Manual (english)
Contents
1. Sirus Pro MXA 6000 Table of content 1 Safety IAS UUICTIONS Sorascadancavecicssen lt taadenqenarsaccindehenceutansaachienemese ssyaaceedeneeesusdadenweucdyacgiedadepdcuineeactenseneseties 3 2 Control 10 01s ee een 5 2 1 Microphone Channels cccccsssccccssseccceesececcesececsaseeeceeseeessaseeessaeeeceuseeessaneeessassessssaseeenss 5 2 2 Microphone channel 6 2 3 MONIOr SECHON en anne ee re 6 2 4 Masern SEC el E 7 2 5 GROSS fal SEC OT en ee EE 7 2 6 3D DOUMOUIG Gu 8 2 7 Auto BPM Ee TEE 8 2 8 Internal Effect Hroceseor nenne nenne nenne nnnnnennnnnnnnnnennnnn nenne nnnnnennnnnennnnne 9 GE ele O E 10 de E el EE 12 4 1 EE 12 32 SDBEICA ION ee ee ee ee re esse 13 SORTS He 14 2 14 1 Safety instructions FOR SAFE AND EFFICIENT OPERATION Be careful with heat and extreme temperatureAvoid exposing it to direct rays of the sun or near a heating appliance Not put it in a temperature bellow 41 F 5 C or exceeding 95 F 35 C Keep away from humidity water and dust Do not place the set in a location with high humidity or lots of dust Containers with water should not be placed on the set Keep away from sources of hum and noise Such as transformer motor tuner TV set and amplifier To avoid placing on un stable location Select a level and stable location to avoid vibration Do not use chemicals or volatile liquids for cleaning Use a clean dry cloth to wipe off the dust or a wet soft2. blade or the third prong are provided for your safety If the provided plug does not fit into your outlet consult an electrician for replacement of the obsolete outlet 10 Protect the power cord from being walked on or pinched particularly at plugs extension cords and the point at which they exit the unit 11 Only use attachments accessories specified by the manufacturer 12 Use only with the cart stand tripod bracket or table specified by the manufacturer or sold with the device When a cart is used use caution when moving the cart device combination to avoid injury from stumbling over it 13 Unplug this device during lightning storms or when not used for long periods of time 14 Refer all servicing to qualified service personnel Servicing is required when the unit has been damaged in any way such as power supply cord or plug is damaged liquid has been spilled or objects have fallen into the device the unit has been exposed to rain or moisture does not operate normally or has been dropped 4 14 2 Control Elements 1 3 2 5 4 PROFESHOMAL DI MIXER RAIER LEVEL sl AOE H ar 27 28 29 ni 32 Zia 31 30 5 10 16 11 j 33 6 u a 12 13 g 35 S E O OGO ODOT d i de ZE betr eg 19 15 37 d PROFESSIONAL OF MIXER 21 22 23 24 2526 20 2 1 Microphone channels 1 Use the LINE CD switch to select the input signa
3. disconnected from the mains When not using the unit for prolonged periods of time please unplug the unit s power cord from the power outlet 48 This is the connector for the power cable This is where the advantage of a sophisticated internal power supply can be seen the pulse behaviour of each amplifying circuit is mainly determined by the voltage reserves available Each mixing console is equipped with numerous operational amplifier op amps to process line level signals Due to limited output of their power supplies many mixing consoles show signs of stress when subjected to heavy loads But not your mixer the sound is always clear and transparent 49 FUSE HOLDER VOLTAGE SETTING Before connecting the unit to the mains ensure that the voltage setting matches your local voltage Blown fuses should only be replaced by a fuse of the same type and rating On some units the fuses holder can be switched to on of two positions i e 230 V and 120 V Please note should you desire to operate the unit outside Europe at 120 V a higher fuse rating is required 50 USB input connector This is allow the DJ MIXER get the signal from the computer directly Channel 1 is used for USB signal adjust 51 USB Line switch When you press the button it changes to Line input otherwise it is USB input To disconnect power from main pull out the main cord plug When installing the product ensure that the plug is easily accessible I
4. the channels you have selected see 21 Like the channel faders the crossfader section is equipped with a professional 45 mm fader 23 The TIME OFFSET LED indicates the synchronisation of tracks see chapter 2 7 24 The VOL control determines the volume of the headphone signal 24 The TEMPO DIFFERENCE LED displays tempo differences between the tracks see chapter 2 7 7 14 25 A 3 band kill switch is available for use with both the left and the right side of the crossfader KILL A and KILL B respectively Kill switches are used to lower three separate frequency ranges LOW MID and HIGH up to 32 dB When using the kill switch the equalizer of ordinary DJ mixers usually loses its functionality Not the case with the 5 channel mixer the EQS can be used to achieve an even more pronounced lowering of a particular frequency range 27 The CF CURVE control lets you alter the control characteristic of the crossfader between linear and logarithmic in an infite number of steps When set to linear the crossfader engages directly proportionally to the fader s incremental movement When set to logarithmic the fader s movement yields higher volume increases as the fader moves farther along its range of motion 2 6 3D Sourround Effect The 3D surround function is a built in effect that puts the finishing touch to your music and turns every gig into a real experience The widening of the stereo base makes for a livelier more
5. transparent sound You can determine the intensity of the effect by using the SURROUND control 27 while the ON switch 28 turns the effect on the respective LED is lit 2 7 Auto BPM Counter The integrated auto BPM counter is an extremely useful feature It ensures smooth transition from one track to the next taking a lot of the guesswork out It can calculate the various tempos of tracks in BPM beats per minute Both BPM counter sections are identical and both show the BPM value of the two signals routed to the crossfader The LEDs located above the DISPLAYs 1 4 29 indicate which of the four input channels are routed to the respective BPM counter The tempo of the track assigned by using the ASSIGN A or ASSIGN B keys is shown in the respective DISPLAY 30 Several tempo changes in one track would produce a constant display of various BPM values and thus lead to unnecessary confusion That s why the beat counter sections each have a SYNC LOCK button 31 that can be used during the song to limit the range of possible tempo values This makes sense if the counter has already calculated a realistic value You can do the same thing manually with the BEAT ASS ST button 32 Pushing this button at least three times in sync with the song s tempo results in the calculated tempo appearing in the DISPLAY The BEAT ASSIST and SYNC LOCK buttons are each equipped with a LED When you have limited the tempo of the tracks on both channels with t
6. 40 dB Gain ALR electronically balanced input stage Phono in 40 dB Gain unbalanced input Line in 0 dB Gain unbalanced inputs CD in 0 dB Gain unbalanced inpts Retum 0 dB Gain unbalanced input AUDIO OUTPUTS Master max 21 dBu Booth max 21 dBu Tape typ U dBu send typ 0 dBu Phones Out max 180 mW 750 1 THD EQUALIZER stereo Low 12 dB 32 dB 50 Hz Stereo Mid 12 dB 32 dB 1 2 kHz stereo High 12 dB 32 dB 10 kHz Mic Low 15 dBi 15 dB 80 Hz Mic Mid 15 dBi 15 dB 2 5 kHz Mic High 15 dBi 15 dB 12 kHz Kill Low 54 dB 50 Hz Kill Mid 44 dB 1 kHz Kill High 26 dB 10 kHz DIGITAL EFFECTS PROCESSOR DSP 24 bit ANIL MA converter 24 bit Sigma Delta B4126 mes oversampling Sampling rate 46 875 kHz stoTEM SPECIFICATIONS Signak to noise ratio BU dB Line Crosstalk gt ZU dB Line Distortion THD lt 0 03 Frequency response 10 Hz 55 kHz 0 3 dB POWER SUPPLY Mains voltages USA Canada 120 V 60 Hz Europe u K Australia 230 V 50 Hz Japan 100 50 60 Hz General export model 120230 V 50 60 Hz Power consumption ANN Fuse 100 120 V T IAH 200 240 V T 500 mA H Mains connection standard IEC receptade DIMEN SION S WEIGHT Dimensions WxDxH 390mmx340mmx115mm 15 354 x 13 386 4 528 Weight 5 5kg 13 14 Importeur B amp K Braun GmbH Industriestra e 1 D 76307 Karlsbad www bkbraun com info bkbraun com 14 14
7. Microphone channel 7 The MIC IN connector is the balanced XLR input for your dynamic microphone 8 Set the volume of the microphone signal with the TRIM control in the MIC section 9 There is a 3 band equalizer HI MID and LOW no kill characteristic in the microphone section This allows you to fine tune your voice to adapt perfectly to your sound 10 Activate the microphone channel using the MIC ON switch The channel is active when the corresponding LED is lit 11 The PRO MIXER is equipped with a talkover function which works very simply if you speak into the microphone while a track is running the volume of the music is automatically reduced so that your voice is always in front The TALK control allows you to determine how much the music volume is lowered max 24 dB This function can come in handy when your own voice needs to be prominently heard as in when making an announcement etc 2 3 Monitor Section The MONITOR signal is your headphones signal allowing you to listen to music without affecting the MASTER output signal 12 When the MODE switch is in the Split position channel PFL is located on the left side of the stereo image while the Master signal is on the right In this case the MIX control see below serves no function While in Stereo mode you can use the MIX control to alternate between MASTER signal and PFL 6 14 13 When in Stereo mode the MIX control lets you determine which sign
8. al can be heard via the headphones When the control is turned to its left most position CUE you hear the headphone signal only when the control is turned to its right most position you hear the MASTER signal only Alternating the MIX control between the two end positions lets you dermine the relative ratio between the two signals in your headphones 14 The LEVEL control determines the volume of the headphones signal 15 Connect you headphones using the unbalanced PHONES OUT connector Your headphones should have a minimum impedance of 32 Ohms 16 To select the PFL signal for the headphones use the MONITOR CUE keys CH 1 to CH 4 MASTER EFFECTS You can also select multiple signal sources and listen to them simultaneously LEDs on corresponding keys are lit when a channel is routed to the headphones 2 4 Master Section 17 The LEVEL METER displays the level of the MASTER signal 18 The MASTER fader allows you to adjust the output volume at the MASTER output see 44 19 The MASTER BALANCE control for the MASTER output is for setting the stereo image 20 The BOOTH LEVEL control adjusts the output level of the BOOTH output see 45 2 5 Crossfader Section 21 ASSIGN A and ASS GN B selectors let you determine which input signals are routed to CROSSFADER sides A and B You can also alternate between these two signals by using the CROSSFADER see below 22 The VCA CONTROLLED CROSSFADER is used to fade between
9. cloth for stubborn dirt If out of work contact sales agency immediately Any troubles arose remove the power plug soon and contact with an engineer for repairing do not open the cabinet by yourself it might result a danger of electric shock Take care with the power cable Never pull the power cable to remove the plug from the receptacle be sure to hold the plug When not using the player for an extended period of time be sure to disconnect the plug from the receptacle CAUTION ASK OF ELECTRIC SHOCK DO NOT OPEN CAUTION To reduce the risk of electric shock do not remove the top cover or the rear section No user serviceable parts inside refer servicing to qualified personnel WARNING To reduce the risk of fire or electric shock do not expose this appliance to rain and moisture 3 14 1 Read these instructions 2 Keep these instructions 4 Follow all instructions 5 Do not use this device near water 6 Clean only with a dry cloth 7 Do not block any ventilation openings Install in accordance with the manufacturer s instructions 8 Do not install near any heat sources such as radiators heat registers stoves or other apparatus including amplifiers that produce heat 9 Do not defeat the safety purpose of the polarized or grounding type plug A polarized plug has two blades with one wider than the other A grounding type plug has two blades and a third grounding prong The wide
10. e microphone signal Use the SOURCE selector 33 to select the signal on which you want to run the effects The PROGRAM display 34 located below shows the effect presets that can be recalled by turning and then pressing the effect presets that can be 35 The LEVEL control 36 is used to determine the volume of the effects signal Use the EFFECTS ON switch 37 to turn the effects on and off Various effects are segmented into seven different groups offering such standard effects as reverb delay echo etc As well as additional filter and combination effects 9 14 3 Connections a7 44 45 46 42 43 40 39 38 KI Betis ty ae i A ey Bagage CHG Hoy 49 48 41 51 50 38 These are the LINE i e CD inputs to connect a tape deck CD or MD player etc Unlike other channels channel 1 features two line inputs 39 The PHONO input for channels 2 to 4 are for connecting a turntable 40 The GND connectors ground the turntables 41 With the PHONO LINE switch it is possible to switch the input sensitivity of the PHONO inputs 2 to 4 to line level This allows you to connect a tape deck or a CD player to the PHONO inputs 42 The 5 channel mixer features an integrated effects loop for the connection of an external effects device The MONITOR signal is taken at the SEND output and routed fox example to a reverb processor Thus the signal at the SEND connector is identical to the headphones sig
11. f mounting in a rack ensure that the mains can be easily disconnected by a plug or by an all pole disconnect switch on or near the rack 11 14 4 Installation 4 1 Audio connections For various applications you will need a number of different cables The following illustrations show how these cables are to be connected Always make sure to use high grade cables mixer are performed only by qualified personnel During as well as after installation sufficient grounding of both your equipment and persons handling it must be assured Otherwise electrostatic discharge may lead to undesirable operation or permanent damage Balanced ALR connectors input output 1 ground shield 2 hot ve 3 cold ve For unbalanced use pin 1 and pin 3 have to be bridged Unbalanced 1 4 TS connector Balanced 1 4 TRS connector sleeve Strain relief clamp ground shieta Sleeve sleeve tip strain relief clamp groundshiatd hod a sleeve ring ood jaa For connection of balanced and unbalanced plugs 14 TS connector ring and sleeve have to be bridged at the stereo plug 1 4 TRS connector 1 4 TRS headphones connector shove tip device output signal flow MIXER input ine iphone or line strain relief clamp graunol shiald fart signal pnhono or line ip i sleeve ring nol sigvral RCA cable 14 TRS headphone connector 12 14 5 Specifications AUDIO INPUTS Mic
12. he SYNC LOCK or BEAT ASSIST buttons the difference in tempo from both channels is illustrated in the form of a ninecharacter message on the TEMPO DIFFERENCE LED 24 The extent of the difference in tempo is indicated by a corresponding swing to the right signal A is slower or to the Left signal B is slower When the middle LED lights up the tempi are the same The TIME OFFSET LED 23 below that displays the signal A and B synchronisation Should the middle LED light up the tracks are synchronised Should the display move to the left or right the channels 8 14 are not synchronised The TEMPO DIFFERENCE and TIME OFFSET displays are only active if the tempi of both channels have been fixed in one of the ways described When no signal is present or when the signal level is too low the BPM display shows only dashes When the signal is present but can not be identified the display shows 160 BPM and the shows the said dashes The beat counter then attempts to get another readout Therefore 160 BPM is no usable value rather it is simply an error message whten the signal can not be analyzed To exit the SYNC LOCK or BEAT ASSIST modes simply push the SYNC LOCK button once more on both channels 2 0 Internal Effect Processor E LEFF J B Eche 4 1131BPM_ 0 EFF y B Delay 4 1131BPM__ The built in digital effects processor of your mixer can process the MASTER signal the input channels signal or th
13. l for channel 1 Unlike other channels channel 1 features two line inputs 2 You determine the input signals for the channels 2 to 4 with the PHONO CD i e PHONO LINE switch channels 3 and 4 Phono is intended for connecting a turntable Line i e CD must be selected for all other signal sources e g CD or MD players The input sensitivity of the phono input can be switched to line level allowing utmost flexibility see 41 Never connect devices with line level to the highly sensitive phono inputs The output level of phono pick up systems is measured in millivolts whereas CD players and tape decks have levels measured in volts i e the level from line signals is up to 100 times higher than that of the phono inputs 5 14 3 The TRIM control in the CHANNEL section is used to adjust the level of the input signal The level meter 5 reads the input level 4 Each of the input channels features a 3 band equalizer HI MID and LOW with kill characteristic Thus the signal can be attenuated to a much greater extent 32 dB than it can be raised 12 dB This function can be very useful when for example fading a frequency range out of a music track The overall level also depends on the EQ setting Thus you should adjust the equalizer before setting the input gain with the TRIM control 5 The 10 digit LED chains display the signal level of the input signals 6 Adjust the channel volume using the CHANNEL fader 2 2
14. nal and is selected with the MONITOR CUE buttons 16 43 The externally processed signal is added to the MASTER output signal via the RETURN connectors The effect signal volume may only be adjusted at the output control of the effects device Itself 44 The MASTER output is for connecting to an amplifier and can be adjusted with the MASTER fader 18 Always turn the power amps on last to avoid inrush currents that can easily damage your speakers And to avoid sudden and unpleasant surprises for your ears make sure there is no signal at the mixer before turning on the power amps To be sure slide all the faders to the bottom and switch all controls to the zero position 10 14 45 The BOOTH output gives you an additional option of connecting an amplifier in order to for example feed the signal into your monitors or to bring sound to an extra area The BOOTH output level is regulated by using the BOOTH LEVEL control 20 of the MASTER section 46 Using the TAPE output you can record your music by connecting devices such as tape decks DAT recorders etc Unlike the MASTER output the output volume is fixed making it necessary for you to adjust the input level on the recording device 47 The POWER switch power the mixer on You should always make sure that the POWER switch is in the Off position when initially connecting the unit to the mains Please take note Merely switching the unit off does not mean that it is fully
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