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Zoom R24 User's Manual

1. No Name Beats 43 ROCKs2FA 1 90 INDTs1Va 1 137 HIPs1VC 2 184 BALDs1VB 2 Variation 44 ROCKs2VB 2 91 INDTs1FA 1 138 HIPsiVc 1 185 BALDs1Vb 1 0 08Beat01 4 45 ROCKs2Vb 1 92 INDTs1VB 2 139 HIPs1VD 2 186 BALDs1FB 1 1 08Beat02 4 46 ROCKs2FB 1 93 INDTs1Vb 1 140 HIPsiVd 1 BLUSs1VA 2 2 08Beat03 4 47 1 94 INDTs1FB 2 141 HIPs2VA 2 BLUSs1Va 1 3 08Beat04 4 48 ROCKSsSFA 1 95 POPs1VA 2 142 HIPs2Va 1 BLUSs1FA 1 4 08Beat05 4 49 1 96 POPsiVa 1 143 HIPs2VB 2 BLUSs1VB 2 5 08Beat06 4 50 ROCKs3FB 1 97 POPS1FA 1 144 HIPs2Vb 1 BLUSs1Vb 1 6 08Beat07 4 51 2 98 POPs1VB 2 145 HIPs2FB 1 BLUSs1FB 1 7 O8Beat08 4 52 ROCKs4Va 1 99 POPs1Vb 1 146 HIPs2VC 2 CNTRsiVA 2 8 08Beat09 4 53 1 100 POPs1FB 1 147 HIPs2Vc 1 CNTRs1Va 1 9 08Beat10 4 54 ROCKs4VB 2 101 RnBs1VA 2 148 HIPs2VD 2 CNTRs1FA 1 10 08Beat11 4 55 1 102 RnBs1Va 1 149 DANCsiVA 1 CNTRs1VB 2 11 08Beat12 4 56 ROCKs4FB 1 103 RnBs1FA 2 150 DANCSTFA 1 CNTRs1Vb 1 12 16Beat01 4 57 1 104 RnBs1VB 2 151 DANCs1VB 1 CNTRs1FB 1 13 16Beat02 2 58 HRKs1FA 1 105 RnBs1Vb 1 152 DANCs1FB 1 JAZZs1VA 2 14 16Beat03 4 59 1 106 RnBs1FB 1 153 DANCs2VA 2 JAZZs1Va 1 15 16Beat04 4 60 HRKs1FB 1 107 RnBs2VA 2 154 DANCs2Va 1 JAZZs1FA 1 16 16Beat05 4 61 2 108 RnBs2Va 1 155 DANCs
2. SJ9 ouljeJed pue sodA 129413 t ZH p 120 SJ9 oujeJed pue sodA ayy t ZH d 121 Effect types and parameters 7 e 3BAND EQ module 3Band EQ For an explanation of types and parameters see the BASS algorithm e MOD DELAY module Type Chorus For an explanation of types and parameters see CLEAN DISTORTION ACO BASS SIM algorithms Delay Analog Delay Reverse Delay ARRM Pitch e ZNR module Type For an explanation of types and parameters see CLEAN DISTORTION ACO BASS SIM algorithms DUAL MIC algorithm e COMP LIMITER L module Parameters Threshold Ratio Attak SC Level TTT Reduces variation in signal level 2 2 2 2 222222 O Reduces variation in signal level Threshold Ratio Release Level Limiter Attenuates signals that exceed a certain level Parameter descriptions Setting range Explanation Threshold Adjusts threshold level of compressor limiter Compressor 1 26 SC Adjusts compression ratio of compressor limiter Limiter 1 54 oo Adjusts speed that at which the compressor is activated 2 100 Adjusts module output level Adjusts speed of limiter release after signal falls below threshold level e MIC PREAMP L module Parameters Mic Pre For an explanation of types and parameters see MIC algorithm e 3BAND EQ L module Parameters 3Band EQ For an explanation of types and parameters see BASS algorithm e DELAY L module Type Param
3. You can change the SD card while the power is on Do this if the remaining capacity of the inserted card is low or if you need to import previously recorded data from the SD card Load data from the new SD card 2 3 TOOL EN Press Select Sb CARL Change menu METRONOME TUNER SYSTEM v TFF Press Select EXCHANGE SD CARD Change menu FORMAT F v REMAIN p Press SD CARD Card replacement possible SC Remove SD CARD IE SR ae ea Remove the SD card Insert 5D CARD 5 Insert an SD card NOTE e f the inserted SD card is already formatted for the R24 proceed to Step 6 of Load data from the new SD card or Save R24 data to the new SD card e f you insert an SD card that has not been formatted for use with the R24 follow the proce dures for formatting an SD card on the next page Select L SD CARD DATA Change menu SAVE F v Press Save R24 data to the new SD card 7 Select SD CARD DATA Change menu LOAD p v 9 WO ee ee DS Press Select SHAVE TO and set the project where Ven Went to save it SAYE TO SD CARD in menu ERELUTE F v a ees EE es Select EXECUTE SAYE TO SD CARD Change setting NOTE e Disable write protection on an SD card before inserting it e SAVE includes various data for the project in use but no audio data is saved Formatting SD cards Checking card capacities You can format an S
4. 4 TRACK1 lt TRACK Tracks to be swapped Are You Sure Move cursor YES NO M Press NOTE The swap function switches two tracks including the assigned files track sequence data and all track parameter information oye 4oeq e d y Buibueu5 26 S291 jeuonippe Hulpiooay d 27 Overdubbing Recording additional tracks After recording the first track you can record additional tracks while playing back already recorded audio Preparations for recording are the same as for the first track but you can also set recordings to play on different tracks Playing already recorded tracks Press 1 2 times until the o indicator lights green for PLAY MUTE REC all tracks to be played back Playback ready when green Preparing to record more tracks Press for all recording O tracks 1 2 times until the PLAY MUTE REC track light turns red When red recording is possible 3 Adjust the input level PEAK O GAIN Input sensitivity Make noise LINE MIC Briefly lights when the volume reaches maximum Hed acm i m Orange amp P Set the level so that at maximum volume 7 Orange 12 the red light O dB 1 does not light S Green 48 a Recording level Monitoring system Start and stop recording STOP REW A Press and hold e and press to return to the beginning TESTI 31 11 0 00 00 000 RN ran 128
5. In the explanations only the lt j Move in d usable directions are shown menu Note The cursors are used often to move up down left and right to choose different items An example of their notation in the manual is shown above 15 Control section RHYTHM Play create and set rhythm sg EFFECT Set the insert and send LE SE USB ke Use audio interface card L y reader and USB memory oor TOOL ke Metronome tuner system L y and SD card settings PROJECT f E PROJECT key GC set and work with 1 8Tr O DW 1 8Tr key 9 16Tr O 9 16Tr key 17 24Tr 17 24Tr ke oL TRACK l DW TRACK key Assign tracks and make settings PAN EQ DW PAN EQ key Access track mixer settings Fader section e j PLAY MUTE REC e O MASTER MIX DOWN PLAY Switch between track groups 1 8 9 16 and 17 24 the indicator for the active track bank lights Change track status to PLAY green MUTE no light or REC red Playback tracks that are already assigned appear orange 1 9 17 8 16 24 TRACK status keys Change MASTER track status to PLAY green MASTER no light no playback recording or MIX DOWN red MASTER status key Switches and controls POWER switch Turns power ON amp OFF Turns Hi Z connection on off only Hi Z switch for INPUT 1 Turns built in microphones on off MIC switch signals to INPUTS 7 amp 8 PHANTOM switch Turns phantom power ON amp
6. Use the track mixer to make stereo link settings adjust volume EQ pan balance and the send amount to send return effects Adjust the volume EQ and PAN of tracks gt Select the send return effect C Adjust the send return effect C Apply insert effects to tracks Cu NOTE Except for phase settings both left and right chan nels of stereo tracks share the same parameter values HINT What is the track mixer e Use the mixer to mix the recorder s audio tracks to stereo Use each track s fader to adjust its volume pan EQ and other parameters Recorder recording Track 1 24 MASTER Track Mixer Mix down Master track recording Output OUTPUT EQ pan and send level track settings Use the track mixer to set track parameters that for example adjust pan stereo position EQ equalizer and send return effects PAN EQ DW Press 2 Select a track TRACK1 Change tracks lt 3 Select a menu item and its setting Change menu TRACK1 V v Change setting Change menu A v KI SEND 8 pem m eum HB Press 5 Select each item and change settings Change menu A Gef T 3 BkHz GAIN FREGENCY Change setting HINT e Use the track mixer to adjust each track param eter Including pan and the send return effec
7. 33 Mark functions Tools Tuner eer e SE ER PU S 35 Metronome 0 36 16 track synchronized recording with two units 4 37 Mixing R24 mixing process 39 EQ pan and send level track settings 40 Track parameters 41 Mix down Bounce Combine multiple tracks into 1 2 tracks 43 Bouncing Using a mastering effect 45 Recording to the master track 46 Sampler functions Using the sampler to make songs 47 Overview of sampler functions 48 Assigning tracks 49 Loop settings 50 Playingthepads 52 Playoack methods Global quantization Creating asequence 53 Real time input Step input For details about use with a computer refer to the Audio Interface Manual PDF on the CD ROM included with the unit Editing a sequence 56 Inserting and deleting beats Changing the time signature Playing back asequence 59 Changing the BPM 60 Changing tempo without changing pitch 61 Trimming unnecessary parts of audio files 63 Setting fade ins and fade outs 64 Rhythm function Overview of rhythm functions 65 Playing rhythm patterns 66 Selecting a rhythm pattern Selecting the drum kit Playing padsounds 67 Switching banks Drum rolls Pad sensitivity Creating a rhythm pattern 68 S
8. HINT In step 5 you can change the order of the pattern list Press the H z soft key to list the patterns in alphabetical order Press the Ha soft key to list the patterns in numerical order Deleting rhythm patterns You can delete rhythm patterns 4 RHYTHM DW Press Select the rhythm pattern that you want to delete Press DW beneath Bi BBB BSBeatB1L BB4 881 81 88 1716 ru iji 1 ERREUR BLLLL LL T T T g gw gp j3 m jaj m Jaj ml fal w jn PRR EDIT a I A 2 Select DELETE PATTERN EDIT DRUM LUL PAD ROLL RENAME CORY Press Select YES DELETE No 888 Are You Sure YES NO Press Select pattern Change menu A v Move cursor A v susoyed Au Bunad 72 soweu uJojjed wyzAy buibueyy g Rhythm functions Changing rhythm pattern names You can change the names of rhythm patterns RHYTHM DW Press 2 Select the rhythm pattern that you want to change the name of peel dores EDIT BBB BSBeatB1LB8B41 881 81 88i1 16 1474 4 1 TIE Select pattern RRR EDIT f KIT ASSIGCH A 2 3 Select REHAME PATTERN EDIT Change menu BAR LEN 4 d A SIGNATURE i4 DRUM LUL 15 v 4 Change the name PATTERN RENAME Move cursor lt q gt B BeatBl OR ENTER CANCEL EXIT W I DELETE FISH RENE RENI Change character HELETE Delete character IHSERT Insert P ress character 73
9. Wenn DOWN PLAY unlit m be Muting of the other tracks is disabled canceled and their status lights become as they were before HINT Each project can have one MASTER track A file can be assigned to the MASTER track If you mix down from the middle of a song it will always be recorded to a new file e During recording you can check the playback levels of each track and the recording level of the MASTER track The signals that have passed through the MASTER fader are the same as those sent from the OUTPUT jacks This operation can be undone by pressing the WIHMDO soft key You can use the metronome during playback US Ref Sequential playback of projects MOBI 19 seui y 0 BuipiooeH H 46 sbuos yew oi 1e duies y Dusn 47 Using the sampler to make songs Use the sampler functions of the R24 to easily create backing tracks rhythm parts and other basic tracks that have high sound quality These features can be used to make a wide variety of music from demo songs to produced recordings Make a loop to provide the basic rhythm of the entire song You can assign a rhythm made with the included loops and the unit s rhythm functions to a track pad and set it to loop You can develop a vision for an entire song by selecting drum loops for example and other materials that inspire yOu US Ref Assigning tracks Loop settings As you listen to the rhythm loop that you pre
10. suonoeuuo2 g 1 Connections Refer to the following to connect other devices including instruments microphones audio equipment and computers Outputs Set the METRONOME switch to output it to only the PHONES jack or also to the OUTPUT jacks Stereo system speakers with built in amplifiers etc Turn off the system s power or turn down the volume before connecting speakers to avoid damage Rear panel Inputs Connect cables with XLR or mono phone plugs balanced or unbalanced to the INPUT jacks Microphones In order to supply phantom power to a condenser microphone first connect the microphone to INPUT 5 or 6 and then turn the PHANTOM switch ON Phantom power can also be provided to INPUTS 3 4 7 and 8 see P104 Devices with stereo outputs When using a synthesizer or a CD player for example with stereo outputs be sure to connect its left output jack to an odd numbered INPUT jack on this unit and its right output jack to an even numbered INPUT jack td TIP HOT AC adapter Always use a ZOOM AD 14 adapter which is designed for use with this unit lf FROEN tH TES ES Ko ii Connecting another R24 by USB By connecting two R24 units USB memory you can record 16 tracks simultaneously Guitar bass When directly connecting a passive elec
11. Recorder Interface Controller Sampler R OFF ON INPUT 8 PHONES OUTPUT POWER DCIN R24 econm Recorder Interface Controller Sampler INPUT 1 INPUT 2 INPUT 3 INPUT 4 INPUT 5 INPUT 6 INPUT 7 METRONOME RHYTHM EFFECT USB TOOL PROJECT OUTPUT PHONES Sch Oo mo 0 0 0 0 O0 MIC PEAK IN PEAK AIN PEAK GAIN BALANCE 1 8Tr 9 16Tr 17 24Tr TRACK PAN EQ fel GAIN fel GAIN o GAIN oO GAIN O Gi O OO eU eU ell 0 U lt BANK gt LINE MIC LINE MIC LINE MIC LINE MIC LINE MIC LINE MIC f MASTER CLICK DIRECT DAW v PAN oom wm i 0 00 00 000 Med v REVERB SEND BHl Hi BH Tima Y CHORUS SEND FADER v INVERT eU eO eO yO eO eO reo iu je O PLAY MUTE REC PLAY MUTE REC PLAY MUTE REC PLAY MUTE REC PLAY MUTE REC PLAY MUTE REC PLAY MUTE REC PLAY MUTE REC MASTER MIX DOWN PLAY Ee Ce e T Cn B STOP PLAY ECCE C308 J m INPUTS Wu 9 17 Ea ES ES Een ped OPERATION MANUAL ZOOM Corporation Reproduction of this manual in whole or in part by any means is prohibited suonneoouJd Ajajes pue obesn Usage and safety precautions SAFETY PRECAUTIONS In this manual symbols are used to highligh
12. A v YES EE TES o Press You can use the following keys to listen to a file and to set the division point PLAY Press to start playback g STOP Press to stop playback a m1 m Press to fast forward E E z Press to rewind E Press together to return to the EB ES beginning of the file a Use the mark keys to move to BCS marks e When a file is divided files with new names will be created automatically in the same folder A is added to the end of the name of the file of the part before the dividing point B is added to the end of the name of the file of the part after the dividing point e The original divided file is deleted Ref Using the counter and marks to locate P33 Sou Buipiaiq H 96 sjoefoud jo yoegAeyd jernuenbes 97 Sequential playback of projects The playback order of multiple projects can be registered and managed in playlists Use these to play songs consecutively for live performance accompaniment and when outputting to an external recorder for example Playback a playlist Edit a playlist PROJECT gt SEQ PLAY gt EDIT PROJECT LJ Press Select LAY PROJECT Change menu RENAME bi A PROTECT Off v FILE REC d cs Press pL p f 3 Select the playlist SEQUENCE PLAY LIST 4 Number of E projects in list List 150n9_ List3 25ongs Listdi Empty ListSiEmety no songs in list es NEN EN Playlist number P
13. Be careful when returning the counter to the beginning and recording do not want to overwrite recordings When a track is play enabled the file on it will play back HINT e f you are recording on a different track than the first track there is no need to move or swap the first track e f you want to record a new file set that track to Heu S284 euonippe Dumpio2eu H 28 1no yound ul yound oneuioiny d EK Automatic punch in punch out Punch in and punch out allow you to re record a single part of a recorded file You can set the beginning punch in and ending punch out points in advance to start and stop recording automatically Prepare the track that you want to punch in punch out Raise the fader on the track you want to re record Zell PLAY MUTE REC When red recording is possible 3 O GAIN LINE MIC Press 1 2 times until lit red Adjust the recording level and the GAIN to be the same as the already recorded part Set the punch in out points m Locate the starting JL JL J position punch in point 5 Press to set the punch in point WA IC display Locate the ending position punch out point 6 c5 d Press to set the punch out point Appears on display NOTE e Once you set auto punch in out point you cannot change them Cancel and set them again will be recorded Rehearse Press to start C Lit PLAY gt pla
14. Green 112 48 Green STOP Press to stop Playback the track after bouncing 3 A Enable playback of the bounce destina tion tracks Press 1 2 times until indicator lights green au MUTE REC Playback ready when green Disable playback of the bounce source tracks O PAY MUTE REC Muted when unlit Press 1 2 times until unlit STOP REW Press and hold EM and press to return to the beginning PLAY ES Press to start playback AA AONNOS lt SNILLAS 2938 193f O8d JONNOG E Using a mastering effect Use a mastering algorithm as an insert effect on the master track before recording to process the mix down ag Buijojseui e Buisf 45 Insert an insert effect before the MASTER fader EFFECT DW Press Selectt QH FF and set it to On INSERT EFFECT Change menu v ALGORITHM Clean PATCH INPUT SRC InPuti NOTE When the insert effect is applied before the MASTER fader in advance the insert effect cannot also be applied to tracks either during recording EDIT 7 d m INSERT T REVERE TCHORUST NM playback geg Ge e At step 5 if you notice distortion because of the I Select ALGGREITHM and set it to Change menu INSERT EFFECT OF Ori v INPUT SRC Inputl 2 EDIT Pr eae REVERE ISOLE Change setting Select IHPUT Change menu INSERT EFFECT HE ESTHER CHORUS RW Change Ger SRC Ma
15. Import rhythm patterns You can import rhythm patterns from other projects You can import all the rhythm patterns H11 at once or one at a time Each 2 3 4 5 6 RHYTHM DW Press oe DE ELIT BBB 88Beathi 884 661 61 86 1716 474 b MELLLLLLLLLLLLELLT EDIT he a I A z Select IMPORT PAD ROLL RENAME COPY DELETE F SS L I Press Change menu A v Select MOGE and set it to 11 or Each Change menu PATTERN IMPORT PROJECT NEXT v PRJBH Ld Change setting Select FEQJECT PATTERN IMPORT Change menu HEN EE ee NEN Press Select the source project PROJECT SELECT Select project A v s Press 7 Select HET PATTERN IMPORT Change menu MODE Each A PROJECT PRJWG1 v ep SS SE RSR Press 8 Select the rhythm pattern to import when set to Each Select project IMPORT FROM Ho Do Bopeatal A Ho HH BBSBeatH2 Mo BH3 BeBeath4 e Genee eegen Press 9 Select the destination rhythm pattern to import when set to Each Select project No BG DDesatol A A Ho RI B8Beath No o BoDeatds v No ABS BBSBeatH4 us sc MSN Press Select WEG PATTERN IMPORT Are You Sure YES Move cursor v Press NOTE e Destination rhythm patterns will be overwritten When set to H11 all the original rhythm patterns the rhythm pattern selected as the destinat
16. numerous note on events are played they might not all play as expected due to the maximum polyphony limitation of the unit You can assign the loop files on the included USB memory ref P49 In Step 5 you can change the order of the pattern list Press the H zZ soft key to list the patterns in alphabetical order Press the Ha soft key to list the patterns in numerical order 22 3284 uig AuJ e 6uuedajd p 2841 1sJ1J eu Buip1ooeg d 23 Recording the first track After connecting instruments and completing recording preparation ready the recorder and start recording the first track Starting from the Top Screen of a new project Return the counter to the beginning STOP REW Press and hold EN and press to return to the beginning Top Screen 0 00 00 000 HE umag 128 8 474 1Bar SC SWAP TAKSEN Counter at head position mark 00 HINT e The Top Screen display of a new project 0 00 00 000 BELLE umag 128 8 14 4 Bar EE E73 RETE UI Counter at head position mark 00 e After setting the input Step 5 and after you can process input signals with the insert effect US Ref New project creation Insert effect Adjusting the input level 2 Arm the track for recording o Press 1 2 times until the track light turns red PLAY MUTE REC When red recording is possible 3 Adjust the input sensitivity GAIN O GAIN Adjust the inp
17. where the attack is important TRACK DW Press 2 Select the track for which you want to change the fade settings tik Al b Select track 3 Select FHDE and set it to OFF if you want to disable it TRACK1 b Change menu setting s no pey pue sul ape Punies i 64 suonounj UA Jo MSIAJ9AQ W 65 Rhythm functions Overview of rhythm functions With the R24 you can select a pre installed rhythm pattern that you like and play along You can also add accents in real time as you play the pads The following settings related to playing the rhythms can be made e Change the drum kit and pad sounds e Set pads to roll keep playing while pressed e Set pad sensitivity Moreover you can create original rhythm pat terns with the R24 Play the pads along with a rhythm click and input data in real time or input one note at a time using step input The following settings can be made for rhythm patterns e Number of bars when creating a new one e Time signature when creating a new one e Volume e Quantization e Drum kit stereo positions e Drum kit sounds The following operations can be conducted on rhythm patterns e Copy pattern e Delete pattern e Change the pattern name e Import a pattern from another project e Check remaining pattern memory Rhythm functions Playing rhythm patterns Selecting a rhythm pattern Select a rhythm pattern and play it RHYTHM L Press 2 Sele
18. 3 Setting Explanation Setting Explanation UpSaw Rising sawtooth wave Tri Triangular wave UpFin Rising fin wave Trim Pssiraasuer DownSaw Falling saoo wae Sine Sinewave DownFin Faling in wave Square Square wave Table 5 Setting Explanation TV rsemtonelower orgnalsound 2 lriginal sound 1 semitone tower 1 octave higher original sound gt 1 octave lower original sound Complete fourth up original sound gt complete fifth down original sound 0 Hz original sound 1 octave up pt jBhnote bar Drees 4 Quaternoe 2bars j2measues 4 Hafnoe 3bars messe Dotted half note pen 4measures 8x Comp EQ algorithm Module 1 8 EE 4 5 8 a Complete fifth down original sound complete fourth up original sound 2 13 38 28 16 Typ Settngrage Explanation This filter cuts low frequencies and passes high frequencies Rack Com comp For an explanation of types and parameters see CLEAN DISTORTION Limiter ACO BASS SIM algorithms ee the BASS algorithm for details l Mastering algorithm e COMP Lo Fi module Parameters n E EE XoverLo XoverHi SenseHi Sense Mid SenseLow MixHigh MixMid MixLow sBand Comp Compressor that divides signal into 3 bands that can be compressed and mixed separately Lo Fi For an explanation of the typ
19. 52 H e EE 10 11 18 Importing Card reader EE EE 106 E Tv 106 108 Patches A i bites 6 4 tee eee et wo 86 EE sean ecu ped uq entes 17 89 95 97 USB memory 11 107 109 ADONE cs et eripere muove rras hues 29 Input sensitivity usos ex eee 23 Insert effects Inserting before the MASTER fader 45 Insertion De NEEN RR RS 81 Using only for monitoring 42e 87 L Level adjustment 005 23 Locate IHellonis ausa 3b E saws ade 33 34 eler EE 50 M Manual punch in out 30 WIRING e e det e E Gerbe 33 Master tracks Ai g sex t Rp eo 46 Mastering effect 00005 45 Metronome sier siete bare eae do aed ts 36 ET Le EE 39 Mixing down to two tracks 43 46 PDF Audio Interface Manual on the included CD O OUP OOUNS 6 rasiassa sake ed tee eee oA 29 Overdubbing 27 P u o Cm 52 67 PON PCR 40 Patches Changing patch names 84 Se date oa 2 orsus ean dae ees oe Be o e dat 83 IritialzatlOnis ase oct ER ERE rmm och PDF IMPOrtINg e are once ae arde Ro ues 86 Pateh list CER TT 126 131 scio 85 Selectii d wate beh ded opt ID Rh e ERROR 80 Phantom power 11 18 104 PIAVIISIS s scars coe rario od ed die done dc cx 97 98 Power Battery installation 000 13 Battery type setting oonan anaana aaa 103 EE E 14 Projects Changing project names 94 ei e le MEET 93 Creating new 6 ee 17
20. 90 Deleting ac eet at Se eo oad SUPE TR 95 OvervieW 20 ee 89 EEN wane EE EE Goes Gerke 89 sur 91 Sequential playback 97 PUNCHING in and out 22222 29 30 Auto punch in out 000 29 Manual punch in out 30 Q Quantization bit rate eee 99 R Recording Additional 1aCKS 2 5 2 02 ot ga eu wes a 27 Changing playback takes 25 First WACK 2s iba e de E eeh EA 23 Formats A EUR E go do doc CCo a 90 99 Master Ee s cen etx drea e neue ua 46 Overdubbing sacco RR Hd SS 27 Preparations a Ee eu veraces 17 19 Rhythm functions eue diac dh CH 65 76 Rhythm patterns Changing rhythm pattern names 13 COPYING 2 6 me 1 Deleting see ese ek des oe deck ER E EE 72 Creating 33 4 mens aa HE OR EORR TUS US 68 0g eroi re PTT 74 Assigning to TACKS v xo sca e dee wes 22 76 S Sampler functions 47 64 SD cards Card reader functions 106 Changing while the power is on 101 Checking card capacities 102 Formatting otf deiode aX ded 102 Installation 222 seem ehm m 12 Send return effects Send level track settings 40 Patches s sad aaderd Reba Sa ws 77 83 86 131 Sequence data 0 53 59 Creation 2 0 0 ee ee 53 Zelter WETTER 56 Playback 2248 ecu G54 ecE E PS cones shed 59 Sequential playback of projects 97 lf leie Kee EE 14 Specifications usa ouod che k
21. Acoustic guitar Voca 25 ClubDuo Simulates live sound in small club Acoustic guitars 26 BigShape Enhances overall clarity ic guitars 27 FolkDuo Fresh and clean sound ic guitars 28 GtrDuo Suitable for acoustic guitar duos ic guitars 29 Bright Bright sharp global feeling ic guitars 30 49 Empy IL SJ9 oujeJed pue sodA 129413 t ZH H 128 sjojoweied pue sodA ayy yZy d 129 Effect patch list 4 Stereo algorithm For single note synthesizer lead O asankt Changes astandardkitioanAsiankt SSC WideDrum Wide stereo effect for arum machine sche Reinforces bass frequencies for dance rhythms 07 JL Octwer Addssoudoneoctavelower S O 18 Percushn _ Gives air presence and stereo spread to percussion 19 MoreTone Increases midrange frequencies giving more body to distorted us 20 SnrSmack Emphasizessmappinessofsnaresound S 21 Shudder Sliced sound for techno tracks ooo 22 SwpPhase Phaser with powerful resonance ooo 23 DityBiz lofidstr onusngrngmoduatr Cd 24 Doubler ___ Doubling for vocal track ooo 25 _SFXlab__ Gives synthesizer powerful special efectsound O OC OC 26 JL Synlead2 __ Oldstyle jet sound for synthesizer lead S 28 Soliner Simulates analog strings ensemble 2 HevyDrum For hard rock drums 30 SM57Sim Simulation of SM57 mic which is great for recording electric guitars and other
22. EFFECT Track2 10 or Track2 10 g uonisod 39 WSSU y Dumae p S129 J8 u1njaJ pues pue 14esui Bunipo uojeg 83 Patch editing insert and send return effects You can create patches that combine effects together change effect types in patches or change processing as you like by adjusting effects using their parameters 3 4 EFFECT O Press Select effect type Press L beneath BHA to select an insert effect Press L beneath T3333 to select a reverb send return effect Press L beneath IAH to select a chorus delay send return effect Select GH CFF and set it to OH INSERT EFFECT Change menu v EDIT b INSERT REVERE IST Change setting Select the algorithm patch INSERT EFFECT Change menu v Change setting Select EDIT INSERT EFFECT Change menu ON OFF Un i A ALGORITHM Clean v Ho pp 2 CL INPUT SRC Ineut l rte emer SES Edit effect modules Select TVPE Effect module OFF d COMP LIMITER m CT a a RRENI Effect module ON Press ENTER or press the OH OQFF soft key to turn the module on and off sp Effect type COMP LIMITER B E Edit mark shown when a patch has been edited SE SS or changed Level Ob HOBI2R E RI Set the effect module Select the effect module 4 COMP LIMITER Bh Change module 4 7 8 Select the TOTAL effect Pies moaule module 4 gt Select F
23. FILE SELECT NN MONO m WAU NONO B01 WAU NONO B22 WAY MONO G83 WAY WOU 204 WAY Change file Press Eu acqui ng 7 Change the file name as necessary FILE RENAME Move cursor 3 gt Delete MONO 808 character OR ENTER CANCEL EXIT a H HIE GN Change character Character Press Move cursor Are You Sure v NO Press Loading files from USB memory USB gt STORAGE gt FILE LOAD Connect the USB memory to the R24 USB HOST port USB 2 DW Press 3 Select TORAGE USB Change menu AUDIO LF L READER b v Press 9 p f Select FILE LOAD 4 USB STORAGE MENU Change menu Select the folder FILE SELECT A 5 Select folders and files FILE SELECT AUDIO m CPROJECT If data is in a folder PRS NES ees Eee i 9 Select the file FILE SELECT HONO Don WAL MONO 881 WAL NOS WAU PE ES SS Sa Fe Select where to save it PROJECT SELECT _ SELECT h Change project ere Press Dennen 9 Change file Change the file name as necessary Move cursor p Delete haracter MONO 889 charact IHSERT OE ENTER CANCEL EXIT icd DELETE INSERTI Po Change character Character Press Select YES LOAD WON 888 Wi Move cursor Are You Sure v D Press Saving projects to USB memory USB gt STORAGE gt PRJ SAVE 3 4 5 USB DW Press Select TORAGE Change menu AUDIO 1 READER TF v
24. File Error USB Device Error si oDessoui 104413 E 132 suoneoiyioeds i 133 Specifications Recorder Audio Interface Rhythm Hardware SE NN neous recording tracks Maximum number of simulta Punch in out manual auto bounce A B repeat undo redo Number of recording channels 8 o 44 1 48 88 2 96 kHz mono x 8 master x 1 segment display band equalizer pan balance effect send x 2 invert racks 1 2 23 24 selectable in pairs nem 9 CLEAN DISTORTION ACO BASS BASS MIC DUAL MIC STEREO 8xCOMP gens EQ MASTERING 330 insert 60 send return 7 insert 2 send Chromatic guitar bass open A D E G D modal 16 bit linear PCM m o xl 8 velocity sensitive 48 PPON 511 project 40 0 250 0 BPM 44 1 48 kHz 16 24 bit WAV format rim time stretch D card 16MB 2GB SDHC card 4 32GB Analog digital conversion 6kHz 24bit delta sigma ADC ce 6kHz 24bit delta sigma DAC 28 x 64 pixel LCD with backlight 8 XLR standard phone combo jacks Input impedance Balanced input 1KQ balanced 2 hot INPUT1 8 Unbalanced input 50KQ unbalanced 1 with Hi Z input impedance 1 MQ Hi Z on 6 with phantom power Input level 50 dBm lt continuous 4 dBm Digital analog conversion Display Omnidirectional condenser microphones Gain 5OdBm lt continuous lt 4dBm 48V 24 V onis OUTPUT TRS phone type balanced P PHONES Standard stereo phone jack 20 mW x 2 32 load U
25. MASTER fader Recording to the MASTER track Prepare by adjusting the signal levels STOP REW Press and hold EM and press to return to the beginning PLAY Then press to start playback and adjust the levels of each track 2 Adjust the level of the signal that passes through the master fader Make sure that the red 0 dB indicator does not light on the MASTER level meter 0 rea IEN 6 ll Orange 312 Green 48 Green STOP 3 Press to stop Record to the master track status key 1 2 times e LJ until the indicator venu DOWN PLAY lights red When red recording is possible Press the MASTER REW STOP 5 Press and hold 2 and press to return to the beginning REC PLAY 6 CHE Lo Press to stop NOTE Press in order to start recording The settings of the pan balance insert and send return effects of each track affect the signals sent to the MASTER track Play the master track Press the MASTER e DW status key 1 2 times until the indicator Wenn DOWN PLAY lights green Playback ready when green Doing this mutes all other tracks and disables all effects STOP REW 2 Press and hold EM and press to return to the beginning PLAY Press to start playback STOP 3 e Press to stop Disable MASTER track playback A Press the MASTER C DW status key 1 2 times until the indicator is
26. NN RN d Insert character character 5 Select EXECUTE PROJECT COPY NAME PRIGG ea uen EES SS ES NOTE You cannot copy a project without changing the name to something different from the original Copy a file PROJECT gt FILE gt COPY 2 PROJECT DW Dress Select FILE PROJECT Change menu COPY b A DELETE b RENAME ad PROTECT Dff Geen EENESI NER PEN EES Select the file to copy FILE SELECT WOH De WAU A v MONO BET WAY E OHO 882 WAV Change file IONO BE WAV WW 262 WAU Press Select COP M N BBB WAY Change menu WE A v RENANE DIVIDE P a a RESI ee Select HARE Change menu A EXECUTE F y EE EN mm Press Change the file name COPY FILE MAME P cursor ISSN Delete character MONO 888 X ENTER CANCEL EXIT Wo mm em Change character Press Select EXECUTE NANE HONG be HER ee ee ee EE INSERT Insert character Changing project and file names You can change the names of the currently loaded project and files Cerone epost name a project name KA a file name eee perenne ae Open the project that you want to change the name of and follow these procedures PROJECT DW Press 2 Select REHARE PROJECT Change menu v 3 Change the characters MEW PROJECT MAME Move cursor IO gt Delete haracter pRJ883 IHSERT ENTER CANCEL ERIT C w s TI Change
27. OFF GAIN control Adjusts input sensitivity PEAK indicator Lights if maximum input detected During recording when the METRO NOME switch is set to PHONES ONLY use to balance the volume of the stereo mix and the metronome BALANCE control Level meters Shows recording playback levels TEMPO indicator Flashes in time with the count Display information The display shows data about projects and other elements connection and operation status as a recorder or a computer audio interface available functions and various menus Display and indications Top Screen Shows the current project Icon display area Project name Hours minutes seconds ETT H an milliseconds tine 0 00 00 00059 75 881 81 88 mee Mark mark number Tempo 128 8 t 4 1Bar Global quantization BPM RO DIR MG I Soft key Menu screen Shows an operation menu Menu name or track number l INSERT EFFECT A B z CL INHUT SRC Input ED T execute an operation Press the ENTER key to show the next menu or EE za REVERE CHORUS RE Use the DIAL to set and change values Select items with the up and down cursor keys UNDO REDO UHOO REDO UNDO indicator REDO indicator UNDO Return to the state before the previous operation after PUNCH IN OUT recording BOUNCE or MIX DOWN to MASTER TRACK REDO Reverse the UNDO operation N en e zm rm e zm rm e rm rm rm rem r
28. Press NOTE e To load an audio file from another project select project that contains the file Then from HEXT select the file Change the file name if necessary before loading it e n a new project the BPM tempo of the first audio file assigned to a track sets the BPM of the project e In the LOOPCUSEI menu you can see the files in the ZOOM R24 LOOP folder on the USB memory To use a new USB memory device create a folder with the same name on the memory using a computer Ref P109 or use the STURHGEPIHIT option from the LISE menu and then put loops into the folder If rhythm patterns are assigned to multiple tracks and played back simultaneously or patterns with numerous note on events are played they might not all play as expected due to the maximum polyphony limitation of the unit e n step 2 you can also select tracks by pressing their status keys HINT You can also play audio files and rhythm patterns as you select them PLAY gt Start playback STOP 2 Stop playback Loop settings Make loop settings separately for each track Turn loops ON and set their starting points and lengths Setting tracks to loop Turn loops ON and OFF for each track TRACK L Press Select the track to be looped Select track TRACK1 Select LOOF Change menu A v TRACK1 Select GH CFF and set it to OH to enable loop playback Change menu LOO
29. Press 3 Select PHAaHT OH SYSTEM Change menu VERSION A SYNC REC Master v BATTERY PAD SENSE U Le LL ee ee ee Press A Select VOLTAGE and set the value Change menu PHANTOM 3 4ch t Y ch Df AN Change setting NEN ENS eee 5 Select 2 4ch or Sch and set it to n or OP Change menu VOLTAGE 24U A NOTE e The phantom power for inputs 5 and 6 cannot be gt turned off separately They will be supplied with Change setting phantom power unless the PHANTOM switch is set to OFF e Do NOT supply phantom power to microphones and instruments that do not need it Doing so could cause damage Check the instructions for the microphone that you are using before supplying phantom power sBHulyjes 4amMod uiojueud i 104 191nduioo e Uu Huljo9UUOD g iun au yM Papnjou WOH G2 eui uo 4qd enuen eoepelu oipny eui oi 19491 Ndo e LW esn 1noqe sreap J04 105 USB Connecting with a computer Use USB to connect an R24 to a computer Windows or Macintosh OS By connecting this unit to a computer you can use it as an SD card reader an audio interface for sound input and output and a control surface to control DAW software NOTE To import an audio file into the R16 its format must be WAV with a sampling rate of 44 1 48 kHz and a bit rate of 16 or 24 To use WAV files in a project they must use the sampling rate as set for the project when it was File n
30. R Press a Su wg Eg Select FFI E USB STORAGE MENU Change menu FILE SAVE FILE LOAD Select the project PROJECT SELECT Ann A Change project PRIOR lo Press Change the project name as necessary PROJECT RENAME Move cursor gt Delete PR aaa character OK ENTER CANCEL EXIT wy na DELETE INSERT f Change character character Press Select VES SAVE PR J888 Move cursor Are You Sure TES O NO v Press iun y YM pepniur NOH QO 94 uo 4Qd enuen ejep 110duui pue ares oj Asowew gen Bursfi i eoepelu oipny eui 0 19491 aNd Le YIM esn 1noqe sirejep 104 108 ejep 110duui pue anes oj Asowew gen Dutsen 109 Loading projects from USB memory Creating an R24 folder on the USB memory USB gt STORAGE gt PRJ LOAD USB gt STORAGED gt INIT USB DW Press 2 Select TORAGE USE Change menu AUDIO Lt d READER k v d Press EE ED EE eg 3 Select FRJ LOAL Change menu FILE SAJE b A FILE LOAD k v PRI SAUE INIT dl BEES GE erem eee Select the project Press 4 Connect the USB memory to the R24 USB HOST port USB 2 L Press 3 Select STORAGE USE Change menu AUDIO Lt READER k v Press A FILE SAVE k PROJECT SELECT FILE LOAD SE um 3 NE FRJB11 Change project Press Press Select VES Change the project name as necessary Create Folder PROJECT RENAME Move cursor yatdi Delete Are You Sure Mov
31. Turning the power on amp off Date amp time setting Follow these precautions for starting up and shutting down the unit Follow these instruction to set the date and time for files and data Turning the power on amp off 1 Make sure all the equipment is OFF 2 Insert an SD card into the R24 Confirm that the power the instruments and the monitoring system or stereo headphones are correctly connected Turn the power ON to start the unit POWER VER 1 08 ON OFF em 200m Slide to ON LECT 0 00 00 000 881 81 88 NI 128 8 474 Bar E ED LISER Then turn the power ON for connected instruments and for the monitoring system in that order 2 Turn the power OFF to shut down the unit POWER etaen ON OFF Che Slide to OFF Tm BEEN ETE SWAP ES DER Goodbye See yoy RR CR TZ TEKSEN H NOTE e Before turning the POWER ON turn down PHONES and OUTPUT controls and volume on monitoring systems and other connected devices e f no power is supplied to the unit for more than a minute the DATE TIME setting will be reset to its initial value Setting the date and time TOOL gt SYSTEM gt DATE TIME Select 24S TEM TOOL Change menu METRONOME k A TUNER d Change menu LIGHT CONTRAST VERSION F SYNC REC Master v 2 4 USB LIU E Press Select the date and time units and set their values in the following order YEAR MONTH DAY 00 00 00 Change DATE TIME unn VER
32. card into the slot you might be trying to insert it in the wrong direction or upsidedown Iry again with the correct card orientation If you force the card in you might break it e f an SD card was previously used with a computer or a digital camera you must format it in the R24 before using it e f no SD card is inserted the REC key will not function in Recorder Mode i If one of these messages is shown e No Card No SD card is detected Make sure an SD card is inserted properly e Card Protected The SD card write protection lock is closed preventing rewriting To release it slide the switch away from the lock position HINT e his unit can use SD cards with capacities of 16 MB 2 GB as well as 4 32 GB SDHC cards e You can check the most recent information about compatible SD cards on the ZOOM website http www zoom co jp Ref SD CARD gt EXCHANGE SD CARD gt FORMAT ED uonej ejsu i pled GS E 12 yun y BuuoMod d 13 Powering the unit Use the included AC Adapter which is designed for the unit or six AA batteries sold separately to power the unit Using ordinary power included AC adapter Make sure that the power is OFF and then plug the included AC adapter into the back of the unit DCSVIA POWER ON OFF e IT H o Always use the included ZOOM AD 14 caton AC adapter which is designed for use with the unit Using any other ada
33. card is protected insert it again P12 Project Protected The project is protected Disable using the FROTECT menu gt P89 File Protected This file is read only So you cannot write to it ENEE for example Messages that indicate the capacity or structural limit has been exceeded Card Full The card is full Change to a new card or delete unneeded data Project Full No more projects can be saved on the card Delete unneeded projects File Ful The maximum number of files has been ex DEE ceeded USB Device Full The connected USB device is full Change the connected USB device or delete data Messages that indicate access failure Card Access Error Unable to read or write to the card Press EXIT and try the operation again Project Access Error Unable to read or write to the project Press EXIT and try the operation again File Access Error Unable to read or write to the file Press EXIT and try the operation again USB Device Access Error S Ier wi Eo dye SET Press EXIT and try the operation again Card Format Error This card is not in a format the unit can use Change the card format to one that the unit can use File Format Error This file is not in a format the unit can use Change the file format to one that the unit can use USB Device Format Error E SEENEN Change the USB format to one that the unit can use Other error messages Card Error Project Error An error of some kind is occurring Press EXIT and try the operation again
34. chorus delay send return effect 2 Select H DFF and set it to OH INSERT EFFECT Change menu ALGORITHM Clean PATCH INPUT SRC InPut i EDIT T THSERT REVERE CHORUS Change setting 3 Select an algorithm when setting an insert effect Change menu INSERT EFFECT INPUT SRC InPutd EDIT 7 INSERT REVERE CHORUS Change algorithm Change menu A Select a patch INSERT EFFECT QUOFF n A ALGORITHM Clean v INPUT SRC Input 8 EDIT s THET TREVERE ag 7 Nm Stee uJnjoJ pues pue LSU Jo 1ndino pue ndul i 80 uonisod aus WSSU y Bumes d 81 Setting the insert effect position You can set the insert effect position This menu item only appears for the insert effect EFFECT a Press Select effect type Press L beneath BAHIA to select an insert effect Select GH OFF and set it to OH INSERT EFFECT Change menu ALGORITHM Clean PATCH z SRC InPutl BEES REVERE Es v Change setting 3 Select an algorithm and patch INSERT EFFECT Change menu A v EDIT ahd THSERT REVERE CHORUS Change setting NOTE You can select a single IMPUT 1 8 only if you BASS SIM BASS or MIC algorithm You can select Tracki amp Track 16 or Tracki 24 only if you have chosen the BECOME EG algorithm You can select IHFUT 1 8 only when the cxCOMP EG algorithm has been chosen After setting the insertion point if yo
35. descriptions Simulation of MD421 professional standard mic that is indispensable in MD421 broadcasting recording and live performances Simulation of U87 a condenser type microphone that sets standards U87 and is used in studios worldwide C414 Simulation of C414 a famous microphone highly trusted in recording situations SM57 Simulation of SM57 mic which is great for recording electric guitars and other analog instruments Mic Type 122 sjojoweied pue sodA ayy t ZH d 123 Effect types and parameters 9 e 3BAND EQ module 3Band EQ For an explanation of types and parameters see BASS algorithm e MOD DELAY module Dep Rae LI MI Mixes a variable pitch shifted component with the original sound resulting in full bodied resonating tone Depth Pak Resonance pM Produces a resonating and strongly undulating sound Rate C ios Produces a swooshing sound Rm Op Periodically varies the volume level Rate ip Swings the panning position of the sound between left and right Tone Fine Balance Chorus Tremolo Auto Pan Shifts the pitch up or down Ring Modulator For an explanation of types and parameters see CLEAN DISTORTION ACO BASS SIM algorithms Time Feedback Delay effect with a maximum setting of 2000 ms Time Feedback Warm delay effect with a maximum setting of 2000 ms ma oo me 0 Tee
36. in patches only to monitoring the playback signal The procedures for using effects are the same when using the R24 as a recorder and as an audio inter face but the patches can also be initialized when the unit is used as an audio interface IMITIAL Insert effects Algorithm name Display Number of patches name preprogrammed patches v Clean and crunchy sounds that are suitable for guitars Clean Crunch 30 21 Y Overdrive and other distorted sounds suitable for guitars Distortion Distortion 50 45 w Instrument simulation algorithm that is suitable for guitars Aco Bass SIM 20 10 y Algorithm that is suitable for recording bass guitars EN GNE 30 20 v Algorithm that is suitable for vocals and other mic recordings EE a NI 50 30 y Algorithm for two completely independent mic channels Dual Mic Dual Mic 50 30 y Algorithm for synths built in mics and other stereo recording Stereo _ 50 40 y Algorithm for 8 channels of independent input and output 8xComp EQ 8xComp EQ 20 10 y Algorithm for processing final stereo mix signals 30 21 Send return effect Number of patches preprogrammed patches Algorithm display name REVERB 30 22 CHORUS DELAY 30 18 Select effect and patch EFFECT DW Dress Select effect type Press L beneath PLEJA to select an insert effect Press L beneath T3333 to select a reverb send return effect Press DW beneath ETAT to select a
37. on the next page NOTE e These procedures are the same for both insert and send return effects e f you switch to another patch without saving a patch that has been edited showing the E mark changes will be lost Always save patches e The import source and the import destination are different projects when using FATEH IMPORT HINT You can save your edited patch to any patch number within the same algorithm By doing this you can also can make a patch copy by saving an existing patch to a different number Patch importing insert and send return effects You can import one or all patches that have been created in another project for use in the Current project 4 2 3 Select 1 INPUT SRE ent EDIT SAVE INSERT REVERE El RW Change menu v E Press and setittoHll orEach RENAME Select i PATCH IMPORT Change menu PROJECT PRJHH1 NEXT p v Hep E Eua FS Change setting EN Import all patches from the source project Each Select and import one patch from the source Import all patches IMPORT AII Select FEO TECT MODE AL Change menu v NERT Ld pp dene Select the project to import from PROJECT SELECT Select PR IAA Import source PR Top project name pond FRJHE4A SE Bises INE NEN mm mm Se AT MODE all PROJECT FRIBBi1 v Press SS nr aao Passus Select WEG PATCH IMPORT i wai Are You Sur
38. same track the previous recording will be overwritten e There are two ways to make a new recording or re record e Press the HHE soft key to undo the recording e Use the TRACK gt THEE gt FILE menu to assign the track used for recording to a Hew Take Ref P25 Playing back the recorded track 9 Press stop if you have not already STOP LX tass 0 01 13 042 837 83 B4 mmg 128 8 4 74 Dar UNDO EIS ET ril 10 Play the track e PLAY MUTE REC When green the track is ready for playback PLAY REC Press CG Ouniit STOP BH Lit green Counter stops Press on the track to be played 1 2 times until lit green Return the counter to the beginning STOP REW Press and hold e and press to return to the beginning IRSCH 0 00 00 000 BEER umag 126 6 474 1Bar IU EUIS ET Lr 12 Play the track PLAY PLAY Press Lit green 13 Stop playback STOP Press NOTE e f the FEC MODE is set to Qverurite recorded audio files on tracks will be overwritten when new recordings are made Be careful when returning the counter to the beginning and recording STOP B Lit green do not want to overwrite recordings When set to play the recording currently on the track will be played 24 2811 1sJ1J eu Buip1ooeg B oye 4oeq e d y Guibueu5 g 25 Track recording Changing the playback take You can assign audio files to tracks freely By reco
39. settings of the previous project Change menu AUDIO INTERFACE A ERELUTE La Change EMEN ER ER RENI eda Select EXECUTE Change menu A v D Connect the USB cable to the R24 3 AUDIO IMTERFALE Sample Rate 44 1kHz EHI au DDR SUE USB DEVICE indicator Lit Connect the USB cable to the computer USB Ee Press Press the LJ below Select YES Are You Sure v YES NO Press 3 Disconnect the USB cable NOTE Select CONTINUE to use the same settings as last time e INSERT EFFECT settings e SEND RETURN EFFECT settings e Mixer settings e TUNER settings Select RESET to restore default settings for each item Before removing the USB cable when discon necting from a computer always follow the proper procedures for the computer OS to disconnect the device first Before removing the USB cable conduct step 2 of Disconnecting first The audio interface and control surface func tions of the R24 can be used by drawing power through a USB cable from the USB bus We recommend always using the latest R24 system software If you use an R24 running an older system a computer might not recognize it properly Interface Controller 112 1S1 waned wyAyy k 113 Rhythm pattern list Patterns 35 234 are typical patterns and fills for various genres
40. sound Space Combination of Reverse Delay and phaser creates a clean sound withwidth FdWah Auto wah patch with the natural distortion of an FD Combo amp added as the secret ingredient Flower Combination of phaser and Vibe crates a paychedelio wordy sound Em y Distortion algorithm No Patch name 0 1 WdRhythm 2 PvRhythm 3 bzRhytm 4 s Sos 6 TexasMen BgLead EE a Tsbriwe 30 m get SSC 39 aa SSC 1 1 38 39 30 E SCH 22 29 3 25 326 38 29 SJ9 ouljeJed pue sodA H yZy p No 0 2 3 pos 5 5 8 EH 00 JE OB WEN 18 E de 18 19 28 2129 HOT DRV Z WILD Z Bottom Z SCREAM LEAD EXT DS EC LEAD JimiFuzz DT Slide KC Solo Nirvana Smells Like Teen Spirit sound 126 SJ9 oujeJed pue sodA ayy t ZH d 127 Effect patch list 2 30 EveryBG__ Buddy Guy s blues sound is dry and overdriven and adds color to any blues lick SSS O 31 EVHf959 Early Eddie Van Halen sound S O 32 Bann BianMaydrvesoundreoreaedusng ZNeos O O O O O OOOO 33 RitchStd Sound that Deep Purple s Ritchie Blackmore used recording Machine Head SSS O 34 Carios Smooth sound used by Carlos Santana in album recording recreated using BG Crunch PeteHW___ Pete Townshend crunch sound using Hiwatt with clean amp turned al
41. the keys and other controls Use of caution excessive force and dropping or bumping the unit for example could cause the unit to break Connecting cables with input and output jacks Always turn the power OFF for all equipment before connecting any cables In addition make sure to disconnect all connection cables and the AC adapter before moving the unit Alterations Never open the case or attempt to modify the product cation iN any way since this could result in damage to the unit Zoom Corporation will not take any responsibility for damage resulting from alterations to the unit Volume Do not use the R24 at a loud volume for a long time Canon Doing so could damage hearing Usage Precautions Interference with other electrical equipment In consideration of safety the R24 has been designed to provide maximum protection against the emission of electro magnetic radiation from the device and to be protected from external interference However equipment that is very sus ceptible to interference or that emits powerful electromagnetic waves could result in interference if placed near the R24 If this occurs place the R24 and the other device farther apart With any type of electronic device that uses digital control including the R24 electromagnetic interference could cause malfunction corrupt or destroy data and result in other unex pected trouble Always use caution around other devices Cleaning Use a soft cloth to cle
42. to end input Change menu NOTE v e f your timing is slightly off it will be corrected in accordance with the quantize setting e A metronome pre count can also be set Hef P36 PLAY holding and pressing gt 08l 6l 0 liBar 1474 13 3 Start real time by pressing and A Play the pads in time with the rhythm to input data TRACK SEQUENCER 662 61 36 1Bar 474 Now Recording Create a sequence using step input A sequence can be created one step at a time using step input TRACK L Press Select TRE SEE LEUTE Al b Change menu A v Start step input Press TRACK SERUENCER 661 61 66 1Bar 474 13 PRR Move the cursor to the position where you want to input or delete data TRACK SERUENCER Move cursor 885 81 88llBar 474 A 41 5 II J lt gt 1 TTT B Cursor CT v T TREE BERE EDIT DELETE Bar cursor REW ER Go back 1 step FF gt Go forward 1 step Press E beneath or to change the length of one step to a bar beat or 16th note 6 Press a pad to input that pad s data at that position Or press ENTER to input the data of that track at that position TRACK SEQUENCER 8839 B1 8B8llBar 474 13 u TTTTTTTTTTTTTCT EH ERE EHI EEGiES Note on Length of loop or rhythm pattern To delete input press DW beneath 115303 to delete data at that position STOP 7 Press to end input
43. vocals S SOS 9 DeepDBL Depono OOOO ae omo NENNEN L 39 a 05 a 1829 gfo imulates the reverberation of a clay pipe Detune For instruments wih srong harmonics such as a digital SEET Natural Chorus win Tow modulation sutable for backing pars Z OC Oo Wie wenos eneen Emy II Error message list If you see a message like Error push the EXIT key When other errors and messages occur the displayed screen will automatically close in three seconds Message Meaning Response Messages that indicate something is missing No Card There is no card inserted Make sure that an SD card is inserted correctly Check that the project has not been deleted or moved No Project There is no project to a different place No File There is no file in the project Check that the file has not been deleted or stored in a different place PE TEST SE EE EE The connection may have been canceled or there may be a problem with the cable Messages that are shown frequently Reset DATE TIME Setting lost because the batteries died Set the DATE TIME again P14 Low Battery Time to change the batteries Change batteries or connect the adapter The function you tried cannot be accessed during playback recordina Stop the recorder first and then try again Stop Recorder Messages that indicate the object is protected Eject the SD card unlock its write protection and then Card Protected The SD
44. 00 E 24 INPUT8 v PAN v EQ HI v EQ MID VEQLO v REVERB SEND Y CHORUS SEND v FADER v STEREO LINK v INVERT LI UU PHANTOM MIC METRONOME switch switch switch Hi Z switch 1 2 3 a s 7 s O ON O ON O ON ZC nas PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK OC GAIN O GAIN O GAIN O GAIN O GAIN O GAIN O GAIN OC GAIN BALANCE LINE T MIC LINE T MIC LINE T MIC LINE D LINE T MIC LINE T MIC LINE T MIC LINE T MIC 0 Ed PEAK indicator GAIN controls 1 8 BALANCE control PROJECT key EFFECT key TOOL key Status keys USB key 1 9 17 8 16 24 MASTER RHYTHM EFFECT USB TOOL PROJECT Track indicator RHYTHM key g L D g L Master indicator i 1 8Tr BD 17 241 TRACK PAN EQ el el 1 8Tr key ell el ef O O PLAY MUTE REC MASTER MIX DOWN PLAY C lt BANK gt 9 16Tr key TRACK key 17 24Tr key PAN EQ key AUTO PUNCH IN OUT key 44 marker key Pb marker key A B REPEAT key AUTO PUNCH 1 0 A B REPEAT CA LS Faders 1 9 17 8 16 24 REW MASTER _ MASTER Wu 9 17 REW key FF key Pad ENTER key REPEAT STOP key Cursor keys Rear panel a POWER switch OUTPUT jacks DC5VIA POWER OUTPUT PHONES SLEEVE Um TIP HOT NA Sin GN ee O DC5V1A jack OUTPUT control PHONES control STOP JE JC TE STOP key MARK CLEAR key C C rm FS LH hs PLAY key REC key DIAL PHONES jack INPUT jacks DO suomnounj pue 1no e jaued i 10
45. 1IBB4 881 81 88i1716 1474 8 M2 16 24 PRR CET TC CT vi Select PAD ROLL and set the repeat 2 rate Change menu A BAR LEM W i i SIGNATURE 14 v DRUM LUL RENAME kr NENNEN RENE RENI Change setting PAD ROLL repeat interval 2 4 16 4 1 4 notes x 2 16 3 8 1 3 1 4 3 16 1 6 1 8 1 12 1 16 1 24 1 32 Dotted 1 4 notes 1 2 note triplets 1 4 notes dotted 8th notes 1 4 note triplets 8th notes 8th note triplets 16th notes 16th note triplets 32nd notes Press and hold REPEAT STOP and press the pad to roll 3 MASTER If you release REPEAT STOP before the pad that sound continues rolling after the pad is released Press the pad again to stop the roll Pad sensitivity oet the pad sensitivity You can set pads to respond to playing strength or to trigger sounds at a consistent volume regardless of how hard they are played TOOL L Press 2 Select SYSTEM TOOL Change menu METRONOME d A TUNER k v SD CARD k SES Ee p Press 3 Select FAG SENSE and set it SYSTEM Change menu DATE TIME ka A VERSION F SYNC REC Master v BATTERY Alkaline A Change setting PAD SENSE pad sensitivity Regardless of playing strength sounds are triggered with a soft volume Regardless of playing strength sounds are triggered with a medium volume Regardless of playing strength sounds Loud i are triggered with a loud volume Li
46. 1IBB4 de 1 81 0917 16 ru i Poor PRR EDIT EUN Co RT CLOSED HAT Ec EC we 9 17 ow TC NOTE HINT e f rhythm patterns are assigned to multiple tracks and played back simultaneously or patterns with numerous note on events are played they might not all play as expected due to the maximum polyphony limitation of the unit e When a rhythm pattern is assigned to a track it cannot be set to is e When you press the Hes IGH Sont is the pads of e You can also assign rhythm patterns from the TRACE menu Ref P22 In step 2 you can change the order of the pattern list Press the H z soft key to list the patterns in alphabetical order Press the Ha soft key to list the patterns in numerical order S284 0 suJejed uuu BuruBissy i 76 M9IAJ9AO YO ed pue Jd Effect and patch overview You can select R24 preset patches and easily apply effects You can also edit and save patches making fine adjustments and processing tracks to suit specific songs Effect and patch operations can only be conducted when the project sample rate is set to 44 1 kHz Effect and patch use process Using effects gt Insert effects P79 Adjust effect send level o Adjust effect send level gt Send return effects P79 REV SEND P40 CHO DLY SEND P40 Edit modules Edit a patch EDIT P83 Select type Adjust parameters You can make fine adjust ments to effect module paramet
47. 2FA 1 JAZZs1VB 2 17 16Beat06 4 62 HRKs2Va 1 109 RnBs2FA 1 156 DANCs2VB 2 JAZZs1Vb 1 18 16Beat07 2 63 1 110 RnBs2VB 2 157 DANCs2Vb 1 JAZZs1FB 1 19 16Beat08 2 64 HRKs2VB 2 111 RnBs2Vb 1 158 DANCs2FB 1 AFROs1VA 2 20 16Beat09 4 65 1 112 RnBs2FB 1 159 HOUSs1VA 1 AFROs1Va 1 21 16Beat10 4 66 HRKs2FB 1 113 MTNs1VA 2 160 HOUSSTFA 1 AFROs1FA 1 22 16Beatt1 4 67 1 114 MTNs1Va 1 161 HOUSs1VB 1 AFROsiVB 2 23 16Beat12 4 68 MTLs1FA 1 115 MTNsiFA 1 162 HOUSs1FB 1 AFROs1Vb 1 24 16FUSO1 2 69 1 116 MTNs1VB 2 163 TECHs1VA 1 AFROsiFB 1 25 16FUSO2 2 70 MTLs1FB 1 117 MTNs1Vb 1 164 TECHsS1FA 1 REGGs1VA 2 26 16FUSO3 4 71 2 118 MTNs1FB 1 165 TECHs1VB 1 REGGs1Va 1 27 16FUS04 2 72 FUSs1Va 1 119 FUNKs1VA 2 166 TECHs1FB 1 REGGs1FA 1 28 04JAZZ01 4 73 1 120 FUNKs1Va 1 167 DnBs1VA 2 REGGs1VB 2 20 04JAZZ02 4 74 FUSs1VB 2 121 FUNKs1FA 1 168 DnBs1Va 1 REGGs1Vb 1 30 04JAZZ03 4 75 1 122 FUNKs1VB 2 169 DnBsiFA 1 REGGs1FB 1 31 04JAZZ04 4 76 FUSs1FB 1 123 FUNKs1Vb 1 170 DnBs1VB 2 LATNs1VA 2 32 DANCE 2 77 2 124 FUNKs1FB 1 171 DnBsiVb 1 LATNs1Va 1 33 CNTRY 2 78 FUSs2Va 1 125 FUNKs2VA 2 172 DnBs1FB 1 LATNS1FA 1 34 68BLUS 4 79 1 126 FUNKs2Va 1 173 TPs1VA 1 LATNs1VB 2 No Name Beats 80 FUSs2VB 2 127 FUNKs2FA 1 174 TPsiFA 1 LATNs1Vb 1 Variation 81 1 128 FUNKs2VB 2 175 TPs1VB 1 LATNs1FB 1 35 ROCKs1VA 2 82 FUSs2FB 1 129 FUNKs2Vb 1 176 TPs1FB 1 LATNs2VA 2 36 RO
48. 4 O 3 2 CG 1 ssa te OOOOOOO oe Level meters 1 9 17 8 16 24 MASTER L R OFF ON OUTPUT POWER INPUT 1 INPUT 2 INPUT 3 INPUT 4 INPUT 5 INPUT 6 INPUT 7 INPUT 8 PHONES R24 Recorder Interface Controller Sampler 1 2 3 4 5 6 7 8 Hi Z PHANTOM METRONOME RHYTHM EFFECT USB TOOL PROJECT OUTPUT PHONES OFF ON OFF ON OFF ON mn ONLY C LJ LC LJ LC MIC PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAI O Sa O 29 O 9 O Sm O _sall O 9 O 29 O mu BALANCE I Eu m m PUUIG e ef et O C lt BANK gt LINE mic LINE mic LINE mic LINE We LINE We LINE mic LINE mic LINE We MASTER CLICK mra w v PAN CO eum VEQHI l l l l l l l l A r ue 6 f 6 46 8 6 8 REI E 48 KE E z 43 Kb Je D D VEQLO 0 00 00 000 Y REVERB SEND 12 12 12 12 12 12 12 12 BBI Hl Hl umaa v CHORUS SEND TEMPO F v FADER ee feb ob ee fae e lt e w ie eH je o joe je je je jet o 0 PLAY MUTE REC PLAY EE wur 9 17 E Een js E Built in mic Display ERI ZEA TEMPO indicator ware wed TEMPO 128 8 474 1Bar ee SS MET EL Right side panel go TEMPO key Soft keys Bottom panel not shown Battery compartment USB DEVICE port SD card slot USB HOST port DC IN eov O 00
49. 5 Hz in 1 Hz units The default setting is 440 Hz e With the tuner types other than chromatic the calibration can be used to lower the pitch by 1 3 semitones b bbb e The standard pitch value setting is stored sepa rately for each project Tunertype GUITAR BASS OPENA OPEN D OPEN E OPEN G DADGAD Strings E G E D E Smp B D cH A B B A Sns G A A re ct G G was Sma o E po o v Sns A B A A 8 G A swo E Le o e o FSwngr 8 Metronome This metronome which includes a pre count function allows you to change its volume tone and pattern You can also output the metronome sound only through the headphones TOOL L Press E H Select HETEOHOME TOOL Change menu A TUNER F v SYSTEM a SD CARD F BE ES ee BO Press This is the standard method for setting the metronome 3 Select each menu and adjust the settings Change menu METRONOME PRE COUNT lOff SE eee eS SS Change setting HINT Changing and adjusting the metronome output e Use the METRONOME switch to set the output e METRONOME OUTPUT PHONES The metronome sound is output through both OUTPUT and PHONES jacks PHONES ONLY OUTPUT PHONES PHONES ONLY BALANCE The metronome sound is output only through the PHONES jack Use the BALANCE knob to adjust the relative volumes of the MASTER fade
50. 8 474 1Bar BEEN E73 SWAP RH i Press REC and PLAY Lele in order to start recording 5 REC WB red e Lit green TIED 0 00 12 685 B87 82 17 meg 128 8 14 4 Dar EE ED T EE I gy n e d Play STOP STOP Lit REC PLAY Press to stop E green SE tass 0 01 13 042 837 83 B4 mmg 128 8 dch Bar IU ES ETT bird HINT e f you want to use a track that has already been recorded on for a later recording assign the recorded file to another track and make the target track empty Refer to Changing the play back take P25 You can also swap recorded tracks with unre corded tracks Do this when creating a second guitar track using Hi Z for example Counter starts The counter stops moving but does not return to O Playback all tracks lel Press 1 2 times until the indicator lights green for PLAY MUTE REC all tracks to be played back Playback ready when green STOP REW 2 Press and hold and press to return to the beginning PLAY 3 ES Press to start playback PLAY Lit green STOP A Press to stop playback STOP EJ Lit green NOTE When you move files on tracks confirm that no files are assigned to the tracks to be recorded If there is a file assigned to a track that recording will be overwritten by new recording If the REC MODE is set to Querwreite recorded audio files on tracks will be overwritten when new recordings are made
51. 9 Select YES change Se the current ace or 11 to change all the tracks BPM 120 04128 0 Move cursor Are You Sure A SES YES v A ms NO d Dein Beat v pela setting ERELUTE Press NOTE e S TRETCH operations cannot be undone LIME e STRETCH operations overwrite the original audio files If you want to save the original files make a copy of the project and files in advance Ref P93 e The BPM of each track is automatically calcu lated when an audio file is assigned Depending on the file material however the calculated result might differ from the actual BPM Set the BPM of each track TRACE gt EFM if this occurs Ref P60 The set BPM is used as the standard tempo when changing the tempo without changing the pitch of the audio e The tempo of an audio file can be set to from 5096 150 of the original If the stretched tempo value is outside this range an error message appears TRACK X is out of the setting range X is the track number and stretching is stopped e f a rhythm pattern is assigned to a track the rhythm pattern screen opens after Step 3 HINT You can listen to a preview of the results of time stretching for individual tracks PLAY Press to play the preview STOP Press to stop the preview youd GuiBueuo ynoyyim odwe oipne HBurHueys Soll Olpne Jo syed jesseoeuun Buriuiun Sampler functions Trimming unnecessary parts of audio files By trimming
52. 9413 t ZH y 130 sjojoweied pue sodA ayy t ZH d 131 Effect patch list 6 Send return effects REVERB No Patch name o Tia Hal reverb with anardionalqually O 1 BrgtRoom Roomrevebwihahadimdqaly 2 sonan Hirwerbwihamidtnaquly O 3 LargeHal Simulates the reverberation of a large hall 4 SmallHal Simulates the reverberation deer OOOO 5 LiveHous Simulates the reverberation of a club 6 mStudo Simulates the reverberation of a rehearsal studio 8 Neben Wnedioemaneweds S Tunnel Simulates the reverberation of a tunnel up BigRoom Simulates the reverberation of a gym sized room reverb ates the bright reverb of a concert hall Im BudoKan ates the reverberation at the Budokan in Tokyo IM Ballade For slow ballads SecBrass Reverb for brass section hort reverb RealPlat pring reverb simulation 18 Dome everb simulates playing in a domed stadium Wa imulates analog spring reverb ClearSpr ear reverb with short reverb time CHORUS DELAY No Patch name o ShonDLY jSedadse dey O 1 Bien Chorus to enhance weak guiarsomd O 2 Doubling Versatile doubing O 1 3 Echo jNowabgsMeddy O 4 Dean Dowcehwnoedeaymsymwihiemo 5 Beat Dotekqurerndedeeyisymwihtemo OO 6 FastCho Fast rate chorus 8 Vocal Chorusthatenhances
53. ATEH LUL and set the value 4 TOTAL EI Change menu ENR Off v EN ENS ENS EN um Return to the main effect screen Press Adjust effect parameters Select a parameter and set it d MOD DELAY p Select TYPE Exciter SEHR Freauenca i A Low Boost H v Cs NENNEN EE RENI Change value HINT None of the modules in Emet patches have been set yet The level of the ZNR module can be adjusted on You can individually edit the modules arranged in the L R Channels of the GURL HIC ALGORITHM L appears in the effect module name and the right channel is selected when E appears Each channel of the xCOMF EU algorithm has its own high pass filter compressor and EQ that can be independently turned on off and adjusted Check the current channel by looking at the number shown at the end of the effect module name Change the name insert effect Select REHRHE INSERT EFFECT Re menu PATCH INPUT SRC Input v EDIT SAVE HE REVERE CHORUS RG Press 2 Change the name Move cursor PATCH RENAME lt gt 2 CLEAN GE ENTER CANCEL EXIT a Change character EET INSERT NNI NNI Press Delete character THSERT Insert character NOTE You cannot edit an algorithm itself including the combination and arrangement of its effect modules o E settings including the type and parameters are disabled When using the SxCOMP Et effect you cannot turn it GH OFF for all channe
54. AZ IS e WO A eee FNAME Projectrame OOOO OOOO O HINT On the FROJECT IMF screen project and file information can only be viewed Their contents can not be changed directly 2 PROJECT DW Dress PROJECT Change menu A COPY DELETE RENAME PROTECT JUFf T Quom ENEEA ee E Press Select the file FILE SELECT MOO oop Vol v TFF k AMET WAL IONO R2 WAL MIER WAY ONO 884 WAL a Ss a Press ssi Change file Change menu v Check the information FILE INFOMATION Scroll HAME l0 888 WAL amp A DATE ZHIRcRI Al v 00 56 12 FORMAT 44 1KHz l6Bit NEN EE IRE ee FILE INFOMATION file information NAE herme i OO DATE Year month date time of creation FORMAT Sampling frequency and bit rate 92 uoneulnoJul 9 y pue j2efo4d i Soit pue sjyooloid HulAdoy 93 Copying projects and files You can copy a saved project and use it as a new project Within the same project you can change the names of files and make copies of them Copy a project PROJECT COPY Follow these procedures after opening the project that you want to copy PROJECT DW Dress 2 Select COPY PROJECT Change menu ki F p nr D o v 3 Select HARE PROJECT COPY Change menu A TI Y Press 4 Change the project name COPY PROJECT MAME Move cursor Mii Eat b Delete character pRJ883 OK ENTER CANCEL EXIT i mg DELETE INSERT
55. BASS algorithms Tone H Olo H Wi C2 O1 e Nh Wu gt 2 c 02 e 02 3 O O c e O 02 CH D D Q G 2 t g D Sch lt ep y 3 p D 3 Re O D 02 D e D D Q D 02 D nt Balance 100 Oljoj Ti Rise 0 30 Effect types and parameters 10 Table 1 Parameters marked with A allow values to be set in note units using the song pattern tempo as reference The note durations for the setting values are shown below E 32nd note A Dotted 16th note A Dotted 8th note Je Delay Analog Delay and Echo can use Reverse Delay can LE Quarter note triplet mm Half note triplet F 3e Dotted quarter note axz8 use up to x4 NOTE The note range actually available depends on the parameter Depending on the combination of tempo setting and selected note symbol the parameter variation range could be exceeded In such a case the value is automatically halved or set to 1 4 if the range is still exceeded Table 2 Setting Explanation sid Of Frequency does not change Frequency changes from minimum to maximum along with the controlling waveform Frequency changes from maximum to minimum along with the controlling waveform Frequency changes from patch setting to maximum along with the controlling waveform Zi Frequency changes from minimum to patch setting along with the controlling waveform Table
56. CK26 2 312 FUNKO5 2 364 DnB02 2 416 REGGOS3 2 468 ENDINGO5 1 261 ROCK27 2 313 FUNKOG 2 365 DnB03 2 417 REGGO4 2 469 ENDINGO6 1 262 ROCK28 2 314 FUNKO7 2 366 DnB04 2 418 AFROO1 2 470 ENDINGO7 1 263 HRKO1 2 315 FUNKOS8 2 367 DnB05 2 419 AFROO2 2 471 COUNT 2 264 HRKO2 2 316 FUNKO9 2 368 DnB06 2 420 AFROO3 2 472 265 HRKO3 2 317 FUNK10 2 369 TRIPO1 2 421 AFROO04 2 Bla eee i 266 HRK04 2 318 FUNK11 2 370 TRIPO2 2 422 AFROO05 2 267 HRKO5 2 319 FUNK12 2 371 TRIPO3 2 423 AFROO6 2 268 HRKO6 2 320 HIPO1 2 372 TRIPO4 2 424 AFROO7 2 269 HRKO07 2 321 HIPO2 2 373 AMBO1 2 425 AFROO8 2 270 MTLO1 2 322 HIPO3 2 374 AMBO2 2 426 LATNO1 2 271 MTLO2 2 323 HIP04 2 375 AMBOS 2 427 LATNO2 2 272 MTLO3 2 324 HIPO5 2 376 AMBO04 2 428 LATNO3 2 273 MTLO4 2 325 HIPO6 2 377 BALDO1 2 429 LATNO4 2 274 THRSO1 2 326 HIPO7 2 378 BALDO2 2 430 LATNO5 2 275 THRSO2 2 327 HIPO8 2 379 BALDO3 2 431 LATNO6 2 276 PUNKO1 2 328 HIPO9 2 380 BALDO04 2 432 LATNO7 2 277 PUNKO2 2 329 HIP10 2 381 BALDO5 2 433 LATNO8 2 278 EUSO 2 330 HIP 11 2 382 BALDO6 2 434 LATNO9 2 279 FUS02 2 331 HIP12 2 383 BALDO7 2 435 LATN10 2 280 FUSO3 2 332 HIP13 2 384 BAL DOS 2 436 LATN11 2 s Wayed wuyAuYy H 114 SJ9 oujeJed pue sodA 99 t ZH d 115 Effect types and parameters 1 Effect parameters Insert effects Clean Crunch Distortion Aco Bass SIM algorit
57. CKs1Va 1 83 2 130 FUNKs2FB 1 177 AMBs1VA 2 LATNs2Va 1 37 ROCKs1FA 1 84 FUSs3Va 1 131 HIPs1VA 2 178 AMBs1Va 1 LATNs2FA 1 38 ROCKs1iVB 2 85 1 132 HIPsiVa 1 179 AMBs1FA 1 LATNs2VB 2 39 ROCKs1Vb 1 86 FUSs3VB 2 133 HIPs1FA 1 180 AMBs1FB 1 LATNs2Vb 1 40 ROCKs1FB 1 87 1 134 HIPs1VB 2 181 BALDs1VA 2 LATNs2FB 1 41 ROCKs2VA 2 88 FUSsSFB 1 135 HIPs1Vb 1 182 BALDs1Va 1 MidEs1VA 2 42 ROCKs2Va 1 89 2 136 HIPs1FB 1 183 BALDs1FA 1 MidEs1Va 1 231 MidEs1FA 1 281 FUS04 2 333 HIP14 2 385 BALDO9 2 437 LATN12 2 232 MidEs1VB 2 282 FUSO05 2 334 HIP15 2 386 BALD10 2 438 BOSSA01 4 233 MidEs1Vb 1 283 FUSO6 2 335 HIP16 2 387 BALD11 4 439 BOSSA02 4 234 MidEs1FB 1 284 FUSO7 2 336 HIP17 2 388 BLUSO1 2 440 SAMBAO1 4 No Name Beats 285 FUSO8 2 337 HIP18 2 389 BLUSO2 2 441 SAMBAO2 4 Variation 286 POPO 2 338 HIP19 2 390 BLUSO3 2 442 MidE01 2 235 ROCKO1 2 287 POP02 2 339 HIP20 2 391 BLUSO4 2 443 MidE02 2 236 ROCK02 2 288 POPOS3 2 340 HIP21 2 392 BLUSO5 2 444 MidE03 2 237 ROCKO3 2 289 POPO04 2 341 HIP22 2 393 BLUSO6 2 445 MidE04 2 238 ROCKO04 2 290 POPO05 2 342 HIP23 2 394 CNTRO1 2 446 INTROO1 1 239 ROCKO05 2 291 POPO06 2 343 DANCO1 2 395 CNTRO2 2 447 INTROO2 1 240 ROCK
58. Connecting line input instruments stereo connection INPUT 1 2 3 4 5 6 7 8 Use INPUTS 1 2 3 4 5 6 and 7 8 as pairs Input left signals to odd numbered tracks and right signals to even numbered tracks Assign INPUTS 1 8 to tracks 1 8 9 16 or 17 24 Connect instruments and mics INPUT1 8 Make settings for instruments built in mics stereo tracks etc Select the track bank 1 8 edi iz SSign faders to tracks of eL off 1 8 9 16 or 17 24 Tracks Tracks Tracks 1 8 9 16 17 24 4 Set the status of the connected inputs Press a status key of the linked tracks one or two times to turn both lights red O e0 PLAY MUTE REC PLAY MUTE REC When red recording is possible NOTE e Use the fader that is in line with the INPUT jack The signal from INPUT 1 goes to track 1 9 or 17 e To use tracks 9 16 or 17 24 press the 9 16Tr or 17 24Tr key to switch the fader assignment Stereo link Enable a stereo link for tracks in advance of recording to create a stereo file when recording You can also assign stereo files Status keys and track indicators Press a status key to set the role of a track fader and change the color of the track indi cator light The track indicator colors show the status as follows ell PLAY MUTE REC o 0 PLAY MUTE REC wf PLAY MUTE REC PLAY MUTE Record ready Playback ready Sound disabled Track indicators 1 24 PLAY MUTE REC Press Pre
59. D card for use with the R24 delete all the data on it and check its capacity remaining space Format opea elena card delete all data Check SD card remaining dc ining capactty TOOL gt SD eo d TOOL gt SD GEESS TOOL fe Press 2 Select 3D CARL TOOL Change menu A 4 v METRONOME TUNER SYSTEM Change menu v Select ES SD CARD FORMAT Move cursor Are You Sure v YES NO Press TOOL fe Press 2 Select GD CARL TOOL METRONOME TUNER SYSTEM Change menu A v TFF Press 3 Select FEMATH SD CARD Change menu EXCHANGE FORMAT TYF v Press CARD REMAIN 8 38 1887 Card open space S65MB Remaining recording time 2 51 33 for the current recording eee NOTE If you format an SD card all its data will be permanently erased When you format an SD card all the data on the card is deleted and folders and files that are exclusively for R24 use will be created If the remaining capacity of the SD card is less than the amount of the data being recorded recording will fail Change the card before you run out of space sonioedeo pied Bur459u53 spjeo qs bulyjeuw04 H 102 adj Aue3eq y Bumes uoisJoA Wa SAs ou Dunj2ou5 Checking the system version Setting the battery type You can check the current version of the system software oet the battery type to make display of the remaining battery charge more accurate Setting the batter
60. ELAY Effect insertion points 0 Inputs M e Apply effects to selected input signals REVERB when recording them to tracks Send level Amount of signal sent to effect Track mixer Tracks Apply effects to the playback sound of any audio tracks in the track mixer cose uar open HAT Mix of original sound of sent track with the return signal Master Process the final stereo mix just before the MASTER fader and record it to the master track bes Mix down Master track recording Insert effect signal flow Send return effect signal flow INPUT or Track SEND Insert the effect on a mono input and output in mono RETURN INPUT or Track RES EFFECT Track EFFECT US Ref Effect insertion point Em Uses of effects and patches Patches are selected and adjusted the same way for both insert and send return effects Select suitable modules from algorithms edit patch types and parameters and save them for use later There are some major differences between mak ing settings for the two types of effects For insert effects you must select patches and set insertion points For send return effects you must adjust the send level of signals using the mixer Other functions include IMPORT to bring
61. Highest sensitivity even light playing ite produces loud volume Medium sensitivity Low sensitivity must play the pads hard to trigger with loud volume Lowest sensitivity must play the pads very hard to trigger with loud volume Creating a rhythm pattern You can create your own original rhythm patterns After preparing you can create a rhythm pattern using real time or step input Prepare to create a rhythm pattern 5 Set number of bars and time signature a Select an empty rhythm pattern and set PATTERN EDIT the number of bars time signature and SIGNATURE 4 quantization You can also check the memory remaining for rhythm patterns usayed wyyAus e Duugaiz RHYTHM Change setting DW Press 2 Select an empty rhythm pattern pattern name is EHPT 3B1 EMPTY 882 881 81 88i1 16 474 du Select pattern RRR D ICH CE CT 6 Press Rhythm pattern name mE SA1 EMPTY 882 3 Move to the quantization area and set 881 81 88 1716 474 dji b the value iulii eLLLLLLLLLLL LL LG Em FIBEREREEEEEREEEEREN Quantization i H SBi EMPTY 882 Gesten ie EE BH 881 81 88i1 16 474 A ji t lt gt iub LLL LL LLL E PRR ie ee ASSIGHI Rez Change setting Reese A press WE ELIT 68 usayed uiuyi Au e Buljeaig g Creating a rhythm pattern Create a rhythm pattern using H NOTE real time input e f your timing is slightly off it will be c
62. JI Me Doubling Doubling effect which creates body by adding a short delay Expands sound spatially Dep FreqOFST Rate Fiter Resonance EFX Level Dry Leve Resonant filter with LFO Delay Resonance Parameter descriptions Depth 0 100 Adjusts modulation depth 10 10 Adjusts resonance intensity Negative values result in reversed phase for the effect sound Stage 8Stage Invert4 Invert8 Selects sound type 180 Adjusts left right phase shift Adjusts auto pan width Resonance DA Color LFO Shift em O PU APEA nb ting in note units is also possible Adds emphasis by clipping the modulation waveform Adjusts the pitch shift in semitones O H CH Clip O H wh CH 12 12 24 Delay Echo 1 2000ms 4 P124 Table 1 Doubling 1 100ms 0 100 100 10 Time Adjusts delay time Feedback Adjusts feedback amount Adjusts mix ratio of effect sound to original sound Adjusts tonal quality of effect Adjusts the pitch shift in cents 1 100 semitone Adjust balance between original sound and effect sound Adjusts stereo component intensity Adjusts width including mono elements Freq OFST 30 Adjusts LFO offset PF LPF BPF Selects filter type Resonance 30 Adjusts resonance intensity EFX Level 100 Adjusts effect sound level Dry Level 100 Adjusts original sound level e ZNR module Type For an explanation of types and parameters see CLEAN DISTORTION ACO
63. N OdB 12 12 dB This parameter can only be accessed when EQ MID is on 40Hz 18kHz Adjust EQ boost cut frequency of medium frequencies EQ MID FREQUENCY 1 0kHz This parameter can only be accessed when Ef MIE is on Adjust the width of the medium frequency band af fected This parameter can only be accessed when Et HID is on EQ LOW Low frequency range boost cut Set whether to boost cut the low frequency range Et TYPE EQ LO LO CUT LG or clearly cut unnecessary low frequencies L2 EQ LO CUT This parameter can only be accessed when EQ LO is on EQ LO 4ogB 12Gg Adjust amount of boost cut of low frequencies by 12 GAIN OdB 12 dB This parameter is shown only when the TYPE is set to EG LO When set to LO CLT it is not shown FREQUENCY 40Hz 1 6kHz Adjust EQ boost cut frequency of low frequencies This 125Hz parameter can only be accessed when EG LE is on Send return effect levels REVERB 0 100 Adjust the signal level sent from the track to the reverb CHORUS l l CHO SEND DELAY SEND 0 100 Adjust the signal level sent from the track to the chorus LEVEL 0 delay effect FADER FADER SE Adjust the current volume ERSEREN On Off Switch on off to set the stereo link function that ST LINK STEREO EINK Off connects two mono tracks together Ref P 20 oh ei On Off Set whether the phase of a track is inverted or not Set INVERT AVERT Off it to OFF to use normal phase or ON to invert the phase eile N
64. NCH IN OUT P29 Adjust parameters for each track PROJ001 PROJ002 EQ e Volume e Pan P40 PROJ003 alti AUDIO Create a sequence P53 Combine multiple tracks into one FILE stereo track Use looped material to create e Bounce P43 L FILE performance data for an entire song e Recordinga MASTER track P46 FILE Card reader P106 USB memory P107 Send signals between DAW software and audio equipment P110 Audio interface manual Operate DAW software with the R24 P110 Audio interface manual MO J uone4edo pzH E epinB Hulpiooe siseg Basic recording guide Make a quick recording with the R24 Here we explain how to record in stereo with the built in microphones on the unit s left and right sides and how to record an electric guitar in mono using the high impedance input Insert an SD card and turn Turn the input source ON the power on Using built in mics stereo recording Create a new project 1 dh Turn the INPUT 7 amp 8 MIC en oft Je switch ON T 0 00 00 000 601 061 060 ma 2 Press the status keys of INPUTS 7 amp 8 128 8 474 IBar until their indicators light red EE 27553 BETTER Rid PROJECT e PLAY MUTE REC Press repeatedly L Pues Cranganu When red recording is possible 2 Select HEH M Or E down keys SELECT p COPY 4 DELETE K Dress WE ERN eee eee Recording an electric guitar high impedance mono input Connect the guitar to INPUT 1 3 Confirm the proje
65. NT oot E SAS oe eee 32 25s Cm 32 leier un Lire acre rw hore Eres e eon 77 Audio Changing tempo without changing pitch 61 Trimming unnecessary partS 63 Audio interface 110 PDF Auto punch in out 00000 29 B Bitrate setting usa nre det ur 99 BOUNCING xxi irit eh PI EX E RS 43 44 BPM Selling iati SA Pee ee oe ab 60 Built in MICS uum oak Re eee tee de 11 19 C Changing names 73 84 94 Chromatic tuner ssa mme 35 Connecting equipment 11 18 19 Ren EE 100 Control surface Less zt rs 110 PDF D Date and time setting 14 Deleting data s DAMM 95 Yi ERR 34 reen aces tne Gene ERRORS eb E de d 95 IY COO 24 54 aut edad eae Re eee 102 Display Backlight ECCLE 100 Contrast 205 ene skb od eens cea we eek ee 100 Information RE 16 E Effects Effect modules 7 78 83 115 125 Effect parameters 77 84 115 125 Effect types 77 79 115 126 Insert effects e 45 77 87 Mastering effects 0005 45 l alclies 2243028 REIR RARE 126 131 Send return effects 40 77 79 83 86 E 40 E Fade in out aise axe ede aana 64 Files Assigning to trackS nasaan aaa 49 Changing file names 94 CODING tuor ag Sure Rd pss eee EU x m 93 Deleting PPP 95 HERE e EE EE EE 92 Selecting ee eee 91 G CAIN EE 23 Global quantization
66. O06 2 292 POPO07 2 344 DANCO2 2 396 CNTRO3 2 448 INTROO3 1 241 ROCKO7 2 293 POPO8 2 345 DANCO03 2 397 CNTR04 2 449 INTROO4 1 242 ROCKO8 2 294 POPO9 2 346 DANCOA 2 398 JAZZ01 2 450 INTROO5 1 243 ROCKO9 2 295 POP10 2 347 DANCO5 2 399 JAZZ02 2 451 INTROO6 1 244 ROCK10 2 296 POP11 2 348 DANCO6 2 400 JAZZ03 2 452 INTROO7 1 245 ROCK11 4 297 POP12 2 349 HOUSO1 2 401 JAZZ04 2 453 INTROO8 1 246 ROCK12 2 298 RnBO01 2 350 HOUSO2 2 402 JAZZ05 2 454 INTROO9 1 247 ROCK13 2 299 RnB02 2 351 HOUSOS3 2 403 JAZZ06 2 455 INTRO10 1 248 ROCK14 2 300 RnBO3 2 352 HOUS04 2 404 JAZZ07 4 456 INTRO11 1 249 ROCK15 2 301 RnB04 2 353 TECHO1 2 405 SHFLO1 2 457 INTRO12 1 250 ROCK16 2 302 RnB05 2 354 TECHO2 2 406 SHFL02 2 458 INTRO13 1 251 ROCK17 2 303 RnB06 2 355 TECHOS 2 407 SHFLO3 2 459 INTRO14 1 252 ROCK18 2 304 RnB07 2 356 TECHOA 2 408 SHFL04 2 460 INTRO15 1 253 ROCK19 2 305 RnBO08 2 357 TECHO5 2 409 SHFLO05 2 461 INTRO16 1 254 ROCK20 2 306 RnB09 2 358 TECHO6 2 410 SKA01 2 462 INTRO17 1 255 ROCK21 2 307 RnB10 2 359 TECHO7 2 411 SKA02 2 463 INTRO18 1 256 ROCK22 2 308 FUNKO1 2 360 TECHO8 2 412 SKAO03 2 464 ENDINGO1 1 257 ROCK23 2 309 FUNKO2 2 361 TECHO9 2 413 SKAO04 2 465 ENDINGO2 1 258 ROCK24 2 310 FUNKOS3 2 362 TECH10 2 414 REGGO1 2 466 ENDINGO3 1 259 ROCK25 2 311 FUNKO04 2 363 DnB01 2 415 REGGO2 2 467 ENDINGOA 1 260 RO
67. OTE EG LO FREU SEHD CHO SEHD and IHUEET parameters ON OFF e When a stereo link is ON the IHUERT parameter is shown as INWERT L for the odd odd track and as IHUERT F for the even track 42 S904 Z O1UI S4921 ejdninui euiquio2 g Mix down Bounce Combine multiple tracks into 1 2 tracks Bounce to combine multiple tracks into one new mono or stereo file in the same project Bounce destination track Euer aM pounce de Mur ee TR Bounce preparation Bounce preparation Start from the Top Screen PROJECT EN Press 2 PROJECT RENAME Change menu b v SEQ PLAY le Press gem pm mm mm 3 Select TE REC SETTING Change menu A v REC MODE Duer ie To include the signal of the track that is overwritten by the bounce in the bounce Select Play REC SEIT J NG Change setting REC MODE Duer ie BOUNCE TR bounce destination track Mute the bounce destination track default value Play Play bounce destination track 5 Return to the start of the project 43 Select the bounce source tracks set each track to play back e Press 1 2 times until indicator lights green PLAY MUTE REC Playback ready when green Select bounce destination track s Press 1 2 times until the track light turns red mt MUTE REC When red recording is possible HINT e Bouncing means combining audio data from several tracks and fil
68. P SETTING POSITION H1 B1 BH i A LENGTH 63 63 36 P v Change setting NOTE e The status key indicator of a track with LOOF set DH lights orange instead of green when enabled for playback Moreover a track with LOOP set OH cannot be used to record the indicator will not be lit red In addition the following functions can be used when a track has LOOF set OH he pad can be used to trigger the loop Pressing the PLE key starts loop playback Sequence data can be recorded When a rhythm pattern is assigned to a track it cannot be set to loop In step 2 you can also select tracks by pressing their status keys 50 sbunjes doo sbunjes doo d 5 Loop settings Setting the loop interval The loop interval starting point and length can be set for tracks that have audio files assigned and LOOF set to OH TRACK DW Press Select the track to be looped TRACK3 b Select track lt gt Select LOOF 4 TRACK b Change menu A v A Select FOSITION LOOP SETTING Change menu ONOFF oe A POSITION jBi B1 88 I 81 88 88 P v 5 Press Set the loop starting point Starting point Hoppe LLL Aiii B882 81 8 Change starting EHI i INE point Press DW beneath Bio to set the length of the loop Length Ps Wm T Id diid 881 88 88 Change Tort Ee NN length HINT e When setting the loop starting point and length you can swi
69. R HONTH Wi x 2818 1 1 FRI 88 53 24 D 01D 1 p j Gg 5 Select LIE DATE TIME 4 gt VERR DDT DAY 2818 1 1 FRI L2 Qe i If this message appears Reset DATE TIME e The DATE TIME setting has been set to its initial value Set the DATE TIME again 14 ANIL ALVG lt INALSAS lt T1OOL 3HO NO H3MOd a M9IAJ9AO Uomejedo Ady pue YOUIMS Switch and key operation overview Here we explain how to use the keys and switches of the R24 Please look at the display for icons that show key functions Transport section REC Functions only when tracks are REC key in recording standby When stopped Starts recording standby ecording standby Ends recording standby g Starts recording manual punch in PLAY ES PLAY key When stopped Starts playback Recording standby STOP STOP key During recording Ends recording k During playback Stops playback Recording standby Sopsunt REW REW key Stopped playback T Hold STOP and press REW to return Ls ER to the top of the song FF E FF key Stopped playback Press to go back Hold to eae return to the top screen DIAL Change and move among menus and numbers RG Ref Mark related keys P33 AUTO PUNCH I O A BREPEAT Pe cancel auto punch in out and A B repeat A Cursor appearance and o indication in manual v a d ENTER key Indications in manual Unit Appearance in manual
70. SB USB2 0 Hi Speed operation as audio interface control surface card reader USB storage DC 5V 1A AC adapter ZOOM AD 14 Power Six AA batteries 4 5 hour continuous operation time with backlight set to 15 seconds and phantom power off 376 mm W x 237 1 mm D x 52 2 mm H 13kg Built in mics Troubleshooting If you think there is a problem with the operation of the R24 check the following tips first Problems during playback No sound or sound is very weak e Check the connections with the monitoring system and its volume settings e Make sure that status indicators in the mixer section are lit green and that their faders are raised If a track s indicator is not green press its key repeatedly until it lights green e Make sure that the MASTER status key is not lit and that the MASTER fader is raised M Moving the fader does not affect the volume e On channels for which stereo link is turned ON the fader of the even numbered channel will have no effect Either turn stereo link OFF gt P20 or use the fader of the odd numbered channel in the pair No sound from the input signal or the sound is very weak e Make sure that the GAIN control for that input is turned up e Check that the status light is green playback enabled and that the fader of the track is raised An operation does not work and the message Stop Recorder is shown on the display e Some operations are not possible while
71. Standard sounds for recording each drum in a kit po cu SCHEER UN A ee SE s widtom Punchy compressed drum sound 6 fom 4 2 Small percussion T Cymbals bells 7 Suitable for recording individual percussion sounds NCCN 2 se ms oo All percussion together 8 Compl Vorsaile molow souna 4 12 _ Female vocas A Capla For a cappella groups 34 Malevocas i s 55 eiis All vocals together 1019 Empty Mastering algorithm No Pathnam Descipin o 1 1 1 o PlusAfa enhances the overpower OOO 1 AlPeps Cewenendmeseng O O OOOO 2 stwide widerange mastering LL 3 Beet ffocws LL 4 Beost Fehiish LL s Power Fwapowetukwragg O O OOOO e mwe Josam OOOO 7 WamMet Jose 1930Mst Mastering win 19a0ssond OOOO O BGM Wasterng or backgomndmusio LL RokShow Gwesarecksyemkalefed O O OC O 19 Exciter Lotfi masterng win sign distorion 1 mid and upperranrge O 14 Canty Eessen 15 Vocamax Bings buried vocals tothe tregoa O O OC oOo 16 RaveHez sbecarsueepefectusmgshamfiter O OC OCOS 18 CleaPWR Power tuning emphasizes micrange and adds sound pressure and daly SSCS 19 Glearbms Enhances lary and spaciousness OOS 20 Maximizr Boosts overal sound pressure evel OOOO n emy OOOO SJ9 ouljeJed pue sodA 12
72. ame can have up to 219 characters not including the extension The following characters are allowed Alphabet A Z a z Numerals 0 9 Symbols space amp ELE EC You can connect an R24 when its power is ON with a computer by USB If you connect the R24 by USB when its power is OFF you can start it up with power supplied over USB When using the R24 as a card reader or as an audio interface it cannot be used as a recorder at the same time HINT Card reader OS compatibility Windows Windows XP and later Macintosh Mac OS x 10 2 and later Project data is saved to the corresponding PROJECT folder in the ZOOM R24 folder on the SD card as Folders are created and managed for each project Audio data is saved as WAV files inside the AUDIO folder of its project folder The PRJINFO TXT file inside each AUDIO folder shows the names of files assigned to tracks MASTER tracks and stereo tracks are stereo WAV files USB Card reader You can access the R24 SD card using a computer to backup read and import various data projects and files Kielener the unit as an SD card reader Kg EE e ie unseen Se cate taeda Connect the R24 with a computer by USB DEVICE port USB L Press 3 Select REBDER Change menu Operating the R24 from a computer To computer Back up project data on an SD card to a computer From computer Import audio data and computer backups to the SD
73. an the panels of the unit if they become dirty If necessary use a damp cloth that has been wrung out well Never use an abrasive cleanser wax or solvent including alcohol benzene and paint thinner Malfunction If the unit becomes broken or malfunctions immediately dis connect the AC adapter turn the power OFF and disconnect other cables Contact the store where you bought the unit or Zoom service with the following information product model serial number and specific symptoms of failure or malfunction along with your name address and telephone number Copyrights Except for personal use unauthorized recording of copyright ed sources including CDs records tapes video products broadcasts is prohibited Zoom Corporation does not bear any responsibility for any consequences related to copyright law infringement S2 The SD symbol and SDHC symbol are trade marks Windows Windows Vista are trademarks or registered trademarks of Microsoft Macintosh and Mac OS are trademarks or registered trademarks of Apple Inc Steinberg and Cubase are trademarks or registered trade marks of Steinberg Media Technologies GmbH Inc Intel and Pentium are trademarks or registered trademarks of Intel Corporation AMD Athlon is a trademark or regis tered trademark of Advanced Micro Devices Inc All other trademarks product names and company names mentioned in this documentation are the property of their re
74. analog instruments imulation of MD421 professional standard mic that is indispensable in broadcasting recording and live 32 U87Sim Simulation of U87 a condenser type microphone that sets standards and is used in studios worldwide 39 C414Sim Simulation of C414 a famous microphone highly trusted in recording situations 34 Doubling Creates doubled sounds asf the entre sound body became thicker as Sen Delay sound suitable for vocals and feld recordings that has a gimmicky e as rori Creates o sound witha nostalgic feeling as i coming fmarao as Bes Adds overal sound pressure curingrecoing OSS s All Comp Compressor evens out volume differences between instruments ina band performance for example a Emy C 8x COMP EQ algorithm No Pathnam Description Recommended inputs 1 8 1 Gutaram OOOO 2 jBesamp id vand Ge roe 3 Io rcnt 4 jc Cid Chorus 8 DrumFing Conventional flanger for drums 6 owns 12 juam 3 esm i For jazz fusion bands 4 Re 96 ous Keyboard 1 Acousicbass SSCS 2 Re 3 Wa AcoBand Foracoustio bands 4 whew 56 Acoustic guitar Effect patch list 5 12 Guitar S A Bass o 1ManBand For self production 4 Keyboard ee 6 Chons
75. ast inserted beat will change For example if 3 beats are inserted into a song with a 4 4 time signature the bar where the 3rd beat is added will become 7 4 LLIIBI Three beats inserted here g 4 4 7 4 1 2 e f you delete beats the time signature of the bar that they are deleted from will change For example if 3 beats are deleted from a song with a 4 4 time signature that bar will become 5 4 Three beats deleted here JS 5 4 4 4 1 2 3 e The time signature of only 1 bar changes time signatures of other bars do not change Changing the time signature Delete an inserted time signature During step input of a sequence you Move the cursor to the position where can also change the time signature you want to delete the time signature TRACK SEQUENCER Start step Input 812 81 88lBar E REC Press TRACK SEQUENCER ae os Ee EE 661 61 66 1Bar 474 REW S ER Go back 1 step Im FF HHHH Go forward 1 ste EDIT DELETE gt p 2 Move to the time signature Move the cursor to the position where indication area ou want to change the time signature TRACK SERUENCER Move cursor d 4 9 812 81 88l1Bar kee Blinks A TRACK SEQUENCER lt p 812 81 88llBar 4 4 TENEO CEE Seen EE RECH FUN G7 PRR ee EE EHE Ge REW ER Go back 1 step FF gt Go forward 1 step 3 press Lf ooneath don 3 Move to the time signature indication area and change the
76. at that position e When marks are added and removed between other marks all the marks are automatically renumbered in order from the beginning New mark added ER 01 KS 02 i 03 Gi 04 go s BDO mm0 G03 m 04 iim 05 Mark deleted WR O 1 02 O3 it 04 RES Cannot change 9 90 0 SyJeui pue Jojunoo eu Buisn n 34 Jeun Tuner The R24 has a multifunction tuner that includes chromatic tuning that detects note names by semitones standard guitar bass tuning and half step down tuning TOOL Brace Other tuner types 5 Press the DW under AU 2 Press 1 2 times T 29 Ch GR TUNER TYPE eT Record enabled when red CHROMATIC IUE GUITAR A Select TLIHEE BASS v OPEN H Change menu PEN D Press MEE EE EN Gol Select the note name string number and tune GUITAR TUNER lt a 000 Select not Chromatic tuner 5 0 E Ho Ce number STRING 6 Play the open string of the Ce Rte pitch indicated note and adjust Changing the standard pitch Tune the instrument Shows whether the pitch is higher L or lower than the note indicated Press the under AO and set the standard pitch LCHROMAT IC TUNER TUNER CALIBRATION Suan i p o0top d d De e standard o U b 441Hz peus trem Shows the note closest to the input signal e The pitch indicator responds to sources input on tracks with red status lights e The standard pitch can be set between 435 44
77. back Repeat playback of a specific section A B repeat You can set a beginning point A and an ending point B in a project and repeat playback between them Setting A B points REW FF PLAY l CACA oe beginning point 2 A B REPEAT Press PLAY FF 3 TT Locate the end point A Cea nes A B repeat playback repeatedly PLAY 5 gt Press to start playback Appears on display Appears on display STOP Press to stop playback Cancel repeat and clear points Press to cancel repeat 7 A B REPEAT playback and clear the The repeat icons A B points disappear from the display HINT When playback reaches point B it automatically goes back to point A and continues playback While the A B icon appears playback repeats continuously These settings can be made both during play back and when stopped If you set point B at a time before point A repeat playback will occur from point B to point A instead To make new settings press the A B REPEAT key to cancel it once and then follow the procedures to make new ones PLAY D gt A point y B point y PLAY A B repeat section Repeat playback jeodoi g v i 32 9 820 0 SyJeui pue Jojunoo eu Buisn 33 Using the counter and marks to locate The counter shows the recording or elapsed time in hours minutes seconds milliseconds and bars beats ticks 1 48 beat Set marks in a projec
78. card HINT e To import WAV files from a computer copy them to the AUDIO folder in the project folder where you want to use them Use the R24 to assign the files to tracks E Eject the R24 volume icon from your computer to end the connection 2 Sp USB Press to disconnect C the ra Select YES A Are You Sure y Press un eui uir p pnpu WOH Q9 ey uo 4Gd enuen Le u oipny eui oi 19431 4ejnduJoo L YIM esn 1noqe s rejep 104 106 JopeoJ DIS Bi JUN eui UM pepnpur IOH CD 34 uo 4qd enuen ejep 110duui pue anes oj Asowew gen Dutsen OBL oipny eui oi 19491 4e1nduuoo e LW esn 1noqe s rejep J04 107 USB Using USB memory to save and import data By connecting USB memory directly to the R24 you can save and import files This is convenient for exchanging files with band members When using USB memory with the unit for the first time you must create a folder especially for the R24 on that USB memory Select ES SAVE Y0NO B8B WA Saving files to USB memory USB STORAGE FILE SAVE Connect the USB memory to the R24 USB HOST port USB DW Dress Select TORAGE USB 2 3 Change menu AUDIO I F RERDER v sp dl PS Select FILE SAVE USB STORAGE MENU Change menu A FILE LOAD P v EM INIT b P NENNEN EN RE ee Ss Select the project with the file to save PROJECT SELECT a SA Change project Ee ee tiges Select the file
79. cators are shown After recording and certain other operations LIHDCO is shown After pressing the LO soft key RED is shown Press the soft key to execute NOTE e Undo only works on tracks with recorded audio data e Only the previous operation can be undone Any earlier operations cannot be undone a e rm rm rm em rm pm pm rm rm re rm em rm pm pm rm rm e rm rm rm rm em rm rm em rm pm re rm em rn pm rm pm pm rm rm rm rm rm um 16 oefoud Mou e Huljyeai15 MO Hulps10991 pzd d 17 Recording preparations R24 recording flow Creating a new project With the R24 you can use multitrack recording to create a complete work of music Create a new project for each song that you make Recording preparations Create a new project PROJECT gt NEW Connecting instruments Project and track settings Create a new project Select the INPUTS and the recording tracks Set stereo links Change track status recording play mute Adjust input sensitivity using the GAIN controls Performance preparation Set metronome including pre count Set and use tuner Recording the first tracks Recording standby record stop Recording more tracks Overdubbing Playback of already recorded tracks Overdubbing Record standby Record Stop PROJECT DW Press 2 Select HEN Change menu SELECT E v 3 Confirm the project HAME SETTING RRTE EXECUTE SSS asa Select whether to OMT I HLIE
80. character Press character PNOTE e You cannot change the name to the same name as that of an existing project e The name of each project folder in the ZOOM R24 PROJECT folder on the SD card is the same as the name of the corresponding project HINT Project names Max number of characters 8 Alphabet A Z upper case Symbols _ underscore Numerals 0 9 File names Max number of characters 219 not incl extension Alphabet A Z a z Symbols space amp Hl che Numerals 0 9 PROJECT O Press Select FILE PROJECT Change menu A COPY DELETE RENAME PROTECT JUFf v TFF T E ee ee Se Press Select the file name FILE SELECT HONO BA WAL KMONO BE WAV lt a ONO 882 WAU PR GUN ONO BE WAV S OH 884 WAL 9 p p j Press Select REHAME M N BBB WAY Change menu INFO DELETE Y DIUIDE ahd EE ESI ees SENS Press Change the characters FILE RENAME MOUE CUFSOF lt gt Delete MONO B00 character ENTER EXIT 4 t Ee HERD Change character character Press souleu ai pue joefoud Huibueyy 94 Sol pue sjoel oud Dunoejeg d 95 Deleting projects and files Delete selected projects and files Delete a project PROJECT gt DELETE PROJECT L Press 2 Select DELETE PROJECT Change menu A v Press 3 Select the project to delete PROJECT DELETE PRIBE HK C
81. ct name etc o Hi Z Turn the INPUT 1 Hi Z OFF O switch ON me Mu 8 ra EXECUTE p Ld aS as Ee F 3 Press the Status key of INPUT 1 until the ae indicator lights red Select E amp ECLITE y ACE 4 NEW PROJECT X e Press repeatedly NICE SZ When red recording is possible Use the up down keys Press V H NOTE e Hi Z is only on INPUT 1 and the built in stereo Return to the main screen microphones function only on tracks 7 amp 8 m llen e Tracks 7 amp 8 correspond to INPUT 7 amp 8 and are PRIBB3 set up as two mono tracks by default To use the 0 00 00 000 built in mics for a stereo recording set stereo link to create one stereo track 661 681 866 mee 128 8 dch Dar EmA BT Ed Ref Stereo link P20 Ref Projects P89 Connecting instruments P18 19 Adjust the input sensitivity monitoring level and output Adjust the input sensitivity GAIN PEAK Adjust the GAIN ofeach m 9 INPUT so that their PEAK indicators blink occasionally m fiic Adjust the recording level The red O dB indicator of the level meter should not light when you apply an insert effect to an INPUT Adjust the patch level for example if necessary 3 Adjust the monitoring level Adjust the monitoring level of an instrument with the fader of the track it is being recorded on INPUT 1 would be track 1 9 or 17 for example NOTE e f an input signal d
82. ct the rhythm pattern AHA BBBeatB1L BB11 881 81 88 1716 474 ji t m 1 RCM Select pattern d ORO 3 m oj m jaj jmi jaj m B IW ET TT EEUU BENE Rhythm pattern name PLAY 3 gt Press to play STOP Press to stop STOP REW Press and hold e and press to return to the beginning HINT You can change the pattern order Press the H z soft key to list the patterns in alphabetical order Press the Ha soft key to list the patterns in numerical order Selecting the drum kit Select the drum kit sounds Press L beneath AA HHH B8Beath1 8841 881 81 88i1 716 1474 4 j d ope PRR EDIT f KIT ASSIGN A z 2 Select the drum kit KIT SELECT NOTE Select kit A v The drum kit setting is saved with each project 66 susoyed wy Aus bulked p spunos ped Dui Aeld d 67 Playing pad sounds You can add accents in real time as you play the pads below the track faders RHYTHM 3 2 4 5 6 7 Wun 9 17 10 18 11 19 12 20 13 21 14 22 15 23 You can change the sounds of the pads 1 8Tr 9 16Tr oL e Press 1 8Tr to use the bank of drum kit sounds and press 9 16Tr to use the bank of percussion sounds Drum rolls continuous playback You can set a pad sound to play at a set interval repeatedly while pressed This is convenient when entering hi hat 16th notes for example fee EDIT HHH BBBeatB
83. cursor 887 81 88llBar 474 A 4 5 3 ph lt p PRR ee EE EHI EEG REW ER Go back 1 step FF gt Go forward 1 step A m EDIT m o Select IHS BEAT to insert beats or DEL e HEAT to delete beats 5 D EDIT Change menu S DEL BEAT F A o DEL EUENT b v p L0 ee eee ee Press Select BERT and set the number of beats that you want to insert or delete Change menu INSERT BEAT SIGNATURE Ho EXECUTE p v Change setting Select IGHATURE and set it to Ha to not change the time signature or cd to change the time signature Change menu A v INSERT BEAT Change setting Change menu INSERT BEAT BEAT SIGNATURE No A v Press 56 oouenbes e Dunip3 d 57 Editing a sequence NOTE e When you insert beats the sounds of loops and files playing back will be cut at that point One beat inserted here Note on Loop or file length e When you delete beats the sounds of loops and files playing back at that time will become shorter by the same amount One beat deleted here e f you insert or delete beats that differ from the set time signature the time signature for that part might change depending on the SIGHATURE setting SIGNATURE time signature setting The time signature does not change The beats are shifted by the amount inserted or deleted e f you insert beats the time signature of the bar that contains the l
84. de wees whee 133 Stereo link 20 Stereo settings 19 20 Swapping files 5 c acaceuwesa Sade meow 25 Gwitches nannaa anaana aa 15 18 19 System version a nn aaan 103 T Tuner types and use 35 ie c EEN 20 22 28 31 43 44 49 PSSIONING s ous add RES bes 22 25 49 76 Wi A PP 40 41 Parameters en 40 41 U MB gh eS Se ee bea cee RUNS S ERU AE 105 111 Connecting with acomputer 105 DAW software operation PDF USB Memory a a oce omar GE quee rS 107 138 FCC regulation warning for U S A This equipment has been tested and found to comply with the limits for a Class B digital device pursuant to Part 15 of the FCC Rules These limits are designed to provide reasonable protection against harmful interference in a residential installation This equipment generates uses and can radiate radio frequency energy and if not installed and used in accordance with the instructions may cause harmful interference to radio communications However there is no guarantee that interference will not occur in a particular installation If this equipment does cause harmful interference to radio or television reception which can be determined by turning the equipment off and on the user is encouraged to try to correct the interference by one or more of the following measures e Reorient or relocate the receiving antenna e Increase the separation between the equipment and receiver e Connect the equ
85. dwide Disi Simulation of the Boss DS 1 distortion pedal which has been a long seller Squeak Simulation of the PROCO Rat famous for its edgy distortion sound FuzzSmile Simulation of the Fuzz Face which has made rock history with its humorous panel design and smashing sound GreatMuff Simulation of the Electro Harmonix Big Muff which is loved by famous artists around the world for its fat sweet fuzz sound MetalWRLD Simulation of the Boss Metal Zone which is characterized by long sustain and a powerful lower midrange HotBox Simulation of the compact Matchless Hotbox pre amplifier with a built in tube Z Bottom An original high gain sound balanced from low to high frequencies C ZNeos A crunch sound modeled on the sound of amadiied VOX AC30 o ExtremeDS This cistorton effect boasts the highest SE Oo EC Makes an electric guitar sound like an acoustic guitar Basssim Tone Level SSS Makes an electric guitar sound like a bass guitar f Parameter descriptions Gan 0 10 Adjstspreampgain distorionitensty EE 6BAND EQ module Parameters Bas LowMid Midde Trebl Presence Harmonics Pand EA This is an equalizer with 6 frequency bands 0000000000 This is an equalizer with 6 frequency bands Parameter descriptions Parameter BCEE EERSTEN Low Mid Adjusts middle frequency range 800 Hz boost cut 12dB 12dB Adjusts high fr
86. e v Leg Press 2 3 4 Import one patch IMPORT gt Each Select F PATCH IMPORT Change menu Select the project to import from PROJECT SELECT Select project Import source project name Press Change menu PRJAB4 PRJBES BEEN Im mm EEENI PRJBES PATCH IMPORT MODE PROJECT Each PRIGHL KM v BS mn ES eng iix Select the patch to import A v PATCH IMPORT FROM No 2 CLEAN Import source No HI Z CHORUS He 82 FdClaean Mo B3 UxCrunch patch patch Select Ha O m SES ea emm Dec Press Select the destination patch A v Hogi 2 CLEAN No MI 2 CHORUS He 82 FdClean Mo B3 UxCrnunch patch patch Import destination Select No B4 La EZ RENE emm Del Press Select VM PATCH IMPORT Move cursor Are You Sure A re You d v a Press S199 J8 u1njaJ pues pue j4esur G6un4oduii uojeg i 86 BuloyiUOW 104 AjUO 129JJo FSU y Huish 87 Using the insert effect only for monitoring By applying an insert effect only to monitoring input signals can be recorded unprocessed to tracks EFFECT a Press Select effect type Press L beneath PLEJA to select an insert effect Select algorithm patch INSERT EFFECT i menu v INPUT SRC eui De res REVERE CHORUS BEE Using the insert effect only for monitoring By default when an insert effect is ap plied to an input signal the signal with the effect i
87. e assuming 4 4 time 2 Select the track where you want to e When a track is recorded the current BPM value change the setting is used TRACK1 b Select track 3 Select EFM and change the setting TRACK1 Change menu PAD setting INd8 9u1 BuibueyD 60 youd Huibueyd ynoyyM odwe oipne Buibueu5 g Changing audio tempo without changing pitch When an audio file is assigned to a track you can change the tempo of audio without changing its pitch time stretching You can change all tracks at once or individual tracks Be aware that this operation will overwrite the original audio file TRACK Select BPM and the new tempo after DW Press time stretching haem MODE Each A v Change 2 To change one track at a time select a ALGORITHM Dest ES EXECUTE setting TRACK1 Select track emm mg 0 PAD Repeat 7 Select HL GORTTHH and set it to the one m dl most appropriate for the audio file Ee ENS Fees ee Change menu MODE Each A a 3 Select EDIT BPI 128 4 v Change setting ek Al H Change menu EXECUTE f TAKE eem AN B i A LOOF v Stretching algorithm suitable for b es ee rhythm sources and other sounds that have short notes Press Stretching algorithm suitable for songs and sound sources with long d Select STRETCH notes TRACK_EDIT EES TIME STRETCH Change menu TRIM F B A v v Dese Seen eg usd Press 5 Select MODE and set it to Each to
88. e cursor character A PRJ812 INSERT v ENTER CANCEL EXIT MEUS Press HN RN Change character USB memory folder structure Press ZOOM R24 6 Select YES PROJECT Folder where project data is saved LORD PRJ812 AUDIO Folder where audio data is saved Are You Sure Move cursor LOOP Folder where loop data is saved for wg v use with TRACK TAKE USB LOOP Press NOTE e Never remove USB memory when sending or receiving data Disconnect after the Saving or Loading display closes e During USB storage use recorder operations are not possible e When saving on USB memory the saved data is stored in the AUDIO and PROJECT folders inside the ZOOM R24 folder e f a file or project with the same name already exists an Overwrite confirmation pop up appears Press EXIT to cancel overwriting and change the name or select a new project USB Audio interface control surface Connect the R24 by USB to a computer to use it as an audio interface to input and output sound and as a controller for DAW software Connecting the unit as an audio interface control surface Audio interface The R24 can be used as an interface between a computer and instruments and other audio equip ment allowing audio signals to be recorded directly into DAW software for example You can connect instruments and microphones that require Hi Z or phantom power when used as an audio interface Control surface Use the faders and ke
89. e the settings and values of the last Select HEL project in the new one PROJECT Change menu Settings carried over with Cont inue BIT LENGTH settings v e INSERT EFFECT settings e Send return EFFECT settings e Track status PLAY MUTE REC settings BOUNCE settings 3 Select HEME e Track parameters settings e METRONOME settings ane E A v SELECT SETTING Continue ERE dn 0 Press eS Se ee ES Change the project name as necessary NEW PROJECT NAME Move cursor HO lt P o A is suitable for DVD audio DRJ883 p e zeg O O 9 RE KENTER DEU cange uen character character Press e When set to 48 kHz effects cannot be used 5 Set whether to use the settings from the last project ios ds NEU PROJECT y v RATE ERELUTE Change setting 6 Set the sample rate Change menu NAME PRJBBS P A SETTING Continue v EREDUTE Change setting 7 Change menu yelojd mou e Buneo15 Sou pue sioeload Huljoajas d 91 Selecting projects and files You can select a project to use for recording playback and editing from the Top Screen You can also select files for playback copying deletion and other operations Select a project PROJECT gt SELECT PROJECT DW Dress Select SELECT PROJECT Change menu HEI A v INFO COPY F PELETE br SES Seng Press 3 Select the project PROJECT SELECT 1 PRJ O2 GH PRJBB3 projec NA
90. effecive for sap andfaipickplyng O O 7 Wah Solo_ Solo sound with distortion and a touch of wah Pitch shift is the secret ingredient 8 Tak amp Cry Typical special effect that makes a crying sound ikea taking modulator 9 Melody chorus sound for melody solo chord andharmonioplaying O S S 10 _SlapJazz Basic slap soundinihe jazzbasssivle OC OCO O O OOOO 1 Destroy SmashngscundmbingdisrionpichsW ngandungmoduaion 12 Tremolo _ Great match for moody bass ines and chordplaying O OOOO S 13 SofSlow Moog or solo play tone that is greatforfelessbass OSS 1 Limiter Lmierevnsouiesoudwhenuingapck O O OoOO 15 Xover Fanger souna for pickina ypical of the crossovergeme o 16 _CleanWah Auto wan sound that has many uses o O 17 Exeiter Akaundsoundwihafeshandwanspaentharder O O OO O OoOO 18 ClubBass Sound that simulates the ambience of a small cub and is suitable for walking bas Ines 19 Drivewah Dao wah sound wih variable drive thatfolows Oe 2029 Empty Mic algorithm No Pathnam 30 Description 0 RecComp Conventional preamp and compression sound for recording 1 RoomAmbi Simulates the ambience of a radio station studio 37 VocalDly Delay effect that works best with wet vocals Rock Heavy compr
91. equency range 3 2 KHz boost cut 12dB 12dB Adjusts super high frequency range 6 4 KHz boost cut Harmonics 12dB 12dB Adjust harmonics 12 KHz boost cut Effect types and parameters 4 e MOD DELAY module Depth Rae S ome S Mix Mixes a variable pitch shifted component with the original sound resulting in full bodied resonating tone Depth Beie Tone Mx Ek Depth Rae Resonance Si Tm Fm Same Shifts the pitch up or down Depth Pas O Tone Balance Adds automatic vibrato Chorus Vibe Special effect makes sound changes in steps Range Resonance Sene Balance Cr d Changes sound like a talking modulator Frequency Depth Lopes Enhances the sound outline making it more prominent Reflex Tone Recreates the airy ambience of a room with a feeling of depth Feedback Hang Delay effect with a maximum setting of 2000 ms Feedback HiDamp Warm analog delay simulation with up to 2000 msec delay length Feedback HiDamp Balance Reverse delay with a maximum length of1000 msec i RTM Wave RTM Sync ARRM Pitch Changes pitch of original sound in time with the rhythm tempo Delay Analog Delay Reverse Delay Parameter descriptions Parameter Settngrange Adjusts depth of effect Adjusts modulation depth Adjusts modulation speed Adjusts modulati
92. erformance microphones that are convenient for recording acoustic guitars and vocals m Exchange files with computers and USB memory devices The R24 has a USB 2 0 jack that allows high speed data transfer You can transfer WAV audio files recorded on the R24 to a computer just by dragging and dropping You can also exchange files with a connected USB memory device without using a computer m 24 voice built in sampler can be triggered using 8 pads and 3 bank keys Use the sampler to assign sounds to each track pad and create loops Play the pads in real time and even create performance data for a complete song by combining loops By simply lining up drum loops from the included USB memory anyone can easily create professional quality backing parts and basic tracks While listening to loop playback you can record audio on other tracks because the R24 recorder and sampler work together seamlessly Rhythm and metronome functions can be used as guides and backing tracks The unit starts with over 400 rhythm patterns that use the built in drum machine and you can create your own original patterns using both real time and step input You can output the metronome sound only to the headphones allowing you to send just a click to the drummer in a live situation while the signals from the out put jacks are sent to a mixer Note For the improvement of this product its specifications are subject to change without notice uono
93. ers and set levels to Edit patch level achieve sounds you like e Save e Patch patches selection gt SAVE P85 PATCH SELECT P80 Import patches All patches Turn algorithms and IMPORT P86 preset patches ON One patch OFF and select their You can use patches import combinations ed from other projects Set INPUT 1 8 insertion point INPUT SRC P81 Track 1 24 Guide MASTER o Al only SEND Both R Al SEND Monitoring only P gt T Alonly INSERT GE Both R AI INSERT All cases oo Patch initialization R AI INSERT SEND gt Audio interface manual R Recorder Al Audio Interface SEND Send return effect INSERT insert effect Algorithms and patches A single effect which is called an effect Algorithms module or module consists of two Wek Distortion elements the effect type and its param Aco Bass Bass Patches eters which control how it processes TES Sales TANN Se EH A patch is the result of adjusting the ef aie fect tyoe and parameters of each module Dez An algorithm is an ordered arrangement Effect type Chorus Ensemble enger of patches set to default values prepared Depth Depth Depth Parameters Rate Rate Rate for different types of recording and other Tone Tone Resonance Mix Mix Manual purposes Insert and send return effects The insert effects in one project include 330 patches classified into 9 algorithms You can
94. es and parameters see the STEREO algorithm Parameter descriptions Parameter Seting rangs J Explantion Xover Lo XoverHi Jones ss Adisstsmidto higherossoverfequenoy SenseHi 0 24 Adiwtshighrangecompressorsenstivty O SenseMid 0 24 L d mid range compressor sensitivity Comp Type EQ Type MixHigh Of 24 6 Adjstshighfreguenoyrangemixleve MixMid Of 24 6 Lg mid frequency ergeet SJ9 ouljeJed pue sodA ayy t ZH H 124 sjojoweied pue sodA 129413 t ZH d 125 Effect types and parameters 11 e NORMALIZER module Normalize Hera IIi Adjusts COMP Lo Fi module input level Parameter descriptions Parameter Setting range Gain 12 12 Adjusts level e BAND EQ module Parameters 3Band EQ For an explanation of types and parameters see BASS algorithm DIMENSION RESO module For an explanation of types and parameters see the STEREO algorithm ZNR module ZR For an explanation of types and parameters see CLEAN DISTORTION ACO BASS SIM algorithms Send return effects e CHORUS DELAY module Parameters LFO Type Depth Rate PreDelay EFX Level Mixes a variable pitch shifted component with the original sound resulting in full bodied resonating tone Time IL Feedback HiDamp Pan EFXLeve RevSend Parameter descriptions 0 100 Adjusts effect depth Adjusts modulation s
95. es together into one stereo or mono file This is also called ping pong recording 5min Tracki lt eme Track2 Track3 Track4 File e To also play and include in the bounce the signal d UE cadis destination track set BOUNCE TR to Fl Bounce Een track settings e A new file will be created in the same project e f you set the bounce destination to a mono track the recorded signals are mixed to mono If set to a stereo linked pair of tracks the recorded signals will be mixed to stereo Bouncing 2 esL Josse FETA DOUT OH appears on the display CH B np IGOGO BOUNCE ON l mama Me EOUNCE Note Press the BOUMCE soft key again to cancel bounce mode STOP REW Press and hold EN and press to return to the beginning 5 CK 6 Press in order to start recording REC i Lit red ol Lit green STOP Press to stop recording NOTE e This operation can be undone by pressing the UHE soft key e f you bounce in stereo to two mono tracks the pan of the odd number track will be set to L100 and the even number track will be set to R100 3 Adjust the mix balance audition PLAY ES Press to start playback Adjust the mix balance including level volume pan and EQ settings for each track Make sure that the red 0 dB indicator does not light on the MASTER level meter 0 i Red 6 i Orange
96. ession sound for rock vocals Effect patch list 3 4 LengDLY Long delay sound for vosals CHE 5 InTheBOX This effect seems to put the entire sound into a small box ooo SCHEER Preamp tone that is great for recording acoustic guitar 8 AGDub Doubling sound that gives a stroke more of a pick feeling oo 9 i2stCho Chonssoud ori2stinggutar S O 00 On 12 D ENTE AG Lead 15 Fiter iter effect lets you change the sound character dumngasong forexample 16 Brethmp Fary strong compressor sound emphasizes bester 18 DuetCho _ Detuned sound creates an instant duet OOOO 19 Ensemble Feshensemblesomdgestrchons O O Oo o VocaDub Cowenonadebingsad OOOO SSS 21 Sweep Voice sound wih sow phase sweep VoiceFlg Flanging chorus sound with strong modulation PH Voice VibVoice FutureVo AG Jumbo Increases the apparent body size of an acoustic guitar Gimmicky phase sound seasoned with delay Clear cut vibrato sound A message from the aliens Transforms male vocals into a female sound ransforms female vocals into a male sound WaReWaRe CD pecial effect sounds like a talking spaceman CD pecial effect makes Japanese sound like Korean 22 23 24 2 28 2 28 3049 Empty Dual Mic algorithm No Patch name Description 0 Vooi For duets 1 Vo Vo2 _ Chorus for main vocals 2 Vo Vo3 _ For harmon
97. eters Time Feedback PM Delay Tme Feedback Mie ea Lo Time Toe J Mx V Ge Parameter descriptions name Delay Echo 1 2000ms Ah P124 Table 1 Time E Adjusts delay time Doubling 1 100ms Feedback 0 100 Adjusts feedback amount Adjusts tonal quality of effect Mx 0 100 Adjusts mix ratio of effect sound to original sound Effect types and parameters 8 e COMP LIMITER H module Compressor For an explanation of types and parameters see COMP LIMITER L algorithm e MIC PREAMP R module Parameters Mic Pre For an explanation of types and parameters see MIC algorithm e 3BAND EQ R module Parameters 3Band EQ For an explanation of types and parameters see BASS algorithm sjojowesed pue sed 1995 Feu y e DELAY R module Echo _ For an explanation of types and parameters see DELAY algorithm Doubling e ZNR module Stereo algorithm e COMP LIMITER module Type Compressor Limiter For an explanation of types and parameters see DUAL MIC algorithm Lopi LL Character Color me Tone Stee Dry Level K This effect intentionally reduces the quality of the sound Parameter descriptions C os bo O D er e SO MIC MODEL module Type Xoverlo XoverHi MixHigh Maud Mixlow _ Divides the signal into three frequency bands and allows the mix amount of each band to be adjusted separately z Parameter
98. etting bars time signature quantization Checking remaining memory Real time and step input Copying rhythm patterns 71 Deleting rhythm patterns 72 Changing rhythm pattern names 73 Import rhythm patterns 74 Setting volume and stereo placement 75 Assigning rhythm patterns to tracks 76 Effects Effect and patch overview 77 Input and output of insert and send return effects 79 Effect patch selection Setting the insert effect position 81 Patch editing 83 Patch Saving s mo 9 48484 amp 85 Patch importing 86 Using the insert effect only for monitoring 87 Projects Project overview 89 Project protection 89 Creating anewproject 90 Selecting projects andfiles 91 Project and file information 92 Copying projects and files 93 Changing project and file names 94 Deleting projects and files 95 Dividing files 96 Sequential playback of projects 97 Recording settings 99 System SD cards Adjusting the display 100 Backlight and contrast Changing the SD card while the powerison 101 Formatting SD cards 102 Checking card capacities 102 Checking the system version 103 Setting the battery type 103 Phantom po
99. hange project PRIGG EK PRIGGG BS SH ee Press Wi Move cursor A Select YES DELETE PRJ883 A Are You Sure v NO Press NOTE e Once a project or file is deleted it cannot be recovered Please delete with care files cannot be deleted Delete a file PROJECT gt FILE gt DELETE PROJECT L Press 2 Select the file name FILE SELECT AMET WAL WHOND A2 WAL XMONO BB WAY UH Dog WAL 1L cHEEEENM Pm Ee ee ee Press Select DELETE M N BBB WAY INFO n COPY d RENAME DIVIDE br DENEN Se EES RSEN Press Select WEG DELETE 0N0 688 WA Are You Sure YES NO Press Change menu v Change file Change menu v Move cursor A v Dividing files You can divide a file at any point to make two files Do this to delete unnecessary portions of recordings or to divide long recordings 2 PROJECT DW Dress select FILE PROJECT Change menu COPY A DELETE v RENAME p PROTECT Gen pm EET en iis Select the file FILE SELECT MENT NNNM A AW MI ET WAY IONO A2 WAU AMTF WALU Select file MON 004 WI Press Select DIL IDH Change menu INFO ke A COPY y DELETE 1 RENAME La Set the division point FILE DI IDE za 4 i Change value Change time unit HTH HR ee RRC ERR lt gt Press L beneath EMEC I Select YES FILE DIVIDE Move cursor Are You Sure
100. he output can change e Create one stereo file from two faders by using the stereo link setting Assign INPUT 1 8 connections to tracks 1 24 Connect instruments and mics INPUTS 1 8 S G Make settings for instruments built in mics stereo tracks etc 3 Select the bank of tracks 1 8Tr 9 161r 17 24 Assign faders to sBunies ououi Buryeyy siueuinajsui Gunoeuuo 5 E oL el eL tracks 1 8 9 16 or 17 24 Tracks Tracks Tracks 1 8 9 16 17 24 A Change the status of the connected inputs Press the status key of a track 1 2 times to turn its red light on elle AR MUTE REC PLAY MUTE REC PLAY MUTE REC When red recording is possible Set the tracks to receive inputs Press the 1 8Tr 9 16Tr or 17 24Tr key to set the bank of tracks that will record the inputs 1 8Tr g TRACK 1 INPUT 1 m 9 16Tr g TRACK 9 17 24 L TRACK 17 Bees TRACK 1 8Tr key active 9 16Tr key active 17 24Tr key active gt Ref Stereo setting a 18 s 9 enges webuuas ooJe1S si1ueuinajsui Dun2euuo7 g 19 Recording preparations Connecting instruments Stereo settings amp status keys To make a stereo recording set a stereo link for adjacent odd and even numbered tracks and record on them Use the status keys to send input signals to recording tracks Using the built in mics Turn the MIC switch ON MIC yr Signals to INPUTS 7 8
101. hms e COMP LIMITER module Parameters Descriptions Sese CAttack S Tome Level MXR Dynacomp type compressor Threshold Ratio Attack Level Compressor Rack Comp Compressor with more detailed adjustments Threshold Ratio Release Leva Limiter SC y Limiter for suppressing signal peaks above a certain level Parameter descriptions Sense Ts Adiusts compressor sensitivity SS BEE Threshold Adjusts threshold for compressor limiter action Rao Pt Aust compressor imiter compression ratio Release 1 10 Adjusts delay until compressor limiter release from time when signal level falls below threshold level 2 100 Adjusts signal level after passing module Effect types and parameters 2 e EFX module Parameters Descriptions Position Sense Resonance Level gt Auto wah dependent on dynamics of input signal Depth Rate Wave Levl Tremolo m Periodically varies the volume level Posiion Rate Color Level TI Produces a swooshing sound Ring Position Frequency Balance Level Modulator Produces a metallic ringing sound Adjusting the Frequency parameter results in a drastic change of sound character Position Tim Curve Lee gt Slows down the attack rate of the sound Position Frequency DryMix Level RTMMode RTMWave RTM Sync Changes the wah frequency according t
102. ignal before and after module 1 100 Adjusts signal level after passing through module e BAND EQ module Type Parameters Bass Midde Treble Level 3Band EQ This equalizer has three bands Parameter descriptions oaa EM aa Bas 12d 12B Boosts cuts low frequency range o Midde 120B 1208 Boosts cuts middle frequency range i O e MOD DELAY module For an explanation of types and parameters see CLEAN DISTORTION ACO BASS SIM algorithms Analog Delay Reverse Delay ARRM Pitch ZNR module ZR For an explanation of types and parameters see CLEAN DISTORTION ACO BASS SIM algorithms Mic algorithm COMP LIMITER module L Type J 1 Parameters RackComp iter For an explanation of types and parameters see CLEAN DISTORTION ACO BASS SIM algorithms e EFX module Phaser Ring Modulator For an explanation of types and parameters see CLEAN DISTORTION ACO BASS SIM algorithms e MIC PRE module Type Toe Level BDetEser LowCu This is a preamplifier for use with external microphones Parameter descriptions Setting Range Vocal AcousticGt Flat Sack mam Gao et preamp characteristics Adjusts tonal quality of effect 1 100 Adjusts signal level after passing through module De Esser Off 1 10 Sets the reduction of sibilant sounds Off 80 240Hz Sets filter that reduces low frequency noise easily picked up by mics
103. ing the pads e Pad playback types e Global quantization to fix timing errors You can also set the R24 to loop an audio file assigned to a track The starting point and length of a loop can be set In addition audio files and rhythm patterns that have been assigned to tracks and set to loop can be used to create a sequence including backing parts and rhythms for an entire song A sequence can be input by playing the pads along with a rhythm click in real time or step by step step input Bars and beats can be inserted and deleted and the time signature can also be changed Audio files assigned to tracks can also be altered including by changing their tempo without changing the pitch deleting unnecessary parts applying fade ins and fade outs and changing the tempo BPM 48 SUOI OUN J9 duies JO MaIAJ9AQ Bi sX2e1 DuiuBissy 49 Assigning tracks To use the sampler function first assign audio files and rhythm patterns to tracks In this example we explain how to assign loops stored on the included USB memory TRACK DW Press Select the track to assign TRACK1 b Select track 3 Select TAKE TRACK1 V Change menu A v A Select LOOF TUSEI TAKE SELECT FILE d PRTTERH La A Change menu Press Select a loop FILE SELECT Select file 26 Drs 4 On Floor Bil A 128 Dey 4 n Floor 126 Dry 4 On Floor v 126 Dry 4 n Floor 128 Dry 4 On Floor E es IER
104. ion will be deleted e n step 8 or 9 you can change the order of the pattern list Press the H z soft key to list the patterns in alphabetical order Press the Ha soft key to list the patterns in numerical order susoyed wy z y 1310duu 7A jueujoo2e d O819 S pue euinjoA Bunnies Setting volume and stereo placement You can change the volume of a rhythm pattern and the stereo placement of the drum kit RHYTHM DW Press Select the rhythm pattern that you want to make settings for ag rm EDIT BBB B8Beath1 684 881 81 88il 16 1474 j ET EUN Co RT 3 Select a menu item and change the setting PATTERN EDIT Change menu BAR LEN W i F A SIGNATURE vd v PHD ROLL 1 16 RENAME Lad RS esum a oues Change setting Drums are placed from left to right Listener as heard from an audience member Drums are placed from left to right Player as heard from a drummer NOTE F USITIOH settings are saved for each project Rhythm functions Assigning rhythm patterns to tracks The rhythm pattern displayed on the screen can also be assigned to a track RHYTHM DW Press 2 Select the rhythm pattern to assign BBB BBBeatB1 BB4 1 881 81 88 1716 474 iji b See 1 BEND Select pattern a ORR Jm j m j jm jal jm n PRR EDIT eC I A z 3 While pressing DW beneath EAHA press the pad of the track where you want to assign it HHH BBSBeatH
105. ipment to an outlet on a circuit different from that to which the receiver is connected e Consult the dealer or an experienced radio TV technician for help For EU Countries Declaration of Conformity This product complies with the requirements of EMC Directive 2004 108 EG and Low Voltage Directive 2006 95 EC EuP Directive 2005 32 EC Disposal of Old Electrical amp Electronic Equipment Applicable in European countries with separate collection systems This symbol on the product or on its packaging indicates that this product shall not be treated as household waste Instead it shall be handed over to the applicable collection point for the recycling of electrical and electronic equipment By ensuring this product is disposed of correctly you will help prevent potential negative consequences for the environment and human health which could otherwise be caused by inappropriate waste handling of this product The recycling of materials will help to conserve natural resources For more detailed information about recycling of this product please contact your local city office your household waste disposal service or the shop where you purchased the product ecm 4 4 3 Kandasurugadai Chiyoda ku Tokyo 101 0062 Japan Web site http www zoom co jp R24 5000 1
106. istorts during recording refer to STEP 4 and adjust the input sensitivity and recording level e After recording has completed the Please wait pop up will be displayed Do not turn the power OFF or take the SD card out while this pop up is open Doing so could damage data or cause other problems Ref Recording methods in detail Using insert effects Recording 2 3 4 Record Complete Play STOP REW While pressing press L to move to the beginning ma 0 00 00 000 TRIEN mgg 128 8 474 1Bar EN ET EAR USCH Press and then to start recording Start performing DRUI 0 00 12 685 Counter starts 887 82 17 MARKO 128 8 474 Bar a ES WETTER RH STOP Press 5 to stop recording epinB Buipjoooi oiseg H Playback 2 3 4 Press the status key to end recording standby and make the light green PLAY MUTE REC When green playback is possible Press repeatedly The track changes from recording standby red to playback standby green STOP While pressing press L to move to the beginning IEN 0 00 00 000 BE umag 128 8 474 Dar UNDO ET T SWAP Rd Press gt to start playback TIED 0 00 12 685 B87 82 17 mmg 128 8 dch Bar UNDO EUG ET Lr STOP Press 5 to stop playback suomnounj pue 1no e jaued Panel layout and functions Rear panel SLEEVE GND TIP HOT POWER OUTPUT PHONES 8 7 Gi 6 O 5 D
107. l the way up for a powerful tone Kstone Jr Richards classic intro sound can be heard in The Roling Stones Satisfaction RR Mtl 60s Metal sound with dere micrange based onthe Metal Zoned Monster Weird tone that mixes a heavy sound with a doubling an octave down 4 FatMs Drive sound with detuning added to thicken the sound is great for power chords and backing parts 42 SlowFlg Jet sound combining Slow Attack with flanger 43 DmgFuzz Psychedelic tone that adds Ring Modulator to fuzz sound that cuts fiercely through low frequencies 44 Reoti Wah Bod high gain sound with auto wah and ashort delay added 4549 Empty Pt Aco Bass SIM algorithm No Patchname Desorption o 1 U o Ensemble Gorgeous sound win deep ensembe fect 1 Delay LD Lively acoustic guter sound tor ead playing O OC o 2 Chorus Chorus sound sutabe for everthing rom Aale 3 iere aaen 4 RECKEN s Standard Sundribesssemdwihmanyuss OC OOS 6 CompBass Bass sound comes aive win compressor and exer O Flanging Flanging sound covers a ot of ground from SES phrases to melody playing Auto Wah Funky bass sound that makes good useofauowa SS o Emy IJ Bass algorithm SANSA Edgy sound with a strong core that is a good match for flatpicking 5 TUBEPRE Aloundubesond O O OOOO 6 Atack Compression sound
108. ls at once You must set it for each channel separately You cannot turn off TOTAL modules The SxComre Ei algorithm does not include a ZNR module If you switch to another patch without saving a patch that has been edited showing the E mark changes will be lost Please refer to the next page for how to save patches S129 J8 u1njaJ pues pue Wesul Bunipo uojeg n 84 S129 J8 u1njaJ pues pue Yaesu HulAes uojed d 85 Patch saving insert and send return effects Once you have edited a patch always save it if you want to keep the changes You can save a patch at any patch number within the same algorithm 3 EFFECT DW Press Select effect type Press L beneath Milia to select an insert effect Press DW beneath AJJAJ to select a reverb send return effect Press DW beneath IAH to select a chorus delay send return effect Select the algorithm patch INSERT EFFECT Change menu A v INST REVERE CHORUS NON Select SALE INSERT EFFECT Change menu Sa Clean A A No Z CL v Zo SRE Input ES Press POEM EETEST ET em SELE TO EFFECT PATCH SAYE Change menu SQUE TO Tr A EXECUTE F v NENNEN RENE RENI ES Select where you want to save it PATCH SAYE TO Patch number No Bi 2 CLEAN l patch name Ho 51 2 CHORUS where you Ha a2 FdClaan want to save it Set save Ho B3 UxCrurnch location Ho 04 THEED ere Brace REH BER SEN Continued
109. m e zm rm e rm rm zem rem em rm rm em em zm rm zm rem e rm rm rm rm rm rem zm rm e rem rm zm rm zm rm zm zm Icon display and setting keys Insert effect icon P80 ON when shown Use key to set uoneulno0jJui ejdsiq i EFFECT key Use key to open the EFFECT menu Send return effect P80 Reverb chorus icon ON when shown Use key to set PROTECT icon P89 If shown project is protected and cannot be overwritten Set using menu ud REUICHO PRU f Battery icon P13 PRI BAA When shown batteries are in use 0 00 0 000 t and their remaining charge is indicated by the number of bars When E shown USB power is in use When nothing is shown the AC adapter is in use AUTO PUNCHI IN OUT icon P29 AUTO PUNCH 1 0 AUTO PUNCH IN OUT key Set when displayed Use key to set A B repeat icon P32 A B REPEAT A B REPEAT key A B points set when displayed Use key to set The indications in enclosed in boxes including F1 F5 beneath the row starting with the AUTO PUNCH 1 0 key lt BANK gt DIRECT and DAW are functions when used as a control surface in audio interface mode Soft keys POUNCE SWAP M13 The functions of the soft keys appear at the bottom of the display Press the key under the indication to use that function m m um m um rum m mm mm mm mm mm mm mm mm mm mm mm mm mm pm e m um rm um um um Gem Gum um um um um um um pm m When indi
110. new piece of music DATA saved in a project e Audio data for every track including the MASTER track e Mixer settings e Patch numbers and settings made for insert and send return effects e Contents of play lists e Other necessary files e Sampler loop and sequence data settings e Hhythm pattern volume and stereo placement settings ZOOM R24 PROJECT PROJ001 PROJ002 PROJ003 The names of the folders in the PROJECT folder correspond to the projects with the same names Protecting a project PROJECT gt PROTECT PROJECT DW Dress 2 Select PFEOTECT PROJECT Change menu INFO k COPY 4 v DELETE RENAME v ESS e peo pz 3 Select OH INFO k CORY DELETE b RENAME P E FS PER eS E NOTE e When a project is protected you cannot record in it or edit it and any changes will not be saved to to record in it or edit it again Projects that are not protected will be automati cally saved to the SD card when you turn the POWER switch OFF or when you open another project We recommend setting FROTECT to Din once you complete a piece of music to avoid saving unwanted changes mistakenly later HINT This icon appears when a project is protected Creating a new project With the R24 you can create up to 1000 projects on a single card You can also transfer the settings of the previous project to a new project PROJECT H NOTE L Press e You can us
111. ng Play the pads to input notes at the current position The volume of each note will correspond to the strength it is played unless sensitivity set otherwise Press ENTER to add a note with a fixed volume level at that position A Delete a note or change its volume Press DW beneath M to delete an input note Turn to change the volume of the note at that position D Loud high velocity D Quiet low velocity End input STOP Press NOTE e Notes at locations that are between the current quantize settings cannot be deleted A note at such a position appear as an X e n Step 4 you can also use the dial to input and delete notes 70 usoyed uiuyiAu e Buljeaig suJeyed wyyAuys Bui do5 g 71 Rhythm functions Copying rhythm patterns You can copy a rhythm pattern to create a new one based on it for example 2 RHYTHM DW Press Select the rhythm pattern that you want to copy a m EDIT HHH BBBeatB1IBB4 881 81 88i1716 1474 j Select pattern a PRR EDIT f KIT CS A 2 Select COPY PATTERN EDIT Change menu A v PATTERN COPY Change menu COPY TO haag BoB A EXECUTE k v Sea ees Wen een Press Select the copy destination Select the PATTERN COPY TO pattern Ho op besi a2 A No HA HBSBeatH3 Ho 883 BoBDeatad v No Hd HBSBeatHa Ho 885 DDesi WO eee RE z Press 6 Select EXECLITE PATTERN COPY SES
112. nge tracks RIDE v 3 End of List DELETE HIEMS NR RE 6 Press Lt beneath h EDIT List4 PRIBBZ 2 End of List DELETE A TI Insert a project into a list 5 Select the track number to insert to JOHET E Change tracks 2 End of List v DELETE IHSERT f 6 Press Lt beneath heat EDIT List4 This inserts the NIAE 2 FRJBH 2 3 End of List current project Use the dial to change to a different project DELETE INSERT f Change project Delete a playlist PROJECT gt SEQ PLAY gt DELETE Select DELETE List4 Songs Change menu EDIT b v PLAY a Eme Ea SS een Press Select VES DELETE List4 Move cursor Ara You Sure A re You Sure v YES NO Press NOTE e f a master track or the file assigned to the master track is deleted the playlist will become empty e Set the master track to the recording that you want to hear when you register a project in a playlist o change the file of a registered project set its master track and edit the playlist e The maximum number of playlists is 10 Each playlist can have a maximum of 99 registered projects A project cannot be registered if its master track is not set or its file is less than 4 seconds I Ref Master track settings Z sjoefoud jo y eqA ejd jernuenbes i 98 sbunjes Buipjo2oH d 99 Recording settings The R24 can record at 24 bit which is higher quality than the 16 bi
113. npojJul E U9 U0D Contents Usage and safety precautions 1 Introduction a m mox omo RR RE EDS os 2 Contents a m s 44 ee 4 Wow Ros om REOR 3 R24 operation flow 5 Basic recording guide 7 Panel layout and functions 9 Connections 11 SD card installation 12 Powering the unit 13 Turning the poweron amp off 14 Date amp time setting 14 Switch and key operation overview 15 Display information 16 UNDO REDO Recording preparations R24 recording flow 17 Creating anewproject 17 Connecting instruments 18 Making mono settings 18 Hi Z Phantom power Stereo settings amp status keys 19 Built in mics Stereo line inputs Stereo link rn 20 Setting the tempo 21 Preparing arhythmtrack 22 Track recording Recording the first track 23 Adjusting gain recording and playback Changing the playback take 2b owapping tracks Overdubbing Recording additional tracks 27 Playing already recorded tracks Hecording and playback Re recording Automatic punch in punch out 29 Manual punch in punch out 30 Playback Project playback 31 Repeat playback of a specific section A B repeat 32 Using the counter and marks to locate
114. o link can be used to adjust their relative volume balance Stereo files can be assigned to tracks joined by stereo link The left channel is sent to the odd track and the right is sent to the even track 20 Mu 0919 S H odwid au Bumes d 21 Setting the tempo set the tempo for the music The tempo is saved for each project Changing the tempo NO TEMPO Press L beneath e Use the dial to change the value TEMPO Tap L beneath e repeatedly The average pace will be set as the tempo value DD 1aa0a TEMPO 126 6 D LU LEI DPI Ee RE 40 0 250 0 Default value 120 0 Recording preparations Preparing a rhythm track The R24 has a sampler function that allows loops to be played back on each track Here we assign a rhythm pattern that is built in to the R24 to a track as a guide rhythm Assignment to a track 2 Select track 4 Select THEE TRACK1 b Change menu A v Select FATTERH to use a rhythm pattern TAKE SELECT Change menu LOOPCUSE a T OTHER PRJ F PS eet EES PS Select the rhythm pattern PATTERN SELECT Select a file or pattern Ho B82 DDest 0 v No A03 BSBeatB4 Ss Ho 084 Dbest M EH m DEREN psu Press HINT You can also play the selected audio file or rhythm pattern Play STOP Stop If rhythm patterns are assigned to multiple tracks and played back simultaneously or patterns with
115. o rhythm tempo Range Tone Level PP Booster Increases signal gain to make the sound more powerful Parameter descriptions name Boston Before Ate Sets connection postion of EFX module to before or after preamp Seme onmo Adwssawowsnsemiwy O Depth 0 50 erer Rae oepa Adjusts modulation rate Can be setin rhythm tempo note unis Sets modulation waveform to Up rising sawtooth Down falling saw Up 0 9 Down 0 9 Tri 0 9 tooth or Tri triangular Higher values result in stronger clipping empha sizing the effect Frequency SJ9 ouljeJed pue sodA 129413 yZy p 116 SJ9 oujeJed pue sodA ayy t ZH d 117 Effect types and parameters 3 e PREAMP module Modeled sound of Fender Twin Reverb 65 model favored by guitarists of many music styles USBlues Crunch sound of ENDER Tweed BCS HW Stack Modeled sound of legendary altube Hiwatt Custom 100 from Britain MS Drive High gain sound of Marshall JCM2000 stack amp ss C C C CidCS DZ Drive High gain sound of the Diezel Herbert hand made German guitar amp with three separately controllable channels T Scream Simulation of the Ibanez TS808 which is loved by many guitarists as a booster and has inspired numerous clones Governor Simulation of the Guv nor distortion effect from Marshall Dist Simulation of the MXR distortion effect that made distortion popular worl
116. on speed Using the rhythm tempo as reference set Flange Vibe SEP OesO aries lable a in note units is ie Ge Tone Adjusts tonal quality 0 100 Adjusts mix ratio of effect sound to original sound Adjusts resonance intensity Negative values result in reversed phase Flanger 10 10 Resonance for the effect sound Step Cry 0 10 Adjusts resonance intensity Adjust the frequency range that is effected Sets pitch shift in semitones Fine 25 25 Sets pitch shift in cents 1 100 semitone O 0 100 Balances effect sound and original sound 0 10 Sets effect sound envelope Adjusts the frequency range that is affected Senge 10 1 1 10 Sets the sensitivity of the effect Frequency Adjusts the frequencies that are effected Emphasizes low frequency range Size 1 100 jSetszeofsmuatedspace O Reflex 0 100 Adjsststheamountofreflecionsfromthewals Delay Analog Delay 1 2000 ms Ah P124 Table 1 Time Adjusts delay time Reverse Delay 10 1000 ms P124 Table 1 Selects the type of pitch change ets the frequency of the wave SJ9 ouljeJed pue sodA ayy t ZH i 118 SJ9 oujeJed pue sodA 99 t ZH d 119 Effect types and parameters 5 e REVERB module PreDelay Simulates the acoustics of a concert hall PreDelay Simulates the acoustics of a room PreDelay Simulates a spring reverb PreDelay Simulates the acoustics of an arena sized venue TiledR
117. ontrol surface for DAW software The R24 has functions that enable control of DAW software on a computer via a USB cable You can operate its transport including play record and stop keys and physically control onscreen faders You can also assign various DAW functions to the R24 s F1 F5 function keys The assignable functions depend on the DAW software m Diverse effects The R24 has two types of built in effects Insert effects can be applied to specific channel signals and send return effects can be used through the mixer send return bus You can use these effects in a wide variety of ways including during recording by applying them to already recorded tracks and in the mastering process of mixing down and bouncing Comprehensive built in mixer features The R24 is equipped with a digital mixer that allows you to mix the playback of audio tracks You can agjust the volume pan EQ and effects for each track and mix them into a stereo signal Handles a variety of input sources including guitars microphones and line level equipment The R24 is equipped with 8 input jacks that accept both XLR and standard phone connec tors including 1 that can handle high imped ance and 6 that can supply phantom power 24 V or 48 V The R24 can handle all types of sources including high impedance guitars and basses dynamic and condenser microphones and synthesizers and other line level instru ments It also has two built in high p
118. oom y y Simulates the acoustics of a tiled room Parameter descriptions Mi 0 9 Adjusts effect sound volume evel S e ZNR module T Adjusts sensitivity Set value as high as possible without causing unnatural decay ZOOM original noise reduction for reducing noise during playing pauses without affecting the overall tone COMP LIMITER module For an explanation of types and parameters see CLEAN DISTORTION ACO BASS SIM algorithms e EFX module Position Senge Resonance DryMx Level This effect varies the wah action according to the intensity of the input signal Ring Modulator For an explanation of types and parameters see CLEAN DISTORTION ACO BASS SIM algorithms Fi Wah Parameter descriptions Position Before After J ep insert position of module to before or after PREAMP module Sense 10 1 00 j Adjstsau wahsens viy o e PREAMP module SVT Bassman Hartke Simulation of ranke HAS500 sod MITT SANSAMP Simulation of Sansamp Bass Driver DI sound Tube Preamp ZOOM original tube preamplifier sound Gan X Toe X Cabinet X Balance Level All preamp modules have the same parameters Effect types and parameters 6 Parameter descriptions mE DU a ana ooo cee 0 0 5050 0000 Adesspeampgan dstrondept Adjusts intensity of speaker cabinet sound 0 100 Adjusts mix balance of s
119. oouoenbes e Duneo425 54 oouenbes e Duneo12 Creating a sequence Deleting data When using step input you can delete 5 Select EXECUTE data before and after the cursor position together DELETE E ENT MODE Before Move the cursor to the position of data that you want to delete TRACK SEQUENCER Move cursor se RER DER DESS 887 81 88llBar 474 A gt Press y IT VLLLLEELEELELELLELLI gt EDIT DELETE REW ER Go back 1 step FF ES Go forward 1 step 2 press il eee EDIT EDIT Change menu A INS BEAT DEL BEAT TF v 9 Bn ee ER Press A Select MOIE and set it to Before or After to delete data to the left or right of the cursor DELETE EYENT Change menu ESECUTE Change setting 55 Change menu A v Editing a sequence When creating a sequence by step input you can insert and delete beats You can also change the time signature Inserting and deleting beats When using step input for a sequence you can insert and delete beats You can insert and delete a number of beats that differ from the project time signature changing the time signature for only that part Start step input Press TRACK SERUENCER 881 81 8B8llBar 474 b MELLLLLLLLLLLLLLT EEZE ERE EH ELE 2 Press L beneath Or NEM to change the length of one step 3 Move the cursor to the position where you want to insert or delete beats TRACK SEQUENCER Move
120. or to the global quantiza tion display area and adjust the setting Move cursor IRSCH A 0 00 00 000 lt gt M LE waar AN Global quantization Change setting Global quantization 8Bars 4Bars 2Bars 1Bar default 8 bars 4 bars 2 bars 1 bar value 1 2 1 2T 1 4 1 4T Half note half note triplet quarter note quarter note triplet 1 8 1 8T eigth note eigth note triplet 1 16 1 16T sixteenth note sixteenth note 1 32 triplet thirty second note Ec 1 tick 1 48 of a quarter note NOTE e When you press a pad the sound will be delayed until it is in time with the set quantization bar note e he pad blinks during playback e When you stop playback the operation is delayed until it is in time with the set quantization bar note sped oun Dui Aeld i 52 oouenbes e Bunea 53 Creating a sequence Assign audio files and rhythm patterns to tracks and set their LOOP settings to ON Combine them to create backing parts rhythms and other data sequence data for an entire track A sequence can be created with real time input or step input Create a sequence with real time 5 To delete input press and hold DW input beneath DELETE Data that has already been input for a track will With real time input you can create a be deleted while its pad is being sequence by playing the pads in time pressed with the rhythm metronome TRACK STOP Press LJ 6 Press
121. orrected in accordance with the quantize setting After preparing play the pads along e Depending on the pad sensitivity setting the force used to play the pads is also recorded as volume changes e A metronome pre count can also be set Hef P36 with the rhythm metronome to create a rhythm pattern with real time input Start input REC While pressing and holding e PLAY press 3B1 EMPTY 882 881 81 88i1 16 474 4t F ELL PRR HO EUN Co RT 2 Play the pads in time with the rhythm to input data 881 82 4711716 1474 Now Recording EDIT DELETE RLL DEL 3 Delete input Press and hold DW under IO and press a pad While that pad is being pressed data that has already been in put on that track while be erased Press DW under I 3M to erase the data that has already been input on all tracks 4 End input STOP Create a rhythm pattern using step input After preparing you can input notes one at a time step input to create a rhythm pattern Start input Press 3B1 EMPTY 882 881 81 88ll 16 474 j PRR EDIT eC I A 2 Move the cursor to the position where you want to input or delete notes 881 82 881716 1474 d Move cursor ET EUN EE d NE REW ER Go back one beat FF ES Advance one beat The horizontal axis shows the bars and the vertical access shows the pads by number One step one box is the length of the quantize setti
122. ously recorded tracks Mono recording on tracks 11 12 13 and 22 Track 1 mono playback Track 7 amp 8 stereo playback PLAY New Take New Take New Take New Take New Take PLAY NU AIDS STE BBB WAL New Take New Take New Take New Take New Take MOMC GitL WAL MOHD B2 WAL PORD GECS MOL New Take New Take New Take New Take New Take New Take New Take MORD WHL Playback Track 1 11 12 13 amp 22 mono playback Track 7 amp 8 stereo playback PLAY New Take New Take New Take New Take New Take PLAY MOHO 868 WAL STE ama WAL New Take New Take PLAY PLAY PLAY New Take New Take New Take MOULIN MOMD REZ WAL MDORND RECS WAL New Take New Take New Take New Take New Take PLAY New Take New Take MORO B4 WAL Assigning different files to tracks for playback Track 1 2 3 4 amp 5 mono playback Track 7 amp 8 stereo playback PLAY PLAY PLAY PLAY PLAY New Take PLAY VOCAL WHL VOCAL WAL BASS VO GUT TAR WHL GUITHRS WAL STE HAR WAL New Take New Take New Take New Take New Take New Take New Take New Take New Take New Take New Take New Take New Take New Take New Take New Take VS Ref Changing the playback take 31 P25 Play
123. pared record guitar bass keyboard and other instruments to create more loop materials Keep recording until you are satisfied with the performance of the riff backing part or other musical phrase You can loop only the parts of the recordings that you like Tel au Ref Loop settings Hepeat step 2 to record other phrases to use as loops Prepare all the phrases that are necessary to make your song When the loops are ready play them with the pads and think about the structure of the entire song Play the pads with the rhythm and think about the flow of the entire song and how to put the loop materials together VS Ref Playing the pads P52 After you have determined the structure of the song create the sequence loop performance data for the entire song A sequence can be input by playing the pads along with a rhythm click in real time or step by step step input Doing this you can complete the basic tracks including backing parts and the rhythm for an entire song E Ref Creating a sequence P53 Record vocals guitar solos and other parts as you listen to the sequence Record the main vocals and instruments in time with the basic tracks Sampler functions Overview of sampler functions With the R24 you can assign audio files and rhythm patterns to tracks which can then be played back and played in real time using the pads The following settings can be made related to play
124. peed Chorus Wa O 12 es C2 C2 e O Pre Delay EFX Level O Rev Send O Adjusts delay sound reverb send level Time 1 2000ms 124 Table 1 Adjusts delay time Feedback 0 100 Adjusts feedback amount Adjusts amount high frequency range in delay sound is reduced Left10 Left1 Center Right1 Right10 Adjusts delay sound panning e REVERB module Type Simulates the acoustics of a concert hall Simulates the acoustics of a room Pre Delay Decay EQHigh EQLow ERMix EFX Level Hall and Room have the same parameters Simulates a spring reverb S imulates a plate reverb PreDelay Decay EGHigdh X EQLow Steel id Spring and Plate have the same parameters Parameter descriptions Adjusts pre delay time 1 Adjusts effect sound level Adjusts volume of low frequency range effect sound ERMx Jo Aciusts mix ratio of initial reflections EFX Level Adjusts effect sound level Effect patch list 1 Effect patch list Insert effects Clean Crunch algorithm Patch name Mesa Boogie MKIII combo amp crunch sound Compressed lead sound of John Mayer s Gravity BSRif Bran Setzers rockabily sound from the Stray Cats Rock This Tow SSCS Edge Brightand clean sound with U2 guitarist The Edge s finely calculated delay added O Special effect sound that imagines water using Z CLEAN and Step Ambient Combination of Slow Attack and delay to create an ambient
125. pter could damage the unit HINT Power supply from USB If the POWER switch is set to OFF connecting the unit to a computer with a USB cable makes the unit start up automatically with power supplied by USB In this state functions are different from when the POWER switch is ON The unit can be used only as an SD card reader or as an audio interface e When using the unit as an audio interface if supplying phantom power we recommend that you use the AC adapter Ref Setting the battery type Using batteries Turn the power OFF and open the battery case cover on the bottom of the unit Install the batteries and close the cover 2 Battery power status Indicator on fm D FULL ina Battery indicator on screen No indicator p m y 0 000 AC adapter in use 0 000 L at m sees zd Batteries in use Batteries must be changed Power will turn off NOTE e Always turn the power OFF when you open close the battery cover or plug unplug the AC adapter Doing so when the power is ON might cause recording data to be lost e The unit can use alkaline of NIMH batteries The approximate lifetime for alkaline batteries is about 4 5 hours e Replace the batteries when Low Battery is shown Turn the POWER switch to OFF immediately and install new batteries or connect the included AC adapter e Set the battery type to increase the accuracy of the battery indicator
126. punch in point Perform not recording Press REC to punch in and start recording 6 C3 PLAY REC Perform recording SS Press REC to punch out stop recording and start playback vU CS unit STOP 8 Press to stop recorder PLAY REC GC unlit NOTE e Punch in out overwrites the recording on the track If the track is set to Heu e F F D ee Co D e rb O jab D z zh o will be recorded e Use the UMD soft key to cancel the re recording and keep the previous take 1no yound ul yound jenuen il 30 Project playback yoeqhe d GOeloid i TRACK Recorded audio files are assigned to the tracks that they were recorded on All tracks that are enabled for playback by their status keys green lights on will be played Overview of recording and playback process in a project TRACK TRACK TRACK TRACK TRACK TRACK TRACK TRACK MASTER 1 9 17 2 10 18 3 11 19 4 12 20 5 13 21 6 14 22 7 15 23 8 16 24 Recording the first track Track 1 mono recording Track 7 amp 8 stereo recording 1 8TRACK i REC New Take New Take New Take New Take New Take REC HOHD B6 WAU STE Gop HAL 9 16TRACK New Take New Take New Take New Take New Take New Take New Take New Take 17 24TRACK New Take New Take New Take New Take New Take New Take New Take New Take Recording more tracks Playback of the previ
127. r signal and the metronome sound MASTER CLICK MASTER a Tech e Metronome settings are saved for each project e You can use the metronome even during MASTER TRACK playback Menu settings and setting values OH QFF Set when operative Settings Plau Onda During playback only Rec Only During recording only Play amp Rec During both playback and recording Off default No metronome sound LEUEL Change metronome volume Setting range a 188 Default value Go FAH Change the stereo positionn Setting range Lioo Hio Default value enter SOUND Change tone Settings Metronome sound with a bell on the Be11 default SE Click Click sound only Stick Drum stick sound Cowbell Cowbell tone Hint Synthesized click sound TRACK 1 ROCK 24 TRACK 1 24 sound mono TRACK 1 2 TREACKS3 24 TRACK 1 2 23 24 sound stereo PRE COUNT Pre count setting Settings OFF default No sound S Enable sound during pre count for 1 1 8 to 8 beats Special pre count pattern ex obl SPECTAL NOTE e Be aware that if you turn the metronome volume up high the accented beat of some sounds might become difficult to distinguish e f a track with a rhythm pattern assigned is selected in the SQUHE setting no sound will be output euiouoJ1o9 N it 36 syun OM YUM Hulps0991 peziuoJqou S xXoeJ1 9L d 16 track synchronized recording with two units If you want to record more then 8 tracks at the same time d
128. rding multiple takes of vocals guitar solos and other parts in different files you can later select the best take TRACK DW Press Select track EDIT b lt gt EH MEE PEE P 3 Select THEE Change menu POS EDIT 7 Press 9 p f For an audio file select FILE TAKE SELECT 4 Change menu PRTTERN F v LOOPLUSB THER FRJ F Press Select the desired audio file AUDIO SELECT Won WI A MDNO BET WAU Select the file or pattern A v MONDE WAL WON WAL HORD E84 WAL ERE Eee ERE Ee d HINT e You can also play the selected audio file PLAY ES STOP Play Stop e Files that are already assigned to tracks have an to the left of their names Switching two tracks SWAP Press L beneath MAUI OU 31 11 0 00 00 000 SELLE umag 128 8 dch Bar sl ED Et LISER Select the first track to swap TIE ETT T np iaau Select Track EBEN A id Indicators blink orange on tracks that can be selected Press the status key to select a track x PLAY MUTE REC Selectable blinking orange Selected lit orange Select the second track to swap CET Select Track TRACK 1 3 1 Already selected track EBENE ETE SE Kd Indicators blink orange on tracks that can be selected Press the status key to select a track e jee PLAY MUTE REC Selectable blinking orange Selected lit orange Swap the tracks
129. ress Select list Empty shown when A Select Listi Son9s5 Change menu EDIT p A DELETE v Be Pap FE es ES Screen appearance during playback WR BEE aer number TRBHB1 DR BB Project name 0 00 06 708 Elapsed playback time NENNEN EE ee ee Playback track number Playback stops at the end of the last project HINT Key operation during playback Play from the beginning of the current project m Stop playback and return to the beginning of the current project REW STOP Play from the beginning of the first project M osee Stop playback and start playback from the ER beginning of the next project Stop playback and start playback from the beginning of the previous project Select EDIT List4 Empty Change menu DELETE v PLAY LI Bees Se GE NGA Dress Register projects edit and change playlists 5 Select the first project or the project to change ED I T Li Di Change tracks p ENA Of list A indication v DELETE INSERT RR RE Register project to be played End of List Change project DELETE INSERT f 7 Select and register more projects EDIT List4 Change tracks A PRIBA 2 End of List v DELETE INSERT f v WI 2 PRJBHI 3 End of List Change project DELETE INSERT RE REN 8 Press to return a Remove a project from a list 5 Select a project to remove EDIT List4 Cha
130. ress the REVERE or CHORLIS soft key and set CH OFF to Cn e Make sure that the send levels for the tracks are raised gt P40 80 Other problems Cannot save a project e The project cannot be saved if the project is protected Set FROTECT to OFF gt P89 Cannot create a new project or copy a project e f Project Full appears on the display no more projects can be created on the card Delete unneeded projects to free up memory An error message is shown when attempting to execute a command e Please check the error message list P132 bunoouse qno4 134 9JeMuli eui Buipejubdp Upgrading the firmware Upgrade the firmware as necessary Copy the firmware upgrade file to the root directory of an SD card Insert the SD card with the firmware upgrade software file into the R24 if it is not already in the unit PLAY 3 While pressing and holding gt turn the POWER switch ON The upgrade screen opens Select GE and press to start upgrading When the screen shows that upgrading has completed turn the R24 power OFF once and then turn it on again NOTE e Download the latest system software at the ZOOM website http www zoom co jp e Use the TOOL gt SYSTEM gt VERSION menu item to check the version of the system software that the unit is Currently using 135 136 xepu d 137 Index A A B repeat function 32 A DO
131. rk icon Mark number Add a mark during recording playback During recording or playback TIED 0 00 16 036 B83 81 83 mmg 128 8 4 4 Bar E 2773 Ee RI Press insfeeu cua DR Topp 0 00 16 036 EL amai 128 8 14 4 Bar ll SEL EE LISER 2 Locate to the position of a mark 2 Use keys to move between marks in order peg ue Press the forward or backward mark key until you reach the desired mark IRSCH 0 02 02 000 EE ED EE 3 Project Move to marks in counter sequence Select the mark number Move between E 1888 units and digits A 0 00 00 000 a EE eg Blinks 128 8 474 Bar E E73 LISER Select a mark number IRSCH 0 02 02 000 TRIE PUE 128 8 1474 Bar ll SEL EE LISER Change number Delete a mark Ee EC Press the forward or backward mark key until you reach the desired mark TESTI 31 1 0 02 02 000 TRIE I3 128 8 474 Dar EN 73 SWAP TAKSEN Mark icon highlighted 2 MARK CLEAR Press TIED 0 02 02 000 862 81 B8 ep 128 8 1474 Bar EE ED TL EK 3 The highlighted mark is erased and the preceding mark is shown NoTE e Once deleted a mark cannot be recovered e MBB the project beginning cannot be erased e Press the MARK CLEAR key when the mark icon is highlighted light letters on dark background to erase that mark Press the MARK CLEAR key when the mark icon is not highlighted to create a new mark
132. s Play up to 24 tracks of mono and stereo audio e METRONOME P36 A B REPEAT P32 MARK settings P33 e c m A U C2 e Track assignment P49 Loop settings P50 Assign audio files and rhythm patterns Set assigned audio files and rhythm USB to tracks patterns to loop connection Create rhythm patterns P68 Create rhythm patterns or use the unit s preset patterns Linking two units SYNC REC P37 Control surface 8 simultaneous tracks of stereo Track mixer and mono recording 330 types of effects Mixing mixdown Editing amp output Apply various effects to process input signals recorder playback and sound Mixer P39 Project P89 generator output PATCH EDIT etc P83 Adjust recorded tracks using the Recorded sound files and settings can track mixer be managed and stored on a per song basis as a project and then edited in Effects used on specific track signal paths various ways 2 Desired tracks in mixer 3 Before the MASTER fader Reie ES e INFORMATION P92 Overdubbing P27 Send return effect DIVIDE P96 e COPY P93 Record new tracks while playing back There are two internal send return e DELETE P95 previously recorded tracks effects in the built in mixer a chorus e RENAME P94 delay effect and a reverb effect Adjust the effect send levels for each mixer PROTECT P89 Re recording track individually Re record just part of a recorded file SD card P101 e PU
133. s recorded to the track However if necessary you can apply the insert effect only to monitoring and record the unprocessed input signals to the tracks For example you can record vocals without an effect but apply an insert effect to a microphone signal to make singing easier for a vocalist NEN P UNE EFFECT f RECORDER Select REC GIG and set it Change menu EDIT k A SAVE b v RENAME p pa IMPORT a IHSERT a CHORUS RW Change setting Input signals are recorded to tracks after being processed by the insert effect Default value Input signals are recorded to tracks before being processed by the insert effect The input signal monitored from the OUTPUT and PHONES jacks however is processed by the insert effect first HINT e The settings made here are stored for each project separately e f necessary reset to let before recording other parts 88 uornoojoud GOeloid eg MOIAIOAO Oaloid 89 Project overview amp project protection A project stores data and settings necessary for music playback The PROTECT function allows you to prevent the alteration of a completed project All elements of a piece of music including au dio files information about track assignments and mixer effect metronome and tuner set tings are stored in a project as one unit A maximum of 1000 projects can be stored on a single card Create a new project for each
134. select algorithms and the patches that they contain to sult your purposes and choose where to insert those patches Distortion Aco Bass COMP LIMITER Display i Two types of send return effects which are connected internally in the mixer section can be adjusted using mixer send levels amount of signal sent to the effect and can be used together HOD DELBY COMP LIMITER EFX PREAMP 6BAND EQ MODULATION DELAY REVERB 2ZNRPATCHLEVEL I Li COMP 3BAND MODULATION ME e eese Cim Coe HOE L 1 COMP LIMITER EFX 1 I Displays Dual Mic L COMPALIMITER R COMP EQ Stereo l POMP LIMITER H SOIC MODEL e SEGND EG COMP LIMITER ISOLATOR 3BAND EQ 8xComp EQ I MULTI BAND Kuni DI jwowuuzen SBAND Mastering COP Lo Fi hoarze sean Eotluggmeg TOTAL aa MULTIBAND NORMALIZER 3BAND EQ DIMENSION ZNR PATCH LEVEL COMP Lo Fi RESONANCE MICPRE 1 COMP LIMITER EFX DE ESSER 3BAND EQ TOTAL io d DELAY ZNR PATCHLEVEL DIMENSION RESONANCE M9IAJ9AO YO ed pue 12943 H 78 Steeg uJnjoJ pues pue LSU Jo 1NdjNo pue ndul W 79 Input and output of insert and send return effects The R24 s two types of built in effects insert effects and send return effects can be used at the same time INPUT 1 8 TRACK 1 24 Insert effects Send return effect These effects are internally connected in the mixer s send return bus These effects are applied to specified channels CHORUS D
135. setting TRACK SEQUENCER Move cursor 812 81 88llBar Ree Binks A lt gt v ULLLLEELEELLLEELELELLI EH ERE EH NG Change setting Changing the time signature Semgmne oouenbes e Dunip3 i oouoenbes e xoeq Dui Aeld d 59 Playing back a sequence Use the following procedures to play back the sequence that you made Playback from the sequencer Playback from the Top Screen TRACK Press L beneath TEREER to turn the z Press track sequence ON OFF Select TEE SEG DECRETI uai TRACK1 b Change menu TAKE ERE ONO EH d A 0 00 00 000 v EECH umag 128 8 474 1Bar E 2773 Ee Rid PLAY 2 Press Gan 0 00 00 000 TRACK SEQUENCER 001 61 6611Bar 14 4 et Ss BEE Track sequencer ON STOP Press to stop STOP 5 Press to stop E gt Press to fast forward STOP REW REW p Press and hold el and press L ER EECH to return to the beginning STOP Press and hold EN and press Es to return to the beginning Changing the BPM The BPM of each track is automatically calculated when an audio file is assigned to it Depending on the material however the calculated result might differ from the actual BPM If this occurs use the following procedures to adjust the BPM The set BPM is used as the standard tempo when changing the tempo of the audio without changing its pitch TRACK DW Press NOTE e BPM is calculated for an audio fil
136. spective owners All trademarks and registered trademarks mentioned in this manual are for identification purposes only and are not intend ed to infringe on the copyrights of their respective owners Warning Caution Introduction Please read through this manual carefully in order to understand the R24 functions well After reading it please keep the manual along with the warranty in a safe place Thank you very much for purchasing the ZOOM R24 Recorder Interface Controller Sampler We will call it simply the R24 in this manual The R24 has the following features Multitrack recorder that can use up to 32 GB SDHC cards The R24 can record up to 8 tracks simulta neously allowing serious live recording For example you can record a complete band on individual tracks or a drum kit with multiple microphones After making linear PCM record ings WAV format at 16 24 bit and 44 1 48 kHz sampling rate you can transfer recorded files to your computer to use them in DAW software You can even connect two R24s together with a USB cable allowing recording of up to 16 tracks Hi Speed USB USB 2 0 audio interface You can use the R24 and its many input and output jacks as a Hi speed USB USB 2 0 audio interface As an interface the R24 can handle 8 inputs and 2 outputs at a maximum of 24 bit and 96 kHz Its effects can even be used at 44 1 kHz only The unit can also operate using USB bus power m Usable as a c
137. ss Press REC PLAY MUTE Lit red Lit green O Unlit Track indicator MASTER MASTER MIX DOWN PLAY Press Press Press MASTER MIX DOWN PLAY O Unlit Lit red Lit green e n order to send the signal from an INPUT to a recording track press its status key 1 2 times until the track indicator lights red o use two inputs press both status keys to connect both to tracks o create one stereo file when recording two tracks set a stereo link e f the MASTER track is set to PLAY all other tracks will be set to MUTE no sound Stereo link PAN EQ gt STEREO LINK PAN EQ 2 Select a track TRACK1 V Change tracks 4 gt EB MID EQ LO REU SEND 16 SES Bat ES DINI Select T LIHE TRACK1 b Change menu Eq L A REU SEND CHO SEND v FADER Select Gri REU SEND B CHO SEND a FADER 3B EN LO kl On Off The tracks that are joined with a stereo link are shown HINT e he track pairs than can be joined with stereo link are 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 and 23 24 e Stereo link changes the setting from two mono tracks to one stereo track e Whatever track number you choose an adjacent track will be linked You cannot change these combinations e To adjust the volume of a pair of tracks joined by stereo link use the odd number fader The even number fader has no effect e The pan parameter of a pair of tracks joined by stere
138. ster SEC and set it to Master mastering effect check the sound of the play back tracks by lowering their faders If a track sound is distorted adjust that track a Dual Mic or Mazterinsa algorithms If you set another algo rithm the insert position changes to the inputs HINT You can also select a MASTERING algorithm to pro cess a stereo mix setting 5 Select FATCH and set it 25 INSERT EFFECT EFFECT iit menu od ALGORITHM Mastering v Recording signal flow to the master track T ai INSERT REVERE CHORUS NNNM Be sns ge Select a patch while playing the project setting MASTER TRACK Listen to the effect that the patch has on the project and choose one you like PLAY STOP gt gt Le 6 Press Mix down Bounce Recording to the master track Record a final stereo mix as a mix down on the MASTER track Signals are sent to the master track after passing through the
139. t levels to process the signals e n step 2 you can also select a track by pressing its status key so that its indicator lights orange NOTE e Except for phase settings IHUERT both left and right channels of stereo tracks share the same parameter values e Settings are stored separately for each project e The only setting that the MASTER TRACK has is volume control using its fader sbunjes 2e oA9 pues pue ued HFA i 40 SJo ouleJed yoRsy Al Track parameters These parameters can be set for each track Mono tracks 1 24 Stereo tracks 1 2 23 24 Setting range Stereo Display Parameter default value Explanation idis PAN PAN L100 R100 Adjusts a track s PAN For stereo tracks adjusts the Center volume balance between the left and right channels EQ HI High frequency range boost cut Set whether to boost cut the high frequency range Et TYPE EQ HI HI CUT HI or clearly cut unnecessary high frequencies HI EQ HI CUT This parameter can only be accessed when Et HI is ON Adjust amount of boost cut of high frequencies by 12 EQ HI GAIN ness SEN 12 dB This parameter is shown only when the TYPE is set to EG HI When set to HI CUT it is not shown 5OO0Hz 18kHz Adjust EQ boost cut frequency of high frequencies FREQUENCY This parameter can only be accessed when Ef HI is 8 0KHz ON EQ MID Middle frequency range boost iodB 12dB Adjust amount of boost cut of medium frequencies by GAI
140. t format used for audio CDs When recording the unit can overwrite previous recordings or save them and create new ones This is useful for bands and drums and when you want to record multiple takes Setting changing the bit rate PROJECT gt REC gt BIT LEN PROJECT DW Dress 2 Select REC PROJECT Change menu DELETE ka RENAME F v PROTECT DI FILE Lal Press 3 Select BIT LEN REC SETTING Change menu A v BOUNCE TR Mute REC MODE verurite A Set the bit rate REC SETTING BOUNCE TR Mute REC MODE Ouervriie 16bit 24bit HINT e When overwriting recording will be at the bit rate of the original file For example you cannot over write a file recorded at 16 bit with a 24 bit file e Settings are stored separately for each project The default value is 16bit If you use 44 1kHz 24bit 48kHz 16bit or 48kHz 24bit formats you will have to convert files to 44 1kHz 16bit to create an audio CD Setting changing recording mode PROJECT gt REC gt REC MODE PROJECT DW Press 2 Select REC PROJECT Change menu DELETE ka RENAME F v PROTECT Off FILE Lal Press 3 Select REC MODE REC SETTING Change menu BIT LEN 1ebit A BOUNCE TR Mute v REC MODE Qverurite 4 Set the recording mode REC SETTING BIT LEN U bit BOUNCE TR Mute REC MODE Always New oS setting REC MODE recording mode Previous recordings overwritten defa
141. t to locate to them quickly Locate using the counter To prepare stop the recorder select the project and start from the Top Screen Select the hours minutes seconds or bars beats ticks ELIT Change item A 0 00 0 000 v SELL umga 128 8 dch Bar E ETE ET REI Bars beats ticks Hours minutes seconds milliseconds 2 Change the values Elan PR JAHH 0 00 16 000 889 81 88 sang 128 8 dch Bar ET SWAP TRRSEC Change numbers NOTE You cannot change the counter this way during re cording or playback HINT e After Step 2 you can start playback from the set counter position e Mark icon display RI Mark 03 shown set at 10 minutes CAT E 08 seconds 15 milliseconds 0 10 08 015 llf Mark set at current counter position 385 B1 81 G3 mak No mark set at E NP counter position e Mark zero G88 is always set at counter O project beginning and cannot be changed e f you add a mark at a time earlier than an existing mark all the following marks will be auto matically renumbered in order e One project can have a maximum of 100 marks including the zero mark Add a mark Add a mark using the counter otart from the top screen Set the counter to the desired mark position Change unit eren or digit 0 00 16 036 P 8803 81 83 mae T 128 8 474 Bar EHE ET EAR USCH 2 Press ECH 0 00 16 036 8839 81 83 ie 128 8 14 4 Bar EE EET ETUR E Ma
142. t warnings and cautions that you must read to prevent accidents The mean ings of these symbols are as follows This symbol indicates explanations about extremely dangerous matters If users ignore this warning and handle the device incorrectly serious injury or death Warning could result matters If users ignore this caution and handle the device incorrectly bodily injury and damage to the equipment could result This symbol indicates explanations about dangerous Caution Please observe the following precautions to ensure safe use of this unit Power requirements Since the power consumption of this unit is high we recommend using the AC adapter When using batter ies use either alkaline or nickel metal hydride batteries Operation using an AC adapter e Be sure to use only a DC5V 1A center plus AC adapt er ZOOM AD 14 Use of an AC adapter other than that specified could damage the unit cause malfunc tion or result in a fire or other trouble Connect the AC adapter only to an outlet that sup plies the rated AC voltage required by the adapter Before using the R24 in other countries or regions where the power voltage differs from AC 100 V always consult with a store that handles ZOOM prod ucts and use a suitable AC adapter When disconnecting the AC adapter from an outlet always pull the body of the adapter itself During lightning storms or when not using the unit for an extended period of
143. tch between the FOST and LEHGTH soft keys e You can also play the audio file that you are setting PLAY gt Start playback STOP o Stop playback FF gt Fast forward REW Rewind Zooming in on the waveform When setting the loop starting point and length you can zoom in on the waveform that is displayed Zooming up to 32x is possible Press L beneath EDDM to Zoom HEH eat wi H UD IW TTT TI kB o POSI mE zoom Playing the pads Press the pad beneath a fader to play the audio file or rhythm pattern assigned to that track Press a pad 1 2 3 117 19 Wu 9 17 10 18 4 5 6 7 8 id Lud 12 20 13 21 14722 15 23 24 16 MS Press a pad while holding REPEAT STOP to enable loop playback if FAE is set to 1 Shot REPEAT STOP 5T Press a pad again while holding REPEAT STOP to stop loop playback REPEAT STOP Setting the playback method oet how the pads function when played TRACK DW Press 2 Select FAC and set the playback method Change menu A TRACK1 V setting PAD playback method Play loop repeatedly Stop playback as soon as the pad is released Play the file once completely even if the pad is released Set global quantization The unit can be set to correct timing errors when playing the pads or inputting sequence data in real time so that sounds are aligned with bars and beats Move the curs
144. the recorder is operating Press the STOP key to stop the recorder and then conduct the operation Problems during recording Cannot record on a track e Make sure that you have selected and enabled a recordable track e Check whether you have run out of free space on the SD card P102 e Recording is not possible if the project is protected Either set FROTECT to GFF gt P87 or use a different project The recorded sound is distorted e Make sure that the GAIN knobs input sensitivity and recording levels are not set too high e ower the faders so that the O dB indicators of their level meters do not light e f the EQ gain of the track mixer is set extremely high the sound may be audibly distorted even if the fader is lowered Lower the EQ gain to a more suitable value e f an insert effect is applied to an input check whether the effect output level patch level setting is suitable Problems with effects Insert effect cannot be inserted e f using the 8xCOMP EQ algorithm the selection of insert points is limited P81 Insert effect is not working e Check that the insert effect icon is shown on the display If it is not shown press the EFFECT key then press the INSERT soft key and set OH OFF to Cn e Make sure that the insert effect is inserted in the desired location P81 Send return effect is not working display If it is Set eon press the EFFECT key then p
145. time disconnect the AC adapter from the AC outlet Operation using batteries Use six conventional 1 5 volt AA batteries e The R24 cannot recharge batteries Read battery labels carefully When not using the unit for an extended period of time remove the batteries from the unit If a battery leak should occur wipe the battery compartment and the battery terminals carefully to remove all battery residue Always close the battery compartment cover when using the unit About grounding Depending on the placement conditions of the unit a slight electrical charge might be felt when touching a metal part of the R24 If you wish to avoid this ground wang the unit by connecting an external ground to a screw on the rear panel To avoid danger from electricity never connect it to any of the following for grounding e Water pipes risk of electric shock e Gas pipes risk of explosion e Telephone wiring grounds or lightning arrestors danger during lightning strikes Operating environment Avoid using the R24 where it might be exposed to the following conditions that could cause it to malfunction e Extremely high or low temperatures e Very high humidity or splashing water Excessive dust or sand Excessive vibrations Warning Caution Handling Never put vases or other items filled with liquids on the R24 as they could cause electric shock The R24 is a precision instrument Do not put unneces sary pressure on
146. tric guitar or bass use INPUT 1 which can handle high impedance and turn the Hi Z switch ON G9 Built in microphones Use these microphones to record drums indirectly or record a band Turn the MIC switch ON to input the sounds to INPUTS 7 and 8 Right side panel Q Connecting a computer by USB When connected to a computer you can send audio files and projects directly to and from the R24 You can also use the R24 as an audio interface and a control surface for DAW soft ware SD card installation The R24 saves recording data and settings on SD cards To protect your data turn the power off before inserting or ejecting a card An SD card is necessary for recording Turn the power OFF beforehand ordinary use Turn the POWER OFF and detach the cover of the SD card slot VIA POWER DO oN OFF ut 2 Insert an SD card that is not write protected into the slot completely To eject push the card in first Unlock the write protection Preventing unwanted removal of an SD card Remove the screw near the slot and screw it into the hole in the SD card cover NOTE e f you want to change the SD card while the power is ON follow special procedures see P101 e When inserting or removing an SD card always turn the power OFF If you do so when the power is ON recording data might be lost e f you cannot insert a
147. u change the algorithm to amp xC MP EG the insertion point will be changed to Inruti S Tracki 8 T S ie Tracki T 24 depending on the previously selected setting To insert on a single mono track output select TRHCEi1 TEACK2S4 To insert on two mono tracks or a stereo track select TEHCEK 1 2 amp To insert before the MASTER fader select MASTER Select IHPLIT SRC ON OFF On i Change menu v EDIT kr bua HE Gs NNI Select the input source INSERT EFFECT 5 Select input source HE ETT Eo RW Track23 24 mono tracks Master Before MASTER fader pute EECHER HINT Changing the insertion point of the effect By default the insert effect is inserted on INPUT 1 at Step 4 Setting the insert effect position Inserting the insert effect on 2 mono inputs Dual Mic algorithm Odd numbered INSERT Oda INPUT EFFECT numbered OF KR Track Track Even numbered INSERT Even INPUT EFFECT numbered or R Track Track Inserting the insert effect on a stereo input Stereo Mastering algorithms Odd numbered Odd INPUT numbered or Track or Track Master Track M L L mid INSERT even EFFECT numbered Even INPUT numbered or Track or Track Master Track or Master R R Inserting the insert effect on 8 inputs 8xComp EQ algorithm INPUT 1 INSERT or EFFECT Track1 9 Track1 9 INPUT2 INSERT or EFFECT Track 2 10 Track2 10 2 INPUT2 INSERT
148. ult value Previous recordings saved and new Always New recordings always made NOTE See Bounce destination track settings for use of the BOUMCE TRE item Ref P43 Adjusting the display You can adjust the backlight and contrast of the display Turning the backlight ON OFF TOOL gt SYSTEM gt LIGHT 3 4 TOOL L Press Select S 3TEH TOOL METRONOME TUNER SD CARD PRESE SEH eee EES Press Select LIGH SYSTEM DATETIME p VERSION F SYNC REC Master RES Sg SES PS Set the value SYSTEM a CONTRAST 8 DATETIME d VERSION k SYNC REC Master Change menu A v Change menu v value On Backlight lit default value Off Backlight unlit Backlight darkens if the unit is not used for 15 seconds Backlight darkens if the unit is not used for 30 seconds HINT Turn the backlight off to conserve batteries Adjusting the contrast TOOL gt SYSTEM gt CONTRAST 3 4 TOOL L Press Select Sv S TEH TOOL METRONOME TUNER Sb CARD Tapes egent H EES Press Select CONTRAST SYSTEM DATETIME VERSION SYNC REC Master Sea EN PEZES EXE Set the value SYSTEM 4 SYNC REC Master Default value ejdsip ou Bunsn py i Change menu A v Change menu v value 100 UO SI JOMOd au au Ped qs eui Buibueu5 g 101 SD cards Changing the SD card while the power is on
149. uring a band performance for example you can increase the number of tracks by connecting two R24s units by USB Make sender settings Make receiver settings Set the R24 to use for key control as the master Set the R24 that will receive commands as the slave Select SYSTEM 2 Select SYSTEM TOOL TOOL Change menu A v Change menu A v 3 Select SHC REC and set it to Haster 3 Select SHC REC and set it to Slave SYSTEM Change menu SYSTEM Change menu LIGHT CONTRAST DATE TIME LIGHT v CONTRAST E DATE TIME v Master Slave Off Master Slave post USB DEVICE e3 3i d Connect the two R24 units by USB cable Plug a USB 2 0 AB type cable into the ports that have lit indicators OOOOOOOOO OOOOOOOOO H HINT ee 31 es 31 bhodanodd are Dit e Command keys that affect both units REC FF REC key gt FF key PLAY REW gt PLAY key REW key STOP STOP key 37 NOTE Perfect synchronization of the starting time of recording of two units is not guaranteed A gap of approximately 1 2 ms will occur Connection with an R16 is also possible When connecting to an R16 always set the R24 as the Masher Pre count is disabled when using synchronized recording When an R24 is set to Slawe operation using bus power is not guaranteed Use an AC adapter or batteries 38 sso2oJd Duixiui pzH 39 R24 mixing process
150. using the previous settings A v Change setting Change menu Continue 44 kHz k v Change menu Change menu v e Change setting Change menu HINT You can change the name of the new project in step 3 VS Ref Creating a new project Fon Recording preparations Connecting instruments Making mono settings Make settings for instruments such as high impedance guitars line input synths the built in mics and mics that use phantom power as well as for stereo and mono input sources Connecting passive type guitars Connect the high impedance instrument to INPUT 1 and the turn the Hi Z switch ON Signal to INPUT 1 Connecting low impedance instru ments mono connections Connect low impedance instruments to any INPUT 1 8 INPUT1 8 Signals to any INPUT 1 8 Using phantom power INPUT3 8 PHANTOM Supply phantom power to the connected mic NOTE e Turn the PHANTOM switch ON to provide 48 V power to INPUTS 3 8 e n order to reduce battery consumption by the use of phantom power it can be turned off to INPUTS 3 4 7 and 8 and the voltage can be reduce to 24 V Ref P104 e Use the fader that is in line with the INPUT jack The signal from INPUT 1 goes to track 1 9 or 17 e To use tracks 9 16 or 17 24 press the 9 16Tr or 17 24Tr key to switch the fader assignment e Depending on the insert effect selection t
151. ut level Make LINE MIC noise L Should light briefly when the volume reaches maximum A Adjust the recording level If an insert effect is applied to an INPUT adjust the patch level for example so that the red indicator OdB on the level meter does not light Adjust the monitoring system Use the fader for the recording track to adjust the monitoring level of the instrument being recorded INPUT 1 is track 1 9 or 17 NOTE Red lights on PEAK indicators and level meters A PEAK indicator turns red when the signal exceeds the maximum detectable level of O dB resulting in input clipping The red indicator on a level meter means that the signal being recorded signal after passing through the insert effect is clipping If clip ping happens the recorded sound will be distorted You should reduce the recording level Recording the first track 6 Start recording standby REC REC 7 Start recording PLAY REC PLAY gt Press ted p Litgreen IRSCH 31 11 0 00 12 685 Counter starts 8871 82 17 88 128 8 474 Bar EBEN UU SWAP TRKSED Stop recording STOP Cs ve LEGS 31 1 0 01 13 042 83T 83 B4 mmg 128 8 4 4 IBar UNDO EIS N SWAP irl STOP l PLAY REC J Lit green gt CO Unlit The counter stops moving but does not return to O HINT e Press the UDO soft key to cancel the operation Recording again e f you record again on the
152. wer settings 104 USB Connecting with acomputer 105 Card reader 106 Using USB memory to save and mporn data 43 25 a8 EE 107 Audio interface control surface 110 Rhythm patternlist 113 Effect types and parameters 115 Effect patch list 126 Error message list 132 Specifications 133 Troubleshooting 134 Upgrading the firmware 135 Index ee a a a 137 U9 U04 Bi MO J uone4edo pzH d R24 operation flow Multitrack recorder 24 audio tracks Recording preparations Recording Make various settings for the built in microphones connected musical Effects P77 instruments and other input sources signals and tracks Use the tuner and the metronome to prepare for a new project or a live performance Project creation P17 Insert effects P79 Prepare a project to save recordings 1 After input jacks e NEW PROJECT Instrument connection settings P18 19 Track recording P23 Record the input signals from connected input sources to tracks This recorder can handle various iudi instruments Undo the previous recording if the Built in mies P19 results were unsatisfactory Hi Z P18 e PHANTOM power P18 UNDO REDO P16 e Stereo link P20 Playback P31 Performance tool
153. x ERES i PS Press NOTE You can only playback and record to the project that is currently loaded You cannot use multiple projects at the same time HINT When the R24 power is turned ON the project load ed the last time the unit was used will be loaded automatically Select a file PROJECT gt FILE PROJECT DW Press Select FILE PROJECT Change menu COPY DELETE RENAME PROTECT Dff Press 3 Select the file FILE SELECT HN O Bad WAL v rw aa FN WM WAU WH op WAL MOHO 0A3 WAU HONO B84 WAL M Select file NENNEN Press Asterisks appear to the left of names of files that are already assigned to tracks You can use the following keys if you want to listen to a file for confirmation PLAY Press the PLAY key to start playback STOP Press the STOP key to stop playback Project and file information You can display information about the currently loaded project file names creation dates sizes recording times and other information Project information File information PROJECT gt INFO PROJECT gt FILE gt INFO Follow these procedures after opening the project which has the information that you want to see PROJECT DW Dress 2 Select IMFO PROJECT Change menu HEN bi A SELECT k v COPY F DELETE kr s Press 3 Check the information PROJECT INFO Scroll NAME PRIGGG A DRTE 24148 v 81 81 SIZE 351118 GER TIME HA
154. y singing 3 a QO Creates a story like character Similar to AG Vo 1 but vocal character different 5 AG Vo3 Aggressively modifies vocal character L ns guitar Vocal 6 ShorDLY_ Short delay sound with eteowedoung moomo O 7 FatDrum For drum recording with single point stereo mic Microphones 8 BothTone Condenser mic sound for men on L channel and women on R channel Voca 9 Condnser Simulates condenser mic sound with dynamic mic input Voca 10 DuoAtack Chorus for lead vocals with emphasized attack Voca 11 Warmth Warm sound with prominent midrange Voca 12 AM Radio Simulates AM mono radio Voca 13 Pavilion For narration that captures sound of demonstration at an exposition booth Voca 14 TV News TV newscaster sound Voca 15 F Vo Pf1 For female vocal piano ballads Vocal Piano 16 JazzDuoi Simulates jazz session LP with slightly lo fi sound Vocal Piano All around sound with distinct variation Vocal Piano 18 JazzDuo2 JazzDuo 1 for male vocals Vocal Piano 19 Ensemble For balance of guitar with strong attack and mellow piano Acoustic guitar Piano 20 Enhanced Emphasizes sound characteristics optimal for ballads Acoustic guitar Voca 21 Wamy Moderates overbright ambience Acoustic guitar Voca 22 Strum Vo Smooth fat sound with midrange enhancement Acoustic guitar Voca 23 FatPlus Augments weak midrange Acoustic guitar Voca 24 AmsVo Overall solid sound
155. y type TOOL gt SYSTEM gt BATTERY Checking the system version TOOL gt SYSTEM gt VERSION TOOL L Press 2 Select S 3TEHM TOOL Change menu METRONOME b A TUNER k v SC CARD k Sep Eee ees ERE Press 3 Select VERS IOH SYSTEM Change menu LIGHT A CONTRAST v DATETIME SYNC REC Master 0 ee p Press A Check the information SOFTWARE VERSION SYSTEM 1 08 SUB SYS J R BOOT 1 08 BEE etn nen emi HINT Check for the latest system software at the ZOOM website http www zoom co jp 103 3 4 TOOL L Press Select S STEM TOOL Change menu METRONOME b A TUNER b v SD CARD k HE EE Dsg NGA Press Select BATTERY SYSTEM Change menu CONTRAST A DATE TIME k v VERSION i SYNC REC Master T NENNEN ee ee Set the battery type CONTRAST E DATETIME b VERSION b SYNC REC Master 7 eS sg SEH ES Alkaline Alkaline batteries default value NiMH Nickel metal hydride batteries Change type NOTE Use only alkaline or nickel metal hydride batteries Phantom power settings Set the PHANTOM switch to ON to supply phantom power to INPUTS 3 8 To conserve batteries you can turn it off for input pairs 3 4 and 7 8 and reduce the voltage to 24 V Setting phantom power TOOL gt SYSTEM gt PHANTOM TOOL L Press 2 Select Z3 TEH TOOL Change menu METRONOME b A TUNER v SD CARD b NE pe ee uem
156. yback When the punch in point is passed the track is automatically muted Perform not recording When the punch out point is passed the track is automatically unmuted STOP 2 Press to stop unit playback Re recording punch in punch out 8 Locate to before the punch in point REC PLAY 9 E Press REC and PLAY in order to start recording PLAY REC p Lit Blinks Not recording Pass the punch in point PLAY REC Perform p Recording Pass the punch out point PLAY REC _ p gt Lt Blinks Not recording STOP 0 5 Press to stop recorder PLAY REC gt O Unlit Cancel punch in out 1 res Indicators disappear from display Punch out point Punch in point PLAY REC gt He recorded part Manual punch in punch out You can also punch in and out manually Press the REC key during playback to start re recording from that point Prepare the track that you want to punch in punch out Raise the fader on the track you want to re record 2 9 PLAY MUTE REC When red recording is possible 3 O GAIN LINE MIC Press 1 2 times until lit red Adjust the recording level and the GAIN to be the same as the already recorded part REC REC g g PLAY REC Start gt Stop gt Play Rec dl Play PLAY STOP Re recorded part Re recording punch in punch out PLAY 5 Press to start je Lit playback Locate to before the
157. you can delete audio data that is outside bounds that you set to change the starting and stopping points of the file This operation overwrites the original audio file TRACK DW Press 2 Select the track that you want to trim TRACK1 Select track lt gt Change menu A v Change menu A v 5 Set the starting point iE MONO 864 WAY Locate 1 J jJ lt gt 8861 84 88 bud START ENG RUN EN setting 6 Press L beneath BIN to set the ending position iE MONO 884 WAY Locate i d J 4 lt gt Change setting 63 7 Press L beneath EMEC Select YES TRIM DATA Move cursor Are You Sure A YES v NO Press NOTE e The TRIM operation cannot be undone UNC e The TRIM operation overwrites the original file If you want to save the original files make a copy of the project and files in advance Ref P93 e f a rhythm pattern is assigned to a track the rhythm pattern screen opens after Step 3 HINT e The trim starting and ending points can be adjusted alternately by using the STET and EHE soft keys e Use the 00 soft key to view the waveform more closely e You can also play the audio file while setting its starting and ending points STOP Setting fade ins and fade outs When playing normal audio files short fade ins and fade outs are applied to their beginnings and ends You can turn these off however for rhythm tracks and other sounds
158. ys on the R24 to control trans port and mixer operations in your DAW software Install DAW software Install driver ZOOM R16 R24 audio driver Connect R24 to computer AUDIO INTERFACE DAW software settings Device settings ZOOM R16 R24 audio driver Control surface settings Mackie Control Connecting an R24 to a computer for the first time Install the ZOOM R16 R24 Audio Driver on the computer gt Ref Cubase LE5 Startup Guide Connect the R24 to the computer C Set and connect the R24 See Connecting and setting the R24 on the next page Make DAW software settings Device settings C Control surface settings NOTE e To use the R24 as an audio interface for DAW software for example Cubase LE 5 it is neces sary to install the ZOOM R16 R24 Audio Driver Install it correctly according to the directions given in the included installation guide Download the latest R24 audio driver from the ZOOM website http www zoom co jp 110 ooejns o41u02 o2eJJ9 uI oipny i eoepns Joguoo eoepejut oipny YUN eui YIM pepnpour WOY Q9 94 uo 4Gd enuen eoepelu oipny eui oi 19431 4ejnduuoo e LW esn 1noqe s rejep J04 cl Ke eee and setting the R24 Follow these coe eee after the first time NO 3 A 5 USB fe Dress Select AUDIO Let USB Change menu READER F STORAGE p Y E E Sea Es EES Select whether or not to use the

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