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Roland HPD-15 Turntable User Manual

1. 4 4 22 0000 000a Controller Type 0 1 19 1C 0000 000a Pitch Tx 0 1 Posit Speed OFF ON 23 0000 aaaa MIDI Note Number 1D 0000 000a Mute Tx 0 1 24 0000 bbbb OFF C 1 G9 OFF ON 4 4 25 Qaaa aaaa Gate Time 0 79 1E 0000 000a Ctrh RE Qo 1 0 1 8 0 0 1 step OFF ON q lt _ _ __z z z 26 0000 0000 Reserved TE 00aa aaaa Pitch Rx Range 0 49 12 27 0000 0000 Reserved 28 0000 0000 Reserved 20 0000 000a Mute Rx 0 1 29 0000 0000 Reserved OFF ON 2A 0000 0000 Reserved 4 4 21 0000 000a Rx Self 0 1 14 PEDAL b n OFF ON Shot Gate Scrape ScrpIWy 22 0000 0000 Reserved x d A 23 0000 aaaa MIDI Note Number 0 128 15 D BEAM 24 0000 bbbb OFF C 1 G9 Move MovGate Touch TchGate Scrape ScrpIWy 4 4 25 0aaa aaaa Gate Time Or 79 0 1 8 0 0 1 step 16 RIBBON L RIBBON R 26 0000 aaaa Puetesn Nunbes 0 198 13 Move MovGate Touch TchGate Scrape 27 0000 bbbb OFF P01 U99 t t 28 0000 aaaa PadPattern Tempo 0 220 13 17 RIBBON L RIBBON R 29 0000 bbbb 20 240 OFF Level Level Decay Decay Cutoff Resonance Color 1 Color 2 2A PSSI Esdbattern Level 0 127 13 RevSend RevSend LFO Rate LFO Pitch LFO Fltr LFO Amp LFO Pc amp Rt LFO Ft amp Rt
2. J J 35 Basic procedure in Edit Mode aeree eer e et M e E i b rne P tao den 35 Adjusting Sounds un saham iD UID Giai E 36 Adding Cyclic Change to the Tone yasin aa nete nennen nennen nens 38 Effect Seto cd esit otiose abba eciam astenia 39 Adjusting the Reverb Settinmes u u a aaa nennen nene 39 Adjusting the Multi Effect Settings M 40 Controlling the TONS een isa diee eet enger ie ies tarot dejas 52 Using a Pad to Start a Pattern nne a aaa tala ah shikta 54 Set the Volume of the Entire Patehi snap wahaspa ia suspa E 54 Settings for Other Functions a eee eder ied dieit ia de t ore eee od 54 Limiting the Resonancia germ gii ieu adi en oa 54 Adjusting the Sensitivity of the Pads Q 54 Specifying the Roll Speed ox u uy qe epe e iet eei d 55 Setting for MIDI Transmission au p a SL S Sp u as tenens 55 Naming a Patchis seni eere Uem addio topado pee 55 Saving Your Settings Write uu ma a hiaan e hte e t robe E ederent it e oe i teat 56 Duplicating Settings COPY ener rete rte ee ir p edt e e ee Tene ER ess 56 Basic Procedure for Copyscape tad 56 Copying a Pad Set Pad Set Copy nenne nene 57 Copying Pad D Beam Ribbon Settings Pad Copy sss 57 Copying Pad D Beam Ribbon Settings to All Pads Pad Copy to All 57 Exchanging Patch Settings Patch Exchange esses 57 Copying a Value t
3. HPD 15 1 Press SYSTEM to make it light 2 Press lt PARAMETER or PARAMETER B to display the following screen MIDI Soft Thru OFF 3 Turn PATCH VALUE to select ON OFF 4 When you are finished setting press SYSTEM or EXIT Soft Thru OFF ON The messages except for System Exclusive received at the MIDI IN will also be transmitted from the MIDI OUT THRU connector when Soft Thru is set to ON HINT If this setting is not used leave it OFF as the trigger response of the pads will be faster Using a Sequencer or a Computer to Record Play Back the Performance on the HPD 15 HPD 15 performance data can be saved on an external sequencer or computer For details on the settings for the recording refer to Using the HPD 15 to Play External Instruments p 76 for details on the settings for the playing back refer to Using the HPD 15 As a Sound Module p 78 Use MIDI cables to connect the HPD 15 s MIDI OUT connector to the MIDI IN connector of the external sequencer and connect the HPD 15 s MIDI IN connector to the MIDI OUT connector of the external sequencer MIDI nf B MIDI OUT MIDI IN d MIDI OUT 2 900000000 D o 000000000 O O00 cocer D o External Sequencer HPD 15 Note When you make connections as shown turn off Local Control p 80 and Soft Thru For details refer to Cutting the Connection
4. Inst Selecting the Instrument of the Part 1 54 refer to p 94 Level Adjusting the Volume of the Part 0 127 Pan Adjusting the Pan Localization of the Part L63 Center R63 Bend Range Adjusting the Amount of Change in Pitch 0 24 This adjusts the amount of change in pitch with pitch bend at maximum level in semitone steps Reverb Send Adjusting the Depth of Reverb Applied to the Part when the effect is off 0 127 MULTI FX LFO Turning the Multi Effects On Off for the Part OFF ON PadNote Specifying the Note of Each Pad C 1 G9 You can use the pads to record patterns if you have no MIDI keyboards This parameter specifies the note of each pad in this case Strike Sound the pad D Beam ribbon to select it that you wish to specify the note Chapter 3 Recording Your Performance Sequencer Settings for the Click and others Category CLICK MEMORY PATTERN NAME Parameter Value Intrvl Specifying the Interval 1 2 1 4 3 8 1 8 1 12 1 16 3 2 Son 2 3 Son 3 2 Rumba 2 3 Rumba 6 8 Clave Inst Selecting a Sound Click Sticks Metronome Claves WoodBlock Triangle Cowbell Conga TalkingDrum Maracas Cabasa Cuica Agogo Tambourine Snaps 909Snare 808Cowbell Level Adjusting the Volume 0 127 Pan Adjusting the Pan Localization L63 Center R63 Reverb Send Adjusting the Depth of Reverb 0 127 Using the reverb makes the click more comfotable to listen to
5. In the melody parts the velocity values of Note Off message are ignored When the Trigger Mode of the pad is set to Shot the pad part and the percussion parts will ignore the velocity values of Note Off message When the Trigger Mode of the pad is set to Gate or Trig the pad part and the percussion parts will receive only the note numbers which are specified by the patch and the same processing will be carried out as when pad is released When recording this is recorded in the sequencer data itself Note On Status 2nd byte 3rd byte 9nH kkH vvH n MIDI channel number 0H FH ch 1 ch 16 00H 7FH 0 127 00H 7FH 0 127 kk note number vv note on velocity The pad part and the percussion parts will receive only the note numbers which are specified by the patch When recording this is recorded in the sequencer data itself Polyphonic Key Pressure Status 2nd byte 3rd byte AnH kkH vvH n MIDI channel number OH FH ch 1 ch 16 00H 7FH 0 127 00H 7FH 0 127 kk note number Vv pressure Only the pad part and the percussion parts can be received The pad part and the percussion parts will receive only the note numbers which are specified by the patch This is used as the pad pressure data When recording this is recorded in the sequencer data itself Control Change OBank Select Controller number 0 32 Status 2nd byte 3rd byte BnH 00H mmH
6. Chapter 1 Hold down PATCH SEL and strike a pad B1 C5 to select a NOTE patch group Use the panel switches to change between user patches and preset patches Hold down PATCH SEL and strike pad A2 or A4 to select the patch number Striking pad A4 will increase the patch number and striking A2 will decrease it Pads B1 C5 correspond to the patch groups and pads A2 and A4 correspond to MEMO PATCH NUMBER wr and PATCH NUMBER dh respectively While you continue holding PATCH SEL the GROUP indicator for the selected patch group and the indicator beside the pad B5 Ci E eat cs B1 C5 corresponding to that group will blink PATCH NUMBER A2 A4 NUMBER 23 Chapter 1 Quick Start Changing the Settings of a Patch EZ Edit The process of modifying a patch is called editing The HPD 15 provides Easy EZ Edit mode for making basic settings and Edit mode for making settings in more detail This section explains EZ Edit mode 4 ath PATCH NUMBER PATCH VALUE A EDIT USER PRESET CHAIN SEQU NCER TEMPO REC PLAY STOP WRITE 4 PARAMETER EXIT IFY AR toa e ele 3 6 1 DEMO M MULTI lees EM SOUND CONTROL EFFECTS Press EDIT EDIT will blink and you will enter EZ Edit mode Strike a pad to select the pad set p 25 that you wish to modify You can also select the D Beam or ribbons 3 Press lt q PARAMETER or PARAMETER to select the
7. MasterVolume 0 127 Settings for Other Functions Parameter Category FUNC Limiting the Resonance You can set an upper limit for the resonance of the filter U0101 FUNC Reso Limit 100 Reso Limit 50 126 OFF nore If you select OFF the tonal change produced by the filter will be greater but loud sounds may be produced unexpectedly Adjusting the Sensitivity of the Pads You can adjust the sensitivity of the pads as suitable for your playing style U0101 FUNC PadSnsType Handl PadSnsType Hand1 2 Fing1 2 If you are striking the pads with your hand select Hand if with your fingers select Fing 2 is more sensitive than 1 EMO If you are using sticks to strike the pad select Fing1 or Fing2 54 Chapter 2 Modifying a Patch Specifying the Roll Speed You can specify the speed at which notes will be repeated when you press ROLL HOLD U0101 FUNC Roll Speed 20 Roll Speed 1 0 50 1 2 1 3 1 4 1 6 1 8 1 12 1 16 1 24 1 32 1 48 1 50 The selected number of notes will be repeated each second 1 2 1 48 The notes will be played at note value intervals relative to the sequencer tempo p 27 p 60 Setting for MIDI Transmission For details refer to p 76 Parameter Category PAD MIDI Note No OFF 0 C 127 G 9 Sets the MIDI note number that each pad will transmit If you select OFF no MIDI note message will be transmitted Gate Tim
8. Use a reasonable amount of care when using the unit s buttons sliders or other controls and when using its jacks and connectors Rough handling can lead to malfunctions Never strike or apply strong pressure to the display When connecting disconnecting all cables grasp the connector itself never pull on the cable This way you will avoid causing shorts or damage to the cable s internal elements To avoid disturbing your neighbors try to keep the unit s volume at reasonable levels You may prefer to use headphones so you do not need to be concerned about those around you especially when it is late at night This instrument is designed to minimize the extraneous sounds produced when it s played However since sound vibrations can be transmitted through floors and walls to a greater degree than expected take care not to allow these sounds to become a nuisance to neighbors especially when performing at night and when using headphones When you need to transport the unit package it in the box including padding that it came in if possible Otherwise you will need to use equivalent packaging materials Use only the specified expression pedal EV 5 sold separately By connecting any other expression pedals you risk causing malfunction and or damage to the unit Use a cable from Roland to make the connection If using some other make of connection cable please note the following precautions Some conn
9. Center Level 0 127 LFO Ctrl1 Left Level 0 127 Ctrl2 Right Level 0 127 Ctrl3 Adjusts the volume of each delay sound HF Damp 200Hz 8kHz THRU Adjusts the frequency above which sound fed back to the effect will be cut If you do not want to cut the high frequencies of the feedback set this parameter to THRU Tone 15 15 Adjusts the tone quality Positive settings will emphasize the high range and negative settings will emphasize the low range Effect Level 0 127 RTM Adjusts the output level of delay sound Direct Level 0 127 Adjusts the output level of direct sound 4 Tap Delay 4TapDlySht 4TapDlyLng The 4 Tap Delay has four delays Each of the delay time parameters can be specified as a note value of the tempo of the sequencer There is no difference between Sht and Lng but the length of the delay time The stereo location of each delay sound is as follows Delay 1 20 600ms Sht 200 1000ms Lng note value Delay 2 20 600ms Sht 200 1000ms Lng note value Delay 3 20 600ms Sht 200 1000ms Lng note value Delay 4 20 600ms Sht 200 1000ms Lng note value Adjusts the time delay from the direct sound until when each delay sound is heard These parameters can be set as a note value of the tempo of the sequencer In this case specify the value of the desired note Level 1 0 127 LFO Ctrl1 Level 2 0 127 Ctrl2 Level 3 0 127 Ctrl3 Level 4 0 127 Adjusts the volume of ea
10. Tetra chorus uses a four phase chorus four layers of chorused sound to give richness and spatial spread to the sound PreDelay 0 0 100ms Adjusts the time delay from when the direct sound begins until the chorus sound is heard Rate 0 05 10 0Hz LFO Ctrl1 Adjusts the rate of modulation Depth 0 127 Ctrl2 Adjusts the depth of modulation Pre Delay Dev 0 20 Adjusts the differences in Pre Delay between each chorus sound Depth Dev 20 20 Adjusts the difference in modulation depth between each chorus sound Pan Deviation 0 20 Ctrl3 Adjusts the difference in stereo location between each chorus sound With a setting of 0 all chorus sounds will be in the center Increasing the value will cause the chorus sound to be panned more expansively Effect Level 0 127 RTM Adjusts the output level of chorus sound Direct Level 0 127 Adjusts the output level of direct sound Tremolo Chorus Tremolo Cho Tremolo Chorus is a chorus effect with added Tremolo cyclic modulation of volume PreDelay 0 0 100ms Adjusts the time delay from when the direct sound begins until the chorus sound is heard Cho Rate 0 05 10 0Hz LFO Adjusts the modulation speed of the chorus effect Cho Depth 0 127 Adjusts the modulation depth of the chorus effect Trm Phase 0 180deg Ctrl3 Adjusts the spread of the tremolo effect Trm Rate 0 05 10 0Hz Ctrl1 Adjusts the modulation speed of the tremolo effect Trm Depth 0 127 Ctrl
11. o 120 126 127 123 127 a I 3 Receives when Seq Sync setting is Ext 4 Receives when Seq Sync setting is Remote 1 Percussion part only 2 Melody part only O Yes X No 111 Ww Q E Q lt Specifications HPD 15 HandSonic Maximum Polyphony 64 Voices Instruments Pad Instruments 600 Backing Instruments 54 User Patches 80 Preset Patches 160 Patch Chains 10 chains 32 steps per chain Effect Type Reverb Multi Effects Sequencer User Patterns 99 Maximum Preset Patterns 99 Tracks 4 Play Functions OneShot Loop Tap Resolution 96 ticks per quarter note Recording Method Real time Tempo 20 240 Display 16 characters 2 lines backlit LCD Controls Volume Knob Realtime Modify Knob 1 2 3 Ribbon L R D Beam Pad 10 inches 15 sections Pressure Sensitive 112 Connectors Output Jacks L MONO R Phones Jack stereo Mix In Jack stereo Expression Pedal Hi Hat Control Jack Trigger Input Jack dual Foot Switch Jack dual MIDI Connectors IN OUT THRU Output Impedance 1 k ohms Power Supply AC Adaptor DC 9V Current Draw 1000 mA Dimensions 406 W x 405 D x 98 H mm 16 W x 16 D x 3 7 8 H inches Weight 2 9 kg 6 lbs 7 oz Excluding AC Adaptor Accessories Owner s Manual AC Adaptor ACI ACB Series Scale Label Options Pad PD 5 PD 7 PD 9 PD 80 PD 80R PD 100 PD 12
12. p 21 De Never turn the power off while a copying process If you turned the power off the data will be damaged Chapter 2 Modifying a Patch Copying a Pad Set Pad Set Copy You can copy the settings of a pad set to another pad set You can also copy to a different pad set of the same patch copy source pad set U0101B Conga PadSetCpy U0201C t copy destination pad set patch number is blinking 1 In step 3 of Basic Procedure for Copy p 56 select PadSetCpy 2 After selecting the patch in step 5 strike a pad to select a pad set PAD MIDI Note No cannot be copied Copying Pad D Beam Ribbon Settings Pad Copy Pad D Beam ribbon settings can be copied to another pad D Beam ribbon U0101A3 conga PadCpy s U0101RL copy destineation pad patch number is blinking Ribbon controller left is chosen in this figure 1 Instep 3 of Basic Procedure for Copy p 56 select PadCpy 2 After selecting the patch in step 5 strike a pad D Beam ribbon to select it PAD MIDI Note No cannot be copied Copying Pad D Beam Ribbon Settings to All Pads Pad Copy to All You can copy the settings of one pad D Beam ribbon to every pad D Beam ribbon copy source pad U0101A1 Conga PadCpToA113U0101 copy destination patch number blinking 1 Instep 3 of Basic Procedure for Copy p 56 select PadCpToAIl Chapter 2 2 After selecting the patch i
13. 4TapDlySht 4 tap delay short Produce four delayed sounds 4TapDlyLng 4 tap delay Long AdvanceRev Advanced Reverb Add reverb to the sound GateReverb Gate Reverb Sharply cut the reverberation When you change a value a will appear beside the Type Algo Selects the algorithm of the effect The parameters and values will differ depending on the algorithm Stereo EQ Stereo Equalizer Modify the tone CompLimiter Compressor Limiter Make the volume more consistent Enhancer Enhancer Add sparkle to the sound Spectrum Spectrum Add character to the sound Isolator Isolator Cut off a specific frequency range DynamicFltr Dynamic Filter Modify the tone according to the volume Sustainer Sustainer Increase the duration of the sound Overdrive Overdrive Mildly distort the sound Distortion Distortion Severely distort the sound Lo Fi Lo Fi Simulate a low fidelity sound RingModltr Ring Modulator Give the sound a metallic character Stereo Cho Stereo Chorus Add depth and spaciousness to the sound TetraChorus Tetra Chorus Layer chorus sounds to create more spaciousness Tremolo Cho Tremolo Chorus Cyclically modulate the volume to create spaciousness Space D Space D Add transparent spaciousness Stereo Fin Stereo Flanger Add metallic resonance to the sound StepFlanger Step Flanger Add metallic resonance while shifting the pitch by steps Phaser Phaser Give the
14. 75 Chapter 6 Connecting MIDI Devices 76 Using the HPD 15 to Play External Instruments u eren 76 Setting for MIDI Transmission eene 76 Setting the MIDI Channels uy u Shan h tenete tenente nnne 77 Using the HPD 15 As a Sound Module sse nennen nens 78 Setting the MIDI Channel for a Part nne 78 Using with the Roland SPD 20 SOFT TELISU S rd 79 Using a Sequencer or a Computer to Record Play Back the Performance on the HPD 15 79 Cutting the Connection Between the Sound Generator and the Pad Controller Local Control terere ee etre teer eG HR repeteret Re 80 Saving Data to an External MIDI Instrument a 80 Transmitting Bulk Dump sss nene Raas aapea neee ons nenne tenens 80 Receiving Bulk Load 2 nn RC eet eee deett e 81 Setting the Device TD eterne pe Ra eee n heure 82 Program Change Number List User Patches sss 82 Troubleshooting Leere eese Leere nn erre eren nennen nna 83 Problems With the Overall Sound sese eene eene 83 MIDI pelated Problems 4 52 eta E MU eerte e He et ede TR I CES estas 84 Sequencer related Problems 4 ene ertt eet tree dee tere ne eere eene 84 Restoring the Factory Settings 85 Messages and Error Me
15. BnH 20H 1H n MIDI channel number 0H FH ch 1 ch 16 00H 02H bank1 User Patch bank2 3 Preset Patch processed as 00H mm Bank number MSB 11 Bank number LSB Only the pad part and the percussion parts can be received Bank select processing will be suspended until a program change message is received Not recorded in the sequencer OModulation Controller number 1 Status 2nd byte 3rd byte BnH 01H vvH n MIDI channel number 0H FH ch 1 ch 16 vv Control value 00H 7FH 0 127 Only the pad part and the percussion parts can be received This is used as the data of the LFO PITCH knob When recording this is recorded in the sequencer data itself OFoot Control Controller number 4 Status 2nd byte 3rd byte BnH 04H vvH n MIDI channel number 0H FH ch 1 ch 16 vv Control value 00H 7FH 0 127 Only the pad part the and percussion parts can be received This is used as the position data of the pedal connected to the EXP PEDAL HH CTRL jack When recording this is recorded in the sequencer data itself OData Entry Controller number 6 Status 2nd byte 3rd byte BnH 06H mmH n MIDI channel number 0H FH ch 1 ch 16 mm The value of the parameter specified by RPN Only the melody parts can be received Notrecorded in the sequencer On the normal mode of HPD 15 RPN can be used to modify the following parameters RPN Data entry MSB LSB
16. Bulk area 4 Q E Q Q lt 107 MIDI Implementation 4 Bulk Dump Bulk Dump allows you to transmit a large amount of data at once and is convenient for storing settings for the entire unit on a computer or sequencer For Bulk Dump Request you must use the Address and Size listed in the following Bulk Dump Request mParameter Dump Request Address H Size H 10 00 00 00 01 00 00 00 SYSTEM dump request for all system parameters 11 00 00 00 01 00 00 00 TEMPORARY PATCH dump request for temporary patch 12 mm 00 00 00 01 00 00 USER PATCH single patch dump request specified by mm 20 00 00 00 00 00 00 00 ALL USER PATTERN dump request for all user patterns mm 00 4FH U0101 U1008 Data of preset patch P0101 P1008 and preset pattern P01 P99 cannot be transmitted Make sure to set 00 00 00 00 for the data size 108 5 Supplementary material Decimal and Hexadecimal table In MIDI documentation data values and addresses sizes of exclusive messages etc are expressed as hexadecimal values for each 7 bits The following table shows how these correspond to decimal numbers Dec Hex Dec Hex Dec Hex Dec Hex 42 0 00H 32 20H 64 40H 96 60H 1 01H 33 21H 65 41H 97 61H 2 02H 34 22H 66 42H 98 62H 3 03H 35 23H 67 43H 99 63H 4 04H 36 24H 68 44H 100 64H 5 05H 37 25H 69 45H 101 65H 6
17. Data Set 1 DT1 message If not nothing will be transmitted Status Data byte Status FOH 41H dev 00H 2EH 11H aaH bbH F7H ccH ddH ssH ttH uuH vvH sum Byte Explanation FOH Exclusive status 41H ID number Roland dev Device ID dev 00H 1FH 1 32 Initial value is 10H 17 00H 2EH Model ID HPD 15 11H Command ID RQ1 aaH Address MSB upper byte of the starting address of the requested data bbH Address 2nd 2nd byte of the starting address of the requested data ccH Address 3rd 3rd byte of the starting address of the requested data ddH Address LSB lower byte of the starting address of the requested data ssH Size MSB ttH Size 2nd uuH Size 3rd vvH Size LSB sum Checksum F7H EOX End Of Exclusive The amount of data that can be transmitted at once time will depend on the type of data and data must be requested using a specific starting address and size Refer to the Address and Size listed in Parameter Dump Request p 108 Regarding the checksum please refer to p 109 MIDI Implementation OData set 1 DT1 12H This is the message that actually performs data transmission and is used when you wish to transmit the data Status Data byte Status FOH 41H dev 00H 2EH 12H aaH bbH F7H ccH ddH eeH ffH sum Byte Explanation FOH Exclusive status 41H ID number Roland dev Device ID dev 00H 1FH 1 32 Initial value is 10H 17 00H 2EH Model ID HPD 15 2H Command ID
18. Generate Other Pads D Beam Ribbons Mute Rx OFF ON Specifies how mute signals to cut the note will be received If you select ON signals from other pads or controllers will mute the note Mute may have no effect for some sounds PitchRx Range 24 OFF 24 Rdm Specifies how pitch control signals will be received With positive settings pitch control signals will raise the pitch With negative settings pitch control signals will lower the pitch If you select Rdm the pitch will change randomly each time a signal is received If you select OFF the pitch will not change even if signals are received Ctrl Rx OFF ON Specifies whether control signals other than mute pitch and roll will be received If you select ON signals from other pads or controllers will affect the tone MFX Ctrl and LFO control signals are received even if this parameter is set to OFF Roll Rx OFF ON Specifies whether the sound will be repeated when ROLL HOLD is lit The Controllers other than pads will be displayed as and cannot be set Rx Self OFF ON Specifies whether or not the transmitted control signal will itself be received MuteTx OFF ON Specifies transmission for mute signals If you select ON you will be able to cut the notes of pads or controllers Mute may have no effect for some sounds PitchTx OFF ON Specifies transmission for pitch control signals If you select O
19. Step Rate 0 05 10 0Hz note value LFO Ctrl1 Adjusts the rate period of pitch change This parameter can be set as a note value of the tempo of the sequencer In this case specify the value of the desired note Effect Level 0 127 RTM Adjusts the output level of flanger sound Direct Level 0 127 Adjusts the output level of direct sound Phaser A phaser adds a phase shifted sound to the original sound producing a twisting modulation that creates spaciousness and depth Manual 100 8kHz Adjusts the basic frequency from which the sound will be modulated Rate 0 05 10 0Hz LFO Ctrl3 Adjusts the frequency period of modulation Depth 0 127 Ctrl2 Adjusts the depth of modulation Resonance 0 127 Ctrll Adjusts the amount of feedback for the phaser Mix 0 127 RTM Adjusts the ratio with which the phase shifted sound is Chapter 2 combined with the direct sound Pan L63 Center R63 Adjusts the stereo location of the output sound 47 Chapter 2 Modifying a Patch Feedback Pitch Shifter FbackPitch A Pitch Shifter shifts the pitch of the original sound This pitch shifter allows the pitch shifted sound to be fed back into the effect Coarse 24 12semi LFO Ctrl1 Adjusts the pitch of the pitch shifted sound in semitone steps 2 1 octaves Fine 100 100cent Makes fine adjustments to the pitch of the pitch shifted sound in 2 cent steps 100 100 cents One cent is 1 100th of a semitone
20. phrase while Loop recording is in progress wish to reduce the data refer to the explanation of Data 1 Start recording Thin in Settings for the Controllers p 69 2 Press REC while recording REC will blink and the rehearsal function will be on Performances cannot be recorded 3 Press REC to resume recording REC will light and the rehearsal function will be off 62 Chapter 3 Recording Your Performance Sequencer Basic Settings for Playing Back 1 Press SEQUENCER to make it light you will enter the Sequencer mode Pattern Number U user ygi 001 01 J 120 4 4 User 001 Yen 2 Turn PATCH VALUE to select the pattern that you wish to play back u07 001 01 120 4 4 User 007 3 Press PLAY STOP to start playing back While the playing back PLAY STOP will light 4 Press PLAY STOP once again to stop playback PLAY STOP will go dark and the pattern returns you to the beginning of the pattern NEM After step 2 if you nedd make settings for the pattern or click For details on making settings refer to Basic Settings for Recording in step 3 5 p 59 To return to normal Play mode Press SEQUENCER or EXIT SEQUENCER will go dark Pause 1 Hold down PATCH SEL and Press PLAY STOP during playback of a pattern Playback will stop 2 Press PLAY STOP once again to begin playback again Playback begins from the beginning of t
21. spilled onto the unit or The unit has been exposed to rain or otherwise has become wet or The unit does not appear to operate normally or exhibits a marked change in performance In households with small children an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit Protect the unit from strong impact Do not drop it Do not force the unit s power supply cord to share an outlet with an unreasonable number of other devices Be especially careful when using extension cords the total power used by all devices you have connected to the extension cord s outlet must never exceed the power rating watts amperes for the extension cord Excessive loads can cause the insulation on the cord to heat up and eventually melt through Before using the unit in a foreign country consult with your retailer the nearest Roland Service Center or an authorized Roland distributor as listed on the Information page The unit and the AC adaptor should be located so their location or position does not interfere with their proper ventilation Always grasp only the plug or the body of the AC adaptor when plugging into or unplugging from an outlet or this unit Whenever the unit is to remain unused for an extended period of time disconnect the AC adaptor Try to prevent cords and cables from becoming entangled Also all cords and cables should b
22. will light and you will enter Chain Edit mode CHAIN EDIT 01 01 EMPTY CHAIN 3 Press GROUP or GROUP to select the chain group which you wish to edit CHAIN EDIT 05 01 EMPTY CHAIN 4 Turn PATCH VALUE or use Pad Patch Select p 23 to select the patch that will be selected first CHAIN EDIT 05 01 U0201 TalkingDrm 5 Press PATCH NUMBER d to move to the next step CHAIN EDIT 05 02 6 Turn PATCH VALUE or use Pad Patch Select p 23 to select the patch 7 RepeatSteps 5 6 to continue editing 8 Press EDIT or EXIT EDIT will go dark and you will return to Chain Play mode UO2 CHAIN 05 01 01 TalkingDrm MEMO When you modify the setting of a patch chain the new setting is automatically saved as soon as you make the change If you need to return to the factory settings refer to Restoring the Factory Settings p 85 Specifying the Last Step of the Patch Chain Specify one of the following as the last step in the patch chain If you have specified patched up to step 32 you can specify it at step 33 De It is not possible to specify a patch at step 33 Chapter 4 END When you reach the last step the progression of steps will end Chain Step 1 2 3 4 5 6 END LOOP If you advance a step from the last step you will return to step 1 Chain Step A 6 LOOP JUMP TO CHO1 10 If you advance a step from the
23. 0 127 Only the pad part and the percussion parts can be received This is used as the position data of the ribbon controller R When recording this is recorded in the sequencer data itself O Effect 1 Reverb Send Level Controller number 91 Status 2nd byte 3rd byte BnH 5BH vvH n MIDI channel number 0H FH ch 1 ch 16 vv Control value 00H 7FH 0 127 Only the percussion parts and the melody parts can be received This is used as the part reverb send level of the sequencer pattern data Not recorded in the sequencer 98 MIDI Implementation OEffect 2 Tremolo Depth Controller number 92 Status 2nd byte 3rd byte BnH 5CH vvH n MIDI channel number 0H FH ch 1 ch 16 vv Control value 00H 7FH 0 127 Only the pad part and the percussion parts can be received This is used as the data of the LFO FLT AMP knob When recording this is recorded in the sequencer data itself OEffect 4 Celeste Depth Controller number 94 Status 2nd byte 3rd byte BnH 5EH vvH OH FH ch 1 ch 16 00H 7FH 0 127 n MIDI channel number vv Control value 0 63 OFF 64 1272ON In the melody parts and the percussion parts it is used as the multi effects switch of the sequencer pattern data In the pad part it is used as the data of the MULTI EFFECTS button When recording this is recorded in the sequencer data itself if it is received on the pad part or the percu
24. 153 Rek Trill Conga Lo H M P L95 Whistle Shrt F43 Balaphone F T 154 Bendir Conga Lo T M L96 Whstl LngSht M D F44 Balaphone E T I55 Dawul Conga Lo M P L97 Caxixi F45 Balaphone B T 156 HmrDlcmr Lwr T CongaLoOpSlp L98 Berimbau M T F46 Balphn GlsUp eT 157 HmrDlemr Upr T c L99 Berimbau Mut T F47 Balphn GlsDn T ongaloUlolp l01 Berimbau U T F48 Balphn UpDn D T Conga LoHeel 102 Berimbau Dh M F49 Balaphone 2 T AsIAN Conga Lo Toe l03 BerimbauUpDn D T F50 Afro Zither T 7 Conga LoBass 104 Caixa P F51 Afro Feet A01 Biwa T R 8 Conga Hi M l05 Caixa Rim F52 Afro Stomp A02 Atar 1gane R 8Cng HiCls l06 Caixa Roll F53 Hand Drum M A03 Hyoshigi R 8 Conga Lo 107 Rain Stick F54 Hand Drum Bs A04 Ohkawa Cowbell 1 M l08 RainStk Soft F55 MonguDrm Hi M P A05 Tsuzumi Hi Cowbell 1 Mt 109 SambaBateria F56 MngDrm Hi Bs A06 Tsuzumi Lo Cowbell 2 110 Space Conga M P F57 MonguDrm Lo P A07 Shime Taikol Cowbell 3 H1 SpaceCng Bas F58 Clapstick A08 Shime Taiko2 Claves 1 M2 EConga M P F59 Boomerang A09 MatsuriTaiko dx Claves 2 H3 E Conga Bass F60 Bamboo A10 Matsuri TkRm Guiro Long H4 DR 55 Claves F61 Bloom Bell A11 Buk P Guiro Short 115 CR 78 Cowbel A12 BukRim Guiro LngSht M 11 R 78 MetalB A13 Jang Gu Guiro Inotch 11 CR Ri I NDIAN A14 Jing M Maracas 118 CR 78 Tambrn A15 Jing Mute Shaker 1 119 CR 78 Maracs 101 Sarna Bell A16 Gengari M Shaker 2 120 CR 78 Bongo 102 Tabla Na A17 Gengari Mute Shaker 3 1 CR
25. 2000 Roland Corporation Copyright 2000 Roland Corporation Copyright 2000 Roland Corporation Copyright 2000 Roland Corporation Copyright 2000 Roland Corporation Computer Music Software and advises Roland on new musical instruments Efrain Toro is one of the world s most versatile drummer percussionists and his unique approach to rhythm and education is a musical revolution in the making His career began in his native Puerto Rico Efrain later moved to the New England Conservatory While in Boston he studied with Alan Dawson He moved to Los Angeles in 1979 where he has played on countless film and TV scores Efrain has also worked with a variety of great artists that include Stan Getz George Benson Los Lobos Chicago Placido Domingo and many others Efrain has taught at the renowned Musician s Institute California Institute of the Arts and UCLA He has authored five books for musicians and artists that explain his theories and skills on topics like rhythm hand finger technique Latin styles and odd meters 96 MIDI Implementation Model HPD 15 Version 1 00 March 23 2000 1 Receive data Channel Voice Messages The following channel voice messages are received on the channel specified as the SYSTEM MIDD ONote Off Status 2nd byte 3rd byte 8nH kkH vvH 9nH kkH 00H n MIDI channel number 0H FH ch 1 ch 16 00H 7FH 0 127 01H 7FH 1 127 kk note number vv note off velocity
26. 28 EnH is the Pitch Bend Change status and n is the MIDI channel number The 2nd byte 00H 0 is the LSB and the 3rd byte 28H 40 is the MSB but Pitch Bend Value is a signed number in which 40 00H 64 x 128 0 8192 is 0 so this Pitch Bend Value is 28 00H 40 00H 40 x 128 0 64 x 128 0 5120 8192 3072 If we assume that the Pitch Bend Sensitivity is set to two semitones the pitch will change only 200 cents for a Pitch Bend value of 8192 00 00H Thus this message is specifying a Pitch Bend of 200 x 3072 8192 75 cents on MIDI channel 5 Example 4 B4 64 00 65 00 06 0C 26 00 64 7F 65 7F BnH is the Control Change status and n is the MIDI channel number For Control Changes the 2nd byte is the control number and the 3rd byte is the value In a case in which two or more messages consecutive messages have the same status MIDI has a provision called running status which allows the status byte of the second and following messages to be omitted Thus the above messages have the following meaning B4 6400 MIDI ch 5 lower byte of RPN parameter number 00H B4 65 00 MIDI ch 5 upper byte of RPN parameter number 00H B4 06 0C MIDI ch 5 upper byte of parameter value 0CH B4 26 00 MIDI ch 5 lower byte of parameter value 00H B4 64 7F MIDI ch 5 lower byte of RPN parameter number 7FH B4 65 7F MIDI ch 5 upper byte of RPN parameter number 7FH In other words the above messages specif
27. 2nd byte 3rd byte BnH 0AH vvH n MIDI channel number 0H FH ch 1 ch 16 00H 40H 7FH Left Center Right vv Control value When the PAN knob is turned the corresponding value will be transmitted When a pattern is selected the part panpot of the sequencer pattern data will be transmitted Transmitted when the HPD 15 is in play for pattern in which this message is recorded OExpression Controller number 11 Status 2nd byte 3rd byte BnH 0BH vvH n MIDI channel number 0H FH ch 1 ch 16 vv Control value 00H 7FH When the LEVEL knob is turned the corresponding value will be transmitted This is transmitted only on the channel which is assigned to the pad part and the percussion parts Transmitted when the HPD 15 is in play for pattern in which this message is recorded O Effect Control 1 Controller number 12 Status 2nd byte 3rd byte BnH 0CH vvH n MIDI channel number 0H FH ch 1 ch 16 vv Control value 00H 7FH When the M FX DEPTH knob is turned the corresponding value will be transmitted This is transmitted only on the channel which is assigned to the pad part and the percussion parts Transmitted when the HPD 15 is in play for pattern in which this message is recorded OGeneral purpose controller 1 Controller number 16 Status 2nd byte 3rd byte BnH 10H vvH n MIDI channel number 0H FH ch 1 ch 16 vv Control value 00H 7FH 0 127
28. A E press PATCH NUMBER The value value or patch number will decrease rapidly Turbo Function of the Dial 1 Hold down PATCH SEL and turn PATCH VALUE while holding down If you are changing the value the value will change in 10 steps 31 Chapter 1 Quick Start Skip Function You can rapidly select parameters or values Skipping Parameters Parameters are grouped into several categories according to the content that is being edited By using the skip function you can jump to the first parameter of the category Hold down PARAMETER BP and press and release lt PARAMETER WRITE lt PARAMETER P gt EXIT COPY SKIP MODIFY CLEAR while holding down press and release UTILITY CONTROLLER LCD Contrast 5 DBEAM Sens 100 The first parameter of the next category will be shown Hold down lt a PARAMETER and press and release PARAMETER P WRITE lt PARAMETER gt EXIT COPY SKIP MODIFY CLEAR while holding down press and release CONTROLLER n UTILITY DBEAM Sens 100 F C Contrast 5 The first parameter of the previous category will be shown 32 Chapter 1 Quick Start Skipping Values When selecting an instrument or setting the pitch you can make the value jump Instruments sounds are grouped into several categories By using the skip function you can jump to the first sound in each group The pitch value can be changed in steps of
29. All Pads morata ariadna trier ie diete parate 58 Using Realtime Modify to Adjust Values u canas 58 Chapter 3 Recording Your Performance Sequencer 59 Basic Settings for Recording xs su a h eie e b Ee Ue selena n a e irte Su sts 59 Settings for the Pattern zoo ees do iodo Re etitm 60 Settings for the Click and others eene 61 Settings for the Recording Set in the Recording Stand by mode a 62 Rehearsal FUNCION eee etude qe eee teen e bre iem Tri Mares 62 Basic Settings for Playing Back s eae mna aun nete nennen nennen 63 PASC tasti oiii ih taedet tte fe E e certaines iiec e b er nd 63 Fast Forward and Rewind ti esit themed tede erede aedis 63 Synchronizing with an External MIDI device MIDI Sync sss 63 Changing the Settings of Patterson eaea teet nete 63 Saving the Changed Settings ie sentiendi gei diete ideo desee meee aie 63 Bditing a Patterson ettari irte ite bein a Da ade tgp i tno ad 64 Basic Settings for Edititig i ene AN 64 Copying a Pattern masne nre am us i net tite ien n 64 Brasinp Parts sete eoe seed teen ie pti ende iie e i prn enn 64 Connecting Two Patterns seatimoNe oni metui rait eee decies laid 64 Deleting a Patterns dee eem ee ee oe Pe up inepte pd Ns 64 Chapter 4 Changing Patches in the Desired Sequence 65 Creating a Patch Chain Chain Edit nasa pssqa pananpa eene enne eene 65 Specifying the Last Step
30. Between the Sound Generator and the Pad Controller Local Control p 80 Note When you use an external sequencer for Loop recording it may not be possible to completely play back the modifications of the tone controlled by realtime modify 79 La 8 G lt U Chapter 6 Connecting MIDI Devices Cutting the Connection Between the Sound Generator and the Pad Controller Local Control This setting is required when you wish to record your pad performance on an external MIDI sequencer The performance data from the pad rather than being sent directly to the sound module section Local Control Off is first sent to the external sequencer and then on to the HPD 15 s sound module HPD 15 MIDI OUT THRU Trigger gt MIDI Converter Local Control OFF Soft Thru OFF oo ma ann ooo o0o00 pf o ca TTD gm A Sound Generator External MIDI IN Sequencer Performance data flow route Note If you make connections and record as shown with a setting of Local On duplicate notes will be re transmitted to the HPD 15 and will not be played correctly If you turn on Soft Thru p 79 and make connections as shown in the diagram MIDI messages will create a loop and the system will not play correctly Be sure to turn off Soft Thru as well 1 Press SYSTEM to make it light 2 Press 4 PARAMETER or PARAME
31. EMO Refer to the owner s manual of the receiving device 5 Press WRITE to begin data transmitting If you wish to stop transmission press EXIT BIkDmp ALL SYS SEQ ALL PATCH ALL GROUPO1 10 U0101 1008 TEMPORARY U0101 1008 U0101 1008 ALL Transmit all settings The settings of the current patch which is not written into memory TEMPORARY will not be transmitted SYS Transmit system settings p 67 SEQ ALL Transmit all data for the user patterns p 59 of the sequencer PATCH ALL Transmit all user patch settings GROUP01 10 Transmit the settings of all patches in the selected patch group U0101 1008 Transmit the settings of the selected user patch TEMPORARY Transmit the settings of the current patch This allows you to transmit the state of the settings before pressing WRITE to write them into memory U0101 1008 U0101 1008 Transmit the settings of the specified area of user patches Receiving Bulk Load The HPD 15 receives data that was stored in a sequencer Use a MIDI cable to connect the HPD 15 s MIDI IN connector to the MIDI OUT connector of the external sequencer or the other HPD 15 Set the HPD 15 play mode MIDI our B MIDI IN 8 990000000 D O 000000000 O ai MT rH ao a oO oo ooo ACDOCOCOO O o a External Sequencer HPD 15 Send the data from the external sequencer to the HPD 15 The tran
32. Edit mode and Edit mode REVERB DELAY Type un Q 2 E Q Q Q lt OFF No reverb EmptyHall Reverberation of an unoccupied hall WarmRoom Room reverb featuring a milder ambiance BigTube Reverb resembling that produced within a large tube DarkRoom Room reverb that imparts a darker mood RichAmb Reverb with rich reflections BrightRoom Room reverb featuring a rougher gritty feeling ShortDelay Single delay with short delay time Club Room reverb that lends a relaxed ambiance to the sound MedDelay Adds a slight repeat of the sound GymStage Simulates the reverberation of a gymnasium LongDelay Effect resembling mountain echoes Underground Reverb that makes sounds seem to be coming from PanDelaySht Single delay with panned delayed sound under the ground PanDelayMed Delayed sound with added lateral breadth ThinPlate Plate reverb with slow decay PanDelayLng Delayed sound that crosses between the left and right sides ThickPlate Plate reverb with rapid decay MULTI FX Type Low Boost Boosts the low end Stereo Fin Standard flanger settings Low Cut Cuts the low end Wind FIn Produces an effect like that of a refreshing breeze Mid Boost Boosts the midrange Grumble Fin Layers on the sound of a human voice Mid Cut Cuts the midrange Jet Fin Adds a jet like sound effect High Boost Boosts the high end StepFlanger Standard step flanger settings High Cut Cuts the high end AnalogCyber Sound like the oscillation of an analog synthesizer Limiter Standard limiter se
33. H T H T H T H T 93 un Q E Q Q lt Pad Set Instrument List No Name No Name No Name 1 Conga 34 Dholak 67 Jazz Drum 2 Conga II 35 Madal 68 BrushRideSet 3 Bongo 36 Dhol 69 Timpani amp S D 4 Timbales 37 Darabukka 70 OrchPerc 5 Paila Lo 38 Rek 71 CymbalSet 6 Paila Hi 39 Doholla 72 Junk Drums 7 Giro amp Cowbel 40 Doira 78 JunkCymbal 1 8 Latin Perc 1 41 JAPAN 74 JunkCymbal 2 9 Latin Perc 2 42 MATSURI 75 Brush Box 10 Latin Perc 3 43 CHINA 76 Claps 11 Agogo 44 Yang Qin 77 Scratches 12 Cuica 45 Korean4Drm A 78 Trash Beat 13 Surdo 46 Korean4Drm B 79 StreetRhythm 14 Pandeiro 47 Korean4Drm C 80 LatinHouseDr 15 Tamborim 48 Gender 81 Dance Drum 1 16 Caixa 49 Bonang 82 Dance Drum 2 17 Berimbau 50 Saron 83 Dance Drum 3 18 Space Conga 51 Gamelan 84 AnalogPerc 19 808 Latin A 52 Bali Cymbal 85 LaserWave 20 808 Latin B 53 Thai Gong 86 Metal SFX 1 21 808 Latin C 54 Asian Cymbal 87 Metal SFX 2 22 Djembe S 55 Timpani 88 Metal SFX 3 23 Djembe L 56 Orch Hit 89 Industrial 1 24 TalkingDrum 57 Drum Basic 1 90 Industrial 2 25 TalkingDrmII 58 Drum Basic 2 91 Industrial 3 26 Pot Drum A 59 Brush Drum 92 OneShotSFX 1 27 Pot Drum B 60 Elec Drum 93 OneShotSFX 2 28 Pot Drum C 61 Elec Tom 1 94 Long SFX 1 29 Afro Drum 62 Elec Tom 2 95 Long SFX 2 30 MonguDrum 63 TR 808 Drum 96 SFX amp Hit 31 Balaphon 64 TR 909 Drum 97 Forest SFX 32 Gyilli 65 CrashCymSet 98 GrandBlue 1 33 Tabla 66 RideCymSet 99 GrandBlue 2 Backing Instrume
34. MIDI Ch 0 16 2 USER PATCH and TEMPORARY PATCH 1 16 0FF n 4 _ _ Ko o _ _ _ _ _ _ _ ue O coo 00 05 0000 000a Local Control 0 1 Sis ion OFF ON MERE coh BE q pem 00 06 0000 000a Soft Thru 0 1 OFF ON 1 4 CONTROLLER Offset address Size Description Data Value 00 00 0000 00aa Data Thin 0 2 OFF 1 2 1E 00 PAD C5 1 2 2 1 SE p 00 01 0000 0000 Edge Level 0 15 1F 00 PEDAL 1 2 2 2 1 169 1 V M t 00 02 0000 0000 Edge Area 5 1 16 21 00 RIBBON L 122 2722 4 1 n 00 03 0000 0000 Reserved 22 00 RIBBON R 12522 00 04 0000 Oaaa D Beam Curve 0 4 23 00 TRIG 1 1 2 2 1 0 5 1 _ C gt gt gt t 00 05 0000 aaaa Reserved 00 06 0aaa aaaa D Beam Sense Oa dp qe J sssi a 1 5 PAD Offset address Size Description Data Value 4 4 2 1 PAD SET 00 0000 aaaa Sens 0 15 1 16 ot MIL MM IM AAA QC C AAA AAA a Offset 01 000a aaaa Threshold i 16 address E Size Description eee Data Value a 02 0aaa aaaa Mask Time 0 32 00 0000 aaaa Inst 0 98 6 0 64ms 2ms step TER gt sine js 0 960 03 4 9000 aaa amp I Pressure Sens M ca n 03 0000 bbbb 2400 42400cent 5cent step E A 04 1 6 1 TRIG COMMON SE ee 4 06 Offset SS address Size Description Data Value 07
35. and television reception Do not use this device in the vicinity of such receivers Do not expose the unit to direct sunlight place it near devices that radiate heat leave it inside an enclosed vehicle or otherwise subject it to temperature extremes Excessive heat can deform or discolor the unit To avoid possible breakdown do not use the unit in a wet area such as an area exposed to rain or other moisture Maintenance For everyday cleaning wipe the unit with a soft dry cloth or one that has been slightly dampened with water To remove stubborn dirt use a cloth impregnated with a mild non abrasive detergent Afterwards be sure to wipe the unit thoroughly with a soft dry cloth Never use benzine thinners alcohol or solvents of any kind to avoid the possibility of discoloration and or deformation Additional Precautions Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction or the improper operation of the unit To protect yourself against the risk of loosing important data we recommend that you periodically save a backup copy of important data you have stored in the unit s memory in another MIDI device e g a sequencer Unfortunately it may be impossible to restore the contents of data that was stored in the unit s memory or another MIDI device e g a sequencer once it has been lost Roland Corporation assumes no liability concerning such loss of data
36. are played back one at a time in sequence TapVelo Tap playback with changes of the volume depending on how strongly the pad are struck It is not possible to change while the pattern is playing back Loop OneShot Tap TapVelo Reset Time Specifying the Time to Return the Pattern to the Beginning In Tap playback this returns the pattern to the beginning if the set time interval elapses without the pad being hit again If it is set to OFF this function will be disabled OFF 0 1 4 0s Quick Play TransposeMI1 TransposeMI2 Ignoring a pause at the beginning of the pattern If ON is selected this starts playback of the pattern from the first note even if a pause is left at the beginning of the pattern Adjusting the Pitch of Melody Parts This transposes the key of the melody parts in semitone steps MI1 Melody Part 1 MI2 Melody Part 2 OFF ON 24 24 Select Selecting the Part Perc1 Perc2 You can use the pads to sound the tone of the part in the part screen Melo1 Melo2 Patch Selecting the Patch Played by the Part Level Adjusting the Volume of the Part 0 127 Reverb Send Adjusting the Depth of Reverb Applied to the Part when the effect is off 0 127 MULTI FX LFO Turning the Multi Effects On Off for the Part OFF ON The same type of the effect which is selected in Play mode will be selected It is different from the type which is set in the patch selected for the Part
37. called multi timbral sound modules About MIDI How the Internal Sequencer Operates A sequencer is an electronic instrument used for recording and playback of performances The HPD 15 features such a sequencer function The HPD 15 comes with built in performance patterns Preset patterns which can be used for drum practice and other purposes You can also create your External sound module HPD 15 Internal sequencer Percussion Part 1 MIDI keyboard Percussion Part 2 Melody Part 1 own patterns Melody Part 2 s gt i Internal sound generator For playback the performance data that has been recorded to the sequencer is sent to the sound generator which produces the sound The data for each of the sequencer s parts causes the corresponding part in the internal sound generator to be played When performance data is recorded the performance data from pads and MIDI keyboards is sent to the sequencer the data recorded here is then sent to the sound module for playback 89 Ww Q E Q Q lt Preset Patch List s ior papi via MIDI IN DIAN P P0509 LightOrch 2 80 P0719 SynthDrums 2 122 Bank No Program No P0510 OrchPerc 2 81 P0720 Discotica 2 123 or ech Tabla 2 40 P0511 Aux Perc 2 82 P0721 Dance 6 2 124 dicos o P0722 Lock Out 2 125 P0101 Conga 2 1 P0303 Madal 22 pBRUMS s P0723 DanceMenul 2 126 P0102 Bongo 23 P0304 Dhol P
38. category and the lower line will show the parameter and value Parameter Category UTILITY LCD Contrast 5 Parameter Value 2 Press 4 PARAMETER or PARAMETER B to select the parameter that you wish to modify CONTROLLER ji DBEAM Sens 100 3 Turn PATCH VALUE to modify the value CONTROLLER DBEAM Sens 64 4 Repeat steps 2 3 to continue system edit g When you finished editing press EXIT or SYSTEM SYSTEM will go dark and you will return to normal Play mode HINT You can make your selection rapidly See p 31 NEM When you modify the system setting the new setting is automatically saved as soon as you make the change You do not have to operate for the storing If you need to return to the factory settings refer to Restoring the Factory Settings p 85 Chapter 5 Settings for the Entire HPD 15 Settings for the Basic Operation Category UTILITY 68 Parameter LCD Contrast Beep Level Value Adjusting the Contrast of the Display 1 16 Increasing the value will darken the display Adjusting the Volume of the Operating Sound 0 15 When set to 0 no operating sound will be heard MasterTune Pad Chase Tuning the Instruments 415 3 466 2 Hz This adjusts the pitch of instruments marked with T in the Instrument List p 92 and backing instruments p 94 440 0Hz is the standard tuning Specifying How a Pad Will be Selected for Edi
39. do not need to change the channel of the MIDI deveice connected to the HPD 15 RecMode Specifying the Recording Method Loop All Loop 1 Loop 2 Loop 4 Loop All The entire pattern will be repeated and on each pass your performance Loop 8 Replace will be added over dubbed and mixed with what you did previously Loop 1 Loop 2 Loop 4 Loop 8 This determines the length of the section you are recording and 1 2 4 or 8 measure section will repeat Replace Recording will continue until you press PLAY STOP Any previously recorded data for all Parts will be erased Quantize Regularizing the Timing of Performance Data When Recording 1 8 1 12 1 16 1 24 1 32 1 48 1 64 OFF This corrects inaccuracies of timing while you record 1 8 1 64 Data will be quantized to the note of the tempo of the sequencer OFF The pattern is recorded with the timing used in performance HitPadStart Specifying How to Start the Recording OFF ON OFF Recording starts when PLAY STOP is pressed ON Recording starts when you start the performance on pads D Beam ribbons MEMO You can start recording by pressing PLAY STOP at every screen above Rehearsal Function The rehearsal function is a feature that temporarily suspends nore Using the controllers D Beam ribbons pad pressure etc recording during recording This allows you to practice the too much will increase the consumption of memories If you
40. for parts program changes for the respective instruments are sent e Pitch Bend Change Status 2nd byte 3rd byte EnH HH mmH n MIDI channel number 0H FH ch 1 ch 16 mnl Pitch Bend value 00 00H 40 00H 7F 7FH 8192 0 8191 When the PITCH knob is turned the corresponding value will be transmitted Transmitted when the HPD 15 is in play for pattern in which this message is recorded System Realtime Message Timing Clock Status F8H OStart Status FAH Continue Status 103 4 Q E Q lt MIDI Implementation FBH Stop Status FCH Active Sensing Status FEH This will be transmitted constantly at intervals of approximately 250ms mSystem Exclusive Messages Regarding the system exclusive message refer to p 100 Identity reply and Data Set 1 DT1 are the only System Exclusive messages transmitted by HPD 15 When an appropriate Identity Request or Data Request 1 RQ1 message is received the requested internal data will be transmitted Universal Non realtime System Exclusive Messages Oldentity Reply Status Data byte Status FOH 7EH dev 06H 02H 41H 2EH 01H F7H 00H 00H 00H 02H 00H 00H Byte Explanation FOH Exclusive status 7EH ID number universal non realtime message dev Device ID dev 00H 1FH 1 32 Initial value is 10H 17 06H 02H Identity Reply 41H ID number Roland 2EH 01H Device family code 00H 00H Device family
41. is set to Gate 8n kk vvH is transmitted when you release the pad With the Trigger Mode is set to Trig Note On and 8n kk vvH are alternately transmitted when you strike the pad On the channel assigned to the pad part and the percussion parts the note numbers specified by the patch will be transmitted ONote on Status 2nd byte 9nH kkH n MIDI channel number kk note number vv note on velocity 3rd byte vvH OH FH ch 1 ch 16 00H 7FH 0 127 01H 7FH 1 127 With the Trigger Mode is set to Shot Note On message is transmitted when you strike the pad With the Trigger Mode is set to Gate Note On message is transmitted when you strike the pad With the Trigger Mode is set to Trig Note On and Note Off messages are alternately transmitted when you strike the pad On the channel assigned to the pad part and the percussion parts the note numbers specified by the patch will be transmitted e Polyphonic Key Pressure Status 2nd byte 3rd byte AnH kkH vvH n MIDI channel number 0H FH ch 1 ch 16 00H 7FH 0 127 00H 7FH 0 127 kk note number vv pressure The HPD 15 tramsmits a value corresponding to the pressing force of the pad This will not be transmitted if the MuteTx PitchTx and CtrlTx are set to OFF This is transmitted only on the channel which is assigned to the pad part and the percussion parts Transmitted when the HPD 15 is in play for
42. number code 00H 02H 00H 00H software revision level F7H EOX End Of Exclusive When Identity Request p 100 is received Identity Reply message will be transmitted Data Transmission OData set 1 DT1 12H Status Data byte Status FOH 41H dev 00H 2EH 12H aaH bbH F7H ccH ddH eeH ffH sum Byte Explanation FOH Exclusive status 41H ID number Roland dev Device ID dev 00H 1FH 1 32 Initial value is 10H 17 00H 2EH Model ID HPD 15 2H Command ID DT1 aaH Address MSB upper byte of the starting address of the transmitted data bbH Address 2nd 2nd byte of the starting address of the transmitted data ccH Address 3rd 3rd byte of the starting address of the transmitted data ddH Address LSB lower byte of the starting address of the transmitted data eeH Data The actual data to be transmitted Multiple bytes of data are transmitted in order starting from the address ffH Data sum Checksum F7H EOX End Of Exclusive The amount of data that can be transmitted at once time will depend on the type of data and data must be requested using a specific starting address and size Refer to the Address and Size listed in Parameter address map p 104 Data larger than 128 bytes must be divided into packets of 128 bytes or less If Data Set 1 is transmitted successively there must be an interval of at least 40 ms between packets Regarding the checksum please refer to p 109 104 3 Parameter ad
43. of the Patch Chain 65 Inserting a Cham tepic paa pio eie etel 66 Deleting a Chait Stepes ec eee pee ee snd denen e enti e fette e i dta 66 Playing with a Patch Chain Chain Play u nnne nens 66 Chapter 5 Settings for the Entire HPD 15 67 Settings for basic Operation uoce nette n video edite ti eee teni bl bieten 67 Settings for the Basic Operation nennen nnne nenne 68 Settings forthe Controllers idee eh ehe ede tiere e ata ere ere oir sodas 69 Turning On Off the D Beam eee enema eene ttai 69 Turning On Off the Ribbons rettet teneret raten ete det ette 69 Setting the Pad Sensitivity siess einuhs es EEn amna aa aa tiit oed iens 70 Using the Foot Switches to Control the Tone Sequencer essere 7 Settings for the Foot SwWiteheS uu u Sua Ee aae ie a e EOE AE ay 71 Using the Pedal to Control the Hi Hat Tone sse eee u aaa 72 settings forthe Pedals Q nn tahan en otio tes ideo atados 72 Using the External Pads Kick Trigger Unit to Trigger a Sound sss 73 Settings for the External Pads Kick Trigger Unit sese 73 More Detailed Settings for the External Pads Kick Trigger Unit sss 74 Setting the Sound of the External Pads Kick Trigger Unit sss 75 MIDI Settings tete metet eee TE e Made A nitus e iere ati vases 75 Restoring Settings to Their Default Values Factory Reset u a
44. parameter that you wish to modify To modify the value either turn PATCH VALUE or use PATCH NUMBER w and PATCH NUMBER _a Repeat steps 2 4 to continue editing When you are finished editing press EXIT You will return to normal Play mode Nem To learn how to make more detailed settings refer to Chapter 2 Modifying a Patch p 35 eM If you press EDIT once again EDIT will light and you will be in Edit mode p 35 HINT You can make your selection rapidly by using the Key Repeat Function p 31 or Skip Function p 32 Nore The settings you edit will return to the original values when you switch patches If you wish to keep your changes refer to Saving your settings Write Duplicating settings Copy p 56 24 A B or O appears when Pad Set is selected Patch eee U0101A Pitch Parameter Chapter 1 Quick Start appears if the Value is edited Edit Target Pad Set Ribbon D Beam etc YU PAD SET 200cent Value EZ Edit Parameter List e g PAD SET Inst Selects the instrument for Pad Set A B C lios RIBBON Ribbon D Beam p 94 RIBBON R h HM edP D BEAM Pads can be selected by five sets PEDAL um TRIG 1 Level Adjusts the volume TRIG 2 i a Pan Adjusts the pan localization of the output sound a Alternate Random The pan changes randomly each ti
45. pattern in which this message is recorded Control Change OBank Select Controller number 0 32 Status 2nd byte 3rd byte BnH 00H mmH BnH 20H 1H n MIDI channel number 0H FH ch 1 ch 16 00H 02H bank1 user patch bank bank2 3 preset patch processed as 00H mm Bank number MSB 11 Bank number LSB Bank Select corresponding to patch are sent when patch are selected Bank Select corresponding to each part s instrument are sent when patterns is selected Also when instruments are selected for parts bank select for the respective instruments are sent 101 4 Q E Q Q lt MIDI Implementation This is transmitted only on the channel which is assigned to the pad part and the percussion parts OModulation Controller number 1 Status 2nd byte 3rd byte BnH 01H vvH n MIDI channel number 0H FH ch 1 ch 16 vv Control value 00H 7FH 0 127 When the LFO PITCH knob is turned the corresponding value will be transmitted This is transmitted only on the channel which is assigned to the pad part and the percussion parts Transmitted when the HPD 15 is in play for pattern in which this message is recorded OFoot control Controller number 4 Status 2nd byte 3rd byte BnH 04H vvH n MIDI channel number 0H FH ch 1 ch 16 vv Control value 00H 7FH 0 127 The HPD 15 tramsmits a value corresponding to the position of the pedal connected to the
46. sound a swooshing character FbackPitch Feedback Pitch Shifter Shift the pitch The parameters of each algorithm are explained on the following pages MEMO In the explanation on the following pages the value of parameters marked with RTM can be controlled by M FX DEPTH of the Realtime Modify p 19 If you modify the MULTI FX DEPTH in EZ Edit Mode p 25 the value of these parameters will be changed MEMO In the explanation on the following pages the value of parameters marked with LFO can be controlled by the LFO For details refer to Adding Cyclic Change to the Tone p 38 MEMO In the explanation on the following pages the value of parameters marked by Ctrl1 Ctrl2 Ctrl3 can be controlled by the pads D Beam and ribbons For details refer to the section on CtrITx MFX Ctrl 1 3 in Controlling the tone p 52 FxOut Volume Adjusts output volume of the multi effects Fx Rev Send Adjusts the depth of reverb applied to the sound processed by the multi effects Note If you change the Type the algorithm of the effect and the values of the parameters will be changed to the setting of each type 40 Chapter 2 Modifying a Patch Stereo Equalizer Stereo EQ This is a four band stereo equalizer low mid x 2 high Low Freq 100Hz 200Hz 400Hz Selects the frequency of the low range Low EQ 15 15dB Adjusts the level of the low frequency Mid1Fr
47. the currently at which the high range of the reverberation will be cut As you lower the frequency more of the high range will be cut producing a softer sound If you do not wish to cut the high range set this to THRU Dly Feedback 0 127 Adjusts the number of times that the delay sound will be repeated This will be displayed only if Algo is Delay or PanDly Algo Room1 2 Stage Plate Hall1 2 Direct Sound E Level Chapter 2 Reverb Sound 5 Time gt Algo Delay PanDly Direct Sound Delay Sound gt Time Dly Feedback Note If you change the Type the algorithm of the reverb and the values of the parameters will be changed to the setting of each type 39 Chapter 2 Modifying a Patch Adjusting the Multi Effect Settings Multi effect M FX allows you to select different algorithms to obtain a variety of effects Parameter Category MULTI FX U0101 MULTI FX Hall A Type Type Refer to MULTI FX Type p 95 Selects the preset setting of multi effects If you wish to make even more detailed settings adjust the algorithm below and parameters on the following pages StereoDelay Stereo Delay Delay the sound Mod Delay Modulation Delay Delay the sound while modulating it TimeCtriDly Time Control Delay Control the delay and pitch in realtime 3TapDlySht 3 tap delay short Delay the sound in three directions 3TapDlyLng 3 tap delay Long
48. upper right of the realtime modify knobs will move from bottom to top the opposite of pressing SELECT Mdfy SEL DN NEM The white plug of the PCS 31 is the SW 1 and the red one is the SW 2 MEMO If you connect one foot switch with a monaural cable you can use it as the SW 1 It is not possible to use the SW 2 in this case NEM You can use the pedal switch DP 2 optional as the SW 1 It is not possible to use the SW 2 in this case 71 Chapter 5 Settings for the Entire HPD 15 Using the Pedal to Control the Hi Hat Tone You can use a expression pedal hi hat control pedal connected to the EXP PEDAL HH CTRL jack to control the tone or play the hi hat with continuous control from open to closed positions Settings for the Pedal Category Parameter PEDAL Select Specifying the Pedal Note Use only the specified expression pedal EV 5 sold separately By connecting any other expression pedals you risk causing malfunction and or damage to the unit Select the type of the pedal that connected to the EXP PEDAL HH CTRL jack Value EXP PEDAL HI HAT SW SW EXP PEDAL Select this when connecting an expression pedal EV 5 optional HI HAT Select this when connecting a hi hat control pedal FD 7 optional SW SW Select this when connecting a foot switch Select either SW or SW so that the sound will play when you press it If you connect a foot switch you cannot use the ha
49. 0 Kick Trigger Unit KD 7 KD 80 KD 120 Hi Hat Control Pedal FD 7 Expression Pedal EV 5 Foot Switch BOSS FS 5U Pad Stand PDS 15 In the interest of product improvement the specifications and or appearance of this unit are subject to change without prior notice Numerics 3 Tap Delay 8TapDlySht 3TapDlyLng 50 4 Tap Delay 4TapDlySht 4TapDlyLng 50 A Advanced Reverb AdvanceRev ees 51 Algo oh Sich eat a Amp Depth APPEND Available seat her ee ea aaa B BEEP u iie etie eh cb Ee deett 68 Bend Range ecce datar 60 Bulk Dump tii temere bed 80 B lk bodd oinnia etii tra e Bri dei ER 81 C Category tania Chain Chorus Colin ii Comp Limiter ii 41 Compressor sua tein tee et ede 41 Contrast Ctrl Rx EMS AAA RR UO eek EROS Cirle Type etenim reete ein 53 CIS uo ds edad MS eio er 55 D WDB aI cess eer e en EE M et uera 16 69 Delete Step Depth Device ID Dial Lock Distortion Dly Feedback Dynamic Filter tee aee een 42 DynamicFltr diarias 42 E Edge Area u annasman PHI eet UEG Edge Level Edit Effect Depth Enhancer URSINI IN Er se ine ete e E S aes Error Message Exchange EXP aiite ede diets a Expression Pedal EXP Pedal External Pad eee EZ Edit hones anqana ha ei
50. 0000 aaaa Pan Y T29 87 d 08 I 0000 bbbb 00 00 0000 000a Trigger Input Mode Q 3m vt C t P SS E n HD RM TRIGx2 09 00aa aaaa Decay 0 62 4 31 31 00 01 0000 aaaa Trigger Rim Sens QUE a 2 AA OER d A S 0A Qaaa aaaa ReverbSend 0 127 1 6 2 TRIG OB 0000 O0aa M FX SW 0 2 OFF ON PadData E Offset address Size Description Data Value 6 Conga Latin1 ete 7 L63 Center R63 Random Alternate 00 000a aaaa Trigger Type 0 19 2 Es po qu 01 0000 aaaa Trigger Sens 0 15 2 2 1 PAD A1 PAD C5 TRIG 1 TRIG 2 l 1 1 16 EE 02 0000 0aaa Trigger Curve D 273 3 Offset ER EN address Size Description Data Value 03 000a aaaa Trigger Threshold To a D 04 0000 00aa Trigger Scan Time me te ans e 4 02 0000 cece n W uM f P 03 0000 dddd H A s I 05 0000 aaaa Trigger Retrig Cancel eee 04 0000 aaaa Pitch 0 4800 T UE E 05 0000 bbbb 2400 2400cent lcent step 06 Qaaa aaaa Trigger Mask Time 0 32 Ww 0 64ms 2ms step Q 07 0000 aaaa Trigger Crosstalk Rate 0 13 4 ro 32 PD 5 PD 7 PD 9 PD 80 PD 80R PD 100 PD 120 P 1 P 2 KD 7 KD 80 KD 120 K 1 Hi Re E UE Pan E 129 58 c K 2 KICK SNARE TOM FLOOR SW SW J 3 Linear Expl Exp2 Log1
51. 06 TubularBel 277 BAER E ode P1006 FusionLoop 3 30 evolution P0217 PotDrum II 2 39 P0507 Timpani 2 7 P1007 Dance Loop 3 31 P P0717 Backbeat 2 120 P0508 Orch Hit 2 79 P1008 Shot amp Tap 3 32 P0718 AmberWater 2 121 90 Preset Pattern List PlayType Loop P01 P02 P03 P04 P05 P06 P07 P08 P09 P10 P11 P12 P13 P14 P15 P16 P17 P18 P19 P20 P21 P22 P23 P24 P25 P26 P27 P28 P29 P30 P31 P32 P33 P34 P35 P36 P37 P38 P39 P40 P41 P42 P43 P44 P45 P46 P47 P48 P49 P50 P51 P52 Cha Cha ChaChaLite MamboBreak ComparSlow ComparFast SonMontuno Merengue Latin 6 8 Mozambique Salsa Salsa Med Guaguanco 6 8 Groove Descargal Descarga2 Baion BahiaGroov Samba Med SambaSao Slow Samba Samba Roda SambaBasic EscolaRthm GyilliSong PotDrumPtn Djembeat 2Bt Afro 12 8 Afro Funky Afro 7Bt Clay 4Bt Clay 4BtRI Clay TurkMarch BellyDance Arabic10Bt Arabic4Bt Silkroad Tabla Med Tabla Slow Bhairavi Kashimir Santoor IndianFolk DholakBeat BengalRthm BanglaBeat Madal Seq 5Bt Indian 7Bt Indian 4Bt Indian Spanish 12 Asian 12 8 P53 P54 P55 P56 P57 P58 P59 P60 P61 P62 P63 P64 P65 P66 P67 P68 P69 P70 P71 P72 P73 P74 P75 P76 P77 P78 P79 P80 P81 P82 P83 P84 MATSURISM OHAYASHI 1 OHAYASHI 2 SamulNoril SamulNori2 China Mood Polynesian Javanese Balinese ForestSong FILTERTIV Sevenate AOR AcidFusion ElecFusion Fusion 3 4 HardFusion Funk JazzFunk La
52. 06H 38 26H 70 46H 102 66H 7 07H 39 27H Tl 47H 103 67H 8 08H 40 28H 72 48H 104 68H 9 09H 41 29H 73 49H 105 69H 10 OAH 42 2AH 74 4AH 106 6AH Tr OBH 43 2BH 13 4BH 107 6BH 12 OCH 44 2CH 76 4CH 108 6CH 13 ODH 45 2DH TI 4DH 109 6DH 14 OEH 46 2EH 78 4EH 110 6EH TS OFH 47 2FH 79 4FH 111 6FH 16 10H 48 30H 80 50H 112 70H 17 11H 49 31H 81 51H 11 71H 18 12H 50 32H 82 52H 114 72H 19 13H 51 33H 83 53H LLS 73H 20 14H 52 34H 84 54H 116 74H 21 15H 93 35H 85 55H 117 75H 22 16H 54 36H 86 56H 118 76H 23 17H 55 37H 87 57H 119 77H 24 18H 56 38H 88 58H 120 78H 25 19H 57 39H 89 59H 121 79H 26 1AH 58 3AH 90 SAH 122 7AH 27 1BH 59 3BH 91 5BH 123 7BH 28 1CH 60 3CH 92 5CH 124 7CH 29 1DH 61 3DH 93 5DH 125 7DH 30 1EH 62 3EH 94 5EH 126 7EH 31 1FH 63 3FH 99 5FH 127 7FH occ _ _ ___ _ _ Decimal values such as MIDI channel bank select and program change are listed as one 1 greater than the values given in the above table A 7 bit byte can express data in the range of 128 steps For data where greater precision is required we must use two or more bytes For example two hexadecimal numbers aa bbH expressing two 7 bit bytes would indicate a value of aa x 128 bb In the case of values which have a sign 00H 64 40H 0 and 7FH 63 so that the decimal expression would be 64 less than the value given in the above chart In the case of two types 00 00H 8192 40 00H 0 and 7
53. 100 cent one semitone Chapter 1 While pressing PATCH NUMBER press and release PATCH NUMBER w press and release amp E while holding down PATCH NUMBER Pad Inst p 36 select screen PO101A1 PAD INST msj P0101A1 PAD INST L09 Conga Hi H F01 Shekere Pitch adjust screen PO101A1 PAD INST gt PO101A1 PAD INST Pitch 12cent Pitch 100cent If you are selecting instruments the first sound in the next group will be displayed If you are setting the pitch the value will increase in 100 cent steps While pressing PATCH NUMBER w press and release PATCH NUMBER a while holding a amp E down PATCH NUMBER press and release Pad Inst p 36 select screen PO101A1 PAD INST P0101A1 PAD INST RO1 Dry Hard Kik O01 Sleigh Bell Pitch adjust screen PO101A1 PAD INST PO101A1 PAD INST Pitch 783cent Pitch 700cent If you are selecting instruments the first sound in the previous group will be displayed If you are setting the pitch the value will decrease in 100 cent steps 33 Chapter 1 Quick Start Try to Play the Conga Let s try to play the conga using the HPD 15 Use the patch P0101 Conga Open O Strike the pad A5 or A4 and remove the hand immediately Closed 1 C1 Strike the pad A5 and do not remove the hand Closed 2 C2 While pressing the pad A1 by the left hand strike the pad A5 Open Slap OS Strike the edge of the pad A5 powerfully and r
54. 127 Ctrl2 Adjusts the depth of modulation Feedback 98 98 Ctrl3 Adjusts the amount of the processed sound that is returned fed back into the input Positive settings will return the sound in phase and negative settings will return the sound in reverse phase Phase 0 180deg Adjusts the spatial spread of the sound Filter Type OFF LPF HPF Selects the type of filter OFF A filter will not be used Cutoff will not be displayed LPF Cut the frequency range above the cutoff frequency HPF Cut the frequency range below the cutoff frequency Cutoff 200 8kHz Adjusts the basic frequency of the filter Effect Level 0 127 RTM Adjusts the output level of flanger sound Direct Level 0 127 Adjusts the output level of direct sound Chapter 2 Modifying a Patch Step Flanger StepFlanger The Step Flanger effect is a flanger in which the flanger pitch changes in steps The speed at which the pitch changes can also be specified in terms of a note value of a specified tempo PreDelay 0 0 100ms Adjusts the time delay from when the direct sound begins until the flanger sound is heard Rate 0 05 10 0Hz Ctrl3 Adjusts the rate of modulation Depth 0 127 Ctrl2 Adjusts the depth of modulation Feedback 98 98 Adjusts the amount of the flanger sound that is returned fed back into the input Negative settings will invert the phase Phase 0 180deg Adjusts the spatial spread of the sound
55. 15 Settings for the Controllers Category Parameter Value CONTROLLER DBEAM Sens Adjusting the Sensitivity of the D Beam 0 127 Place your hand at the height at which you want the D Beam to start to take effect about 20 inches 50cm and adjust the setting so that the meter in the upper right of the screen is at the center line When the power is turned on this will be adjusted automatically according to the brightness of the surroundings DBEAM Trim Adjusting the D Beam Response 1 5 Make adjustments so that the D Beam triggers sound and outputs control data smoothly Adjust the setting so that the meter in the upper right of the screen moves smoothly when you move your hand up or down Data Thin Reducing the Transmitted Data OFF 1 2 This function allows you to prevent an excessive amount of data from being transmitted from the controllers pads D Beam ribbons hi hat control pedal etc to the internal sequencer or via the MIDI OUT This will be used if you wish to conserve sequencer memory it will cause tonal changes to become rougher OFF Data sent from the controllers is not reduced 1 This reduce the data sent from the controllers 2 This reduce the data sent from the controllers This setting results in even less data than when 1 is selected When you want to make smooth changes in pitch control with Hi Hat control Pedal set this to 1 or OFF Turning On Off the D Beam Turning On Off the Rib
56. 175 24b d 0A 0000 bbbb 06 0aaa aaaa DelayFeedback Qe 121 4 I 0B 00aa aaaa Decay 0 62 07 000a aaaa M FX Type 0 84 31 31 08 000a aaaa M FX Depth for EZ Edit 0 127 oc 00aa aaaa Sweep 0 62 09 000a aaaa M FX Algorithm 0 27 22 31 31 0A Qaaa aaaa M FX Output Volume 0 127 4 4 0B Qaaa aaaa M FX Reverb Send Level 0 127 OD 00aa aaaa Color Q 62 oc Qaaa aaaa M FX Parameter 1 0 127 31 31 0D 0aaa aaaa M FX Parameter 2 0 127 t OE Qaaa aaaa M FX Parameter 3 0 127 0E 0aaa aaaa ReverbSend 0 127 OF 0aaa aaaa M FX Parameter 4 0 127 10 Qaaa aaaa M FX Parameter 5 0 127 OF 0000 000a M FX SW Qc FI 0aaa aaaa M FX Parameter 6 0 127 OFF ON 12 Qaaa aaaa M FX Parameter 7 0 gt 127 4 4 13 0aaa aaaa M FX Parameter 8 c2 10 0000 00aa Trigger Mode etos 14 14 Qaaa aaaa M FX Parameter 9 Ue 127 E 15 15 0aaa aaaa M FX Parameter 10 0 127 0 4 16 16 Qaaa aaaa M FX Parameter 11 0 127 17 Qaaa aaaa M FX Parameter 12 0 127 11 000a aaaa Velocity Curve 0 23 9 F lt o _ _ 4 4 20 OFF Room1 Room Stage Plate Hall1 Hall2 Delay PanDly 12 0000 0000 Reserved 13 0000 0000 Reserved 21 200Hz 250Hz 315Hz 400Hz 500Hz 630Hz 800Hz 1kHz 1 25kHz 1 6kHz 2kHz 14 0000 0000 Reserved 2 5kHz 3 15kHz 4kHz 5kHz 6 3kHz 8kHz THRU 12 pogo n en 22 Stereo EQ CompLimiter En
57. 2 Chapter 2 Adjusts the modulation depth of the tremolo effect Effect Level 0 127 RTM Adjusts the output level of tremolo chorus sound Direct Level 0 127 Adjusts the output level of direct sound 45 Chapter 2 Modifying a Patch Space D Space D is a multiple chorus that applies two phase modulation in stereo This is a chorus with a transparent character and minimal sense of modulation PreDelay 0 0 100ms Adjusts the time delay from when the direct sound begins until the processed sound is heard Rate 0 05 10 0Hz LFO Ctrl1 Adjusts the rate of modulation Depth 0 127 Ctrl2 Adjusts the depth of modulation Phase 0 180deg Ctrl3 Adjusts the spatial spread of the sound Tone 15 15 Adjusts the tone quality Positive settings will emphasize the high range and negative settings will emphasize the low range Effect Level 0 127 RIM Adjusts the output level of chorus sound Direct Level 0 127 Adjusts the output level of direct sound Stereo Flanger Stereo Fin This is a stereo flanger The LFO has the same phase for left and right It produces a metallic resonance that rises and falls like a jet airplane taking off or landing A filter is provided so that you can adjust the timbre of the flanged sound PreDelay 0 0 100ms Adjusts the time delay from when the direct sound begins until the flanger sound is heard Rate 0 05 10 0Hz LFO Ctrl1 Adjusts the rate of modulation Depth 0
58. 6 OFF Memorized Non Volatile Channel Changed 1 16 OFF 1 16 OFF Default Mode 3 Mode 3 Mode Messages X X Altered HAKKAR ERK RRR IK FOI KARA Note 0 127 Number True Voice FOI II Note On Velocity Note Off After Key s Touch Channel s Pitch Bend 0 32 1 Bank select Modulation Foot Control Data entry Volume Panpot Expression Effect Control 1 General Purpose Controller 1 General Purpose Controller 2 Hold 1 Sostenuto Soft Sound Controller 1 Sound Controller 5 Sound Controller 7 General purpose controller 6 General purpose controller 7 General purpose controller 8 Effect 1 Effect 2 Effect 4 RPN LSB MSB Program No 1 128 Control Change Oe RR RR OO ee ee 22 a ee NN N O O O O O O O O O O O O O O O O O O O O O O O O O 90000000000000000000000 Program Change True Number l m N l m N System Exclusive Song Position Song Select Tune Request System Common System Clock Real Time Commands All Sound Off Aux Reset All Controllers Local On Off Messages All Notes Off Active Sensing System Reset 120 126 127 123 127 a i 1 Pad part and percussion part only 2 Melody part only 3 Percussion part and melody part only Mode 1 OMNI ON POLY Mode 2 OMNI ON MONO O Yes Mode 3 OMNI OFF POLY Mode 4 OMNI OFF MONO X No 110 PERCUSSION SOUND MO
59. 7 Only the pad part and the percussion parts can be received This is used as the data of the COLOR knob When recording this is recorded in the sequencer data itself OSound Controller 7 Controller number 76 Status 2nd byte 3rd byte BnH 4CH vvH n MIDI channel number 0H FH ch 1 ch 16 vv Control value 00H 7FH 0 127 Only the pad part and the percussion parts can be received This is used as the data of the LFO RATE knob When recording this is recorded in the sequencer data itself OGeneral purpose controller 6 Controller number 81 Status 2nd byte 3rd byte BnH 51H vvH n MIDI channel number 0H FH ch 1 ch 16 vv Control value 00H 7FH 0 127 Only the pad part and the percussion parts can be received This is used as the position data of the d beam controller When recording this is recorded in the sequencer data itself OGeneral purpose controller 7 Controller number 82 Status 2nd byte 3rd byte BnH 52H vvH n MIDI channel number 0H FH ch 1 ch 16 vv Control value 00H 7FH 0 127 Only the pad part and the percussion parts can be received This is used as the position data of the ribbon controller L When recording this is recorded in the sequencer data itself OGeneral purpose controller 8 Controller number 83 Status 2nd byte 3rd byte BnH 53H vvH n MIDI channel number 0H FH ch 1 ch 16 vv Control value 00H 7FH
60. 73 Turbo Repeat oa 31 TU Laia Oo art 53 LP aio DEOR 25 U User Patch ic ios 21 V Vall s N ibt ta be asha 19 Melo QUutVe tordo hua aaa aaa bres 37 Ww Waveform sau a S ah A uqa Sila 38 114 For EU Countries This product complies with the requirements of European Directive 89 336 EEC For the USA FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENT This equipment has been tested and found to comply with the limits for a Class B digital device pursuant to Part 15 of the FCC Rules These limits are designed to provide reasonable protection against harmful interference in a residential installation This equipment generates uses and can radiate radio frequency energy and if not installed and used in accordance with the instructions may cause harmful interference to radio communications However there is no guarantee that interference will not occur in a particular installation If this equipment does cause harmful interference to radio or television reception which can be determined by turning the equipment off and on the user is encouraged to try to correct the interference by one or more of the following measures Reorient or relocate the receiving antenna Increase the separation between the equipment and receiver Connect the equipment into an outlet on a circuit different from that to which the receiver is connected Consult the dealer or an experienced radio TV technician for
61. 78 Claves 103 Tabla Tin A18 Ban Gu1 Tambourine 1 122 TR 808 Conga 104 Tabla Tun A19 Ban Gu 2 Tambourine 2 123 TR 808 Clavs 105 Tabla Ti A20 Ban Gu3 Timbale Hi P 124 TR 808 Marcs 106 Tabla TinNa R A21 Gu Roll Timbale HiRm 5 TR 808 Cow 107 Tabla TiNa E A22 GuHigh Timble Crash 108 Tabla TunTin M A23 Gu Roll Stop M D Timbale Lo P 109 Tabla 2 Te A24 Tang Gu M Timbale LoRm A FRICAN HO Baya Slide A25 Tang Gu Mute TimblHiPaila M H1 Baya Gin A26 Hu Yin Luo M TmbIHiPilaMt F01 Shekere H2 Baya Ka A27 HuYinLuo Mut TimblLoPaila M F02 Djembe H M P H3 Baya Ge A28 Nao Bo TmbILoPilaMt F03 Djembe T M H4 Baya GeKa P A29 Xiao Bo Timbl Hi Hnd M F04 Djembe M P H5 Dholak Ga A30 Large TamTam TimblHiHndMt F05 Djembe Mute P H6 Dholak Ta A31 Large Gong Timbl Lo Hnd M FO6 Djembe Slap H7 Dholak Tun A32 SmallGong TimblLoHndMt F07 Djembe Bass H8 Dholak Na A33 Bend Gong Vibra slap F08 SmallDjmb H M P 119 Dholak TunNa P A34 Yang Qin TE Steel Drum 1 T F09 SmallDjmb T M I20 Madal Da A35 Finger Cym M Steel Drum 2 T F10 Small Djembe M P 121 Madal Din A36 Fingr Cym Mt Agogo 1 Hi F11 SmallDjmb Mt P 122 Madal Ta A37 Rama Cymbal Agogo 1 Lo F12 SmallDjmbSlp I23 Madal DinTa P A38 Chenchen Opn Agogo 1 HiLo M D F13 SmallDjmb Bs 124 Khole A39 Chenchen Cls Agogo 2 Hi F14 TalkingDrm 1 125 Dhol Ga M A40 Chenchn OpCl M Agogo 2 Lo F15 TalkingDrm 2 I26 Dhol Slide A41 Bali Cym Opn Agogo 2 HiLo M D F16 TalkingDrm 3 127 Dhol Ka A42 Ba
62. 8 L69 L70 L71 Inst Remarks L72 Cuica 1 Open M F20 Afro Dr Rttl 181 Santoor Lowr T L73 Cuica 1 Mutl F21 Metal Casta 132 Santoor Uppr ui L74 Cuica 1 Mut2 F22 PotDrm 1 Lo I33 Tambura T L75 Cuica2 M D F23 PotDrm 1 Hi 134 Tambura Dron H T L76 Cuica2 Open M F24 PotDrm 1 Acc I35 Bell Tree Bongo Hi M P L77 Cuica2Mutl F25 PotDrm 2 M 136 Sagat Open Bongo Hi H M P L78 Cuica2Mut2 F26 PotDrm 2 Mut I37 Sagat Closed Bongo Hi T M L79 Pandeiro M F27 PotDrm2Lng 138 Sagat OpCls M Bongo Hi Cls L80 Pandeiro Mut F28 PotDrm 2 Sht I39 Darbukal Dom P Bng HiHndSlp L81 Pandeiro Slp F29 PotDrm 3 Slp 140 Darbukal Tak Bongo Lo L82 Pandeiro Lo M F30 PotDrm 3 Bas D 141 Darbuka2 R 8 Bongo Hi L83 Pand Lo Mut F31 PotDrm 3 BsE 142 Doira Dun P R 8 Bongo Lo L84 Pand Lo Slp F32 Kalimba T 43 Doira Tik Conga Hi H M P L85 R 8 Surdo M P F33 Log Drum 44 Doholla Dom P Conga Hi T M L86 R 8Surdo Mt P F34 Gyilli A T 145 Doholla Sak Conga Hi M P L87 R 8Surdo Rm F35 GyilliD T 46 Doholla Tak CongaHiOpSlp L88 Surdo M P F36 GyilliG T 147 Doholla Roll Conga Hi Cls L89 Surdo Mute P F37 Gyilli C T l8 Doholla Stop CongaHiCISIp L90 Tamborim M P F38 Gyilli Hi G T 149 Dohol RolStp M D Conga HiHeel L91 Tamborim Mut P F39 Gyli GlissUp T 150 Rek Dom P Conga Hi Toe L92 Tamborim Slp F40 GyliGlissDn T 151 Rek Tek Conga HiBass L93 Tamborim 2 F41 Gyli GISUpDn D T 152 Rek Open Conga Slide L94 Whistle Long F42 Balaphone A T
63. 83 Status 2nd byte 3rd byte BnH 53H vvH n MIDI channel number 0H FH ch 1 ch 16 vv Control value 00H 7FH 0 127 The HPD 15 tramsmits a value corresponding to the position of the ribbon controller R This is transmitted only on the channel which is assigned to the pad part and the percussion parts Transmitted when the HPD 15 is in play for pattern in which this message is recorded OEffect 1 Reverb Send Level Controller number 91 Status 2nd byte 3rd byte BnH 5BH vvH OH FH ch 1 ch 16 00H 7FH 0 127 n MIDI channel number vv Control value When a pattern is selected the part reverb send level of the sequencer pattern data will be transmitted This is transmitted only on the channel which is assigned to the melody parts and the percussion parts OEffect 2 Tremolo Depth Controller number 92 Status 2nd byte 3rd byte BnH 5CH vvH OH FH ch 1 ch 16 00H 7FH 0 127 n MIDI channel number vv Control value When the LFO FLT AMP knob is turned the corresponding value will be transmitted This is transmitted only on the channel which is assigned to the pad part and the percussion parts Transmitted when the HPD 15 is in play for pattern in which this message is recorded O Effect 4 Celeste Depth Controller number 94 Status 2nd byte 3rd byte BnH 5DH vvH n MIDI channel number 0H FH ch 1 ch 16 vv Control value 00H 7FH 0 127 This m
64. Channel 5 erret kanak ena a as o 78 Modify Cleat viii ente rere nter tere 19 Modify Lock taceo teer dte eee tenes 19 Modulation Delay Mod Delay see 49 INTO Vie ies tuu e eM a ETC ADU 36 MovGate iio avene a a he HP EDO WE ERES 36 Mult Effects s aaah A E HB i asa sb 40 MULTEFX aetate eee eere e as 25 40 Mite eats 52 M ute X 4i ayau dd AB 52 M te lx kasaq akawa ay aaa 52 N oro 76 O Over deidad 43 P Padus HE au A E O co Pad Chase Pad Level Pad Note asa aa uass Pad Patch Select Pad Pattern A cevetesions PAD PIN us asua sasata naqa e n ak ee Pad Sets did Pad Sns Type Pan Pan Dly Parameter Patch O Patch Chain Patch Group Patch Name Patch Select Pattern zm EE Pattern Nate 5 ute unkuna a jud IA PCS 33 Pitch Depth Piteli Rx Range ieaedeeqeieo nein eietetitbee Pitch teria dll te eii a ere egeo Pitch Tx Plate usss sa eere reed era oe obe he eee pede ir Sa SE Diss Play Type ones ceo eet nera renis Power ON Preset Patch Pressure Sens suse aa PIN Numbers iie bein rea HO ERG Q QU ath ZO sion ets e o b e e bete 62 Quick Play etie rere teet 60 R Rate ane dan dut deste reus 38 44 47 49 Realtime Realtime Modify Realtime Recording Rec Mode A Res t Time eet iet a Prev HERE e PE
65. Ctrl1 Adjusts the output level of reverb sound Direct Level 0 127 Adjusts the output level of direct sound Direct Sound Direct Effect Level Level Reverb Sound I Time gt PreDelay Gate Reverb GateReverb Gate Reverb is a special type of reverb in which the reverberant sound is cut off before its natural length Type NORMAL REVERSE SWEEP1 SWEEP2 Selects the type of reverb NORMAL conventional gate reverb REVERSE backwards reverb SWEEP1 the reverberant sound moves from right to left SWEEP2 the reverberant sound moves from left to right PreDelay 0 0 100ms Ctrl2 Adjusts the time delay from when the direct sound begins until the reverb sound is heard Gate Time 5 500ms Ctrl3 Adjusts the time from when the reverb is heard until when it Chapter 2 disappears Effect Level 0 127 RTM LFO Ctrl1 Adjusts the output level of reverb sound Direct Level 0 127 Adjusts the output level of direct sound Direct Sound Direct Effect Level Level Reverb Sound M Gate Time gt PreDelay Chapter 2 Modifying a Patch Controlling the Tone By pressing on a pad or moving your hand over the D Beam or a ribbon you can control the tone of other pads or controllers Parameter Category PAD CTRL U0101A1 PAD CTRL MuteRx ON Control Parameters Block Diagram Pad D Beam Ribbon etc Generate Tor _ sound Control Soma L ro
66. D Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug USING THE UNIT SAFELY INSTRUCTIONS FOR THE PREVENTION OF FIRE ELECTRIC SHOCK OR INJURY TO PERSONS About N WARNING and N CAUTION Notices About the Symbols Used for instructions intended to alert The A symbol alerts the user to important instructions the user to the risk of death or severe or warnings The specific meaning of the symbol is Z WARNING injury should the unit be used determined by the design contained within the improperly triangle In the case of the symbol at left it is used for general cautions warnings or alerts to danger Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly The symbol alerts the user to items that must never be carried out are forbidden The specific thing that must not be done is indicated by the design contained within the circle In the case of the symbol at left it Material damage refers to damage or means that the unit must never be disassembled other adverse effects caused with N CAUTION The 6 symbol alerts the user to things that must be respect to the home and all its carried out The specific thing that must be done is furnishings as well to domestic indicated by the design contained within the circle In animals or pets the case of the symbol at left it means that the power cord plug mus
67. DI Note No 60 C 4 Gate Time setting display U0101A1 PAD MIDI Gate Time O 1sec HINT You can make your selection rapidly by using the Skip Function p 32 3 Strike a pad to select the pad D Beam ribbon that you wish to edit UO101C5 PAD MIDI Note No 73 C 5 4 Turn PATCH VALUE to modify the value 5 Repeat steps 3 4 to continue setting on each pad 6 When you are finished editing press EDIT or EXIT Note No OFF 0 C 1 127 G 9 Set the MIDI note number that each pad will transmit If you select OFF no MIDI note message will be transmitted Note Number of Each Pad Factory Settings F 4 G 4 D Beam 79 G5 RibbonL 59 B3 Ribbon R 78 F 5 Trigger 1 77 F5 Trigger 2 57 A3 Pedal 58 A 3 Chapter 6 Connecting MIDI Devices Setting the Note Number When Connecting to the Drum Sound Module Select the patch of P0606 Studio specify the Note No as below Pad Al Beech Snare A2 Dbl Head T 1 A3 13 Hi Hat A4 Dbl Head T 2 A5 Dbl Head T 2 B1 Hall CrosStk B2 Pgy Crash C1 B3 Crash Cymbal B4 Crash Cymbal B5 Splash Cym 1 C1 Splash Cym 1 C2 Ride Bell C C3 Ride Cymbal C4 Chinese Cym C5 Cowbell 1 D Beam Large Gong Ribbon L Hand Clap 2 Ribbon R Cowbell 2 Trigger 1 Dry Hard Kik Trigger 2 Jazz Kick Pedal PEDAL A3 Large Gong m Splash Splash NH Crash Res 1 D 1 Cymbal Crash X Cymbal x Pgy Crash C1 gt bl Hea T1 T2 Hall _ CrosStk ES Hand Clap 2 i
68. DI channel number 0H FH ch 1 ch 16 vv Control value 00H 7FH 0 127 0 63 OFF 64 127 ON When recording this is recorded in the sequencer data itself OSostenuto Controller number 66 Status 2nd byte 3rd byte BnH 42H vvH n MIDI channel number 0H FH ch 1 ch 16 vv Control value 00H 7FH 0 127 0 63 OFF 64 127 ON Only the pad part and the percussion parts can be received Tf the value is 64 and over the Modify Lock will be done If the value is 63 and under the Modify Lock will be canceled When recording this is recorded in the sequencer data itself OSoft Controller number 67 Status 2nd byte 3rd byte BnH 43H 00H n MIDI channel number 0H FH ch 1 ch 16 Only the pad part and the percussion parts can be received When this message is received the Modify Clear will be done When recording this is recorded in the sequencer data itself OSound Controller 1 Controller number 70 Status 2nd byte 3rd byte BnH 46H vvH n MIDI channel number 0H FH ch 1 ch 16 vv Control value 00H 7FH 0 127 Only the pad part and the percussion parts can be received This is used as the data of the SWEEP knob When recording this is recorded in the sequencer data itself OSound Controller 5 Controller number 74 Status 2nd byte 3rd byte BnH 4AH vvH n MIDI channel number 0H FH ch 1 ch 16 vv Control value 00H 7FH 0 12
69. DT1 aaH Address MSB upper byte of the starting address of the transmitted data bbH Address 2nd 2nd byte of the starting address of the transmitted data ccH Address 3rd 3rd byte of the starting address of the transmitted data ddH Address LSB lower byte of the starting address of the transmitted data eeH Data The actual data to be transmitted Multiple bytes of data are transmitted in order starting from the address ffH Data sum Checksum F7H EOX End Of Exclusive The amount of data that can be transmitted at once time will depend on the type of data and data must be requested using a specific starting address and size Refer to the Address and Size listed in Parameter Dump Request p 108 If Data Set 1 is transmitted successively there must be an interval of at least 40ms Regarding the checksum please refer to p 109 2 Transmit data When SYSTEM MIDI Soft Thru is set to ON messages received in addition to the following messages are also sent Channel Voice Messages The following channel voice messages are transmitted on the channel specified as the SYSTEM MIDD ONote off Status 2nd byte 3rd byte 8nH kkH vvH 9nH kkH 00H n MIDI channel number 0H FH ch 1 ch 16 00H 7FH 0 127 00H 7FH 0 127 kk note number vv note off velocity With the Trigger Mode is set to Shot 9n kk 00H is transmitted afetr the set time has elapsed With the Trigger Mode
70. DULE Sequencer Section Model HPD 15 Default Changed Basic Channel Default Messages Altered Mode Note Number True Voice Note On Velocity Note Off After Key s Touch Channel s Pitch Bend 0 32 1 Control Change Program Change True Number System Exclusive Song Position Song Select Tune Request System Common Clock Commands System Real Time All Sound Off Reset All Controllers Local On Off All Notes Off Active Sensing System Reset Aux Messages Mode 1 OMNI ON POLY Mode 3 OMNI OFF POLY Mode 2 OMNI ON MONO Mode 4 OMNI OFF MONO MIDI Implementation Date Mar 23 2000 MIDI Implementation Chart Version 1 00 Transmitted 1 16 OFF 1 16 OFF Memorized Non Volatile 1 16 OFF 1 16 OFF Mode 3 X X X Fek kk k kk k kk k kk k 0 127 0 127 KKK IKK RK REE RR 0 127 O O O 1 O 1 Kkkkkkkkkkkkkk Bank select Modulation Foot Control Data entry Volume Panpot Expression Effect Control 1 General Purpose Controller 1 General Purpose Controller 2 Hold 1 Sostenuto Soft Sound Controller 1 Sound Controller 5 Sound Controller 7 General purpose controller 6 General purpose controller 7 General purpose controller 8 Effect 1 Effect 2 Effect 4 RPN LSB MSB Program No 1 128 O OOOOOOOOOOOOOOOOOOOOOOO gt XooxoooooooooooooOOxOoOox l m N l m N O do not record OO x x x
71. E PER onsets Reso Limit Resonance Reverb Reverb Send RiDBOIt 55st edente Ring Modulator RingModltr Roll Rx Roll Speed ROI SYNC toe ollas ROLE HOLD 5nd etie bte des 16 ROO dc e do hd 39 51 RTM natalia 40 Eset a les lo il eL cesis Dd 52 s Sape nio tue 36 SIP iia eS 36 SOSA OA 70 Sensitiyity iii id 54 70 Seq Sync Seles m a anasu Ies 68 Sequenc r deterret ida 26 59 TROTE 36 MP ipa a Eder es 32 33 SOLEIL AAA IA aca 79 Space Dicta 46 Sp eCtr m astasqa aaa Ant eee tte cem redes 42 Spline iiin ue preise eoi e ed eres 37 SEARO 39 51 Step Flange ise niena o r 47 Stereo Chorus Stereo Cho aaa 44 Stereo Delay nando edi ee s 48 Stereo EC eed tin soi IRURE RETE Ee IRE 41 Stereo Flanger Stereo FIN sse 46 S st inet au a ende cech E Pda eie eese der pado 43 ic 36 System usss 28 67 T Tap Delay eee tr eee ndis 50 TEA Aoi c E EVIL Brad 36 Tempo ecce Ee ERR 27 60 TEMPORARY ui teet edente tentes 81 Tetra Chorus a2 aec era das 45 Threshold cette drerit creen tte 70 gine 39 51 Time Control Delay TimeCtrlDly sees 49 Time Sig Time Signature sse 60 EE OU edad alada 36 IrariSDBOS _ cio iio 60 Tremolo Chorus Tremolo Cho sss 45 Tie a asua aa ha Sita aaa hele ah 36 Trig Mode viii ai 36 THIS PE aaa
72. ECTS 3 1 3 Press SYSTEM SYSTEM will light and the following screen will appear UTILITY LCD Contrast Turn PATCH VALUE to adjust the contrast of the display screen Increasing the value will darken the display You will return to normal Play mode 28 When you have finished adjusting press SYSTEM or EXIT NEM When you modify the system setting the new setting is automatically saved as soon as you make the change You do not have to operate for the storing Chapter 1 Quick Start Adjusting the D Beam Sensitivity The sensitivity of the D Beam will change depending on the amount of light in the vicinity of the unit If it does not function as you expect adjust the sensitivity as appropriate for the brightness of your location PATA UE V ay EP E 3 PATCH NUMBER EDIT USER PRESET CHAIN WRITE 4 PARAMETER gt EXIT SEQUENCER TEMPO REC PLAY STOP Kur 2 4 1 4 1 Press SYSTEM SYSTEM will light Press PARAMETER p to display the following screen CONTROLLER DBEAM Sens 100 Place your hand about 20 inches 50 cm above the D Beam and turn PATCH VALUPE to adjust the sensitivity Move the meter at the upper right of the screen to the center line as shown in right screen The D Beam will respond as far as the position where your hand was when you made the adjustment CONTROLLER n mj CONTROLLER DBEAM Sens 100 DBEAM Sens 64 When you have finishe
73. EL 02 9982 8266 NEW ZEALAND Roland Corporation Ltd 32 Shaddock Street Mount Eden Auckland NEW ZEALAND TEL 09 3098 715 CENTRAL LATIN AMERICA ARGENTINA Instrumentos Musicales S A Av Santa Fe 2055 1123 Buenos Aires ARGENTINA TEL 011 4508 2700 BRAZIL Roland Brasil Ltda Rua San Jose 780 Sala B Parque Industrial San Jose Cotia Sao Paulo SP BRAZIL TEL 011 4615 5666 COSTA RICA JUAN Bansbach Instrumentos Musicales Ave 1 Calle 11 Apartado 10237 San Jose COSTA RICA TEL 258 0211 CHILE Comercial Fancy II S A Rut 96 919 420 1 Nataniel Cox 739 4th Floor Santiago Centro CHILE TEL 02 688 9540 EL SALVADOR OMNI MUSIC 75 Avenida Norte y Final Alameda Juan Pablo II Edificio No 4010 San Salvador EL SALVADOR TEL 262 0788 MEXICO Casa Veerkamp s a de c v Av Toluca No 323 Col Olivar de los Padres 01780 Mexico D F MEXICO TEL 668 0480 Roland Corporation PANAMA SUPRO MUNDIAL S A Boulevard Andrews Albrook Panama City REP DE PANAMA TEL 315 0101 PARAGUAY Distribuidora De Instrumentos Musicales J E Olear y ESQ Manduvira Asuncion PARAGUAY TEL 021 492 124 PERU VIDEO Broadcast S A Portinari 199 ESQ HALS San Borja Lima 41 REP OF PERU TEL 01 4758226 URUGUAY Todo Musica S A Francisco Acuna de Figueroa 1771 C P 11 800 Montevideo URUGUAY TEL 02 924 2335 VENEZUELA Musicland Digital C A Av Francisco de Mir
74. EXP PEDAL HH CTRL jack This is transmitted only on the channel which is assigned to the pad part and the percussion parts Transmitted when the HPD 15 is in play for pattern in which this message is recorded OData Entry Controller number 6 Status 2nd byte 3rd byte BnH 06H mmH n MIDI channel number 0H FH ch 1 ch 16 mm The value of the parameter specified by RPN When a pattern is selected or adjust the Bend Range setting the pitch bend sensitivity of the sequencer pattern data will be transmitted This is transmitted only on the channel which is assigned to the melody parts Values for the RPN parameter on the normal mode of HPD 15 are as follows RPN Data entry MSB LSB MSB LSB Explanation 00H 00H mmH Pitch Bend Sensitivity mm 00H 18H 0 24 semitones 7FH7FH e RPN null set condition where RPN is unspecified OVolume Controller number 7 Status 2nd byte 3rd byte BnH 07H vvH n MIDI channel number 0H FH ch 1 ch 16 vv Control value 00H 7FH 0 127 When the LEVEL knob is turned in the melody parts the corresponding value will be transmitted This is transmitted only on the channel which is assigned to the melody parts and the percussion parts When a pattern is selected the part level of the sequencer pattern data will be transmitted Transmitted when the HPD 15 is in play for pattern in which this message is recorded OPan Controller number 10 Status
75. EXP PEDAL HI HAT SW SW c E c r 0000 aaaa Master Tune 0 509 0000 bbbb 415 3 466 2Hz 0 1Hz step 0000 cccc 0000 dddd UH PMID 4 src 4 Size Description Data Value TUS WT o E E AA AAN 0000 aaaa Foot Swl 8 l Ps RE 3 cad s 0000 aaaa Foot Sw2 0 8 1 LI E ai e ts x URL M MEAE i NE DOWN PATCH UP REV OFF ON M FX OFF ON ROLL HOLD PLAY STOP Mdfy SEL DN Mdfy SEL UP MIDI Implementation 1 3 MIDI 1 7 PATCH CHAIN GROUP Co _ o _ _ M R gt T P J Offset Offset I I address Size Description Data Value address Size Description Data Value I YT II I 00 00 000a aaaa Melol MIDI Ch 0 16 00 0000 aaaa Patch Number stepl 0 251 5 1 16 0FF 01 0000 bbbb ff F l 00 01 000a aaaa Melo2 MIDI Ch 0 16 02 0000 aaaa Patch Number step2 0 251 l 1 16 0FF 03 0000 bbbb 4 4 fd B I 00 02 000a aaaa Percl MIDI Ch 0 16 40 0000 aaaa Patch Number step33 240 251 l 1 16 0FF 41 0000 bbbb 00 03 000a aaaa Perc2 MIDI Ch 0 16 5 P0101 U1008 JUMP TO CHO01 JUMP TO CH10 LOOP END 1 16 0FF a qa q 00 04 000a aaaa Pad
76. F 7FH 8191 For example if aa bbH were expressed as decimal this would be aa bbH 40 00H aa x 128 bb 64 x 128 Data marked nibbled is expressed in hexadecimal in 4 bit units A value expressed as a 2 byte nibble 0a 0bH has the value of a x 16 b lt Example 1 gt What is the decimal expression of 5AH From the preceding table 5AH 90 lt Example 2 gt What is the decimal expression of the value 12 34H given as hexadecimal for each 7 bits From the preceding table since 12H 18 and 34H 52 18 x 128 52 2356 lt Example 3 gt What is the decimal expression of the nibbled value OA 03 09 0D From the preceding table since 0AH 10 03H 3 09H 9 0DH 13 10 x 16 3 x 16 9 x 16 13 41885 lt Example 4 gt What is the nibbled expression of the decimal value 1258 16 1258 16 ASEO MO 16 4 14 rr Since from the preceding table 00H 0 04H 4 14H OE 10H 0A the answer is 00 04 OE 0A MIDI Implementation IExamples of actual MIDI message lt Example 1 gt 95 3E 5F 9n is the Note on status and n is the MIDI channel number Since 2H 2 3EH 62 and 5FH 95 this is a Note on message with MIDI CH 6 note number 62 note name is D4 and velocity 95 lt Example 2 gt C9 20 CnH is the Program Change status and n is the MIDI channel number Since 9H 9 and 20H 32 this is a Program Change message with MIDI CH 10 program number 33 lt Example 3 gt E4 00
77. LD rsen ds OFF ON pe 06 0000 000a RIBBON R SOUND 0 1 OFF ON a 07 0000 000a RIBBON R HOLD ice OFF ON RS T ee s 08 0000 000a MULTI EFFECTS 01 Y OFF ON E 09 0000 000a Pad Sens Type Qi 3 Handl Hand2 Fingl Fing2 za 4 quo OA 0000 aaaa Roll Speed 0 127 24 Es pe gt B 0B 0aaa aaaa Patch Name 1 32 121 oc 0aaa aaaa Patch Name 2 32 S277 0D 0aaa aaaa Patch Name 3 32 127 OE 0aaa aaaa Patch Name 4 32 127 OF 0aaa aaaa Patch Name 5 32 127 10 0aaa aaaa Patch Name 6 32121 11 0aaa aaaa Patch Name 7 32 127 12 0aaa aaaa Patch Name 8 32 127 13 0aaa aaaa Patch Name 9 32 2 321 d 14 0aaa aaaa Patch Name 10 32 571237 A st ae 24 1 0 3 0 0 1 step 3 2 16 0 0 2 step 16 5 20 0 5 step 21 38 1 step 40 50 2 step 1 2 1 3 1 4 1 6 1 8 1 12 1 16 1 24 1 32 1 48 1 3 USER PATTERN qa Offset address Description St 00 00 00 All User Pattern Request E l 7F 7F 7F User Pattern Data End llParameter Address Block Map An outlined address map of the Exclusive Communication is as follows Address H Block 00 00 00 00 I 01 00 00 00 I I 10 00 00 00 11 00 00 00 12 00 00 00 20 00 00 SYSTEM TEMPORARY PATCH PATCH USER Sub block Reference UTILITY CONTROLLER Ks COMMON
78. LFO Am amp Rt MFX Ctrl1 MFX Ctrl2 MFX Ctrl3 RollSpeed Tempo 8 L63 Center R63 Random Alternate Tempo Turntable 9 Linear Exp1 Exp2 Log1 Log2 Spline Loud1 Loud2 Fix Fix16 10 PAD Al PAD C5 omly 18 D BEAM PEDAL i 11 OFF LEO Pitch LEO Fltr LEO Amp MEX Ctrl MEX Ctrl2 MEX Ctrl3 OFF Level Level Decay Decay Cutoff Resonance Color 1 Color 2 12 24 OFF 24 Random RevSend RevSend LFO Rate LFO Pitch LFO Fltr LFO Amp LFO Pc amp Rt LFO Ft amp Rt LFO Am amp Rt MFX Ctrl1 MFX Ctr MFX Ctrl3 RollSpeed Tempo Tempo Turntable Play Stop 13 PAD B1 PAD C5 only 2 2 2 PEDAL D BEAM RIBBON L RIBBON R Offset 19 D BEAM RIBBON L RIBBON R only address Size Description Data Value 00 0000 aaaa Inst 0 600 32 9 BEPEGT 01 0000 bbbb PEDAL 0 615 s 02 0000 cccc Offset 03 0000 dddd address Size Description Data Value 4 04 0000 aaaa Pitch 0 4800 00 0000 0aaa ReverbType Li 05 0000 bbbb 2400 2400cent lcent step 06 0000 cccc 01 000a aaaa Reserved 07 0000 ddda _ 02 0000 Oaaa ReverbAlgorithm 0 8 20 08 0aaa aaaa Level 0 127 03 0aaa aaaa ReverbLevel 0 1213 04 0aaa aaaa ReverbTime 0 127 09 0000 aaaa Pan T 129 8 05 000a aaaa Reverb HF Damp Qo v
79. Log2 Spline Loud1 Loud2 OB O0ae aada Decay op 31 Q 4 OFF 20 25 30 35 40 45 50 55 60 65 70 75 80 FE SS p amp oc 00aa aaaa Sweep 0 62 31 31 M 4 Sp 0D 00aa aaaa Color 0 62 31 31 105 MIDI Implementation 18 0000 0000 Reserved OE Qaaa aaaa ReverbSend Qu 127 19 0000 0000 Reserved 1A 0000 0000 Reserved OF 0000 000a M FX SW On E OFF ON 1B 00aa aaaa CEEL Tx 0 24 17 0 25 18 10 0000 O0aa Trigger Mode 0i 2 x BEEN EHHG E Shot Gate Trig TE 0000 000a Pitch Tx 0 1 4 OFF ON 11 000a aaaa Velocity Curve Qoi 23 9 1D 0000 000a Mute Tx 0 1 12 0000 000a Roll Rx 0 1 10 OFF ON OFF ON E II AA 1E 0000 000a Ctrl Rx 07 13 0000 0000 Reserved OFF ON 14 0000 0000 Reserved 15 0000 0000 Reserved 1F 00aa aaaa Pitch Rx Range 0 49 11 16 0000 0000 Reserved r rq Y d 0000 0000 Reserved 20 0000 000a Mute Rx 0 1 18 0000 0000 Reserved OFF ON 19 0000 0000 Reserved V nT 1A 0000 0000 Reserved 21 0000 000a Rx Self Qo ee E TuS m OFF ON 1B 00aa aaaa Ctrl TX 0 6 11
80. MIDI IN System Exclusive is not received HPD 15 Device ID 16 Nore If you lose track of the Device ID setting that was used when saving data via a bulk dump it will no longer be possible to reload the bulk data that was saved 82 Program Change Number List User Patches Bank Select 1 Patch Program Patch Program Number Change Number Change Number Number U0202 U0203 U0204 U0205 U0206 U0207 U0208 U0301 U0302 U0303 U0304 U0305 U0306 U0307 U0308 U0401 U0402 Program change numbers of the preset patches are written in the Preset Patch List p 90 Troubleshooting This chapter outlines points to check if you experience problems and what to do about them Problems With the Overall Sound Intended Sound Not Produced Are the pad sensitivity settings correct Make sure that the following parameters are set to correct value System Settings PAD Sens p 70 DBEAM Sens p 69 Patch Settings PadSnsType p 54 TrigMode p 36 u Ow The HPD 15 adjusts the sensitivity of the D Beam autmatically for the brightness of its location when the power 1s turned on Do not shut the window of the D Beam until the patch name is displayed Ore If you connect the hi hat control pedal FD 7 optional the HPD 15 check the position of the pedal when the power is turned on D
81. MSB LSB Explanation 00H 00H mmH Pitch Bend Sensitivity mm 00H 18H 0 24 semitones LSB ignored processed as 00H specify up to 2 octaves in semitone steps 7FH 7FH RPNnull set condition where RPN is unspecified The data entry messages after set RPN null will be ignored No Data entry messages are required after RPN null Settings already made will not change MSB LSB of data entry ignored OVolume Controller number 7 Status 2nd byte 3rd byte BnH 07H vvH n MIDI channel number 0H FH ch 1 ch 16 vv Control value 00H 7FH 0 127 In the melody parts it is used as the part level of the sequencer pattern data When recording this is recorded in the sequencer data itself if it is received on the melody parts Tn the percussion parts it is used as the part level of the sequencer pattern data Not recorded in the sequencer if it is received on the percussion parts OPan Controller number 10 Status 2nd byte 3rd byte BnH 0AH vvH n MIDI channel number 0H FH ch 1 ch 16 vv Control value 00H 40H 7FH Left Center Right In the melody parts it is used as the part panpot of the sequencer pattern data In the pad part or the percussion parts it is used as the data of the PAN knob When recording this is recorded in the sequencer data itself 97 4 Q E Q Q lt MIDI Implementation OExpression Controller number 11 Stat
82. Mode Turning the Click On Off OFF REC Only m REC PLAY OFF Click doesn t sound while the playback recording g REC Only Click sounds while the recording E REC PLAY Click sounds while the playback recording hd PlyCountIn Adding a Count Sound Before Playback OFF 1Meas 2Meas OFF Playback will begin without a count in 1Meas Playback begins after a 1 measure count in 2Meas Playback begins after a 2 measure count in RecCountin Adding a Count Sound Before Recording OFF 1Meas 2Meas OFF Recording will begin without a count in 1Meas Recording begins after a 1 measure count in 2Meas Recording begins after a 2 measure count in Available Checking the Remaining Amount of Memory only displayed The remaining amount of memory is displayed Changing the Pattern Name How to changing the name is same as naming a patch Refer to Naming a Patch p 55 up to 10 characters 61 Chapter 3 Recording Your Performance Sequencer Settings for the Recording Set in the Recording Stand by mode Parameter Value RecStby Specifying the Part Perc1 Perc2 Melo1 Melo2 Perc1 Perc2 Percussion Part 1 Percussion Part 2 Import Melo1 Melo2 Melody Part 1 Melody Part 2 Import Select this when you will record multiple Parts simultaneously by using an external sequencer Each Part will receive the data from specified MIDI chamnel p 78 When you select Perc1 Perc2 Melo1 or Melo2 all channel data is received You
83. N you will be able to modify the pitch of pads or controllers CtriTx OFF LFO Pitch LFO Fitr LFO Amp MFX Ctrl1 3 Pad OFF Level Level Decay Decay Cutoff Resonance Color 1 2 RevSend RevSend LFO Rate LFO Pitch LFO Fitr LFO Amp LFO Pc amp Rt LFO Ft amp Rt LFO Am amp Rt MFX Ctrl1 3 RollSpeed Tempo Tempo TurnTable D Beam Ribbon Pedal Play Stop D Beam Pedal Specifies transmission for control signals other than mute and pitch Level Level Modifies the volume Decay Decay Modifies the duration decay time 52 Chapter 2 Modifying a Patch Cutoff Modifies the cutoff frequency of the filter The character of the high frequency range will change Resonance Modifies the resonance of the filter The range near the filter cutoff frequency will be emphasized Color 1 2 Simultaneously changes the filter cutoff frequency and resonance The tonal character will change RevSend RevSend Modifies the depth of the reverberation LFO Rate Modifies the modulation rate of the LFO waveform LFO Pitch Modifies the depth of the pitch modulation produced by the LFO LFO Fitr Modifies the depth of the tonal change produced by the LFO LFO Amp Modifies the depth of the volume change produced by the LFO LFO Pc amp Rt Modifies the depth of the pitch modulation produced by the LFO and the speed of modulation LFO Ft amp Rt Modifie
84. P0601 Standard ies P0724 DanceMenu2 2 127 P0103 Timbales 2 3 P0305 DrmOfIndia 2 44 p GU2 Us 2 azzbrus P0104 LatinToys 2 4 P0306 MadalTalan 2 45 pisos TE Sex nalo 2 85 P0105 CONGAbongo 2 5 P0307 Tabla II 2 46 s P0106 TimbaleMix 3 P0308 Tabla III 2 47 P0604 TR 808 2 86 P0801 PsycoDrama 2 128 P0107 Conga I 27 P0309 TABLATIX 2 48 P0605 TR 909 2 87 P0802 Forest 3 1 P0108 B T P0310 Sitar 2 49 P0606 Studio 2 88 P0803 GrandBlue 3 2 ongo P0109 Timbalesll 29 P0311 SantoorMaj 2 59 P0607 Rock Stage 2 89 P0804 NoiseSonic 3 3 P0110 BONGO BRS 2 10 P0312 SantoorMin 2 51 P0608 Swing 2 90 P0805 ArpegPerc 3 4 P0609 Brushes 2 931 P0806 CartoonFX 8 5 P0111 TimbalSong 241 POSTA oe posto oun t 292 P0807 in rch Se 3 6 P0112 Steel Drum 2 12 P0314 Darabukka 2 53 1 y P0113 Pandei us P0315 Rek 2 54 P0611 Mexi Set 2 93 P0808 Rol amp FiltMe 3 7 andeiro c P0114 Surdo 2d P0316 Doholla 2 55 P0612 Hi Boy 2 94 P0809 MetalMania 3 8 P0115 ESCOLA 215 P0317 Doira 2 56 P0613 Low amp Dry 2 95 P0810 ChaosSoniq 3 9 P0116 Berimbau 216 P0318 Turk Mltry 2 57 P0614 Jazz Mix 2 96 P0811 SFX Menu 1 3 10 P0615 JzBrush amp Bs 2 97 P0812 SFX Menu2 3 11 P0117 Pandeiroll 2 17 P0616 BluesClub ario EPA Asi AN uesClu 2 98 P0813 SFX Menu 3 3 12 P0119 Brazil Mi jns P0617 Drum amp Horns 2 99 razil Mix E P0307 JALAN 258 P0618 TechnoGate 2 100 OTHERS I P0120 Perc Echos 2 20 P0402 MATSURI 2 59 P0619 FlangeDrms 2 101 P0121
85. Pan L63 Center R63 Ctrl3 Adjusts the stereo location of the pitch shifted sound Pre Delay 0 0 500ms Adjusts the time delay from when the direct sound begins until the pitch shifted sound is heard Mode 1 5 Lower settings of this parameter will result in faster response Higher settings will result in slower response but steadier pitch Feedback 98 98 Ctrl2 Adjusts the proportion 76 of the processed sound that is fed back into the effect Negative settings will invert the phase Tone 15 15 Adjusts the tone quality Positive settings will emphasize the high range and negative settings will emphasize the low range Effect Level 0 127 RTM Adjusts the output level of pitch shifted sound Direct Level 0 127 Adjusts the output level of direct sound Stereo Delay StereoDelay This is a stereo delay Delay Left 0 0 500ms DelayRight 0 0 500ms Adjusts the time from the original sound until when the delay sound is heard Feedback 98 98 Ctrll Adjusts the proportion of the delay sound that is fed back into the effect Negative settings will invert the phase Fbk Mode NORMAL CROSS Selects the way in which delay sound is fed back into the effect NORMAL The left delay sound will be fed back into the left delay and the right delay sound into the right delay Lin O L out e 99H Feedback IN H Rin O R out CROSS The left delay sound will be fed back into the right delay
86. Roland HAN DSONTC HPD 15 Owner s Manual Thank you and congratulations on your choice of the Roland HandSonic HPD 15 Before using this unit carefully read the sections entitled USING THE UNIT SAFELY p 2 3 and IMPORTANT NOTES p 4 These sections provide important information concerning the proper operation of the unit Additionally in order to feel assured that you have gained a good grasp of every feature provided by your new unit Owner s manual should be read in its entirety The manual should be saved and kept on hand as a convenient reference Roland Heo 15 HANDSONTC Levet RIBBON CONTROL The D Beam Controller is provided under license from Interactive Light Inc Copyright 2000 ROLAND CORPORATION All rights reserved No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION For the U K IMPORTANT THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE BLUE NEUTRAL BROWN LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug proceed as follows The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RE
87. Sequencer Section Adjusts the volume of the entire HPD 15 You can record and play back When this knob is turned fully counterclockwise your performance p 59 no sound will be output PATCH VALUE Dial Turn to select a patch or change the value REALTIME MODIFY Section Turn these knobs to modify the D BEAM sound p 19 Pass your hand to produce or control the sound p 16 Patch Select Section Changes the patch p 22 LI lt oJ k U Roland nep 15 HAND D BEAM RIBBON CONTROL SOUND HOLD C 2C JJ R RIBBON CONTROL HOLI L Ribbon L Slide your finger on this ribbon to produce a sound or to control the tone p 15 Ribbon R PATCH SEL Button ROLL HOLD Button ae es Pe we bs When this button is lit the sound Pad SU an eee will repeat like rolls while pressing Strike to produce a patchy 23 This button ik used as the shift button of some a pad p 16 sound or press to control the tone p 15 operanons too 10 Rear Panel Panel Descriptions TRIGGER INPUT Jack Connect the kick trigger units external pads foot switches p 73 FOOT SWITCH Jack Connect the optional foot switches BOSS FS 5U You can use foot switches to select a patch to control the sequencer and so on p 71 MIDI Connectors IN OUT THRU Connect the MIDI ca
88. SpaceConga 2 21 P0403 CHINA 2 60 P0901 Laserwave 3 13 P0620 JunkyDrums 2 102 P0122 808 Latin 2 2 P0404 Yang Qin 2 61 P0902 Heavy Gtr 3 14 P0621 Brush Box 2 103 P0405 Korean4Drm 2 62 P0903 Acous Bass 3 15 AFRICAN P0406 Gamelan 263 DANCE P0904 SH101 Bass 3 16 P0905 Flut 3 17 P0201 TalkingDrm 2 2 P0407 JavaGameln 2 64 cay P0202 Djembe S 2 2 P0408 BaliGameln 2 65 P0701 Clap amp Scrch 2 104 P0906 SynString 3 18 P0203 Dj be L js P0409 Bali amp Java 2 66 P0702 FILTERED 2 105 P0907 Saw Wave 3 19 embe i P0703 Trash Beat 2 106 P0908 R 3 20 P0204 Frame Drum 2 26 P0410 Gongs 267 b x P0205 Pot D ee P0411 Angklung 2 68 P0704 LatinHouse 2 107 P0909 Fantasia 3 21 ot Drum 2 D02062 Elba 2 2g P0412 Bonang 2 69 P0705 Techey 2 108 P0910 Thick Pad 3 22 P0207 Log Drum 3259 P0413 Gender 2 70 P0706 TechDance 2 109 P0911 Calliope 3 23 P0208 Balaphone 230 P0414 Saron 2 71 P0707 EthniDance 2 110 P0912 Melody 808 3 24 He P0708 Cosmo 21 2 111 aes pa P0709 Industrial 2 112 P ndustria P0210 AfroZither 232 ORCH LOOF S P0710 UndaGround 2 113 T eager A SPOT Vibraphone 272 P9711 StreetBeat AY Co E A P0212 AfricaToys 234 P0502 Glockenspl 273 poria 308 3000 sage eo a d SE pide meio dl is 274 P0713 AlienDance 2 116 A n P0214 NaturePerc 2 96 P0504 Marimba 235 asia TEHN E P1004 IndianLoop 3 28 echNow P0215 GyliBalaph 237 P0505 Bs Marimba 2 76 P0715 sweep 808 x P1005 Asian Loop 3 29 P0216 TalkDrm II 2 38 P05
89. Start Listening to the Demo Song 1 Simultaneously press SEQUENCER and SYSTEM EDIT USER PRESET CHAIN x S SEQUENCER TEMPO REC PLAY STOP DEMO D BEAM MULTI SYSTEM SOUND CONTROL EFFECTS EME HPD 15 DEMO PLAY 1 TABLECTRIC 2 Turn PATCH VALUE or use PATCH NUMBER w and PATCH NUMBER 44 to select the demo song that you wish For details on the demo to hear songs refer to Demo Song List p 96 TN 3 Press PLAY STOP EDIT USER PRESET CHAIN gi JL R4 JC SEQUENCER TEMPO REC PLAY STOP ale SYSTEM SOUND CONTROL EFFECTS Playback will begin To stop playback press PLAY STOP once again NOTE No data for the music that 4 is played will be output Press EXIT from MIDI OUT You will return to the previous screen 14 Chapter 1 Quick Start Performing Hit the pads The pads of the HPD 15 will produce different volume or tones depending on where or how strongly they are struck and you can also vary the tone and duration of the sounds by continuing to press the pad after striking it or by pressing another pad Chapter 1 The pads are divided into 15 sections which are numbered as follows Pad Set The pads are in sets of five Pads A1 A5 are referred to as pad set A pads B1 B5 as pad set B and pads C1 C5 as pad set C Slide Your Finger on the Ribbons By sliding your finger on the ribbons located at the left and right of the HPD 15 you can prod
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91. TER B to display the following screen MIDI LocalControl ON 3 Turn PATCH VALUE to select ON OFF 4 When you are finished setting press SYSTEM or EXIT LocalControl OFF ON Nore When Local Control is set to OFF the internal sound generator does not sound even when the pad is struck Saving Data to an External MIDI Instrument The data in the HPD 15 can be transmitted either singly or collectively to a sequencer or another HPD 15 The operation of transmitting this data is called a Bulk Dump receiving this data is called a Bulk Load Transmitting Bulk Dump The HPD 15 transmits stored data to a sequencer Use a MIDI cable to connect the HPD 15 s MIDI OUT connector to the MIDI IN connector of the external sequencer or the other HPD 15 O MIDI OUT a mipi in B Q 2 20000000 9 0 o oonoooooo 0 O a y 200 EJXEIEIOX EJ El DOOoOono0O o m External Sequencer HPD 15 1 Press SYSTEM to make it light 2 Press lt PARAMETER or PARAMETER B to display the following screen MIDI WRITE B1kDmp ALL or MIDI WRITE B1kDmpU0101 0101 blinking 3 Turn PATCH VALUE to select the contents that you wish to transmit 4 Put the receiving sequencer in record mode When you wish to transmit to another HPD 15 put the receiving HPD 15 in play mode Chapter 6 Connecting MIDI Devices
92. The HPD 15 tramsmits a value corresponding to the strike position of the pad Al This is transmitted only on the channel which is assigned to the pad part and the percussion parts Transmitted when the HPD 15 is in play for pattern in which this message is recorded OGeneral purpose controller 2 Controller number 17 Status 2nd byte 3rd byte BnH 11H vvH n MIDI channel number 0H FH ch 1 ch 16 vv Control value 00H 7FH 0 127 The HPD 15 tramsmits a value corresponding to the strike position of the pad A5 This is transmitted only on the channel which is assigned to the pad part and the percussion parts Transmitted when the HPD 15 is in play for pattern in which this message is recorded OHold 1 Controller number 64 Status 2nd byte 3rd byte BnH 40H vvH n MIDI channel number 0H FH ch 1 ch 16 vv Control value 00H 7FH 0 127 This message is transmitted with the value 7FH when turned on the ROLL HOLD button or value 00H when turned off Transmitted when the HPD 15 is in play for pattern in which this message is recorded OSostenuto Controller number 66 Status 2nd byte 3rd byte BnH 42H vvH n MIDI channel number 0H FH ch 1 ch 16 vv Control value 00H 7FH 0 release Modify Lock 127 Modify Lock This message is transmitted with the value 7FH when the Modify Lock is done or transmitted with the value 00H when the Modify Lock is canceled This is transmitted onl
93. The left delay sound will be fed back into the right delay and the right delay sound into the left delay Lin qucm Feedback T vss Jl Rate 0 05 10 0Hz LFO Ctrl1 Adjusts the rate of modulation Depth 0 127 Ctrl3 Adjusts the depth of modulation Phase 0 180deg Adjusts the spatial spread of the sound HF Damp 200Hz 8kHz THRU Adjusts the frequency above which sound fed back to the Rin effect will be cut If you do not want to cut the high frequencies of the feedback set this parameter to THRU Tone 15 15 Adjusts the tone quality Positive settings will emphasize the high range and negative settings will emphasize the low range Effect Level 0 127 RIM Adjusts the output level of delay sound Direct Level 0 127 Adjusts the output level of direct sound Time Control Delay TimeCtriDly This effect allows you to use pads D Beam ribbons to control the delay time and pitch in realtime Lengthening the delay will lower the pitch and shortening it will raise the pitch Delay 200 1000ms LFO Ctrl1 Adjusts the time delay from the direct sound until when each delay sound is heard Acceleration 0 15 Adjusts the time over which the delay time will change from the current setting to a newly specified setting The rate of change for the delay time directly affects the rate of pitch change Feedback 98 98 Ctrl2 Adjusts the proportion of the delay sound that is fed back into
94. a 8 G lt U The settings you edit will return to the original values when you switch patches If you wish to keep your changes refer to Saving Your Settings Write Duplicating Settings Copy p 56 Setting the MIDI Channels For setting the MIDI channel refer to Using the HPD 15 As a Sound Module p 78 Performance on the pads is transmitted on the channel setting for the Pad CH 77 Chapter 6 Connecting MIDI Devices Using the HPD 15 Asa Sound Module Make settings for playing the HPD 15 as a sound module from a MIDI keyboard or other device Use a MIDI cable to connect the HPD 15 s MIDI IN connector to the MIDI OUT connector of an external keyboard sequencer etc H MIDI IN MIDI OUT a ILLATAM MIDI keyboard is HPD 15 Setting the MIDI Channel for a Part For each part you can specify the channel on which the HPD 15 will receive and transmit MIDI messages 1 Press SYSTEM and make it light 2 Press lt PARAMETER or PARAMETER DB to display the following screen MIDI Pad CH 10 3 Turn PATCH VALUE to specify the channel Pad CH 1 16 OFF Specify the channel on which performance data of the pad controller section pads D Beam ribbons external triggers will be transmitted and received Normally you will set this to channel 10 Perc 1 CH 1 16 OFF Specify the channel for percu
95. a Pattern p 64 Note It is not possible to write the modification to a preset pattern If you press WRITE at a preset pattern copy destination select screen will appear 63 Chapter 3 Recording Your Performance Sequencer Editing a Pattern You can edit either copy delete the patterns or erase the part Basic Settings for Editing 1 Press WRITE in Sequencer mode when WRITE is pressed at the preset pattern Pattern jae dtc Uu poi PTN COPY Dst U01 ALL Parameters when WRITE is pressed at the user pattern U01 PTN WRITE WRITE EXIT 2 Press lt PARAMETER or PARAMETER B to select the editing function or parameter 3 Turn PATCH VALUE to set the value 4 Press WRITE to execute If you decide not to execute press EXIT Copying a Pattern You can copy selected part of currently selected pattern U01 PTN COPY Percl Dst U01 Dst U01 U99 Select the copy destination user pattern ALL Percl Perc2 Melo1 Melo2 Select the part that you wish to copy ALL All parts are copied Perc1 Percussion Part 1 is copied Perc2 Percussion Part 2 is copied Melo1 Melody Part 1 is copied Melo2 Melody Part 2 is copied Erasing Parts You can erase performance data from specified measures of a part or pattern The erased position will become blank measures U01 PTN ERASE Meas 001 999 Pcl Meas ALL 001 999 001 999 ALL This erases the data from all m
96. aChorus Chorus with great breadth Hall A Simulates the reverberation of a hall with a low ceiling Bamboo Cho Chorus with fluttering reflections Hall B Simulates the reverberation of a large hall TremoloCho Chorus with tremolo added Tunnel Reverberation like that in a tunnel Giddy Cho Spinning chorus that make the listener dizzy Stadium Simulates the reverberation of a stadium Sigh Cho Chorus with a slight crying sound GateReverb Standard gated reverb settings Space D Effect that fattens the sound ReverseGate Reverse gated reverb 95 Demo Song List 1 TABLECTRIC 2 Forest Trip 3 NewSalsa2000 4 Escola 5 Asian Delight 6 Nightmare All rights reserved Unauthorized use of this material for purposes other than private personal enjoyment is a violation of applicable laws No data for the music that is played will be output from MIDI OUT Music by Ikuo Kakehashi Music by Ikuo Kakehashi Music by Efrain Toro Music by Ikuo Kakehashi Music by Efrain Toro Music by Ikuo Kakehashi Profiles of Composers Ikuo Kakehashi majored in Percussion at Tokyo College of Music and studied under Prof Makoto Ariga and Prof Tadahiro Wakabayashi He has also done extensive research on world music especially Asian and Arabic He is involved as a non border percussionist Ethnic Music contemporary music electronics pop music in session and studio work He also produces Copyright 2000 Roland Corporation Copyright
97. and the right delay sound into the left delay Lin E Feedback roa Phase L NORMAL INVERSE Phase R NORMAL INVERSE Selects the phase of the left right delay sound NORMAL Phase is not changed INVERSE Phase is inverted HF Damp 200Hz 8kHz THRU Ctrl2 Adjusts the frequency above which sound fed back to the Rin effect will be cut If you do not want to cut the high frequencies of the feedback set this parameter to THRU Tone 15 15 Adjusts the tone quality Positive settings will emphasize the high range and negative settings will emphasize the low range Effect Level 0 127 RTM LFO Ctrl3 Adjusts the output level of delay sound Direct Level 0 127 Adjusts the output level of direct sound Chapter 2 Modifying a Patch Modulation Delay Mod Delay This effect adds modulation to the delayed sound producing an effect similar to a flanger Delay Left 0 0 500ms DelayRight 0 0 500ms Adjusts the time from the original sound until when the right delay sound is heard Feedback 98 98 Ctrl2 Adjusts the proportion of the delay sound that is fed back into the effect Negative settings will invert the phase Fbk Mode NORMAL CROSS Selects the way in which delay sound is fed back into the effect NORMAL The left delay sound will be fed back into the left delay and the right delay sound into the right delay eee oa H Feedback O de HA Rin O R out CROSS
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99. apter 4 Changing Patches in the Desired Sequence This chapter explains the Patch Chain function that lets you switch patches in a desired order Chapter 5 Settings for the Entire HPD 15 This chapter explains settings that affect the entire HPD 15 such as screen display control settings and how to connect external pads pedals or foot switches for use with the HPD 15 Chapter 6 Connecting MIDI Devices This chapter explains MIDI related functions such as using the HPD 15 to play external sound modules or saving data on an external device Appendices If you run into problems refer to Troubleshooting to make sure that the settings are correct If an error message appears during operation refer to Messages and Error Messages and take appropriate action This section also provides information related to MIDI backing instrument list and the MIDI implementation charts About the Symbols in This Manual Words of symbols enclosed in square brackets indicate panel buttons or dial For example EDIT signifies the Edit button MEM The explanations in this manual include illustrations that depict what should typically be shown by the display Note however that your unit may incorporate a newer enhanced version of the system e g includes newer sounds so what you actually see in the display may not always match what appears in the manual Panel Descriptions Front Panel VOLUME Knob
100. atch Refer to Naming a Patch p 55 ihe It is not possible to record to a preset pattern To return to normal Play mode Press SEQUENCER or EXIT SEQUENCER will go dark 59 Chapter 3 Recording Your Performance Sequencer Settings for the Pattern Category SETUP PART 60 PERC1 PERC2 MELO1 MELO2 Parameter Time Sig Specifying the Time Signature Numerator Number of beats per measure Denominator Basic note value It is not possible to change after the pattern is recorded Value Numerator 1 13 Denominator 2 4 8 16 Length Specifying the Length Number of Measures of the Pattern When Replace is selected for the RecMode p 62 it is not necessary to specify 1 999 the Length Recording will continue until you press PLAY STOP and the number of measures recorded will automatically become the Length setting It is not possible to change while the pattern is playing back Tempo Specifying the Tempo of the Pattern When Ext is selected for the Seq Sync p 68 MIDI MID will appear 20 240 MIDI PlayType Choosing a Playing Method Loop After the pattern is played back to the end playback then repeats and continues until PLAY STOP is pressed OneShot Playback stops once the end of the pattern is reached Tap Each time the PLAY STOP is pressed or pad is struck refer to p 54 the sounds contained in a pattern
101. aten heats abel 17 JAENA ar a Scale ssi ate apuman na anna abra pa Be Ee sh ER 18 Using Knobs to Modify the Tone Realtime Modify sese 19 Adding Effects Such as Reverb or Distortion Multi Effects sss 20 Turning Multi Effects On Off urraca nde ni eere eite eo rires 20 Changing Sounds to Play Patch SeleGt u l a na tn nahua aa aR abae eaaa Raani 21 Changing Patches with the Diall l a ys sa ama win tenete nene 22 Changing Patches with the Panel Switches sss 22 Changing Patches with the Pads Pad Patch Select 23 Changing the Settings of a Patch EZ Edit u 24 Playing Back PresetPattetn s ce ee eere eee mer tte e deti ei ah AR ne n Says 26 Changing the Tepo sssi ns eene au HOD e RR ERIS a ES 27 System Senos vercion tinet 28 Adjusting the Display for Best Visibility LCD Contrast 28 Adjusting the D Beam Sensitivity inei e E nennt nennen 29 If the Sound or Operation Is not as You Expect tenens 30 Rapidly Selecting Parameters or Values U 31 Key Repeat Funetionu aaa a aaah tete testate tete tethtete tete casarnos 31 Turbo Repeat F ncton s eee ore Ire e Dee eth tene presa 31 Skip PUNCH OMS teinte ne HEU kuya aasma mus TR RE 32 Tryto Play the Congar pere Wasa e deren te hae tinh eene d etie 34 Conga Basic yin ainia ten adr AEE DAE AEO Ena RERS 34 Chapter 2 Modifying a Patch
102. be displayed Triangl Sine SawRise AN WN WMV Triangle wave Sine wave Sawtooth wave Up SawFall Square Trape Sawtooth Square wave Trapezoidal wave wave Down Smp amp Hld Random Chaos Sample and Random wave Chaos wave hold wave Rate 0 127 Adjusts the modulation rate of the LFO waveform PitchDepth 0 127 Adjusts the depth of the pitch modulation FilterDepth 0 127 Adjusts the depth of the modulation in tone AmpDepth 0 127 Adjusts the depth of the modulation in volume EffectDepth 0 127 Adjusts the depth of modulation for the effect parameter For details on the parameter that will be modulated refer to Adjusting Multi Effect Settings p 40 Realtime2 PITCH EFFECT Selects the LFO parameter which is modified by turning the middle realtime modify knob You can modify the PitchDepth if you select the PITCH or the EffectDepth if you select the EFFECT Nore This parameter is effective only when the bottom indicator that at the upper right of the Realtime Modify knobs is lit by pressing SELECT Realtime3 FILTER AMP Selects the LFO parameter which is modified by turning the right realtime modify knob You can modify the FilterDepth if you select the FILTER or the AmpDepth if you select the AMP Nore This parameter is effective only when the bottom indicator that at the upper right of the Realtime Modify knobs is lit by pressing SELECT 38 Chapter 2 Modifying a Patch Effect Settin
103. ble when using the HPD 15 to play external instruments using the HPD 15 as a sound module or to save load the setting data p 76 AC Adaptor Jack Connect the include AC adaptor POWER Switch Turns the power on off EXP PEDAL HH CTRL Jack Connect an expression pedal EV 5 a hi hat control pedal FD 7 or a foot switch p 72 MIX IN STEREO Jack Connect a CD MD player or use for the expanded input at the live performance The sound that is input to this jack will be output from the OUTPUT jacks and PHONES jack OUTPUT Jacks Connect to external audio devices or amps If using monaural sound plug the cable into the L MONO jack only PHONES Jack Connect stereo headphones Even if headphones are connected sound will still be output from the OUTPUT jacks b OUTPUT Cord hook PCS 31 optional AC adaptor L 11 J n W L BOSS FS 5U optional PCS 31 optional K K Uu niu u m IL i5 Kick trigger unit External pad etc Stereo headphones Audio cable Speakers built in amp etc O els Stereo set etc CD Player etc EV 5 optional NOTE To prevent malfunction and or damage to speakers or other devices always turn down the volume and turn off the power on all devices before making any connections you To prevent the inadvertent disruption of power
104. bons EDIT USER PRESET CHAIN RIBBON CONTROL RIBBON CONTROL aq C HOLD SOUND C SOUND HOLD L mum mam R SEQUENCER TEMPO REC PLAY STOP DEMO D BEAM MULTI L SYSTEM SOUND CONTROL EFFECTS Pressing ribbon SOUND turns on off the producing sound Pressing D Beam SOUND turns on off the producing by using the ribbons sound by using the D Beam When ribbon SOUND is not lit sliding your finger on the When D Beam SOUND is not lit passing your hand over ribbon will not produce sound the D Beam will not produce sound Press ribbon HOLD to make it light if you move your Pressing D Beam CONTROL turns on off the controlling finger away the control signal keeps the value which is the tone by using the D Beam transmitted at the location where you move it away When D Beam CONTROL is not lit passing your hand over the D Beam will transmit no control signals p 52 MEMO EM MEMO You can set these settings on each patch You can set these settings on each patch Nore Note When you control the tone too fast some noise may be heard When you control the tone too fast some noise may be heard from some tones from some tones 69 Chapter 5 Settings for the Entire HPD 15 Setting the Pad Sensitivity If you wish to make more detailed settings set the following parameters Category PAD NEM Parameter Value Sens Adjusting the Sensitivity 1 16 Increasing this value will raise
105. ccording to the speed at which you move your hand The pad will be displayed as and cannot be set 53 Chapter 2 Modifying a Patch Using a Pad to Start a Pattern You can play a sequencer pattern by striking a pad B1 B5 C1 C5 Note Pads A1 A5 the D Beam and the ribbon controllers can not play patterns Parameter Category PAD PTN UO101B1 PAD PTN PTN Number u01 PTN Number Selects a pattern If a pattern is not selected this will be displayed as OFF For pads A1 A5 the D beam and the ribbons will be displayed and a pattern cannot be selected If a pattern is selected the indicator beside the pad will go red It will blink while the pattern is playing back Ifyou change the patch while a pattern is playing back you can stop the pattern by pressing PLAY STOP Tempo Sets the tempo of the pattern When using a pad to start a pattern the tempo which is set to the pattern p 60 is ignored Ifyou change the PTN Number the tempo which is set to the selected pattern will be set to the value of this parameter Level Adjusts the volume at which the pattern will sound NEM For details on a pattern refer to Chapter 3 Recording Your Performance Sequencer p 59 Set the Volume of the Entire Patch You can set the volume of the patch to adjust the volume balance between patches Parameter Category PATCH LEV U0101 PATCH LEV MasterVolume 100
106. ccur for softer hits Spline Variation in striking force will produce extreme change Loud1 Loud2 Variation in striking force will produce little change and a constant volume will be maintained When using drum triggers these settings help maintain stable levels Threshold Setting Minimum Levels A trigger signal to be transmitted only when the pad is struck harder than a specified force This allows you to prevent the pad from picking up extraneous vibrations from neighboring pads If the striking force is less than the threshold the pad will not sound To have the unit sound even when struck lightly set the threshold as low as possible Scan Time Adjusting the Trigger Signal Detection Time By adjusting the amount of time between the striking of the pad and detection of that strike you can achieve the correct detection of striking force if your pad have rather long attack times To maximize the speed at which sounds are triggered set this time as short as possible 1 16 1 3ms Retrig Cancel Cancelling Incorrect Triggering Increasing this value will eliminate multiple soundings from single strike If this value is extremely high individual notes may drop out more readily when you strike repeatedly or play rolls so set the value as low as possible 1 16 Mask Time Preventing Double Triggering Once a pad has been hit any additional trigger signals occuring within the specified Mask Time will b
107. ch delay sound Feedback 98 98 Adjusts the proportion of the delay 1 sound that is fed back into the effect Negative settings will invert the phase HF Damp 200Hz 8kHz THRU Adjusts the frequency above which sound fed back to the effect will be cut If you do not want to cut the high frequencies of the feedback set this parameter to THRU Effect Level 0 127 RTM Adjusts the output level of delay sound Direct Level 0 127 Adjusts the output level of direct sound Chapter 2 Modifying a Patch Advanced Reverb AdvanceRev The Reverb effect adds reverberation to the sound simulating an acoustic space Type ROOM1 2 STAGE PLATE HALL1 2 Selects the type of Reverb effect Room1 Simulation of the reverberation in a room Room2 Brighter reverb than Room1 Stage Simulation of on stage reverberation Plate Simulation of a metal plate reverb Hall1 Simulation of a larger space than Room Hall2 Brighter reverb than Hall1 PreDelay 0 0 100ms Adjusts the time delay from when the direct sound begins until the reverb sound is heard Time 0 127 Ctrl2 Adjusts the time length of reverberation HF Damp 200Hz 8kHz THRU Ctrl3 Adjusts the frequency above which the reverberant sound will be cut As the frequency is set lower more of the high frequencies will be cut resulting in a softer and more muted reverberance If you do not want the high frequencies to be cut set this parameter to THRU Effect Level 0 127 RTM LFO
108. compression is no longer applied Pan L63 Center R63 Adjusts the stereo location of the output sound TotalLevel 15 15dB RTM Adjusts the output level 41 Chapter 2 Chapter 2 Modifying a Patch Enhancer The Enhancer controls the overtone structure of the high frequencies adding sparkle and tightness to the sound Sens 0 127 LFO Ctrl1 Adjusts the sensitivity of the enhancer Mix 0 127 RTM Ctrl2 Adjusts the ratio with which the overtones generated by the enhancer are combined with the direct sound Low EQ 15 15dB Adjusts the level of the low frequency range High EQ 15 15dB Ctrl3 Adjusts the level of the high frequency range Spectrum Spectrum is a type of filter which modifies the timbre by boosting or cutting the level at specific frequencies It is similar to an equalizer but has 5 frequency points fixed at locations most suitable for adding character to the sound Band 1 15 15dB Adjusts the 500 Hz level Band 2 15 15dB LFO Ctrl1 Adjusts the 1 kHz level Band 3 15 15dB Adjusts the 1 25 kHz level Band 4 15 15dB Ctrl2 Adjusts the 3 15 kHz level Band 5 15 15dB Adjusts the 4 kHz level Width 1 5 Ctrl3 Simultaneously adjusts the width of the adjusted areas for all the frequency bands Pan L63 Center R63 Adjusts the stereo location of the output sound TotalLevel 15 15dB RTM Adjusts the output level Isolator The Isolator is a stronger version of an equalizer a
109. crch Stereo Scr BsDr Psh Scr BsDr Pul Scr Bs PshPl Jungle Cymbl Dance Shaker Trash body Trash edge Trash lid Trash bottom High Q 1 High Q 2 Rev High Q Air Blip Techno Snap Organ Chord Dist Guitar Auh Voice P P P F D D P D H T H T H T D27 D28 D29 D30 D31 D32 D33 D34 D35 D36 D37 D38 D39 D40 D41 D42 D43 D44 D45 Techno Chord H T Techno Scene T Synth Hit Distort Hit T Techno Hit T Philly Hit T Funk Hit D Funny Hit T Cuica Hit Rev Cuica Ht Thin Beef Bounce Dist Swish PCM Press Reverse Beat Monster Drum Can Drum Jungle Rol K Jungle Rol S Srx S01 S02 S03 S04 S05 S06 S07 S08 S09 S10 S11 12 13 14 15 S16 S17 S18 S19 S20 S21 22 23 24 25 S26 27 S28 S29 S30 S31 S32 33 34 S35 S36 S37 S38 S39 S40 S41 42 S43 44 S45 S46 S47 48 49 S50 S51 52 S53 54 S55 S56 57 S58 S59 S60 S61 S62 S63 S64 Burt Boing M ReverseBoing Tom Noise Laser M ReverseLaser Toy Gun Eddy Congerin Moment Toy Chat Second Tick Drip Click Metronm Bell Metronm Clk R 8 Spark Anvil Chop Metal 1 Metal 2 Crash Shot 1 Shot 2 Shot 3 Shot 4 Noise Acc 1 Noise Acc 2 Noise Acc 3 Noise Acc 4 Random Noiz1 Random Noiz2 Random Noiz3 Random Noiz4 White Noise Pink Noise Rev Vibraslp RevSitar Gls Rev Bend Gng Rev Voice K Rev Voice S Cabasa 1shot Matsuri Uut Drop Emergency W
110. d adjusting press SYSTEM or EXIT You will return to normal Play mode MEMO The HPD 15 adjusts the sensitivity of the D Beam automatically when turns the power on HINT You can make your selection rapidly by using the Key Repeat Function p 31 or Skip Function p 32 HINT The sensitivity of the D Beam will be less in a dark location In such locations itis a good idea to make the adjustment with your hand approximately 12 inches 30 cm above the D Beam MEMO For details on other system parameters refer to Chapter 5 Settings for the entire HPD 15 p 67 29 Chapter 1 Chapter 1 Quick Start If the Sound or Operation Is notas You Ex pect If as you modify the settings the sound or operation is no longer as you expect and you are unable to restore the correct settings you can execute the Factory Reset operation to reset all settings to their factory condition PATCH VALUE MODIFY AN CLEAR PATCH NUMBER EDIT USER PRESET CHAIN WRITE PARAMETER gt EXIT SEQUENCER TEMPO REC PLAY STOP cc SKIP DEMO D BEAM MULTI SYSTEM SOUND CONTROL EFFECTS 4 5 2 3 1 Press SYSTEM SYSTEM will light Hold down PARAMETER to access the following screen FACTORY RESET SYSTEM WRITE Turn PATCH VALUE to select ALL FACTORY RESET ALL WRITE Press WRITE The following screen will appear Are You Sure WRITE EXIT If you wish to
111. d press EXIT Note When you turn the knobs too fast some noise may be heard from some tones EMO Hold down EXIT MODIFY CLEAR and press SELECT You can excute Modify Clear and cancel the Modify Lock at the same time 19 Chapter 1 Quick Start Adding Effects Such as Reverb or Distortion Multi Effects The HPD 15 contains a multi effect unit that can apply various effects to the sound Turning Multi Effects On Off 1 Press MULTI EFFECTS EDIT USER PRESET CHAIN SEQUENCER TEMPO REC PLAY STOP PEMO SYSTEM SOUND CONTROL E ECIS L For more on multi effects refer to Adjusting the When the effect is on MULTI EFFECTS will light Multi Effect Settings p The sound will change according to the selected type of effect 40 20 Chapter 1 Quick Start Changing Sounds to Play Patch Select A patch contains settings for the pads controllers and effects The HPD 15 contains 80 User patches that you can rewrite if desired and 160 Preset patches that cannot be rewritten User patches and preset patches are organized into 10 patch groups Names are assigned to preset patch groups e g 9 e GROUP 1 LATIN Latin American Percussion instruments e GROUP 2 AFRICAN Percussion instruments of Africa and other regions e GROUP 3 INDIAN Percussion instruments of India and the Middle East e GROUP 4 ASIAN Percussion instruments of Asia e GROUP5 ORCH Orchestral percus
112. dress map Model ID 00H 2EH This map indicates address size range of data value and description of parameters which can be transferred using Data set 1 DT1 All the numbers of address and size are indicated in 7 bit Hexadecimal form All the numbers of data are indicated in Decimal form Addresses marked at cannot be used as starting addresses Parameter Address Block HPD 15 Model ID 00H 2EH Offset Offset A no ert 1 OFF PATCH Description Too 00 00 00 SYSTEM individual 1 1 01 00 00 00 TEMPORARY PATCH Individual 1 2 Io 0000 00 SYSTEM BR al 11 00 00 00 TEMPORARY PATCH Bul 1 2 12 00 00 00 USER PATCH 01 0 uo 1 2 Bulk 1 2 USER PATCH 10 08 USER PATTERN PATCH CHAIN GROUP 1 PATCH CHAIN GROUP 10 do A A COM EUER Re Se FU aE YY Size Description Data Value mou ee i Saa MON SIM PENES 0000 aaaa LCD Contrast Qe 15 1 16 A FT PA AAA A AA AAA A C 0000 aaaa Beep Level 0 15 UPS A MCI Cos 0000 000a Dial Lock On Se OFF ON PEER A A En t 0000 000a Power On Mode Of iT RESET LAST C sasa 0000 000a Pad Chase 0 1 OFF ON m ee 0000 000a Roll Sync Mode 0 cd OFF ON A E ur p qv 0000 00aa Sequencer Sync Mode 02 Int Ext Remote uem E A RUSO A S TE 0000 aaaa Reserved fo eo AAA eee 0000 000a Pedal Select 0 3
113. du PDL PEDAL A3 D dX A Cym Cowbell 1 Beech Dbl Head Snare T2 Snare Head Tom 2 Head Hi Hat Head Tom 3 Head Tom 4 Head Cross Stick Crash 2 Rim Crash 1 Head Crash 2 Head Crash 1 Rim Aux1 Rim Ride Rim Ride Head Aux2 Head Aux2 Rim Bell Tree Giro Long 1 Cowbell Kick Head Kick Rim Foot Pedal Ride Bell C Ride Cymbal Chinese Cowbell 2 Dry Hard Kik Jazz Kick Do not change the note numbers in the patch that is used for the recording to the external sequencer The pattern cannot be played back correctly if they are changed Snare Head Tom 1 Head Hi Hat Head Tom 2 Head Tom 3 Head Cross Stick Crash 2 Rim Crash 1 Head Crash 2 Head Crash 1 Rim Aux 2 Ride Rim Ride Head Ride Edge Tiny Gong Gong Clap Cowbell Kick 1 Kick 2 Foot Pedal Gate Time 0 1 8 0sec GM Percussion Acoustic Snare Low Tom Open Hi Hat High Floor Tom Low Floor Tom Side Stick Chinese Cymbal Crash Cymbal 1 Crash Cymbal 2 Splash Cymbal Tambourine Ride Bell Ride Cymbal 1 Ride Cymbal 2 Close Hi Hat Vibraslap Hand Clap Cowbell Bass Drum 1 Acoustic Bass Drum Pedal Hi Hat For each pad you can specify the length of time the note will hold during transmission from the MIDI OUT NEM Gate Time settings are valid if the pad trigger mode TrigMode is set to Shot For details on trigger mode refer to Adjusting Sounds p 36 he L
114. e 0 1 8 0sec For each pad you can specify the length of time the note will hold during transmission from the MIDI OUT Naming a Patch Each patch can be given a name Patch Name of up to 10 characters Parameter Category PATCH NAME UO101 PATCH NAME Conga _ Cursor Use 48M PARAMETER or PARAMETER I to move the cursor to left or right and turn PATCH VALUE to select the desired characters Chapter 2 Characters May Be Used in a Name ABCDEFGHIJKLMNOPORS TUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 4 amp I1 89eY Blank 55 Chapter 2 Modifying a Patch Saving Your Settings Write The settings you modify will be lost if you switch patches or turn off the power If you wish to keep your changes you must execute the write operation 1 Press WRITE U0101 Conga U0101 Conga patch number is blinking 2 Turn PATCH VALUE to select the write destination patch Ifyou wish to overwrite the data onto the currently selected patch simply proceed to step 3 current patch U0101 Conga U0201 TalkingDrm t write destination patch patch number is blinking Itis not possible to select a preset patch as the write destination 3 Press WRITE The settings will be written into the selected patch After the data has been written the write destination patch will be selected U02 USER02 01 Conga Ifyou decide not to execute the w
115. e placed so they are out of the reach of children Never climb on top of nor place heavy objects on the unit Never handle the AC adaptor body or its plugs with wet hands when plugging into or unplugging from an outlet or this unit Before moving the unit disconnect the AC adaptor and all cords coming from external devices Before cleaning the unit turn off the power and unplug the AC adaptor from the outlet p 13 Whenever you suspect the possibility of lightning in your area disconnect the AC adaptor from the outlet N CAUTION A 9 IMPORTANT NOTES In addition to the items listed under USING THE UNIT SAFELY on page 2 3 please read and observe the following Power Supply Do not use this unit on the same power circuit with any device that will generate line noise such as an electric motor or variable lighting system The AC adaptor will begin to generate heat after long hours of consecutive use This is normal and is not a cause for concern Before connecting this unit to other devices turn off the power to all units This will help prevent malfunctions and or damage to speakers or other devices Placement Using the unit near power amplifiers or other equipment containing large power transformers may induce hum To alleviate the problem change the orientation of this unit or move it farther away from the source of inter ference This device may interfere with radio
116. e ees F Factory Reset inei mi ER ER ee 85 Feedback Pitch Shifter FbackPitch 48 Filter Depth erret dee s 38 EN 5 Sef SM 37 A degen pence ua AE 46 47 Foot Switch sapan a eite eec i asia 71 PX Out Volume to 25 40 FX Rev Send uii ah HE n ERA 25 40 G AE uQ a aS akak 36 Gate Reverb ista tct etse ec eere odd 51 Gate Time eure ice teta b cC PU eda 77 H Hall uma s cdots teas Ose da a tad 39 51 HE D inp cion lia ascies 39 51 LED GURU tarada ibt ie 72 Hi Hat 54i aaa eoa ro ev e td S 72 Hi Hat Control Pedal eere 72 Hit Pad Start 5 2 8 eerte irse etra veo etd rdi ao 62 l jur u ass tient T E S 62 Input Mode muii m u EAS 73 ER ENTE 66 TSE ua aasan aq O 25 Isolator ien eater aie diea tee redet ion Eia 42 K AA tee CHER Oe 31 Kick Pedal iii nin seas reser ciet reca eiie cac 73 74 Kick Trigger Unit a oie ente 73 74 L LCD Contrast cosida ao 28 68 Level esas ann maw en iii dci 25 LFO Sy zA aS aun 38 ON 41 IB dp ER 37 Toca Control ib 80 JO B nuna u OA E E A S AAE 44 ia 4 oe coe ak 37 LOU aia coa 37 M Mask Tire tant tee m eden ceo ee 70 Master Tn Rue ie 68 Master Volume 25 MenioLy nce eoi ere e ERR 61 MEP eunte tita nee tdt 40 MEX Ctrl Star tein E ee 53 MIDI A e a a 76 88 MIDI
117. e ignored Increasing this value will lose certain notes if you play very fast Set this time as short as possible 0 64ms X Talk Rate Preventing Vibrations from Other Pads When two pads are mounted on the same stand the vibration produced by hitting one pad may trigger the sound from another pad unintentionally This is called crosstalk Increasing this value will prevent such problems f this value is too high then when two pads are struck simultaneously the sound from the pad that is struck more weakly may be omitted n some cases you can prevent crosstalk between two pads you have connected by increasing the distance between the pads OFF 20 80 Rim Sens Setting Rim Sensitivity When using a pad that can be used rim shots you can adjust the sensitivity of the rim Increasing this value will raise the sensitivity of the rim With a setting of OFF omly the head will sound ncreasing the value excessively may cause the rim instrument to sound as well when the head is struck 74 OFF 1 15 Chapter 5 Settings for the Entire HPD 15 Setting the Sound of the External MIDI Settings Pads Kick Trigger Unit The settings of the sound of the external pads or the kick Parameter Catgory MIDI trigger unit on each patch are same as the pads D Beam MIDI ribbons Refer to Chapter 2 Modifying a Patch p 35 Pad CH 10 For details on MIDI Settings refer to Chapter 6 Connectin
118. e sound will be played Pad Shot When you strike the pad the sound will play for the duration specified for that particular sound Gate The sound will play while you continue pressing the pad This is effective when you have selected a sustaining sound Trig The sound will play when you strike the pad and will stop when you strike the pad once again This is effective when you have selected a sustaining sound D Beam Ribbon Move The sound will play when you place your hand above or touch with your finger and move MovGate The sound will play when you place your hand above or touch with your finger and move If a sustaining sound is selected the sound will continue playing until you stop your hand or finger Touch The sound will play when you place your hand above or touch with your finger TchGate The sound will play when you place your hand above or touch with your finger If a sustaining sound is selected it will continue playing until you move your hand or finger away Scrape The sound will play when you move your hand or finger This is used to play sounds such as guiro only D Beam Scrpiwy The sound will play continuously when you move your hand The sound will play for only one direction Pedal can be specified the value marked with 36 Chapter 2 Modifying a Patch VeloCurve Linear Exp1 2 Log1 2 Spline Loud1 2 Fix1 16 Selects how striking force will affect the v
119. easures 001 999 001 999 This erases the data from specified area ALL Pcl Pc2 MI1 MI2 Select the part to be erased ALL All parts are erased Pct Percussion Part 1 is erased Pc2 Percussion Part 2 is erased MI Melody Part 1 is erased MI2 Melody Part 2 is erased Connecting Two Patterns You can connect the currently selected pattern to the end of the selected pattern U01 PTN APPEND Dst Pattern U01 Dst Pattern U01 U99 Select the append destination pattern Deleting a Pattern You can delete specified measures from a pattern Later measures are moved forward U01 PTN DELETE Measure ALL Meas ALL 001 999 001 999 ALL This deletes all measures 001 999 001 999 This deletes the specified measures Nog It is not possible to select a preset pattern as the copy append destination or execute the erase delete at a preset pattern 64 Chapter 4 Changing Patches in the Desired Sequence This allow you to step through the patches of your choice and in the order you want The HPD 15 lets you create and store 10 different groups of up to 32 steps each 32 Steps F Chain Patch Patch Patch Patch Group 1 U0107 U0504 P0802 U0306 Chain Group 2 Chain Group 10 Creating a Patch Chain Chain Edit 1 Press CHAIN CHAIN will light and you will enter Chain Play mode 01 U01 CHAIN 01 Conga 2 Press EDIT EDIT
120. ected on the external MIDI device Refer to the owner s manual for the external MIDI device Sequencer related Problems No Sound When PLAY STOP is Pressed Is ita blank pattern that is being played back Play back a pattern containing performance data Is Ext selected for the Seq Sync p 68 Select Int Playback Stops Immediately After Beginning Is Tap or TapVelo selected for the pattern s PlayType Select Loop or OneShot p 60 HINT Tap and TapVelo refer to the convenient playback function in Pad Pattern tapping the pad causes the pattern to be played back Restoring the Factory Settings You can restore patch and pad settings as well as pattern data stored in the HPD 15 to the settings in effect when the unit was shipped from the factory NOTE All data and settings in the restored part are lost Follow the procedures described in Bulk Dump p 80 to save any data and settings you need to keep to an external MIDI device Procedure for Factory Reset 1 Press SYSTEM UTILITY LCD Contrast 5 2 Press PARAMETER B to display the following screen FACTORY RESET WRITE SYSTEM HINT You can make your selection rapidly by using the Skip Function p 32 3 Turn PATCH VALUE to select the part that you wish to restore FACTORY RESET ALL WRITE 4 Press WRITE to execute factory reset If
121. ection cables contain resistors Do not use cables that incorporate resistors for connecting to this unit The use of such cables can cause the sound level to be extremely low or impossible to hear For infor mation on cable specifications contact the manufac turer of the cable Do not strike pads extremely strong Be careful to prevent your fingers or hands from injury Contents IMPORTANT OT ESscuivasiiinadai da vx sedo ami 4 CAOS RE 8 How To Use This Manual ooonnoonccinccocococonocnncnnocnnccnccnnncncnnnnn anna nnnanncannnannnas 9 About the Symbols in This Manual N M eene 9 Panel Desci pt ONS tc tii 10 Prot A ORI a UIN 10 Rear Panel tirita lidad it Ide Mila certet A ia h aed 11 Attaching the HPD 15 to the Stand 12 Chapter 1 Quick Start id 13 Turning On Off thelPOWer uu ai 13 Listening to the Demo SoNg ieper eieh an orsoni entente tenente anna tenente tenens 14 A cue eret ed rer nee St E EEEE E PETE Gre a nee Tree E psit 15 Elite Pads Iced 15 Slide Your FingerontheRibbons u anna huaaunakasnahaainanaainaykascisaaiyan 15 Pass Your Hand over the D Bear issii ige a a anan a phinaphhpnasaranuphussa 16 Sustaining the Sound ROLL HOLD Button a 16 Playing Various Sounds SSES u s SE E eaea nennen tenentes 17 Controlling Pad Sounds een Hiat asian e
122. emove the hand immediately Closed Slap CS While pressing the pad A1 by the left hand strike the edge of the pad AS Heel H Strike the pad A1 by the heel of the left hand Toe T While pressing the PAD A1 by the heel of the left hand strike the pad A2 by the toe of the same hand e Pitch Bend PB While pressing the pad A3 strike the pad A5 Conga Basic Rhythm Pad A1 A2 A5 A2 A1 A2 A4 A4 A1 A2 A5 A2 A1 A2 A4 A4 Technique H T CS T H T O O H TCS TH TOO eT DA L L FR k L L RR L L RL LL RR Pad A1 A2 A5 A4 A4 A2 A5 A5 A1 A2 A5 A4 A4 A2 A5 A5 Technique H T CSO O TOO H TCSOOT OO TEPRESPPPIPEEEESBPET L L RRRLRR L L RR RL RR L left hand R right hand 34 Chapter 2 Modifying a Patch This chapter explains Edit mode where you can make detailed settings Basic procedure in Edit Mode 1 Press EDIT to make it blink you will enter EZ Edit mode U0101A PAD SET 001 Conga 2 Once again press EDIT to make it light you will enter Edit mode The parameter category will be displayed in the upper right of the screen Parameter Category UO101A1 PAD INST L09 Conga Hi H 3 Strike a pad to select the pad D Beam ribbon that you wish to edit Pad A3 is selected U0101A3 PAD INST L17 Conga HiBass D Beam is selected U0101DB PAD INST I35 Bell Tree Ribbon right is selected U0101RR PAD INST L18 Conga Slide 4 Press 4M PARAMETER
123. eq 100Hz 12 5kHz Ctrl3 Adjusts the frequency of mid range 1 Mid 1 Q 0 5 1 0 2 0 4 0 8 0 Adjusts the width of the area around the Mid1Freq that will be affected by the Level setting Higher values of Q will result in a narrower area being affected lt U Mid 1 EQ 15 15dB LFO Ctrl1 Adjusts the level for the area specified by the Mid1Freq and Q settings Mid2Freq 100Hz 12 5kHz Adjusts the frequency of mid range 2 Mid 2 Q 0 5 1 0 2 0 4 0 8 0 Adjusts the width of the area around the Mid2Freq that will be affected by the Level setting Higher values of Q will Level Frequency result in a narrower area being affected Mid 2 EQ 15 15dB Ctrl2 Adjusts the level for the area specified by the Mid2Freq and Q settings HighFreq 4kHz 8kHz 12 5kHz Selects the frequency of the high range High EQ 15 15dB Adjusts the level of the high frequency TotalLevel 15 15dB RTM Adjusts the output level Compressor Limiter CompLimiter The Compressor Limiter compresses signals that exceed a specified volume level smoothing out unevenness in volume and preventing distortion from occurring Threshold 0 127 Adjusts the volume at which compression will begin Ratio 1 1 100 1 infinite 1 LFO Ctrl1 Adjusts the compression ratio Attack 0 127 Ctrl2 Adjusts the attack time of an input sound Release 0 127 Ctrl3 Adjusts the time from when the volume falls below the Threshold Level until
124. er Polyphonic Key Pressure 0 off Modulation 0 off Foot Control 0 off General Purpose Controller 1 0 off General Purpose Controller 2 0 off General Purpose Controller 6 0 off General Purpose Controller 7 0 off General Purpose Controller 8 0 off Hold 1 0 off RPN unset previously set data will not change AII Notes Off Controller number 123 Status 2nd byte 3rd byte BnH 7BH 00H n MIDI channel number 0H FH ch 1 ch 16 When AII Notes Off is received all notes on the corresponding channel will be turned off However if Hold 1 is ON the sound will be continued until these are turned off In the recording mode Note OFF message will be created for corresponding Note ON message and will be recorded 99 un Q E Q Q Q lt MIDI Implementation OMNI OFF Controller number 124 Status 2nd byte 3rd byte BnH 7CH 00H n MIDI channel number 0 H FH ch 1 ch 16 The same processing will be carried out as when All Notes Off is received OMNI ON Controller number 125 Status 2nd byte 3rd byte BnH 7DH 00H n MIDI channel number 0H FH ch 1 ch 16 The same processing will be carried out as when All Notes Off is received MONO Controller number 126 Status 2nd byte 3rd byte BnH 7EH mmH 0H FH ch 1 ch 16 00H 10H 0 16 n MIDI channel number mm mono number The same processing will be carried out as when All Sound Off or All Note
125. eration of the HPD 15 For details on modifying sounds and settings refer to Chapter 2 Modifying a Patch p 35 Turning On Off the Power Once the connections have been completed p 11 turn on power to your various devices in the order specified By turning on devices in the wrong order you risk causing malfunction and or damage to speakers and other devices Make sure that all volume controls on the HPD 15 and connected devices are set to 0 Turn on the device connected to the MIX IN Jack 3 Turn on the HPD 15 s POWER switch Turn on the device connected to the OUTPUT Jacks Adjust the volume levels for the devices Before switching off the power lower the volume on each of the devices in your system and then TURN OFF the devices in the reverse order to which they were switched on Chapter 1 yore When turns the power on be careful not to shut the window of the D Beam p 16 until the patch name p 21 is displayed The HPD 15 adjusts the sensitivity of the D Beam automatically when turns the power on you If you connect the hi hat control pedal FD 7 optional do not step on the pedal until the patch name is displayed when the power is turned on The HPD 15 will check the position of the pedal then yon This unit is equipped with a protection circuit A brief interval a few seconds after power up is required before the unit will operate normally 13 Chapter 1 Quick
126. ern in which this message is recorded OSound Controller 7 Controller number 76 Status 2nd byte 3rd byte BnH 4CH vvH n MIDI channel number 0H FH ch 1 ch 16 vv Control value 00H 7FH 0 127 When the LFO RATE knob is turned the corresponding value will be transmitted This is transmitted only on the channel which is assigned to the pad part and the percussion parts Transmitted when the HPD 15 is in play for pattern in which this message is recorded OGeneral Purpose Controller 6 Controller number 81 Status 2nd byte 3rd byte BnH 51H vvH n MIDI channel number 0H FH ch 1 ch 16 vv Control value 00H 7FH 0 127 The HPD 15 tramsmits a value corresponding to the position of the d beam controller This is transmitted only on the channel which is assigned to the pad part and the percussion parts Transmitted when the HPD 15 is in play for pattern in which this message is recorded OGeneral Purpose Controller 7 Controller number 82 Status 2nd byte 3rd byte BnH 52H vvH n MIDI channel number 0H FH ch 1 ch 16 vv Control value 00H 7FH 0 127 The HPD 15 tramsmits a value corresponding to the position of the ribbon controller L This is transmitted only on the channel which is assigned to the pad part and the percussion parts Transmitted when the HPD 15 is in play for pattern in which this message is recorded OGeneral Purpose Controller 8 Controller number
127. ers Attack 0 127 LFO Ctrl1 Drive 0 127 RTM LFO Ctrl1 Adjusts the attack time of an input sound Adjusts the degree of distortion The volume will change Sustain 0 127 Ctrl2 together with the degree of distortion Adjusts the degree of boost Character 1 4 Pan L63 Center R63 Ctrl3 Selects the character of distortion Increasing the value will make more sound pressure Pan L63 Center R63 Ctrl2 Adjusts the stereo location of the output sound Adjusts the stereo location of the output sound TotalLevel 15 15dB RTM Adjusts the output level Chapter 2 Distortion This effect produces a more intense distortion than Overdrive Drive 0 127 RTM LFO Ctrl1 Adjusts the degree of distortion The volume will change together with the degree of distortion Character 1 4 Selects the character of distortion Increasing the value will make more sound pressure Pan L63 Center R63 Ctrl2 Adjusts the stereo location of the output sound 43 Chapter 2 Modifying a Patch Lo Fi This effect intentionally degrades the audio quality to simulate a Lo Fi sound Bit Down 0 7 Ctrl3 Lowers the audio quality The audio quality will worsen as this setting is increased S Rate Down 32 16 8 4 Ctrl2 Coarsens the output signal The sound will become coarser as this setting is lowered Low EQ 15 15dB Adjusts the level of the low frequency High EQ 15 15dB RTM LFO Ctrl1 Adjusts the level of the high frequenc
128. essage is transmitted with the value 7FH when turned on the MULTI EFFECTS button or value 00H when turned off When a pattern is selected the part M FX of the sequencer pattern data will be transmitted Transmitted when the HPD 15 is in play for pattern in which this message is recorded ORPN MSB LSB Controller number 101 100 Status 2nd byte 3rd byte BnH 65H mmH BnH 64H 1H n MIDI channel number 0H FH ch 1 ch 16 mm upper byte of parameter number specified by RPN MSB 11 lower byte of parameter number specified by RPN LSB Only the channel assigned to the melody parts are sent When a pattern is selected the pitch bend sensitivity of the sequencer pattern data will be transmitted Regarding the RPN please refer to p 99 Values for the RPN parameter on the normal mode of HPD 15 are as follows Regarding the value of each parameter refer to Data Entry Controller number 6 RPN mm ll Parameter 00H 00H Pitch Bend Sensitivity 7FH 7FH RPN null e Program Change Status 2nd byte CnH ppH n MIDI channel number 0H FH ch 1 ch 16 00H 7FH prog 1 prog 128 preset patch 00H 4FH prog 1 prog 80 user patch 00H 35H prog 1 prog 54 melody part s instrument pP Program number Program changes corresponding to patch are sent when patch is selected Program changes corresponding to each part s instrument are sent when pattern is selected Also when instruments are selected
129. execute factory reset press WRITE After the data has been initialized the following screen will appear PO1 LATIN 01 Conga f you decide not to execute press EXIT A When you execute factory reset the edited contents will be lost HINT You can make your selection rapidly by using the Skip function p 32 NEM It is also possible to initialize specific data such as only the patches or only the system settings For details refer to Restoring the Factory Settings p 85 30 Chapter 1 Quick Start Rapidly Selecting Parameters or Values Key Repeat Function This can also be used when selecting either parameters or values and when selecting patch groups or patch numbers e g 9 1 Press and hold either lt q PARAMETER PARAMETER P PATCH NUMBER w PATCH NUMBER a J GROUP or GROUP The parameter value patch number or group will change consecutively Turbo Repeat Function This function can also be used when selecting a value or patch number MEMO When you select the 1 instrument or adjust the Hold down PATCH NUMBER 44 and press pitch you can use the Skip PATCH NUMBER w function p 32 instead of the Turbo repeat function press 4 E while holding down PATCH NUMBER The value value or patch number will increase rapidly Hold down PATCH NUMBER w and press PATCH NUMBER 44 while holding down a
130. from a cheap amp to that produced by changing an analog delay s Time SmallOD Mild distortion from a small amp can be obtained BigOD Mild distortion from a large size amp 3TapDlySht Three tap delay with short delay time LoudOD Mild distortion with more sound pressure 3RhythmSht Triple pattern using delay RadioDST Strong distortion from a cheap amp 3TapDlyLng Produces sound at center left and right in that order SmallDST Hard distortion from a small amp 3RhythmLng Rhythmic delay BigDST Hard distortion from a large size amp 3TempoDly Three sound delay synchronized to the sequencer s tempo LoudDST Hard distortion with more sound pressure 4TapDlySht Four tap delay with short delay time Lo Fi Creates a rough broken sound 4RhythmSht Provides an effect like the clicking of castanets Lo Fi mono Rough sound output monaurally 4TapDlyLng Delay sounds start on the right and move to the left RingModltr Gives the sound a metallic quality 4RhythmLng Rhythmic delay Bell Adds a bell like sound 4TempoDly Four sound delay synchronized to the sequencer s tempo Buzz Adds a bee like buzzing quality to the sound SoftRoom Room reverb with mild reverberation MetalBar Adds a sound like that of a metal bar being struck HardRoom Gritty room reverb Stereo Cho Standard chorus settings RoomCorner Room reverb with first reflections emphasized Glossy Cho Warm chorus sound Stage Simulates the reverb on a small stage Phasy Cho Chorus with a heavy modulation Plate Gritty plate reverb Tetr
131. g Some parameters are not possible to be set the external pads MIDI Devices p 76 or kick trigger units Restoring Settings to Their Default Values Factory Reset Parameter Category FACTORY RESET FACTORY RESET SYSTEM WRITE For details on factory reset refer to Restoring the Factory Settings p 85 75 Chapter 6 Connecting MIDI Devices There are many possibilities when using MIDI such as Use the HPD 15 to play external instruments Use the HPD 15 as a sound module Use an external sequencer to record play back the performance on the HPD 15 Use an external sequencer to save load patch data pattern data etc Bulk dump NEM For more on MIDI refer to About MIDI p 88 Using the HPD 15 to Play External Instruments Make settings for using the pads D Beam and ribbons to play external MIDI sound modules By making these settings you can simultaneously play the HPD 15 and external sound modules Use a MIDI cable to connect the HPD 15 s MIDI OUT connector to the MIDI IN connector of the external MIDI sound module V MIDI IN a MIDI OUT v Qo XB g son Canvas sess Pro MIDI sound module HPD 15 Setting for MIDI Transmission 1 Press EDIT twice and you will enter Edit mode 2 Press lt PARAMETER or PARAMETER B to display the MIDI setting screen Note Number setting display U0101A1 PAD MI
132. gs You can add reverberation to the sound to create the sensation of playing in a hall or on stage apply distortion to the sound or add depth spaciousness and modulation The effect will apply to all pads D Beam ribbons Adjusting the Reverb Settings Reverb adds reverberation to the sound to simulate a spacious ambience Parameter Category REVERB U0101 REVERB DLY Room1 Type Type Refer to REVERB DELAY Type p 95 Selects the preset setting of reverb If you wish to make even more detailed settings adjust the algorithm and parameters below When you change a value a will appear beside the Type Algo OFF Room1 2 Stage Plate Hall1 2 Delay PanDly Selects the type algorithm of reverb If you select OFF no reverb will be applied and the following parameters will not be displayed Room1 Simulation of the reverberation in a room Room2 Brighter reverb than Room1 Stage Simulation of on stage reverberation Plate Simulation of a metal plate reverb Hall1 Simulation of a larger space than Room Hall2 Brighter reverb than Hall1 Delay Standard delay Echo PanDly Delay that pans moves the reflection between left and right Level 0 127 Adjusts the volume of the reverberation or delay sound Time 0 127 If Algo is Room1 Hall2 this adjusts the duration of the reverberation If Algo is Delay or PanDly this adjusts the delay time HF Damp 200Hz 8kHz THRU Adjusts
133. gs for the Entire HPD 15 Using the Foot Switches to Control the Tone Sequencer You can connect two foot switches BOSS FS 5U optional to the FOOT SWITCH jack with the special cable PCS 31 optional See p 11 Settings for the Foot Switches Category Parameter Value FOOT SW SW 1 SW 2 Specifying the Function of the Foot Switch OFF PONEN Specify the function of the foot switches connected to the pr Yos FOOT SWITCH jack REV OFF ON OFF No function is assigned to the foot switch o PATCH DOWN In normal Play mode this goes back to the previous patch number PLAY STOP In Chain Play mode this goes back to the previous chain step Mdfy SEL DN In Sequencer Play mode this goes back to the previous pattern Mdfy SEL UP number PATCH UP In normal Play mode this advances to the next patch number In Chain Play mode this advances to the next chain step In Sequencer Play mode this advances to the next pattern REV OFF ON This turns the reverb on off M FX OFF ON This turns the multi effects on off ROLL HOLD This turns the ROLL HOLD p 16 on off PLAY STOP Play stop the sequencer Mafy SEL DN Select the parameter that will be adjusted by realtime modify p 19 The indicator that at the upper right of the realtime modify knobs will move from top to bottom This is the same operation as pressing SELECT Mafy SEL UP Select the parameter that will be adjusted by realtime modify p 19 The indicator that at the
134. hancer Spectrum Isolator DynamicFltr Sustainer 17 0000 0000 Reserved Overdrive Distortion Lo Fi RingModltr Stereo Cho TetraChorus TremoloCho 106 MIDI Implementation Space D Stereo Fln StepFlanger Phaser FbackPitch StereoDelay Mod Delay TimeCtrIDly 3TapDlySht 3TapDlyLng 4TapDlySht 4TapDlyLng AdvanceRev GateReverb 2 4 LFO t Offset address Size Description Data Value peat pz ere AE Tam ES re Ere 00 0000 aaaa LFO Waveform 0 9 23 gt ja d 01 0aaa aaaa LFO Rate 0 127 gt A es p PRINS 02 Qaaa aaaa LFO Pitch Depth Q 127 q a 03 0aaa aaaa LFO Filter Cutoff Depth 0 127 ER eee A a ENS NUN 04 0aaa aaaa LFO Amplitude Depth 0127 gt PPA 0060 GO OS 2 05 0aaa aaaa LFO Effect Depth 0 127 poc s Su dealt 4 cce 06 0000 000a LFO Realtime2 Quee TL A A tum 07 0000 000a LFO Realtime3 Qo SL PR A 23 OFF Triangl Sine SawRise SawFall Square Trape Smp amp Hld Random Chaos 2 5 COMMON Offset address Size Description Data Value ERA E 00 0aaa aaaa Master Volume Oe ec d 01 0aaa aaaa Resonance Limit 50 127 50 126 0FF p p 02 0000 000a D BEAM SOUND Q 1 OFF ON E 03 0000 000a D BEAM CONTROL 02 OFF ON TE SEPTEM GINES 04 0000 000a RIBBON L SOUND Qo OFF ON lt E 05 0000 000a RIBBON L HO
135. hange the Sound Is the selected pad correct The pad which is hit last becomes edit target Is OFF selected for the Pad Chase p 68 When OFF is selected edit target does not change Select ON for the Pad Chase or Strike the pad to select it while holding down PATCH SEL Is Modify Lock p 19 on When the SELECT indicator is blinking there is a pad which is fixed to the target of modification Hold down SELECT and press EXIT to unlock 4 Q E Q Q Q lt 83 Troubleshooting Multi Effects Reverb LFO Does not Applied Is not the MULTI EFFECTS button light p 20 Press MULTI EFFECTS to make it light Is OFF selected for the REVERB Type p 25 or MULTI FX LFO p 25 p 36 Select a setting other than OFF Is the Reverb Send in the PAD SET or PAD p 25 p 36 lowered Raise the values MIDI related Problems No Sound when using an external controller sequencer keyboard etc Is the MIDI cable connected properly p 78 Is the MIDI channel correct Or is the channelset to OFF Select the correct MIDI channel p 78 Bulk Dump Is Not Transmitted Is the MIDI cable connected properly If you wish to save a bulk dump on an external device connect the HPD 15 s MIDI OUT THRU connector to the external sequencer s MIDI IN connector p 80 Has the No reception of MIDI Exclusive Messages setting been sel
136. he measure Fast Forward and Rewind When playback of pattern is stopped you can do the following e Advance to the next measure Press GROUP Return to the previous measure Press GROUP Advance to the end of the pattern Hold down PATCH SEL and press GROUP Return to the beginning of the pattern Hold down PATCH SEL and press GROUP Synchronizing with an External MIDI device MIDI Sync You can play the sequencer of the HPD 15 with an external MIDI device For details refer to Chapter 6 Connecting MIDI Devices p 76 Changing the Settings of Pattern You can modify the length of the pattern tempo or the instrument of the part 1 Select the pattern you wish to modify the settings 2 Press lt PARAMETER or PARAMETER B to select the parameter 3 Turn PATCH VALUE to modify the value If you wish to keep your changes refer to next Saving the Changed Settings MEMO You can change the tempo by pressing TEMPO and turning PATCH VALUE p 27 De It is not possible to change the time signature Time Sig of en 8 D lt U the recorded patterns Saving the Changed Settings 1 Press WRITE in Sequencer mode u01 PTN WRITE WRITE EXIT 2 Press WRITE once again The modified settings are saved Ifyou decide not to execute press EXIT You can write the modified settings to another pattern For details refer to Editing
137. help Unauthorized changes or modification to this system can void the users authority to operate this equipment This equipment requires shielded interface cables in order to meet FCC class B Limit For Canada NOTICE This Class B digital apparatus meets all requirements of the Canadian Interference Causing Equipment Regulations AVIS Cet appareil num rique de la classe B respecte toutes les exigences du R glement sur le mat riel brouilleur du Canada Information When you need repair service call your nearest Roland Service Center or authorized Roland distributor in your country as shown below EGYPT Al Fanny Trading Office 9 EBN Hagar A1 Askalany Street ARD E1 Golf Heliopolis Cairo 11341 EGYPT TEL 20 2 417 1828 REUNION Maison FO YAM Marcel 25 Rue Jules Hermann Chaudron BP79 97 491 Ste Clotilde Cedex REUNION ISLAND TEL 0262 218 429 SOUTH AFRICA That Other Music Shop PTY Ltd 11 Melle St Braamfontein Johannesbourg SOUTH AFRICA P O Box 32918 Braamfontein 2017 Johannesbourg SOUTH AFRICA TEL 011 403 4105 Paul Bothner PTY Ltd 17 Werdmuller Centre Main Road Claremont 7708 SOUTH AFRICA P O BOX 23032 Claremont 7735 SOUTH AFRICA TEL 021 674 4030 CHINA Beijing Xinghai Musical Instruments Co Ltd 6 Huangmuchang Chao Yang District Beijing CHINA TEL 010 6774 7491 Shanghai Xingtong Acoustics Equipment CO Ltd 5F No 1500 Pingliang Road New East Cl
138. ike the pad you wish to modify to select it You can also select the D Beam or a ribbon 3 Turn the REALTIME MODIFY knob The selected parameter and the modified value will be displayed and the sound will also change RTM A3 PITCH 750 parameter value If you wish to move to the parameter set screen hold down PATCH SEL located at the upper right of the pad and turn the knob You will jump to the selected parameter set screen NEM In the case of M FX DEPTH you will jump to the Type select screen De The values you edit in this procedure will not return to the original values by pressing EXIT MODIFY CLEAR Chapter 3 Recording Your Performance Sequencer You can record your performance in the sequencer On the HPD 15 your performance will be recorde exactly as you play it Realtime Recording The HPD 15 s sequencer consists of four parts Percussion 1 Percussion 2 Melody 1 Melody 2 The collective performance of these four parts is called a pattern Preset patterns pattern PO1 P99 What the various parts should play has already been recorded User patterns pattern U01 U99 These are patterns that you can record Basic Settings for Recording 1 Press SEQUENCER to make it light you will enter the Sequencer mode Current Measure Current Beat Pattern ae Tempo U User P Preset vos 001 01 J 120 Time 4 4 User 001 Signature y E 4 4 Displayed for a
139. instruments perform in ensemble program the settings to change automatically to match the performance as the song progresses and more While using only pads with the HPD 15 there is no need to have any detailed knowledge of MIDI For those who wish to use MIDI keyboards to record patterns on the HPD 15 use it as a sound module with external sequencers or learn the HPD 15 at a more advanced level the following explains such matters related to MIDI About MIDI Connectors The HPD 15 is equipped with the two types of MIDI connectors each which works differently S OUT THRU IN MIDI MIDI IN Connector This connector receives messages from external MIDI devices keyboards sequencers controllers etc to play the HPD 15 s instruments or change its settings MIDI OUT THRU Connector The HPD 15 uses both the MIDI OUT and MIDI THRU connector are combined The Soft Thru setting p 79 changes the function As shipped from the factory this is set to Soft Thru OFF Soft Thru OFF This connector transmits MIDI messages to external MIDI devices MIDI messages received at MIDI IN are not transmitted Soft Thru ON HPD 15 s MIDI messages and MIDI messages received at MIDI IN are transmitted from this connector MIDI Channels and Multi tmbral Sound Sources MIDI transmits many types of data over a single MIDI cable This is made possible by the concept of MIDI channels which allow a device to distinguish the data that i
140. ivity 7FH 7FH RPN null e Program Change Status 2nd byte CnH ppH n MIDI channel number 0H FH ch 1 ch 16 pP Program number 00H 7FH prog 1 prog 128 The sound will change beginning with the next note on after the program change is received Notrecorded in the sequencer e Pitch Bend Change Status 2nd byte 3rd byte EnH HH mmH n MIDI channel number 0H FH ch 1 ch 16 mm Pitch Bend value 00 00H 40 00H 7F 7FH 8192 0 8191 n the melody parts it is used as the part pitch bend change of the sequencer pattern data Tn the pad part or the percussion parts it is used as the data of the PITCH knob When recording this is recorded in the sequencer data itself llChannel Mode Messages AII Sounds Off Controller number 120 Status 2nd byte 3rd byte BnH 78H 00H n MIDI channel number 0H FH ch 1 ch 16 When this message is received all currently sounding notes on the corresponding channel will be silenced However the status of channel messages will not change Notrecorded in the sequencer Reset All Controllers Controller number 121 Status 2nd byte 3rd byte BnH 79H 00H n MIDI channel number 0H FH ch 1 ch 16 When this message is received the following controllers will be set to their reset values When recording a control message carrying the reset value will be created and recorded Controller Reset value Pitch Bend Change 0 cent
141. k Hit Sticks TR 808 Stick TR 909 Stick CR 78 Stick Metal Stick Vintage Tom1 Vintage Tom2 Dbl Head T 1 Dbl Head T 2 M D T T EL fT M M D P P M P P R47 R48 R49 R50 R51 R52 R53 R54 R55 R56 R57 R58 R59 R60 R61 R62 R63 R64 R65 R66 R67 R68 R69 R70 R71 R72 R73 R74 R75 R76 R77 R78 R79 R80 R81 R82 R83 R84 R85 R86 R87 R88 R89 R90 R91 R92 R93 R94 R95 R96 R97 R98 R99 r01 r02 r03 r04 Room Tom 1 Room Tom 2 Brush Slp T1 Brush Slp T2 Electronic T 2 Tone ElecT Bright ElecT TR 808 Tom TR 909 Tom 909 Whack T Pure CHH PureCHH Edge Pure HalfOHH Pure OHH Tamburn CHH Tamburn OHH TR 808 CHH 808 CHH Edge TR 808 OHH 808 OHH Edge TR 909 CHH TR 909 OHH Pure Hi Hat 13 Hi Hat Hand Cym HH Tambourin HH Maracas HH Chenchen HH TR 808 HiHat TR 909 HiHat Metal 808 HH Metal 909 HH Crash Cymbal Chinese Cym Szl ChineseC Splash Cym 1 Splash Cym 2 Pgy Crash C1 Ride Cymbal Ride Bell C Ride X Bell Sizzl Ride C Sizzl Rd Bel Pgy Ride Cym Brush Ride C Brsh Szl RAC Hand Cymbals Mallet Cymbl TR 808 Cymbl TR 606 Cymbl Wheel Pedal KickCymbal 1 KickCymbal 2 KickCymbal 3 Voice Kick Voice Snare Voice Hi Hat DANCE D01 D02 D03 D04 D05 D06 D07 D08 D09 D10 D11 D12 D13 D14 D15 D16 D17 D18 D19 D20 D21 D22 D23 D24 D25 D26 TR 808 Clap Hand Clap 1 Hand Clap 2 Hand Clap 3 Afro Clap Scratch Push Scratch Pull ScrhPushPull S
142. last step you will jump to step 1 of the specified chain group Chain Step Y Der Ye a 6 JUMP TO CH10 Chain Group 10 65 Chapter 4 Changing Patches in the Desired Sequence Inserting a Chain Step This operation inserts a patch into the specified location of a chain 1 2 3 4 5 n 2 3 4 5 6 A maximum of 32 steps can be set in a chain If the chain already contains 32 steps the patch at step 32 will be deleted 1 Press PATCH NUMBER W or PATCH NUMBER My to select the step in which the patch is to be inserted 2 Press PARAMETER gt 01 02 Rs ERE OK WRITE EXIT 3 Press WRITE The step is inserted with the same patch and later steps are each moved back one place Ifyou decide not to execute press EXIT 4 Turn PATCH VALUE to select the patch in the new step Deleting a Chain Step This operation deletes an unneeded patch from a chain 1 2 3 4 5 6 0 2 3 4 5 1 Press PATCH NUMBER W or PATCH NUMBER A to select the step from which the patch is to be deleted 2 Press 4 PARAMETER 01 02 DeleteStep OK WRITE EXIT 3 Press WRITE The step is deleted and later steps are each moved forward one place Ifyou decide not to execute press EXIT Playing with a Patch Chain Chain Play 1 Press CHAIN CHAIN will light and you will en
143. lf open hi hat Using a Pedal to Control the Hi Hat Continuously 1 In Edit mode assign the instrument marked with F in the Instrument List p 92 to the pad which you wish to use as the hi hat PO606A3 PAD INST R70 13 Hi Hat 2 Depress the pedal connected to the EXP PEDAL HH CTRL jack to display the pedal setting screen and select PEDAL A1 PEDAL C5 the pad which is assigned the hi hat sound in step 1 to PadInst of the pedal PO606PL PAD INST PEDAL A3 You can use the pedal to play the hi hat with continuous control from open to closed positions and trigger the foot close hi hat sound PEDAL A1 PEDAL C5 appear last when you select the instruments nore If you connect the hi hat control pedal FD 7 optional do not step on the pedal until the patch name is displayed when the power is turned on The HPD 15 will check the position of the pedal then 72 Chapter 5 Settings for the Entire HPD 15 Using the External Pads Kick Trigger Unit to Trigger a Sound You can connect two external pads PD 7 PD 9 PD 80 PD 80R PD 100 or PD 120 optional or kick trigger units KD 7 KD 80 or KD 120 optional to the TRIGGER INPUT jack with the special cable PCS 31 optional See p 11 Settings for the External Pads Kick Trigger Unit Category Parameter Value TRIGGER InputMode Select Whether or Not You Will Use Rim Shots HD RM TRIGx2 INPUT Select whether you will connect a pad that a
144. li Cym Cls Agogo 3 F17 Afro Drum 1 128 Dhol Da A43 BaliCym OpCl M Cabasa F18 Afro Drum 2 129 Sitar T A44 Thai Gong Cuica 1 M D F19 Afro Dr Flam 130 Sitar Gliss T A45 JawsHarp Opn 92 A46 A47 A48 A49 A50 A51 A52 A53 JawsHarp Wow JawsHrp OpWo Bonang Gender Saron Angklung Gamelan 1 Gamelan 2 OncH O01 O02 003 004 005 006 007 008 009 010 O11 012 013 014 015 016 017 018 019 020 021 022 023 024 025 Sleigh Bell Tree Chimes Triangle Triangle Mut Castanets Wood Block WaBlock HiLo Slapstick Concert BsDr Conc BsDrMut Timpani Perc Hit Orch Hit 1 Orch Hit 2 DrmMaj Whstl Glockenspiel Vibraphone Xylophone Marimba 1 Marimba 2 Bass Marimba Celesta Tubular Bell Glass Iron Hammer DRums R01 R02 R03 R04 R05 R06 R07 R08 R09 R10 R11 R12 R13 R14 R15 R16 R17 R18 R19 R20 R21 R22 R23 R24 R25 R26 R27 R28 R29 R30 R31 R32 R33 R34 R35 R36 R37 R38 R39 R40 R41 R42 R43 R44 R45 R46 Dry Hard Kik Jazz Kick Vintage Kick 26 Deep Kik Wood Beatr K HipHop Kick Plastic Kick Electronic K TR 808 Kick 808 Boom Kik TR 909 Kick CR 78 Kick Beech Snare BeechS RmSht Loose S Hrd Loose S Rim Concert Snr Concrt S Rol Concrt S Buz Hi Piccolo S L A Snare Brush Snare Brush Rol S1 Brush Rol S2 Brush Swsh S Brush Slp S1 Brush Slp S2 House Dopn S Swing Snare Quinto Snare Electronic S TR 808 Snare TR 909 Snare CR 78 Snare Amb CrossStk Hall CrosStk Stic
145. llows rim shots to be played or whether you will connect two pads HD RM Select this if connecting a pad that allows rim shots to be played PD 7 PD 9 PD 80R PD 120 TRIGx2 Select this if connecting two pads or kick pedals If two pads are connected it will not be possible to play rim shots Trig Type Select the Type of the Connecting Pad PD 5 PD 7 PD 9 PD 80 PD 80R PD 5 PD 7 PD 9 PD 80 eae p PD 80R PD 100 PD 120 Select this when connecting each pad P 1 P 2 KD 7 P 1 P 2 Select this when connecting a pad made by another manufacturer KD 80 KD 120 K 1 K 2 KICK KD 7 KD 80 KD 120 Select this when connecting each kick trigger unit SNARE TOM FLOOR SW K 1 K 2 Select this when connecting a kick pad made by another manufacturer SW KICK SNARE TOM FLOOR Select this when using an acoustic drum trigger SW SW Select this when connecting a foot switch Select either SW or SW so that the sound will play when you press it MEMO MEMO When you connect two pads with the PCS 31 the white plug When using a pad made by another manufacturer first select of the PCS 31 is the TRIG 1 and the red one is the TRIG 2 PD 7 and try playing the pad If with this setting the pad striking force does not produce a stable volume try a setting of P 1 A setting of P 2 will be even more stable but the NOTE interval from when the pad is struck until the sound is heard To use the exte
146. m 6 1 Exclusive status 2 ID number Roland 3 Device ID 17 4 Model ID HPD 15 5 Command ID DT1 6 EOX Next we calculate the checksum 01H 00H 14H 10H 01H 1 0 20 16 1 38 sum 38 sum 128 0 quotient 38 remainder checksum 128 38 remainder 90 5AH This means that FO 41 10 00 20 12 01 00 14 10 01 5A F7 is the message we transmit lt Example 2 gt Requesting transmission of Resonance Limit of temporary patch According to the Parameter address map the temporary patch has an address of 01 00 00 00H patch common parameter has a offset address of 40 00H and Resonance Limit has a offset address of 01H Thus 01 00 00 00 40 00 01 01 00 40 01 Since Size 00 00 00 01H F0 41 10 002b 11 01004001 00000001 22 F7 0 0 3 4 5 address size checksum 6 1 Exclusive status 2 ID number Roland 3 Device ID 17 4 Model ID HPD 15 5 Command ID RQ1 6 EOX Next we calculate the checksum 01H 00H 40H 01H 00H 00H 00H 01H 1 0 64 1 0 0 0 1 67 sum 67 sum 128 O quotient 67 remainder checksum 128 67 remainder 61 3DH This means that FO 41 10 00 2E 11 01 00 40 01 00 00 00 01 3D F7 is the message we transmit 109 Ww Q E Q Q Q lt MIDI Implementation PERCUSSION SOUND MODULE Except Sequencer Section Date Mar 23 2000 Model HPD 15 MIDI Implementation Chart Version 1 00 Basic Default 1 16 OFF 1 1
147. man 1118 JORDAN TEL 06 464 1200 KUWAIT Easa Husain Al Yousifi Abdullah Salem Street Safat KUWAIT TEL 243 6399 LEBANON A Chahine amp Fils Gerge Zeidan St Chahine Bldg Achrafieh P O Box 16 5857 Beirut LEBANON TEL 01 20 1441 QATAR Al Emadi Co Badie Studio amp Stores P O Box 62 Doha QATAR TEL 4423 554 SAUDI ARABIA aDawliah Universal Electronics APL Corniche Road Aldossary Bldg 1st Floor Alkhobar SAUDI ARABIA P O Box 2154 Alkhobar 31952 SAUDI ARABIA TEL 03 898 2081 SYRIA Technical Light amp Sound Center Bldg No 47 Khaled Ebn Al Walid St Damascus SYRIA TEL 011 221 1230 TURKEY Barkat muzik aletleri ithalat ve ihracat Ltd Sti Siraselviler Caddesi Siraselviler Pasaji No 74 20 Taksim Istanbul TURKEY TEL 0212 2499324 U A E Zak Electronics amp Musical Instruments Co L L C Zabeel Road Al Sherooq Bldg No 14 Grand Floor Dubai U A E TEL 04 3360715 NORTH AMERICA CANADA Roland Canada Music Ltd Head Office 5480 Parkwood Way Richmond B C V6V 2M4 CANADA TEL 0604 270 6626 Roland Canada Music Ltd Toronto Office Unit 2 109 Woodbine Downs Blvd Etobicoke ON M9W 6Y1 CANADA TEL 0416 213 9707 U S A Roland Corporation U S 5100 S Eastern Avenue Los Angeles CA 90040 2938 U S A TEL 323 890 3700 As of January 1 2002 Roland 01909823 02 3 E2 51N
148. me the pad is struck Alternate The pan alternates left and right each time the pad is struck ReverbSend Adjusts the reverb depth posted Pitch Adjusts the pitch of the sound cup Decay Adjusts the duration decay time jue MULTI FX LFO Turns the multi effects and LFO on off BN If you select PadData this will be determined by the on off setting in Edit mode p 36 REVERB Type Selects the type of the reverb PadData can be selected for PAD SET Refer to Effect Type List p 95 Depth Adjusts the overall reverb depth MULTI FX Type Selects the type of the multi effects 0 127 Refer to Effect Type List p 95 Depth Adjusts the depth of the multi effects Buy FxOut Volume Adjusts the output volume of the multi effects pus FxRevSend Adjusts the depth of reverb applied to the pd sound processed by the multi effects PATCH LEV MasterVolume Adjusts the volume of the entire patch ger PATCH NAME Give the pattern a name of up to 10 characters Tes About PEDAL TRIG 1 and TRIG 2 see p 72 p 73 25 Chapter 1 Quick Start Playing Back a Preset Pattern PATCH VALUE AN SE v PATCH NUMBER EDIT CAZA CHAIN WRITE 4 PARAMETER P EXIT SEQUENCER TEMPO REC PLAY STOP COPY C SkKIP Mei iz 8 4 5 1 5 1 Press SEQUENCER SEQUENCER will light and you will enter Sequencer mode Current Measure Pattern pull iria Beat Tempo U U oo 501 001 01 J 100 SS 4 Cha Cha d Signatu
149. n Pattern Name unrecorded pattern 2 Turn PATCH VALUE to select the user pattern for recording your performance u07 001 01 120 42 74 User 007 3 Press lt PARAMETER or PARAMETER B to select the pattern click parameter that you wish to set Parameter Category UO7 SETUP Time Sig 4 4 Parameter Value 4 Turn PATCH VALUE to make settings for the pattern or click j if this pattern is edited U07 BRUDER NA us a 5 Press REC and you will enter the Recording Stand by Mode PLAY STOP will blink UO7 001 01 J 120 Percl RecStby Part for Recording Ifyou press REC once again you will return the previous screen 6 Press lt PARAMETER or PARAMETER B to select the recording parameter in the Recording Stand by Mode U07 001 01 120 RecMode Replace Parameter Value 7 Turn PATCH VALUE to make settings for the recording en 8 D lt U 8 Press PLAY STOP to start the recording While the recording PLAY STOP will light It is possible to start stop the recording by the foot switch p 71 but it is not possible by the D Beam or pedal p 53 9 When you are finished recording press PLAY STOP once again REC and PLAY STOP will go dark and the recording will stop NAME User 001 Write Rec Data 10 Naming the pattern press WRITE NEM How to naming a pattern is the same as naming a p
150. n step 5 strike a pad D Beam ribbon to select it PAD MIDI Note No cannot be copied Ex changing Patch Settings Patch Exchange You can exchange the settings of two patches exchange source patch U0101 Conga PatchExchg U0102 t exchange destination patch number blinking 1 In step 3 of Basic Procedure for Copy p 56 select PatchExchg 57 Chapter 2 Modifying a Patch Copying a Value to All Pads 1 Hold down PATCH SEL and press WRITE in Edit mode The displayed value of the parameter is copied to every pad and controller Value gt All Pad Level 100 Following parameters can be copied only among either pads or controllers PAD INST TrigMode PAD CTRL Rx Self Mute Tx Pitch Tx Ctrl Tx Number Tempo Level PAD PTN PAD MIDI Note No cannot be copied Nore The value you copied in this procedure will return to the original values when you switch patches If you wish to keep your changes refer to Saving Your Settings Write Duplicating Settings Copy p 56 Using Realtime Modify to Adjust Values In Edit mode you can use realtime modify p 19 to adjust values LEVEL PITCH LP M FX DEPTH SWEEP COLOR LFO RATE LFO PITCH LFO FLT AMP r REALTIME MODIFY 3 1 HINT This is effective when used on parameters that have a wide range of adjustment such as Pitch 1 Press SELECT to select the parameter that you wish to edit 2 Str
151. nd is able to completely cut a specific frequency range Low Level 0 127 Ctrl3 Adjusts the level of the low frequency Mid Level 0 127 LFO Ctrl1 Adjusts the level of the middle frequency High Level 0 127 Ctrl2 Adjusts the level of the high frequency Pan L63 Center R63 Adjusts the stereo location of the output sound TotalLevel 15 15dB RTM Adjusts the output level Dynamic Filter DynamicFitr The Dynamic Filter varies the tone by moving a filter according to the volume Filter Type LPF BPF Selects the type of filter LPF The wah effect will be applied over a wide frequency range BPF The wah effect will be applied over a narrow frequency range Sens 0 127 Ctr Adjusts the sensitivity with which the filter is controlled Manual 0 127 RTM LFO Ctrl1 Adjusts the center frequency from which the effect is applied Peak 0 127 Ctrl3 Adjusts the amount of the wah effect that will occur in the area of the center frequency Lower settings will cause the effect to be applied in a broad area around the center frequency Higher settings will cause the effect to be applied in a more narrow range Pan L63 Center R63 Adjusts the stereo location of the output sound Chapter 2 Modifying a Patch Sustainer Overdrive The Sustainer restrains loud levels and boosts low levels This effect creates a soft distortion similar to that produced making the sound more consistent and sustaining the sound by vacuum tube amplifi
152. ne Press CONTROL to make it light Nem Ribbons D Beam connected expression pedal and connected hi hat control pedal are called controller NEM To specify the interval at which the sound is repeated refer to Specifying the Roll Speed p 55 NOTE The sound of the instrument assigned to the D Beam ribbons external triggers or pedal will not be repeated Chapter 1 Quick Start Playing Various Sounds Let s use the patch p 21 of P0101 Conga to hear various sounds from the pads ribbons and D Beam If the following screen is not shown turn PATCH VALUE until the following screen appears el P01 LATIN 2 lt 01 Conga 6 If D Beam SOUND is not 0 lit passing your hand over Bell Tree eS uum the D Beam will not cR BBEAM MULT produce sound Press SOUND to make it light RIBBON CONTROL BEA CONTROLES RIBBON CONTROL Timbale Shaker Maracas NA High Tambourine NOTE Timbale A A Low aves If SOUND located above Bongo NT the ribbon is not lit Low 9S gt Conga Conga X rubbing the ribbon will not Toe Open Low Open Bongo A produce sound Press EI M Agogo High SOUND to make it light eom Conga Conga ne Heel Open Open Slap Conga Guiro Slide Controlling Pad Sounds Let s use the patch p 21 of P0201 Talking Drm and use the ribbons D Beam and other
153. nt List Program Display Inst Name Program Display Inst Name Program Display Inst Name Change No Change No Change No 1 Ac Piano Acoustic Piano 19 CleanGt Clean Guitar 37 Saw Bass Saw Bass 2 E Piano Electric Piano 20 ChorusGt Chorus Guitar 38 TB303 Bs TB308 Bass 3 FM SA EP FM SA E Piano 21 Muted Gt Muted Guitar 39 SH101 Bs SH101 Bass 4 60 s EP 60 s E Piano 22 Pop Gt Pop Guitar 40 Syn Str Synth Strings 5 StFMEP St FM E Piano 23 Funk Gt Funk Guitar 41 OB Str OB Strings 6 BrFMEP Bright FM E Piano 24 OvrdrvGt Overdrive Guitar 42 Brass 1 Brass 1 7 Clav Clavinet 25 Heavy Gt Heavy Guitar 43 Brass 2 Brass 2 8 Celesta Celesta 26 MutDstGt Muted Distortion Guitar 44 Syn Brs Synth Brass 9 Glcknspl Glockenspiel 27 RokRhytm Rock Rhythm 45 Poly Brs Poly Brass 10 Vibraphn Vibraphone 28 Wah Gt Wah Guitar 46 TenorSax Tenor Sax 11 Marimba Marimba 29 Aco Bass Acoustic Bass 47 Flute Flute 12 Xylophon Xylophone 30 El Ac Bs Electric Acoustic Bass 48 Saw Wave Saw Wave 13 Tublrbel Tubular bells 31 FingerBs Fingered Bass 49 Calliope Synth Calliope 14 Organ 1 Organ 1 32 FunkBass Funk Bass 50 Fantasia Fantasia 15 Organ 2 Organ 2 33 PickBass Pick Bass 51 ThickPad Thick Pad 16 Nylon Gt Nylon Guitar 34 MutPikBs Muted Pick Bass 52 80 sPoly 80 s Poly Synth 17 Steel Gt Steel Guitar 35 FrtlesBs Fretless Bass 53 Kalimba Kalimba 18 Jazz Gt Jazz Guitar 36 SlapBass Slap Bass 54 SteelDrm Steel Drums Effect Type List REVERB DELAY Type and MULTI FX Type are common to EZ
154. o longer needed p 64 Empty Pattern Aborted This pattern contains no performance data it cannot be edited PTN Write Error Writing a pattern data failed Max 999 Measures EXIT Aborted The maximum number of measures that can be recorded to one pattern has been exceeded no further recording or editing that adds measures can be carried out Press exit PRESET PATTERN Select User PTN This is a Preset pattern it cannot be edited or recorded Select a User pattern No Empty Pattern There are no empty patterns for recording D Delete unneeded pattern or select a recorded pattern that can be used for recording Data Overload EXIT Pattern contained an excessive amount of data and as a result could not be played back or recorded Press EXIT Ls Try eliminating a part that has too much data BULK Receive EXIT Error Reception of bulk dump failed Press EXIT Make sure that all MIDI cables are firmly connected p 81 Checksum Error EXIT The checksum value of a system exclusive message was incorrect Press EXIT Correct the checksum value Messages and Error Messages MIDI Buffer Full A large amount of MIDI messages were received in a short time and could not be processed completely Ls Confirm that the external MIDI device is properly connected p 78 If the problem persists reduce the amount of MIDI messages sent t
155. o not step on the pedal until the patch name is displayed No Sound Has the VOLUME knob p 10 turned fully counterclockwise Turn the VOLUME knob clockwise Has the left realtime modify knob p 19 turned fully counterclockwise Press SELECT to make the upper indicator light Then turn the left realtime modify knob LEVEL clockwise to increase the level Are the PAD SET Level p 25 Pad Level p 36 and MasterVolume p 54 in the patch lowered Raise the values Are the Effect Level Direct Level and FxOut Volume p 40 in the multi effects low ered Raise the values Is Off selected for the Pad Inst p 36 Select a instrument other than Off Is OFF selected for the Local Control p 80 Select ON Is not the SOUND button of D Beam or ribbon light Press SOUND to make it light Are the cables connected to the correct jacks Connect the cables to the OUTPUT jacks The Volume Level of the Instrument Connected to OUTPUT Jacks is Too Low Could you be using a connection cable that contains a resistor Use a connection cable that does not contain a resistor Sound Does Not Stop Is the ROLL HOLD button light p 16 Press ROLL HOLD to make it dark Is Gate or Trig selected for the TrigMode p 36 Select Shot Is the window of the D Beam shut p 16 Be careful not to shut the window of the D Beam Modification Does not C
156. o the HPD 15 MIDI Offline A MIDI cable was disconnected Or communication with the external MIDI device stopped for some reason Make sure that MIDI cables have not been pulled out or broken Device ID is Different Due to an incorrect Device ID the system exclusive message could not be received Set the correct Device ID p 82 Messages Now Writing KEEP POWER ON The HPD 15 is writing data into memory Do not turn the power off Now Copying KEEP POWER ON The HPD 15 is copying data Do not turn the power off Now Exchange KEEP POWER ON The HPD 15 is executing an exchange function Do not turn the power off Now Executing KEEP POWER ON The HPD 15 is executing a process Do not turn the power off Now Resetting KEEP POWER ON The HPD 15 is restoring the factory settings Do not turn the power off BULK DATA Transmitting Bulk data is now being transmitted BULK Receiving KEEP POWER ON Bulk data is now being received Do not turn the power off Ww Q E Q lt About MIDI MIDI Musical Instruments Digital Interface is a standard specification that allows musical data to be exchanged between electronic musical instruments and computers MIDI With a MIDI cable connecting MIDI devices that are equipped with MIDI connectors you can play multiple instruments with a single keyboard have multiple MIDI
157. olume Linear This is the normal setting and most Spline Variation in striking force will produce natural correspondence between extreme change velocity and volume change Loud1 Loud2 Variation in striking force will produce Exp1 Exp2 Compared to Linear a wider volume little change and a constant volume change will occur for stronger hits will be maintained Log1 Log2 Compared to Linear a wider volume Fix1 16 The sound will play at a fixed volume change will occur for softer hits regardless of how strongly you strike Fix1 will produce the lowest volume and Fix16 will produce the highest volume Loudness Z JCE Striking force Chapter 2 Linear Exp1 Exp2 Log1 Log2 Spline Loud1 Loud2 Fix Fix16 Edit Parameters Block Diagram Sound Pad Generator D Beam Inst Ribbon Pad Level TrigMode VeloCurve Pitch Decay Color Sweep Fx Rev Send T FxOut Volume MULTI EFFECTS 37 Chapter 2 Modifying a Patch Adding Cyclic Change to the Tone You can use the LFO Low Frequency Oscillator to cyclically change the pitch volume etc The LFO will apply to all pads D Beam ribbons Parameter Category PAD LFO U0101 LFO Waveform Triangl Waveform OFF Triangl Sine Saw Rise Saw Fall Square Trape Smp amp Hld Random Chaos Selects the waveform of the LFO If you select OFF there will be no change and the following parameters will not
158. oody 1 Woody 2 Punch Metallic Lid Glass Crash Door Close Bomb Reverse Bomb Explosion Thunder Stream Snaps Foot Step Human Whistl Chiki Hey Voice Ahhh Rev Voc Ahhh H T H T o TuERS T01 Ac Piano T02 E Piano TO3 60 s EP T04 Soft FM EP T05 Clavinet TOG Even Bar TO7 Organ TO8 Nylon Guitar T09 Steel Guitar T10 Jazz Guitar T11 Clean Guitar T12 Muted Guitar T13 Pop Guitar T14 Funk Guitar T15 Overdrive Gt T16 Heavy Guitar T17 Muted DistGt T18 Rock Rhythm T19 Wah Gtr Dn 1 T20 Wah Gtr Up 1 T21 Wah Gtr Dn 2 T22 Wah Gtr Up 2 T23 Cut Gtr Dn T24 Cut Gtr Up T25 Gtr Scratch1 T26 Rev Gtr Scr1 T27 Gtr Scrach2 T28 Rev Gtr Scr2 T29 Bass Slide T30 Rev Bs Slide T31 Acoustic Bs T32 E AcousticBs T33 Fingered Bs T34 Funk Bass T35 Pick Bass T36 Muted PickBs T37 Fretless Bs T38 Slap Bass T39 Synth Bass T40 TB 303 Bass T41 SH 101 Bass T42 Orch Strings T43 Syn Strings T44 OB Strings T45 Brass Hit L T46 Brass Hit S T47 Brass Hit LS T48 Brass Fall T49 Octave Brass T50 Poly Brass T51 Tenor Sax T52 Flute T53 Sine Wave T54 Saw Wave 1 T55 Saw Wave 2 T56 Square Wave T57 Buzzer T58 Beep T59 JU 2 Sub OSC T60 Poly OSC T61 Juno Rave T62 JP Hoover T63 Feedback Wav T64 Atmosphere T65 Syn Calliope T66 Fantasia T67 Thick Pad T68 80 s PolySyn T69 Off Pedal Only PEDAL A1 PEDAL C5 H T H T H T H T H T H T H T H T H T H T H T H T H T H T
159. op of heat generating equipment or NY damage malfunction or electric shock are x Damp e g baths washrooms on wet floors or are Do not excessively twist or bend the power cord nor place heavy objects on it Doing so can S damage the cord producing severed elements and short circuits Damaged cords are fire and shock Dusty or are hazards Humid or are Exposed to rain or are e Subject to high levels of vibration 4 4 A A This unit either alone or in combination with an amplifier and headphones or speakers may be capable of producing sound levels that could cause permanent hearing loss Do not operate for a long period of time at a high volume level or at a level that is uncomfortable If you experience any hearing loss or ringing in the ears you should immediately stop using the unit and consult an audiologist 9 Do not allow any objects e g flammable material coins pins or liquids of any kind water soft drinks etc to penetrate the unit Immediately turn the power off remove the AC adaptor from the outlet and request servicing by your retailer the nearest Roland Service Center or an authorized Roland distributor as listed on the Information page when The AC adaptor or the power supply cord has been damaged or Objects have fallen into or liquid has been
160. or PARAMETER B to select the parameter that you wish to modify WRITE lt PARAMETER P gt EXIT COPY SKIP MODIFY CLEAR U0101A3 PAD INST Pad Level 100 Parameter 5 To modify the value either turn PATCH VALUE or use PATCH NUMBER W and PATCH NUMBER A U0101A3 PAD INST Pad Level 100 t Value PATCH NUMBER 6 Repeat steps 3 5 to continue editing Chapter 2 7 When you are finished editing press EXIT or EDIT EDIT will go dark and you will return to normal Play mode U01 USERO1 01 Conga HINT You can make your selection rapidly p 31 You can also use realtime modify to change the value p 58 Nore The settings you edit will return to the original values when you switch patches If you wish to keep your changes refer to Saving Your Settings Write Duplicating Settings Copy p 56 HINT If you edit the settings of a user patch you can keep your changes in the same patch by pressing WRITE twice NEM When you change a value an UR will appear beside the patch number in the screen indicating that the data is being edited If you switch patches or perform the Write or Copy UR operation p 56 the will disappear 35 Chapter 2 Modifying a Patch Adjusting Sounds Select the sound that you wish to play by using the pads D Beam or ribbons You can also adjust the pitch or duration of the sound Some parameters have rela
161. or percussion let you produce spacious sounds or invent creative new possibilities Basic rhythm performances are built in as preset patterns so that you can enjoy ensemble playing or use the HPD 15 to keep time in place of a metronome A convenience sequencer is provided for recording your performance in realtime great for practicing or listening to your own playing The HPD 15 can be connected to an external sound module as a MIDI controller or used as to input drum parts for music data How To Use This Manual This owner s manual is organized as follows Quick Start Chapter 1 This section is intended for those using the HPD 15 for the first time and explains how to use various functions in a simple way Please read Quick Start and follow along by actually operating the HPD 15 This will help you understand most of what you need to know for basic operations Advanced Use Chapter 2 Chapter 6 This section explains all functions of the HPD 15 and is divided into specific parts Basic operations are covered in the Quick Start The Advanced Use section assumes you already understand basic procedures so if anything unclear refer to the Quick Start Chapter 2 Modifying a Patch This chapter explains how to modify the sounds you play how to control the sounds and how to use effects Chapter 3 Recording Your Performance Sequencer This chapter explains how to record and play back your performance Ch
162. pads to control the pitch of the pads If the following screen is not shown turn PATCH VALUE until the following NOTE screen appears If D Beam CONTROL is not lit passing your hand AF AN over the D Beam will not P02 RIC modify the tone Press CONTROL to make it light 01 TalkingDrm While striking the pad rub the ribbons or move your hand over the D Beam to raise the pitch While striking the pad press one of the pads A1 A5 will also raise the pitch 17 Chapter 1 Quick Start Playing a Scale You can use the pads to play the sounds of a pitched instrument such a steel drum or marimba Let s use the patch p 21 of P0501 Vibraphone to play a scale If the following screen is not shown turn PATCH VALUE until the following screen appears P05 ORCH 01 Vibraphone The pads are assigned to the notes of the keyboard as follows C2 _ E HINT AN Simultaneously striking pads A1 A3 the left half of pad set A will produce a C chord and simultaneously striking A3 A5 the right half will produce a G chord C3 Helpful Use of the Included Label 18 Chapter 1 Quick Start Using Knobs to Modify the Tone Realtime Modify The sounds of the HPD 15 have various parameters that determine the loudness pitch and duration and how the notes are sounded By modifying the values of each parameters you can vary the tone Normally you will adjus
163. re Pattern eee 2 Turn PATCH VALUE to select the pattern Ds For more on preset patterns refer to Preset 3 Pattern List p 91 Press PLAY STOP The selected pattern will play back To stop playback press PLAY STOP once again The pattern will stop playing 5 Press SEQUENCER or EXIT You will return to normal Play mode 26 Chapter 1 Quick Start Changing the Tempo 2 A c PATCH VALUE y AN Er LE gt PATCH NUMBER 9 f EDIT CA cHan Y SEQUENCER TEMPO REC__ PLAY STOP MULTI DEM D BEAM ND CONTROL EFFECTS SYSTEM so Chapter 1 1 3 1 Press TEMPO TEMPO will light current tempo is displayed in the screen Tempo 100 2 MEMO Turn PATCH VALUE to change the tempo The tempo can be changed either when the pattern is playing or stopped 3 When you have finished making changes press TEMPO once again TEMPO will go dark and you will return to the previous screen 27 Chapter 1 Quick Start System Settings Settings that are shared by all patches are called system settings Settings such as the display contrast and the D Beam sensitivity are system settings Adjusting the Display for Best Visibility LCD Contrast 2 PATS ALE L N ES N Q PATCH NUMBER EDIT USER PRESET CHAIN WRITE lt PARAMETER amp EXIT SEQUENCER TEMPO REC PLAY STOP COPY SKIP Me iv DEMO D BEAM MULTI SYSTEM SOUND CONTROL EFF
164. rite operation press EXIT NEM For details on selecting patches refer to Chapter 1 Quick Start in the section Changing Sounds to Play Patch Select p 21 ihe Never turn the power off while a writing process If you turned the power off the data will be damaged Duplicating Settings Copy Patch or pad settings can be copied to another patch pad or controller You can also exchange settings between two patches Basic Procedure for Copy We will explain the basic copy procedure using the example of copying patch settings Patch Copy 1 Press WRITE 2 PARAMETER B twice The following screen will appear copy source patch U0101 Conga PatchCpy s U0101 type of copy blinking copy destination patch number 3 Turn PATCH VALUE to select the type of copy For details on the types of copy refer to the next page 4 Use lt PARAMETER PARAMETER B gt to make the copy source copy destination patch numbers blink 5 Turn PATCH VALUE to select the copy source copy destination patches It is not possible to select a preset patch as the write destination 6 Press WRITE to execute the copy If you decide not to execute the copy operation press EXIT 7 Press EXIT to end the procedure You will return to the previous screen NEM For details on selecting patches refer to Chapter 1 Quick Start in the section Changing Sounds to Play Patch Select
165. rnal pad for rim shots connect with the PCS will be slightly approximately 0 003 seconds longer 33 In this case it is not possible to use two external pads For a kick select KD 7 and if the result is not stable try K 1 Or K 2 If you wish to make even more detailed settings refer to the explanation in the following section More Detailed Settings for the External Pads Kick Trigger Units Normally you don t need to adjust these parameters but you may use them if you wish to make more accurate settings for your playing style 73 Chapter 5 Settings for the Entire HPD 15 More Detailed Settings for the External Pads Kick Trigger Unit When you are using pads made by other manufacturers try adjusting the following parameters Category Parameter Value TRIGGER Trig Sens Adjusting the Sensitivity 1 16 INPUT Increasing this value will raise the sensitivity and produce the larger sound even if the striking force is the same Curve Selecting How Striking Force Will Affect the Volume see figure on p 37 Linear Exp1 Adjusts this curve until the response feels as natural as possible Exp Log Log2 Spline Linear This is the normal setting and most natural correspondence between velocity and volume change when using the PD 5 7 9 80 80R 100 120 Loud1 Loud2 Exp1 Exp2 Compared to Linear a wider volume change will occur for stronger hits Log1 Log2 Compared to Linear a wider volume change will o
166. s Off is received e POLY Controller number 127 Status 2nd byte 3rd byte BnH 7FH 00H n MIDI channel number 0H FH ch 1 ch 16 The same processing will be carried out as when All Sound Off or All Notes Off is received mSystem Realtime Message Following System Realtime Messages cannot be recorded in recording mode Timing Clock Status F8H Recognized only when the SYSTEM UTILITY Seq Sync is set to Ext OStart Status FAH Recognized only when the SYSTEM UTILITY Seq Sync is set to Ext or Remote Continue Status FBH Recognized only when the SYSTEM UTILITY Seq Sync is set to Ext or Remote Stop Status FCH Recognized only when the SYSTEM UTILITY Seq Sync is set to Ext or Remote Active Sensing Status FEH When Active Sensing is received the unit will begin monitoring the intervals of all further messages While monitoring if the interval between messages exceeds about 420 ms the same processing will be carried out as when All Sounds Off All Notes Off and Reset All Controllers are received and message interval monitoring will be halted 100 mSystem Exclusive Message Following System Exclusive Messages cannot be recorded Status Data byte Status FOH iiH ddH eeH F7H FOH System Exclusive Message status ii ID number an ID number manufacturer ID to indicate the manufacturer whose Exclusive message this is Roland s man
167. s or is not intended for it In some ways MIDI channels are similar to television channels By changing the channel on a television set you can view the programs that are being broadcast by different stations In the same way MIDI also allows a device to select the information intended for that device out of the variety of information that is being transmitted to it The cable from the antenna carries the TV signals from many broadcast stations Station A Station B Y The TV is set to the channel of the station you wish to watch MIDI uses sixteen channels 1 through 16 Set the receiving device so that it will receive only the channel that it needs to receive Example Set MIDI keyboard to send Channel 1 and Channel 2 then set sound module A to receive only Channel 1 and sound module B only Channel 2 With this setup you can get an ensemble performance with for example a guitar sound from sound module A and bass from sound module B MIDI OUT MIDI IN MIDI THRU Transmit channel 1 2 NAA MIDI keyboard Sound Receive channel 1 Module l 1 A Im al Sound Receive chan Module 99 L nj B When used as a sound module the HPD 15 can receive on up to five of the sixteen MIDI channels Sound modules like the HPD 15 which can receive multiple MIDI channels simultaneously to play different sounds on each channel are
168. s the depth of the tonal change produced by the LFO and the speed of modulation LFO Am amp Rt Modifies the depth of the volume change produced by the LFO and the speed of modulation MFX Ctrl1 3 Modifies the parameter value of the multi effect The parameter that will be controlled will depend on the selected effect Please refer to Adjusting Multi Effect Settings p 40 If you select MFX Ctrl1 parameters marked by Ctrl1 can be controlled The same applies to MEX Ctrl2 3 RollSpeed Changes the speed at which the roll will repeat The same effect can be obtained even if ROLL HOLD is not lit Tempo Tempo Adjusts the tempo of the sequencer TurnTable An effect will be produced as though you were manually rotating the turntable of a record player Play Stop Controls sequencer play stop This is the same operation as pressing PLAY STOP on the panel This cannot control sequencer start stop in the Recording Stand by Mode p 59 NEM When CtrlTx is set to any value marked with a the effect can be obtained even with pads ribbons D Beam etc for which Ctrl Rx has been set to OFF CtrlirType Posit Speed Specifies how the D Beam ribbon and pedal will transmit Chapter 2 signals If you select Posit the transmitted signal will change according to the position at which your hand is located relative to the controller If you select Speed the transmitted signal will change a
169. sion instruments and mallet instruments e g xylophone marimba e GROUP 6 DRUMS Drum sets e GROUP 7 DANCE Sounds for dance music e GROUP 8 SFX Sound effects e GROUP9 OTHERS Melody instruments e g bass synthesizer and other sounds e GROUP 10 LOOPS Preset patterns are assigned to pads B1 C5 You can listen and compare the preset patterns Each patch is assigned a name Patch Name The currently selected group number patch number and patch name are displayed in the screen Group Number Group Name SER PRESET GROUP CHAIN U U P Preset Bol LATIN Conga ES Patch Number Patch Name 21 Chapter 1 Quick Start Changing Patches with the Dial 1 Turn PATCH VALUE The patch will change as shown in the diagram U0101 i U0102 SN U0108 P1001 BESEN U0201 P0901 AAE E Changing Patches with the Panel Sw itches 2 l AS 2 p I Cos E qe 3 1 3 1 Press USER or PRESET to select either user patches or preset patches The selected button will light 2 Use GROUP and GROUP to select the patch group The indicator of the selected patch group will light HINT If you continue holding a button the patch groups numbers will change 3 Use PATCH NUMBER w and PATCH NUMBER a to select the patch number within the patch group consecutively p 31 22 Chapter 1 Quick Start Changing Patches with the Pads Pad Patch Select
170. smitted settings are reproduced NOTE When data is received the data that was previously in the HPD 15 s memory will be lost nore Never turn the power off while receiving the bulk data and writing the data into memory If the power is turned off the data will be lost Note Select Int for the Seq Sync in system settings p 68 If you select other than Int the internal sequencer will begin La 8 G lt U playback and won t receive the data Chapter 6 Connecting MIDI Devices Setting the Device ID The setting described here is necessary only when you wish to transmit separate data to two or more HPD 15 units at the same time Do not change this setting in any other case At the factory settings the Device ID is set to 17 1 Press SYSTEM and make it light 2 Press lt PARAMETER or PARAMETER gt gt to display the following screen MIDI Device ID 3 Turn PATCH VALUE to change the Device ID 4 When you are finished modifying press SYSTEM or EXIT DEVICE ID 1 32 Example Suppose that when data was saved via bulk dump the HPD 15 s Device ID was set to 17 When re transmitting this data back to the HPD 15 it won t receive if the Device ID is set to something other than 17 Transmit data 7 Device ID 17 MIDI IN MIDI OUT B e 8999000000 o 000000000 O HPD 15 Device ID 17 u
171. ssages eeeseuuss 86 About MIDI coord Dd i in ec odii 88 Preset Pateh LIS 90 Preset Pattern List csccssesseesesseeseesseesseesseesseeseesseeeneeeseesseesaseaes 91 istrument Listasi aiea m ua as 92 Pad Set Instrument List on ccd A a e e Hte id 94 Backing Instrument Distintas 94 Effect Ty pe E c TH A aeaaea iaeaea aaa 95 Demo Song LISL eon noo eot e De Sere de onte eiecit ELCHE EL suu 96 MIDI Implementation J J J J J J J 97 lale cdi 112 NNO quM E 113 The HPD 15 is a compact and lightweight digital hand percussion unit with built in sound generator that you can play with your naked hands A pressure sensitive pad divided into fifteen sections allows you to play full fledged hand percussion without any other equipment 600 versatile sounds including percussion instruments from around the world with Latin African and Asian sounds as well as drum sets dance sounds and sound effects Numerous controllers including ribbons D Beam and realtime modify knobs allow you to create realtime changes in the sound Kick trigger units and a hi hat controller can be connected to create a space saving drum set Convenient editing functions for the percussionist include an EZ Edit function and a Guide tone click note Built in high quality reverb and multi effects selected especially f
172. ssion part 1 of the internal sequencer Normally you will set this to channel 11 Perc 2 CH 1 16 OFF Specify the channel for percussion part 2 of the internal sequencer Normally you will set this to channel 12 Melo 1 CH 1 16 OFF Specify the channel for melody part 1 of the internal sequencer Normally you will set this to channel 5 Melo 2 CH 1 16 OFF Specify the channel for melody part 2 of the internal sequencer Normally you will set this to channel 6 NEM Ata setting of 1 through 16 MIDI messages will be transmitted and received on that channel A setting of OFF lets you turn off transmission and reception for that part so that notes are not received When you are finished setting press SYSTEM or EXIT MEMO For more on synchronization with external sequencer refer to Synchronizing the Internal Sequencer with an External MIDI Device in Settings for the Basic Operation p 68 Chapter 6 Connecting MIDI Devices Using with the Roland SPD 20 SOFT THRU This section explains how you can use the Roland SPD 20 a MIDI controller together with the HPD 15 to play internal sounds and an external sound module Performance data of the HPD 15 and performance data of the SPD 20 will both be sent to the external sound module To the MIDI IN of another sound module or sampler O Tm af MIDI MIDI OUT B MIDI IN B Bo OUT THRU o
173. ssion parts ORPN MSB LSB Controller number 101 100 Status 2nd byte 3rd byte BnH 65H mmH BnH 64H HH 0H FH ch 1 ch 16 mm upper byte of parameter number specified by RPN MSB n MIDI channel number 11 lower byte of parameter number specified by RPN LSB Only the channel assigned to the melody part can be received The value specified by RPN will not be reset even by messages such as program change or reset all controllers Not recorded in the sequencer RPN The RPN Registered Parameter Number messages are expanded control changes and each function of an RPN is described by the MIDI Standard To use these messages you must first use RPN controller number 100 and 110 their order does not matter to specify the parameter to be controlled and then use Data Entry messages controller number 6 38 to specify the value of the specified parameter Once an RPN parameter has been specified all data entry messages received on that channel will modify the value of that parameter To prevent accidents it is recommended that you set RPN null RPN number 7FH 7FH when you have finished setting the value of the desired parameter Refer to Examples of actual MIDI messages lt Example 4 gt p 109 On the normal mode of HPD 15 RPN can be used to modify the following parameters Regarding the value of each parameter refer to Data Entry Controller number 6 RPN mm ll Parameter 00H 00H Pitch Bend Sensit
174. t be unplugged from the outlet emm emm ALWAYS OBSERVE THE FOLLOWING 7 Before using this unit make sure to read the This unit should be used only with a rack or stand Instructions below and the Owner s Manual AN that is recommended by Roland AN Donot open or modify in any way the unit or its When using the unit with a rack or stand recom AC adaptor G mended by Roland the rack or stand must be carefully placed so it is level and sure to remain stable If not using a rack or stand you still need Do notattempt to repair the unit or replace parts to make sure that any location you choose for within it except when this manual provides S placing the unit provides a level surface that will specific instructions directing you to do so Refer properly support the unit and keep it from all servicing to your retailer the nearest Roland wobbling Service Center or an authorized Roland 0 0 eeeeeeeeeememHm Renee distributor as listed on the Information page Besure to use only the AC adaptor supplied with the unit Also make sure the line voltage at the Never use or store the unit in places that are S installation matches the input voltage specified on the AC adaptor s body Other AC adaptors ma d ul o een eg sai use a Pasa i un or be Fue fora x A ighti P d Pes n ha hi d do EI on e mg SED different voltage so their use could result in uct on t
175. t the parameter values to your liking before you perform However some of the parameters can be freely modified while you play This is referred to as realtime modify LFO RATE LFO PITCH LFO FLT AMP nini REALTIME IVIODIFY 3 1 Press SELECT to select the parameter that you wish to modify The indicator at the right of the selected parameter will light Sound the pad D Beam ribbon for the sound that you wish to modify The M FX DEPTH and LFO parameters will apply in the same way to all pads ribbons D Beam Turn the REALTIME MODIFY knob The selected parameter and the value being modified will be displayed and the sound will change RTM 600 If the multi effects p 20 is off turning the M FX DEPTH knob makes no modification If the LFO Waveform p 38 is set to OFF turning the LFO RATE LFO PITCH and LFO FLT AMP knobs makes no modification A1 PITCH By repeating steps 1 3 you can create numerous variations in the sound By pressing EXIT MODIFY CLEAR you can cancel any value changes you made Modify Clear nid In Edit mode p 35 you can also use Realtime Modify to adjust the parameter values p 58 Chapter 1 NEM Modify Lock Hold down SELECT and sound the pad D Beam ribbon It will be fixed to the target of modification and other pads cannot become to the target The SELECT indicator will blink at this time To unlock hold down SELECT an
176. ter Chain Play mode U01 CHAIN 01 01 01 Conga 2 Press GROUP or GROUP to select the chain group to be used You can select the chain group by striking a pad B1 C5 while holding down PATCH SEL Pads B1 C5 correspond to chain groups 1 10 respectively U02 CHAIN 05 01 01 TalkingDrm Nem In the case of a chain group which has no patch will be displayed at the upper right of the screen 3 Press PATCH NUMBER WF or PATCH NUMBER Ah or turn PATCH VALUE to call up the patches to be used in each selected step in the chain You can call up the patches by striking a pad A2 or A4 while holding down PATCH SEL Striking the pad A2 will decrease the chain step and striking the pad A4 will increase it U05 CHAIN 05 02 01 Vibraphone 4 When the performance is finished press CHAIN you will return to normal Play mode CHAIN will go dark EXIT MODIFY CLEAR operates as modify clear p 19 and cannot make Chain Play mode off HINT You can use foot switches to call up patch chains For details refer to Settings for the Foot Switches p 71 Chapter 5 Settings for the Entire HPD 15 Settings that affect the entire HPD 15 are called system settings This chapter explains how to modify the system settings System Edit Settings for basic operation 1 Press SYSTEM to make it light you will enter System Edit mode The upper line of the screen will show the parameter
177. the effect Negative settings will invert the phase HF Damp 200Hz 8kHz THRU Adjusts the frequency above which sound fed back to the effect will be cut If you do not want to cut the high frequencies of the feedback set this parameter to THRU Pan L63 Center R63 Ctrl3 Adjusts the stereo location of the delay sound Tone 15 15 Adjusts the tone quality Positive settings will emphasize the high range and negative settings will emphasize the low range Effect Level 0 127 RTM Adjusts the output level of delay sound Direct Level 0 127 Adjusts the output level of direct sound 49 Chapter 2 Chapter 2 Modifying a Patch 3 Tap Delay 3TapDlySht 3TapDlyLng The 3 Tap Delay produces three delay sounds center left and right The delay time can be specified as a note value of the tempo of the sequencer There is no difference between Sht and Lng but the length of the delay time Delay C 20 600ms Sht 200 1000ms Lng note value Delay L 20 600ms Sht 200 1000ms Lng note value Delay R 20 600ms Sht 200 1000ms Lng note value Adjusts the time delay from the direct sound until when the delay sound is heard This parameter can be set as a note value of the tempo of the sequencer In this case specify the value of the desired note Feedback 98 98 Adjusts the proportion of the center delay sound that is fed back into the effect Negative settings will invert the phase
178. the sensitivity and produce the larger sound even if the striking force is the same Threshold Setting Minimum Levels 1 16 A trigger signal to be transmitted only when the pad is struck harder than a specified force This allows you to prevent the pad from picking up extraneous vibrations from neighboring pads If the striking force is less than the threshold the pad will not sound To have the unit sound even when struck lightly set the threshold as low as possible Mask Time Preventing Double Triggering 0 64ms Once a pad has been hit any additional trigger signals occuring within the specified Mask Time will be ignored ncreasing this value will lose certain notes if you play very fast Set this value as short as possible Pressure Sens Adjusting Pad Pressure Sensitivity 1 16 Adjust the sensitivity of pad to pressure Increasing the value will increase the sensitivity so that it will be easier to transmit mute or pitch control signals Edge Level Adjusting the Volume of the Edge Sound 1 16 Adjust the volume of the sound that is heard when you strike the edge of pads Al or A5 Edge Area Adjusting the Edge Area 1 16 Adjust the size of the area that will trigger the edge sound of pads A1 or A5 Increasing this value will broaden the area that triggers the edge sound To set Sens Threshold Mask Time and Pressure Sens strike the pad that you wish to set The selected pad number will appear in the display 70 Chapter 5 Settin
179. tinJazz AfroJazz Reggae Mambo w b Salsa w b Samba w b Carrib House TechnoPop Locomotive KiddyDisco Night Bird Drops PlayType OneShot P85 P86 P87 P88 P89 P90 P91 P92 LatinFill1 LatinFill2 Cha Fill1 Cha Fill2 Cha Fill3 Ending1 Ending2 Ending3 PlayType Tap P93 P94 P95 P96 P97 P98 P99 SantoorTap BassTap1 BassTap2 AcoGuitTap AdlibTap WahGtTap CodeMenu C Cy Cuz Cmajz Cor Caim C7susar C7 91 4 Q E Q Q lt M P D F H T No Mute switching sound Responds to positional sensing when assigned to pad A1 or A5 The ribbons D Beam will produce different tones depending on the direction of the movement of your hand when TirgMode is set to Move or MovGate The pads can switch the sound when TrigMode is set to Gate or Trig These are hi hat sounds that can be controlled by the hi hat control pedal FD 7 optional The sound will sustain by pressing ROLL HOLD button when TrigMode is set to Gate or Trig The pitch of these sounds can be adjusted by MasterTune in system setting LATIN L01 L02 L03 L04 L05 L06 L07 L08 L09 L10 L11 L12 L13 L14 L15 L16 L17 L18 L19 L20 L21 L22 L23 L24 L25 L26 L27 L28 L29 L30 L31 L32 L33 L34 L35 L36 L37 L38 L39 L40 L41 L42 L43 L44 L45 L46 L47 L48 L49 L50 L51 L52 L53 L54 L55 L56 L57 L58 L59 L60 L61 L62 L63 L64 L65 L66 L67 L6
180. ting OFF ON OFF The pad last struck in Play mode will be edited This is convenient when you wish to compare the response with other pads If you hold down PATCH SEL and strike a pad the pad you struck will be edited ON The pad you strike will be selected for editing each time Power ON Dial Lock Specifying the Patch Selected at Power On RESET LAST RESET Patch P0101 will always be selected LAST The patch last selected when the power was turned off will be selected Locking Patch Selection From the Dial OFF ON If this is turned ON turning PATCH VALUE will not change the patch This lets you prevent the patch from being accidently changed when you touch the dial during a performance Roll Sync Synchronizing Rolls Between Pads OFF ON OFF The roll will start when you press the pad and will not synchronize with other pads ON Rolls of other pads will synchronize to the roll of the first pressed pad Seq Sync Synchronizing the Internal Sequencer with an External MIDI Device Int Ext Remote Int The HPD 15 s tempo setting will be used for playback recording When shipped from factory this setting is selected Ext The HPD 15 s sequencer will operate in accordance with tempo data MIDI Clock from the external device Remote The HPD 15 will obey start pause stop messages from an external device but will playback according to its own tempo setting Chapter 5 Settings for the Entire HPD
181. tion to the parameters in EZ Edit mode If there are problems e g no sound check the parameters in EZ Edit mode Parameter Category PAD INST Inst select screen UO101A1 PAD INST L09 Conga Hi H ot Inst Group Inst Name Other value select screen UO101A1 PAD INST Pad Level 100 p m Inst Refer to Instrument List p 92 Selects the sound instrument You can jump to the first sound in each instrument group by using the Skip function p 33 Pad Level 0 127 Adjusts the volume Pan L63 Center R63 Random Alternate Adjusts the pan localization of the output sound Random The pan changes randomly each time the pad is struck Alternate The pan alternates left and right each time the pad is struck Reverb Send 0 127 Adjusts the depth of the reverberation Pitch 2400 2400cent Adjusts the pitch 100 cents is a semitone Youcan change the pitch in steps of 100 cent by using the Skip function p 33 Decay 31 31 Adjusts the duration decay time Some sounds do not change the duration Color 31 31 Adjusts the tone Sweep 31 31 Changes the pitch Positive values will cause the pitch to change from high to low Negative values will cause the pitch to change from low to high MULTI FX LFO OFF ON Turns the multi effects and LFO on or off TrigMode Shot Gate Trig Pad Move MovGate Touch TchGate Scrape Scrplwy D Beam Ribbon Selects how th
182. to your unit should the plug be pulled out accidentally and to avoid applying undue stress to the AC adaptor jack anchor the power cord using the cord hook as shown in the illustration A Use only the specified expression pedal EV 5 sold separately By connecting any other expression pedals you risk causing malfunction and or damage to the unit nem For details on connecting MIDI devices refer to Chapter 6 Connecting MIDI Devices p 76 11 Attaching the HPD 15 to the Stand Attach the stand holder included with the optional PDS 15 to NOTE the HPD 15 Use the screws provided with the PDS 15 Use of Using the screws provided with the PDS 15 attach the holder so the unit is other screws may result in oriented as shown in the diagram damage to the unit 2 Attach the HPD 15 to the pad stand PDS 15 NOTE For details on assembling the pad stand and attaching the HPD 15 refer to If you attach only the screws to the HPD 15 without attaching the stand the owner s manual for the pad stand for playing by fingers for using the heel of your hand holder and strike the pads like a conga player strongly when it is resting on the floor or table the screw heads may contact the floor or table and scratch it yov Do not slope the stand excessively Be careful that the stand does not lose its balance 12 Chapter 1 Quick Start This chapter explains basic op
183. ttings Phaser Standard phaser settings Compressor Keeps sound volume in a uniform range Rubbing Adds a grinding sound ComPRESSED Creates a very bound constricted sound Arpeggio Sounds pitch shifted by five semitones are layered on Enhancer Emphasizes the high end harmonics one after another Radio Makes sounds as produced from a radio Warp Pitch rises three semitones at a time OnAir Creates a sound like that found in public recordings Bandit Gliss down effect TiledRoom Sound like that produced in a tiled room PitchShift Sounds shifted by five semitones are layered on Outside Produces a heard outside the door kind of sound StereoDelay The delayed sound is played at the same position as the NoHighs Eliminates the high end instrument Only Lows Leaves only the low end Doubling Doubling effect which layers the sound Only Mids Leaves only the midrange Booming Sound like the playing of a high tension string is added Only Highs Leaves only the high end RhythmDly1 Triple rhythmic delay DynamicFltr Filter s cutoff frequency changes in response to the RhythmDly2 Rhythmic delay differing from RhythmDly1 volume of the strike Mod Delay Delay with modulation Ctrl Wah The wah effect is added in response to M FX DEPTH CrossModDly Delay with modulation with the sound alternately and CtrlTx crossing between left and right Sustainer Effect appears to stretch the sound s envelope TimeCtrIDly When CtrlTx is used to change Time an effect similar RadioOD Light distortion
184. ub Plaza Shanghai CHINA TEL 021 5580 0800 HONG KONG Tom Lee Music Co Ltd Service Division 22 32 Pun Shan Street Tsuen Wan New Territories HONG KONG TEL 2415 0911 INDIA Rivera Digitec India Pvt Ltd 409 Nirman Kendra Mahalaxmi Flats Compound Off Dr Edwin Moses Road Mumbai 400011 INDIA TEL 022 498 3079 INDONESIA PT Citra IntiRama 1 Cideng Timur No 15J 150 Jakarta Pusat NDONESIA TEL 021 6324170 KOREA Cosmos Corporation 461 9 Seocho Dong Seocho Ku Seoul KOREA TEL 02 3486 8855 MALAYSIA BENTLEY MUSIC SDN BHD 40 amp 142 Jalan Bukit Bintang 55100 Kuala Lumpur MALAYSIA TEL 03 2144 3333 PHILIPPINES G A Yupangco amp Co Inc 339 Gil J Puyat Avenue Makati Metro Manila 1200 PHILIPPINES TEL 02 899 9801 SINGAPORE Swee Lee Company 150 Sims Drive SINGAPORE 387381 TEL 846 3676 CRISTOFORI MUSIC PTE LTD BIk 3014 Bedok Industrial Park E 02 2148 SINGAPORE 489980 TEL 243 9555 TAIWAN ROLAND TAIWAN ENTERPRISE CO LTD Room 5 9fl No 112 Chung Shan N Road Sec 2 Taipei TAIWAN ROC TEL 02 2561 3339 THAILAND Theera Music Co Ltd 330 Verng NakornKasem Soi 2 Bangkok 10100 THAILAND TEL 02 2248821 VIETNAM Saigon Music 138 Tran Quang Khai St District 1 Ho Chi Minh City VIETNAM TEL 08 844 4068 AUSTRALIA Roland Corporation Australia Pty Ltd 38 Campbell Avenue Dee Why West NSW 2099 AUSTRALIA T
185. uce sounds or modify the tone NOTE Tf Ribbon SOUND is not RIBBON CONTROL RIBBON CONTROL lit sliding your finger on LO C DOOR the ribbon will not produce SY sound Press SOUND to make it light MEMO HOLD is used when you control the tone by a ribbon Refer to Turning On Off the Ribbons p 69 15 Chapter 1 Quick Start Pass Your Hand over the D Beam By passing your hand over the D Beam located at the top of the panel you can produce sounds or modify the tone ee Ld OJ O 2 SEQUENCER TEMPO REC PLAY STOP D BEAM CONTROLLER Y DEMO D BEAM MULTI USER SYSTEM SOUND CONTROL EFFECTS PRESET GROUP CHAIN Upi USERBi Sustaining the Sound ROLL HOLD Button 1 Press ROLL HOLD located at the upper left of the pads to make it light ROLL HOLD ye Press the pad While you press the pad the sound will be repeated as a roll Pressing strongly will increase the volume The sound of the instruments marked with H in the Instrument List p 92 will sustain if you remove your hand from the pad 16 you If D Beam SOUND is not lit passing your hand over the D Beam will not produce sound Press SOUND to make it light If there is no sound even though SOUND is lit adjust the sensitivity of the D Beam yov If D Beam CONTROL is not lit passing your hand over the D Beam will not modify the to
186. ufacturer ID is 41H ID numbers 7EH and 7FH are extensions of the MIDI standard Universal Non realtime Messages 7EH and Universal Realtime Messages 7FH dd ee data OOH 7FH 0 127 F7H EOX End Of Exclusive The System Exclusive Messages received by the normal mode of HPD 15 are Universal Non realtime System Exclusive Messages Data Requests RQ1 and Data Set DT1 Universal Non realtime System Exclusive Messages Oldentity Request Status Data byte Status FOH 7EH dev 06H 01H F7H Byte Explanation FOH Exclusive status 7EH D number universal non realtime message dev Device ID dev 00H 1FH 1 32 Initial value is 10H 17 06H 01H dentity request F7H EOX End Of Exclusive Even if the Device ID is 7FH Broadcast Identity reply message will be transmitted When Identity Request is received Identity reply message will be transmitted p 104 OData transmission HPD 15 can transmit and receive the various parameters using System Exclusive messages The exclusive message of HPD 15 s data has a model ID of 00H 2EH and a device ID of 10H 17 Device ID can be changed in HPD 15 ORequest data 1 RQ1 11H This message requests the other device to send data The Address and Size determine the type and amount of data to be sent When a Data Request message is received if the device is ready to transmit data and if the address and size are appropriate the requested data will be transmitted as a
187. us 2nd byte 3rd byte BnH OBH vvH n MIDI channel number 0H FH ch 1 ch 16 vv Control value 00H 7FH 0 127 Only the pad part and the percussion parts can be received Thisis used as the data of the LEVEL knob When recording this is recorded in the sequencer data itself OEffect Control 1 Controller number 12 Status 2nd byte 3rd byte BnH 0CH vvH n MIDI channel number 0H FH ch 1 ch 16 vv Control value 00H 7FH 0 127 Only the pad part and the percussion parts can be received This is used as the data of the M FX DEPTH knob When recording this is recorded in the sequencer data itself OGeneral purpose controller 1 Controller number 16 Status 2nd byte 3rd byte BnH 10H vvH n MIDI channel number 0H FH ch 1 ch 16 vv Control value 00H 7FH 0 127 Only the pad part and the percussion parts can be received Thisis used as the position data of the pad A1 When recording this is recorded in the sequencer data itself OGeneral purpose controller 2 Controller number 17 Status 2nd byte 3rd byte BnH 11H vvH n MIDI channel number 0H FH ch 1 ch 16 vv Control value 00H 7FH 0 127 Only the pad part and the percussion parts can be received This is used as the position data of the pad A5 When recording this is recorded in the sequencer data itself OHold 1 Controller number 64 Status 2nd byte 3rd byte nH 40H vvH n MI
188. y Output Mono Stereo Specifies how the sound will be output With a setting of Mono the output sound will be monaural Ring Modulator RingModltr A ring modulator add the amplitude modulation to the sound giving a metallic character Frequency 0 127 Ctrl1 Adjusts the frequency for modulation Character 0 127 LFO Ctrl2 Adjusts the tone The high frequency range will change Effect Level 0 127 RTM Ctrl3 Adjusts the output level of effect sound Direct Level 0 127 Adjusts the output level of direct sound Stereo Chorus Stereo Cho This is a stereo chorus A filter is provided so that you can adjust the timbre of the chorus sound PreDelay 0 0 100ms Adjusts the time delay from when the direct sound begins until the processed sound is heard Rate 0 05 10 0Hz LFO Ctrl1 Adjusts the rate of modulation Depth 0 127 Ctrl2 Adjusts the depth of modulation Phase 0 180deg Adjusts the spatial spread of the sound Filter Type OFF LPF HPF Selects the type of filter OFF A filter will not be used Cutoff will not be displayed LPF Cut the frequency range above the cutoff frequency HPF Cut the frequency range below the cutoff frequency Cutoff 200 8kHz Ctr13 Adjusts the basic frequency of the filter Effect Level 0 127 RTM Adjusts the output level of chorus sound Direct Level 0 127 Adjusts the output level of direct sound Chapter 2 Modifying a Patch Tetra Chorus TetraChorus
189. y were received For this reason it is a good idea to slightly skew the time of each event about 1 tick for TPQN 96 and about 5 ticks for TPQN 480 TPQN Ticks Per Quarter Note Example of an Exclusive message and calculating a Checksum Roland Exclusive messages RQ1 DT1 are transmitted with a checksum at the end before F7 to make sure that the message was correctly received The value of the checksum is determined by the address and data or size of the transmitted exclusive message OHow to calculate the checksum hexadecimal numbers are indicated by H The checksum is a value derived by adding the address size and checksum itself and inverting the lower 7 bits Here s an example of how the checksum is calculated We will assume that in the exclusive message we are transmitting the address is aa bb cc ddH and the data or size is ee ff gg hhH aa bb cc dd ee ff gg hh sum sum 128 quotient remainder 128 remainder checksum However the checksum will be 0 if the remainder is 0 lt Example 1 gt Setting Trigger Mode of Pad A5 in temporary patch to Gate According to the Parameter address map the temporary patch has an address of 01 00 00 00H Pad A5 has a offset address of 14 00H and Trigger Mode has a offset address of 10H Thus 01 00 00 00 14 00 10 01 00 14 10 and Gate is a value of 01H FO 41 10 00 2E 12 01 00 14 10 01 2 F7 1 2 3 4 5 address data checksu
190. y a value of 0C 00H for RPN parameter number 00 00H on MIDI channel 5 and then set the RPN parameter number to 7F 7FH RPN parameter number 00 00H is Pitch Bend Sensitivity and the MSB of the value indicates semitone units so a value of 0CH 12 sets the maximum pitch bend range to 12 semitones 1 octave On GS sound sources the LSB of Pitch Bend Sensitivity is ignored but the LSB should be transmitted anyway with a value of 0 so that operation will be correct on any device Once the parameter number has been specified for RPN or NRPN all Data Entry messages transmitted on that same channel will be valid so after the desired value has been transmitted it is a good idea to set the parameter number to 7F 7FH to prevent accidents This is the reason for the B4 64 7F B4 65 7F at the end It is not desirable for performance data such as Standard MIDI File data to contain many events with running status as given in lt Example 4 gt This is because if playback is halted during the song and then rewound or fast forwarded the sequencer may not be able to transmit the correct status and the sound source will then misinterpret the data Take care to give each event its own status It is also necessary that the RPN or NRPN parameter number setting and the value setting be done in the proper order On some sequencers events occurring in the same or consecutive clock may be transmitted in an order different than the order in which the
191. y on the channel which is assigned to the pad part and the percussion parts Transmitted when the HPD 15 is in play for pattern in which this message is recorded OSoft 1 Controller number 67 Status 2nd byte 3rd byte BnH 43H vvH n MIDI channel number 0H FH ch 1 ch 16 vv Control value 00H 0 This message is transmitted with the value 00H when the Modify Clear is done This is transmitted only on the channel which is assigned to the pad part and the percussion parts Transmitted when the HPD 15 is in play for pattern in which this message is recorded OSound Controller 1 Controller number 70 Status 2nd byte 3rd byte BnH 46H vvH n MIDI channel number 0H FH ch 1 ch 16 vv Control value 00H 7FH 0 127 102 MIDI Implementation When the SWEEP knob is turned the corresponding value will be transmitted This is transmitted only on the channel which is assigned to the pad part and the percussion parts Transmitted when the HPD 15 is in play for pattern in which this message is recorded OSound Controller 5 Controller number 74 Status 2nd byte 3rd byte BnH 4AH vvH n MIDI channel number 0H FH ch 1 ch 16 vv Control value 00H 7FH 0 127 When the COLOR knob is turned the corresponding value will be transmitted This is transmitted only on the channel which is assigned to the pad part and the percussion parts Transmitted when the HPD 15 is in play for patt
192. you decide not to execute press EXIT FACTORY RESET SYSTEM CHAIN ALL PATCH ALL PTN ALL ALL SYSTEM Restores all system settings p 67 to their factory presets CHAIN ALL Erases all patch chain p 65 settings PATCH ALL Restores all user patch p 21 settings to their factory presets PTN ALL Erases all user pattern p 59 data and restores sequencer settings p 60 p 62 to their factory presets ALL Restores all settings to their factory presets Note While executing factory reset do not turn the power off Data in the HPD 15 s memory will be corrupted 85 Ww Q E Q Q lt Messages and Error Messages This section lists the messages error messages that the HPD 15 produces and explains the meaning of each message giving you to appropriate action to take Error Messages System Error A problem has occured with the internal system Contact your dealer or a nearby Roland service center Memory Damaged Reset WRITE Data in the HPD 15 s memory is corrupted Press WRITE to execute factory reset Nore If you turned the power off when the HPD 15 is writing data into memory the data will be damaged Never turn the power off while the HPD 15 is executing a writing process No Enough Memor Aborted EXIT Pattern recording or editing could not be carried out because there was not enough internal memory Press EXIT Try deleting patterns that are n

Roland HPD-15 Turntable User Manual

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