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CHCS2 - Chroma-Q
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1. Amber 2 7 oP7 HSIfx Dual 8 Channel 1 Colour Roll Speed Channel 2 Colour Range Channel 3 Hue 1 Channel 4 Saturation 1 Channel 5 Intensity 1 Channel 6 Hue 2 Channel 7 Saturation 2 Channel 8 Intensity 2 8 oP8 RGBhAI Dual 9 Channel 1 Intensity Effects and Speed Channel 2 Red 1 Channel 3 Green 1 Channel 4 Blue 1 Channel 5 Master Intensity 1 Channel 6 Red 2 Channel 7 Green 2 Channel 8 Blue 2 Channel 9 Master Intensity 2 Color Split User Manual 9 V1 3 September 2007 9 oP9 Stand Alone Press ENTER to access FOO F99 steps press UP blue or DOWN black button to move between steps and press Enter to record any changes made The F setting is accessible only in oP9 FOO FO9 10 speeds full colour roll F10 F19 10 speeds cold colour roll F20 F29 10 speeds warm colour roll F30 F39 10 speeds magenta colour roll F40 F45 6 fixed split colours F46 F69 24 fixed solid colours 4 levels of saturation for each colour blue cyan green yellow red and magenta F70 F79 10 fixed white colours 2600K 3200K 3600K 4100K 5000K 5600K 6500K 7000K 7500K 8000K F80 F84 5 speeds fade on fade off F85 F89 5 speeds fade on snap off F90 F94 5 speeds snap on fade off F95 F99 5 speeds strobe Press ENTER when in between values F80 F99 to access Colour Selection of intensity effects c00 to c29 and UP blue or DOWN black button to move betwee
2. DMX Ch4 Ch5 Ch6 Ch7 Ch8 100 Mode 8 oP8 Dual control for 2 cells x 16 LEDs in 6 channel RGB A with Magic Amber 2 channel for Master Intensity and 1 channels for effects gives 2 sets of 3 control channels directly affecting the intensity of the corresponding LED Red Green Blue with Magic amber 1 channel for intensity effects and 2 channels for master intensity control The first channel sets intensity effect and speed 0 24 fade on fade off 25 49 fade on snap off 50 74 snap on fade off 75 100 strobe and speed Mode 9 oP9 Stand alone provides FOO F99 steps for variable selection of pre programmed effects The F setting is accessible only in oP9 FO0 FO9 10 speeds full colour roll F10 F19 10 speeds cold colour roll F20 F29 10 speeds warm colour roll F30 F39 10 speeds magenta colour roll F40 F45 6 fixed split colours F46 F69 24 fixed solid colours 4 levels of saturation for each colour blue cyan green yellow red and magenta F70 F79 10 fixed white colours 2600K 3200K 3600K 4100K 5000K 5600K 6500K 7000K 7500K 8000K F80 F84 5 speeds fade on fade off F85 F89 5 speeds fade on snap off F90 F94 5 speeds snap on fade off F95 F99 5 speeds strobe Colour Selection of intensity effects c00 to c29 is accessed when value is between F80 F99 Note In this mode the DMX level indicator stays off Demo
3. Magic Amber gives 2 sets of the 3 control channels for each cell directly affecting the intensity of the corresponding LEDs Red Green and Blue with Magic amber Colour is mixed by adjusting the levels of the three primary colours White is achieved with all channels at full Mode 6 oP6 Dual control for 2 cells x 16 LEDs in 8 channel RGBA gives 2 sets of 4 control channels for each cell directly affecting the intensity of the corresponding LED Red Green Blue and Amber Colour is mixed by adjusting the levels of each of the four colours White is achieved with all channels at full Color Split User Manual 7 V1 3 September 2007 Mode 7 oP7 Dual control for 2 cells x 16 LEDs in 6 channel HSI and 2 channel for Effects gives 2 sets of 2 colour channels for hue and saturation 2 sets of separate intensity channels 1 channel for colour roll speed and 1 channel for colour range Colour Roll Speed 0 Off 100 Fastest Colour Range 0 Full Colour Spectrum 67 1 3 Colour Spectrum In this mode various split colour wave effects can be created within a selected range of colours Set DMX Ch2 any value greater than 0 and set DMX Ch3 0 or greater than DMX Ch6 to create two cells rolling in the opposite direction and therefore creating colour waves in the assigned range of colours Example To create a blue to green wave effect set DMX Ch2 67 DMX Ch3 0 and DMX Ch6 33 set desired speed on DMX Ch1 and set
4. Mode oP is a pre programmed sequence of the following 5 seconds for each interval Start with 3 solid colours cyan yellow and magenta 3 split colours are added Partial colour rolls start from the split colours Full colour roll Cold colour roll Warm colour roll Fade on fade off Fade on snap off Medium strobe Fast strobe Note In this mode the DMX level indicator stays off Color Split User Manual 8 V1 3 September 2007 b Control Menu Note Press the ENTER red and UP blue or DOWN black button to move between modes and press ENTER to record any changes made Cell Mode Display Name DMX Ch Channels Control 1 oP1 RGBhA Single 3 Channel 1 Red Channel 2 Green Channel 3 Blue 2 oP2 RGBA Single 4 Channel 1 Red Channel 2 Green Channel 3 Blue Channel 4 Amber 3 oP3 HSIfx Single 5 Channel 1 Colour Roll Speed Channel 2 Colour Range Channel 3 Hue Channel 4 Saturation Channel 5 Intensity 4 oP4 RGBhAI Single 5 Channel 1 Intensity Effects and Speed Channel 2 Red Channel 3 Green Channel 4 Blue Channel 5 Master Intensity 5 oP5 RGBhA Dual 6 Channel 1 Red 1 Channel 2 Green 1 Channel 3 Blue 1 Channel 4 Red 2 Channel 5 Green 2 Channel 6 Blue 2 6 oP6 RGBA Dual 8 Channel 1 Red 1 Channel 2 Green 1 Channel 3 Blue 1 Channel 4 Amber 1 Channel 5 Red 2 Channel 6 Green 2 Channel 7 Blue 2 Channel 8
5. of fixture configurations including battens blinders footlights side fills cyclorama floods truss toners discreet set piece lighting and interior architectural lighting Each Color Split fixture features 32 high power LEDs split into two cells which produce intense powerful light and vibrant colours across the across the spectrum A 5 degree diffusion film is integrated into one cell and a 20 degree diffusion film is integrated into the other cell A range of optical accessories are available to increase the flexibility of the fixture Various diffusers can be utilised to adjust projected beam angles and create stunning visual effects Designed to be intelligent both inside and out the modular blocks incorporate the latest Hue Saturation and Intensity HSI RGB A with Magic amber RGBA control modes Variable Effects Engine is integrated in the software which gives the lighting designer full control over colour and effects combinations The products lightweight yet robust heavy gauge aluminium extruded construction houses a discreet cable management system and additional protection is built around the LED lenses for a truly road proof fixture The Color Split has a built in power supply with power input and through via PowerCon The unit can be controlled remotely through ANSI E1 11 USITT DMX 512 A 2 Operation 2 1 Unpacking the Unit 2 2 Control and Power Cables 23 Diffusion Film 2 4 Fixing 2 5 Operating the Unit 2
6. 6 Modes of Operation 2 7 Technical Specifications 2 8 Maintenance 2 9 Accessories 2 1 Unpacking the unit The Color Split package includes 1 unit Color Split fixture 1 unit yoke 2 pieces M10 x 16 knobs 2 pieces fibre flat washers and 1 piece M10 flat washer Color Split User Manual 3 V1 3 September 2007 2 2 Control and Power Cables The Color Split utilises a PowerCon cable system for power input and through and the XLR 5 pin cable system for ANSI E1 11 USITT DMX 512 A data signal input and through The XLR 5 pin cables are wired pin to pin in the format shown in the table below The chassis are ground bonded XLR 5 pin cable Pin Function Minimum Cable size 1 Ground ve Screen 2 Control data minus 0 35mm2 22 AWG 3 Control data plus 0 35mm 22 AWG 4 Spare data minus 0 35mm 22 AWG 5 Spare data plus 0 35mm 22 AWG Power cable International North American Connections Colour Code Colour Code Green and Yellow Green Earth E Ground Green Blue White Neutral N Neutral Silver Brown Black Live L Hot Gold Important Notice The use of an opto splitter for DMX signal distribution is highly recommended when several fixture units are not plugged into the same power source It is recommended that a maximum of 10 Color Split fixtures can be linked together utilising the power input and through connections data input and through connections as shown in t
7. Chroma 0 Color Split User Manual 0900085 5 2D IIS ve Version 1 3 September 2007 Software Version 4 0 PN 609 0500 Disclaimer The information contained herein is offered in good faith and is believed to be accurate However because conditions and methods of use of our products are beyond our control this information should not be used in substitution for customer s tests to ensure that Chroma Q products are safe effective and fully satisfactory for the intended end use Suggestions of use shall not be taken as inducements to infringe any patent Chroma Q sole warranty is that the product will meet the sales specifications in effect at the time of shipment Your exclusive remedy for breach of such warranty is limited to refund of purchase price or replacement of any product shown to be other than as warranted Chroma Q reserves the right to change or make alteration to devices and their functionality without notice due to our on going research and development The Chroma Q Color Split has been designed specifically for the professional entertainment lighting industry Regular maintenance should be performed to ensure that the products perform well in the entertainment environment If you experience any difficulties with any Chroma Q products please contact your selling dealer If your selling dealer is unable to help please contact support chroma q com If the selling dealer is unable to satisfy your servicing needs plea
8. Colour is mixed by adjusting the levels of each of the four colours White is achieved with all channels at full Mode 3 oP3 Single control for 2 cells x 16 LEDs in 3 channel HSI Hue Saturation and Intensity and 2 channels for Effects gives 2 colour channels for hue and saturation 1 separate intensity channel 1 channel for colour roll speed and 1 channel for colour range A separate definable intensity channel is particularly useful when creating intensity chases or when the grand master is used The hue channel has 255 different colours available and the saturation channel specifies the saturation level of that colour The saturation channel is fully saturated at full White is achieved with the intensity channel to full and the saturation channel at zero Colour Roll Speed 0 Off 100 Fastest Colour Range 0 Full Colour Spectrum 67 1 3 Colour Spectrum Mode 4 oP4 Single control for 2 cells x 16 LEDs in 3 channel RGB A with Magic Amber 1 channel for Master Intensity and 1 channels for Effects gives 3 control channels directly affecting the intensity of the corresponding LED Red Green Blue with Magic Amber 1 channel for intensity effects and 1 channel for master intensity control The first channel sets intensity effect and speed 0 24 fade on fade off 25 49 fade on snap off 50 74 snap on fade off 75 100 strobe Mode 5 oP5 Dual control for 2 cells x 16 LEDs in 6 channel RGB A with
9. d via a built in addressable ANSI E1 11 USITT DMX 512 A power supply Control functions are accessed through the LCD display at the rear plate with 3 push button switches Push button operation Control Function Red Button Mode access enter and record Black Button Down Decreases the mode level or value Blue Button Up Increases the mode level or value 3 digit display Displays mode monitor or blank display Display operation Power Up Display On power up the display shows the software version u04 and the DMX address Monitor Display If control buttons are left undisturbed for 5 7 seconds the display will revert to Monitor Mode The first vertical bar indicates that there is DC power unit The second vertical bar indicates that there is Data DMX El The horizontal bars indicate the Data Signal Level of first DMX channel Power Data Signal level g 24 No bars 25 49 1 Bar 50 74 2 Bars 75 100 3 Bars Display Mode The display can be set to auto blackout 5 seconds after it goes to Monitor Mode Press ENTER red and UP blue or DOWN black buttons to select dP mode then select dp1 to turn ON the auto blackout or dPO to turn OFF the auto blackout Default Settings Factory default settings Reset Press and hold for 1 second the UP blue and DOWN black buttons to reset the unit to the factory default settings The display
10. he illustration below gt 3 Data Through Data Input _ Kee Power Input _ Power Through 00000 O 00000 E Important Notice The use of an opto splitter for DMX signal distribution is highly recommended when several fixture units are not plugged into the same power source Color Split User Manual 4 V1 3 September 2007 2 3 Diffusion Film The Color Split has a 5 degree diffusion film integrated into one cell and a 20 degree diffusion film integrated into the other cell Printed at the bottom plate are chevrons that indicate the side with the 20 degree diffusion 5 Diffusion Film on this side film to 20 Diffusion Film on this side _ 2 4 Fixing The Color Split is supplied with a detachable yoke for a single fixture which can be used for floor mounting direct wall mounting and truss mounting The Color Split features an integral connection system to enable up to 3 units locked together as a batten or strip Integral M10 clinch nuts are built into each end of the fixture which can be used to attach the fixture to a standard hook clamp or the wide range of Color Split mounting accessories Note e For the M10 nuts ensure that the bolt is not too long to avoid damage e Secure each fixture with the safety bond Provision for a fixing hold is built into the end plate of each fixture for seco
11. m 4 9 136mm 5 3 Color Split User Manual 11 V1 3 September 2007
12. n colours and press Enter to record any changes made 10 oP Demo Mode Note The DMX level indicator stays off in modes oP9 and oP 2 7 Technical specifications Dimensions Weight DMX protocol Working Voltage Power consumption Connectors Body material Body colour Cooling European approvals North American approvals 2 8 Maintenance With care the Color Split fixture will require little maintenance However as the unit is likely to be used in a stage environment we recommend periodical internal inspection and cleaning of any resulting dust and cracked oil residue 250mm x 136mm x 125mm 9 8 x 5 3 x 4 9 2 38kg 5 25 lbs ANSI E1 11 USITT DMX 512 A 90 240V AC 60W XLR5 in thru PowerCon in thru Aluminum extrusion Black anodised 1 x fan Pending Pending CE Do not spray liquids on the front or rear panel If the front enclosure requires cleaning wipe with a mild detergent on a damp cloth Color Split User Manual 10 V1 3 September 2007 2 9 Accessories CHCBBK20 CHCBBK30 CHCBBK3005 CHCBBK6010 20 degree beam kit for Color Block Split 30 degree beam kit for Color Block Split 30 x 5 degree beam kit for Color Block Split 60 x 10 degree beam kit for Color Block Split 3 Drawings 3 1 Outside dimensions A Llera 250mm 9 8 125m
13. ndary fixings e Ensure adequate ventilation to the rear of all Color Split fixtures Avoid placing the fixtures directly on the floor pointing upwards which leaves very little space for ventilation Integrated Connection System One end plate of the Color Split fixture features two protruding locating pins and a catch plate and the other end plate of each fixture has two keyhole slots and a butterfly latch 1 To connect two fixtures together firstly mate the four protruding pins from one fixture into the keyhole slots of the other fixture 2 Then slide the fixtures together so that they are aligned correctly taking care to get past the extended catch plate Note This will be stiff on new fixtures and a twisting action may ease assembly Color Split User Manual 5 V1 3 September 2007 3 Finally use the butterfly latch to secure the fixtures together tightly maximum of 3 units together i a ogia NN i NL i f j fey z f eal th LiL 1 tl tl Yoke Kit The Color Split fixture is supplied with a detachable yoke kit for a single fixture with fibre washers and thumb wheels An M10 flat washer is provided as a spacer for the side with protruding pins The yoke kit can be used for floor mounting direct wall mounting and truss mounting when used with hook clamps or half couplers Note See Drawing on page 12 2 5 Operating the Unit The Color Split is controlle
14. se contact the following for full factory service Outside North America North America Tel 44 0 1494 446000 Tel 416 255 9494 Fax 44 0 1494 461024 Fax 416 255 3514 support chroma q com support chroma q com For further information please visit the Chroma Q website at www chroma q com Chroma Q is a trademark for more information on this visit www chroma q com trademarks The rights and ownership of all trademarks are recognised Color Split User Manual 1 V1 3 September 2007 Table of Contents 1 Product Overview coin siii aa d a D aaa atat o a at di 3 2 O aaa data 3 2 1 Unpacking the unit sssi iaid eee anna eee canes ai ESR 3 2 2 Control and power Cables ecmee eee eee eee anna 4 2 3 O 5 ZAS SEXING a ate ee aaa ana A a at si a i 5 2 5 Operating the Unit iia ceai ate lata re n Da da a aa 6 26 Modes cf operation sr iio Marika aaa ta d a a a Dara Ad 7 2 7 Technical specifications mec eee eee aaa ae 10 2 3 IMaintenane a ir Cata e ai rara en t aa Oh 10 2 9 Accessories aii ic d ae da a rea dee re do a beta e ia ae a 11 32 DYAWINGS ciuci asi sami ide ide dad 11 3 1 Outside dimensions sirske rerik atesta aaa da aa oo aaa a ca pa a da aa ua etn 11 Color Split User Manual 2 V1 3 September 2007 1 Product overview The Chroma Q Color Split lighting fixture is designed specifically for professional entertainment lighting The fixture s modular design shall be suitable for creating a wide range
15. will show rSt when UP and DOWN buttons are pressed and after 1 second it changes to don Color Split User Manual 6 V1 3 September 2007 The Factory default settings put the unit in its normal operating mode DMX Address 001 Display dPO Mode oP1 Effects F05 c26 User default settings Each time the RED record button is pressed the unit will save that change and these user defaults will take precedence on the next power cycle 2 6 Modes of operation The Color Split fixture features 32 high power LEDs divided into 2 separate cells of 16 LEDs each The LEDs in both cells can be controlled together as one single control and individually as two separate cells dual control Note Magic Amber is the term used for the unit s ability to be controlled with 3 channels and include Amber when mixing the colours a Control Modes Mode 1 oP1 Single control for 2 cells x 16 LEDs in 3 channel RGB A with Magic Amber is the traditional way of controlling intensity channels of the fixture Each of the 3 control channels directly affects the intensity of the corresponding LED Red Green and Blue with Magic amber Colour is mixed by adjusting the levels of the three primary colours White is achieved with all channels at full Mode 2 oP2 Single control for 2 cells x 16 LEDs in 4 channel RGBA gives 4 control channels directly affecting the intensity of the corresponding LED Red Green Blue and Amber
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