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A. KORG PA80 OPERATING SYSTEM RELEASE 2.0

1. ahora Camp GS Granspese 20D RAB lt QUH oocoo Costave 7 CREED mt SECLILiKbodRrSs Ui eR Ro Ww 2 E Z Bottom Top Note The Keyboard Range is ignored while recording The selected track can play on the full range of the keyboard When in this page press the corresponding button on the control panel to select a Style Element VARIATION 1 ENDING2 To copy the settings of this page to another Style Element keep the SHIFT button pressed and press the button of the target Style Element Bottom Top Use these parameters to set the bottom and top of the key board range for the corresponding track Style Record mode 9b 11 Page 9 Style Element Controls Keyboard Range PAGE 10 STYLE ELEMENT CONTROLS CHORD VARIATION TABLE This is the page where you can assign a Chord Variation to each recognized chord When a chord is recognized the assigned Chord Variation will be automatically selected by the arranger to play the accompaniment Cohen GD T ein oe SECLIiChTable 1 5 Macs Cu Mires QE Seth QU Hart QE 4 When in this page press the corresponding button on the control panel to select a Style Element VARIATIONI ENDING2 E F Scroll Up G H Scroll Down Use these buttons to scroll the available parameters on the display Chord
2. chert sasara Wanepose E B s LV Coctave ww VE Same les Feu ees Assi grecs Wes FE Hi Bark HMum ROM ECS ft Room 44 Key Key in edit You can press a key on the keyboard to select a key Assigned Use this parameter to turn the sample on off Yes The sample is assigned to the selected key No The sample is not assigned The sample assigned to the next highest assigned key is used instead MS Hi Lo Bank Num Use these parameters to select a different multisample drum kit for each of the High and Low layers For more informa tion see MS Hi Lo Bank Num on page 13 4 H L Level These parameters specify the level of each multisample For more information see H L Level on page 13 4 H L Transpose These parameters transpose the selected multisample Use them to change the pitch of the selected key 0 No transposition applied 64 63 Transpose valuein semitones H L Tune Use these parameters to fine tune the assigned sample 0 No fine tuning 99 99 Finetuning value in cents 1 100 of a semi tone H L Reverse The multisample will be played in reverse For moreinforma tion see H L Reverse on page 13 4 H L Use Offset These parameters specify the point where the multisample s will begin to play For more information see H L Use Off set on page 13 4 Program operating mode 13 5 Page 2 DK S
3. Wave This parameter selects the LFO waveform The numbers that appear at the right of some of the LFO waveforms indicate the phase at which the waveform will begin Triangle 0 Ar Step Triangle 4 rt Triangle 90 NZ Triangle wave Step Triangle 6 F4 i os Phase will change Fa Triangle 2X4 __ randomly at each keyn Step Saw 4 Random Saw 0 N Step Saw 6 fae Sawtooth down 4 Saw 180 c Random1 S H ne Conventional sample amp hold S H in which the level changes randomly at fixed intervals of Square AE Square wave time Random S H Both the levels and the time intervals will change randomly Random3 S H The maximum level and minimum level will alternate at random intervals of time i e a square wave with random period Sine Ny Sine wave Guitar A Guitar vibrato Exponential Triangle Exponential Saw Down i Random6 Vector Exponential 4 These types cause Random 1 3 to change Saw Up smoothly They can be used to simulate the instability of acoustic instruments etc Random4 Vector Random5 Vector Frequency Set the LFO frequency A setting of 99 is the fastest 00 99 Frequency rate Key Sync This parameter specifies if the LFO is synchronized to key strokes On The LFO will start each time you play a note and an independent LFO will operate for each note Off The LFO effect that was started by the first played note will contin
4. Campo P L LE mi am JEU ca ETS bea Eis IT ekul coul RecLeniz CU Lemele 9 Mebeot Onl Fesols1 16 Meteri44 mair HIT Sth Style name Track in record edit Style Play icon When this icon appears on the display you are in Style Play or Style Record mode Chord While in the Main and Style Tracks page this area shows the Original Key Chord see Original Key Chord on page 9b 5 for the selected track Style name This is the name of the Style in record edit Measure counter This counter shows the measure in record The measure range is specified by the RecLen parameter see RecLen Recording Length on page 9b 5 Track in record edit Most editing in this edit mode are executed on a single track While in the main page the currently selected track is shown on the upper right area of the display The abbreviations are DR Drums PC Percussion BS Bass A1 A5 Accom paniment 1 5 To select the track to edit press TRACK SELECT to jump to the Style Tacks page see Style Tracks page on page 9b 6 and use the VOLU M E VALUE buttons to select it E Style Element Use the A VOLUME VALUE buttons to select the line and the F1 button to select this parameter This parameter lets you select the Style Element to put in edit Each Style Element corresponds to one of the buttons on the control panel carrying the same na
5. Furthermore new functions have been added to the Pedal and Programmable Slider see User s M anual page 19 1 FX CC12 Ctl FX CC13 Ctl Note Since the list of assignable parameters has been modi fied after upgrading please assign the parameter again and save the Global again To save the Global press WRITE and select the Global option press ENTER to confirm The above is not necessary when purchasing the instrument with the new operating system already installed SUPPORT FOR THE VOCAL GUITAR PROCESSOR BOARD VHG1 You must upgrade your Pa80 to release 1 02 or higher before installing the Vocal Guitar Processor Board VHG1 Any previous version of the operating system will not work with this board Please refer to the Global chapter in the User s M anual for additional information FULL SUPPORT FOR THE OPTIONAL VIDEO INTERFACE BOARD VIF1 PAL VIF1 NTSC The optional Video Interface board VIF1 PAL or VIF1 NTSC is now fully supported Please refer to the instructions supplied with the board for more information Parameters for the video interface are in the Global environment Page 3 Video Interface see page 14 2 in the User s M anual Note When ordering your VIF1 interface please specify the PAL or NTSC version according to your national TV standard Usually NTSC is for USA and Japan while PAL is for most European Countries Note M ost SECAM TV devices comply also with the PAL stan dard Co
6. 12b 1 The Songs and the Standard MIDI File format Page header Thisline showsthe selected Song name Bar number This counter shows the current bar number position of the selected Song B Load Song Use these buttons to select a Song i e a Standard MIDI File The Song Select page opens and you can select a Song see below Song Select page C Save Song This command saves the edited Song as a Standard MIDI File After pressing this command the Save Song page appears see Save Song page on page 12b 2 D Select Tempo Select this parameter to use the TEMPO VALUE section to select the Tempo When you select this parameter the VALUE LED turns off Note The tempo is always record in overwrite mode old data is replaced by the new data F Metro Use these buttons to turn the metronome on off during play back G Meter This non editable parameter shows the starting meter or time signature of the selected Song H Tempo mode This sets the Tempo change mode Man ual When the cursor is on the D Select Tempo parameter you can change the Tempo using the TEMPO VALUE section controls The Song will be played back using the manually selected tempo Auto The Tempo recorded into the Song will be used TRACKS 1 8 PAGE To see and edit tracks 1 8 pressTRK SELECT from the main page The TRK SELECT LED turnson TRACKS 9 16 PAGE To see and edit tracks 9 16 press TRK SELECT on
7. 5 Editing a Song on page 7 6 in the User s M anual THE SONGS AND THE STANDARD MIDI FILE FORMAT The native Song format for Pa80 is the Standard MIDI File See The Songs and the Standard MIDI File format on page 10 1 in the User s M anual When saving a Song as a SMF an empty measurein automat ically inserted to the beginning of the Song This measure contains various Song initialization parameters When a SMF is loaded the enpty measure is automatically removed MAIN PAGE This chapter has been integrated with new information Replace it in the User s Manual Press SONG to access this page from another operating mode Note When switching from Style Play to Song the Song Setup is automatically selected and various track parameters may change Press EXIT NO to access this page from the Menu or any of the Song Play edit pages To see the Song s tracks use the TRK SELECT button to switch from the M ain page to the Tracks pages Pressed a first time you will see tracks 1 8 enlightened TRK SELECT LED a second press will show tracks 9 16 flashing TRK SELECT LED pressed again you will go back to the Main page TRK SELECT LED switched off Song icon Page header Bar number Chord emo co eu Sos Load Sov Meteo OPP See Soa Meer ded Sel Teneo Terra Aubo Song icon When on this icon shows that the instrument is in Song mode Song Record mode
8. Note Some Control Change messages cannot be recorded directly using Pa80 integrated controls HOW TO RECORD A STYLE Recording a Style is a matter of recording tracks inside a series of Chord Variations inside a series of Style Elements inside the Style itself You don t need to record all Chord Variations for all Style Elements It is often only necessary to record just a Chord Variation for each Style Element Exceptions are the Intro 1 and Ending 1 where we suggest to record both a Major and minor Chord Variations Here is the general procedure to follow when recording a Style 1 Press STYLE PLAY to enter the Style Play mode 2 If you like to edit an existing Style select that Style 3 Press RECORD to enter the Style Record mode chon CERD ee a ON oi Current Style Heu Style 10 11 12 Style Record mode 9b 3 List of recorded events Select Current Style if you want to edit the current Style or make a new Style starting from an existing one Select New Style if you want to start from scratch with an empty Style You are now in the M ain page of the Style Record mode and you can prepare your recording For more details see M ain page on page 9b 4 Cshord tempo F Ja pa L m amp IEU em coco Coma Cya play a pm _pege Hess IT DE Ee eiuj cucul Re
9. EDIT QUANTIZE The quantize function corrects any rhythm error after recording 7 Editi Guantize Trkil Resol 1732 20l 0l pen EG 61 15 Bottom D 1 Tori Go After setting the various parameters press ENTER to execute The Are you sure message will appear Press ENTER to confirm EXIT to abort Trk Track Usethis parameter to select a track All All tracks selected 1 16 Selected track Resol Resolution This parameter sets the quantization after recording For example when you select 1 8a all notes are moved to the nearest 1 8 division When you select 1 4 all notes are moved to the nearest 1 4 division No quanti 1 4 D D D 1 32 1 4 Grid resolution in musical values An a after the value means no swing A b f after the value means swing quantization S E Start End Use these parameters to set the starting S and ending E points of the range to quantize If you wish to select a four measure sequence starting at the beginning of the Song the Start will be positioned at 1 01 000 and the End at 5 01 000 Bottom Top Use these parameters to set the bottom and top of the key board range to quantize If you select the same note as the Bottom and Top parameters you can select a single percus sive instrument in a Drum track Note These parameters are available only when a Drum track is selected Song Rec
10. Korg Pa80 Operating System release 2 0 A 1 How to load the new Operating System A KORG PA80 OPERATING SYSTEM RELEASE 2 0 HOW TO LOAD THE NEW OPERATING SYSTEM To load the new operating system please refer to page 1 2 of the User s M anual You can download the new operating sys tem from www korgpa80 com Some instruments may be already fitted with the new operat ing system To know which version of the operating system is installed in your Pa80 keep the SHIFT button pressed and press the ENTER and EXIT buttons together The operating system version number will appear on the display Press EXIT to close the message window Function See page Delete a whole Song function 11b 3 12b 1 Octave Transpose on the MIDI IN data flow 14b 1 Restore Backup on the hard disk 15b 1 NEW FEATURES IN REL 1 02 Release 1 02 of the Operating System introduced the follow ing features NEW FEATURES IN REL 2 0 This new release adds the following features Function See page Panic command B 2 Grayed out non available parameters B 2 Punch In Out footswitch function B 3 New error messages B 3 Style Record mode 9b 1 Fill to Variation 9c 1 Up to 9999 Songs per folder directory 10b 1 Song Record mode 12b 1 Program Edit mode 13 2 Scale Transpose Position function 14b 1 Pa80 is now compatible with some more hard disk drives Please find the updated list
11. Up Down Inc Dec AUTO OCTAVE The Auto Octave parameter has been added to Page 24 Preference Lock of the Style Play operative mode see page 9 13 in the User s M anual The display now looks as in the following image chord Tt A Wel E Pref Look Ind Ire Off Pads OFF Scale Oh Bubotiet On eas pay Auto Octave gt GBL This lock lets the instrument automatically transpose the Upper tracks when switching between the FULL UPPER and the SPLIT Keyboard modes On When switching to the FULL UPPER or SPLIT Keyboard Mode the Upper tracks transposi tion is left unchanged Off When switching to the FULL UPPER Key board Mode the Upper tracks Octave Trans pose is automatically set to 0 When switching to the SPLIT Keyboard Mode the Upper tracks Octave Transpose is automat ically set to 1 NEW OPTIONS FOR THE MEMORY FUNCTION The Lower option has been added to the Memory Mode parameter in Style Play mode see Page 25 Preferences Controls on page 9 13 of the User s M anual Please change the relevant text on page 9 14 of the User s M anual as fol lows Memory Mode gt GBL This parameter sets the way the M EM ORY button works Chord When its LED is on the MEMORY button keeps the recognized chord in memory When its LED is off the chord is reset when raising the ha
12. a pe mn Coege _ Filter LOS Osci Selected Deci Intersits to Hi i Intercity to Es 8 Josetick 4 to Ai 54 Program operating mode Page 11 Filter EG 13 12 PAGE 11 FILTER EG Here you can make settings for the EG that will produce time varying changes in the cutoff frequency of filters A and B for the selected oscillator The depth of the effect that these settings will have on the filter cutoff frequency is determined by the Velocity and Intensity parameters Cher Compe measure Ge iti f ee eo terEG Selected Ceci Start Level 53 Attack Time TS Aitak Leueli 55 4 Selected Use this parameter to select an oscillator to put in edit Alter natively you can select oscillators using the F1 F4 buttons Filter envelope Note off Note on Release Level Break Level Time Attack Decay Slope Release Time Time Time Time The specified cutoff frequency Start Attack Break Sustain Release Level These are the envelope segment levels The result will depend on the filter that was selected in Filter Type For example with the Low Pass Resonance filter positive values of EG Intensity will cause the tone to be brightened by positive levels and darkened by negative levels 99 99 Level value Start Level This parameter specifies the change in cutoff frequency at the
13. eso a ee ees ee ai oe ENE on ee a sa Maude Hand Text in gray e Modulator Wet Dry Osc Carrier Trim 0 100 VO co DER EFFECT 4 Sets the input level of the oscillator Carrier Mic Modulator Tri 0 100 A Vocoder effect has been added to the list of available inter de oc nal effects see chapter 18 in the User s Manual for more Formant Shift D 42d inform ation This effect can be assigned only to the D FX Sets the height of the frequency for the vocoder effect j j Response 0 100 on usually modulating effect for the Realtime d Sets the speed of the response to the modulator input racks Low Gain dB 12 12 You can load two specially programmed Performances and Sets the low range output level of the vocoder use them as a template when programming the Vocoder High Gain dB 12 12 Please download these Performances from Sets the high range output level of the vocoder Modulator Mix 0 100 www korgpa80 com a80 com and load them as Performances 10 4 f Sets the high range output level of the modulator and 10 5 See Loading a single item on page 15 6 on the Vocoder Carrier Carrier 1 99 99 1 Vocoder User s M anual for more information h Sets the balance between the vocoder output and the Carrier BE Warning Any Performance already existing on locations 10 4 WetDry Ca and 10 5 will be overwritten If you don t want to lose these Sets the balance between the effect and dry sounds Dzc data save them on di
14. message will appear Press ENTER to confirm EXIT to abort E CV Style Element Chord Variation Non editable These read only parameters show which Style Element and Chord Variation are currently selected for edit ing See the Main page E Style Element and CV Chord Variation parameters on page9b 5 for information on selecting a different Style Element and Chord Variation Trk Track Use this parameter to select a track All All tracks selected After deletion the selected Chord Variation will remain empty Drum Acc5 Selected track Ev Event Type of MIDI event to delete All All events The measures are not removed from the Chord Variation Note All notes in the selected range Dup Note All duplicate notes When two notes with the same pitch are encountered on the same tick the one with the lowest velocity is deleted A Touch After Touch events Note Thiskind of data is automatically renoved during recording P Bend Pitch Bend events PrChange Program Change events excluding the bun dled Control Change 00 Bank Select M SB and 82 Bank Select LSB Note Thiskind of data is automatically renoved during recording C Change All Control Change events for example Bank Select Modulation Damper Soft Pedal CC00 32 CC127 Single Control Change events Double Control Change numbers like 00 32 are M SB LSB bundles Style Record mode 9b 9 Page 4 Edit Delete Note S
15. 1 value a received C4 will play a C5 on the Pa80 Octin Octave In gt GBL Enables disables the octave transposition of data received via MIDI On Data received via MIDI can be transposed according to the selected Octave Transposition For example if the Octave Transposition is 1 a received C4 will actually play a C5 Off Data received via MIDI can t be transposed by the Octave Transposition applied to the track For example if the Octave Transposition is 1 a received C4 will still play a C4 Mute In gt GBL Use this parameter to determine if a muted track can still play data received viaMIDI On No data received via MIDI on a muted track can be played by Pa80 Off Data received via MIDI on a muted track can still play on the Pa80 SCALE TRANSPOSE POSITION The Scale Transpose Position is a new function allowing you to decide the relation between the Scale and the Master Transpose The new function has been added to Page 2 Gbl M Transpose of the Global edit environment Cehord Campo CH J ono em a dit ET Skale Realtimet Or Sesugercerl 2 ith Midi In Ort sPestHE Scales Scales Post KB When this option is selected notes will be transposed immediately after they leave the keyboard The Scale will be applied to the transposed notes For example if you altered an E and then set the Master Transpose to 1 the E ke
16. A Program icon When turned on this icon shows that the instrument is in Program mode Page header This line shows the selected Program name Usethe TEM PO VALUE controls or the PROGRAM PERFORM ANCE sec tion to select a Program See Selecting a Program on page 6 3 for more information Tempo This is the tempo of Sequencer 1 The Tempo is one of the AMSs see AMS Alternate Modulation Source list on page 13 19 Use the SHIFT DIAL combination to change it A Group This non editable parameter shows which group the Pro gram is included into A group is the equivalent of a PRO GRAM PERFORMANCE button B CCO0 This non editable parameter shows the value of the Control Change CC 00 message or Bank Select MSB for the selected Program C CC32 This non editable parameter shows the value of the Control Change CC 32 message a k a Bank Select LSB for the selected Program D PC This non editable parameter shows the value of the Program Change PC message for the selected Program Values are in the standard 0 127 MIDI numbering format Note Some manufacturers could use the 1 128 numbering sys tem when connecting your PA80 to an instrument of this kind increment the PC value by 1 unit Effects In Program mode the Program exploits its own effects instead of relying on A D effects Two effect processors FX1 and FX2 are available The MIDI channel I
17. EXIT to abort 4 If you selected the hard disk the restore will start immediately e If you selected the floppy disk the Insert backup disk 1 and press Enter message appears Insert the first backup disk and press ENTER 5 Wait until the first backup disk has been read A message will appear Insert backup disk 2 and press Enter Insert the second backup disk and press ENTER 6 Repeat the same procedure with backup disks 3 4 and 5 When the backup disk has been loaded the backup data has been restored into the internal memory Note After the last disk has been loaded a Some files missing message may appear This may refer to some User data soit is not a problem Press EXIT to exit the message 7 When the Wait message has disappeared and the WRITE DISK IN USE LED has turned off turn the instrument off then on again 15b 2 Di it environment addendum Restore Backup on the hard disk
18. and minor Chord Variations for the Intro 1 and Ending 1 Style Elements When you select a track the original key chord assigned to the selected track will be activated All recorded tracks will play back on that key chord For example if the original key chord for the Accl track is A7th when selecting the Acc1 tracks all the remaining tracks will play according to theA7th key chord In the above example you will record the Acc1 track in the AM ajor key with notes that will comply with the A7th chord This is the pattern that will be recalled exactly as it was recorded when playing an A7th chord NTT The Note Transposition Table NTT determines how the arranger will transpose pattern notes when playing a chord that does not exactly match to the original chord of a Chord Variation For example if you only recorded a Chord Varia tion for the CM aj chord when a CM aj7 is recognized on the keyboard the arranger must transpose some notes to create the missing 7th Note To conform to Korg specifications it is advisable to set the NTT to No Transpose on the Intro 1 and Ending 1 Root The root note in CMaj C is transposed to the missing notes 5th The 5th note in CM aj G is transposed to the missing notes i Series All original patterns must be programmed on the Maj7 or min7 chords When loading old Korg i Series instruments this option is automatically selected NoTransp No transposition applie
19. display To select a file press the F2 Load button To open a Close the current folder by pressing F4 Close folder press the F3 Open button 4 When in the selected folder you can save the Song over The 7 symbol identifies a folder an existing midifile a file with a MID extension or create a new midifile pete eTo overwrite an existing midifile move it to the first i line of the display G H Scroll Down eTo create a new midifile move the Scroll the list down NEW_NAME MID item to the first line of the display TEMPO VALUE section 5 When the NEW_NAME MID item is selected press These controls scroll the list up or down one of the A VOLUME VALUE buttons You are F1 Disk device prompted to assign a nameto the new file Selects a different disk device Devices are selected in this Se es order HD gt FD gt HD RELLHYE MID peice Type Move the cursor using the DOW N and UP buttons Select a character using the DIAL Insert a character at HD Hard disk the cursor position by pressing the INSERT button FD Floppy disk Delete a character at the cursor position by pressing the DELETE button F2 Load 6 When you have finished writing a name for the new Load the Song at the first line of the display midifile press F2 Save to confirm The Are you sure F3 Open message will appear Press ENTER to confirm or E
20. of Intensity setting this parameter to will allow AM S1 to lengthen the time and setting it to will allow AM S1 to shorten the time With a setting of 0 there will be no effect Slope Time Swing This parameter specifies the direction of the effect that AMST will have on Slope Time With positive values of Intensity setting this parameter to will allow AM S1 to lengthen the time and setting it to will allow AM S1 to shorten the time With a setting of 0 there will be no effect Release Time This parameter specifies the direction of the effect that AMS1 will have on Release Time With positive val ues of Intensity setting this parameter to will allow AM S1 to lengthen the time and setting it to will allow AM S1 to shorten the time With a setting of 0 there will be no effect AMS2 Alternate Modulation Source 2 This is another alternate modulation source for the Amp EG See above AM S1 parameters PAGE 17 LFO1 In this and the next page you can make settings for the LFO that can be used to cyclically modulate the Pitch Filter and Amp of each oscillator There are two LFO units for each oscillator By setting the LFO1 or LFO2 Intensity to anegative value for Pitch Filter or Amp you can invert the LFO waveform chor Campa Je 20 Ca m LPO lisci F9 Selected Ceci last Triangle Rand Free st zi keu Spies On
21. time of note on Attack Level This parameter specifies the change in cutoff frequency after the attack time has elapsed Break Point Level This parameter specifies the change in cutoff frequency after the decay time has elapsed Sustain Level This parameter specifies the change in cutoff frequency that will be maintained from after the slope time has elapsed until note off occurs Release Level This parameter specifies the change in cutoff frequency that will occur when the release time has elapsed Attack Decay Slope Release Time These parameters specify the time over which the filter change will occur 0 99 Time value Attack Time This parameter specifies the time over which the level will change from note on until the attack level is reached Decay Time This parameter specifies the time over which the level will change from the attack level to the break point level Slope Time This parameter specifies the time over which the level will change after the decay time has elapsed until the sustain level is reached Release Time This parameter specifies the time over which the level will change after note on occurs until the release level is reached Filter EG Level modulation Filter 1 EG changes level AMS Velocity Intensity a positive value Note on Note on ju off lA Note off ee off Softly played note with Start Level Strongly played note with Start Strongly played note with Start Swing At
22. AM S to Veloc ity and set this value to 12 00 the velocity will control the range of pitch change produced by the pitch EG in arange of 1 octave As you play more softly the pitch change will draw closer to the pitch EG levels Pitch change level Note on Note on Note on Note off Note off Note off Softly played Strongly played with Strongly played with a Intensity Pitch EG setting a positive value negative value Note Intensity Pitch EG and AMS will be added to deter minethe depth and direction of the pitch modulation applied by the pitch EG Portamento Portamento This parameter turns the portamento effect smooth change in pitch from one note to the next on off and specifies how it will be applied Note Portamento will also be switched when CC 65 Porta mento SW is received On Portamento will be applied Off Portamento will not be applied Portamento Time This parameter sets the portamento time Increasing the value will produce a slower change in pitch 000 127 Portamento timein MIDI value PAGE 4 PITCH LFO1 In this page you can set the LFO1 modulation parameters for the selected oscillator Cshord Campo meaeurs transposes d in C g wu Css 7 s Fitch LFEL Decl F9 Selected Ceci Intensitas E Be Jowebick i Hi EF FE CharrelAT Selected Use this parameter to select an oscillator to put i
23. Pa80 itself see Page 5 Format on page 15 14 in the User s Manual Note You can t prepare Pa80 Backup disks on a M acin tosh After formatting the M ac includes some invisible files in the root that may interfere with the Pa80 Backup and Restore procedures 2 Select the Backup Data command 3 The Backup to FD Yes or HD No message appears Press ENTER YES to select the floppy disk or EXIT NO to select the hard disk 4 The Are you sure message appears Press ENTER to continue EXIT to abort 5 elf you selected the hard disk the backup will start immediately lf you selected the floppy disk insert a disk and press ENTER 6 When the Pa80 asks for it insert a new disk into the floppy disk drive Write the disk number on each disk s label Restore Data This command restores the backup of the internal factory data executed with the Backup Data command Note Should your Factory Data disks become corrupt you can download the data from www korgpa80 com or ask your local KORG dealer Warning Don t play on the keyboard while restoring data and stay in the Disk mode Wait until the Wait message disap pears and theWRITE DISK IN USE LED turns off 1 Select this command 2 The Restore from FD Yes or HD No message appears Press ENTER YES to select the floppy disk or EXIT NO to select the hard disk 3 The Are you sure message appears Press ENTER to continue
24. Pedal Punch function will not work on an empty Song At least one track must already be recorded PedalPunch Trk Track Track in record 1 16 One of the 16 tracks selected To select a track go to the Track pages see Tracks 1 8 page on page 12b 1 and Tracks 9 16 page on page 12b 1 S E Start End These parameters appear only when the Auto Punch recording mode is selected They set the starting and ending points of the Punch recording Metro Metronome Thisisthe metronome heard during recording Off No metronome click will be heard during recording A one bar precount will be played before starting recording Onl Metronome on with a one bar precount before starting recording On2 Metronome on with a two bar precount before starting recording Resol Resolution Use this parameter to set the quantization during record ing Quantization is a way of correcting timing errors notes played too soon or too later are moved to the nearest axis of a rhythmic grid set with this parameter thus playing perfectly in time Hi No quantization applied 1 32 1 8 Grid resolution in musical values For example when you select 1 16 all notes are moved to the nearest 1 16 division When you select 1 8 all notes are moved to the nearest 1 8 division No quanti 1 16 DE DEE De 1 8 D Dp Meter Thisis the meter or time signature of the Song You can edit this parameter only when the Song
25. Ramp H igh is set to 62 the angle of the change in cutoff frequency will correspond to the key board location pitch This means that the oscillation that occurs when you increase the Resonance A will correspond to the keyboard location If you set Ramp Low to 43 and Ramp High to 43 the cutoff frequency will not be affected by keyboard location Usethis setting when you do not want the cutoff frequency to change for each note Tracking to A B These parameters specify the note numbers at which key board tracking will begin to apply and set the Intensity to A and Intensity to B parameters to specify the depth and direction of the change applied to filtersA and B For the range of notes between Key Low and Key High the cutoff frequency will change according to the keyboard location pitch 99 99 Parameter value Filter EG modulation Changes in cutoff frequency Note on Note on Note on ao Note off Softly played Strongly played Strongly played Setting to Setting to Velocity to A This parameter specifies the depth and direction of the effect that velocity will have on the time varying changes created by the filter EG as set on Page 11 Filter EG to control the filter A cutoff frequency With positive values playing more strongly will cause the filter EG to produce greater changes in cutoff frequency With negative values playing more strongl
26. asking you to insert a floppy disk into the disk drive Insert the disk and press ENTER to confirm or EXIT to abort Note Since you can only print the list from a personal com puter it will be automatically saved into a floppy disk Note The text file will contain a list of mid kar and jbx files only i e the files you can select using the numeric keypad see Selecting a Song composing its progressive num ber on page 10 1 of the User s M anual Folders and different kinds of files will not be included When saved the text file will be named after the selected folder For example a folder named Dummy will generate a Dummy txt file If a file with the same name already exists on the floppy disk it will be overwritten without waiting for any confirmation A file containing the list of all valid files contained into the root of the disk will generate a Root txt file The list will include the progressive number assigned to each Song file names in MS DOS format 8 3 the total number of files in the list For the correct display and printing of the list on a personal computer use a fixed size i e non proportional character in your text editor Warning W hile the list may contain more than 9999 files you can t select Songs outside the 0001 9999 range when using the numeric keypad How to save a list of Songs contained in a Jukebox file 1 Press SONG PLAY to selec
27. be heard during recording A one bar precount will be played before starting recording Onl Metronome on with a onebar precount before starting recording On2 Metronome on with a two bar precount before starting recording Resol Resolution This parameter sets the quantization during recording 1 32 1 8 Grid resolution in musical values For exam ple when you select 1 16 all notes are moved to the nearest 1 16 division When you select 1 8 all notes are moved to the nearest 1 8 divi sion No quanti 1 16 Di Di pi 1 8 D D D Meter This is the meter time signature of the Style You can edit this parameter only when the Style is empty i e before you begin recording anything Original Key Chord This is the track s original key and chord Use the D VOL UME VALUE buttons to select the line and the F1 and F2 buttons to switch from the key chord name and the key chord type M aj min When in Style Play mode this chord will be played back exactly as it was recorded without any NTT processing see below To record just one Chord Variation for a Style Ele ment the suggested original key chord is maj7 Be very careful to play the 7th note i e with a Cmaj7th key chord the B to avoid the lack of notes or abad NTT con version when playing different chords 9b 6 Style Record mode Style Tracks page Note To conform to Korg specifications it is advisable to record both the M ajor
28. in this menu corresponds to an edit section Each edit section groups various edit pages EDIT PAGE STRUCTURE Select an edit section from the Menu and or use the PAGE buttons to reach the desired page Press EXIT to go back to the main page of the Song mode All edit pages share the same structure Song icon Page header Page number Chord eo _ Hiert Welume b eae HIL g 5 e H re HIL aoe HH ES HIL ES o IH 112 HH ES Track status icons Song icon When on this icon indicates that the instrument is in Song mode Page header The header shows the name of the current edit page Usually the header is divided into a first word identifying the section name e g M ixer FX Send is a M ixer section page and a second word referring to the page name eg FX Send Section name Page name Page This area shows the current page number A H Each pair of VOLUME VALUE buttons select a different track parameter of command depending on the edit page Track status icons A series of icons near each track show the track s status Selected track or parameter When this symbol appears you can execute any available opera tion on the selected item no icon Track in play or already recorded Thetrack is in mute or does not contain data PAGES 1 16 Pages 1 16 remain unchanged See the User s Manual for more information PAGE 17
29. keyboard player or fix any error made playing chords or selecting Style controls during the Real time Recording mode You can edit only Songs created on the Pa80 Backing Sequence mode When saving a Song created in Backing Sequence mode all Chord Acc data is preserved and can be loaded later to be edited using the Chord Acc Step M ode Here is how to enter the Chord Acc Step M ode and execute your editing 1 Press B SEQ to enter the Backing Sequence mode 2 Press RECORD You will be prompted to select the Real time Recording mode the formerly Record mode or the Chord Acc Step M ode Cohord Campo mexsure transpose Cyh pay Recor Fealtime Recording ChondFiec Shee Mode By pressing one of the A VOLUME VALUE buttons you will select the Realtime Recording method described into the User s M anual By pressing one of the B VOLUME VALUE buttons you will select the Chord Acc Step M ode 3 Press one of the B Chord Acc Step Mode VOLUME VALUE buttons to enter the Step Mode Cokorda tempo rsssurs ooo OS Aste Chord Aoc NEBL Gil Tenectiza 4 Stylet lve Bosse Perf s i 1 CET pE Maj En 4 Select the M easure parameter and go to a different position into the Song using the TEM PO VALUE con trols or the A VOLUM E VALUE buttons Alternatively yo
30. like the Drum and Percussion tracks The whole selected Chord Variation will be transposed Drum Acc5 Single selected track Value Transpose value 127 semitones S E Start End Use these parameters to set the starting S and ending E points of the range to be transposed If a Chord Variation is four measures long and you want to select it all the Start will be positioned at 1 01 000 and the End at 5 01 000 Bottom Top Use these parameters to set the bottom and top of the key board range to be transposed If you select the same note as the Bottom and Top parameters you can select a single per cussive instrument in a Drum or Percussion track Sincein a Drum Kit each instrument is assigned to a different note of the scale transposing a percussive instrument means assign ing the part to adifferent instrument Note These parameters are available only when a Drum or Percussion track is selected PAGE 3 EDIT VELOCITY In this page you can change the velocity dynamics value of notes in the selected track EditiWelocity BLN CLEC Trk i DRL Ws Lies Ha See1 G1 Gee 11 152 BothowiG 1 Toes After setting the various parameters press ENTER to execute The Are you sure message will appear Press ENTER to confirm EXIT to abort E CV Style Element Chord Variation Non editable These read only parameters show which Style Element and Chord
31. modulation maz Y 4 MS Amp KTrk max AMS Intensity positive value Depth and direction of modulation mas Y MS Amp KTrk 0 mae AMS Intensity positive value ze ed Depth and direction of modulation mas Y A AMS Amp KTrk 0 max AMS Intensity positive value Depth and direction of modulation Y Global edit environment addendum 14b 1 Octave Transpose on the MIDI IN 14B GLOBAL EDIT ENVIRONMENT ADDENDUM Some new functions have been added Please add the follow ing instructions to the Global edit environment chapter OCTAVE TRANSPOSE ON THE MIDI IN j The Upper Octave Lower Octave M ute In and Octave In parameters have been added to Page 9 Midi In Controls 2 of the Global environment see User s M anual page 14 5 The transpose parameters are useful to many MIDI accor dion players whose MIDI interface may transmit on an unexpected octave Cond LeeOchiti Otin FF Lodet Mubelre OF Harish 1 H RReLIC 1 HF UppOct Upper Octave gt GBL Octave transposition of data received on the MIDI IN for the Upper tracks For example if you select the 1 value a received C4 will play a C5 on the Pa80 Low Oct Lower Octave gt GBL Octave transposition of data received on the MIDI IN for the Lower track For example if you select the
32. parameters set to the default status Varl End2 Single Style Element V1 CV1 E2 CV2 Single Chord Variation Trk Track All All tracks of the selected Style Style Element or Chord Variation Drum Acc5 Single track of the selected Style Style Element or Chord Variation 9b 10 Style Record mode Page 6 Edit Copy PAGE 6 EDIT COPY Here you can copy a track Chord Variation or Style Element inside the same Style or from a different one Furthermore you can copy a whole Style Warning The Copy operation deletes all data at the target location overwrite p m Egdit i Cores F5 From 501 01 feat Men Fram Taie Frontek DE CE After setting the various parameters press ENTER to execute The Are you sure message will appear Press ENTER to confirm EXIT to abort Note If you copy too many events on the same tick the Too many events message appears and the copy operation is aborted Note When you copy over an existing Chord Variation Pro gram Change data is not copied to leave the original Programs unchanged for that Chord Variation When in this page press the corresponding button on the control panel to select a Style Element VARIATION 1 ENDING2 From Style Use the first parameter to select the source Style to copy the track Chord Variation or Style Element from From to Style Element Chor
33. than this value will be played by the High multisample V Zone Top Bottom Velocity Zone Here you can specify the velocity range for the selected oscil lator Note You cannot set the Bottom Velocity higher than the Top Velocity nor the Top Velocity lower than the Bottom Velocity 0 127 Assigned velocity Octave Use this parameter to adjust the pitch of the selected oscilla tor in octave units The normal octave of the multisample is o 2 1 Transpose Use this parameter to adjust the pitch of the selected oscilla tor in semitone steps over a range of 1 octave 12 12 Transposition in semitones Tune Use this parameter to adjust the pitch of the sample in one cent steps a semitone is 100 cents over a range of 1 octave 1200 1200 Fine tune value in cents Octave transposition Delay ms This parameter sets a delay time from the note on to the real beginning of the sound With a setting of KeyOff the sound will begin when note off occurs This is useful to create sounds such as the click that is heard when a harpsichord note is released In this case set the Sustain Level parame ter to 0 see page 13 12 Key Off The sound will begin when the noteis released 0 5000 Delay time in milliseconds PAGE 2 DK SAMPLES DRUM PROGRAMS This page appears when you edit a Drum Program Here you can select a different percussive sample for each layer High and Low on each key
34. the accompaniment even if they haven t On The Tension will be added been written in the Style pattern This parameter specifies Off No Tension will be added Style Play operating mode addendum Fill to Variation 9C STYLE PLAY OPERATING MODE ADDENDUM Some new functions have been added Please add the follow ing instructions to the Style Play operating mode chapter FILL TO VARIATION This new function has been added to Page 20 StyCtl Drums of the Style Play mode chord Seg 1 Drums UI DrtlaesS KickD sore LE Drier Share ly LE Drar Filli 0F LE Drie Filles Fill1 2 gt PERF gt STYLE These parameters set a Variation to be automatically selected at the end of the Fill Off The same Variation playing before selecting a Fill will be selected again The specified Variations will be alternatively selected For example with the 1 amp 2 option Variation 1 and Variation 2 will be alternatively selected after the end of the Fill The next higher lower numbered Variation is selected in cycle After Variation 4 an Up command will select Variation 1 After Varia tion 1 a Down command will select Variation 4 The next higher lower numbered Variation is selected When Variation 4 is reached an Inc command will select Variation 4 again When Variation 1 is reached a Dec command will select Variation 1 again 1 amp 2 3 amp 4
35. the highest pitched sound Program operating mode Sound Programs and Drum Programs 13 2 Editing a Digital Drawbars Program When the Drawbars page is open press PAGE to see the Drawbar Setting page fea Craubars sektir Pec OFF Poches All Plerethis Moishtkes Plol si Dede iri Perc Percussion This parameter adds a percussive sound to the attack seg ment of the organ sound Off No percussion 2 Percussion added to the 22 foot 4 Percussion added to the 4 foot PLength Percussion Length Decay speed of the percussive sound 0 99 Decay time PVol Percussion Volume Level of the percussive sound 0 99 Level P Mode Percussion Mode This parameters lets you decide if the percussion sound has to betriggered on the first note of a group of held notes or to all notes All The percussive attack is played on all notes of a chord 1st The percussive attack is played only on the fist note of a chord or a group of held notes Release all notes to trigger the percussion again NoiseAtk Noise Attack This parameter increases the noise component of the percus sive attack 0 7 Level of the noise Dw Wave Draw bar Wave Waveshape of the drawbars Sine A simple sine wave Vint A sample of the original tonewheel organ SOUND PROGRAMS AND DRUM PROGRAMS Pa80 features two different kinds of Programs e So
36. with the same name already exists on the floppy disk it will be overwritten without waiting for any confirmation The list will include the progressive number assigned to each Song file names in MS DOS format 8 3 the total number of filesin thelist For the correct display and printing of the list on a personal computer use a fixed size i e non proportional character in your text editor Backing Sequence operating mode addendum 11b 1 Recording Pads in Backing Sequence mode 11B BACKING SEQUENCE OPERATING MODE ADDENDUM Some new functions have been added Please add the follow ing instructions to the Backing Sequence operating mode chapter RECORDING PADS IN BACKING SEQUENCE MODE Now you can record the Pads in the same track formerly devoted only to the Realtime tracks Please change the rele vant text on page 11 4 of the User s M anual as follows G RT Pads RT Pads This Backing Sequence track includes the four Realtime Keyboard tracks and the four Pads They will be Song tracks 1 8 asin the following table RT Pad track Song track Channel Upper 1 1 Upper 2 Upper 3 Lower Pad 1 Pad 2 Pad 3 oj NI AD wy B WIN Pad 4 CHORD ACC STEP MODE While in the Backing Sequence operative mode you can enter the Chord Acc Step M ode to create or edit the Style Chord Acc part of a Song This mode lets you enter chords even if you are not a
37. you play notes above the Key High note number With negative values the volume will decrease Amplifier Modulation These parameters specify how the volume of the selected oscillator will be affected by velocity Velocity Intensity 99 99 With positive values the volume will increase as you play more strongly With negative values the volume will decrease as you play more strongly Volume change with positive values of this parameter Note on Note on pa Note off Softly played Strongly played 99 99 Intensity value EG AMS Alternate Modulation Source Selects the source that will control the volume of the amp for the selected oscillator See AMS Alternate Modulation Source list on page 13 19 Velocity cannot be selected Intensity This parameter specifies the depth and direction of the effect that AMS will have The actual volume will be determined by multiplying the value of the changes produced by the amp EG with the values of Alternate Modulation etc and if the levels of the amp EG are low the modulation applied by Alternate M odulation will also be less For example if AM S is set to After Touch positive val ues of this parameter will cause the volume to increase when pressure is applied to the keyboard However if the EG set tings etc have already raised the volume to its maximum level the volume cannot be increased further With negative val
38. 3 After the fourth digit has been inserted the window automatically disappears and the Song is selected e If the Song number is just 1 2 or 3 digit long dial the number then press ENTER to confirm for example if the Song is number 52 dial 5 2 ENTER Note If no Song corresponds to the dialed number the Song not available message appears Press any button to make it disappear Selecting a Song in the Main page While the S1 or S2 field is selected compose the number corresponding to the Song you wish to select The current folder is the one selected in the Song Select page Selecting a Song in the Lyrics page Composethe number corresponding to the Song you wish to select The current folder is the one selected in the Song Select page SAVING A LIST OF SONGS How to save a list of Songs contained in a folder 1 Press SONG PLAY to select the Song Play operative mode 2 Press one of the A S1 VOLUME VALUE button to select the Load Song page 3 UsetheF1 button to select the device FD or HD con taining the folder whose Song list you want to save 4 Use the F3 Open and F4 Close buttons to browse through the folders in the selected device Move the folder you are looking for to the first line of the display Use the TEM PO VALUE controls or the E F Scroll Up and G H Scroll Down VOLU M E VALUE buttons 6 Oncethe folder is selected press SHIFT F2 7 A dialog box will appear
39. 33 49 66 82 or 99 the LFO frequency being can be increased by a maximum of 2 4 8 16 32 or 64 times respectively or decreased by 1 2 1 4 1 8 1 16 1 32 or 1 64 respectively For example if AMS1 F is Note Number positive val ues of this parameter will cause the oscillator LFO to speed up as you play higher notes N egative values will cause the oscillator LFO to slow down as you play higher notes This change will be centered on the C4 note 13 18 Program operating mode Page 18 LFO2 If AM S1 F is set to JS Y raising the value of this parame ter will causethe oscillator LFO 1 speed to increase as the joy stick is moved away from yourself With a setting of 99 moving the joystick all the way away from yourself will increase the LFO speed by approximately 64 times 99 99 Intensity value AMS2 F Alternate Modulation Source2 Intensity AMS2 Intensity M ake settings for a second alternate modulation source that will adjust the frequency of the oscillator LFO1 see above AMSI F Alternate Modulation Sourcel and Intensity AM S1 Intensity PAGE 18 LFO2 Here you can make settings for the LFO 2 which is the second LFO that can be applied to the selected oscillator See Page 17 LFO1 for more information on the parameters value However in Frequency modulation the LFO cannot be selected as a modulation source in AM S1 or AM S2 PAGE 19 EFFEC
40. Decay Time Swing Specify the direction in which AM S will affect the Decay Time With positive values of Intensity a setting of will cause the time to be lengthened and a setting of will cause the time to be shortened With a setting of 0 there will beno change PAGE 7 FILTER Here you can make settings for the filters that will be used by the oscillators You can select either a 24 dB octave low pass filter with resonance or a series connection of a 12 dB octave low pass filter and a 12 dB octave high pass filter chord Campa measure Wransposs 207 L l _ EU Came TE Eee eon Cr Filter ec FS Selected Dezi Tei LFF Resonant Trims 53 Fresuency Ai r Selected Use this parameter to select an oscillator to put in edit Alter natively you can select oscillators using the F1 F4 buttons Filter Type This parameter selects the type of filter Low Pass Resonant Low Pass amp High Pass for the selected oscillator When the Low Pass amp High Pass filter type is selected the filter B will be activated Low Pass Resonance 24 dB octave low nr pass filter with resonance A Low Pass amp High Pass 12 dB octave I NP ol low pass filter and 12 dB octave high pass filter in series Trim Use this parameter to adjust the level at which the audio sig nal output from the selected oscillator is input to filter A Note If t
41. EG Level modulation Pitch EG change level AMS JS Y Velocity Intensity positive value Note on Note on Note on Note off Note off Note off A note played softly with A note played strongly with A note played strongly with Start Level Swing set at 0 Start Level Swing set to 0 Start Level Swing set to 0 Attack Level Swing set to Attack Level Swing set to Attack Level Swing set to the Joystick pulled on the Joystick pulled on the Joystick pulled on AMS1 2 L Alternate Modulation Source 1 2 These parameters select the source that will control the pitch EG Level parameters AMS Alternate Modulation Source list on page 13 19 Intensity AM S1 2 Intensity These parameters specify the depth and direction of the effect applied by AM S1 With a setting of 0 the levels specified by Start Attack D ecay Release Level will be used For example if AM S1 is After Touch pressing the keys to turn it on will change the Level parameters of the Pitch EG As the absolute value of Intensity is increased the pitch EG levels will change more greatly when the key pressure is released The direction of the change is specified by Start Level Swing and Attack Level Swing When the key pres sure is released the pitch EG levels will return to their own settings If AM S1 is set to Velocity increasing the absolute value of Intensity will produce increasingl
42. LFO2 on page 13 18 to control the selected oscillator volume See Page 14 Amp LFO1 for more information on parameter s editing chord ds igi C cee Ame LFOZ scl Selected ci Intersite H AS Jostick Intensitas H PAGE 16 AMP EG These parameters let you create time varying changes in the volume of the selected oscillator ow AE EG Selected Ceci Start Level 55 Attack Time F3 Aktak Leuels HE 4 Selected Use this parameter to select an oscillator to put in edit Alter natively you can select oscillators using the F1 F4 buttons Amp envelope Amplifier EG Attack Level Note off Note on Break Point Volume Y Sustain Level Start Level Time Attack Decay Slope Release Time Time Time Time Start Attack Break Sustain Release Level These parameters are the level of the envelope segment 0 99 Level value Program operating mode Page 15 Amp LFO 2 Start Level This parameter specifies the volume level at note on If you want the note to begin at aloud level set this to a high value Attack Level This parameter specifies the volume level that will be reached after the attack time has elapsed Break Level This parameter specifies the volume level that will be reached after the decay time has elapsed Sustain Level This parameter spec
43. OLUME VALUE buttons to select the Chord line Use the F1 F4 buttons to select the part of the chord you wish to edit l Name Type Tension Extension Use the TEMPO VALUE controls to modify the selected parameter You can also play a chord and it will be automati cally recognized While recognizing a chord the status of the BASS INVERSION button will be considered No chord means that the accompaniment will not play at the current position apart for the Drum and Percussion tracks To select the No chord option press F1 to select the Name part of the Chord then use the TEM PO VALUE sec tion to select the very last value C B Off 11b 3 How to delete a whole Song Note If you replace a chord with a different one please remem ber that the Lower track will not be automatically changed Transport controls While in Step M ode you can use various control pane but tons to accomplish the editing procedure lt lt or gt gt Rewind or Fast Forward Use these buttons to move to the previous or following mea sure These commands are effective even if the M easure parameter is not selected lt or gt Previous or Next Step Use these button to go to the previous or next step 1 8 or 192 ticks If an event is located before the previous or next step the locator stops on that event For example if you are positioned on M 001 01 000 and no event exists before M 001 01 192 the gt button moves to
44. Perfor mance to adjust the track s settings Tempo Volume Pan FX Send see page 9 5 and following in the User s Manual and save it by pressing the WRITE button Note After a record or edit operation the Style is rewritten in memory When you press START STOP there is a delay before you can actually listen to the Style This delay is higher with a Style containing more MIDI event Note While in Record mode all footswitches and EC5 ped als are disabled EXIT AND SAVE ABORT STYLE When finished editing you can save your Stylein memory or abort any change Press WRITE or RECORD to go to the Write page see The Write window on page 9b 2 Note When saving the Style in memory Pa80 automatically compresses it to reduce its size and save memory Hint Save often while recording to avoid accidentally losing your Style THE WRITE WINDOW This page appears when you press the WRITE or RECORD button whilein Record mode Here you can save the recorded or edited Stylein memory chord Csmpo 1 CD LIT LM mods HEL Style name Mewes Tot Ui Gl Bossa bcit e To save the Style into the internal memory press the A or B VOLUM E VALUE buttons then press ENTER The Are you sure message will appear Press ENTER to confirm or EXIT to abort e To return to the previous Style Record page leaving all untouched and the Style unsaved pr
45. RT STOP to play back the other tracks if already recorded and practice on the keyboard ewhen you have finished practicing press START STOP to stop the arranger and unmute the track by pressing both VOLUME VALUE buttons the track will be in record again While the status icon is flashing press START STOP to begin recording Depending on the Metro metro nome option you selected a 1 or 2 bars precount may play before the recording actually begins When it 9b 4 Style Record mode Listening to the Style while in Record Edit mode begins play freely The pattern will last for some mea sures according to the RecLen value then restart Since the recording will happen in overdub you can add notes on any following passage This is very useful to record different percussive instruments at any cycleon a Drum or Percussion track Note While recording the track s Keyboard Range see page 9b 11 is ignored and the track can play over the whole keyboard range T he Local parameter see page 14 3 in the User s M anual is also automatically set to On to allow playing on the keyboard 13 When finished recording press START STOP to stop the arranger Select a different track and go on record ing the whole Chord Variation Note You can select a different track only when the arranger is not running 14 When finished recording the Chord Variation select a different Chord Variation or Style Elenent to go on recording
46. TS Here you can select two effects for the whole Program switch them on off and specify chaining Cehord Cimi le LT C 8 ee Effects ms Fal 33 RecSmtrHall Sergi 5 FHSS 16 Chorus Sergi CE Note For details on the effects refer to the Effects chapter in the User s M anual FX1 2 Use these parameters to select the effect type for effect 1 2 See the Effects chapter in the User s M anual for more infor mation Note If 000 No Effect is selected the output from the master effect will be muted Send Send level for each effect i Drum samples have their own send level settings see Send FX1 and Send FX2 on page 13 6 Use this parameter to adjust the general offset of the Drum Pro gram 000 127 Chain 2 gt 1 Use this parameter to send the output of effect 2 to the input of effect 1 000 127 Effect level Level of the signal exiting the effect 2 going back to the effect 1 Send to Master This parameters allows you to decide if the direct effected signal must go to the M aster or just the effected signal Yes Only the effected signal will be sent to the Audio Outputs The direct non effected sig nal will not be sent No Both the effected signal and direct signals will be sent to the Audio Outputs PAGE 20 FX1 EDITING In this page you can edit the effected assigned to the FX1 A or C eff
47. Vari ation Press START STOP to check how it works Press START STOP again to stop the playback When you are in the Delete All Copy Style Element Controls or Style Control pages you can listen to the whole Style Press START STOP and play some chords to do your tests Select any Style Element using the control panel buttons VARIATION 1 4 INTRO 1 2 FILL 1 2 ENDING 1 2 Press START STOP again to stop the playback Note When doing the above tests the Fingered 3 Chord Scanning mode is automatically selected FAST DELETE USING THE CONTROL PANEL BUTTONS While in the M ain page or the Style Tracks page you can use the control pane buttons to delete various elements of the Style DELETE note When a track is selected you can use this key sequence to delete a single note or a single percussive instrument If the Style is playing this shortcut deletes the instrument only while the key is kept pressed leaving all other notes untouched within the track DELETE Track While in the Style Tracks page you can delete a whole track with a single shortcut Keep the DELETE button pressed then press one of the VOLU M E VALUE buttons correspond ing to the track to be deleted The Are you sure message appear Press ENTER to confirm EXIT to abort MAIN PAGE After pressing the RECORD button and selected the Style to record edit the M ain page of the Style Record mode appears Chord Style Play icon Measure counter
48. Variation are currently selected for edit ing See the M ain page E Style Element and CV Chord Variation parameters on page 9b 5 for information on selecting a different Style Element and Chord Variation Trk Track Use this parameter to select a track All All tracks selected The velocity for all notes of the whole selected Chord Variation will be changed Drum Acc5 Selected track Value Velocity change value 127 S E Start End Use these parameters to set the starting S and ending E points of the range to be modified If a Chord Variation is four measures long and you want to select it all the Start will be positioned at 1 01 000 and the End at 5 01 000 Bottom Top Use these parameters to set the bottom and top of the key board range to be modified If you select the same note as the Bottom and Top parameters you can select a single percus sive instrument in a Drum or Percussion track Note These parameters are available only when a Drum or Percussion track is selected PAGE 4 EDIT DELETE This page is where you can delete single elements or MIDI events out of the Style Cohen Compe measure Gosse m BOR oa pay Gt ap B wi Tod GEE E a edi ET 7 z EditsDelete a Eli GAC TrksA1l Eui Move Sepals EE 15 EcttomG 1 Toe Gs After setting the various parameters press ENTER to execute The Are you sure
49. XIT Opens the selected folder file whose name begins with the to abort ae SONG RECORD PAGE F4 Close 8 Closes the current folder returning to the parent upper While in the Song mode press RECORD to enter the Song folder Record mode The Song Record page appears SAVE SONG PAGE 0 eae The new or edited Song is contained in RAM and is lost eo Rec Hermoni FG when turning the instrument off The Song is also lost when RectOwercib Trki1 Sef you overwrite it in Backing Sequence Record mode or when Gi Et Metrotdnl switching to the Song Play mode You must save on disk any Resoli116 Metertdd Song you wish to preserve The Song is saved as a Standard Sol TAE TE ae MIDI File SMF Note When saving a Song as a SMF an empty measure in Rec Record mode automatically inserted to the beginning of the Song This mea Set this parameter to select a recording mode sure contains various Song initialization parameters Overdub The newly recorded events will be mixed to any existing events Overwrite The newly recorded events will replace any existing events Auto Punch Recording will automatically begin at the S position and stop at the E position see the following line Note T he Auto Punch function will not work on an empty Song At least one track must already be recorded Recording will begin when pressing a pedal set to the Punch In Out function and will finish when pressing the same pedal again Note The
50. amples Drum Programs H L Cutoff These parameters set the cutoff frequency for the filter applied to the selected sample H L Resonance These parameters set the resonance for the filter applied to the selected sample H L Attack These parameters are an offset to the selected sample s EG Attack H L Decay These parameters are an offset to the selected samples EG Decay Velocity Switch Thisis the velocity value dividing the High and Low layers for the selected sample key Notes stricken harder than this value will be played by the High multisample Single Trigger Use this parameter to set the sample as a single triggered one Yes When the same key note is played repeatedly the previous note will be stopped before the new note is triggered so that they will not overlap No When the same key note is played repeatedly the previous note will not be stopped before the new note is triggered Receive Note On Use this parameter to enable disable the reception of the Note On Key On message Yes The Note On message is normally received No The Note On message is not received There fore the corresponding key is muted Receive Note Off Use this parameter to enable disable the reception of the Note Off Key Off message Yes The sound will stop as soon as you release the key No The sound will continue playing up to the end of the sample The Note Off message is ignored Warning If the Sing
51. ampo msma ironsposs L U octave page Osc1 FS ew Pitch Selected Ceci Sloe 1 58 Josstick tar 2 Josstick Hi 2 4 Selected Use this parameter to select an oscillator to put in edit Alter natively you can select oscillators using the F 1 F4 buttons Slope Normally you will leave this parameter at 1 0 Positive values will cause the pitch to rise as you play higher notes and negative values will cause the pitch to fall as you play higher notes With avalue of 0 there will beno changein pitch and theC4 pitch will sound regardless of the keyboard location you play The diagram shows how the Pitch Slope and pitch are related Pitch 2 C4 C5 Key 1 0 2 0 Pitch slope value JS X This parameter specifies how the pitch will change when the joystick is moved all the way to the right A setting of 12 pro duces 1 octave of change For example if you set this to 12 and move the joystick all the way to the right the pitch will rise one octave above the original pitch 60 12 Maximum pitch change in semitones JS X This parameter specifies how the pitch will change when the joystick is moved all the way to the left A setting of 12 pro duces 1 octave of change For example if you set this to 60 and move the joystick all the way to the left the pitch will fall five octaves below the original pitch This can be used to simula
52. annot stop both sequencers using the SHIFT PLAY STOP combination see page 3 8 in the User s M anual 2001 Korg Italy SpA B 2 Various new functions Panic command B VARIOUS NEW FUNCTIONS PANIC COMMAND 090 Vocoder You can reset all frozen notes and controllers on the Pago This effect applies the character of the microphone signal and any instrument connected to its MIDI OUT byusingthe Modulator to the track s oscillator signal input Carrier Panic key combination Just press SHIFT START STOP to Therefore the voice can modulate one of the sounds of the stop all notes and reset all controllers Pa80 A common use of this effect is to produce the sound of various instruments by inputting a voice to the Modulator GRAYED OUT NON AVAILABLE PARAM ETERS via a microphone A special effect is also achieved by using rhythm or effect sounds Strings or distortion guitar sounds Currently non available parameters are now shown in gray with alot of harmonics are suitable as a Carrier on the display i e with a ghost texture Hereis an example of Wet Stereo In Mono Out Dry Stereo In Stereo Out a grayed out parameter compared to anormal parameter ma Carrie Wet Dry Troe cH CA Carrier a AR gt rey y Vocoder k x H Carrier Text in solid black mo PEN Eepe
53. arious edit pages Note When switching from the Edit section pages Quantize Transpose Velocity D elete to the other pages or vice versa the Style if in play is automatically stopped EDIT PAGE STRUCTURE Select an edit section from the M enu and or use the PAGE buttons to reach the desired page Press EXIT to go back to the main page of the Style Record mode All edit pages share the same structure Style Play icon Page header Page number FE B MI Cea pay y Esl DAUL TrksAll Resolii 16 Sie Eee al 1se BobhomtG 1 Toes Style Play icon When on this icon indicates that the instrument is in Style Play mode Page header The header shows the name of the current edit page As a general rule the header is divided into a first word identify ing the section name eg Edit Quantize is an Edit sec tion page and a second word referring to the page name eg Quantize Section name Page name Page number This area shows the current page number A H Each pair of VOLU M E VALUE A H buttons selects a differ ent parameter of command depending on the edit page After selecting a parameter you can change its value by press ing one of the two buttons in a pair or using the TEM PO VALUE controls Style Record mode 9b 7 Edit page structure PAGE 1 EDIT QUANTIZE The quantize function may be used to correct any rhyt
54. as been selected changes in key board velocity will affect the resonance With positive values the resonance will increase as you play more strongly and as you play more softly the resonance will approach the level specified by the Resonance setting With negative values the resonance will decrease as you play more strongly and as you play more softly the resonance will approach the level specified by the Resonance setting The resonance level is determined by adding the Resonance and Intensity AM S Intensity values 99 99 Parameter value Filter B Frequency B Cutoff Frequency B This parameter specifies the cutoff frequency of filter B This parameter will be displayed when Filter Type is set to Low Pass amp High Pass High Pass Level This filter cuts the low frequency range that lies below the cutoff frequency By cutting the lower overtones it lightens the tone l p gt 12dB oct Frequency 00 99 PAGE 8 FILTER MODULATION These settings let you apply modulation to the cutoff fre quency Frequency of the filter for the selected oscillator to modify the tone Cutoff frequency value Chord tempo measure rensposs J on C G EU CE 1 ETES ee Co Filter Mod sci Selected cl Tracking Lows BS Tracking High FS Fame Low HE 4 When Filter Type is L
55. at the end of this chapter NEW FEATURES IN REL 1 5 Release 1 50 of the Operating System introduced the follow ing features Function See page Vocoder effect assignable to the D FX processor B 2 New functions assignable to the pedals and EC5 B 3 controller and to the Programmable Slider Full support for the optional Video Interface board B 3 VIF1 Auto Octave function 9c 1 New options for the Memory function 9c 1 Slightly changed Pads recording procedure in Back 11b 1 ing Sequence mode Chord Acc Step Mode to create or edit the Style 11b 1 part of a Song in Backing Sequence mode Function See page Full support for the optional Vocal Guitar Processor B 3 Board VHG1 Saving on disk a list of Songs from a folder or a 10b 1 Jukebox list as a text file Recording of Padsin Backing Sequence mode 11b 1 HD COMPATIBILITY LIST The list of compatible models has been updated Manufacturer Model Capacity Models compatible from Rel 1 0 MHA2032AT 4GB FUJITSU M HM 2060AT 6GB M2724TAM 6GB HITACHI DK23AA 60 6 01GB IBM DBOA 2540 3GB TOSHIBA Hdd2514 527MB Models compatible from Rel 1 02 HITACHI DK23BA 10 10 06GB DK23AA 90 9 04GB TOSHIBA HDD2146 C 6GB Note Please remember that Pa80 can only access the firs 2GB of any hard disk Even installing devices of a greater size you will be able to access just the first 2GB on them ERRATA CORRIGE You c
56. ative values of Ramp will shorten the EG times The direction of change is specified by Attack Time Swing Decay Time Swing Slope Time Swing and Release Time Swing With a setting of 0 the times specified by Frequency A Cut off Frequency A will be used If AM S1 2 T is set to Velocity positive values of this parameter will cause EG times to lengthen as you play more strongly and negative values will cause EG times to shorten as you play more strongly 99 99 Intensity value Attack Time Swing This parameter specifies the direction in which AM S1 2 T will affect the attack time With positive values of Inten sity setting this parameter to will allow AMS to lengthen the time and setting this parameter to will allow AMS to shorten the time With a setting of 0 there will be no change Decay Time Swing This parameter specifies the direction in which AM S1 2 T will affect the decay time With positive values of Inten sity setting this parameter to will allow AMS to lengthen the time and setting this parameter to will allow AMS to shorten the time With a setting of 0 there will be no change Slope Time Swing This parameter specifies the direction in which AM S1 2 T will affect the slope time With positive values of Inten sity setting this parameter to will allow AMS to lengthen the time and setting this parame
57. be positioned at 1 01 000 and the End at 5 01 000 Bottom Top Use these parameters to set the bottom and top of the key board range to quantize If you select the same note as the Bottom and Top parameters you can select a single percus sive instrument in a Drum or Percussion track Note These parameters are available only when a Drum or Percussion track is selected 9b 8 Style Record mode Page 2 Edit Transpose PAGE 2 EDIT TRANSPOSE In this page you can transpose the selected track s Note After transposing please don t forget to readjust the Original Key Chord parameter in the Style Record page see page 9b 5 Chord Compo A am Anne Bt Ge JHA en Edit Transrose Ha Es DAJI Trk Lalues HEG SAIS En a BothomtG 1 Toris After setting the various parameters press ENTER to execute The Are you sure message will appear Press ENTER to confirm EXIT to abort E CV Style Element Chord Variation Non editable These read only parameters show which Style Element and Chord Variation are currently selected for edit ing See the Main page E Style Element and CV Chord Variation parameters on page9b 5 for information on selecting a different Style Element and Chord Variation Trk Track Use this parameter to select a track All All tracks selected apart for tracks set in Drum mode
58. cefrom the Tracks 1 8 page or twice from the main page The TRK SELECT LED begins flashing HOW TO DELETE A WHOLE SONG While in the Main page you can delete a whole Song with the simple SHIFT DELETE key sequence 1 Enter the Song mode You must bein the M ain page of the mode If you are in Record mode go back to the Playback mode 2 Press SHIFT DELETE 3 The Delete Song message appears Press ENTER to confirm EXIT to abort 12b 2 Song Record mode Song Select page SONG SELECT PAGE 1 If you arein an edit page press EXIT to go back to the Mai i This page appears when you press PAGE or either the B alli pags i 2 t th ve Song button The Save Song page Load Song buttons while you are in the main page ses g g pag Press EXIT to go back to the M ain page of the Song operating i mode without selecting a Song com cs m Je Bun ae BBR Save Song o gt HELHAE MID Load Song D MYSONGS VO BALLADS It PSOE MIC 4 MINE FD SAE OPEN CLOSE MSOME MIC 4 FD LORD OPEN CLOSE 3 Movethefolder where you wish to save your Songto the first line of the display using the E F Scroll Up and G A C File folder H Scroll Down VOLUME VALUE buttons or the Move the file or folder to be selected to the first line of the TEM PO VALUE controls Press F3 Open to open it
59. clert 2 CU Lemie Meteot tnd Resolii l Metersd d C mair HTT Sth Select the Chord Variation to create or modify using the E and CV parameters Set the tempo Keep the SHIFT button pressed and use the TEM PO VALUE controls to change the tempo Press TRK SELECT to switch to the Style Tracks page Here you can assign the right Program to each Style track For more details see Style Tracks page on page 9b 6 Chart Compa naposs HeuBossa IW1 Cl SA amp Brush 2 Piarodl O Fere Kit Guiteral Z HenBss Strrderes Z wai AcouPiaree UUrePadl If you like you can set the tempo again from this page just use the TEM PO VALUE controls Assign a Program to each track by using the PRO GRAM PERFORMANCE section You can t select Digi tal Drawbars Programs If needed set the Octave Transpose for each track Note The Octave Transpose will affect only the notes coming from the keyboard and not from the arranger Select the track to put in record Its status icon will begin flashing Note When entering the Record mode the last selected track is already in record When you press START STOP after entering the Record mode you can immedi ately start recording If you like you can try your part before recording set the track in mute by pressing both corresponding VOLU M E VALUE buttons the status icon disappears press STA
60. d The pattern will always play as recorded This is the standard setting of Intro 1 and Ending 1 in Korg s origi nal Styles As recorded with NTT Root or 5th When you playa CM7 When you play a CM7 Key Chord CMaj with NTT Root with NTT 5th GONE EM N As recorded with NTT i Series When you play a CMaj When you play a CM7 Key Chord CM7 with NTT i Series with NTT i Series JT OMR UN STYLE TRACKS PAGE While in the main Style Record page press TRACK SELECT to jump to this page Here you can see and select any Style track Style Element Chord Variation in record edit Style in record edit Brush 2 Fiance Fere Kit Guitar Hfco sss Strngeres coPiarcs LesPal Style tracks Program name Select a track using the VOLUME VALUE buttons Select a Program using the PROGRAM PERFORMANCE section While in this page you can set the track s volume using the VOLUM E VALUE buttons Since the track s volume is mem orized into the Style Performance and not in the pattern this setting will not be recorded and saved However this will allow you to play back louder any reference track or the track you are recording Track status When in the Style Tracks page each track can be in one of three status Play Visible status icon This status is available only for non selected tracks When in play a track can play back the recorded pa
61. d Variation Use these parameters to select the source and target Style Ele ments or Chord Variations Note You can t copy from a Variation to a different Style Ele ment or vice versa because of their different structure All All Style Elements i e the whole Style You can t change the target that is automatically set to All Varl End2 Single Style Element V1 CV1 E2 CV2 Single Chord Variation From Track Use this parameter to select the source and target track to copy The target is always the same as the source track All All tracks of the selected Style Style Element or Chord Variation Drum Acc5 Singletrack of the selected Style Style Element or Chord Variation Copying on a Chord Variation with a different length You can copy a Chord Element on a different Chord Element with a different length Just keep in mind the following e If the source length is a divider of the target length the source Chord Variation will be multiplied to fit the tar get Chord Variation For example if the source is 4 measures long and the target 8 measures the source will be copied two times 1 2 3 4 _ yy 1 2 3 4 1 2 3 4 e If the source length is not a divider of the target length the source Chord Variation will be copied for as many measures as can fit the target Chord Variation For example if the source is 6 measures long and the target 8 measures the source will be copied once then the fist 2 m
62. duce the relative level of atrack in asingle Style Elenent without reducing the overall Volume of the Style STYLE ELEMENT CONTROLS This is a very useful control when you have different Pro grams assigned to the same track in different Style Elements and the internal level of these Programs is different chord GED ampe 7E SECLl Exrress Ui ER amp Uslue 168 Value 160 Se Male 16 Male 16 Jeluet 160 Ualues 165 od si Velvet 164 Value 166 p5 Et E When in this page press the corresponding button on the control panel to select a Style Element VARIATIONI ENDING2 To copy the settings of this page to another Style Element keep the SHIFT button pressed and press the button of the target Style Element Value Use this parameter to set the Expression value for the corre sponding track PAGE 9 STYLE ELEMENT CONTROLS KEYBOARD RANGE The Keyboard Range automatically transposes any pattern note that would otherwise play too high or too low in pitch compared to the original acoustic instrument when trans posed by the arranger This will result in a more natural sound for each accompaniment instrument For example the lower limit for a guitar is E2 If you play a chord under the E2 the transposed pattern could exceed this limit and sound unnatural A Bottom limit set to E2 for the guitar track will solve the problem
63. e AMS Alternate M odulation Source list on page 13 19 Intensity This parameter specifies the depth and direction of the effect that AM S will have For example if AM S is Velocity set ting Start Level Swing Attack Level Swing and Break Point Level Swing to and setting Intensity to a positive value will cause the amp EG volume levels to increase as you play more strongly Setting Intensity to a negative values will causethe amp EG volume levels to decrease as you play more strongly With a setting of 0 the levels will be as specified on Page 16 Amp EG 99 99 Intensity value 13 15 13 16 Program operating mode Page 17 LFO1 Start Level Swing This parameter specifies the direction in which AMS will change Start Level If Intensity is set to a positive value setting this parameter to will allow AM S to increase the EG level and setting this parameter to will allow AMS to decrease the EG level With a setting of 0 no change will occur Attack Level Swing This parameter specifies the direction in which AMS will change Attack Level If Intensity is set to a positive value setting this parameter to will allow AM S to increase the EG level and setting this parameter to will allow AMS to decrease the EG level With a setting of 0 no change will occur Break Point Level Swing This parameter specifies
64. e Copied data are merged with the data at the target position Overwrite Copied data replace all data at the target posi tion Warning D eleted data cannot be recovered FromTrk From Track ToTrk To Track Use these parameters to select the source and target track to COPY All All tracks The target track cannot be selected 1 16 Selected source and target tracks S E The left S E parameters are the starting and ending mea sure to copy For example if S 1 and E 4 the first four mea sures are copied S Theright S parameter is the first of the target measures T Number of times the copy must be executed 12b 8 Song Record n Pa Edit Program operating mode 13 1 M ain page 13 PROGRAM OPERATING MODE The Program operating mode is where you can listen to individual Programs and edit them To select a Program see the Basic operations chapter In this mode the selected Program can always be played across the full keyboard range To automatically select the Program to be assigned to the last selected track keep the SHIFT button pressed and press the PROGRAM button Hint This is useful to see the Bank Select Program Change numbers when programming a Song on an external sequencer MAIN PAGE Hereisthe main page of the Program operating mode Tempo Program icon Page header E J E W d a Brard i aren Groups Piano MIDI CO 121 CLER Po
65. e sequence are carefully transposed according to the Note Transposition Tables NTT to make them work fine with all recognized chords The NTT allows you to record just some Chord Variations and have all the notes play in the right place avoiding dissonances and transposing the pattern notes to the notes of the recognized chord Going deeper into the Style structure we can see that each Chord Variation is made up of Track Sequences and the Pa80 supports 8 different tracks DRUM and PERC are used for drum and percussion sequences BASS for bass and ACC1 5 are for accompaniment sequences string guitar piano or other accompaniment instruments 9b 2 Style Record mode Style Import Export Just to summarize when you play a chord on the chord rec ognition area the arranger determines which Style Element is used then determines which Chord Variation should be used for the played chord then Style sequences for every track of that Chord Variation are transposed from the origi nal chord to the recognized chord using the NTT and so on every time you play a chord Note The Break and the Count In are not Style Elements and cannot be programmed by the user While in record edit the BREAK COUNT IN button does not work STYLE IMPORT EXPORT You can use the Korg Pa80 Style To Midi application to exchange Styles between your computer and the Pa80 through the Standard MIDI File SMF format The applica tion is freely downloadable
66. e switch to a value of 001 and select only the High multisample ROM Select a preset multisample CARD Select a Card multisample Note If you create a new Program based on a Card multisample the card must be inserted before selecting the Program or no sound will be heard Note Each multisample has an upper limit and may not pro duce sound when played above that limit H L Reverse The multisample will be played in reverse In the case of Flash ROM or optional CARD multisamples that were originally specified to loop the multisample will be played back in one shot reverse mode If the multisample was originally set to reverse it will playback without change Yes The multisample will playback in reverse No The multisample will play back normally H L Use Offset These parameters specify the point where the multisample s will begin to play For some multisamples this parameter will not be available Yes The sound will begin from the offset location pre determined for each multisample No The sound will start from the beginning of the multisample waveform H L Level These parameters specify the level of each multisample 0 127 Multisample level Note Depending on the multisample high settings of this parameter may cause the sound to distort when a chord is played If this occurs lower the level Velocity Switch Thisis the velocity value dividing the High and Low layers for the selected oscillator Notes struck harder
67. eaching the Start point lf you selected the Pedal Punch recording mode press the pedal when you want to begin recording Press it again to finish recording Note The Punch functions will not work on an empty Song At least one track must already be recorded 9 When finished recording press PLAY STOP to stop the sequencer Select a different track and go on recording the whole Song 10 When finished recording the new Song press RECORD to exit the Record mode The Song will be saved in memory Warning Save the Song on a disk to avoid it is lost when turning the instrument off Note When exiting the Record mode the Octave Trans pose is automatically reset to 0 11 Edit the new Song press the MENU page and select the various edit pages MENU The Menu has been changed from the previous release of the Operating System to allow the insertion of new editing func tions under the Edit section While in any page press MENU to open the Song edit menu This menu gives access to the various Song edit sections When in the menu select an edit section using the VOLUM E VALUE A H buttons select an edit page using PAGE or press EXIT to exit the menu When in an edit page press EXIT to go back to the main page of the Song operating mode Cetera Campo a Song Edit MEM ES Hissen Tire Trargr 1tlel Effects bel Tut Ire Track Edit Coes Qusrihime Each item
68. easures will be copied to fit the remaining 2 mea sures RABAT E y fi 2 3 4 s eo s 2 Note Avoid copying on a Chord Variation with a different meter for example a 4 4 Chord Variation onto a 3 4 one PAGE 7 PROGRAMS In this page you can assign a different Program to each track of the selected Style Elenent Each Style Element can have different Programs after saving the new Style please don t forget to set the Prog parameter to Original see page 9 11 on the User s Manual to let the Style select the Program bypassing the Style Performance settings STYLE ELEMENT CONTROLS chord Compo meurs ronsposs Loppem AEB am DH em sooo Comme SECEI Program StandarcDk Jazz GT FR Perckit Brass Fingers Uibes Ac Pia LoP Es w DE When in this page press the corresponding button on the control panel to select a Style Element VARIATIONI ENDING2 To copy the settings of this page to another Style Element keep the SHIFT button pressed and press the button of the target Style Element Program Use the PROGRAM PERFORMANCE section to assign a Program to the selected track Note You can t select a Digital Drawbars Program from this page Assign it to a Performance track instead PAGE 8 EXPRESSION In this page you can modify the Expression CC 11 value for each of the Style tracks This lets you re
69. ecifies the depth and direction of the effect that AM S will have on the Time parameters With a set ting of 0 the pitch EG times will be just as specified by the Attack D ecay Release Time settings The alternate modulation value at the moment that the EG reaches each point will determine the actual value of the EG time that comes next For example the decay time will be determined by the alter nate modulation value at the moment that the attack level is reached When this parameter is set to values of 16 33 49 66 82 or 99 the specified EG times will speed up as much as 2 4 8 16 32 or 64 times respectively or slowed down to 1 2 1 4 1 8 1 16 1 32 or 1 64 of the original time For example if AMS is set to Velocity increasing the abso lute value of Intensity will allow strongly played notes to increase the changes in pitch EG Time values The direc tion of the change is specified by Attack Time Swing and Decay Time Swing As you play more softly the pitch EG times will more closely approach the actual settings of the pitch EG 99 99 Parameter value Attack Time Swing This parameter specifies the direction in which AM S will affect the Attack Time parameter With positive values of Intensity a setting of will cause the time to be length ened and a setting of will cause the time to be shortened With a setting of 0 there will beno change
70. ect processor usually reverb See the Effects chap ter in the User s M anual for more information PAGE 21 FX2 EDITING In this page you can edit the effected assigned to the FX2 B or D effect processor usually modulating effect See the Effects chapter in the User s M anual for more information Program operating mode 13 19 AMS Alternate M odulation Source list AMS ALTERNATE MODULATION SOURCE LIST Amp KTrk Amp Keyboard Track Amp keyboard tracking within the same oscillator Poly AT Poly After Touch Polyphonic After Touch transmitted from the Pa80 only as sequence data After Touch After Touch Channel After Touch Joystick X Joystick X horizontal axis Joystick Y Joystick Y vertical upward direction CC 01 Joystick Y Joystick Y vertical downward direction CC 02 JS Y amp AT 2 Joy Stick Y amp After Touch 2 Joystick Y vertical upward direction and After Touch JS Y amp AT 2 Joy Stick Y amp After Touch 2 Joystick Y vertical downward direction and After Touch Ass Pedal Assignable foot pedal CC 04 Damper Ddamper pedal CC 64 CC 65 Portamento switch CC 65 Sostenuto Sostenuto pedal CC 66 CC 80 CC 80 CC 82 CC 82 CC 83 CC 83 Tempo Tempo tempo data from Sequencer 1 clock or external MIDI clock Fit KTrk Filter Keyboard Track The direction of the effect will be determined Fit KTrk Filter Keyboard Track by
71. elected Ceci Tracking Low Ca Tracking High prit Fane Lowi HS Selected Use this parameter to select an oscillator to put in edit Alter natively you can select oscillators using the F1 F4 buttons Amplifier keyboard tracking These parameters let you use keyboard tracking to adjust the volume of oscillator 1 Use the Key and Ramp parameters to specify how the volume will be affected by the keyboard location that you play Tracking Low High These settings specify the note number at which keyboard tracking will begin to apply The volume will not change between Tracking Low and Tracking High C 1 G9 Lowest Highest notein the range Tracking Low Keyboard tracking will apply to the range below the specified note number Tracking High Keyboard tracking will apply to the range above the specified note number Ramp These parameters specify the angle of keyboard tracking 99 99 Angle value Hereis an example of volume changes produced by keyboard location and Ramp settings Volume Ramp Low 99 Ramp High 99 Ramp Low 0 Ramp High 0 Ramp Low 99 Ramp High 99 Key Key Low Key High Ramp Low With positive values of this parameter the volume will increase as you play notes below the Tracking Low note number With negative values the volume will decrease Ramp High With positive values of this parameter the volume will increase as
72. en selected at the current position appears next to it press DELETE to delete the Performance Change at the current position Note If the side arrow doesn t appear the event was not selected at the current position and will not be deleted SHIFT DELETE When the Perf parameter is selected press SHIFT DELETE to delete all Performance Change events starting from the current posi tion to the end of the Song To delete all Per formance Change events in the Song go back to the M 001 01 000 position and press SHIFT DELETE Note All events on the very first tick M 001 01 000 like Perf Style Tempo Chord Style Element selection cannot be deleted Backing Sequence operating mode addendum SE Style Element This is the Style Element i e a Variation Fill Intro or End ing Thelength of the selected Style Element is always shown on the measure counter at the top of the display FOI COL OOOO This will let you know where to place the following Style Ele ment Change For example if you inserted an Intro event lasting for 4 measures you can insert 4 empty measure after this event and a Variation event at the end of the Intro beginning at the 4th empty measure Off means that the accompaniment will not play at the selected position only the Realtime tracks will play Hint Insert a Style Element Off event exactly where the auto accompaniment must stop at the end of the Song Chord Usethe D V
73. ess EXIT e To delete all changes to the Style press one of the D VOLUME VALUE buttons to select the Abort com mand The Are you sure message will appear Press ENTER to confirm deletion or EXIT to return to the Write page Style name Use this parameter to change the Style s name Press the right A VOLUM E VALUE button to enter editing and modify the name using the UP DOWN buttons to move the cursor and the DIAL to select a character Press INSERT to insert a char acter at the cursor position or DELETE to deleteit To Style number Use the B VOLUME VALUE buttons or the TEM PO VALUE controls to select a different User Style location in memory Note Only User locations are available Abort Select this command to delete any change to the Style LIST OF RECORDED EVENTS The Style Record mode filters out some events that may dam age the right operation of the Style Here are the recorded events and the most important filtered out events Control function CC Control Change Number Allowed Note On Note Off Pitch Bend Modulation 1 1 Modulation 2 2 Pan 10 Expression 11 CC 12 12 CC 13 13 Damper 64 Filter Resonance 71 Low Pass Filter Cutoff 74 CC 80 80 CC 81 81 CC 82 82 Not allowed After Touch Volume 7 All other Control Change messages A Note Off will always be inserted at the end of the Chord Variation
74. ess WRITE select Global and press ENTER to save this setting in memory p Note When you assign the Vocoder effect to the D FX processor Select the Voc 1 or Voc 2 Performance the direct input can no longer be heard The input signal goes Check if tti ki ii bya entirely to the FX processor To listen to the direct signal you Ze TEES YOUL Serungs are WOr lt ing as expectea Oy ane can still usethe Wet Dry parameter to increase the level of the ing in the microphone and playing chords on the key board direct signal Dry oara Please remember to set the tracks Pan valueto Off and the Send value to 127 Various new functions B 3 N ew functions assignable to the pedals and EC5 controller and to the Programmable Slid You can add reverb to the Vocoder by way of the D gt Csend parameter see page 9 7 10 8 and 12 7 Warning When using the Vocoder none of the parameters on Page 15 Inputs Internal FX of the Global mode are effective Hint To create a new Song exploiting the Vocoder enter the Backing Sequence mode with a Performance that includes the Vocoder effect NEW FUNCTIONS ASSIGNABLE TO THE PEDALS AND EC5 CONTROLLER AND TO THE PROGRAMMABLE SLIDER Some more items are now assignable to the footswitch or EC5 pedals see User s M anual page 19 1 Style Up Style Down Perform Up Perform Down Program Up Program Down STSUp STS Down STS1 STS2 STS3 STS4 Punch In Out FX CC12 Sw FX CC13 Sw
75. eteo Ord Fesoli1 16 Meters dd Sel Terro Tempo Auto 3 Set the tempo There are two ways of changing tempo Keep the SHIFT button pressed and use the TEM PO VALUE controls to change the tempo Movethe cursor to the Sel Tempo parameter and use the TEM PO VALUE controls to change tempo 4 Press TRK SELECT to switch to the Song Tracks 1 8 page Cohord transpose BAB IC B ocoo ociave oo Fac C4 o Fial Fianol g B CeStrirgs Guitare D B Legato Strrgires a a BresesHorn MoPadi 12b 4 Song Record mode Menu Press the button again to switch to the Song Tracks 9 16 page Ce Gus Wanepose I HBB IC B am coco Ces eo Bec Merv FS 8 Strings Loc aes 3 ig kitrin Bassi i ag Legato Stregere fi fig Erason Strings fs 5 If you like you can set the tempo again from these pages just use the TEM PO VALUE controls 6 Assign theright Program to each track 7 Select the track to put in record Its status icon will auto matically begin flashing 8 While the status icon is flashing press PLAY STOP to begin recording Depending on the Metro option you selected a 1 or 2 bars precount may play before the recording actually begins When it begins play freely eif you selected the Auto Punch recording mode the recording will begin only when r
76. eter is selected and the side arrow p showing that a Style Change event has been selected at the current position appears next to it press DELETE to delete the Style Change at the current position Note If the side arrow doesn t appear the event was not selected at the current position and will not be deleted SHIFT DELETE When the Style parameter is selected press SHIFT DELETE to delete all Style Change events starting from the current position to the end of the Song To deleteall Style Change events in the Song go back to the M001 01 000 position and press SHIFT DELETE Note All events on the very first tick M 001 01 000 like Perf Style Tempo Chord Style Element selection cannot be deleted Perf Thisisthe last selected Performance Select a Performance to recall the Style it memorizes To insert a Performance change at the current position use the standard selecting procedure by exploiting the buttons of the PROGRAM PERFOR M ANCE section Note The STYLE CHANGE LED is automatically turned on when entering the Chord Acc Step Mode This means that selecting a Performance automatically selects the Style memo rized into the Performance The SINGLE TOUCH and STS buttons are automatically dis abled meaning that you can t change the Realtime Keyboard tracks while in Chord Acc Step M ode DELETE When the Perf parameter is selected and the side arrow showing that a Performance Change event has be
77. etting of Off there will beno modulation Intensity This parameter specifies the depth and direction of the effect that AMS1 will have For example if AMS1 T is Amp KTrk the Amp Keyboard Track settings see Amplifier keyboard tracking on page13 14 will control the EG Time parameters With positive values of this parame ter positive values of Ramp Ramp Setting will cause EG times to be lengthened and negative values of Ramp Ramp Setting will cause EG times to be shortened The direction of the change is specified by Attack Time Swing Decay Time Swing Slope Time Swing and Release Time When AMS1 T is Velocity positive values will cause EG times to lengthen as you play more strongly and negative values will cause EG times to shorten as you play more strongly With a setting of 0 the EG times will be as specified by the Amp envelope parameters see page 13 15 Attack Time Swing This parameter specifies the direction of the effect that AMS1 will have on Attack Time With positive values of Intensity setting this parameter to will allow AM S1 to lengthen the time and setting it to will allow AM S1 to shorten the time With a setting of 0 there will be no effect Decay Time Swing This parameter specifies the direction of the effect that AM SI will have on Decay Time With positive values
78. from www korgPa80 com Please read the included instructions ENTERING THE RECORD MODE While in the Style Play operating mode press RECORD The following page will appear on the display hord Record Current Style Hew Style e Select Current Style to edit the current Style If itis a Factory Style you will not be able to save it on the origi nal location you will select a User Style instead When editing an existing Style the original Style Perfor mance is recalled but the following parameters are reset to their default values Drum M apping 0 Snare amp Kick Designation Off Program Original Keyboard Range Original This means that you can hear some differences between the Style in play and the same Style being edited for example resetting the Drum M apping may lead to some instrument s replacement After editing the Style please save it see Exit and Save Abort Style below Then edit the Style Performance to adjust the track s settings Tempo Volume Pan FX Send see page 9 5 and following in the User s M anual and save it by pressing the WRITE button e Select New Style to start from a new empty Style A default Style Performance will be recalled When fin ished recording you will save the new Style onto a User Style location After recording the Style please save it see Exit and Save Abort Style below Then edit the Style
79. gative settings will invert the LFO waveform For example if AMS is set to After Touch and you apply pressure to the keyboard a positive setting of this param eter will cause the pitch modulation created by LFO1 to be applied with the normal phase and a negative setting will cause the LFO to be applied with inverted phase The LFO1 Intensity JS Y and AMS settings will be added to determine the depth and direction of the pitch modulation applied by LFO1 12 00 12 00 Parameter value PAGE 5 PITCH LFO2 In this page you can set the LFO2 modulation parameters for the selected oscillator See Page 4 Pitch LFO1 for informa tion on the various parameters Coord measure Wwanepose 20 Cl Pitch LFES ci F9 Selected Deci Irtereitsi 4 Be Josstick HE EF HE CharrnelAT PAGE 6 PITCH EG Here you can make settings for the pitch EG which creates time variant changes in the pitch of the oscillators The depth of pitch change produced by these EG settings on the oscilla torsis adjusted by the Intensity AM S1 2 Intensity param eter see page 13 8 Chord Campo Gus transpose Et ew Pitch EG Start Lewel Hi Attack Times ao Aktak Level Hi Densa Timet Hk Pitch envelope Time varying pitch settings when Pitch EG Intensit
80. gth of the Chord Variation Warning If you assign CVLen a value lower than RecLen the value of RecLen is not immediately updated on the dis play Therefore you are still free of changing the value of CVLen before the measures exceeding its value are deleted see warningin CVLen Chord Variation Length below However if you press START STOP to begin recording the real RecLen value is changed to the new one even if the dis play still shows the old value SE 11 E4 Style Record mode 9b 5 Main page For example you may have CVLen 4 and RecLen 4 If you set CVLen to 2 and press START STOP to begin record ing RecLen is still shown as4 butitisin reality set to 2 and recording will cycle for just 2 measures After you press START STOP to stop recording RecLen is updated to 2 and all measures after the second measure are deleted CVLen Chord Variation Length This parameter sets the total length in measures for the selected Chord Variation When playing a Style this will be the length of the accompaniment pattern to be cycled when the chord corresponding to the Chord Variation is recognized on the keyboard Warning If you reduce the Chord Variation Length after recording any measure after the selected length will be deleted Be very careful when setting the CVLen to a lower value after recording Metro Metronome Thisis the metronome heard during recording Off No metronome click will
81. heard from a different loca tion at each note on L001 Places the sound at far left C064 Places the sound in the center R127 Places the sound to far right Note This can be controlled by CC 10 panpot A CC 10 value of 0 or 1 will place the sound at the far left a value of 64 will placethe sound at thelocation specified by the Pan setting for each oscillator and a value of 127 will place the sound at the far right This is controlled on the global MIDI channel MIDI Channel Global P1 1 1a Pan modulation AMS Alternate Modulation Source Selects the source that will modify pan see AMS Alternate M odulation Source list on page 13 19 This change will be relative to the Pan setting Intensity Specifies the depth of the effect produced by AMS For example if Pan is set to C064 and AMS is Note Number positive values of this parameter will cause the sound to move toward the right as the note numbers increase beyond the C4 note i e as you play higher and toward the left as the note numbers decrease i e as you play lower Negative values of this parameter will have the opposite effect 99 99 Parameter value 13 14 Program operating mode Page 13 Amp Modulation PAGE 13 AMP MODULATION These settings allow you to apply modulation to amp for each oscillator to modulate the volume Cohen Compe mesme Gps He Mol iszt S
82. his parameter will allow AMS to raisethe EG level and a setting of will allow AM S to lower the EG level With a setting of 0 there will be no change Break Level Swing This parameter specifies the direction in which AM S will affect Break Point Level When Intensity has a positive value a setting of for this parameter will allow AM S to raise the EG leve and a setting of will allow AMS to lower the EG level With a setting of 0 there will be no change Filter EG Time modulation Filter 1 EG changes Time AMS Velocity Intensity a positive value Note on Note on Note on Note off Note off Note off Softly played note with Attack Strongly played note with Strongly played note with Decay Slope and Release Attack Decay Slope and Attack Decay Slope and Level Swings set to Release Level Swings set to Release Level Swings set to AMS1 2 T Use this parameter to select the source that will control the Time parameters of the filter EG See AMS Alternate Modulation Source list on page 13 19 Intensity This parameter specifies the depth and direction of the effect that AM S1 2 T will have For example if AMS1 2 T is set to FltKTr the EG Time parameters will be controlled by the Keyboard Track ing settings With positive values of this parameter posi tive values of Ramp will lengthen the EG times and neg
83. his value is raised the sound may distort if Resonance is set to a high value or when you play a chord 00 99 Trim level Frequency A Cutoff Frequency A This parameter specifies the cutoff frequency of filter A This is a filter that cuts the high frequency region above the cutoff frequency This is the most common type of filter i 12dB oct and is used to cut part of the overtone 1 components making an originally bright 1 I L 1 Low Pass Level 24dB oct timbre sound more mellow darker When the Filter Type is Low Pass Frequency Resonance the cutoff will have a steeper slope 00 99 Resonance A The resonance emphasizes the overtone components that lie in theregion of the cutoff frequency specified by Frequency producing a more distinctive sound Increasing this value will produce a stronger effect 00 99 Resonance value Cutoff frequency value Program operating mode 13 9 Page 7 Filter Resonance modulation The effect of resonance Low Pass Low resonance value 3 High resonance value AMS Alternate Modulation Source Selects the source that will control the Resonance level See AMS Alternate M odulation Source list on page 13 19 Intensity AMS Intensity This parameter specifies the depth and direction of the effect that AMS Alternate Modulation Source will have on the resonance level specified by Resonance A For example if Velocity h
84. hm error after recording or to givethe pattern a groovy feeling Cohen Compo b j DHR em ral qm QDO g Edit Quant ize ELi CECI Tre tAll Fesol 1 16 ii aal BobboritG 1 Toes After setting the various parameters press ENTER to execute The Are you sure message will appear Press ENTER to confirm EXIT to abort E CV Style Element Chord Variation Non editable These read only parameters show which Style Element and Chord Variation are currently selected for edit ing See the M ain page E Style Element and CV Chord Variation parameters on page9b 5 for information on selecting a different Style Element and Chord Variation Trk Track Use this parameter to select a track All All tracks selected Drum Acc5 Selected track Resol Resolution This parameter sets the quantization after recording For example when you select 1 8a all notes are moved to the nearest 1 8 division When you select 1 4 all notes are moved to the nearest 1 4 division No quanti 1 4 D D D 1 32 1 4 Grid resolution in musical values An a after the value means no swing A b f after the value means swing quantization S E Start End Use these parameters to set the starting S and ending E points of the range to quantize If a Chord Variation is four measures long and you want to select it all the Start will
85. ifies the volume level that will be main tained from after the slope time has elapsed until note off Occurs Attack Decay Slope Release Time These parameters specify the time over which the volume change will occur 0 99 Time value Attack Time This parameter specifies the time over which the volume will change after note on until it reaches the attack level If the start level is 0 this will be the rise time of the sound Decay Time This parameter specifies the time over which the volume will change from when it reaches the attack level until it reaches the break point level Slope Time This parameter specifies the time over which the volume will change from when it reaches the break point level until it reaches the sustain level Release Time This parameter specifies the time over which the volume will change after note off until it reaches 0 Amp EG Level modulation Amp 1 EG changes Level AMS Velocity Intensity a positive value Note on Note on Note on A I a Softly played note when Start Level Strongly played note when Start Level Strongly played note when Start Level Swing 0 and Attack Level Swing Swing 0 andAttack Level Swing and Swing 0 and Attack Level Swing and and Breack Level Swing are setto Breack Level Swing are set to Breack Level Swing are setto AMS L Alternate Modulation Source This parameter specifies the source that will control the Level parameters of the amp EG Se
86. ill appear Press ENTER to confirm EXIT to abort Trk Track Use this parameter to select a track All All tracks selected 1 16 Selected track Value Velocity change value S E Start End Use these parameters to set the starting S and ending E points of the range to edit 12b 6 Song Record mode Page 20 Edit Delete If you wish to select a four measure sequence starting at the beginning of the Song the Start will be positioned at 1 01 000 and the End at 5 01 000 Bottom Top Use these parameters to set the bottom and top of the key board range to edit If you select the same note as the Bottom and Top parameters you can select a single percussive instru ment in aDrum track PAGE 20 EDIT DELETE This page is where you can delete MIDI events from the Song amp Eur Al ii EMI EcttomsG 1 Toes After setting the various parameters press ENTER to execute The Are you sure message will appear Press ENTER to confirm EXIT to abort Trk Track Use this parameter to select a track All All tracks selected 1 16 Selected track M aster M aster track This is where the Tempo Scale and Effect events are recorded Ev Event Typeof MIDI event to delete All All events The measures will not be removed from the Song Note All notes in the selected range Dup Note All duplicate notes When two notes with
87. is empty i e before you begin recording anything To insert a meter change in the Song Record mode 12b 3 How to record a Song middle of the Song use the Insert Measure function see page 12b 6 Sel Tempo Select Tempo Select this parameter to use the TEM PO VALUE controls to set the tempo Note You can always change the Tempo when other parame ters are selected by keeping the SHIFT button pressed and rotating the DIAL Note The tempo is always record in overwrite mode old data is replaced by the new data Tempo Tempo mode This parameter sets the way tempo events are read Record All Tempo changes made during recording will be recorded into the M aster Track Auto The Sequencer plays back all recorded Tempo events No new Tempo events are recorded The latest manual Tempo setting made using the TEMPO VALUE controls is considered the current Tempo value No Tempo change will be recorded This is very useful to record the Song much slower than its actual Tempo HOW TO RECORD A SONG H ereis the general procedure to follow when recording a new Song 1 Press SONG to enter the Song mode 2 Press RECORD to enter the Song Record mode You are now in the Main page of the Song Record mode and you can prepare your recording For more details see Song Record page on page 12b 2 M anual shard eo Reri Henson Rect Cher Trkii So at E M
88. le Trigger parameter is set to No and the sound is looped the sound will play endlessly In an emergency situation use the Panic command see Panic command on page B 2 Exclusive Group Exclusive Groups are sets of mutually exclusive keys stopping each other For example if the Open Hi Hat and Closed Hi Hat are assigned the same Exclusive Group playing an Open Hi Hat will stop the Closed Hi H at playing None No Exclusive Group assigned The selected key will not be stopped by any other key 1 127 Exclusive Groups assigned to the selected key When you play this key all other keys assigned to the same Exclusive Group will be stopped and this key will be stopped by other keys assigned to the same Exclusive Group Program operating mode Page 3 Pitch 13 6 Pan This parameter sets the position in the stereo panorama of the selected key Send FX1 This parameter sets the FX1 send level for of the selected key Send FX2 This parameter sets the FX2 send level for of the selected key PAGE 3 PITCH Here you can make pitch settings for each oscillator These settings specify how keyboard location will affect the pitch of each oscillator and select the controllers that will affect the oscillator pitch and specify the depth of control You can also specify the amount of pitch change produced by the Pitch EG and by LFO1 and LFO2 switch portamento on off and spec ify how it will apply Conor C
89. lors are not shown on most of these devices Lyrics display on an external monitor As soon as you enter the Song Play mode lyrics included in the Song assigned to the Sequencer 1 are shown on the dis play To select a different sequencer go to the Lyrics page see page 10 5 in the User s M anual and press one of the A VOL UME VALUE buttons to select Sequencer 1 or one of the B VOLUME VALUE buttons to select Sequencer 2 HHD Na ma kelle Sequencer 1 Sequencer 2 Note You can have Sequencer 2 selected in the M ain page of the Song Play mode and Sequencer 1 selected in the Lyrics page or vice versa In this way you can select a Song whose lyrics to dis play on the external monitor while selecting a different sequencer for editing operations NEW ERROR MESSAGES Style Play Style Select Fails Pa80 was not able to complete the operation Style Record Arranger is Running While in Style Record mode this message may appear when you try to select a different track or execute an edit opera tion while the Arranger is running Low memory The space in the SSD the space where User Styles are stored is going low Exit Record then load some banks of smaller Styles before entering Record again Copy Style Failure Pa80 was not able to complete the Copy operation Delete Style Failure Pa80 was not able to complete the Delete operation Save Style Failu
90. me Note When this parameter and the assigned value is in small letters ev1 the Style Element is empty when it isin capitals E V 1 it is already recorded V1 V4 Variation 1 to Variation 4 11 12 Intro 1to Intro 2 F1 F2 Fill 1 to Fill 2 E1 E2 Ending 1 to Ending 2 CV Chord Variation Use the A VOLUME VALUE buttons to select the line and the F2 button to select this parameter This parameter lets you select the Chord Variation to edit after selecting the Style Element this Chord Variation pertains to Note When this parameter and the assigned value is in small letters cv cv1 the Chord Variation is empty when it isin cap itals CV CV 1 it is already recorded SE V1 V4 You can select one of 6 Chord Variations to edit You can select one of 2 Chord Variations to edit RecLen Recording Length This parameter sets the recording length in measures of the selected track Its value is always equal to or a divider of the Chord Variation Length see next parameter Thisis not the total length of the Chord Variation but just of the current track For example you may have a Chord Varia tion eight measures long with a drum pattern repeating each two measures If so set the CV Len parameter to 8 and the RecLen parameter to 2 before starting recording the Drum track When saving the Style or executing any edit operation on the Style the 2 measures pattern will be extended to the full 8 measures len
91. mi LifcousticPiano CHI Rewersei Parameters Parameters value Program icon When switched on this icon shows that the instrument is in Program mode Page header The header shows the name of the current edit page Oscillator in edit When in an edit page where selecting an oscillator is required this area shows the selected oscillator Usethe F1 F4 buttons to select one of the four available oscillators Page number This area shows the current page number Parameters Select an edit parameter using the A D VOLUME VALUE buttons You can scroll the parameter list using the E F Scroll Up and G H Scroll Down VOLUME VALUE but tons Parameter value Use the A D VOLUME VALUE buttons or the TEM PO VALUE controls to change the parameter value THE COM PARE FUNCTION While in edit you can compare the current Program with its original values You cannot edit the Program while you arein Compare mode Keep the SHIFT button pressed and press ENTER to enter the Compare function The PROGRAM LED begins flashing Play on the keyboard to listen to the original Program e Press SHITF ENTER again to exit the Compare mode and return to the edited Program HOW TO SELECT OSCILLATORS Whilein an edit page requiring an oscillator to be selected for editing use the F1 F4 buttons to select one of the available oscillators ERASE PROGRAM OSCILLATOR You can initialize any parameter value by using o
92. n Program mode PA80 receives and transmits on the same channel of the Upper 1 track If the Global channel is assigned notes can be received also on this channd See Page 7 MIDI IN Channels on page 14 4 and Page 11 MIDI OUT Channels on page 14 5 for more information DIGITAL DRAWBARS PAGE DIGITAL DRAWBARS are different from normal Programs Note In Style Play and Backing Sequence mode only a Digital Drawbar Program is available for the Realtime tracks and one for the Style tracks Save them into a Performance see The Write window on page 9 4 Note In Song Play mode there is a Digital Drawbars Program for the Realtime tracks one for Song tracks 1 8 another one for Song tracks 9 16 Note In Song mode there is a Digital Drawbars Program for Song tracks 1 8 one for Song tracks 9 16 When you select the DIGITAL DRAWBARS bank the Digital Drawbar page appears and the current setting is assigned to the selected track Cohord cy c f am o STEP pe Le pm am pegs Drabarz om ME E E 2F HIHI SS HEH Z HEIE amp HH 1 Littl EPP 1 Use the VOLUM E VALUE A H buttons to change each foot volume Each foot refers to the pipe length in a pipe organ in which the sound is produced by pipes of different length Longer pipes mean a lower sound therefore the 16 drawbar produces the lowest pitched sound while the 1 drawbar pro duces
93. n edit Alter natively you can select oscillators using the F1 F4 buttons Intensity This parameter specifies the depth and direction of the pitch modulation applied by the LFO1 settings you made on Page 17 LFO1 With a setting of 12 00 a maximum of 1 octave of pitch modulation will be applied Negative values will invert the LFO waveform 12 00 12 00 Intensity depth and direction JS Y JoyStick Y This parameter specifies the depth and direction of the effect that joystick movement in the Y direction away from your self will have on the pitch modulation applied by the LFO1 As this value is increased moving the joystick in the Y direction will cause the LFO 1 to produce deeper pitch modu lation With a setting of 12 00 a maximum of 1 octave of pitch modulation will be applied Negative values will invert the LFO waveform 12 00 12 00 Joystick action depth Pitch LFO1 Level modulation AMS Alternate Modulation Source This parameter selects the source that will control the depth of pitch modulation produced by the OSC1 LFO1 See AMS Alternate M odulation Source list on page 13 19 Intensity This parameter specifies the depth and direction of the effect that AM S will have With a setting of 0 modulation will not Program operating mode 13 7 Page 4 Pitch LFO1 be applied With a setting of 12 00 theOSC1LFO1 will apply a maximum of 1 octave of pitch modulation Ne
94. nd from the keyboard Chord Lower When its LED is on the MEMORY button keeps the recognized chord in memory and keeps the Lower track held until the next note or chord is played When its LED is off the chord is reset when raising the hand from the keyboard and the Lower track isnot sustained When its LED is on the MEMORY button keeps the Lower track held until the next note or chord is played When off the Lower track is not sustained when raising the hand from the keyboard The chord is always kept in memory Lower 9c 1 Song Play operating mode addendum 10b 1 Up to 9999 Songs per folder directory 10B SONG PLAY OPERATING jte ADDENDUM Some new functions have been added Please add the follow ing instructions to the Song Play operating mode chapter UP TO 9999 SONGS PER FOLDER DIRECTORY Each folder directory can now contain up to 9999 Songs or files When you select a Song through the numeric keypad you can dial in a 4 digit number Please replace the follow ing sections in the Song Play operating mode chapter see page 10 1 in the User s Manual Selecting a Song in the Song Select page 1 Open the Song Select page 2 Select the disk and open the folder containing the Song to be selected This folder will be used also in the Main and Lyrics page 3 Composethe 4 digit number corresponding to the Song you wish to select for example if the Song is number 1043 dial 1 0 4
95. ne of the following shortcuts e Whilein the Basic page keep the SHIFT button pressed and press the DELETE button to initialize the whole Program to a default status e While in an edit page where the Osc abbreviation appears in the upper right area of the display keep the SHIFT button pressed and press the DELETE button to initialize the currently selected oscillator to a default sta tus After you press the shortcut the Init osc message appears Press ENTER to confirm EXIT to abort THE WRITE WINDOW This page appears when you press the WRITE button Here you can save the Program into a User Program location in memory Pig 5 coo WRITE toi Hare GrancPiane Tot Lil deneta 1 Select a name and a location then press ENTER to save the Program 2 The Are you sure message appears Press ENTER to confirm or EXIT to abort Warning If you write over an existing User Program the Program will be deleted and replaced by the one you are saving overwrite Please save on disk any Program you don t want to lose Program operating mode 13 3 The Compare function Name Use this parameter to change the Program s name Press the right A VO LU M E VALUE button to enter editing M odify the name using the UP DOWN buttons to movethe cursor and the DIAL to select a character Press IN SERT to insert a char acter at the curso
96. ome CC data are automatically removed during recording See the table on page 9b 3 for more information on the allowed data S E Start End Use these parameters to set the starting S and ending E points of the range to delete If a Chord Variation is four measures long and you want to select it all the Start will be positioned at 1 01 000 and the End at 5 01 000 Bottom Top Use these parameters to set the bottom and top of the key board range to delete If you select the same note as the Bot tom and Top parameters you can select a single percussive instrument in aDrum or Percussion track Note T hese parameters are available only when theAll or Note option is selected PAGE 5 EDIT DELETE ALL This function lets you quickly delete a selected Style Element or Chord Variation or the whole Style resetting it to the default parameter s values Chord Deli TrkiAll After setting the various parameters press ENTER to execute The Are you sure message will appear Press ENTER to confirm EXIT to abort When in this page press the corresponding button on the control panel to select a Style Element VARIATION 1 ENDING2 Del Delete Use this parameter to select the whole Style a single Style Element or asingle Chord Variation All All Style Elements i e the whole Style When Del All and Trk All the whole Style is deleted and all
97. on of the control Higher settings of this parameter will produce greater increases in the effect of LFO1 on the filter when the joystick ismoved toward yourself 99 99 Parameter value Joystick Y to B By moving the joystick in the Y direction toward yourself you can control the depth at which LFO1 modulates the cut off frequency of filter B This parameter specifies the depth and direction of the control see Joystick Y to A High setting Filter LFO1 modulation AMS Alternate Modulation Source Select a source that will control the depth and direction of cutoff frequency change for both filters A and B See AMS Alternate M odulation Source list Intensity to A Specifies the depth and direction of the effect that AM S will have on filter A For example if AMS is After Touch higher settings of this parameter will allow greater change to be applied to LFO1 when you apply pressure to the keyboard 99 99 Parameter value Intensity to B Specifies the depth and direction of the effect that AM S will have on filter B see Intensity to A PAGE 10 FILTER LFO2 Adjusts the depth of the cyclic modulation applied by LFO2 set on Page 18 LFO2 to the cutoff frequency of filters A and B For moreinformation on the parameters see Page 9 Filter LFO1 on page 13 11 Cher Tempo measure naga 1907 g de i 09 so TE
98. ord mode 12b 5 Pages 1 16 PAGE 18 EDIT TRANSPOSE Here you can transpose the Song a track or a part of a track Cehord Ca D 0207 am IEU EditiTransrose Trke Ualues 8 Si Eli BobhowtG 1 Topics ic After setting the various parameters press ENTER to execute The Are you sure message will appear Press ENTER to confirm EXIT to abort Trk Track Use this parameter to select a track All All tracks selected apart for Drum tracks 1 16 Selected track Value Value of the transpose in semitones S E Start End Use these parameters to set the starting S and ending E points of the range to transpose If you wish to select a four measure sequence starting at the beginning of the Song the Start will be positioned at 1 01 000 and the End at 5 01 000 Bottom Top Use these parameters to set the bottom and top of the key board range to transpose If you select the same note as the Bottom and Top parameters you can select a single percus sive instrument in a Drum track PAGE 19 EDIT VELOCITY Here you can change the Velocity value for the notes chord Campo CE ew Editillelocnite ED Trkil Ualues 4 See1 G1 Giaa Elie BobhowtG 1 Topics After setting the various parameters press ENTER to execute The Are you sure message w
99. ow Pass Resonance parameters for filter B will not be editable greyed out Selected Use this parameter to select an oscillator to put in edit Alter natively you can select oscillators using the F1 F 4 buttons 13 10 Program operating mode Page 8 Filter Modulation Filter keyboard tracking Tracking Low High These settings specify keyboard tracking for the cutoff fre quency of the filter for the selected oscillator The way in which the cutoff frequency is affected by the keyboard loca tion you play can be specified by the Tracking Low Track ing High Ramp Low and Ramp High parameters C 1 G9 Lowest Highest notein the range Tracking Low Keyboard tracking will apply to the range below the specified note number Tracking High Keyboard tracking will apply to the range above the specified note number Ramp This parameter specifies the angle of keyboard tracking 99 99 Angle value H ere is how cutoff frequency is affected by keyboard location and the Ramp setting Intensity to A and Intensity to B 50 Cutoff frequency High Ramp 99 High Ramp 62 High Ramp 0 High Ramp 43 Low Ramp 99 T Li i Low Ramp 43 i High Ramp 99 1 Li Low Ramp 0 i i 1 Li Low Ramp 62 L gt Key Low Key High Key Low Ramp 99 Ramp Low Ramp High If Intensity to A and Intensity to B are set to 50 Ramp Low is set to 62 and
100. r position or DELETE to delete it To Location number Use the B VOLUM E VALUE buttons to select a different User Program location in memory Otherwise select this parame ter and use the VOLUME VALUE controls to select the loca tion Note You can t save over a Factory Program location PAGE 1 BASIC Here you can make basic settings for the Program such as basic oscillator settings the oscillator count and the poly phonic mode Chord tempo measure Crensposs 1 Ja 130 C G 16 Ce Un un og ame Css ce ES LE e Qeecillaborsi 2 Fogdes Fols Single Trigger Ho Legato Ho 4 Oscillators Use this parameter to specify the basic Program type whether it will use one or more oscillators up to four ED Drum Programs use only one oscillator 1 4 Number of oscillators the Program will use Thetotal amount of polyphony varies depend ing on the number of oscillators used by the Program a maximum of 62 with only 1 oscil lator or a maximum of 15 with 4 oscillators Mode This is the polyphonic mode of the Program Poly The Program will play polyphonically allow ing you play chords Mono The Program will play monophonically pro ducing only one note at a time Single Trigger This parameter is available when the M ode parameter is set to Poly Yes When the same note is played repeatedly the previous note will be silenced before the next no
101. re Pa80 was not able to complete the Save operation Song Play Wait Please You were trying to load a file while Pa80 is still loading another one B 4 Various new functions N ew error messages Song Too Many Events You have tried to copy too many events on the same tick Out of Memory The memory limit for a Song 300K B has been reached Incompatible Meter You were trying to copy a track on a track with a different meter Disk Overwrite existing File Yes No You are writing data on an existing SET folder or on a file of type MID or JBX 9B STYLE RECORD MODE A completely new Style Record mode has been added start ing from Operating System Rel 2 0 Please add the following instructions to the Style Play operating mode chapter THE STYLE S STRUCTURE The term Style relates with music sequences automatically played by the arranger of the Pa80 A Style consists of a pre defined number of Style Elements E Pa80 features ten dif ferent Style Elenents Variation 1 4 Intro 1 2 Fill 1 2 Ending 1 2 When playing these Style Elenents can be selected directly from the control panel using the corre sponding buttons To explain the Style structure we can use a tree structure as shown in the following diagram Pop Ballad Variation 1 CV1 i Drum H Perc amp Bass Acci Acc2 Acc3 Acc4 Acc5 CV2 CV3 CV4 CV5 CV6 Variation 2 Variation 3 Varia
102. requency of filtersA and B See AMS Alternate M odulation Source list on page 13 19 Intensity to A Specifies the depth and direction of the effect that AM S will have on filter 1A For details on how this will apply refer to EG Intensity to A Intensity to B Specifies the depth and direction of the effect that AM S will have on filter B For details on how this will apply refer to EG Intensity to A Note The sum of the settings for Velocity to A B Intensity to A B and AMS Intensity to A B will determine the depth and direction of the effect produced by the filter EG Filter A B modulation AMS1 fA B Alternate Modulation Source for filter A B Selects the source that will control modulation of the filter 1A cutoff frequency See AMS Alternate Modulation Source list on page 13 19 Note The filter B parameters will be displayed when Filter Type on page 13 9 is Low Pass amp High Pass Intensity Specifies the depth and direction of the effect that AM S1 will have When AM S1 isJS X a positive value for this parameter will cause the cutoff frequency to rise when the joystick is moved toward the right and fall when the joystick is moved toward the left With a negative value for this parameter the opposite will occur This value is added to the setting of the Filter A Frequency AMS2 Alternate Modulation Source2 Selects the source
103. s Chord Variation Use these parameters to assign a Chord Variation to each of the enlisted chords PAGE 11 STYLE CONTROLS MODE TENSION In this page you can set the Retrigger mode for the Style tracks and activate deactivate the Tension for the Accompa niment tracks Cohan Campo DO Em octave SLC i fode Ters E amp PERF Ti PERE TOn e Fe MiRe TiCh e HRE Tite Pike T OFF Z When in this page press the corresponding button on the control panel to select a Style Element VARIATIONI ENDING2 M Mode This setting harmonizes the notes of the Bass track or the Acc1 5 tracks to the new chord when the chord is changed Off Each time you play a new chord the current notes will be stopped The track will remain silent until a new note will be encountered in the pattern Rt Retrigger The sound will be stopped and new notes matching the recognized chord will be played back Rp Repitch New notes matching the recognized chord will be played back by repitching notes already playing There will be no break in the sound This is very useful on Guitar and Bass tracks 9b 12 Style Record mode Page 11 Style Controls M ode Tension T Tension whether or not the Tension included in the recognized chord Tension adds notes a 9th 11th and or 13th that have actu will be added to the Acc1 5 tracks ally been played to
104. side arrow p showing that a Tempo Change event has been selected at the current position appears next to it press DELETE to delete the Tenpo Change at the current posi tion Note If the side arrow doesn t appear the event was not selected at the current position and will not be deleted SHIFT DELETE When the Tempo parameter is selected press SHIFT DELETE to delete all Tempo Change events starting from the current position to the end of the Song To delete all Tempo Change events in the Song go back to the M 001 01 000 position and press SHIFT DELETE Note All events on the very first tick M 001 01 000 like Perf Style Tempo Chord Style Element selection cannot be deleted Style Thisis the last selected Style To insert a Style change at the current position use the standard selecting procedure by exploitingthe buttons of the STYLE section Note Any Style Change inserted after the beginning of the mea sure i e to a position other than M xxx 01 000 will be effective at the following measure For example if a Style Change event has been inserted at M 004 03 000 the selected Style will be effectively selected at M 005 01 000 This works exactly as in Style Play mode Backing Sequence operating mode addendum Note When inserting a Style Change you may also insert a Tempo Change at the same position A Style Change will not automatically insert the Styles Tempo DELETE When the Style param
105. sk before loading the new Performances Sr Off Tempo i a n l h lati f th ff Please add the following text to the Effects chapter of the eer erv S_vr sws O O o uu ee aT mt User s M anual Sets the modulation amount of the effect balance Initial settings Fo rormant Snitt By offsetting the Carrier filter you can adjust the height of the Before using the Vocoder you must connect a microphone frequency range to which the vocoder effect is applied The tonal and select a path for the audio signal quality will change significantly f Modulator Mix 1 Connect a microphone to the Input 1 and set the This parameter sets the high range output level of the right appropriate level see page 2 1 on the User s M anual for channel sound Modulator If the modulator isa human voice it more information will make the words more clear 2 Press GLOBAL to enter the Global environment The Vocoder Carrier parameter sets the balance between the u L inp vocoder sound and the left channel sound Carrier The Wet 3 Go to Page 1a Audio Input Configuration and select Dry parameter sets the balance between the effect and dry the Input 1 2 parameter see page 14 7 of the User s nd Manual If you wish to change the intensity of the vocoder effect select 4 Select the 1 2 Int FX option Wet for Wet Dry and adjust the balance using the Vocoder Carrier parameter 5 Pr
106. t First measure where to begin cutting Length Number of measures to be cut PAGE 22 EDIT INSERT MEASURES In this page you can insert measures in the Song You can also use this function to insert measures with a different meter time signature gherd le fei am aan Ec 1 t I Mra hes Meter dd Skate 1 Lengths 1 After selecting the M eter Start and Length parameters press ENTER to execute The Are you sure message will appear Press ENTER to confirm EXIT to abort Note You cannot append measures after the end of the Song To append measures use the Record or Copy function Note You cannot use this function on an empty Song Meter Meter of the measures to be inserted Start First of theinserted measures Length Number of measures to be inserted PAGE 23 EDIT COPY Here you can copy tracks or phrases chord mm Egit Cores Modes Mere FromtrkiAll Totrk tall Sil Esl Si Ti After setting the various parameters press ENTER to execute The Are you sure message will appear Press ENTER to confirm EXIT to abort Note If you copy too many events on the same tick the Too many events message appears and the copy operation is aborted Mode Use this parameter to select the Copy mode Song Record mode 12b 7 Page 23 Edit Copy Merg
107. t note will take priority Last Last note will take priority PAGE 2 SAMPLE SOUND PROGRAMS The multisample s waveform on which the Program will be based can be selected here for each of the four oscillators Each oscillator can use 1 or 2 multisamples each one assigned to the High or Low layer chord Gi mossurs m ame les pisc Selected Ceci ME Hi Bark Munt ROM LcosticPiano a CH Reverse Ho Theinternal Flash ROM contains 340 different multisamples preset multisamples By selecting a CARD multisample you can use a multisample read from the Card if inserted in the slot Selected Use this parameter to select an oscillator to put in edit Alter natively you can select oscillators using the F1 F4 buttons MS Hi Lo Bank Num Use these parameters to select a different multisample for each of the High and Low layers You can use velocity to switch between the two multisamples Reverse Offset and Level can be adjusted independently for the High and Low multisamples The first line is where you select the bank ROM or CARD while the second line is for selecting the multisample The Program number appears at the end of the second line The multisample you select for the High layer will be trig gered by velocities higher than the value of the Velocity Switch parameter see page 13 4 If you do not wish to use velocity switching set th
108. t the Song Play operative mode 2 To select an existing Jukebox file press one of theA S1 VOLUM E VALUE buttons to select the Load Song page If you are creating a new Jukebox file press MENU instead select the Jukebox page and jump to step 8 3 UsetheF1 button to select the device FD or HD con taining the Jukebox file whose Song list you want to save 4 Use the F3 Open and F4 Close buttons to browse through the folders in the selected device 5 Movethe folders and files to select to the first line of the display Use the TEMPO VALUE controls or the E F Scroll Up and G H Scroll Down VOLU M E VALUE buttons 6 When the Jukebox file you are looking for is selected press F2 Select to select it 7 Oncethe Jukebox file is selected press M ENU and select the Jukebox page 8 While you arein the Jukebox page press SHIFT F2 to save the list 9 A dialog box will appear asking you to insert a floppy disk into the disk drive Insert the disk and press ENTER to confirm or EXIT to abort 10b 2 Song Play operating mode addendum Saving a listof Songs Note Since you can only print the list from a personal com puter it will be automatically saved into a floppy disk Note When saved the text file will be named after the selected Jukebox file For example a Jukebox file named Dummy jbx will generate a Dummy txt file A new unnamed Jukebox file will generate a New_nametxt file If a file
109. tack Level Swing and Level Swing Attack Level Swing Level Swing Attack Level Swing Break Level Swing set to and Break Level Swingsetto and Break Level Swing set to AMS L Alternate Modulation Source This parameter selects the source that will control the Level parameters of the filter EG AMS Alternate Modulation Source list on page 13 19 Intensity AMS Intensity This parameter specifies the depth and direction of the effect applied by AMS With a setting of 0 the levels specified by Frequency A Cutoff Frequency A will be used For example if AMS is Velocity and you set Start Level Swing Attack Level Swing and Break Level Swing to and set Intensity to a positive value the EG levels will rise as you play more strongly If Intensity is set to a nega tive values the EG levels will fall as you play more strongly 99 99 Intensity value Start Level Swing This parameter specifies the direction in which AM S will affect Start Level When Intensity has a positive value a setting of for this parameter will allow AMS to raisethe EG level and a setting of will allow AM S to lower the EG level With a setting of 0 there will be no change Attack Level Swing This parameter specifies the direction in which AM S will affect Attack Level When Intensity has a positive value a setting of for t
110. te is sounded so that the notes do not over lap No When the same note is played repeatedly the previous note will not be silenced before the next note is sounded Legato This parameter is available when the M ode parameter is set to M ono Yes Legato is on When multiple note on s occur the first note on will retrigger the sound and the second and subsequent note on s will not retrigger 13 4 Program operating mode Page 2 Sample Sound Programs When legato is on multiple note on s will not retrigger the voice If one note is already on and another note is turned on the first voice will continue sounding The oscillator sound envelope and LFO will not be reset and only the pitch of the oscillator will be updated This setting is effective for wind instrument sounds and analog synth type sounds No Legato is off Notes will always be retriggered when note on occurs When legato is off multiple note on s will retrigger the voice at each note on The oscilla tor sound envelope and LFO will be reset and retriggered according to the settings of the Program Note If Legato is On certain multisamples or keyboard loca tions may produce an incorrect pitch Priority This parameter is available when the M ode parameter is set to Mono It specifies which note will be given priority to play when two or more notes are played simultaneously Low Lowest note will take priority High Highes
111. te the downward swoops that a guitarist produces using the tremolo arm 60 12 Maximum pitch change in semitones Pitch modulation AMS Alternate Modulation Source This parameter selects the source that will modulate the pitch of the selected oscillator See AMS Alternate Modulation Source list on page 13 19 Intensity This parameter specifies the depth and direction of the effect produced by AMS With a setting of 0 no modulation will be applied With a setting of 12 00 the pitch will change up to one octave For example if you set AM S to After Touch and apply pres sure to the keyboard the pitch will rise if this parameter is set to a positive value or fall if this parameter is set to a neg ative value The range is a maximum of one octave 12 00 12 00 Parameter value Pitch EG modulation EG Intensity This parameter specifies the depth and direction of the mod ulation that the pitch EG specified on Page 6 Pitch EG will apply to the pitch With a setting of 12 00 the pitch will change a maximum of 1 octave 12 00 12 00 Parameter value EG AMS EG Alternate Modulation Source This parameter selects the source that will modulate the pitch EG of the selected oscillator See AMS Alternate M odula tion Source list on page 13 19 Intensity AMS Intensity This parameter specifies the depth and direction of the effect that AM S will have For example if you set
112. ter to will allow AMS to shorten the time With a setting of 0 there will be no change Release Time Swing This parameter specifies the direction in which AM S1 2 T will affect the release time With positive values of Inten sity setting this parameter to will allow AMS to lengthen the time and setting this parameter to will allow AMS to shorten the time With a setting of 0 there will be no change Program operating mode 13 13 Page 12 Amp PAGE 12 AMP These parameters control the volume and pan of the selected oscillator Cor Campo measure Wansposs QT L 2 Et octave Je IIR cee AMF ect Selected Ceci Leeli ian Part Leet APES Hobe Humber k Selected Use this parameter to select an oscillator to put in edit Alter natively you can select oscillators using the F1 F4 buttons Level Volume of the selected oscillator Note T hevolume of a Program can be controlled by CC 7 vol ume and 11 expression The resulting level is determined by multiplying the values of CC 7 and 11 The Global MIDI channel MIDI Channa Global P1 1 1a is used for control 0 127 Volume level Pan Pan stereo position of the selected oscillator i This parameter is not available when editing a Drum Pro gram Use the individual Pan control for each key see Pan on page 13 6 Random The sound will be
113. that will control modulation of the filter A cutoff frequency see AMS Alternate Modulation Source list on page 13 19 Intensity Specifies the depth and direction of the effect that the selected source will have see Intensity on page 13 11 PAGE 9 FILTER LFO1 Here you can use the filter LFO to apply cyclic modulation to the cutoff frequency of the filter for the selected oscillator to create cyclical changes in tone d ew Filter LAOI CECI Selected Ceci Intercite to Ai 4 Intercite to Es 4 Josstick Y to Ai 54 Selected Use this parameter to select an oscillator to put in edit Alter natively you can select oscillators using the F1 F4 buttons Intensity to A Specifies the depth and direction of the modulation that LFO1 set on Page 17 LFO1 will have on the cutoff fre quency of filter A N egative settings will invert the phase 99 99 Parameter value Program operating mode 13 11 Page 9 Filter LFO 1 Intensity to B Specify the depth and direction of the modulation that LFO1 will have on the cutoff frequency of filter B see Intensity to A Change in cutoff Low setting 99 99 Parameter value Joystick Y toA By moving the joystick in the Y direction toward yourself you can control the depth at which LFO1 modulates the cut off frequency of filter A This parameter specifies the depth and directi
114. the same pitch are encountered on the same tick the one with the lowest velocity is deleted A Touch After Touch events P Bend Pitch Bend events PrChange Program Change events excluding the bun dled Control Change 00 Bank Select M SB and 82 Bank Select LSB C Change All Control Change events for example Bank Select Modulation Damper Soft Pedal CC00 32 CC127 Single Control Change events Double Control Change numbers like 00 32 are MSB LSB bundles S E Start End Use these parameters to set the starting S and ending E points of the range to delete If you wish to select a four measure sequence starting at the beginning of the Song the Start will be positioned at 1 01 000 and the End at 5 01 000 Bottom Top Use these parameters to set the bottom and top of the key board range to delete If you select the same note as the Bot tom and Top parameters you can select a single percussive instrument in a Drum track Note T hese parameters are available only when theAll or Note options are selected PAGE 21 EDIT CUT MEASURES In this page you can cut measures from the Song chard Start 1 Lengths 1 After selecting the Start and Length parameters press ENTER to execute The Are you sure message will appear Press ENTER to confirm EXIT to abort After the cut the following measure are moved back to fill the cut measures Star
115. the M 001 01 192 loca tion If an event exists on M 001 01 010 the gt button stops to the M 001 01 010 location These commands are effective even if the M easure parame ter is not selected SHIFT lt or gt Previous or Next Event Keep the SHIFT button pressed while pressing the lt or gt button to moveto the previous or next recorded event HOW TO DELETE A WHOLE SONG Now you can delete a whole Song in the Song and Backing Sequence operative modes with the simple SHIFT DELETE key sequence 1 Enter the Song or Backing Sequence mode You must be in the main page of the mode If you are in Record mode go back to the Playback mode Press SHIFT DELETE The Delete Song message appears Press ENTER to confirm EXIT to abort Sequence operating mode addendum hole S 12B SONG RECORD MODE A new function and a completely new Song Record mode has been added Please add the following instructions to the Song operating mode chapter The Song operating mode is the full featured onboard sequencer where you can create from scratch or edit a Song You can also use this mode to edit the initial parameters of a Standard MIDI File either made with an external sequencer or with Pa80 own Song and Backing Sequence modes You can save the edited Song as a Standard MIDI File MID file and playback it either in Song Play Backing Sequence or Song mode For a practical example of Song editing see
116. the direction in which AMS will change Break Level If Intensity is set to a positive value setting this parameter to will allow AMS to increase the EG level and setting this parameter to will allow AMS to decrease the EG level With a setting of 0 no change will occur Amp EG Time modulation These parameters let you use an alternate modulation source to modify the amp EG times that were specified in Attack Decay Slope Release Time on page 13 15 Amp 1 EG changes Time AMS Amp KTrk Intensity a positive value When Amp Keyboard Track Low Ramp a positive value and High Ramp a positive value Note on Note on Note on Note off Note off Note off A IA la Low pitched note played with High pitched note played with Attack Decay Slope and Attack Decay Slope and Release Time Swing at Release Time Swing at Amp 1 EG changes Time AMS Velocity Intensity a positive value Note on Note on Note on A AK pg Softly played note with Strongly played note with Strongly played note with Attack Decay Slope and Attack Decay Slope and Attack Decay Slope and Release Time Swing at Release Time Swing at Release Time Swing at AMS1 T Alternate Modulation Source 1 Time This parameter specifies the source that will control the Time parameters of the amp EG see AMS Alternate Modulation Source list on page 13 19 With a s
117. the sign of the Ramp Low setting and by Fit KTrk 0 Filter Keyboard Track 0 the opposite sign of the Ramp High setting Fit KTrk 0 Filter Keyboard Track 0 ion a SUNG OF 0 and 90 GA Seating Amp TEE Amp Reypoar Track O Ramp Low will have no AMS effect The sign Amp KTrk Amp Keyboard Track of the Ramp High setting will determine the Amp KTrk 0 Amp Keyboard Track 0 direction of its effect Amp KTrk 0 Amp Keyboard Track 0 The direction of the effect will be determined by the sign positive or negative of the Ramp Low or Ramp High setting 13 20 Program operating mode AMS Alternate M odulation Source list 0 The sign of the Ramp Low setting will deter JS Y amp AT 2 Joy Stick Y amp After Touch 2 mine the direction of its effect Ramp High The effect will be controlled by the joystick Y vertically will haveno AMS effect upward and by after touch In this case the effect of after touch will be only half of the specified intensity JS Y amp AT 2 Joy Stick Y amp After Touch 2 ee The effect will be controlled by the joystick Y vertically So downward and by after touch In this case the effect of after touch will be only half of the specified intensity example of Amp Keyboard Track settings gt Key Low Key High Note Number AMS Amp KTrk mas AMS Intensity positive value Depth and direction of
118. the whole Style 15 When finished recording the new Style press WRITE or RECORD to save it in memory The Write page will appear Wei be to Style rare MewBoesa Tot U 61 Bossa Fbocet eTo change the Styles name press the right A VOL UME VALUE button to enter editing and modify the name using the UP DOWN buttons to move the cursor and the DIAL to select a character Press INSERT to insert a character at the cursor position or DELETE to delete it eTo select a different location in memory press one of the B VOLUME VALUE buttons then select a location with these buttons or the TEM PO VALUE controls Press ENTER to confirm or one of the D Abort VOL UME VALUE buttons to abort the save The Are you sure message will appear on the display Press ENTER to confirm EXIT to abort After pressing ENTER you will exit from the Record mode If you press EXIT while in the Write page you will go back to the previous Style Record page without any change LISTENING TO THE STYLE WHILE IN RECORD EDIT MODE While you are in Record Edit mode you can listen to the selected Chord Variation or to the whole Style depending on the page you arein To select a Chord Variation go to the Main page see E Style Element and CV Chord Variation on page 9b 5 e When you are in the Quantize Transpose Velocity or D elete pages you can listen to the selected Chord
119. tion 4 Intro CV1 CV2 Intro 2 Fill 1 Fill 2 Ending 1 Ending 2 Each Style Element is made up of smaller units called Chord Variations CV but not all of them have the same number Style Record mode 9b 1 The Style s structure of CVs Variations 1 4 have up to 6 CVs each while the other Style Elements have only up to 2 CVs When you play on the chord recognition area Lower U pper or Full depending on the Chord Scanning section on the control panel the arranger scans the keyboard and deter mines which chord you are playing Then depending on the selected Style Element it determines which Chord Variation CV should be played for the scanned chord Which Chord Variation corresponds to each scanned chord is a setting of the Style the Chord Variation Table Each Style Element contains a Chord Variation Table whose prototype is the fol lowing Chord Chord Variations CVs Variation 1 4 Intro 1 2 Fill 1 2 Ending 1 2 Maj 6 M7 M7b5 Sus4 Sus2 M 7sus4 min m6 m7 m7b5 mM7 7 7b5 7sus4 dim dimM7 CV1 CV6 CV1 CV2 aug aug7 augM7 no 3rd no 3rd no 5th After deciding what CV to play the arranger triggers the right sequence for each track Since each sequence is written in a particular key for example CMajor GMajor or Emin the arranger transposes it according to the scanned chord Notes in th
120. ttern Mute Hidden status icon When in this status you can play the track on the keyboard but you can t record on it This is useful to do some preliminary test before actually start record ing To set a track in mute first select it then press both corresponding VOLUM E VALUE buttons to hide the status icon To set the track in record again press again the corresponding VOLU M E VALUE buttons Record Flashing status icon When in this status the track is ready to record Just select a track to set itin record status MENU From any page of the Style Record mode press MENU to open the Style Record edit menu This menu gives access to the various Style Record edit sections Note While the Style isin play you cannot access the Edit sec tion pages from the M ain page and the Style Tracks page see page 9b 4 and page9b 6 Stop the playback before pressing MENU When in the menu select an edit section using the VOL UME VALUE A H buttons select an edit page using PAGE or press EXIT to exit the menu When in an edit page press EXIT to go back to the main page or the Style Tracks page of the Style Record mode short Campa sue eposs Loppem BEB BY 2B cen OOO eaa coco Come ae Fecorc PEHI aan Cuerbimne 5 Elem CEL TrarepeLiel Style Chl Delete Cory Each item in this menu corresponds to an edit section Each edit section groups v
121. u can move the locator using the lt gt and lt lt gt gt but tons See Transport controls on page 11b 3 5 Select the parameter type to insert edit or delete at the current position If an arrow b appears next to a parameter the shown event has been inserted at the cur rent position 6 Usethe TEM PO VALUE controls to modify the selected event Delete it using the DELETE button When editing a parameter without the arrow next to it a new event is inserted 7 Exit theChord Acc Step M ode by pressing the RECORD button 8 Press START STOP to listen to the results of your edit ing If they are fine save the Backing Sequence on a disk Side arrow p The small arrow next to a parameter means that its value is effective at the current position For example if you areat the M 003 01 000 position and an arrow lights up next to the Chord parameter this means that a chord change happens at the M 003 01 000 position M easure This is the locator It shows the current position of the Step Editor To go to a different position within the Song select this parameter then use the TEM PO VALUE controls the A VOLU M E VALUE buttons or the lt gt buttons while the lt lt gt gt buttons let you move to the previous or following mea sure When using one of these controls the locator moves in steps of 1 8 192 ticks or jumps to the next event The locator s format is as follows Meas
122. ue to be applied to each newly played note In this case Delay and Fade will be applied only to the LFO when it is first started Offset This parameter specifies the central value of the LFO wave form For example with a setting of 0 as shown in the follow ing diagram the vibrato that is applied will be centered on the note on pitch With a setting of 99 the vibrato will only raise the pitch above the note on pitch in the way in which vibrato is applied on a guitar When Wave is set to Guitar the modulation will occur only in the positive direction even if you set Offset to 0 Here are offset settings and pitch change produced by vibrato Pitch offset 99 offset 0 offset 99 Pitch at note on 99 99 Delay This parameter specifies the time from note on until the LFO effect begins to apply When Key Sync is Off the delay will apply only when the LFO is first started 0 99 Daay time Fade In This parameter specifies the time from when the LFO begins to apply until it reachesthe maximum amplitude When Key Sync is Off the fade will apply only when the LFO is first started Offset value Program operating mode 13 17 Page 17 LFO1 Here is how Fade In affects the LFO when Key Sync is On Note on Note off Fade Delay 00 99 Fade rate Frequency MIDI Tempo Sync MIDI Tempo Sync This parameter enables disables the LFO synchronization with Seq
123. uencer 1 Tempo On The LFO frequency will synchronize to the tempo MIDI Clock of Sequencer 1 In this case the values you specified for Frequency see page 13 17 and Frequency modulation see page 13 17 will beignored Base Note Times When MIDI Tempo Sync is On these parameters set a note length relative to J Tempo and the multiple Times that will be applied to it These parameters will determinethe frequency of the LFO1 For example if Base Note is J quar ter note and Times is 04 the LFO will perform one cycle every four beats Even if you change the J Tempo setting of Sequencer 1 the LFO will always perform one cycle every four beats Base Note I This parameter is not available when editing a Drum Pro gram J ds D ea Js Js ly o Note value Times Gy This parameter is not available when editing a Drum Pro gram 01 16 Beats before restarting the cycle Frequency modulation You can use two alternate modulation sources to adjust the speed of the LFO1 for the selected oscillator AMS1 F Alternate Modulation Source1 Selects the source that will adjust the frequency of the selected oscillator LFO1 see AMS Alternate Modulation Source list on page 13 19 LFO1 can be modulated by LFO2 Intensity AMS1 Intensity This parameter specifies the depth and direction of the effect that AM S1 F will have When this parameter is set to a value of 16
124. ues of this parameter the volume will decrease when pressure is applied to the keyboard 99 99 Intensity value PAGE 14 AMP LFOI These parameters let you use LFO 1 see Page 17 LFO1 on page 13 16 and LFO 2 see Page 18 LFO2 on page 13 18 to control the volume of the selected oscillator cher Campo measure Grenepose Ge LAOL sci E Selected Ceci Initere its a FRE Josstick Y Intereitei a Selected Use this parameter to select an oscillator to put in edit Alter natively you can select oscillators using the F1 F 4 buttons Intensity This parameter specifies the depth and direction of the effect that OSC1 LFO1 will have on the volume of oscillator 1 Negative values will invert the LFO waveform 99 99 Intensity value Amplifier LFO1 modulation AMS Alternate Modulation Source Use this parameter to select a source that will control the depth by which LFO1 will modulate the volume of oscilla tor 1 See AMS Alternate Modulation Source list on page 13 19 Intensity As the absolute value of this setting is increased the effect of AMS on LFO1 will increase Negative values will invert the LFO waveform 99 99 Intensity value PAGE 15 AMP LFO2 These parameters let you use LFO 1 see Page 17 LFO1 on page 13 16 and LFO 2 see Page 18
125. und Programs These are normal instrument Pro grams like pianos strings basses e Drum Programs These are drum and percussion kits where each note of the keyboard is a different percussive instrument You can find Drum Programsin the DRUM KIT and USER DK banks Before pressing MENU to enter the edit environment you should select a Program of the type you wish to edit or create Notes pointing to special Drum Program features are marked by the I icon MENU From any page press M ENU to open the Program edit menu This menu gives access to the various Program edit sections When in the menu select an edit section usingtheVOLUM E VALUE A G buttons select an edit page using PAGE or press EXIT to exit the menu When in an edit page press EXIT to go back to the main page of the Program operating mode Cher Compe mpos J ee Prog Edit HEHU Basic Ane Sane les LFCE Pitch Effects Filter Each item in this menu corresponds to an edit section Each edit section groups various edit pages EDIT PAGE STRUCTURE Select an edit section from the Menu and or use the PAGE buttons to reach the desired page Press EXIT to go back to the main page of the Program mode All edit pages share the same structure Oscillator in edit Program icon Page header Page number Coherd Campa D 420 EU ery CAMIF les ME Hi Bark tim
126. ure Beat Tick Measure M easure or bar number Beat Divider in the Time Signature ratio e g a quarter in a 3 4 time Tick Minimal sequencer s resolution The Pa80 internal sequencers feature a resolution of 384 ticks per quarter 11b 2 Chord Acc Step Mode INSERT When the M easure parameter is selected press INSERT to insert a measure starting from the current position All Chord Acc events con tained into the current measure will be moved to the following measure The event at the M xxx xx 000 position i e exactly at the beginning of the measure like a Time Signa ture or Style change will not be moved When the M easure parameter is selected press DELETE to delete the current measure All Chord Acc event contained into the following measures are moved to the current measure SHIFT DELETE When the M easure parameter is selected press SHIFT DELETE to delete all events in the Style tracks starting from the current position to the end of the Song To delete all events in the Style tracks go back to the M 001 01 000 position and press SHIFT DELETE Note All events on the very first tick M001 01 000 like Style Tempo Chord Style Element selection cannot be deleted DELETE Tempo This is the Tempo Change parameter To insert a Tempo Change event at the current position select this parameter and use the TEM PO VALUE controls to change its value DELETE When the Tempo parameter is selected and the
127. y 12 00 99 approximately 1 octave Attack Level Note off 0 pitch when key is held sustained Time Release Level Start Level 99 approximately 1 octave Release lime Start Attack Decay Release Level These parameters specify the amount of pitch change The actual amount of pitch change will depend on the Intensity AMS1 2 Intensity parameter see below For example with an Intensity setting of 12 00 a Level setting of 99 Program operating mode Page 6 Pitch EG 13 8 would raise the pitch one octave and a Level setting of 99 would lower the pitch one octave 99 99 Parameter value Start Level Specifies the amount of pitch change at note on Attack Level Specifies the amount of pitch change when the attack time has elapsed Release Level Specifies the amount of pitch change when the release time has elapsed Attack Decay Release Time These parameters specify the time over which the pitch change will occur 0 99 Parameter value Attack Time Specifies the time over which the pitch will change from note on until it reaches the pitch specified as the attack level Decay Time Specifies the time over which the pitch will change after reaching the attack level until it reaches the normal pitch Release Time Specifies the time over which the pitch will change from note off until it reaches the pitch specified as the release level Pitch
128. y wider change in pitch EG levels for strongly played notes The direction of the change is specified by Start Level Swing and Attack Level Swing As you play more softly the pitch change will draw closer to the pitch EG levels 99 99 Parameter value Start Level Swing This parameter specifies the direction of change in Start Level caused by AMS1 2 If Intensity is a positive value a setting of will raise the EG level and a setting of will decrease it With a setting of 0 there will be no change Attack Level Swing This parameter specifies the direction of change in Attack Level caused by AMS1 2 If Intensity is a positive value a setting of will raise the EG level and a setting of will decrease it With a setting of 0 there will be no change Pitch EG Time modulation Pitch EG changes Time AMS Velocity Intensity positive value Note on Note on Anote played softly with Attack A note played strongly with Time Swing set to and Decay Time Swing set to Anote played strongly with Attack Time Swing set to and Attack Time Swing set to and Decay Time Swing set to Decay Time Swing set to AMS T Alternate Modulation Source This parameter selects the source that will control the Time parameters of thepitch EG see AM S Alternate M odulation Source list on page 13 19 Intensity AM S T Intensity This parameter sp
129. y will also cause the filter EG to produce greater changes in cutoff frequency but with the polarity of the EG inverted 99 99 Value of the Velocity to A parameter Velocity to B This parameter specifies the depth and direction of the effect that velocity will have on the time varying changes created by the filter EG to control the filter B cutoff frequency see Velocity to A 99 99 Value of the Velocity to B parameter EG Intensity to A Specifies the depth and direction of the effect that the time varying changes created by the filter 1 EG will have on the fil ter A cutoff frequency With positive settings the sound will become brighter when the EG levels set by Filter EG Level and Time parameters are in the area and darker when they are in the area With negative settings the sound will become darker when the EG levels set by Filter EG Level and Time parameters are in the area and brighter when they are in the area 99 99 Parameter value EG Intensity to B Specifies the depth and direction of the effect that the time varying changes created by the filter EG will have on the filter B cutoff frequency see EG Intensity to A 99 99 Parameter value EG AMS Alternate Modulation Source Selects the source that will control the depth and direction of the effect that the time varying changes produced by the fil ter EG will haveon the cutoff f
130. y will play F and the altered key will be Ep that will play an altered E LA en ra LL dd gt rar sae A Pre OSC When this option is selected all notes are transposed immediately before they enter the internal tone generator Therefore the Scale will be applied before transposition For exam ple if you altered an E and then set the M aster Transpose to 1 the altered key will still be E that will play an altered F Tone A UE 14b 2 Global edit environment addendum ns sition Disk edit environment addendum Restore Backup on the hard disk 15b 1 15B DISK EDIT ENVIRONMENT ADDENDUM A new function has been added Please add the following instructions to the Disk edit environment chapter RESTORE BACKUP ON THE HARD DISK The internal data backup is now allowed also on the hard disk Previously this operation was allowed only on floppy disks Please replace the following text to the text found on page 15 16 in the User s M anual Backup Data This command starts a backup of all internal factory data Styles Programs Performances excluding the Operating System itself Note Should you not do a back up and your internal data is changed you can download the data from www korgpa80 com or ask your local KORG dealer 1 If you are making a backup on floppy disks prepare 5 formatted empty disks 1 44M B MS DOS formatted You can prepare this kind of disk using a PC or the

A. KORG PA80 OPERATING SYSTEM RELEASE 2.0

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