6.0 Adobe® Premiere®
Contents
1. 1 Oy heey Pe dikmesi hie i ee ee Redesigned shuttle controls let you play fast forward rewind or control other DV device operations in the Movie Capture window The new Logging palette enables you to log video clips set In and Out points name clips and reels batch capture multiple logged video clips and add comments about each clip Hint Make sure you click the Capture button in the Batch Capture window not the Movie Capture window Set In Set Out buttons Log In Out button 2 11 At the Insert Reel dialog box click OK to begin the capture process Note Adobe Premiere 6 0 will automatically capture only the parts of the tape for which you logged in and out points 2 12 Close the Movie Capture window 2 13 Make sure there is a check mark next to each clip in the Batch Capture window a check mark provides visual confirmation that the clip has been captured Close the Batch Capture window When prompted to save the Batch Capture list save it to your hard drive in a location that you will remember and name it Project Two Arrange Clips The Storyboard window helps you determine the best way to tell a story visually You can freely experiment by rearranging clips and creating new sequences in the Storyboard When you re finished simply send your clip sequence to the Timeline using the innovative Automate to Timeline command Automate to Timeline sends your clips in sequence to the Timel2. point where your experimentation began All states created during your current work session are listed in the History palette If you return to an earlier state in the project all subsequent states are dimmed in the palette Adobe Premiere deletes them if you resume editing You can manually delete them by clicking the Trash icon or choosing Delete from the History palette menu When you close the project file all states are removed from the palette The History palette gives you up to 99 levels of undo You can selectively undo a previous action without affecting any subsequent actions taken 5 1 Select the History palette If it s not currently on your screen go to Window gt Show History Lie www adobe com premiere 5 2 Jump back to an earlier state of your effects work using the History palette For example you could click on one of the first Filter Settings to return to that stage Notice that the subsequent Filter Settings are then grayed out and italicized indicating that they ll be deleted if you resume editing save or close the project file 5 3 Save your work or continue experimenting with the History palette Project Five Adjust Audio Adobe Premiere software provides the ability to edit audio tracks in the Timeline And with Adobe Premiere 6 0 you can now process audio using a professional level mixing tool as well the Audio Mixer This new tool resembles a traditional multitrack mixer and provides both vi
3. Piki AAC era Pvc ee wP da hiia iii CY a Peel Whee riip and Pasion FE Ley On eerie tracks Srei Dic akyEr i VO ke nm adiing Thit sidr kpa pe a Me wii a ial Lire ere im ad banii ae peed ony hae TE rack ari can be visand E hwo branes Seisi the Sa SPEC PCa ae cap acer Fivakan corny 3 Connect the IEEE 1394 cable to your DV ei Snge Track Eohing camcorder or DV input device and to your computer s IEEE 1394 port Make sure the DV device is connected to its power source mti The Initial Workspace screen lets you choose the way you want to work as soon as you launch Adobe Premiere 6 0 for the first time You can choose one of two preferred editing modes A B Editing or Single Track Editing Please select Single Track Editing before beginning the sixhands on projects in this guide Turn the device on If its a DV camcorder put it in VTR mode If you havent done so already insert a tape containing preshot video If you do not have access to a DV camcorder and or your computer is not IEEE 1394 enabled please see the note in the sidebar on the next page Pe ees ea el Pee ee ee fna ey Sra im EZET ae 4 Launch Adobe Premiere s oe 7 a 5 After launching the new Initial Workspace Spent mear e Dae 2 i Fa ees AEE rimm d screen appears Read the onscreen te E beri bhin ui a i descriptions of the two workspaces and select Single Track Editing as your Initial Work space Note that you can s
4. drive and opened in Adobe Premiere Click to select a clip in the list then click the play button underneath the thumbnail sized representation of the clip in the Preview window to play the clip 1 2 Click the Thumbnail View icon the next to last icon to the right located on the bottom scroll bar of the Project Window to view all files in the bin as thumbnails 1 3 Move the slider bar under the Preview window to manually forward the frames in that clip 1 4 Click the new Set Poster Frame icon to the right of the slider bar to change the poster frame Notice that the poster frame for that clip as shown in the list of clips in the bin changes automatically Note A poster frame is the frame Adobe Premiere 6 0 uses as an icon to represent the clip By default the poster frame is the first frame of a clip The ability to choose the poster frame you want makes working with multiple clips significantly more intuitive Automate to Timeline Dialog Box SSS _ CCsC rTTihe new Storyboard window lets you quickly arrange hemo Cay clips in sequence Arrows are automatically drawn eis ee between clips to show the story flow and an end marker is displayed Icons within each thumbnail Dreg S rae a indicate whether the clip contains video and audio A clip s title timecode and user added comments can Ees be displayed The Storyboard window also shows the Li alia io combined running time for all clips at ors The Automate to Ti
5. easy identification Go to Project gt Settings Viewer For optimal performance capture project and clip settings should be identical Spot inconsistencies immediately in the new Settings Viewer Aretan Di AAA Mirari D Nt Micraneft P MTC kirusi W HTE TED x Hii Tib x a Perr ers fast res Villar Paar no w bot w Bi TA a ey quar Fosa ligi Di Are ATE Oa 42000 Sr 42000 Hr NOC He Ob bt iima b b Shears bE Wi Sire T mai Pidid i a ai Le on a Lower Mead Foret oper Pied Tirri Lower Paid Fier i Jj For opm lpertormance Capire betinin Project Selling and Clip Sening oui be tenal System Requirements Macintosh Power PC processor Apple System software OS 9 0 4 32 MB of available RAM 128 recommended 10 ira ee Step 2 Save for Web SS Se o ae 2 1 Go to File gt Export Timeline gt Save For Web reine ie ete Bakara 1E tent 2 2 Inthe Save For Web dialog box choose a desired setting Ea Taito from the drop down menu Leave the export setting as amp Cleaner 50 MB of available hard disk space required for p f installation 2 3 Click Start Depending on the output choice you make Apple QuickTime 4 1 2 you may be presented with further options Large capacity hard disk or disk array the default Entire Project fo Adee Praia Ue The Save for Web command lets you optimize files for specific Web formats such as a Windows Media video file optimized for streaming a
6. Adobe Premiere certified AI Adobe Reviewer s Guide We hope that you will enjoy the six hands on projects that follow The step by step instructions are designed to help you experience a broad range of features and functionality in Adobe Premiere 6 0 software even if you have had no prior experience editing digital video If you are familiar with previous releases of Adobe Premiere you will find that these projects highlight the new features and enhancements The Advanced Users recommendations throughout and the Further Exploration section at the end of this guide offer additional suggestions for exploring the rich powerful toolset in Adobe Premiere 6 0 If you require assistance or have questions as you proceed through your review of Adobe Premiere 6 0 please contact your Adobe Premiere representative in the Adobe Systems Public Relations Department Before you begin Please check the System Requirements in the sidebar on this page to be sure that your hardware is compatible with Adobe Premiere 6 0 software Ini ial Gorter Install and Launch Adobe Premiere 6 0 1 Shut down all open applications on your computer Tigh Track Eel re 2 Insert the Adobe Premiere 6 0 Application CD in your CD ROM drive You must install Adobe Premiere from the Adobe Premiere CD please do not run the program from the CD Follow the onscreen installation instructions For more information see the Installation Read Me file on the CD
7. Macintosh OS 9 0 4 Windows 98 2000 NT Windows ME version Adobe Premiere The essential tool for professional digital video editing System Requirements Macintosh Power PC processor Apple System software OS 9 0 4 32 MB of available RAM 128 recommended 50 MB of available hard disk space required for installation Apple QuickTime 4 1 2 Large capacity hard disk or disk array Additional Requirements for DV Power PC processor 300MHz Apple FireWire 2 4 QuickTime compatible FireWire IEEE 1394 interface Large capacity hard disk or disk array capable of sustaining 5MB sec Additional Requirements for 3rd Party Capture Cards Adobe Premiere certified Windows Pentiumsclass processor 300MHz Microsoft Windows 98 Windows 98 Second Edition Windows 2000 Windows Millennium or Windows NT4 Service Pack 6 32MB RAM 128 recommended 85 MB of available hard disk space for installation 40 MB for application 256 color video display adapter Large capacity hard disk or disk array Additional Requirements for DV Microsoft DirectX compatible IEEE 1394 interface Microsoft DirectX compatible video display adapter Large capacity hard disk or disk array capable of sustaining 5MB sec For built in DV Windows 2000 Windows 98 Second Edition or Windows Millennium required Additional Requirements for 3rd Party Capture Cards
8. cific values Click any underlined value and enter another value in the value box click OK Step 4 Add Keyframes to a Filter After you apply an effect to a clip you can animate the effect for that particular clip by changing the effects set tings over time using keyframes A keyframe contains information about which effect is changing the settings for the effect at the keyframe s point in time and the point in time when the change occurs New keyframe tracks in Adobe Premiere 6 0 are located under each video and audio track so that you can modify a keyframe directly in the Timeline See the illustration of Timeline with callouts at the bottom of page 6 4 1 In the Timeline window click the arrow next to the track to which you applied the Channel Mixer effect to expand the track 4 2 4 3 4 4 Click the keyframe icon to display the keyframe track Move the edit line halfway through your clip Turn keyframing on by clicking the small empty box next to the words Channel Mixer in the Effect Controls palette 4 5 With keyframing turned on adjust a parameter in the Effect Controls palette A keyframe will be added automatically 4 6 Repeat until you achieve the desired effect Step 5 Undo with the History Palette Adobe Photoshop users will likely recognize the History palette a new addition to Adobe Premiere 6 0 The History palette lets you experiment with creative ideas in any Adobe Premiere window yet still return to the
9. cross a Broad band LAN connection 2 4 After your clip has been output to your desired Web format find the file on your hard drive and Additional Requii ts for DV a ibe ac iat bes double click to view it Power PC processor 300MHz Advanced RealMedia Export outputs video directly to the Apple FireWire 2 4 RealMedia format ready for Web streaming or download and QuickTime compatible playback using the RealPlayer application FireWire IEEE 1394 interface gg eS Large capacity hard disk j or disk array capable of sustaining 5MB sec Advanced Windows Media Export generates high quality high bandwidth streaming video for playback using Windows Media Player Baiada ip Lng alee eee E a karien ar ome i ipaa hi gt Ee b y Additional Requirements for epl P ih inadai t TE HER 3rd party Capture Cards ire Se a a f n Pand Tia fa bea T T Piim toe pn feie 11 2am Adobe Premiere certified Tenik oer bea kanarka Bie rember TEH F p j Sabir ie berilad iim Gambon i 1 D Pba Bl capture card D imee T heej hie ba isa ji wa apa reen ll Coat Dhiraa E a a irean k ben HHH ark guage dap ome LS La mars gj ks Te a i d a T la i 7 Ha Windows Cecil fae pa aly Intel Pentium II processor Tae eee Thay api 1 Dimke 300MHz or faster iF Sar ce ee Eara hare LOM 1i ia DSL reer zj e Microsoft Windows 98 ipa pepe tal Fie Windows 98 Second Edition Oie j i inert re a
10. cts Switch to the new Effects workspace add a new filter and change its parameters and perform an undo with the new History palette Project No 5 Adjust Audio Fade audio tracks using the new Audio Mixer in the new Audio workspace Project No 6 Save for Web Export a video production for playback on the Web Project No 1 Capture Digital Video Transferring clips from a video device into a computer is usually the first step of the desktop editing process Adobe Premiere 6 0 includes a number of new capture tools such as the Logging Palette designed to make the transfer process as fast and efficient as possible In this project youll transfer multiple clips from a DV device into the Adobe Premiere workspace The features youll use are the new DV device control options the enhanced Movie Capture window and the enhanced batch capture tool Step 1 Prepare for Capture 1 1 1 2 1 3 1 4 1 5 From the Menu select File gt Capture gt Movie Capture In the Scratch Disks amp Device Control Setup window choose Edit Settings In the Scratch Disks amp Device Control Prefer ences dialog box select DV Device Control from the Device drop down menu Click Options In the new DV Device Control Options dialog select your device brand and device model from the drop down menus Click OK Hint If the DV device is unavailable go back to the Install and Launch the Software section and recheck your steps In th
11. e Scratch Disks amp Device Control Preferences dialog box choose the Select Folder drop down menu Click New to create a new folder in which to store your captured clips give it a name select Create and select Choose Hint Create this folder in the final location you wish to store the captured clips The Scratch Disks and Device Control preferences dialog lets you determine where your movie clips video and audio previews will be stored Ei ficwite Lon ple Clicking the Options Wiko Slane pat button prompts the Ew a DV Device Control Jost aa Options dialog box Coke Hoc ac which lets you select Tec Format ma Frare a a particular DV fi ENA device from which ae eke to capture Coren se el 1 6 In the Scratch Disks amp Device Control Preferences dialog box click OK Step 2 Capture 2 1 2 2 2 3 Verify that the Settings palette contains the settings you ve chosen Select the Play button in the Movie Capture window to play the video Select the new Logging Palette It can be used to quickly log video clips set In and Out points name clips and reels conveniently batch capture multiple logged clips and add comments about each clip Importing Stock Clips If you do not have access to either a DV camcorder or other DV input device or if your computer is not IEEE 1394 enabled you will not be able to do Project No 1 Capture DV Instead follow the instructions below for im
12. ee a Windows 2000 Windows Millennium or Windows NT 4 0 with Service Pack 6 64 MB of RAM 128 MB or more recommended 85 MB of available hard disk space required for installation 40 MB for application 256 color video display adapter display adapter Large capacity hard disk or disk z Cand lige eae Heeler eit ae i m fe i cn ia j K T ie AiR a Hm plaj ie tet Le Advanced Users Experiment with the Advanced RealMedia Export or Advanced Windows Media Export tools for more precise optimizing of files in those formats Further Exploration The six projects you ve just completed were designed to serve as an introduction to the powerful tools in ay H Adobe Premiere 6 0 For a deeper understanding of the program you may want to explore any of the following s a rive Additional System Requirements Create a personal video production Start with video you shot at a wedding family reunion or other event for DV After transferring the video into Adobe Premiere 6 0 play around with the sequence of your clips in the Intel Pentium IlI 500MHz or Storyboard Add titles transitions background music Import still images into your project and make them apa ean OSE move see Animating a still image in the user manual for help When you re finished save your project to Windows 98 Second Edition videotape or another format rustle up an audience and pass the popcorn eee Me 2 Experiment with effec
13. f unnumbered markers onto the Timeline highlighting rhythmic features as you listen to your audio track Perform Automate to Timeline and your clips will be automatically choreographed to the music cutting in and out at the beats you marked Adobe Systems Incorporated This document was created with Adobe PageMaker software and font software from the Adobe Type Library Adobe the Adobe logo Premiere After Effects Photoshop Illustrator and 345 Park Avenue GoLive are trademarks of Adobe Systems Incorporated Microsoft Windows Windows 2000 and Windows NT are either registered trademarks or trademarks of Microsoft Corporation in the San Jose CA 95110 2704 USA United States and or other countries Macintosh and QuickTime are registered trademarks of Apple Computer Inc in the United States and other countries Power PC is a registered trademark of i International Business Machines Inc Intel and Pentium are registered trademarks of Intel Corporation All other trademarks are the properties of their respective owners World Wide Web www adobe com 2000 Adobe Systems Incorporated All rights reserved 07 24 01 www adobe com premiere
14. g a clip from the Project window to the source side of the Monitor window Hint If the Source and Program sides of the Monitor window are not displayed click the Dual View icon at the top of the Monitor window of the three buttons it s the one on the left 3 2 Play the clip in the Source view As the clip plays hit the I key on your keyboard to mark a new In point Then hit the O key to mark a new Out point 3 3 Drag the clip from the Source view into the Timeline Hint To create a new track drop the clip to the gray area at the bottom of the Timeline window www adobe com premiere Toggle between Dual View Single View and Trim Mode New split cut edit New marker menu www adobe com premiere The Enhanced Monitor Window provides more efficient flexible editing controls with an improved layout of controllers in the Source and Program sides and more Title Safe Action Safe New marker menu Advanced Users The Trim mode in Adobe Premiere 6 0 has been enhanced to make editing more precise and efficient To access the Trim mode position your edit line at an edit and hit Ctrl T MacOS users hit Command T Trim Mode Visual represen tation of edit line Out shift OTE In shift Play edit Project Four Add Effects Adding visual or audio effects can help make a video production more dynamic Adobe Premiere 6 0 ships with over 25 filters from Adobe After Effects New palette
15. imeline and Audio Mixer windows a Audio Mixer ai Master Control JAA AnA AAE b s si ei Step 2 Fade In the First Audio Track You can fade an audio clip at precise locations in your video program with the volume faders in the Audio Mixer 2 1 In the Timeline click the right pointing arrow next to the first Track Control Automation audio track to expand the track Click the red Display Volume Read Write Off Buttons Rubberbands icon Note Volume Mute Solo Rubberbands are also called fade Controls controls With Display Volume Rubberbands on you ll be able to see as well as hear the fades you Audio Gain add to the audio track Sliders 2 2 Position the edit line in the Timeline at the point where you want to start fading the first audio track Numeric Audio Gain Input 2 3 In the Audio Mixer window click the Automation Write button the pencil icon in Track 1 When Automation Write is activated your changes will be recorded Pan Balance 2 4 Inthe Audio Mixer window click the Solo button in Track 1 to hear only this track during playback 2 5 Position your cursor over the Volume Fader in Track 1 of the Audio Mixer window 2 6 Press your keyboard spacebar to begin playing the audio As the clip plays drag the Volume Fader in the Audio Mixer window up to fade the audio in After the clip plays note that the volume rubberband now slants up ward indicating the audio fade in
16. ine and automatically adds a default transition You can also send clips from the Project window to the Timeline using Automate to Timeline Once your clips are in the Timeline you can begin editing them and adding effects In this project you ll use the new Set Poster Frame option add clips to a Storyboard rearrange the clips and send the clips to the Timeline with the Automate to Timeline command The new Preview area top section in the enhanced Project window lets you view a clip get basic information about the clip and set poster frames In the Bin area you can create and nest multiple bins New command buttons at bottom let you search create and delete selected clips and bins and add new items such as Titles Choosing either the default first frame or any other in a clip as the Poster Frame icon allows intuitive identification of clips in the Project Window The Poster Frame is also the image shown of the clip when using the Storyboard window g Pioveck Wild Wandenmngs Bald eagle E Meets TAi 2 960 O90 Gh AD 97 pa S2000 He 16 bit Shores average date rahe ASTA per record Usd eagle Ite Ocean Waver CO hier Project Window p Piper Wild Waray ay www adobe com premiere Step 1 Set a New Poster Frame 1 1 Click the Project window to make it the active window The Project window contains a bin which holds the clips you batch captured in Project One or copied to your hard
17. meline command lets you send an Cd entire sequence of clips from the Storyboard or E maie Project windows to the Timeline Timeline Window j jl irme a a e ae f Storyboard Window Step 2 Create a Storyboard 2 1 Choose File gt New gt Storyboard 2 2 Click to select a clip in the Project window and drag it into the Storyboard window Repeat until all of your clips have been dragged into the Storyboard window If necessary resize the Storyboard window so that you can see all the clips Notice that the arrows between the clips in the Storyboard indicate their sequence and offer confirmation that the clips are in the order you designated This is a good example of how Adobe Premiere 6 0 constantly provides visual feedback 2 3 Rearrange the clips by dragging them to new locations in the Storyboard 2 4 Double click the blank comments field under a clip to add a note about the clip and click OK 2 5 Choose Project gt Automate to Timeline or click button next to total time in the Storyboard window 2 6 Use the default settings in the Automate to Timeline dialog box and click OK Adobe Premiere 6 0 automatically transfers your clips to the Timeline Project Three Edit Clips Adobe Premiere 6 0 makes video editing more intuitive and more efficient with improved visual feedback drag and drop capabilities and other enhancements In this project you ll use the Rolling Edit and Ripple Edit tools in the Timeline wi
18. nd click Done e SONAE 2 3 DFe ima 2 4 Drag and drop the Channel Mixer filter onto any video clip in Souler the Timeline hare T FE mr Advanced Users With the Channel Mixer filter from Adobe After Effects tl n you can modify a color channel using a mix of the current color channels i w Use this effect to make creative color adjustments not easily done with other eee color adjustment tools create high quality grayscale images by choosing the arr E a T percentage contribution from each color channel create high quality sepia Sarg eri eaan tone or other tinted images and swap or duplicate channels Red Green aar so Blue lets you specify the contribution of the individual source channel to pee the output channel Constant lets you specify the base amount of the input fed a be channel to be added to the output channel ono His Step 3 Adjust the Filter s Settings tei In this step you ll use the new Effect Controls palette to adjust the aa ze eet parameters of the Channel Mixer filter You can temporarily turn i Teak E an effect on or off by clicking the On Off switch The Effects Controls palette lets you fine tune the parameters of effects applied to video or audio clips 3 1 In the Effect Controls palette drag any channel slider to the left to de crease the parameters of the channel s effect and to the right to increase it 3 1 Another way to adjust the parameters of a channel s effect is to enter spe
19. ndow to precisely trim clips then set new In and Out points in the Source view of the Monitor window Timeline Window Se SD a vonn eo as n E Pana with Rolling Editand BS ce my i F B e Ripple Edit tools N among others _ TEETAN gia F oe A Sy ay ee Add delete and modify New audio Access to frequently keyframes in the Timeline Visual indication Audio Gain Audio Pan track buttons used Timeline Features using the new Keyframe track of playback status Step 1 Perform a Rolling Edit A rolling edit changes the location of the edit point between two clips keeping the duration of all other clips and of the overall project the same To perform a rolling edit do the following 1 1 Select the Rolling Edit tool te from the toolbox in the Timeline 1 2 Position the cursor on the edit line between two clips on the Timeline The cursor changes into two double sided arrows an example of the enhanced visual feedback provided in Adobe Premiere 6 0 1 3 While holding down the mouse button drag the Rolling Edit tool from left to right to change the edit location Release the mouse button to finish the edit Step 2 Perform a Ripple Edit A ripple edit trims only the specified clip keeping the duration of all other clips the same As the effects of the trim ripple through the project other clips are pulled or pushed depending on whether you shorten or lengthen the clip you are trimming As a result the d
20. ofessionals and others this is what it all comes down to getting streaming media online as quickly and efficiently as possible To that end Adobe Premiere 6 0 provides unmatched video to Web tools enabling you to go from unedited video clips to polished online content within minutes Adobe Premiere 6 0 includes three options for outputting to the Web Save For Web A version of Media Cleaner customized especially for Adobe by Terran Interactive the Save For Web command delivers multiple Web output options such as QuickTime Streaming QuickTime Progressive Download RealG2 Web Download RealG2 Streaming Windows Media audio and video AVI CD ROM MPEG and the popular MP3 audio format Advanced RealMedia Export Provides even more precise output control to the RealMedia format Advanced Windows Media Export Specifically for Windows users this built in tool offers a deeper range of optimizing options in the Windows Media format In this project you ll check the settings of your video production in the new Settings Viewer and export the Timeline using the new Save for Web command Step 1 Verify Your Settings Ensure that your settings are correct with the Settings Viewer The new Settings Viewer displays all settings including capture project and export in one window and compares them to the clips in the project so that problems can be spotted quickly Capture project and export settings that don t match are displayed in red for
21. porting stock video clips from the Samples Folder on the Adobe Premiere 6 0 CD ROM and use these supplied clips to complete Projects 2 6 1 Copy the Sample Folder from the Adobe Premiere 6 0 CD ROM to your computer s hard drive 2 Launch Adobe Premiere 3 Go to File gt Import gt File Select the folder contain ing the stock movie clips on your hard drive and select the clips to import Click Open 4 Proceed to Project Two Hint You can import many types of file formats including mov avi Photoshop files MP3 audio files etc www adobe com premiere 2 4 Find the beginning of a clip you want to capture then click the Set In button 2 5 At the end of the clip you want to capture click the Set Out button 2 6 Click the Log In Out button 2 7 Name your logged clip and click OK 2 8 Find the Batch Capture window and click it to bring it to the front The Batch Capture window maintains a list of the clips you ve logged for capturing Take a moment to familiarize yourself with the Batch Capture window 2 9 Inthe Movie Capture window click the Play button to restart the video Repeat steps 4 through 7 to log at least two additional clips 2 10 Once you ve logged your clips click the record button Fe in the Batch Capture window It s the red circle at the bottom of the window The new Settings palette in the Movie Capture window makes capture settings easily accessible CETEL oe aa Le
22. s to either a DV camcorder or other DV input device or to an IEEE 1394 enabled computer skip Step 3 under Install and Launch Adobe Premiere 6 0 You will not be able to do Project No 1 Capture Digital Video Instead follow the instructions in the sidebar on page 3 for importing stock video clips from the Samples Folder on the Adobe Premiere 6 0 CD ROM These supplied clips may be used to complete Projects 2 6 www adobe com premiere device See the Hint below or consult the User Manual for your DV device if you don t know which preset is appropriate Hint Yow ll most likely want to choose one of the standard DV settings Note that 12 bit audio is 32kHz and 16 bit audio is 48kHz Also note that some capture cards include their own presets making it easy to set up your project correctly Advanced Users You may wish to click Custom to select individual settings The Six Guided Projects DV in Web out You are about to discover how easy it is to capture digital video put together a story add effects adjust audio and save a video project for the Web with new Adobe Premiere 6 0 Project No 1 Capture Digital Video Batch capture clips from a DV device Project No 2 Arrange Clips Layout clips in the new Storyboard window and send them in sequence to the Timeline via the new Automate to Timeline command Project No 3 Edit Video Trim clips and set new In and Out points Project No 4 Add Effe
23. s provide control over how the effects are applied In a typical video production workflow effects are added after clips have been arranged and trimmed In this project you ll switch to the new Effects workspace search for and apply a new video filter adjust the filter settings with the new Effect Controls palette add keyframes using the enhanced keyframe tool and perform an Undo with the new History palette Step 1 Switch to the Effects Workspace A workspace is the onscreen arrangement of windows window features and palettes Adobe Premiere 6 0 includes four preset workspaces A B Editing Single Track Editing Effects and Audio Select Go Window gt Workspace gt Effects to choose the Effects workspace Note how the arrangement of onscreen windows and palettes changes Video Effects Palette n a iina G E j P L man i Firet T O Adject fa Brights contrat Ca Lire iff Foriris bo er b 2j i P j Darter bo aap Siivi p 2g Pegate Hoes B ore chet 5 Traraferrs b 2 Pessi aw TE Feta a Nuu Find Effects T Palette bri imn www adobe com premiere _ Step 2 Find and Apply a Filter Adobe Premiere 6 0 lets you search for filters by name 2 1 Select the Video Filters palette 2 2 Click the right arrow on the top right hand side of the palette window From the pop up menu select Find Or just click on the binoculars icon at the bottom of the palette Type Channel Mixer Click Fi
24. sual and numerical controls for adjusting gain fade and pan for up to 99 audio tracks The Audio Mixer works in conjunction with the Monitor window so you can make adjustments as you play the audio and watch the synchronized video in the Monitor window In a typical video production workflow audio mixing is the final step before output In this project you ll fade audio clips using the Audio Mixer Step 1 Prepare for Audio Mixing 1 1 Switch to Audio workspace by selecting Window gt Workspace gt Audio 1 2 Import an audio file by selecting File gt Import gt File Select the file you want from your hard drive or check the Samples Folder on the Adobe Premiere 6 0 CD ROM for stock audio files Hint You can import files in many different audio file formats such as MP3 1 3 Import a second audio file such as the dialogue from a video clip Note We recommend that you use two clips that would typically be mixed together such as a voiceover track and a background soundtrack in order to clearly hear your audio mix 1 4 Drag and drop your first audio clip from the Project window to the Audio 1 track in the Timeline Drag and drop your second audio clip from the Project window to the Audio 2 track in the Timeline Hint It s easier to work with multiple audio tracks when you give each one a name To do so select Track Options under the Timeline menu and click Name to rename your audio tracks Click OK Note the name changes in the T
25. ts The 25 filters from Adobe After Effects offer plenty of opportunity for adding interest lt 128MB RAM 256 MB or more ing and unique visual effects The Adobe After Effects filters are designated with with a blue icon in the Video recommended Effects palette Experiment with such filters as Directional Blur Color Balance Basic 3D Drop Shadow Broadcast Colors Reduce Interface Flicker and Transform With the Transform filter for instance you can apply two dimensional geometric transformations to a clip and keyframe the anchor point position height width skew rotation and opacity over time Dedicated large capacity 7200RPM UDMA 66 IDE or SCSI hard disk or disk array Microsoft certified OHCI IEEE 1394 interface Microsoft DirectX compatible video display adapter Use the new Edit Original command Import an Adobe Photoshop file into an Adobe Premiere project In Adobe Premiere select the image you imported go to Edit gt Edit Original and change and save the image in Adobe Photoshop Once the changes are made Adobe Premiere updates the placed content and the native application file Additional Requirements for 3rd Gages ets a For more information see Editing clips in the Adobe Premiere User Manual party Capture Cards Adobe Premiere certified Cauca Make a music video Select and import an audio track Organize a sequence of clips in the Project or Storyboard u window Then drop a series o
26. uration of the entire video program changes To perform a ripple edit do the following 2 1 Select the Ripple Edit tool from the toolbox Hint To access the tool hold the mouse button down over the Rolling Edit tool icon until a fly away submenu appears Select the second tool from the left then let go of the mouse button 2 2 Position the cursor between a clip you want to edit and its adjacent clip The cursor changes into a double sided arrow with a red bracket As with the Rolling Edit tool this is an example of how Adobe Premiere provides visual feedback as you work The direction of the bracket indicates which clip the tool will modify 2 3 While holding down the mouse button drag the Ripple Edit tool from left to right to trim the clip Release the mouse button to complete the edit Step 3 Edit Video in the Monitor Window The Monitor window is where you view individual clips preview the Timeline set In and Out points set markers add and remove clips from the Timeline and trim clips The Monitor window includes the Source view and the Program view The Source view displays a single clip as it appears on your hard disk project settings don t affect playback from this view The Source view is for preparing a clip for inclusion in the Timeline or to edit a clip you ve opened from the Timeline The Program view displays the current state of the Timeline when you preview the Timeline it plays in the Program view 3 1 Dra
27. witch your work space to A B using the new Workspace feature The enhanced Load Project Settings dialog box appears next The settings include timebase time display frame rate pixel aspect ratio frame size compressor and audio format Choose the available preset that is appropriate for your DV le Bos SETE becs Lj Be TPH eee Baie i fp iam reg er re wm apn arran raat pr erie oea a rg eS ee r A Select a project preset from the Load Project Settings dialog box More advanced users may wish to customize their own presets by clicking Custom to select individual settings Got DV To complete Project No 1 Capture Digital Video you will need a DV camcorder or other DV input device a DV tape containing preshot video an IEEE 1394 cable a Windows PC or Macintosh computer with an IEEE 1394 port For more information see Systems Requirements on the preceding page If you do not have access to a DV Camcorder or other DV input device If you are a member of the press without access toa DV camcorder you may request a short term hardware loan from your Adobe Premiere contact in the Adobe Systems public relations department If you do not have access to an IEEE 1394 enabled computer You cannot hook up a DV camcorder or other DV input device to your computer without an IEEE 1394 port either built in or via an installed DV capture card If you do not have acces
28. you just added 2 7 Press the spacebar again to hear the changes made to your audio track Hint Consider using the History palette during this project to undo your audio fades as you experiment www adobe com premiere 2 8 Turn on Automation Read in the Audio Mixer for Track 1 This will enable you to hear the changes you made in Track 1 as you mix it together with Track 2 Step 3 Fade Out the Second Audio Track 3 1 Move the edit line to the beginning of the second audio track in the Timeline Hit the spacebar to listen to the second audio track before you fade it 3 2 In the Timeline click the right pointing arrow next to the second audio track to expand the track 3 3 Position the edit line in the Timeline at the point where you want to start fading out the second audio track 3 4 Inthe Audio Mixer window click the Automation Write button in track 2 3 5 Position your cursor over the Volume Fader in track 2 of the Audio Mixer window 3 6 Press your keyboard spacebar to begin playing the audio As the clip plays drag the Volume Fader in the Audio Mixer window down to fade the audio out Notice that the volume rubberband now dips downward illustrating where the audio fade out you just added is located on the audio track 3 7 Press the spacebar again to hear the changes made to your audio track Advanced Users Experiment with ganging and panning multiple audio tracks Project Six Save for Web For many Web designers video pr
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