Shure P4M User Guide English
Contents
1. P4M BACK PANEL 1 Input Jacks Accommodate both XLR and 1 4 connectors at mic 4 Mix Output Jacks 1 4 TRS jacks provide the line level mix or line levels They are electronically balanced created with the Level Pan knobs 2 Signal Clip LEDs Color indicates the signal status of the corre 5 sponding Mic Line Input i AUX Inputs Signals from the two 1 4 TRS input jacks are com bined with the mix created by the Level Pan knobs Front panel settings do not affect these jacks 6 DC IN Locking Connector Plug the PS40 AC Adaptor into the top connector 7 DC OUT Locking Connector Powers a P4T Transmitter or another P4M Mixer A DC Jumper Cable is provided with the PAM Se Pere NOTE A PS40 can only power two Shure devices level the outer ring pans the input signal between the 1 L and 2 R mix outputs 3 Concentric Level Pan Knobs The inner knob controls the input 8 Split Outputs Each male XLR output provides a duplicate of its corresponding mic line input Front panel settings have no effect on Split Outputs Set Up Al P4M Back Panel Audio Sources P4M Front Panel ur oon PAI Pussenal Monier eer 6606 C ale C 9 To Audio Input gt of next device PS40 AC Adaptor 1 Plugthe PS40 AC Adaptor into the mixer s DC IN locking connector Plug the other end into a wall socket 2 Connect the MIX O2. 4 Monitor Mix Level Pan Knobs 1 4 This configuration using the PAM s SPLIT OUTPUTS allows each player to hear a custom mix created at their own PAM Personal Monitor Mixer and is recom mended for live studio or rehearsal situations 1 Connect a monitor mix from a mixing console and up to three microphones or instruments to the four inputs on the PAM Mixer front panel 2 Connect the PAM SPLIT OUTPUTS containing the monitor mix to an input on a second P4M 3 Connect the other SPLIT OUTPUTS from the first PAM to either the second PAM or to the mixing console 4 Onthe second PAM connect the SPLIT OUTPUT containing the monitor mix to a third PAM or to a floor monitor amplifier The other SPLIT OUTPUTS may be connected to a third PAM or to the mixing console 5 Connect MIX OUT 1 L and MIX OUT 2 R on the back panel of each PAM to an audio device such as a P4T Transmitter PSM Hardwired Bodypack or a floor monitor amplifier 6 Oneach PAM mix the four signals using the LEVEL PAN knobs on the front panel 6 ENGLISH APPLICATION FOUR One PAM Personal Monitor Mixer to Two PSM Transmitters Receivers Other Audio Mix 2 R To Mixing Console fe Mixing Console AAAA Monitor Mix Line Inputs Outputs PSM LOOP Transmitter Mix 1 L
3. e Split Outputs Mix Outputs Line RF Transmission Inputs PSM Transmitter RECEIVER Personal Monitor Mixer Inputs 1 4 wl Level Pan Knobs 1 4 Monitor Mix This configuration using the P4M s SPLIT OUTPUT and a PSM transmitter s LOOP OUTPUT allows one P4M to provide custom mixes to two PSM transmitters and is recommended for small ensembles in live performance 1 Connect up to four microphones or instruments into the PAM inputs Connect the SPLIT OUTPUTS to a mixing console 2 Connect a monitor mix from a mixing console to the first PSM transmitter P4T transmitter shown 3 On the first PSM transmitter connect the LOOP output containing the monitor mix to an input on the second PSM transmitter See appropriate PSM System User s Guide for details 4 Connect a MIX OUT output to each transmitters remaining input Use the front panel PAN knobs to balance input signals between the two transmitters 5 Place the PSM receivers in MixMode see appropriate PSM System User s Guide Use the balance wheel on the PSM receiver to blend the monitor mix with the custom mix created by the PAM RACK MOUNTING THE P4M PERSONAL MONITOR MIXER The PAM features a 1 2 rack chassis specially designed for sturdiness This eliminates the sagging and bending found in mo
4. Canadian electrical and safety standards PS40E PS40UK Conforms to European low voltage directive 72 23 EEC Eli gible to bear CE marking oT 53A8484 NAME MODEM OPEM NAE MEE 53B8484 et M E ELE Anak Maree 53A8443 Boe E PS40 120V PS40E 230V PS40UK 230V Deed HORUM PIRE FOLE RENE FAIR 95A8420 EU DECLARATION OF CONFORMITY We Shure Incorporated of 5800 Touhy Ave Niles Illinois 60714 4608 U S A 847 600 2000 Declare under our sole responsibility that the following product Model P4M Description Personal Stereo Mixer PS40E PS40UK to which this Declaration relates are in conformity to European Low Voltage Directive 73 23 EEC are in conformity to European EMC Directive 89 336 EEC are in conformity to European CE Marking Directive 93 68 EEC The product complies with the following product family harmonized or national standards P4M EN55103 1 EN55103 2 PS40E PS40UK EN60950 EN61000 3 2 EN 61000 3 3 Manufacturer Shure Incorporated Signed Date November 12 2003 Name Title Craig Kozok r EMC Project Engineer Corporate Quality Shure Incorporated EHfapesn Contact Shure Europe GmbH Wannenacker Str 28 74078 Heilbronn Germany Phone 49 7131 7214 0 Fax 49 7131 7214 14 SHURE SHURE Incorporated http www shure com United States Canada Latin America Caribbean 5800 W Touhy Avenue Niles IL 60714 4608 U S A Phone 847 600 2000 U S Fax 847 600 1212 Intl Fax 847 600 6446 Europe Middle East Afri
5. the left or right channel of the stereo mix INNER KNOB Use this to control the level of the audio input Observe the signal clip LEDs next to each CONCENTRIC LEVEL PAN knob NOTE Decrease the level of an input if the corresponding signal clip LED is consistently red If the level is decreased all the way and the LED remains red the level of the input from the previous device in the audio chain is too high and should be decreased Up to two additional line level audio sources such as other mixers a click track or a digital sequencer may be added via the AUX IN inputs These signals go directly to the MIX OUT outputs and are not affected by the CONCENTRIC LEVEL PAN knobs To pass an unaltered signal through the PAM use the corresponding SPLIT OUTPUT NOTE Although the P4M does not provide phantom power for condenser microphones the SPLIT OUTPUTS can pass phantom power from a phantom power supply to a microphone connected to the corresponding input jack CAUTION Use a direct box when connecting guitars keyboards and other instruments to a mixing console through the PAM Mixer The phantom power that mixing consoles provide for microphones can damage other instruments Connect the instrument to the direct box then connect the direct box to the P4M Mixer input APPLICATIONS The flexible design of the PAM Mixer allows it to be used in many different applications The following examples introduce principles which will allow you to develop
6. Mmmm d SHUR MIC LINE INPUTS LEV PAN PAM Personal Monitor Mixer ZS SPLIT OUTPUTS SHURE INC A n MIXOUT AUXIN O 7 i mo 59 Q PAM Four Channel Personal Monitor Mixer 2005 Shure Incorporated TNT 27D8707 Rev 4 C Printed in U S A a ENGLISH WARNING USING THIS SYSTEM AT EXCESSIVE VOLUMES CAN CAUSE PERMANENT HEARING DAMAGE USE AS LOW A VOLUME AS POSSIBLE In order to use this system safely avoid prolonged listening at excessive sound pressure levels Please use the fol lowing guidelines established by the Occupational Safety Health Administration OSHA on maximum time exposure to sound pressure levels before hearing damage occurs 90 dB SPL at 8 hours 95 dB SPL at 4 hours 100 dB SPL at 2 hours 105 dB SPL at 1 hour 110 dB SPL at 1 2 hour 115 dB SPL at 15 minutes 120 dB SPL avoid or damage may occur It is difficult to measure the exact Sound Pressure Levels SPL present at the eardrum in live applications In addi tion to the volume setting on the PSM the SPL in the ear is affected by ambient sound from floor wedges or other devices The isolation provided by the fit of quality earphones is also an important factor in determining the SPL in the ear Here are some general tips to follow in the use of this product to protect your ears from damage 1 Turn up the volume control only far enough to hear properly 2 Ringing i
7. UTPUT jacks to the the audio input of the next device 3 Connect up to four audio sources microphones instruments mixers into the input jacks on the front panel 4 ENGLISH USING THE P4M PERSONAL MONITOR MIXER Pans between Mix Out channels onal Monitor Mixer DIRECT BOX AUDIO INPUT 3 Adjust levels to Mix Outs s 0 Q 09 Monitor Mixer 55 z AUXIN AUXIN MIX OUT M OUT cA 9 as 8 Audio signal path for the PAM 28 A Mixer SHUREINC wwenum CEO AUEN a Q DQO Vee IA Tu MONI A A SPLIT SPLIT SPLIT OUTS OUTPUT 4 OUTPUT 1 OUT1 AUX IN y Lourrurs Y FT FT rT Yin SPLIT OUTPUT 2 1 AUX IN Y a 2 R 4 L Y DO Co b ILE o9 MIC LINE INPUTS o CRY o 2 o o Once the basic set up is complete use the PAM Personal Monitor Mixer to create a custom mix 1 2 Mix the signal from each audio input using the corresponding CONCENTRIC LEVEL PAN knobs OUTER RING Use this to pan the signal to
8. ca Shure Europe GmbH Phone 49 7131 72140 Fax 49 7131 721414 Asia Pacific Shure Asia Limited Phone 852 2893 4290 Fax 852 2893 4055
9. n the ears may indicate that the gain levels are too high Try lowering the gain levels 3 Have your ears checked by an audiologist on a regular basis If you experience wax buildup in your ears stop using the system until an audiologist has examined your ears 4 Wipe the earphones with an antiseptic before and after use to avoid infections Stop using the earphones if they are causing great discomfort or infection This symbol indicates that there are important operating and maintenance instructions in the literature accompanying this unit ENGLISH INTRODUCTION Thank you for buying the Shure P4M Personal Monitor Mixer The PAM is a half rack four channel monitor mixer designed for live performance use Use it with a Shure Personal Stereo Monitoring PSM system or in any other application appropriate for a versatile compact mixer When used with a PSM system the P4M provides several enhancements to in ear monitoring Consistency same mix every night e independence monitor mixes created and controlled by the performer e Flexibility provides monitor mixes regardless of a venue s sound system capabilities For information on any Shure PSM System please refer to the appropriate user s guide available on the world wide web at www shure com P4M MIXER FEATURES Q F SHURE MIG LINE INPUTS LEV PAN F
10. ons 1 Connect up to four audio sources into the front panel inputs of a PAM Mix these signals using the corresponding LEVEL PAN knobs on the PAM Connect the MIX OUT outputs of the first PAM to the AUX IN inputs of a second PAM Connect up to four more audio sources into the front panel inputs of the second P4M Mixer Mix these signals using the corresponding LEVEL PAN knobs on the second P4M Connect the MIX OUT outputs of the second PAM to an appropriate piece of audio equipment NOTE If more than eight inputs are required connect additional P4M Mixers after the second PAM using the connection described in step 3 above AaARwWN APPLICATION THREE Multiple P4M Personal Monitor Mixers to Multiple Audio Devices To Next PAM or Amplifier gt To Mixing Console To Transmitter Other Audio A i A Bodypack or Amplifier Sources amp P4M Personal Monitor Mixer A haa Tu w CI UJ vYvYvY vYYY Mixing PE To Mixing Console Shared Mic Line Signal Console Monitor Mix To Transmitter m AAAA Bodypack or Amplifier 9 Yy y Split Mix Outputs 1 4 Outputs omeooosuoomoo PAM Personal Monitor Mixer Y Inputs 1
11. personalized setups for your specific application APPLICATION ONE One PAM Mixer to One Audio Device Connect a P4M to 9 audio equipment such as B MIX OUTPUTS PAM a PSM Hardwired Bodypack Personal Monitor Mixer INPUTS 1 4 OR VD QU UJ LU A 4 LEVEL PAN JES 9 tle o A KNOBS 1 4 a Floor Monitor Amplifier ENGLISH This is the basic configuration of the PAM Mixer and is recommended for small ensembles in rehearsal or performance situations 1 Connect up to four microphones instruments or audio devices to inputs 1 4 on the front panel of the PAM 2 Mix the four signals using the LEVEL PAN knobs adjacent to the inputs 3 Connect the MIX 1 L OUTPUT and MIX 2 R OUTPUT on the back panel of the P4M to an appropriate piece of audio equipment APPLICATION TWO Multiple PAM Personal Monitor Mixers to One Audio Device MIX ee To Next PAM Mixer or a PSM Transmitter n i Y n PSM Hardwired Bodypack or Amplifier 9 a MIX AUX OUTPUTS INPUTS Personal Monitor Mixer Personal Monitor Mixer INPUTS 1 4 INPUTS 1 4 T UU QU UU Ur CU TU QU LEVEL PAN AAAA KNOBS 1 4 This application using the PAM s AUX Inputs allows more than four inputs to be mixed and is recommended for larger ensembles in live or rehearsal situati
12. st 1 2 rack designs the brackets and straddle bars ensure that the units will be installed securely WARNING Do not torque the screws too tightly or the chassis may be damaged Single Unit Dual Mounted Units NOTE Be sure to use both straddle bars when installing dual units Mounting in an Equipment Rack Taass H e o 4 e 9 o ENGLISH Specifications Measurement Conditions unless otherwise specified full gain 1 kHz one channel activated source impedances Mic 150 Q Aux Level 150 Q termina tions Line 600 Q Frequency Response Ref 1 kHz controls centered 20 Hz to 20 kHz 2 dB INPUT Specifications 1 4 front panel Aux In cwm Gain Maximum 43 dB Impedance at 1kHz 5800 Q Input Clipping Level 12dBV Crosstalk 100 dB 0 dB 18 KQ each 9100 Q 1 L mono 12 dBV 90 dB Common Mode Rejection gt 75 dB gt 70 dB OUTPUT Specifications 500 Q unbalanced 1kQ balanced Impedance Output Clipping Level Mix Out Noise 100 Hz to 22 kHz 110 dBV 100 dBV all controls CCW 62 dBV all controls CW Distortion THD at 1kHz Crosstalk LEDs Resultant Mix Out Level Green 30 dBV Yellow 10 dBV Red 0 dBV Current 120 mA max Power Requirements Operating voltage 14 18 Vdc Supplied with one of the following external power s
13. upplies Model PS40 120 Vac 60 Hz input e Model PS40E Model PS40UK 230 Vac 50 60 Hz input NOTE Courtesy DC connector is protected from short by a self resetting Polyfuse Maximum recommended load is 250mA 2 P4Ms or 1 P4T Certification PAM Eligible to bear CE marking C Conforms to European Union EMC directive 89 336 EEC Meets applicable tests and performance criteria in European Standard EN 55103 1996 parts 1 and 2 for residential E1 and light industirial E2 environments Furnished Accessories Single Mount Rack Bracket Dual Mount Rack Bracket 0 0 cece cece e cece ene 11726 0 gt k fee ACAdaptot eye LR ss hah pub nx EERRNIMA RENE Utd bate Vus A DC Jumper Cable N A N A 5 dBV 10 kQ balanced load 30 dBV input ch 1 4 0005 lt 05 0 dBV output 100 dB 70 dB Phantom Power The PAM does not produce phantom power but phantom power is allowed to pass through Split Outputs 1 4 to inputs1 4 respectively Audio Polarity All outputs in polarity with all inputs XLR Pin 2 is hot with respect to Pin 3 Pin 1 is ground 1 4 TRS tip is hot with respect to ring sleeve is ground Temperature Range Operating sni i nirani r nap 7 to 49 C 20 to 120 F Storage isses egal i 29 to 74 C 20 to 165 F Overall Dimensions 44 mm H x 218 mm W x 162 mm D 1 72 x 8 60 x 6 37 inches Net Weight 1 20 Kg 2 Ibs 10 oz PS40 Conforms to applicable U S and
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