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Juzisound Total SOLO Sampler EN Manual V15

1. AE 11 CONNECTING EXPRESSION PEDAL piro 12 STARTUP SCREEN c HI 13 MAIN SCREEN m es 13 STRUCTURE m 14 DISPLAY 15 MIDICRANNE Me 15 VELOCITY ics p E J 15 CHANGING PROGRAM i 16 DOSANIPIER S BUTTONS iaia 16 SEPT 2 a E 16 ILI T 16 MIDIPROGRAM CHANGE SETTING erica este ea 18 SAVE GLOBAL SETUP n 19 TRANSPOSING a TA Sn dU TTI TIRI 19 vie t 19 E 20 TERCA T APLE 22 PROGRAM VOLUME c 23 PITCH BEND RANGE GLOBAL c 23 RIBBON CONTROLLER FIXING OF CONTROL CHAN
2. sssss 44 NORRA ESTART siii TA TTT 44 DETAILED SCANNING OF ALL FILES OF THE BANK FOR FRAGMENTATION sececcecccccccceccececcecececsacecscecsccececeecsacessccecseessceececeeceueess 44 SEARCH FOR THE BEGINNING OF THE BANK FILE BY SECTORS cccccececceccccaccccccecencececcecencecencecencecencecenseceececeeseceececesseeeceeeceaeess 44 SIYCARDSPEEDTE Tila 44 SKIPPING THE INITIALIZATION OF THE heme rece ce erica re ceenee 44 SUBROUTINE FIRMWARE LOADER arcella 45 RUNNING THE SUBROUTINE BOOTLOADER uil ile ritiro 45 SORT VV ARE m r 46 UPDATE OF THE BOOTLOADER eil senses ata Rave d nu LEE aT REUS 46 UPDATE OF THE MAIN T 49 THE PROCEDURE AAA 49 MIDI IMPLEMENTATION CHART ssss 52 Important Safety Instructions WARNING The lightning flash with arrowhead symbol within an equilateral triangle 15 intended to alert the user to the presence of uninsula
3. OFF lic 5 JU FFlEibbon Exr OFF OFF Ribbon Mde FUL EXP SEXP Ba SEXP FE Dun 3ExF Menu Program_Setup Expression_Setup Shortcut NUMLOCK 4 Expression that is generally the LOUDNESS of the program It can be controlled modulated from multiple locations simultaneously Within this menu is the matrix that defines which modula tor in what proportion and in what direction to affect the expression It 1s important to know that all modulators can operate simultaneously but always apply the most recent one Therefore it is better to enable only one of them Each modulator has a value of 127 OFF 127 setting the direction and intensity First parameter InitialExpr is the value for an initial EXPRESSION when the program is loaded If this parameter is OFF the expression value remains the same as from the last program Filter Setup Filter Setur 176 Filter Setup 2 6 Filter Setur 3 6 Filter Type HtUelo sCutf DEF Cuttoff BRE i HES Htllela sCuru 5 5536 55536 555536 Lr iii ceiil ii 2 Filter Setup 4 6 iFilter Setup S 6fiFilter Setup 6 6 Up gt Cutof 4 Up gt Ctf DFF Uhel gt LE0 gt F C Crus Huta 2LF F OFF 4 gt AM EtT SLF SF C Crs FU Cutof 6556 Cutaof 65536 17474 ppi WA 5 Curie E Dun 7Cuttf E J nahh JU Cupus H al Cutaof TU Menu
4. Breath IN connector on the rear panel of the sampler is used to connect an analog control ler Analog controller means the following controller pedal potentiometer or any other type of device that produces an analog signal This connector provides 5 volts direct current DC and the input signal must also be in a range from 0 to 5 volts In this input are most often plugged breath controllers from Juzisound or Yamaha model BC 3 As aresult of the input analog value the sampler can generate simultaneously up to 4 differ ent types of MIDI messages They can be targeted both inward to the engine of the sampler and externally via MIDI output of the sampler When messages are sent out they can be simultaneous ly sent in 3 different MIDI channels to be used to control other external MIDI device An example for this is a breath controller which controls simultaneously the sampler and the keyboard that con trols the sampler MIDI output of the sampler along with the analog input can be considered as sep arate and independent of the sampler device for converting analog to MIDI signal To use the built in analog converter to drive an external device you should use another MIDI cable that is con nected from MIDI OUT of the sampler to MIDI IN of the synthesizer you want to control If you want to control more than one external MIDI synthesizer then you need to connect MIDI THRU of the first controlled MIDI synthesizer with MIDI IN on the seco
5. Menu Program_Setup Samples_Offset Shortcut NUMLOCK 2 The offset is one of the most important parameters that are typical for the sampler There is an AUTOMATIC sample offset For example sounds with a long attack such as saxophone usually does not sound good for short notes because there is no time to develop the attack and to sounds the actual tone Such clumsy sounds can t handle fast passages accurately Automatic offset works on the principle of measuring the speed of incoming notes As the notes are closer to each other the greater 15 the offset of the new note The goal is to skip the attack of the sample where it is not yet stabilized Global Offset occur if the note is played IMMEDIATELY after another Defines the maximum time interval that 15 tracked AFTER note 15 played new note is closer to the old one so it s offset is closer to the defined in Au toMaxSector Accordingly as the new note is closer to the end of the specified interval so its offset 1s less the decrease is with respect to the defined maxi mum And lastly if the time distance between two notes 15 equal to or greater than the specified tracked distance the auto offset i5 NOT done An extra offset that is applied to the notes with higher velocity The idea is to omit part of a sample attack for notes with high velocity AutoTimeBase Velo Offset The meaning of the following parameters varying in different modes When
6. EQ or Modulation Effect These are controllers that send potentiometers of the Behringer UMX61 and may be used to direct ly control certain functions of the sampler Mode 1 OMNI ON POLY Mode 2 OMNI ON MONO Mode 3 OMNI OFF POLY Mode 3 OMNI ON MONO O 0 O O O O O O O O O O O O O O O O O 127 27 3 AfterTouch can be sent to MIDI only from the converter of the analog input 4 These controllers are used outside of the standard when are input They are used to control the start and stop of the Bank Select Msb Lsb Modulation Breath controller Data Entry LSB Volume Expression Fx control 12 Terca control Fx control 13 Terca control Ribbon Controller Resonance Filter Resonance Brightness Filter Cutoff Non registered parameter LSB MSB Registered parameter LSB MSB All sound off All note off Send from Analog IN gt MIDI converter 5 Received when control mode is ON 6 Control scale function 1 It is possible that different MIDI channels to be used for input and for output Stored with the global settings 2 The volume of the input notes can be recalculated according to 16 different curves The settings are stored along Specifications CPU ARM CPU STM32F103RET6 Frequency 73 728 MHz Digital Audio Processing 32 bit integer 48 kHz Sample Rate 48 kHz Wave memory Unlimited depending on the size of SD card used SD Card slot SD C
7. Juzisound Total SOLO Sampler Owner s Manual Contents Eel nec 2 IMPORTANT SAFETY INSTRUETIONS abe UqEI Ai 4 POWER SUPPLY iir 5 PLACEMENT aa AIR RATA Ia 5 ADDITIONAL PRECAUTIONS em X ainoaa 6 Muri ENN cie 6 INFORMATION FOR USERS ON COLLECTION AND DISPOSAL OF OLD 7 BASIC CONTROLS AND INDICATORS OF THE SAMPLER s s s 8 PRONTE 1 TUN 8 8 HARDWARE E 9 U 9 CONNECTING PS 2 KEYBOARD NUMPAD J s sss ssssuueeue ssseo 10 MIDLAND AUDIO CONNECTIONS ai ai AA a 10 ID CONNIE CT ON rr 10 ors T T 11 AUDO OUTPUT SETTINGS
8. Operational amplifiers NE5532P TL072 Master volume Analog ALPS stereo potentiometer Audio out main 2 separate mono 1 4 TRS connectors mono unbalanced rear panel Impedance 140 Q Signal to noise ratio 112 dB Stereo crosstalk 80 dBu 1 kHz Maximum output level 420 dBu Audio out phones stereo 1 4 TRS connector unbalanced lo cated on the front panel Impedance 75 Q Signal to noise ratio 112 dB Stereo crosstalk lt 80 dBu 1 kHz Maximum output level 20 dBu MIDI interface Standard 5 pin DIN connector MIDI IN ungrounded through opto isolator MIDI OUT configurable as MIDI OUT or as MIDI THRU Remap of note velocity Yes using 16 different velocity curves plus the limitation and mixing of 2 curves MIDI Analyzer Yes shows the 6 most recent MIDI events Sysex Analyzer Yes shows up to 128 Sysex bytes Input for Analog Controller 3 5mm stereo jack Software configuration of the power pins Power 5V Direct current DC Short circuit protection Input signal level from 0 to 5V Software controlled Pull Up resistor 2 2 kOhm Analog amplifier with software controlled GAIN and OFFSET MIDI converter from Analog IN Ability to generate up to 4 different MIDI mes sages simultaneously each with independent parameters Send up to 3 different MIDI chan nels simultaneously Messages are sent via MIDI OUT Other external controllers Two independent inputs of the EXTENSION connector for connec
9. OFF gt 0300 6 00 AUR HO OUT 0000 this page you can see all parameters and both input and the output signal from the controller The parameters are as follows With this parameter you can reverse the polarity of the input signal by software The signal is NOT inverted The signal IS inverted IN X The signal is interpreted as a signal with a midpoint Example imagine accordion bellows When the bellows is in the middle position deviation in any direction makes the accordion to sounds i e the volume changes from silence zero to full sound Similarly the deviation of the input signal from the middle point in any direction results in an increase of the output signal With this parameter you should set the value that is considered zero e g the Offset value which gives the breath controller when you NOT breathe in it This pa rameter has no effect when the above parameter 1s the interpretation of type X Threshold for switching to Bypass mode When the input level drops below this value the analog input 1s switched to Bypass Mode Take for example a breath controller Suction creating a partial vacuum in the mouthpiece drives the Bypass ON breath controller to a value below the threshold and the analog in module of the sampler enters BYPASS mode Until the moment that you blow into the mouthpiece and the value produced by the controller jumps over another thre shold set by the Bypass
10. front panel of the sampler and turn the power on YA 7 Sampler s screen should display start page of the Bootloader Once you see it you can re lease the buttons pet sampler Bootloader 6 Wait about 3 seconds until the screen displays this menu Bootloader 2 4 Load from kLoad from SOCard USE Card Reader Pavic e Info Start 3 9 With the button on the front panel of the sampler select the second menu item named Load from SDCard Load From SDCard File 10 Press ENTER 11 Wait until the sampler detects the card You should see a screen with operating systems files If you have more than one operating system on the card you can select one of them with the keys or 12 Once you select the file operating system press ENTER This starts the update You will see an indicator that shows the process of update Wait for the procedure to finish completely Load From SDCard Write FLASH If there are no error messages after update is completed screen will Flash meme org display a message Flash memory write OK This means that the OS is write OK stored successfully in the program memory of the sampler which means that the procedure 15 completed Press arna Juzisound 15 Wersion Wersion 3 Press any key on the front panel of the sampler or restart the power B
11. pressure or like if there is no breath controller at all Activation and deactivation of the breath con troller can be controlled by the PS 2 numpad keys ENTER 0 When using breath controller Juzisound the control can be done from the breath controller itself In this case to disable the breath controller to enter BYPASS mode you should shortly suck the mouthpiece creating a partial va cuum To enable it again to exit BYPASS mode you should blow a little harder for a moment The current state of the breath controller is displayed on the main screen of the sampler If the breath controller is disabled if it is in BYPASS mode on the main screen in the field for breath controller is displayed a flashing sign X If the breath controller 15 active this field displays the strength of breath pressure These two methods for managing the state of the breath controller by mouth or by PS 2 numpad can be used together and simultaneously without interfering m HI ET mr 01 00 000 127 ory Ini 008 000 i27 Di 00 000 127 2000 000 2000 Arab Accordion 11 Arab Accordion if Accordion i IMPORTANT Value OFFSET shown on page Analog In 4 4 may vary from breath controllers For this purpose with plugged breath controller and without blowing you should note the value of the pre vious parameter shown on the left in the same row and on the same page Then the value of OFFSET is adjusted wi
12. 001 999 Any changes in these parameters should be saved from page Menu GLOBAL Save_Global Otherwise changes will be lost when you turn off the power MIDI channel MIDI Channel sl 5 end Sc Menu GLOBAL MIDI Setup MIDI Channel MIDI messages received on this channel are implemented by the sampler There are separate MIDI channels for MIDI Notes and for Program Change 1 e changing the programs can be done from separate MIDI channel Velocity Remap In the menu GLOBAL you can REMAP the velocity of the incoming midi notes according to defined curves and limits This 1s very useful There 1s also an analyzer of input and output notes velocity The idea basically 1s to play the keyboard and by monitoring the values of the analyzer to select such parameters that regardless of the incoming notes velocity to use the full range of MIDI dynamics The goal is the best possible control over the sampler with respect to notes velocity com ing from this MIDI keyboard These settings are global for the sampler and can be found on third page of MIDI Setup MIDI Setup 374 llel gCur 001 OWT 001 Di lt lt 01 000 187 000 127 Menu GLOBAL MIDI_Setup Changing Programs The Programs can be changed in 3 different ways By Sampler s buttons With the buttons on the front panel of the sampler and move 1 and 1 Pressing and simultaneousl
13. Program_Setup Filter_Setup Shortcut NUMLOCK 6 Here you can configure the filter of the program There are many modulators but difference is that they all can work together All modulators together generate a value that is passed to the fil ter Each modulator has a direction intensity and its own curve that has its influence on the filter At the bottom is always displayed the resulting cutoff which is shown graphically and numerically Parameters Filter Type The type of the filter It is not altered by the modulators Cutoff This is the BASIC cutoff upon which affect all modulators in a certain direc tion If there are no activated modulators this would be actual cutoff Resonance Resonance it also 15 not affected by the modulators and is constant NtVelo Mode How the Note Velocity to affect the filter mode as an absolute value that over rides all modulators or as a modulator How CC74 to affect the filter either directly to the cutoff or thru modula CC74 Mode tor matrix This parameter and the parameter above are reserved for compati bility with older hardware versions of the sampler NtVelo Cutf How the Note Velocity to affect the filter cutoff How the joystick of the keyboard pulled down to affect the filters cutoff On hoses PB Up Cutof PB Dwn Cutf 74 UpCtf CC74 DwCtf Whel LFO F If there is a vibrato from the modulation wheel how it affects th
14. and ENTER 3 ENTER 6 turns ON the function for special note Terca sign becomes a low er case letter t ENTER 3 turns OFF the function for special note Terca sign becomes a capi tal letter T This 1s on the main screen C of sampler The zone is used to be able to play terca with another simple different from the original If this parameter is ORG the terca plays the same multisamples as the original tone If the parameter is ZNx where x is the zone number the terca plays with the multisample which is chosen for this zone from the multisample menu This makes it possible the multisample for the terca to be different from the multisample for the main voice The multisample can be set from the menu Menu Program Zone Setup scanning table Program volume Each program has its own volume which 15 stored along with it It can easily and quickly be changed during playback by pressing a combination NumLock and NumLock The change appears on the screen in large digits main screen if the volume of the program was changed from the original volume parameter start flashes To save the changed volume you have to save
15. if so in which zone are located the multisamples of the sound to be played Next to this parameter we have two parameters to set the note range where we have placed sound effects The idea is that if you have several sounds you can use them all The sound is selected au tomatically and randomly by the sampler If the two values are equal will always played the same sample one to which values point With these parameters we choose the note or notes to which we have located sound in the relevant multisample IMPORTANT The volume is adjusted by the VOLUME OF THE ZONE where it is located menu zones NumLock 1 Preset Name renaming of a program Preset NAME lt gt Fa A ECDEFG Menu Program_Setup Preset_NAME Shortcut NUMLOCK 9 Here you can set the name of the program By repeatedly pressing the ENTER button we go through all 16 positions of the program s name Moreover the key jumps between characters 0 A a for faster movement through the character table With buttons on the front panel of the sampler MENU gt gt ENTER gt 15x gt ENTER gt choice program with gt ENTER gt gt ENTER gt MENU From PS 2 numpad NUM LOCK ENTER gt choice program with gt ENTER gt gt ENTER gt NUM LOCK Breath controller ON OFF BREATH EXTENSION L OUTPUT R Made Bulgaria 5 m B POWER IN C OUT MIDI IN
16. that the unit has been completely disconnected from the source of power If you need to turn off the power completely first turn off the unit s switch then unplug the power cord from the power outlet For this reason the outlet into which you choose to connect the power cord s plug should be one that is within easy reach and readily accessible Power Switch is only for functional switching of the device Does not disconnect the device from the mains Due to the risk of electric shock replacement of fuse and battery are performed only at an au thorized dealer of the manufacturer or person with similar qualifications Placement Using the unit near power amplifiers or other equipment containing large power transfor mers may induce hum To alleviate the problem change the orientation of this unit or move it farther away from the source of interference This device may interfere with radio and television reception Do not use this device in the vi cinity of such receivers Noise may be produced if wireless communications devices such as cell phones are operated in the vicinity of this unit Such noise could occur when receiving or initiating a call or while conversing Should you experience such problems you should relocate such wireless devices so they are at a greater distance from this unit or switch them off When moved from one location to another where temperature and or humidity is very dif ferent water droplets
17. the program This is most easily done with a shortcut NumLock ENTER There 1 PEAK indicator the lower LED on the front panel During normal operation this peak indicator should NOT BE constantly ON If the indicator flashes frequently e g when playing chords volume should be reduced slightly until the indicator stops flashes or flashes very rarely Thereafter you need to align the other programs with respect to that one There is also an AUTOMATIC volume reduction The idea is the sampler automatically to reduce volume until there is no audio clip This function is available from the menu Menu GLOBAL Other_Gl_Setup Auto_Volume If this function is used and it has changed the volume of the program you have to save the program to save the changes Pitch Bend range global Each program has its own parameters for Pitch Bend range They can be 2 or 1 These parameters are individual for each program and are saved with it Very often in practice a keyboard player works with the same PB range for all programs For this purpose there is a possibility that PB range can be set globally The global PB range Gf enabled HAS PRIORITY over the individual program PB range The global PB range is available from menu Other GlbSte 2 5 T PE PE Menu GLOBAL Other_Gl_Setup Second page parameters PB Up Fix to and PB DownFixTo Values can be 1 or 2 These parameters are saved with GLOBAL IMPORTANT
18. 0 35 HARDWARE VERSION 3 00 AND LATER esse esse esse esse esse esse esse esse esse esses sese 35 TROUBLESHOOTING THE POWER SUPPLY TO BREATH IN ccceccececccccceccceccsceccecenceceaceceaceceaceceaceceacecencecsaceceaceceaceceacecsaceeeaceneas 36 PREA TAND ET MT 39 BREATHPRESEFSELE Crete 39 ME SETUP ES EE AA 39 ei sra Ee ges 40 BREATH SE MIN lierna 40 EXAMPLE OF BREATH CONTROLLER SETTINGS sss 41 COMMON SETTINGS IN THE MENU GLOBAL SETUP ccccececcccscecccceccccecceceacecenceceacecsacecsacecsacecsacecsaceceacecsacecsaceceacecsaseceaeeceasenss 41 USING JUZISOUND BREATH esse esse esse esse esse esse esse esse esse esses esses eue 41 USING YAMAHA BC 3 BREATH CONTROLLER 42 COMMON SETTINGS IN THE MENU BREATH e i Co e nsa S REUS 42 ENABLING AND DISABLING THE BREATH CONTROLLER BYPASS MODE sese seres essere sese senes 43 KEY COMMANDS AT STARTUP
19. 2 4 MIDI Qut Is 0 Thr utlutHates a 110 TranzrLowzn TranzrHushzn X iHLimitHishzn mir 1 i C na mea c Menu GLOBAL MIDI MIDI OUT Is No MIDI information going out thru the MIDI OUT THRU It simply takes whatever data is received at the input and echoes it back out MIDI OUT basically output from the breath controller but can also be used OUT l l to control the transposing and the scale of an external synthesizer AUDIO connections Always connect the audio output of the sampler DIRECTLY to a mixing console not through the audio input of the synthesizer MIDI IN ojoojooo Ex MIDI OUT Audio IN Picture 2 Audio OUT Shown in Picture 2 audio connections are INCORRECT and leads to a DRASTIC reduction in sound quality The correct way is shown in picture 1 Audio Output Settings L OUTPUT R VS The two audio outputs can be configured in the following way x MAIN MENU GLOBAL MENU Audio OUT Setur Smele OUT STEREO MES OUT STEREO DH Lire E gt Menu GLOBAL lt Audio_OUT_Setup The sampler and the MP3 player to play in both stereo jacks Then sound of the sampler comes out of both jack dual mono and MP3 player comes out of both jacks stereo Smplr OUT STEREO Mp3 OUT STEREO The sampler
20. GE 18 s s u 24 EFFECTS SETUP c 24 PROGRAM PARAMETERS FOR DELAY SETUP Rm 25 EE ICE 25 SAMPLES eem XX 26 AMPLIFIER SETUP e 27 OSCILLATORS SETUP ss 27 AAA IA AA AAA AA AAA AAA AAA AAA 29 EXPRESSION SETUP 30 FILTER Eel zi DEL Wi AWA AA 30 LFO SETUP LOW FREQUENCY OSCILLATOR s s s s 31 EFFO OUND SETUP ec WA 32 PRESET NAME RENAMING OF A PROGRADM cssccsccssccsccescnssceccecccscceccesccssceccecccssceccescsececcscessceccescescceccessessseccess 32 BREATH CONTROLLER ccc n 33 BE RERO OR RO E AA 34 Sir zr NSA EE 34 HARDWARE VERSION UP TO 2 0
21. OFF parameter This parameter defines where to go and to stay the output value of the analog section while Bypass mode 15 active Arrow Up means that the value 15 set to its maximum position like we apply maximum pressure Arrow Down means that the value 1s set to its minimum value like we do not blow in to the mouth piece at all The standard setting 1s UP This 15 the default setting when breath controller is not used Threshold for leaving exit Bypass mode If the controller sends a value above the set in this parameter the analog IN module exits bypass mode Using a Bypass OFF separate and higher value prevents the controller from activation in case of ac cidental lighter breath The idea 15 that in order to activate the controller again you have to blow once a little bit harder This 15 a software amplification of the signal from the controller Using a step of 0 25 in range from 1 00 to 10 00 This gain 1s duplicated as a function of the hardware gain from the third page and if your hardware configuration have hardware gain it 15 better to use it instead of this one If you do not have hard ware gain is not a problem set this parameter high enough until you reach the Bypass direction needed input sensitivity Averaging This is a parameter that defines the speed of change of the output signal With its help you can apply some smoothing of the output signal from the controller if necessary Degrees of smoothing are NO
22. When changing the PB range activation occurs at the next change of program The PB range of the currently selected program will not change until the next change of program Ribbon Controller fixing of Control Change 18 Other GlbStr 5 5 Ribbon FixTo OFF Menu GLOBAL Other_Gl_Setup This parameter GLOBALLY sets received messages from Ribbons controller Control Change 18 to be interpreted for all programs as Pitch Bend message 1 or 2 Each program has its own parameter for this but the global one if enabled has priority Effects setup Sampler has no REVERB effect but there are modules DELAY and MODULATION EFFECT These modules are DISABLED globally by default because is recommended to use ex ternal effects from the mixer to obtain the best result If you need to use internal effects they should be enabled globally This is the menu Delay Status Delay Lock Mod Effect Effects Delay status OFF Delay lock OFF Mod Ett Menu GLOBAL Effect_Setup Enables globally the DELAY module If it s enabled globally now each one program has its own parameters for DELAY These parameters are saved with the program LOCKS the delay parameters at the time of activation Once they are locked they are no longer change when changing programs The idea is to be able to adjust some delay parameters that are suitable for the current environment and they to remains the same for all sampler
23. amento but always go back to the old note with lega to This is typical for wind instruments with reed MONO priority lowest note highest note or the last note It is normal to use the last note Mono HOLD JS2 Fade coefficient Mono Ret Legato Mono Priority Zone Setup Zone Setur en Menu Program Setup Zone Setup Shortcut NUMLOCK 1 This menu defines which multisamples to which zones will be located and optionally with what parameters Note that we always have ONLY ONE selected area and all parameters in the edit win dow are for this SELECTED area Each sampler program can use up to 14 zones simultaneously In some modes multisamples loca tion in the zones is specified in other modes is not specified free The zones names Mzl Mz8 Main Zone from 1 to 8 Here are usually the VELO zones LEGATO zone RELEASE zone Mdl Md4 Additional four areas for effects modulators etc The parameter Zn 15 to select zone Thereafter all displayed parameters are for this zone only MSm This 1s the multisample which is defined for that zone Below it 1s the name of the P multisample This transpose 1s only for that zone it 1s not currently active This 15 the volume of that zone Note velocity from to where the zone is active These are the keys which works the zone not valid for now Expression Setup Expression 1 2 Expression 2 2 InitialExrr OFF Joy
24. ards 2 7 3 6V Supported SD cards All models 16MB 32GB Audio file format WAV 48000Hz 16 bit Mono Sampling method Full Length entire length of the sample Not use Loop Point Single WAV file for each note Multisamples 2048 multisamples in a bank 14 multisamples for a program Multisample files 128 WAV files single file for each note Maximum polyphony 8 notes depends on the mode of the oscillator Oscillator mode Normal POLY Bass MODE 1 Bass MODE 2 Mono RETRIGER Mono LEGATO Mono Portamento CZ Mono Portamento DX Mono Portamento KORG Bouzouki Gibson Guitar Mono Portamento JS Mono portamento JS2 Violin Violin 2 Poly 4 notes JS Tenor Sax JS Alt Sax JS Clarinet JS Bouzouki Programs 999 user programs for a bank Scale comma Resolution 16 units per semitone One USER scale for each program plus 3 separate programmable global scales with option for instant recall at any time There is ability to control the scales via MIDI directly from a synthesizer with Sysex messages Terca 6 presets for terca plus modes for scanning tercas Ability for terca with a timbre that differs from the basic timbre There is a possibility to control the tercas via MIDI directly from a synthesizer with CC12 and CC13 Effects Delay EQ Enhancer Modulation effect Cho rus Flanger Phaser All effects are mono DAC Texas Instruments PCM1791A sampling frequency 48 kHz Audio data 32bit
25. broutine called Bootloader Firmware Loader is stored in the main memory of the sampler by the manufacturer and is the only software in the device which CANNOT be changed or updated by the user The other main feature of this subroutine is that 1t cannot be damaged by the user and therefore through it 1s always possible to recover the rest of the sampler s software For proper operation of the Firmware Loader is needed a PC with a serial port and a serial cable to connect the computer and sampler During operation of the Firmware Loader its version is displayed on the screen To exit this subroutine you should restart the sampler power off and power on Running the subroutine Bootloader Sampler starts subroutine Bootloader which provides the following functions Updating sampler s OS using a PC with serial port Updating sampler s OS directly from SD Card Using the sampler as a computer USB to SD Card reader Displaying the serial number of the sampler to be able to check it even if there is no main operating system Bootloader serves mainly to update the core OS of the sampler Most often the update is done by copying the new OS BIN file to the root directory of the SD card and load directly from it PC is ne cessary only for downloading of the new OS and to copy it on the SD card During operation of the Bootloader its version is displayed on the screen To exit Bootloader should execute a command to launch the main OS
26. can try it Next parameter sets the lowest level of input that 15 accepted as valid Values above this threshold starts to generate a MIDI signal All values of the input signal below this mini mum value is considered zero and the output does not change The next number on the same line sets the highest value of the input signal to be considered valid All values of the input signal higher than this threshold are ignored and the output does not change The last line is defined minimum and respectively maximum value of the output MIDI con troller signal that can be generated These are the lowest and highest output value generat ed as a result of the input signal The combination of all these parameters gives huge opportunities to achieve what you want in the best possible way The remaining three sections are exactly the same as the first Each section 15 independent of the others and they all can work together There are a total of four sections and it 1s possible to generate 4 different MIDI messages simultaneously from the same input analog signal Breath Out Summary Breath Levels 1 TA Menu Breath_Setup BreathOutSummary In this menu there is nothing to change Here you can watch all generated MIDI signals on one screen simultaneously You can see all the numbers of the generated MIDI messages and routes that are sent to internally to the sampler or externally via MIDI output Save BREATH settings With button
27. ch then can be increased under the influence of other parameters In certain cases it is best that parameter to be considered as a BASE time of the portamento Defines how much to increase portamento time for low velocity High veloc ities have portamento time which 15 defined in parameter Porta speed The larger is the value of parameter Velo Porta the bigger is the portamento time for low velocities relative to high velocities Note that portamento time can only INCREASE not decrease If the value of parameter Velo Porta is 000 the portamento time will be EQUAL to Porta speed in entire range of velocities Determine how much to increase portamento time when the interval between the notes is bigger This parameter is used if you want portamento time to depend of the interval between the notes Usually this parameter is set to 000 Defines at what velocity values of a new note in mono program new note is played with legato not portamento In other words over what veloci ty value to disable portamento and switch to legato Defines the smallest value of the portamento If for some reason portamento must be less than the set value automatically switching to legato Because at very short values portamento does not sounds good and 15 better to do transition between tones with legato Aft Pitch AfterTouch to Pitch conversion Can be 1 or 2 Use LastVelo For MONO sounds when we return from MONO situation two ve
28. ck unlock is ENTER Combination NumLock enters menu for Terca Setup Terca Setup Stati Wid Hatur Major Oct 6 Holos 055 zna z Terca status on off Terca mode 0 1 In mode 0 the sampler plays the terca note and the main note In mode Mode 1 the sampler plays ONLY TERCA NOTE Mode 1 is available in all modes of oscilla tors so the sampler can plays terca tone and the keyboard to play the main tone Special note It changes only one tone of the terca and only in the octave in which the terca is selected This tone 15 different for terca up and terca down For terca up this special note is the fifth only in the octave below the terca is selected The difference On that tone instead of playing terca up as expected the sampler plays perfect forth up Example Major terca up For the lower which 15 usually part of the end of phrase if this function is OFF the terca tone will be B If this function is ON the terca tone will be C When terca down mode 15 selected i e you play terca note and the engine plays main note the special note is the basic note only in the octave below terca 15 selected Example Major terca down For C if this function 1s OFF the terca tone will be lower A If this func tion 15 ON the terca tone will be lower G The special note can easily be managed during play with a combination of keys ENTER 6
29. cks the location of the files Search for the beginning of the bank file by sectors The sampler starts its main operating system but the search for bank file on the SD card 15 not by FAT table as usual but by searching the first sector of the file This first sector must have a specific content The search starts at sector 0 and continues until the first sector of the bank file is found This function is provided in case of failure of the FAT table on SD card This is possible because during normal opera tion the sampler NOT uses FAT table but direct offsets from the be einning of the bank file FAT table 1s only necessary for Mp3 player SD Card speed test Sampler starts its main operating system but before doing this tests the speed of the SD card After completion of the test sampler shows the result and wait for button pressed Skipping the initialization of the MP3 player Sampler starts its main operating system but skips the initialization of the MP3 player This function is provided for cases when during the initialization of the MP3 player a fatal error occurs a usually the rea son for this is an attempt to update the list of Mp3 files and on the SD card there is no place for it however can continue to work with the sampler without Mp3 player MENU u ENTER MENU C Subroutine Firmware Loader Sampler starts subroutine Firmware Loader which is designed to up date another su
30. condensation may form inside the unit Damage or malfunction may result if you attempt to use the unit in this condition Therefore before using the unit you must allow it to stand for several hours until the condensation has completely evaporated When moved from one location to another where the temperature and or humidity is very dif ferent water droplets condensation may form inside the unit Damage or malfunction may result if you attempt to use the unit in this condition Therefore before using the unit you must allow it to stand for several hours until the condensation has completely evaporated Do not put anything that contains water on this unit Also avoid the use of insecticides perfumes alcohol nail polish spray cans etc near the unit Swiftly wipe away any liquid that spills on the unit using a dry soft cloth Additional Precautions Please be aware that the contents of SD card can be irretrievably lost as a result of a malfunc tion or the improper operation of the unit To protect yourself against the risk of losing im portant data we recommend that you periodically save a backup copy of SD card Use a reasonable amount of care when using the unit s buttons sliders or other controls and when using its jacks and connectors Rough handling can lead to malfunctions Never strike or apply strong pressure to the display When disconnecting all cables grasp the connector itself never pull on the cable This
31. cts on human health and the environment which could otherwise arise from inappropriate waste handling For more information about collection and recycling of old products please contact your local mu nicipality your waste disposal service or the point of sale where you purchased the items If you wish to discard electrical and electronic equipment please contact your dealer or supplier for further information Information on Disposal in other Countries outside the European Union This symbol is only valid in the European Union If you wish to discard these items please contact your local authorities or dealer and ask for the correct method of disposal Pe Me c o e M Basic controls and indicators of the sampler Front panel Potentiometer for adjusting the volume of the headphones and the main outputs LCD LED indicators Menu buttons HEADPHONES output 6 3mm stereo audio jack SD card slot on or wa bons L zr xml 4 Made in Bulgaria 5 bomas or sm F tea D Rear panel Power switch Analog controller IN usually breath controller Extension port mostly for service functions Main outs 2 separate mono channels 6 3mm mono audio jack Power IN MIDI IN and MIDI OUT Slave USB for connecting to PC To connect PS 2 numeric keyboard numpad Hardware versions There are several hardware versions of the sampler Version 1 00 the f
32. done with key Keep the BackSpace BkSp from PS 2 numpad pressed The keyboard will not play at this time Press the notes you want to lower a quarter tone Release the BackSpace Play with your new scale Notes you pressed on step above are now lowered of a quarter tone If the BackSpace is pressed and released without playing a note the scale is turned OFF Any scanning automatically locks the scales If you wish to use the key you should make changes in menu Global OtherGobalSetup ScalaScan YES NO Terca IMPORTANT Not every oscillatory mode may use terca The terca is a doubling of the played tone at a certain interval with respect to set basic tone tonic and mode Latin modus The most common interval is terca up but may also be terca down or octave Tercas are set by mode and basic tone By pressing and holding the of PS 2 numpad enters scanning mode for terca on the display flashes quickly letter T By pressed simultaneously three keys which exactly is explained below in a table is set a base note and mode for the terca These three tones not heard They are just to set basic tone and mode If the sampler detects a valid combination after the three tones are pressed the display shows letter T and you can play the se lected terca The terca can be switched on off and lock unlock just like the scale After scanning the terca locked itself Button for switching on off is Combination for switching lo
33. e filter Auto LEO If the auto vibrato which occurs after a specified time period 15 enabled how it affects the filter ART LFO F IMPORTANT There are several ways in which vibrato to affect the filter NRM the filter is moving in the same direction as the vibrato INV the filter is moving in the opposite direction of the vibrato LFO gt Ctf gt Mode NR Only up in the normal phase IR Only up in inverted phase NR Only down in the normal phase IR Only down in inverted phase LFO Setup 1 2 LFO Setup 2 2 LEO Waveform Raf teT sPitch OFF LEO PulzseMdt FII SFeer WHheel Pitch HutahacdDelaas Hut ohlodberth Menu Program_Setup LFO_Setup Shortcut NUMLOCK 7 AutoModDelay Automatic vibrato after what period of time to trigger AutoModDepth The intensity of the Auto Vibrato AftrT Pitch AfterTouch to Vibrato EffSound Setup Eff Sound Setur Hate Menu Program_Setup EffSound_Setup Shortcut NONE This menu defines the sound sound effect which is played WHEN CALLING this pro gram The most common example of this is the change of register of accordion If the specified pro eram is a timbre of an accordion then through this menu can be set exactly at the time WHEN CALLING program to hear a sound like a changing register PGChangeZone this is the main parameter It defines whether the function 15 active and
34. ed 032 5 Save the GLOBAL Setup of the sampler penultimate page on the menu GLOBAL Menu Global Setup Save Global Startup screen Welcome screen displays the version of the hardware and software This can be seen later from Menu Device Info Juzisound Total T S 43 HM Wersionm 2 MIDI channel Transposing of the sampler global Global limit of the incoming MIDI notes Mode of the oscillators Volume of the current sound Number of the sound If you change the volume or the transpose of the sound here will be dis played new value for about 2 seconds Here you can see 4 letters but they are visible only if the mode that they indicate 15 ON Their meaning is as follows scale T terca E modulating effect Q equalizer or enhancer If the scale or the terca flashes then they are locked They can be TURNED OFF and to be still LOCKED The idea is when they are locked not to change with the change of program To re main unchanged from the last manual change to the new one Indicates the state of the breath controller optional At the top of the indicator is the current preset and below 15 the breath pressure If the lower part depicts the X this means that the breath controller is in bypass mode The name of the current sound Menu structure You can access the menu by pressing MENU on the front panel
35. ed in the next parameter Next is default program 1f unknown message 15 received With next parameter you can LOCK sampler s programs during playing MP3s For ex ample the sampler can play MP3s and at the same time you can play on the external keyboard or synthesizer without interrupting the sampler by MIDI messages MIDI PGSetur 2 2 Seng Chanae SendPGChane 1 MIDI Program Change Setup Second page The first parameter 15 whether to send messages to change the program from the sampler when the change is made by the sampler itself The second parameter defines the MIDI channel used if the sending is enabled For this purpose MIDI OUT function defining how to work MIDI output of the sampler should be in position OUT Menu GLOBAL MIDI Setup MIDI Out Is OUT Save GLOBAL Setup Enter MENU and then enter GLOBAL Scroll to Save Global Enter Save Global change confirmation to YES and press button ENTER Then exit with button MENU From front panel MENU gt ENTER gt 12x gt ENTER gt gt ENTER gt MENU From PS 2 numpad ENTER NUM LOCK gt ENTER gt 12x gt ENTER gt gt ENTER gt NUM LOCK Transposing There are two type transposing and they can work simultaneously e Global transposing for entire module Can be done with and from PS 2 numpad Global transposing range is 24 semitones For global transpose RESET press and simultaneously Displayed
36. edited manually MIDI PG Table LCHICSZIPREG Menu GLOBAL MIDI PG Table upper two rows are the last received MIDI messages for Program Change e Next is the number of currently active connection PLEASE NOTE that the number of the link 15 not the number of the calling program e Next is the link status Active or not active To which number of program points With which MIDI messages are called e At the bottom there are two functions that are activated when the marker is on them i e blinking by pressing the button LINK this function is for making a link between the MIDI messages shown the second row last and the program shown on the fourth row PRG RESET this function RESETS the entire link table and you can start from scratch Once again REMEMBER to save GLOBAL after changing something MIDI Program Change Settings MIDI PGSetur 1 2 FG Change IDI Channel n 1 Program Loc Menu GLOBAL MIDI_PG_Setup First is the global status whether to respond to a received MIDI Program Change mes Sages or not Next is the MIDI channel used for changing programs It s important that this channel can be different from channel for notes Next is Program Change BANK mode Only 0 Only 32 Both Next is how to react if unknown Program Change 15 received NN do nothing GP go to default program defin
37. f a single MIDI message together with its associated parameters We will discuss only the first menu the others are the same Message Setup 1 2 3 4 BrControl 1 4 Expression E11 1 MC n I 01 lt lt Di 000 1 7 000 1 7 Menu Breath_Setup 1 Message Setup This menu determines what to be the generated MIDI message and what parameters to be used for generation The first parameter defines the MIDI message which MIDI controller to be If there 15 no MIDI controller selected this section 1s not used and does not generate any MIDI message Next you have 4 characters ABCI They define the target of already generated MIDI mes sage Characters A B and C are to direct MIDI message to the MIDI output on the rear pan el of the sampler Each letter corresponds to one of the already selected MIDI channels Thus activation of any or all of these letters you can send the generated MIDI message to the 3 MIDI channels simultaneously Letter I sends the same MIDI information internally to the sampler itself From now on the program settings define how will be interpret the signal from the analog input Next you have 2 numbers for choice the curves that shape a MIDI message and an opportu nity to make a mix of the two selected curves Curves themselves represent pre adjusted re lationships that shape the output value relative to the input value The use of different curves for different parameters gives many great features You
38. f the scale does not change when changing programs If the scale is locked the sign scale flashes whether the scale is ON or OFF When the scale is ON the flashing sign is normal and when the scale is OFF the sign is inverted For locking and unlocking press ENTER Global scales 1 2 and 3 can be called at any time with a combination of keys ENTER 7 8 or 9 Calling of the global scale AUTOMATICALLY lock them The scale can be controlled with SYSEX messages from KORG keyboard KORG On the keyboard you can change scales in 3 ways byusing STS by pressing the key by changing numbers on the KORG s display The first two ways send SYSEX message and can used to modify scale of sampler The third method does not change the scale of the sampler The Scale settings are in menu Scala Setur Menu Program_Setup Scala_Setup The status indicates whether the scale 15 ON when the program 15 called or should be turned ON additionally e Base note shows the basic tone of the scale in which tonality should be played to be al tered right tones of the mode At the bottom of the screen shows which tones relative to base note have been changed and by how much The change can be 16 Zero indicates that the specific tone is un changed The scale has SCANNING mode The idea is as KORG keyboard This can be done with a key BackSpace BkSp from PS 2 numpad and for keyboards that do not have it can be
39. hould light the lamp EDIT rather than Hyper Terminal you have to select Transfer and Send File On the computer screen should appear a window for select ing the file to be sent to the sampler and to select the protocol for file transfer For a file you should select the BIN file with the new version of the Bootloader and for the protocol type from the drop down menu you should select the type Ymodem Send File Folder DAM ata MSA Projects Sampler Filename BOOTLOADER 2 4 bin Protocol Ymodem After selecting the file type and the protocol you should press Send which starts loading of the Bootloader On the computer screen should shows up another window that shows the status and progress of the loading On the screen of the sampler will shows a message Loading and progress indicator that also shows the progress of the update During loading the uppermost lamp L1 of the front panel of the sampler flashes Ymodem file send for IAP Sending D MyDataMAR Projects Sampler TotalBass project EWARMyB Releas Packet 167 Error checking CRC Filesize 502K Retries 0 Total retries 0 Files 1 af 1 Last error File EEL LLL 164K of 502K Elapsed 00 00 26 Remaining 00 00 53 Throughput 54530 bps If the loading of the Bootloader 15 successful on the computer screen in the window of Hy per Terminal should display a message similar to the following Programming Name Samp
40. hown below _ MAIN MENU BREATH MENU ff Analog In 1 4 E Analog In 274 JackPins REED ct Amalca Im t rar Do Analos In 3 4 i an 1er GHIH r ce i32 OFFSET 0442 LLL EH E E B HH E EH EE HH EL HHEHEHEEHEEELH Jm EYPASS mn 1 25 AUR REA Additionally on the breath controller make the following settings Increase GAIN to end e Do not inflate With OFFSET knob find posi tion from which the screen Analog In 2 4 start a change in the reading on the display the one with the big numbers e Slightly return OFFSET knob backwards so that it stands in the position just before start changing Common settings in the menu Breath Setup Enter Menu gt Breath Setup and set all submenus as shown below F MAIN MENU x BREATH MENU Brth MIDI Setur MIDI Chnnl BH MIDI Chnnl 62 Erti MICI MIDI Chnnl C 83 6 T a Burass Mode DF LT BrPreset Sellect Se Al BrControl 1 4 Expression 291 1 MC A I 01 lt lt 01 000 i27 000 1 7 _ Are Sure gt SS Er Stn YES I Enabling and disabling the Breath Controller Bypass mode When working with breath controller usually there is no sound if you do not blowing into the mouthpiece To be able to work without breath controller you need to disable the module Analog IN In this case although you do not blowing the sampler works like if you apply maximum breath
41. in MONO program with portamento we have a transition from tone to tone BY PORTAMENTO the new sample 15 played with a specified offset When in MONO program with or without portamento we have a transition from tone to tone BY LEGATO the new sample 15 played with a specified offset When in MONO program we have a transition from tone to tone with porta MonoRetrnOfs mento or legato and we return to the first tone the last sample 1s played with a specified offset Porta Offset Legato Offset Amplifier Setup Here are defined volume dynamics attack and release of the program Amelifier Setur Lyd of it gt m ho yg eee Lames I pDA u i n Da Gam tp Setup Amplifier Setup Shortcut NUMLOCK 4 5 Program Volume This 15 the dynamics of the program velocity sensitivity Value 000 meaning no dynamics at all value 127 1s the greatest dynamics This parameter applies only to the oscillatory mode JS2 Mean mixing time JS2 LegatoXf crossfading between the samples of two tones in milliseconds when doing legato Release Mode LOG logarithmic closer to the acoustic nature of the sound but very difficult to calculate At low values is indistinguishable from Release Mode the linear release LOG 15 useful for sounds with short release such as all SOLO sounds LIN linear release easy to calculate LIN is useful for sounds with long release such as pianos guitars and m
42. irst one with 2 MIDI INs one real MIDI IN and one from PS 2 be cause of compatibility to other projects The MIDI IN was software selectable DO NOT use PS 2 keyboard with this hardware version of the sampler This will damage PS 2 keyboard because of high voltage in this port 20V instead of 5V in next versions Version 2 00 this hardware version of the sampler can use PS 2 keyboard The operating system of the sampler automatically recognizes the hardware version Version 3 00 this is the newest hardware version of the sampler There is software switch and hardware amplifier for the Analog In PS 2 port function Breath In power pin config Hardware Amplifier MIDI In Out Manual Jumper PS2 keyboard Manual Jumper PS2 keyboard Software Menu PS2 keyboard Manual Jumper PS2 keyboard Software Menu Using a SD card Carefully insert the SD card all the way in until it is firmly in place Never touch the terminals of the USB flash drives Also avoid getting the terminals dirty SD cards are constructed using precision components handle the SD cards carefully paying particular note to the following To prevent damage to the cards from static electricity be sure to discharge any static elec tricity from your own body before handling the SD cards Do not touch or allow metal to come into contact with the contact portion of the SD cards Do not bend drop or subject SD cards to strong shock or vibration Do n
43. ler BOOTLOADER 2 4 bin Size 514045 Bytes If you see the message Programming OK this means that the loading was successful In all other cases you will have a different error message which describes in detail the type of error that occurred Update of the main OS As already mentioned above the update of the operating system is done with the subroutine which is one level below it In our case this is Bootloader Bootloader can update the operating system using a PC via a serial port connection or directly by reading the operating system from files stored on an SD card In this case we will discuss the procedure of update using the SD card as it is much easier What you will need 1 Computer Computer will only be required to download the latest OS from the Juzisound Ltd website and to save this file to a standard SD card Note that the downloaded from the website OS 1s archived in a ZIP archive So after you download the ZIP file you must first unzip the file that contains the OS This 1s a file with extension BIN and name like TSSxxx where xxx 15 the ver sion number of the OS Exactly this file you need for updating of OS In addition make sure that your computer can read and write SD cards If you do not have a built in SD card slot then you can use an external USB SD card reader 2 SD Card For the upgrade you can use the SD card with which the sampler operates or any other SD card which does not even need to have a valid s
44. ller The differ ent hardware versions have different capabilities and correspondingly different menu that we can see here The difference is that in the old hardware versions up to version 2 00 controlling the po larity of the power supply to the analog input was manually using the jumpers inside the sampler Since version 3 00 is a software configuration that is selected from the menu and 15 displayed on the screen Since version 3 00 there is another improvement If there is a problem with the power supply to the analog controller or cable short circuit or something else fails the sampler will auto matically shut off power to the analog controller and will alert you with an appropriate message After removing the problem you can restore the power again from the same menu Due to the differences in the different hardware versions let s look at the contents of this menu separately Hardware version up to 2 00 In hardware version 2 00 the setting is done manually with jumpers inside the sampler casing The menu screen looks like this Analoga In 1 4 1 manual Configure manual with Jumpers Warnings when using older hardware versions WARNING In hardware version 2 00 or earlier a pin of this connector has a constant voltage SV coming direct ly from the power of the device Configuring the pins of the connector done MANUALLY inside the device via jumpers Make sure that the configuratio
45. locity values can be used for calculating the portamento time the velocity of the NOTE OFF message or the velocity of last received NOTE ON message If your MIDI keyboard sends velocity values for NOTE OFF messages you should set this parameter to NO otherwise set this parameter to YES Regular MIDI keyboards does not send NOTE OFF velocity therefore the default value for this parameter is YES When return from MONO porta mento the velocity of the last received note is used If this parameter is enabled the last released tone does not stop sounds This makes it easier playing strings instruments in mono mode Defines the fading between tones in a moment of portamento when oscilla tor mode is JS2 The higher the value of the parameter the fading between the tones during the portamento is greater Used for automatic separation of tones Defines what curve to be used to calculate the portamento time in relation Porta VCMode with note velocity The curve can be linear logarithmic or as in saxophone modes Applies to portamento mode JS JS1 If it is on the portamento between 15 highlighted as during portamento the sound is slightly boosted Transpose PB Up Range PB Down Range Ribbon Up Range Ribbon Down Ribbon to Pitch Down range Range Defines when returning from mono how to get back with portamento or legato If this parameter is enabled obligatory come back with legato Go to the new note with port
46. n is made correctly before plugging anything into this connector Connecting the wrong device can damage both the device and the sampler itself Hardware version 3 00 and later In hardware versions after 3 00 if the last digit of the version number is 1 it means that you have a software module for configuring the pins on this connector The same module also has short circuit protection In this case the configuration of the pins of the connector can be done through the menu of the operating system There are three possible configurations Analos In 1 4 JackPins OFF OFF In this configuration supply voltage on jack connector is turned off This is the default configuration and the lack of power both pro tects the connected external device and the sampler itself Analos In 174 This is the STANDARD configuration In this configuration the TIP of the inserted jack is supplied with a positive voltage 5V while the SLEEVE of the jack is the ground of the supply voltage The RING of the jack is the input signal to the sampler This configuration is used when working with breath controller Juzisound Ltd or with an external pedal or potentiometer This is the so called INVERTED configuration In this configuration the TIP of the inserted jack is ground while the SLEEVE of the jack fed by 5V The RING of the jack again is input signal to the sampler but in addi tion to it is c
47. n this table are stored the 3 possible messages calling program When the sampler receives Program Change message it checks a links table for Nm mI match If there is a match then sampler loads program that is found in a table If there is not a match there are two possibilities To stay on current program To load a pre specified program Usually this program is empty In other words if you send to sampler unknown Program Change message then the sampler loads an empty program and keep silence By MIDI you can call any sampler s program from any synthesizer s program simply by linking these programs How to make these links The sampler always remembers the last received MIDI messages for bank 0 bank32 and Program Change Therefore to make a link you should FIRST send the message from the keyboard which makes the link Sending MIDI message is always BEFORE making a link After that press and hold for about 3 seconds the buttons MENU and or press and hold down for 3 seconds ENTER on PS 2 numpad Then on the display starts blinking the number of the program that is linked Now you can release the buttons You can get error messages in the following cases This MIDI combination is already linked to other sampler s program This sampler s program 15 already linked to other MIDI combination All 128 links are stored in GLOBAL Remember to save GLOBAL before turning power off Table links can be viewed and
48. nd If the external synthesizers are more than two then you need to connect MIDI OUT of the second to MIDI IN of the third and so to the end of the chain MIDI IN MIDI OUT Breath IN Breath Setup There s a whole separate section in the main menu for managing and performance tuning of breath controller This section is called Breath Setup To get to this menu first enter the main menu and then repeatedly press until you see the screen Breath Setup Now you have to press ENTER to enter the menu Breath Setup MAIN MENU Menu Breath_Setup Once you enter the menu Breath Setup inside also has several sub menus each oriented to a par ticular aspect of the analog input settings BREATH MENU BREATH MENU BREATH MENU BREATH MENU ear Let s look at each sub menu separately Breath IN Setup Analos In 124 Analog In 274 Analogs In 544 Analogs In 4 4 JackPins OFF F gu I nasa OFFSET 0145 lt EvPASS gt 0300 GATH 6 00 RUR HU DEM Menu Breath_Setup Breath_In_Setup The section of the menu Breath IN Setup 15 used to configure the analog input It sets the larity of the pins of the connector and gain and offset of the input signal There are 4 pages Let us look at the parameters of each of them The first page is for configuring polarity of power of analog contro
49. nd it can be configured as follows COM1 Properties Settings Bits per second 1 15200 Data bits Parity Stop bits Flow control RETE Auto detect Auto detect Then you should start the sampler in a special way to start the subroutine Firmware Loader which helps to upgrade Bootloader For this purpose during power up you have to press and hold simultaneously the buttons MENU and ENTER on the front panel of the sampler YA If Firmware Loader was launched successfully computer screen you should see mes sage similar to the one shown below JAP HyperTerminal File Edit View Call Transfer Help DEBUG Power Fault Detect C COPYRIGHT 2011 Computer Sound Studio Juzisound Juzisound Firmware Loader Dev ID 33FFE5F53143333 7209651157 Version 1 0 6 ion bytes Ox1FFFF804 000104 Valid 1 Ox1FFFF806 I 000255 1 TENA EA 0065102 Contrasti 000050 1 JackPINI NO 1 Ampi NO Download firmware to device flash memory Execute the user program Connected 00 01 48 ANSI 115200 8 1 On the screen of the sampler you can see the version of the Firmware Loader ET Firmware Loader Wert 1 8 6 Then you need to press key 1 Windows PC keyboard This selects the loading function from the menu of Hyper Terminal Download firmware to device flash memory Once the func tion is selected on the sampler s
50. not change It is ad Correct justed automatically This parameter allows you to specify whether the automatic correction of the input to be applied or not The default is YES correction is applied NEN At the bottom with large numbers 0252 and graphically 15 shown the current value of the analog input in real time The range 15 from 0000 to 1023 On the third page you have full control of the hardware amplifier to form a signal from the analog input This amplifier may be missing in some hardware versions In this case instead of the values of the parameters there are displayed signs Analogs 374 Here you can set The gain of the input amplifier Output polarity it can set the output to be in the same or opposite direction of the signal from the controller Displacement amplification which set the equilibrium point of the input amplifier hard Ware There 1s also a graphical representation of each value and the output in the Monitor In this page you can set the analog input so that it meets your requirements For example if you use breath con troller you can adjust the sensitivity making a lighter breath produce a bigger value change Or to define the start and end point of pedal movement etc On the last page are the parameters for the final shaping of the output signal Analos In 4 4 IH i 0130 0145 HEN LLL EL EL B LH LH EH LH HL EHE LN I 0010 lt 0 EYPASS
51. of the sampler or the combination Enter NumLock from PS 2 keyboard You can navigate menus by and Enter Pressing MENU in any menu level returns back to the home screen Shortcuts to various menus are availa ble with the combination NumLock key If you make any changes in menu GLOBAL PROGRAM or BREATH at the end of the menu there is a page for saving settings Otherwise changes will be lost when you turn off the power MIDI Setup MIDI Filter 1 MIDI Filter 1 MIDI PG Setup MIDI PG Table Gl Modif Setup Gl Scala Setup Gl Expres Setup Other Gl Setup Effects Setup Audio Out Setup Display Setup Save Global Return to MAIN Oscillator Setup Zone Setup Samples Offset Modificat Setup Expression Setup Amplifier Setup Filter Setup Scala Setup Terca Setup LFO Setup EffSound Setup EQ Enhancer Setup ModEffectSetup Delay Setup Program Name Save Program Return to MAIN Analog In Setup Breath MIDI Setup Br Preset Select 1 Message Setup 2 Message Setup 3 Message Setup 4 Message Setup Breath Vibrato Breath Out Summary Save Breath Return to MAIN DeviceInfo fF Enter License Code Check Main Use License Check SAX Use License Return to MAIN MIDI Analyzer Util Function Sysex Buf Viewer Return to MAIN Global setup Program Setup MAIN MENU Breath Setup License Control Menu GLOBAL Display_Setup Contrast 0 99 0 O Mode of numbering the programs 000 998 or
52. off 2 1 4 1 8 1 and FULL completely smooth BE At the bottom of the screen you see the final output value from the analog sec tion Breath MIDI Setup Brth MIDI Setur AIL nnl A 1 B Chnnl C cum ALA Menu Breath_Setup Breath_MIDI_Setup Here you can define the output channels through which to send MIDI messages resulting from the operation of the analog input And what happens to the values already sent via MIDI when the controller enters Bypass mode It is possible to send MIDI messages via 3 MIDI channels simultaneously These MIDI channels are labeled A B and C For each generated MIDI message you may choose a MIDI chan nels to be sent The last parameter as mentioned above defines what to happen to the values of the sent messages when the controller enters into BYPASS mode There are two options to sent the default values for these MIDI controllers STOP Interrupt further transmission of these MIDI messages without sending the de fault values Values remain as they were at the time of entry into BYPASS mode Breath Preset Select This menu selects which of the six different presets to be used for generating MIDI messages For each preset you can remember up to 4 MIDI messages with all their parameters BrPreset Sellect ze Frozzet Al PRESET S MIDI MESSAGES There are four separate and identical menus Each of these four menus defines the genera tion o
53. on the screen for a moment with large numbers but oth erwise permanently in the upper left corner of the main screen Program transposing It is in the menu oscillator and applies only to this program It 15 stored with the program The sampler can SEND messages to control transpose of exter nal synthesizers This is useful when you need to transpose multiple synthesizers simul taneously For this purpose the output should be set to OUT and the sending should be enabled from the menu GLOBAL The sampler may NOT ACTUALLY TRANSPOSE incoming MIDI notes but to INTERPRET them as transposed if master keyboard already sends them transposed This is in order to correctly interpret the scale and terca when there is transpose but not to transpose the notes twice once from the master keyboard and once more from the sampler This parameter is located in Menu GLOBAL MIDL_Setup TranspInNote YES NO Scale The sampler separately memorizes scale inside each program plus 3 separate independent global scales Global scales are stored in menu Global The scales are fully programmable each tone can be changed by 16 degrees The scale 15 called with the ENTER button on the front panel of the sampler or with of PS 2 numpad NumLock enter directly into the control menu of the scale The scale can be locked and unlocked e If IS NOT LOCKED each change of program calls the stored in the program scale e If IS LOCKED the type o
54. onnected Pull Up resistor value 2 2k to the positive pole of the supply voltage This configuration is used when operating with a breath controller Yamaha BC 3 or with an external Expression pedal Troubleshooting the power supply to Breath IN If there is a problem with the power to the Breath IN connector immediately displays an er ror message and the power goes off The most common reasons damaged cable Connecting inappropriate external equipment Incorrect configuration of power to the port and respectively to the external device In any case if a problem is detected the following happens Automatically shuts down power to the connector The first of the above described configuration is activated The screen displays an error message as shown below E Error found Found B1 flaas IM SHORT CIRCUIT Precautions when there is a problem with the power of Breath IN WARNING If you see this error message immediately turn off whatever is plugged in the Breath IN connector and try to identify the reason for the fault If you are sure that the port is configured correctly but nevertheless the mes sage persists do not connect this device again as this may cause damage to the connector or the connected device Contact Juzisound Ltd to resolve the prob lem second page there are the following parameters Analogs In 274 Correct This is correction value of the input that you should
55. or simply to restart the sampler by power OFF and power ON Software Update After the initial programming done by the manufacturer only two subroutines can be up dated Bootloader and Operation System Each of them is updated through the previous subrou tine located on a lower level Respectively the Bootloader should be updated through the Firm ware Loader and core operating system OS should be updated through the Bootloader Note that each update Bootloader ALWAYS destroys the installed operating system So after each update of the Bootloader you should always install the Operating System whether a newer version or the same that was installed until the update of the Bootloader WARNING The process of updating of the Bootloader and the OS should NOT be interrupted This can cause damage to the device and it had to be returned to the manufacturer for reprogramming Update of the Bootloader Bootloader is updatable through the subroutine Firmware Loader Firmware Loader only works via PC connection The connection is made through a serial interface RS232 and the com puter needs to have hardware serial port or have USB gt RS232 serial cable Ground 10 5 60 09 2 4 70 3 3 80 07 40 2 90 Picture and circuit diagram of serial cable required for connection between a computer and a sampler To upgrade the Bootloader from computer you need to have software Hyper Termin al a
56. ore Oscillators Setup Oscilator 1 6 Oscilator 2 6 Oscilator 376 ode Mond PET arzrPoze a zreed Rams 2lo gt Port a 4 for Mob ai DowunkEar ote Parta 152 FadeCoef BBEibbon 2 Leaatao inp JCHade nart Lesato coi IT Tr TI NL jnnExPPEDerth OFF Oct loTreshi FF ct loDerth Oct 1 Volume 2 Volume Lig II Menu Program_Setup Oscillator_Setup Shortcut NUMLOCK 0 Here are the most important parameters for a program They also vary in different modes so we will focus only on the most important Velo Legato Port Legato The operating mode of the program polyphonic monophonic etc This is the most important parameter for a program It defines several things For what kind of instrument shall be used current program Be polyphonic or monophonic To have portamento or not If there is portamento what type to be etc Possible modes of oscillators are Normal POLY Bass MODE 1 Mono RETRIG Mono LEGATO Mono PRT CZ Mono PRT DX V Bouzouki LPC Gibson Bass MODE 2 KG JS 152 Stradivari Poly 4 NOTE Strad Vio 2 JS TenorSax JS Alt Sax JS Clarinet JS Bouzouki Defines the MAIN portamento time In some cases this is the shortest time of the portamento whi
57. ot keep SD cards in direct sunlight in closed vehicles or other such locations Do not allow SD cards to become wet Do not disassemble or modify the SD cards Connecting PS 2 keyboard numpad Warning about using an older hardware version CAUTION Do not connect PS 2 keyboard to this port if your sampler s hardware version 1s 1 00 This can dam age the PS 2 keyboard and or the sampler Connect e With PS 2 numpad included you can control the functions of the sampler Use only a numpad purchased or recommended by Juzisound e Connect and disconnect the numpad only when the sampler is off e When disconnecting the numpad grasp the connector itself never pull on the cable This way you will avoid causing shorts or damage to the cable s internal elements ON OFF BREATH EXTENSION L OUTPUT R ra OO O O O O oo POWER IN OUT MIDI IN USB PS 2 Kbd MIDI and AUDIO connections MIDI connections Audio OUT rele e gg 9900 9 oo o 0000 o o o e MIDI IN 0 0 000 000 co O O O O o jojo MIDI OUT Audio OUT AAA Alt Picture 1 Connect MIDI IN of the sampler to MIDI OUT of the synthesizer or MIDI keyboard which 15 master to the sampler You can do this connection by MIDI cable included The MIDI OUT of the sampler can be configured from MENU MAIN MENU GLOBAL MENU MIDI Setup
58. oth actions will reset the device and now at the starting sequence of the sampler you should see the version of the new operating system It shows for a mo ment during loading IMPORTANT Do not interrupt the power of the sampler until the operating system is up dated This could damage the device and may have to start the procedure again Or even have to return it to the manufacturer for a new complete repro gramming MIDI IMPLEMENTATION CHART Juzisound Total SOLO Sampler OS Version 2 60 Mart 2014 Base Default 1 16 1 16 Memorized 1 Changed 1 16 1 16 1 X Note 0 127 Note ON O 1 127 O 1 127 Remapped 2 Velocity Note OFF O 1 127 O 1 127 Poly Key X X Aftertouch Mono Channel O O Default X Mode Messages X Altered kkkkkkkkkkkkkk Control Change OOOOOOOOOOOOOOO ALL 0 120 3 9 14 15 20 21 22 23 24 25 26 27 28 29 30 31 O Program O 0 127 Change True TOR RIO RRR KKK System Exclusive Song Position Song Select Tune System Clock Real Time Commands Local ON OFF Reset All Controllers All Notes Off Active Sense Reset System Common Aux Messages mE Pn with the global settings Notes terca and for start the scanning mode for terca 5 All controller numbers from 1 to 119 are available for send from the converter to the MIDI from the analog input 6 These controllers are accepted when is activated one of direct control modes Control Mode Real Time
59. ound bank to work with the sampler The card should be in working condition and to have at least IMB free space for the file with the OS After the update 15 complete the OS will be permanently stored in the internal FLASH memory of the sampler From here for the normal operation of the sampler the file with the OS is no longer necessary You can delete it from the SD card or leave it there it does not matter The procedure 1 Download the latest version of the OS from www juzisound com The operating system is a single file that 1s archived in a ZIP archive Example Assume that you update with version 2 60 File you need to download from the site will be named TSS260 ZIP 2 Unzip the downloaded ZIP file and extract the BIN file that s inside Example The file you should have finally after unzipping the downloaded archive in the pre vious paragraph will be named TSS260 BIN The is formed as follows TSS is Total SOLO Sampler and 260 is the version number of the operating system in this case 2 60 3 Insert an SD card into the Card reader of your computer and copy the extracted BIN file with the OS in the root directory of the card IMPORTANT The file must not be in any folder but directly in the root directory of the card Otherwise sampler cannot recognize it 4 Turn OFF the power of the sampler 5 Remove the card from your computer and insert it into the sampler 6 Press and hold the MENU and on
60. outputs only to the L channel and MP3 Player outputs only Smplr OUT mono L to the R channel This allows the output of the sampler and the output Mp3 OUT mono R of the MP3 player to be connected to two separate channels of the mix er for different adjustments and effects These settings are stored with GLOBAL and apply globally for all sounds and MP3 Volume potentiometer 15 located on front panel and controls the level of both headphones and the main audio outputs located on the rear panel Headphone is designed to work with low impedance headphones CAUTION Excessive sound pressure from earphones and headphones can cause hearing loss Connecting Expression pedal 1 Connect the Expression pedal to a keyboard or a synthesizer The keyboard should send MIDI Control Change 11 which is standard MIDI message for expression If your keyboard is a KORG you do not have to change any additional settings on the keyboard 2 For the sampler enter Menu GLOBAL GL Expres Setup On the first page the first parame ter MIDI set it to 06 Gl ExPrSetur 1 3 ExrFrCre Br th Gl ExPrSetur 343 GL MIDI ExF Gl Breath E xFCharnseSrd x 4 same page check last parameter ExpChangeSpd should be 008 This parameter sets the speed smoothness of the pedal response Should be 008 but if the expression pedal responds slowly set to 016 Not good to exce
61. s on the front panel of the sampler MENU gt gt ENTER 9 ENTER ENTER MENU From PS 2 numpad ENTER NUM LOCK gt gt ENTER 9 ENTER gt ENTER NUM LOCK Example of breath controller settings Common settings in the menu Global Setup 1 Enter Menu gt Global Setup gt MIDI Setup gt MIDI Out is on the second page and set it to OUT MAIN MENU GLOBAL MENU E MIDI Setur 2 4 MIDI Qut Is SplitOutHote TransrLowzn TranzrHushzn to YES E G1 EkprSetup 3 3 MID Ib ExerCrui G l MIDI gt ExF YES _ Gl Breath E YES Gl ExPres ti od ExPChanseSrd ei ih FED 3 Save Global penultimate point in menu Global Setup Menu gt Global_Setup gt Save_Global MAIN MENU zi X Save Global Are Tou Sure 1 lt pm _ m gt t YES Using Juzisound Breath Controller Enter Menu gt Breath Setup gt Analog In Setup and set all pages as shown below BREATH MENU B Analos 1 4 JackPins STANDARD Status nta 2444 po I APP 1 Lure H 31 11 Analoa In 574 Ame DC ffset n mis OFFSET DASI OH NER DENON 5 00 OUT tt Using Yamaha BC 3 Breath Controller Enter Menu gt Breath Setup gt Analog In Setup and set all pages as s
62. s programs Usually if you use this func tion you should do the following Each time you turn ON the sampler the program with number 000 15 loading The DELAY module automatically loads its parameters from program 000 You need to set the Delay parameters of program 000 for the specific room and to set the Delay Lock to ON Now every time you start Sampler the Delay module loads its parameters from program 000 locks itself and you have the same delay for all programs Enables or disables globally the Modulation effect Not all oscillator modes sup port Modulation effect Program parameters for Delay setup metas setur Tu PM Thi e Menu Program_Setup Delay_Setup Shortcut for this menu NumLock 7 Delay Mix Wet Dry signal mix Speed range of the delay fast medium or slow by changing the frequency Downsampling The slower speed lower sample rate cuts the higher frequencies which in many cases is a desirable effect Delay TimeMs Delay time in milliseconds Delay Feedback Delay Feedback EQ Enhancer In the sampler there is a module that can be set to one of two effects EQ or Enhancer Each program has its own parameters for this module What is the fundamental difference between EQ and enhancer The EQ usually divides the entire audio spectrum in to 3 bands low middle and high and combines these bands in different ratios This is in other words frequency specific vo l
63. ted dangerous voltage within the product s enclosure that may be of sufficient magnitude to consti tute a risk of electric shock to persons CAUTION The exclamation point within an equilateral triangle 1s intended to alert the user to the presence of important operating and maintenance servicing in structions in the literature accompanying the product INSTRUCTIONS PERTAINING TO A RISK OF FIRE ELECTRIC SHOCK OR INJURY TO PERSONS SAVE THESE INSTRUCTIONS WARNING When using electric products basic precautions should always be followed in cluding the following Read these instructions Keep these instructions Heed all warnings Follow all instructions Do not use this apparatus near water Clean only with a dry cloth Install in accordance with the manufacturer s instructions Do not install near any heat sources such as radiators heat registers stoves or other apparatus including amplifiers that produce heat Protect the power cord from being walked on or pinched particularly at plugs convenience receptacles and the point where they exit from the apparatus Only use attachments accessories specified by the manufacturer Unplug this apparatus during lightning storms or when unused for long periods of time Refer all servicing to qualified service personnel Servicing is required when the apparatus has been damaged in any way such as power supply cord or plug is damaged liquid has been spilled or objects ha
64. th 10 units more than the previous value The value of GAIN on the same page defines the necessary breath pressure to fill the entire scale Increasing GAIN makes lighter breath produce biggest signal changes Set GAIN high enough until you become comfortable Do not set the value of GAIN too high because it leads to loss of control in the middle range This hap pens because the breath controller at the lighter breath sticks to the highest value and thus its use loses its meaning For this purpose look at the indicator on the main screen from time to time lf it stays constantly at a minimum or maximum probably you set GAIN too high In this case reduce it to a few units and try again Key commands at startup By pressing a combination of buttons on the front panel of the sampler during power up you can run different service functions and to control various parameters relating to the sampler s subroutines Scanning the buttons is done immediately after power and once you see signs of the screen you can release the buttons The following combinations of keys have associated functions Button pressed No button is pressed Normal start Sampler starts its main operating system Detailed scanning of all files of the bank for fragmentation The sampler launches its main operating system and performs DETAILED check of files on the SD card Each file 1s checked for fragmentation sector by sector in contrast to normal startup in which only che
65. ting the controller type switch pedal The switch controller should connect the active signal to the ground Ability to power external devices Through the EXTENSION port 5 300 mA 3 3V 100 mA Additional interfaces Serial interface RS232 with TX and RX con nected to the EXTENSION port External keyboard Standard PS 2 numeric keyboard numpad with native PS 2 interface Front panel controls 4 buttons MENU ENTER and Master Volume ALPS potentiometer Display 101 x 64 pixels monochrome display with LED backlight LED Indicators MIDI In Audio CLIP Edit SD card Package contents Sampler 32GB SD Card PS 2 numpad MIDI cable power cord Optional items sold separately Breath Controller second MIDI cable Operating conditions Temperature from 0 to 40 C Humidity lt 90 Power Supply AC 110V 60Hz or 220 50 7 Selected by the manufacturer without the pos sibility of change by the user Build in fuse 20mm fast blow glass fuse rated 250 V 315 mA Power consumption I2W Dimensions 147 129 57 mm Weight 1 000 kg All specifications are subject to change without notice o Juzisound Ltd Address 5897 Zgalevo 76 Bozhin Chulev str BULGARIA Phone 0887 69 47 09 Phone 0887 69 47 10 E mail juzisound ltd abv bg Skype juzisound
66. ume knobs The ENHANCER on the other hand passes the entire audio spectrum to the outputs and adds or subtracts only one frequency band The Enhancer makes certain instrument more prom inent enhance particular aspects of instrument s tone It 15 most commonly used for adjusting high frequency of acoustic instruments Enhancer Pros The original audio signal passes untouched The module only adds or sub tracts specific band Enhancer Cons Only one frequency band to modify In the sampler each program has separate parameters for this module They are located in the menu EQ Enhancer FEM Menu Program Setup kEQ Setup Status Defines da state of the module DISABLED Enhancer EQ Other parameters vary according to the selected mode Enhancer mode Enhance Band LOW MID HIG frequency bands Factor 12d 18d 24d slope of the filter in dB Polarity or to add or to subtracts from original signal Frequency 000 127 exactly frequency of modified band usually about 090 100 Intensity Intensity of adding or subtracting EQ mode Split Freq frequency separation of medium and high frequencies Factor slope of the filter in dB Gain filters gain Samples Offset Each program has its own parameters for this Sample Offset and they are located in the menu Samples Ofst 1 2 Samples Ofst 2 2 5 1
67. ve fallen into the apparatus the apparatus has been exposed to rain or moisture does not operate normally or has been dropped Always ensure adequate space for ventilation around the device Do not cover the apparatus with newspapers tablecloths curtains etc as these will impair ventilation and cause overheating Do not put on the device open flame sources such as candles This unit contains a battery which should not be exposed to excessive heat sources such as sunlight fire etc Power Supply CAUTION Risk of electric shock DO NOT OPEN CAUTION TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER OR BACK NO USER SERVICEABLE PARTS INSIDE REFER SERVICING TO QUALIFIED SERVICE PERSONNEL Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter or a motor such as a refrigerator washing machine micro wave oven or air conditioner Depending on the way in which the electrical appliance is used power supply noise may cause this unit to malfunction or may produce audible noise If it 15 not practical to use a separate electrical outlet connect a power supply noise filter be tween this unit and the electrical outlet To prevent malfunction and equipment failure always make sure to turn off the power on all your equipment before you make any connections Although the LCD and LEDs are switched off when the unit is turned off this does not mean
68. way you will avoid causing shorts or damage to the cable s internal elements A small amount of heat will radiate from the unit during normal operation To avoid disturbing others nearby try to keep the unit s volume at reasonable levels You may prefer to use headphones so you do not need to be concerned about those around you When you need to transport the unit package it in the box including padding that it came in if possible Otherwise you will need to use equivalent packaging materials Maintenance For everyday cleaning wipe the unit with a soft dry cloth or one that has been slightly dam pened with water To remove stubborn dirt use a cloth impregnated with a mild nonabrasive detergent Afterwards be sure to wipe the unit thoroughly with a soft dry cloth Never use benzine thinners alcohol or solvents of any kind to avoid the possibility of disco loration and or deformation Information for Users on Collection and Disposal of Old Equipment This symbol on the products packaging and or accompanying documents means that used electrical and electronic products should not be mixed with general household waste For proper treatment recovery and recycling of old products please take them to applicable collection points in accordance with your national legislation and the Directives 2002 96 EC By disposing of these products correctly you will help to save valuable resources a and prevent any potential negative effe
69. y sets program to 000 Li DS There 15 also a variation of program change using the buttons on the front of the sampler It 15 used if there 15 no any other way to change programs for example a broken PS 2 keyboard or some thing By pressing or you can only select the next program without activating it Activating 15 done by pressing ENTER To do this the menu MAIN MENU GLOBAL MENU Other GlbSte 1 3 Menu GLOBAL OtherGL Setup Fast PG MODE should be changed to NO Then and only selects the next program Program number flashes on the screen but the program does not change until you press ENTER By PS 2 keyboard By selecting the number from PS 2 keyboard If you enter three digits the program will be activated immediately after pressing the third digit If you enter one or two digits should press ENTER to activate the program If you start entering a number and you have to cancel press NUMLOCK There 15 also locking range of 10 programs This can be done by pressing Del When the range is locked the first two numbers are shown enclosed top and bottom on the display and the press of a single key change programs from 0 to 9 in the current range This allows for quick change programs If the range is locked L2 LEDs lit By MIDI You can change sampler s programs via MIDI Program Change messages You can select only 128 of entire 999 sampler s programs In sampler s GLOBAL there 15 a links table I

Juzisound Total SOLO Sampler EN Manual V15

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