 10k2 16000 line Enone jac tupbalaricec MG24 14FX CHs 17 L 18 R 10 10 dBu 10 dBu 30 dBu pr to 23 L 24 R k 245 mV 2 45 V 24 5 V ST INSERT IN L R 10ko 600 Q line 10 dBu 0 dBu 20 dBu GROUP INSERT IN 1 4 245 mV 0 775 V 7 75 V Phone jack TPS unbalance CH INSERT IN de a MG32 14FX CHs 1 to 24 10ko 600 2 line Gan O77 v a E T out R in S ground MG24 14FX CHs 1 to 16 i j 12 dBu 4 dBu 24 dBu Phone jack TRS RETURN 1 2 L R 10ko 6002106 Inge ww l 23v 02 3V unbalanced 50 6000 66 dBu 50 dBu 30 dBu XLR 3 31 type TALK BACK 10k2 mic 0 388 mV 2 45 mV 24 5 mV unbalanced 26 dBV 10 dBV 10 dBV NU 2TR IN L R 10 ko 600 line 50 1 mV 816 mV 3 16 V RCA pin jack
5. 1149 Col Guadalupe del Moral C P 09300 M xico D F M xico Tel 55 5804 0600 BRAZIL Yamaha Musical do Brasil Ltda Av Reboucas 2636 Pinheiros CEP 05402 400 Sao Paulo SP Brasil Tel 011 3085 1377 ARGENTINA Yamaha Music Latin America S A Sucursal de Argentina Viamonte 1145 Piso2 B 1053 Buenos Aires Argentina Tel 1 4371 7021 PANAMA AND OTHER LATIN AMERICAN COUNTRIES CARIBBEAN COUNTRIES Yamaha Music Latin America S A Torre Banco General Piso 7 Urbanizaci n Marbella Calle 47 y Aquilino de la Guardia Ciudad de Panam Panam Tel 507 269 5311 EUROPE THE UNITED KINGDOM Yamaha Kemble Music U K Ltd Sherbourne Drive Tilbrook Milton Keynes MK7 8BL England Tel 01908 366700 GERMANY Yamaha Music Central Europe GmbH Siemensstrafe 22 34 25462 Rellingen Germany Tel 04101 3030 SWITZERLAND LIECHTENSTEIN Yamaha Music Central Europe GmbH Branch Switzerland Seefeldstrasse 94 8008 Ziirich Switzerland Tel 01 383 3990 AUSTRIA Yamaha Music Central Europe GmbH Branch Austria Schleiergasse 20 A 1100 Wien Austria Tel 01 60203900 THE NETHERLANDS Yamaha Music Central Europe Branch Nederland Clarissenhof 5 b 4133 AB Vianen The Netherlands Tel 0347 358 040 PA10 Die Einzelheiten zu Produkten sind bei Ihrer unten aufgef hrten Niederlassung und bei Yamaha Vertragsh ndlern in den jeweiligen Bestimmungsl ndern erh ltlich Para detalles sobre productos contacte su tiend
6. YAMAHA MIXING CONSOLE MG32 14 rx MG24 14 rx Owner s Manual MG32 14 FX YAMAHA 0 MG24 14 FX YAMAHA MG22 14rx MG24 14Fx Important Notice connecting a lamp Please read carefully before connecting a lamp to the LAMP Jack page 18 Do not use a lamp that grounds Pin 2 or Pin 3 to the shell body Use of the wrong lamp type may result in damage A to the mixer Recommended lamps Littlite s X HI series of gooseneck lamps Correct lamp type Wrong lamp type Shell e Qu On D C3 Y 3 Do not inadvertently connect a talkback microphone to the LAMP jack A microphone may sustain damage if con nected to this jack NOTE Supported lamps 12V AC or DC max 5W Supplies 12V to Pins 2 and 3 Pin 1 is not connected O Wichtiger Hinweis eine Leuchte anschlieBen Bitte lesen Sie diesen Abschnitt sorgf ltig bevor Sie die Leuchte an der Buchse LAMP anschlieBen Seite 18 Verwenden Sie keine Leuchte die Pin 2 oder Pin 3 mit der Masse verbindet Chassis Einsatz der falschen Leuchte kann Sch den am Mischpult verursachen E
7. Kemble Music U K Ltd 3 wires MG32 14FX MG24 14FX MG32 14FX MG24 14FX cu Introduction Thank you for your purchase of the YAMAHA MG32 14FX or MG24 14FX mixing console This console offers excellent cost performance and is ideal for use as the main mixer in an SR setup or as part of an installed system Please read through this Owner s Manual carefully before beginning use so that you will be able to take full advantage of the mixer s superlative features and enjoy trouble free operation for years to come Be sure to retain this manual in a safe place Provides 24 MG32 14FX or 16 MG24 14FX monaural input channels suitable for connection to both microphones and line level devices Also provides four line level stereo inputs Built in dual digital effector based on Yamaha s acclaimed SPX multi effector technology can apply a variety of internal effects to both vocal and instrumental inputs Convenient tap delay feature lets you set the internal effect s delay time by tapping on a button or by stepping on a sepa rately sold foot switch Provides dual stereo outputs two effect outputs six AUX out puts and four group outputs for a total of 14 outputs You can use the AUX and GROUP outputs both to connect to external devices such as effectors and MTRs and to create custom mixes for targeted speakers or amps for stage monitoring An independently controlled MONO output jack feeds out a mix of the main
8. Listen Switches Use this switch to feed the corresponding digital effect signal taken from before the EFFECT RTN fader into the PFL bus so that you can monitor the signal from the PHONES jack To turn the PFL feed on press the switch in NOTE The signal will not feed into the PFL bus if the effect s ON switch 5 is turned off GROUP Switches Set the switch on to feed the corresponding internal digi tal effect signal into the corresponding GROUP buses The top button feeds the signal to Groups 1 and 2 the lower button feeds it to Groups 3 and 4 ST Switches Set this switch on to feed the corresponding internal digital effect signal into the ST bus EFFECT RTN faders 1 2 This fader adjusts the level of the effected sound into the ST and GROUP buses 58555 EE ERRE mont Four PROGRAM PARAMETER gf DIGITAL m d E NEFF Rm PROGRAM g4 d N PARAMETER gf DIGITAL i TAR ON AUX 4 oo Leg i NETT FOOT SWITCH i AUX2 Tae e Au Die tram EFFECT1 2 eo i B METER PHONES Section You use these meters to view various signal levels the levels to the ST OUT jacks the PFL and AFL levels and the levels to the GROUP OUT jacks The PFL or AFL signals indicated by these meters can be monitored
9. axial type cable If these corrective measures do not produce satisfactory results please contact the local retailer authorized to distribute this type of product If you can not locate the appropriate retailer please contact Yamaha Corporation of America Electronic Service Divi sion 6600 Orangethorpe Ave Buena Park CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries This applies only to products distributed by YAMAHA CORPORATION OF AMERICA class B IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord WARNING THIS APPARATUS MUST BE EARTHED IMPORTANT The wires in this mains lead are coloured in accordance with the following code GREEN AND YELLOW EARTH BLUE NEUTRAL BROWN LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the terminals in your plug proceed as follows The wire which is coloured GREEN and YELLOW must be connected to the terminal in the plug which is marked by the letter E or by the safety earth symbol Q or coloured GREEN or GREEN and YELLOW The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED This applies only to products distributed by Yamaha
10. cord Only use the voltage specified as correct for the device The required voltage is printed on the name plate of the device Use only the included power cord Do not place the power cord near heat sources such as heaters or radiators and do not excessively bend or otherwise damage the cord place heavy objects on it or place it in a position where anyone could walk on trip over or roll anything over it Do not open Do not open the device or attempt to disassemble the internal parts or modify them in any way The device contains no user serviceable parts If it should appear to be malfunctioning discontinue use immediately and have it inspected by qualified Yamaha service personnel N CAUTION Do not expose the device to rain use it near water or in damp or wet conditions or place containers on it containing liquids which might spill into any openings Never insert or remove an electric plug with wet hands If you notice any abnormality If the power cord or plug becomes frayed or damaged or if there is a sudden loss of sound during use of the device or if any unusual smells or smoke should appear to be caused by it immediately turn off the power switch disconnect the electric plug from the outlet and have the idevice inspected by qualified Yamaha service personnel If this device should be dropped or damaged immediately turn off the power switch disconnect the electric plug from the outlet and h
11. into the AUX5 and 6 buses or feed into the EFFECT 1 and 2 buses If the switch is on the signal goes to the AUX5 and AUX6 SEND jacks If the switch is off the signal goes to the EFF1 and EFF2 SEND jacks NOTE lt AFL After Fader Listen Switches For each AUX and EFFECT bus Use this switch to feed the corresponding AUX SEND or EFF SEND signal into the AFL bus Feeds the corresponding AUX SEND or EFF SEND signal into the AFL bus so that this signal can be monitored at the PHONES jack If you set this switch on for EFF1 or EFF2 you can use the PHONES jack to monitor the signal to the corresponding internal digital effect NOTE lt AUXA AUX2 AUX3 AUXA AUX5 AUXG 71 72 AFL L AFL A Front amp Rear Panels B RETURN Section This section adjusts the levels of the input from the RETURN 1 and RETURN 2 jacks see page 20 For each RETURN you can set OUT independent levels for feeds into the ST bus and AUX buses 1 4 AUX 10050 si jes 23 t Lan 7 EFFECT 1 EFFECT OUT 1 leen gf Leder Shy ji A Lamm AFL EFFECT 2 EFFECT OUT 2 q Trei su BA 23 Los AFL to DIGITAL EFFECT RETURN 2 D AUX Mix Controls 1 to 4 Each knob adjusts the level of the signal from the correspond ing RETURN jack int
12. odd numbered channel and the R signal into the even numbered channel devices such as graphic equalizers compressors and noise fil ters NOTE Connection to an INSERT 1 0 jack requires a spe cial separately sold insertion cable such as illus NOTE Where a channel provides both a phone jack and trated below an RCA pin jack you may use either one of these jacks but you may not use both at the same time To the input jack of the external processor Please connect to only of these jacks on each channel Some of the phone jacks MG32 14FX CHs 25 26 27 28 MG24 14FX CHs 17 18 19 20 Sleeve Tip also support monaural input Specifically if you To the INSERT 1 0 jack input only into the L MONO jack of either pair while leaving the R jack empty the mixer will Ring propagate the same signal through both the L Tip To the output jack of the external processor MONO and R inputs MG32 14FX MG24 14FX PA Front amp Rear Panels B MASTER I O Section RETURN 2 RETURN 1 3118 29m MONO ap MONO 48 zx 27m MONO 25m mono RETURN Jacks 1 2 SEND Jacks These are unbalanced phone input jacks The signal into each of these jacks feeds into the ST bus and into AUX buses 1 to 4 These jacks are typically used to receive a return signal from an external effector reverb delay etc NOTE These jacks can
13. Base Frequency Maximum Cut Boost HIGH Shelving 10 kHz HI MID Peaking 3 kHz 15 dB LO MID Peaking 800 Hz LOW Shelving 100 Hz 5 AUX Controls AUX1 to AUX6 These knobs adjust the channel s signal levels into AUX buses 1 to 6 Each knob controls the signal into the corresponding AUX bus For AUXI to AUXA you use the PRE switch to select whether the pre fader or post fader signal is fed to the bus For AUXS and AUX6 only the post fader signal can be fed These knobs should generally be set close to the w position On stereo channels the L odd and R even input signals are mixed before moving into the AUX bus NOTE To enable use of AUX5 and AUX6 you must turn on the AUX5 AUX6 switch 8 PRE Switch Selects whether the pre fader or the post fader signal is fed to the corresponding pair of AUX buses The upper PRE switch controls the signal to AUX1 and AUX2 the lower switch con trols the signal to AUX3 and AUXA If the switch is on the mixer feeds the pre fader signal to the corresponding buses If off the mixer feeds the post fader signal There is no PRE switch for AUX5 and AUX6 For these buses only the post fader signal is available NOTE lt EFFECT Controls These knobs adjust the channel s signal levels into EFFECT buses 1 and 2 Since the signal to the EFFECT buses is post fader the level is always determined by the combination of the EFFECT control and the channel fa
14. E REFER SERVICING TO QUALIFIED SERVICE PERSONNEL The above warning is located on the rear of the unit Explanation of Graphical Symbols The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated dangerous voltage within the product s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons The exclamation point within an equilateral triangle is intended to alert the user to the pres ence of important operating and maintenance servicing instructions in the literature accompanying the product IMPORTANT SAFETY INSTRUCTIONS Read these instructions Keep these instructions Heed all warnings Follow all instructions Do not use this apparatus near water Clean only with dry cloth Do not block any ventilation openings Install in accordance with the manufacturer s instruc tions Do not install near any heat sources such as radiators heat registers stoves or other appa ratus including amplifiers that produce heat Do not defeat the safety purpose of the polar ized or grounding type plug A polarized plug has two blades with one wider than the other A grounding type plug has two blades and a third grounding prong The wide blade or the third prong are provided for your safety If the pro vided plug does not fit into your outlet consult an electrician for replacement of the obsolete outlet
15. HASER An effect that changes the phase of the sound to create modulation Modulation frequency 0 05 4 00 Hz 15 RADIO VOICE An effect that produces a lo fi sound like that of an AM radio Drive 0 100 1 TREMOLO An effect that adds modulation to the sound Modulation frequency 0 05 10 00 Hz EFFECT 2 o EARLY REF An effect produced by modifying the early reflections It lets you add Room size 0 1 0 depth to the sound or create echo like effects 1 GATE REVERB An effect produced by cutting the reverberation Room size 0 1 0 2 VOCAL DOUBLER Produces an effect as though two people were singing Pitch fine 0 50 3 SYMPHONIC Gives a richly layered depth to the sound Depth 0 100 14 FLANGE Adds a sense of pitch to the tone Effective on sounds that contain Modulation frequency 0 05 4 00 Hz numerous overtones 8 DISTORTION The well known effect used to distort the sound Drive 0 100 168 TAP DELAY This effect sets the delay time to the interval at which you actually Feedback gain 0 99 press the switch The amount of feedback can be adjusted by the Delay time 100 ms 600 bpm PARAMETER control The LED will blink in synchronization with the delay time 2690 ms 22 3 bpm The LED can not blink any faster than an interval of 256 ms 234 3 bpm MG32 14FX MG24 14FX Sir a 3 Unit mm gt lt LU EI A e S LL t T qi be e Uni
16. Protect the power cord from being walked on or pinched particularly at plugs convenience receptacles and the point where they exit from the apparatus MG32 14FX MG24 14FX 11 12 13 14 Only use attachments accessories specified by the manufacturer Use only with the cart stand tripod bracket or table spec ified by the manufacturer or sold with the apparatus e When a cart is used use cau tion when moving the cart W gt apparatus combination to avoid injury from tip over Unplug this apparatus during lightning storms or when unused for long periods of time Refer all servicing to qualified service person nel Servicing is required when the apparatus has been damaged in any way such as power supply cord or plug is damaged liquid has been spilled or objects have fallen into the apparatus the apparatus has been exposed to rain or mois ture does not operate normally or has been dropped WARNING TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING Please keep this manual in a safe place for future reference N WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock short circuiting damages fire or other hazards These precautions include but are not limited to the following Power supply Power
17. ST output signal ideal for connection to a subwoofer or other SR system extension All monaural channels are equipped with an INSERT I O jack for independent connection to an external effector Includes independent PFL switches for each input channel for each AUX return and for the 2TR IN bus together with inde pendent AFL switches for each AUX and GROUP output and for the main ST output These switches make it easy to selectively monitor the input and output signals through headphones con nected to the PHONES jack Phantom power supply can provide DC 48 power to all XLR input jacks allowing you to connect phantom powered con denser mics and direct boxes to any combination of monaural channels The phantom power can be independently switched on and off in eight channel blocks Dual RETURN jacks can feed AUX return signals not only into the ST bus but also into four of the AUX buses These jacks can also serve as an auxiliary stereo input MG32 14FX MG24 14FX Introd ction ici erre eee deae 6 EOS a RA 6 Connecting to Power 7 Setting Up reet heec cos 7 Front amp Rear Panels sass 8 Channel Control Block 10 Master Control Block 13 Rear Input Output Block 19 elle TEE 22 Specifications sssssseeeese 22 Dimensional DiagramsS sss 25 Block and Level Diagram
18. Where 0 dBu 0 775 V and 0 dBV 1 V 1 Input sensitivity the lowest level that will produce the nominal output level when the unit is set to maximum gain 2 MG32 14FX CH29 L 30 R CH31 L 32 R MG24 14FX CH21 L 22 R CH23 L 24 R B Output Specifications Output Connectors 7 Rated Level 00005 Connector Specifications PONO AR 1500 600 0 line 4dBu 1 22V 24 dBu 12 3 V XLR 3 32 type balanced Phone jack TRS GROUP OUT 1 4 1500 6000line 4dBu 1 283V 20 dBu 7 75 V impedance balanced hot R cold S AUX SEND 1 6 round Phone jack TRS T SUB OUT L R SET OUTI d do 1500 10 ko line 4 dBu 1 23V 20 dBu 7 75 V d balanced hot R cold S REC OUT L R 600 2 10 ko line 10 dBV 316 mV 10 dBV 3 16 V RCA pin jack CH INSERT OUT MG32 14FX CH 1 24 MG24 14FX CH 1 16 Phone jack TRS 1500 10 ko line 0 dBu 0 775 V 20 dBu 7 75 V is GROUP INSERT OUT unbalanced T out R in S ground 1 4 ST INSERT OUT L R PHONES 1009 40 Q phone 3 mW 75 mW Stereo phone jack Where 0 dBu 0 775 V and 0 dBV 1 V Specifications and descriptions in this owner s manual are for information purposes only Yamaha Corp reserves the right to change or modify products or specifications at any time without prior notice Since specifications equipment or options may not be the same in every locale pl
19. a Yamaha m s cercana o el distribuidor autorizado que se lista debajo BELGIUM LUXEMBOURG Yamaha Music Central Europe GmbH Branch Belgium Rue de Geneve Genevastraat 10 1140 Brussels Belgium Tel 02 726 6032 FRANCE Yamaha Musique France BP 70 77312 Marne la Vall e Cedex 2 France Tel 01 64 61 4000 ITALY Yamaha Musica Italia S P A Combo Division Viale Italia 88 20020 Lainate Milano Italy Tel 02 935 771 SPAIN PORTUGAL Yamaha Hazen M sica S A Ctra de la Coruna km 17 200 28230 Las Rozas Madrid Spain Tel 91 639 8888 SWEDEN Yamaha Scandinavia AB J A Wettergrens Gata 1 Box 30053 S 400 43 Goteborg Sweden Tel 031 89 34 00 DENMARK YS Copenhagen Liaison Office Generatorvej 8B DK 2730 Herlev Denmark Tel 44 92 49 00 NORWAY Norsk filial av Yamaha Scandinavia AB Grini Neringspark 1 N 1345 ster s Norway Tel 67 16 77 70 OTHER EUROPEAN COUNTRIES Yamaha Music Central Europe GmbH Siemensstrafe 22 34 25462 Rellingen Germany Tel 49 4101 3030 AFRICA Yamaha Corporation Asia Pacific Music Marketing Group Nakazawa cho 10 1 Hamamatsu Japan 430 8650 Tel 8 1 53 460 2313 MIDDLE EAST TURKEY CYPRUS Yamaha Music Central Europe GmbH Siemensstrafe 22 34 25462 Rellingen Germany Tel 04101 3030 OTHER COUNTRIES Yamaha Music Gulf FZE LB21 128 Jebel Ali Freezone P O Box 17328 Dubai U A E Tel 971 4 881 5868 ASIA THE PEOPLE S REPUBLIC OF CHINA Ya
20. also be used as an auxiliary stereo input If you connect to the L MONO jack only the mixer will recognize the signal as monaural and will propagate the identical signal from both L and R jacks 2TR IN Jacks These unbalanced RCA pin input jacks can be used to input a stereo sound source The signal into each of these jacks feeds into the ST bus Use these jacks when you want to connect a stereo sound source such as a CD player or DAT deck directly to the mixer for monitoring REC OUT L R Jacks These are unbalanced RCA pin output jacks By connecting these jacks to an external recorder you can record the same signal that is being output from the ST OUT jacks NOTE The signal from these jacks is not adjusted by the ST master fader and is not affected by input or out put at the INSERT jacks When using these jacks to record adjust the level as necessary at the external recording device MG32 14FX MG24 14FX AUX Jacks 1 to 6 These are impedance balanced phone jacks These jacks out put the signals from AUXI to AUX6 respectively You use these jacks for example to connect to a monitoring system effector or other such equipment EFFECT Jacks 1 2 These impedance balanced phone jacks output the signals from the EFFECT buses You would typically use these jacks to connect to an external effector GROUP INS I O Jacks 1 to 4 These are unbalanced TRS tip ring sleeve phone type bidi recti
21. ate ventilation never use this device Upside down or on its side In a poorly ventilated location in a closet inside a bookcase etc With its rubber footpads removed Onathick carpet or other such surface While it is inside an unventilated touring case Failure to observe the above precautions may cause the device to overheat resulting in equipment damage and fire hazard Do not use the device in the vicinity of a TV radio stereo equipment mobile phone or other electric devices Otherwise the device TV or radio may generate noise Connections Before connecting the device to other devices turn off the power for all devices Before turning the power on or off for all devices set all volume levels to minimum Handling caution Do not insert your finger or hand in any gaps or openings on the device vents etc Avoid inserting or dropping foreign objects paper plastic metal etc into any gaps or openings on the device vents etc If this happens turn off the power immediately and unplug the power cord from the AC outlet Then have the device inspected by qualified Yamaha service personnel Do not use the device or headphones for a long period of time at a high or uncomfortable volume level since this can cause permanent hearing loss If you experience any hearing loss or ringing in the ears consult a physician Do notrest your weight on the device or place heavy objects on it an
22. aural Stereo Input Peak Indicator One red LED per channel Comes on when post EQ signal level reaches 17 dBu Monaural Stereo Input Signal Indicator One green LED per channel Comes on when post EQ signal level reaches 10 dBu Level Meters Four 12 point LED meters Stereo L R PFL AFL GROUP 1 4 Peak point red indicator 5 3 1 and 0 points yellow indicators 1 3 5 7 10 15 20 green indicators Phantom 48 VDC Power Balanced input Included Accessory Option Lamp Power Supply 48 V DC supply to balanced inputs Can be switched ON OFF in groups of eight channels One switch for every eight channels Power cord Owner s Manual FC5 Foot Switch XLR 3 31 type 12 V AC between pins 2 and 3 5 W max Refer to page 18 for details USA and Canada 120V AC 60Hz Korea 220V AC 60Hz Others 230V AC 50Hz Power Consumption MG32 14FX 120 W MG24 14FX 100 W Max Dimensions W x H x D MG32 14FX 1027 x 140 x 551 mm MG24 14FX 819 x 140 x 551 mm Weight MG32 14FX 22 kg MG24 14FX 18 5 kg Where 0 dBu 0 775 V and 0 dBV 1V 1 Rs 150 ohms Measured with 12 7 kHz 6 dB oct low pass filter equivalent to 20 kHz lt filter 2 Turning PAN BAL to left or right 3 Shelving turnover rolloff frequency 3 dB before maximum cut or boost MG32 14FX MG24 14FX Appendix B input Specifications
23. ave the device inspected by qualified Yamaha Service personnel Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others or damage to the device or other property These precautions include but are not limited to the following Power supply Power cord Remove the electric plug from the outlet when the device is not to be used for extended periods of time or during electrical storms When removing the electric plug from the device or an outlet always hold the plug itself and not the cord Pulling by the cord can damage it Location When transporting or moving the device always use two or more people Before moving the device remove all connected cables Avoid setting all equalizer controls and faders to their maximum Depending on the condition of the connected devices doing so may cause feedback and may damage the Speakers Do not expose the device to excessive dust or vibrations or extreme cold or heat such as in direct sunlight near a heater or in a car during the day to prevent the possibility of panel disfiguration or damage to the internal components Do not place the device in an unstable position where it might accidentally fall over Never block the vent holes during use Vent holes are located on the top bottom front rear and sides of this machine All vent holes must remain unblocked to prevent overheating To further ensure adequ
24. channel off you cut off all of its signal feed into the ST GROUP AUX and EFFECT buses The ON switch does not affect the operation of the PFL switch D You can monitor the chan nel s pre fader signal through the PHONES jack even when the ON switch is set off To reduce noise turn all unused channels off E NOTE lt PFL Pre Fader Listen Switch Use this switch to feed the channel s pre channel fader signal into the PFL bus so that you can monitor the signal from the PHONES jack To turn PFL feed on press the switch in so that it lights up f you switch on output to both the PFL and AFL buses the mixer outputs only the PFL signal f you set PFL on for multiple channels the mixer feeds the mixed signal from the channels into the PFL bus NOTE 42 PEAK indicator Lights up when the channel s post equalizer signal level comes within 3 dB of the clipping level 43 SIGNAL indicator Lights up when a signal is being input into the channel GROUP Switches Use these switches to feed the channel s signal to the GROUP 1 2 and or GROUP 3 4 buses Setting the switch on causes the signal to feed into the corresponding GROUP buses These switches allow you to independently assign the signal to groups regardless of the setting of the ST switch 9 NOTE lt 45 ST Switch Set this switch on to feed the channel s signal to the ST bus Channel Fader Ad
25. ck and Control PHONES Jack An unbalanced stereo phone output jack for connection to headphones PHONES Control Controls the level of the signal output to the PHONES jack for monitoring NOTE OTE The PFL AFL level meter shows the level of the signal monitored through the PHONES jack fromST rose from AFL TERR ec ST PFL AFL GROUP E OS 8 from GROUP2 2 o ES EN rom GROUP3 2 o Ee kx ke fromGROUPA o A a Qa Det Beans ei 106861 0 g 1215691 y 2 Li 3 a i PHONES e 4 En Drea e Tik Ta es loas Win TT B 2TR INPUT Section This section adjusts the signal that is input from the 2TR IN jack see page 20 2TRIN Control Adjusts the level of the signal from the 2TR IN jack into the ST bus PFL Pre Fader Listen Switch Use this switch to feed the signal from the 2TR IN jack taken from before the 2TR IN control into the PFL bus so that you can monitor the signal from the PHONES jack To turn the PFL feed on press the switch in 2TR INZ INTE KI NM FS Ee H co E kk L Leni 4 272 IN ES 4 MG32 14FX MG24 14FX Front amp Rear Panels B TALK BACK Section TALK BACK D MIC Jack An unbalanced XLR input jack for connection to a talkback micr
26. d avoid use excessive force on the buttons switches or connectors MG32 14FX MG24 14FX XLR type connectors are wired as follows IEC60268 standard pin 1 ground pin 2 hot and pin 3 cold CH Insert TRS phone jacks are wired as follows sleeve ground tip send and ring return Yamaha cannot be held responsible for damage caused by improper use or modifications to the device or data that is lost or destroyed Always turn the power off when the device is not in use The performance of components with moving contacts such as switches volume controls and connectors deteriorates over time Consult quali fied Yamaha service personnel about replacing defective components Copying of commercially available music data and or digital audio files except for personal use is strictly prohibited Illustrations in this manual are for explanatory purposes only and may not match the actual appearance of the product during operation Company names and product names used in this Owner s Manual are trademarks or registered trademarks of their respective owners FCC INFORMATION U S A 1 IMPORTANT NOTICE DO NOT MODIFY THIS UNIT with FCC regulations does not guarantee that interference will This product when installed as indicated in the instructions con tained in this manual meets FCC requirements Modifications not expressly approved by Yamaha may void your authority granted by the FCC to use the
27. der On stereo channels the L odd and R even input signals are mixed before moving into the EFFECT bus These knobs operate as EFFECT controls only if the AUX5 AUX6 switch is in off position JE If the switch is on these knobs adjust the output to the AUX5 and AUX6 buses See below NOTE AUX5 AUX6 Switch Selects whether the channel signal is sent to AUX buses 5 and 6 or EFFECT buses and 2 If the switch is on the signal goes to AUXS5 and 6 buses if off BL the signal goes to the EFFECT buses Note that the signal to these buses is always post fader 9 PAN Control Monaural Channels BAL Control Stereo Channels The PAN control adjusts the signal s pan positioning into the Group 1 2 bus pair into the Group 3 4 bus pair and into the Stereo bus s L and R lines The BAL control knob sets the balance between left and right channels Signals into the L input odd channel feed to the Group 1 and Group 3 buses and to the L line of the Stereo bus Signals into the R input even channel feed to the Group 2 and Group 4 buses and to the R line of the Stereo bus If you are inputting to a stereo channel through the L MONO jack only the BAL knob operates as a PAN knob NOTE lt Front amp Rear Panels ON Switch Sets the channel on or off To turn the channel on press the switch in so that it lights up orange Be sure to turn on all the channels that you wish to use If you set the
28. ease check with your Yamaha dealer European Models Purchaser User Information specified in EN55103 1 and EN55103 2 Inrush Current 14A Conforms to Environments E1 E2 E3 and E4 MG32 14FX MG24 14FX SC Appendix El Digital effect type list Common to EFFECT 1 and 2 Controllable parameter No Type Description Parameter Variable range REVERB HALL Reverberation simulating a spacious expanse such as a concert hall Reverb time 0 3 10 0 s REVERB ROOM Reverberation simulating the acoustics of a small room Reverb time 0 3 3 2 s REVERB PLATE Simulation of a plate reverb device Produces a hard sounding rever Reverb time 0 3 10 0 s beration REVERB VOCAL 1 Ideal reverb for vocals Reverb time 0 3 10 0 s REVERB VOCAL 2 BH VOCAL ECHO 1 Ideal echo for vocals Delay time 0 800 ms VOCAL ECHO 2 BH DELAY 1 Delay effect that delays the signal Delay time 0 800 ms E DELAY 2 EFFECT 1 1 MOD DELAY Monaural delay with modulation Delay time 0 800 ms 1 REVERB GATE An effect that simulates reversed early reflections Room size 0 1 10 0 1 PITCH CHANGE An effect that changes the pitch of the input signal Pitch 12 12 13 CHORUS Modulates the delay time of the signal to add depth to the sound Depth 0 100 14 P
29. equency Adjustment dial Frequency Adjustment Dial Adjusts the cutoff frequency for the LPF The adjustment range is 80 Hz to 120 Hz This dial is effective only if the LPF switch is set to ON NOTE Use a straight screwdriver or something similar to turn the dial ac 29 ah Rh SC ge YER fees mA n isr Fader ER em SN wi rec our TT or m TH o gt 1 S Ge i to Meten AFL 19 SR ST ae ist SUB BA Da TT 7 MONO Fader MONO QUT ur Ge 7 1 SCH 4 MG32 14FX MG24 14FX P Front amp Rear Panels B GROUP Section This section adjusts the level and controls the flow of the signals from the four GROUP buses While the signal from each GROUP bus is always fed into the corresponding GROUP OUT jack see page 20 you are also free to use the TO ST and AFL switches to selectively feed these groups into the ST and AFL buses O O j C3 aO wll all wl BI reel GROUP 3 GROUP 4 PAN Control If you are feeding the signal from the GROUP bus into the ST bus that is if the corresponding TO ST switch 2 is on this knob controls how the signal is positioned on the ST L R lines 2 TO ST S
30. essor To the INSERT I O jack e Sleeve Ring Tip To the output jack of the external processor stereo signal from the ST bus The level for this output is con trolled by the MONO fader in the Master Control block see page 13 The output is a mix of the ST bus s L and R signals y FOOT SWITCH TAP Jack This phone input jack is for connection to a foot switch for use with the TAP DELAY feature If you connect the separately sold YAMAHA FCS foot switch to this jack and then set inter nal EFFECT 2 to 16 TAP DELAY you can use the foot switch as an alternative to the TAP button to set the delay ST SUB OUT Jacks L and R These are impedance balanced phone output jacks These jacks output a clone of the mixed stereo signal from the ST bus The level for this output is adjusted by the ST SUB OUT control in the Master Control block see page 13 You would typically use these jacks to connect to an external mixer or a supplemen POWER Switch tary SR system Use this switch to turn the mixer s power ON and OFF Press the switch in to set the power on m and press again to set the power off Ii The mixer will automatically set the delay to the interval between the last two taps NOTE The ST master fader does not operate on the sig nals from these jacks d3 AC IN Connector Connects to the socket end of the AC power cord included with the mixer Connector Polarit
31. f the GAIN control adjusts for input levels from 60 dBu 10 16 dBu When the PAD switch is on the GAIN con trol adjusts for input levels from 34 dBu to 10 dBu On stereo channels The GAIN control adjusts for input levels from 34 dBu to 10 dBu 80 Switch High Pass Filter This switch toggles the HPF on or off To turn the HPF on press the switch in The HPF cuts frequencies below 80 Hz Equalizer Controls On monaural channels A three band equalizer adjusts the channel s high mid and low frequency bands For each band setting the knob to the position produces a flat frequency response Turning the knob to the right boosts the corresponding frequency band while turning to the left cuts the band The following table shows the EQ type base frequency and maximum cut boost for each of the three bands Band Type Base Frequency Maximum Cut Boost HIGH Shelving 10 kHz MID Peaking 250 Hz to 5 kHz 15 dB variable LOW Shelving 100 Hz On stereo channels A four band equalizer adjusts the channel s high hi mid lo mid and low frequency bands For each band setting the knob to the W position produces a flat frequency response Turning the knob to the right boosts the corresponding fre quency band while turning to the left cuts the band The fol lowing table shows the EQ type base frequency and maximum cut boost for each of the four bands Band Type
32. he effect types see page 24 PARAMETER Controls This knob sets the parameter value for the corresponding inter nal digital effect The setting applies to the currently selected effect type The mixer saves the last value used with each effect type When you change to a different effect type the mixer automatically restores the value that was pre viously used with the newly selected effect regard less of the current position of the Parameter Control knob These parameter values are retained even after power off NOTE MG32 14FX MG24 14FX AUX PRE Controls 1 to 4 Each knob adjusts the level of the effected sound into the corre sponding AUX bus AUXI to AUX4 TAP Button and Indicator This feature lets you set the delay time for internal EFFECT 2 by tapping on the button The feature only works if you have set the effect type for EFFECT 2 to 16 TAP DELAY To set the delay time tap on the button at the appropriate interval The mixer measures the interval between the last two taps and sets this as the delay time Continue tapping as necessary until you get the timing right The mixer retains the last time setting even after power goes off and restores this setting the next time you set the effect type to TAP DELAY The indicator next to the button flashes in sync with the delay time 5 ON Switches This switch turns the corresponding internal digital effect on or off BM PFL Pre Fader
33. ies INPUT OUTPUT Pin 1 Ground INPUT A ST OUT MONO Pin 2 Hot Pin 3 Cold INPUT Pin 1 Ground MIC Talkback Pin 2 Hot 4 Pin 3 Ground INPUT B GROUP OUT AUX SEND 1 to 6 7 Se EFFECT SEND 1 2 ST SUB OUT g Cold Sleeve Ground Ring Tip Output Keess INSERT I O uo GROUP INS I O ST INSERT I O Ring Input 0 Sleeve Ground Sleeve Tip Tip L PHONES Ring R Sleeve Ground Stereo channel input jacks E IK RETURN 1 2 SS Y Sleeve Tip Tip Hot Sleeve Ground Stereo channel input jacks 2TR IN REC OUT Sleeve Tip These jacks also accept connection to monaural phone plugs If you use monaural plugs the connection will be unbalanced MG32 14FX MG24 14FX Appendix y E General Specifications Frequency Characteristics Master Output 20 Hz 20 kHz 1 dB 3 dB 4 dBu 600 with gain control at minimum level Total Harmonic Distortion Master Output lt 0 1 THD N 14 dBu 20 Hz 20 kHz 600 Q with gain control at maximum level Hum and Noise 20 Hz 20 kHz Input GAIN Maximum Input PAD OFF Input sensitivity 60 dBu 128 dBu Equivalent input noise CHs 1 to 24 MG32 14FX CHs 1 to 16 MG24 14FX 99 dBu Residual output noise ST MONO OUT AUX EFFECT GROUP OUT 83 dBu 87 dB S N ST MONO GROUP Master fader at nominal level all Ch assign switches off 78 dBu 82 dB S N AUX master control at nominal level a
34. justs the output level of the channel s signal Use these fad ers to adjust the volume balance among the various channels To reduce noise set the fader sliders for unused channels all the way down NOTE lt MG32 14FX MG24 14FX P ym Front amp Rear Panels PHANTOM 48 V Switch Toggles phantom power on or off to a set of eight adjacent channels The MG32 14FX has three of these switches for CHs 1 to 8 for CHs 9 to 16 and for CHs 17 to 24 The MG24 14FX has two for CHs 1 to 8 and for CHs 9 tol6 If using condenser microphones set the switch on for all channels to which these microphones are connected NOTE If this switch is on the mixer supplies DC 48 V power to pins 2 and 3 of all XLR type jacks in the corresponding channels Monaural channels e Be sure to leave these switches off IB if you do A not need phantom power Humming or damage may result if you connect to an unbalanced device or to an ungrounded transformer while this switch is on But note that the switch may be left on without problem when connecting to balanced dynamic microphones To avoid damage to speakers be sure to turn off amplifiers or powered speakers before turning these switches on or off
35. ll channel mix controls at minimum level ST GROUP Master fader and one Ch fader at nominal level 168 GE oil CHs 1 to 24 MG32 14FX CHs 1 to 16 MG24 14FX Maximum Voltage Gain Monaural Stereo Input Gain Control Monaural High Pass Filter Channel Input PAD Crosstalk 1 kHz 60 dB CH IN 2 CH INSERT OUT 84 dB CH IN GROUP OUT ST OUT CH to ST 94 dB CH IN gt ST OUT GROUP to ST 70 dB CH IN 2 GROUP INSER OUT ST INSERT OUT CH to ST 62 2 dB CH IN gt REC OUT CH to ST 76 dB CH IN 2 AUX SEND PRE 86 dB CH IN 2 AUX SEND POST EFF SEND 80 dB CH IN gt ST SUB OUT CH to ST 58 dB ST CH IN GROUP OUT ST OUT ST CH to ST 47 dB ST CH IN 2 AUX SEND PRE 57 dB ST CH IN 2 AUX SEND POST EFF SEND 16 dB RETURN gt ST OUT 9 dB RETURN AUX SEND 27 8 dB 2TR INPUT 5 ST OUT 44 dB variable 80 Hz 12 dB octave 0 dB 26 dB 70 dB between input channels 70 dB between input output channels CH INPUT Monaural Input Channel Equalization Max Variation Stereo Input Channel Equalization Max Variation 3 Internal Digital Effects 15 dB HIGH 10 kHz shelving MID 0 25 5 kHz peaking LOW 100 Hz shelving 15 dB HIGH 10 kHz shelving HI MID 3 kHz peaking LO MID 800 Hz peaking LOW 100 Hz shelving Effect 1 16 programs parameter control Effect 2 16 programs parameter control TAP DELAY Control Foot Switch TAP MONO Low Pass Filter 80 120Hz 12 08 0 6 Mon
36. maha Music amp Electronics China Co Ltd 25 F United Plaza 1468 Nanjing Road West Jingan Shanghai China Tel 021 6247 2211 INDONESIA PT Yamaha Music Indonesia Distributor PT Nusantik Gedung Yamaha Music Center Jalan Jend Gatot Subroto Kav 4 Jakarta 12930 Indonesia Tel 21 520 2577 KOREA Yamaha Music Korea Ltd Tong Yang Securities Bldg 16F 23 8 Yoido dong Youngdungpo ku Seoul Korea Tel 02 3770 0660 MALAYSIA Yamaha Music Malaysia Sdn Bhd Lot 8 Jalan Perbandaran 47301 Kelana Jaya Petaling Jaya Selangor Malaysia Tel 3 78030900 SINGAPORE Yamaha Music Asia Pte Ltd 3103 11 A Z Building 140 Paya Lebor Road Singapore 409015 Tel 747 4374 TAIWAN Yamaha KHS Music Co Ltd 3F 6 Sec 2 Nan Jing E Rd Taipei Taiwan 104 R O C Tel 02 2511 8688 THAILAND Siam Music Yamaha Co Ltd 891 1 Siam Motors Building 15 16 floor Rama 1 road Wangmai Pathumwan Bangkok 10330 Thailand Tel 02 215 2626 OTHER ASIAN COUNTRIES Yamaha Corporation Asia Pacific Music Marketing Group Nakazawa cho 10 1 Hamamatsu Japan 430 8650 Tel 81 53 460 2317 OCEANIA AUSTRALIA Yamaha Music Australia Pty Ltd Level 1 99 Queensbridge Street Southbank Victoria 3006 Australia Tel 3 9693 5111 COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN Yamaha Corporation Asia Pacific Music Marketing Group Nakazawa cho 10 1 Hamamatsu Japan 430 8650 Tel 81 53 460 2313 HEAD OFFICE Yamaha C
37. mpfohlene Leuchten Schwanenhalsleuchten der Reihe X HI von Littlite Richtiger Leuchtentyp Falscher Leuchtentyp Masse 1 2 E e Schlie en Sie nicht versehentlich ein Talkback Mikrofon an der Buchse LAMP an Ein an dieser Buchse angeschlosse nes Mikrofon k nnte besch digt werden HINWEIS Unterst tzte Leuchten 12 V Gleich oder Wechselstrom max 5 W Liefert 12 V an Pins 2 und 3 Pin 1 ist nicht verbunden O Remarque importante Branchement d une lampe Pri re de lire attentivement avant de brancher une lampe dans la Prise jack LAMP page 18 N utilisez pas de lampe mettant la masse les broches 2 ou 3 sur le boitier L utilisation d un type de lampe incorrect peut endommager la console Lampes recommand es lampes en col de cygne Littlite s rie X HI Type de lampe correct Type de lampe incorrect Boitier Ne branchez pas par inadvertance un microphone talkback dans la prise jack LAMP Tout microphone branch dans cette prise risque d tre endommag REMARQUE Lampes prises en charge 12 V c a ou c c puissance max de 5 W Fournit une tension de 12 V aux broches 2 et 3 La broche 1 n est pas connect e A zl OO OO P 10 CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER OR BACK NO USER SERVICEABLE PARTS INSID
38. o O mono 5 068 Obs pu QU QU A n Ae GC EN au EN EN 6 e Q QO Q O SS S SY 4 INPUT B INPUT B INPUT B INPUT B INPUT B INPUT B INPUT B INPUT B INPUT B AN AN 8 AN E INPUT A INPUT A INPUT A D Monaural Channel Input Jacks Stereo Channel Input Jacks 0 MG32 14FX CHs 1 to 24 MG24 14 CHs 1 to 16 MG32 14FX CHs 25 26 27 28 29 30 31 32 e INPUT A MG24 14FX CHs 17 18 19 20 21 22 23 24 These are balanced XLR input jacks Phone jacks INPUT B MG32 14FX CHs 25 26 27 28 29 30 31 32 MG24 14FX CHs 17 18 19 20 21 22 23 24 These are balanced phone input jacks You can connect either These are unbalanced phone input jacks You can use each balanced or unbalanced phone plugs to th se jacks pair of jacks to input a stereo signal Feed the L signal into i i he odd numbered channel and the R signal into the NOTE On any given channel you may use either INPUT A t 9 or INPUT B but not both If you connect to both of even numbered channel these inputs only INPUT B will be effective RCA pin jacks INSERT UO Jacks MG32 14FX CHs 29 30 31 32 MG24 14FX CHs 21 22 23 24 These are unbalanced TRS tip ring sleeve phone type bidi These are unbalanced RCA pin input jacks You can use each rectional jacks You can use these jacks to connect channels to pair of jacks to input a stereo signal Feed the L signal into the
39. o the corresponding AUX bus AUXI to AUXA If you are inputting a stereo signal the L and R signals are mixed before moving to the AUX buses 2 ST Control Adjusts the level of the signal from the corresponding RETURN jack into the ST bus If you are inputting a stereo signal the L signal goes into the ST L line and the R signal goes into ST R line If you are inputting a mono signal the same signal is fed to both ST L and STR 3 PFL Pre Fader Listen Switch Use this switch to feed the corresponding RETURN signal taken from before the ST and AUX Mix controls into the PFL bus so that you can monitor the signal at the PHONES jack To turn the PFL feed on press the switch in E ganz gaa 2222 no ktt RETURN 1 2 Ke esr 100501 Land LIMONO 5 AL 2 Wees GE T A DES In Sto FLO MG32 14FX MG24 14FX Front amp Rear Panels B INTERNAL DIGITAL EFFECTS Section You use this section to control the dual internal effects processor to select the two effect types to set the effects on or off and to adjust the related signal levels and flows 22 5 2 O me T SPX DIGITAL MULTI EFFECT PROCESSOR O PROGRAM Dials This dial sets the effect type for the corresponding internal dig ital effect For information about t
40. on 2 STEREO CHANNELS Section p 10 4 GROUP Section p 14 5 SEND Section p 14 6 RETURN Section p 15 7 NTERNAL DIGITAL EFFECTS Section p 16 8 METER PHONES Section p 17 9 2TR INPUT Section p 17 10 TALKBACK Section p 18 11 LAMP Jack p 18 MG32 14FX MG24 14FX Front amp Rear Panels ers 0 Rear Panel 13 12 Note Within this manual all panel illustrations show the MG32 14FX panel Rear Input Output Block 12 CHANNEL 1 0 Section p 19 13 MASTER I O Section p 20 MG32 14FX MG24 14FX aE P Front amp Rear Panels Channel Control Block B MONAURAL CHANNELS Section STEREO CHANNELS Section Monaural Channels 1 to 24 MG32 14FX 1 to 16 MG24 14FX D 4 AUXS FS Axel MG32 14FX MG24 14FX 0 Stereo Channels 25 26 to 31 32 MG32 14FX 17 18 to 23 24 MG24 14FX PHANTOM BAL o opp EVEN PAD Switch When this switch is on the mixer attenuates the input signal by 26 dB GAIN Control Adjusts the gain applied to the input signal level To get the best balance between the S N ratio and the dynamic range adjust the gain so that the PEAK indicator 42 comes on just as the signal approaches its maximum level On monaural channels When the PAD switch D is of
41. onal jacks You can use these jacks to connect individual groups to devices such as graphic equalizers compressors and noise filters NOTE Connection to an INSERT jack requires a spe cial separately sold insertion cable such as illus trated below To the input jack of the external processor To the INSERT I O jack Sleeve Ring Tip To the output jack of the external processor GROUP OUT Jacks 1 to 4 These are impedance balanced phone output jacks These jacks output the signals from GROUP buses 1 to 4 Use these jacks to connect to the input jacks of MTRs external mixers and other such devices Front amp Rear Panels ST INSERT UO L R Jacks ST OUT Jacks L R These are balanced TRS tip ring sleeve phone type bidirec These are balanced XLR output jacks These jacks output the tional jacks You use these jacks for example to connect to an mixed stereo signal from the mixer s ST bus The level for this external effector submixer or other such device output is adjusted by the ST master fader in the Master Control NOTE Connection to an INSERT I O jack requires a spe block see page 13 You typically use the jacks to connect to cial separately sold insertion cable such as illus trated below your main output such as to the power amplifiers driving your main speakers MONO Jack This balanced XLR input jack outputs a monaural mix of the To the input jack of the external proc
42. ophone This jack does not supply phantom power NOTE Talkback Control Adjusts the talkback level 3 AUX1 4 Switch If this switch is on the mixer feeds the signal from the MIC jack into AUX buses 1 to 4 ST Switch If this switch is on the mixer feeds the signal from the MIC jack to the ST bus 1 AUX2 AUX3 AUXA PFL CTRL 77 AUX1 4 La 4 Je Ss 55 TB TB IN Ge gt 1 984 gf lien 1 Nyau Na pn MG32 14FX MG24 14FX B LAMP Jack LAMP Jack An XLR3 pin type output jack for connection to a lamp Supported lamps 12V AC or DC max 5W Supplies 12V to Pins 2 and 3 Pin 1 is not con nected NOTE lt IMPORTANT Please read carefully before con necting a lamp AN Do not use a lamp that grounds Pin 2 or Pin 3 to the shell body Use of the wrong lamp type may result in damage to the mixer Recommended lamps Littlite s X HI series of goose neck lamps Correct lamp type Shell C8 Wrong lamp type C3 Do not inadvertently connect a talkback micro phone to the LAMP jack A microphone may sustain damage if connected to this jack Front amp Rear Panels Rear Input Output Block B CHANNEL UO Section 22 21 25m INSERT O INSERT INSERT 1 0 INSERT vo insert vo wem vo insert vo insert vo inserto insert o we vo insert vo we vo insert v
43. orporation Pro Audio amp Digital Musical Instrument Division Nakazawa cho 10 1 Hamamatsu Japan 430 8650 Tel 81 53 460 2441 Yamaha Manual Library http www2 yamaha co jp manual english U R G Pro Audio amp Digital Musical Instrument Division Yamaha Corporation 9 2003 Yamaha Corporation WA66540 406CRZC1 3 01D0 Printed in Indonesia
44. product IMPORTANT When connecting this product to accessories and or another product use only high quality shielded cables Cable s supplied with this product MUST be used Follow all installation instructions Failure to follow instructions could void your FCC authorization to use this product in the USA NOTE This product has been tested and found to comply with the requirements listed in FCC Regulations Part 15 for Class B digital devices Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices This equipment generates uses radio frequencies and if not installed and used according to the instructions found in the users manual may cause interference harmful to the operation of other electronic devices Compliance not occur in all installations If this product is found to be the Source of interference which can be determined by turning the unit OFF and ON please try to eliminate the problem by using one of the following measures Relocate either this product or the device that is being affected by the interference Utilize power outlets that are on different branch circuit breaker or fuse circuits or install AC line filter s In the case of radio or TV interference relocate reorient the antenna If the antenna lead in is 300 ohm ribbon lead change the lead in to co
45. s Ce i 4 I H 4 AUXB 6 7 7 x i 4 ps PFL 8 4 ST CH INPUT H i 173438 10981 Mesa 4X 1 22 RI 02311 241A r Eet 1 30 181 0481 11 321R ut Sen CHE MG32 14FX MG24 14FX Master Control Block E STEREO MONO Section You use this section to independently adjust the levels of the out puts from the ST bus You can independently adjust the main stereo output the sub stereo output and the mixed monaural output D ST SUB OUT Control Adjusts the level of the signal that feeds from the ST bus into the ST SUB OUT jack 8 on page 20 This control has no effect on the output level to the ST OUT jacks NOTE AFL After Fader Listen Switch Feeds the signal that is going to the ST OUT and MONO jacks into the AFL bus so that this signal can be monitored at the PHONES jack ST Master Fader Adjusts the level of the signal that feeds from the ST bus into the ST OUT jacks 9 on page 20 MONO Fader Adjusts the level of the signal that feeds from the ST bus into the MONO output jack 40 on page 20 Front amp Rear Panels LPF MONO LPF Switch Set this switch ON to apply a low pass filter to the signal out put from the MONO output jack or OFF to turn this LPF off If the switch is ON the LPF will cut frequencies that are above the cutoff set by the Fr
46. t mm oo o f t f z s TT I oo 2 0 000 E f i A 06 E E oo E o oo 000 Oo 7 5n p 008 E O pos gt 08 y p 908 I E 2 8 3 F l E UE i E oe 000 p es 000 E em eenna i 8 0 8 8 E c o gamu 5 c m mm 0 T o z i s o D 02020 T O o gano LL a OQ one oe 000 B MG32 14FX E MG24 14FX Appendix Block and Level Diagram aer TOM STEE INPUT Ven icon Las de BEE Sp do Si BUAUXE of Bt a EE Ju PE RETURN 1 3 BH 1 M PROG ARAM 3T CH INPUT GAIN Min 10080 j 7 DEER INSERT 1 0 Ze 0680 278 T 2 n N z Saca 20084 en CH INEU 3408 50084 4 50680 MG32 14FX MG24 14FX Appendix 222222 bi 8 E
47. through the PHONES jack l d PEAK O H GROUP El a _E ee eee O ACD eb PHONES D POWER Indicator Lights up when the mixer s power is on 2 STEREO Level Meters If the GROUP switch is off the left and right meters show the level to the ST OUT L and R jacks respectively If the GROUP switch is on the left and right meters show the level to GROUP OUT jacks 1 and 2 respectively The 0 position cor responds to the standard level The PEAK indicator lights up red when the level hits the clipping point 3 PFL AFL Level Meters If the GROUP switch is off these meters show the levels to the PHONES jack If the GROUP switch is on the left meter shows the level to GROUP OUT jack 3 and the right meter shows the level to GROUP OUT jack 4 The 0 position corre sponds to the standard level The PEAK indicator comes on red when the level hits the clipping point If signals are present on both the PFL and AFL buses the PHONES jack will output the PFL signal only Accordingly these meters will indicate only the PFL level NOTE 4 GROUP Switch Selects whether the meters show the GROUP levels or the ST and PFL AFL levels If the switch is on the four meters show the levels to GROUP OUT jacks 1 to 4 in order If the switch is off J the meters operate as described above P Front amp Rear Panels PHONES Ja
48. ttom front rear and sides of this machine All vent holes must remain unblocked to prevent over 1 Do not block the vents Vent holes are located on the heating MG32 14FX MG24 14FX ee anels gt qe e Ee a em A AE zm Front Rear Front Panel 11 8 9 0 o mne aen MG32 14 FX S GUGGG OG GG GGG G Um ame ET y 0006607600616 itai 090060 000001 9 COPIA 8899 pp eng meg 76060066 6706067066 199939905001 al 15 999898868 TO 23809 eg IUE ng 7 8 ERA 8 8 87 Uu 0 8 880 90 97 d 07909068909 87 8 ET 5666 86 09 0914 PS LD EEE d 056609 a 97 2 2 a 2 val d d jay tii iu 4 GB 200000605 GO 8 Note Within this manual all panel illustrations show the MG32 14FX panel Master Control Block Channel Control Block 3 STEREO MONO Section p 13 p 10 1 MONAURAL CHANNELS Secti
49. witches For each group If the switch is on the mixer feeds the signal from the GROUP bus into the ST bus after first passing the signal through the GROUP fader 4 and the PAN control D 3 AFL After Fader Listen Switches Feeds the corresponding GROUP OUT signal into the AFL bus so that this signal can be monitored at the PHONES jack 4 Group Faders Each fader adjusts the level of the signal that is fed to the corre sponding GROUP OUT jack sams gage 4 dopp E Ss ge 36660505 10080 GROUP Fader GROUP OUT 1 4 INSERT 1 0 fem BA 23 44680 toasut Ao Ei to Meter EE 109841 Gs AN NV LB AFL MG32 14FX MG24 14FX B SEND Section This section adjusts the levels and controls the flow of the signals from the six AUX buses and the two EFFECT buses Each of these signals flows to the corresponding SEND output jack to AUXI AUX6 EFFI and EFF2 respectively D AUX Controls AUX1 to AUX6 Each knob adjusts the level of the signal from the indicated AUX bus into the corresponding AUX SEND jack Effect Controls EFF1 EFF2 Each knob adjusts the level of the signal from the indicated EFFECT bus into the corresponding EFFECT SEND jack and also into the corresponding internal digital effect For each channel you use the channel s AUX5 6 Switch see page 11 to select between feed
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