Kodak 5219 User's Manual
Contents
1. 0 6 0 4 DIFFUSE SPECTRAL DENSITY o 0 2 0 0 0 2 400 450 500 550 600 650 700 750 800 TZEE WAVELENGTH nm These curves depict the spectral absorptions of the dyes formed when the film is processed They are useful for adjusting or optimizing any device that scans or prints the film Note Cyan Magenta and Yellow Dye Curves are peak normalized 4 KODAK VISION3 500T Color Negative Film 5219 7219 SO 219 e H 1 5219t SIZES AVAILABLE Standard Products Available Identification No thee ecb Core Description Perforations 65 mm SP332 305 1000 P Emulsion In KS 4740 KS 1866 35 mm SP417 30 100 S 83 100 ft spool BH 4740 BH 1866 35 mm SP718 61 200 U BH 4740 BH 1866 35 mm SP718 122 400 U BH 4740 BH 1866 35 mm SP718 305 1000 U BH 4740 BH 1866 16 mm SP449 30 100 R 90 100 ft spool 2R 7605 2R 2994 16 mm SP451 122 400 T 2R 7605 2R 2994 16 mm SP578 122 400 S 153 400 ft spool 2R 7605 2R 2994 16 mm SP445 61 200 A Winding A 1R 7620 1R 3000 16 mm SP455 30 100 R 90 100 ft spool Winding B 1R 7605 1R 2994 16 mm SP457 122 400 T Winding B 1R 7605 1R 2994 16 mm SP458 244 800 Z Winding B 1R 7605 1R 2994 16 mm SP462N 15 50 R 236 50 ft spool 2R 7605 2R 3000 S8 mm SP464 15 50 Super 8 cartridge for AATON A MINIMA Cameras MORE INFORMATION Outside the United States and Canada please contact your Kodak repre2. Blue Grain Green Grain Red Grain 0 10 gt 5 0 05 2 0 04 2 a 0 03 5 0 02 gt I 0 01 5 lt 0 006 2 0 005 Q 0 004 0 003 gt 0 002 0 0 001 0 0 1 0 2 0 3 0 4 0 5 0 TI2647C LOG RELATIVE EXPOSURE To find the rms Granularity value for a given density find the density on the left vertical scale and follow horizontally to the characteristic curve and then go vertically up or down to the granularity curve At that point follow horizontally to the Granularity Sigma D scale on the right Read the number and multiply by 1000 for the rms value Note This curve represents granularity based on modified measuring techniques 4 4 Sensitometric and Diffuse RMS Granularity curves are produced on different equipment A slight variation in curve shape may be noticed Spectral Sensitivity Curves Cyan Forming Layer LOG SENSITIVITY Effective Exposure 1 25 sec Process ECN 2 Densitometry Status M Densitry 0 2 gt D min 250 300 350 400 450 500 550 600 650 700 750 WAVELENGTH nm Sensitivity reciprocal of exposure erg cm required TI2647D to produce specified density These curves depict the sensitivity of this film to the spectrum of light They are useful for determining modifying and optimizing exposure for blue and green screen special effects work Spectral Dye Density Curves Process ECN 2 D mins subtracted Midscale Neutral Cyan Magenta Yellow
3. Kodak Rio de Janeiro Fax 55 12 3932 6721 www kodak com go latinmotion VENEZUELA Kodak Venezuela S A Av Francisco deMiranda Centro Lido Torre B Piso 7 Of 71A y 72B El Rosal Caracas Venezuela Tel 58 212 955 2081 Fax 58 212 955 2009 www kodak com go latinmotion PERU Kodak Am ricas Ltd Avenida Larco 1301 Piso 14 Miraflores Lima Peru Tel 51 1 610 8700 Fax 51 1 610 8801 www kodak com go latinmotion ARGENTINA El Business Center Bonpland 1930 32 CP 1414 Buenos Aires Argentina Tel 54 11 4778 7009 54 911 5932 9503 Fax 54 11 4773 6105 www kodak com go latinmotion CHILE Kodak Chilena S A F Edificio Torre Oriente Av Alonso de C rdoba 5151 Piso 14 Comuna Las Condes Santiago Chile Tel 56 99 220 5609 www kodak com go latinmotion ASIA PACIFIC REGION AUSTRALIA Melbourne Kodak Australasia Pty Ltd 181 Victoria Parade Collingwood Victoria 3066 Australia Tel 613 8417 8520 Fax 613 8417 8011 E mail mpfilmoz kodak com www kodak com au go motion Sydney Level 4 68 72 Waterloo Road North Ryde NSW2113 Australia Tel 61 2 9870 4378 Fax 61 2 9870 4292 CHINA Peoples Republic Kodak China Limited Beijing Liaison Office 9th Floor Beijing Kerry Centre 1 Guanghua Road Chaoyang District Beijing 100020 China Tel 8610 6561 6561 Fax 8610 6561 2199 Shanghai Liaison Office Building 8 Jingiao Office Park No 27 Xin Oiao Road Pudong Shanghai 201
4. ultraviolet lamps for safety information on ultraviolet radiation and ozone generation 1 With a KODAK WRATTEN Gelatin Filter No 85 DARKROOM RECOMMENDATIONS Do not use a safelight Handle unprocessed film in total darkness EXPOSURE TABLE TUNGSTEN LIGHT At 24 frames per second fps 170 degree shutter opening Lens Aperture f 1 4 f 2 f 2 8 f 4 f 5 6 M8 f 11 f 16 Footcandles 5 10 20 40 80 160 320 640 Required Use this table for average subjects that contain a combination of light medium and dark colors When a subject includes only pastels use at least 1 2 stop less exposure dark colors require 1 2 stop more exposure Lighting Contrast The recommended ratio of key light plus fill light to fill light is 2 1 or 3 1 However you may use 4 1 or greater when a particular look is desired RECIPROCITY CHARACTERISTICS You do not need to make any filter corrections or exposure adjustments for exposure times from 1 1000 of a second to 1 second In the 10 second range increase exposure 1 stop and use a KODAK Color Compensating Filter CC 10R PROCESSING Process in Process ECN 2 Most commercial motion picture laboratories provide a processing service for these films See KODAK Publication No H 24 07 Processing KODAK Color Negative Motion Picture Films Module 7 available online at http www kodak com US plugins acrobat en motion support p
5. 206 China Tel 86215884 1000 Fax 8621 58841666 Guangzhou Liaison Office 10F Office Tower China Hotel by Marriott Liu Hua Road GuangZhou 510015 Tel 8620 8666 9888 Fax 8620 8667 2230 www kodak cn go motion China HONG KONG Kodak Hong Kong Ltd 13 F Cityplaza Four 12 Taikoo Wan Road Taikoo Shing Hong Kong Tel 852 2564 9352 Fax 852 2564 9830 www kodak com hk go motion INDIA Kodak India Private Limited 3rd Floor Kalpataru Synergy Off Western Express Highway Vakola Santacruz East Mumbai 400 055 India Tel 91 22 6641 6762 Fax 91 22 6641 6769 www kodak co in go motion INDONESIA PT Interdelta Tbk Kodak Motion Picture Authorized Distributor in Indonesia Tel 6221 652 333 ext 250 Mobile 6281 896 6655 Email motionpicture intedelta co id JAPAN Kodak Japan Ltd Tokyo Sumitomo Twin Building East 27 1 Shinkawa 2 chome Chuo ku Tokyo 104 0033 Japan Tel 813 5540 2280 Fax 813 5540 2281 e mail motionjp kodak com www kodak co jp go motion Kodak Kodak Eastman Keykode Vision and Wratten are trademarks KOREA Kodak Korea Ltd 7th Floor Yakult Building 28 10 Jamwon dong Seocho gu Seoul 137 904 Korea Tel 822 3438 2620 Fax 822 3438 2663 2664 wwwkr kodak com go motion MALAYSIA 5th Floor Block A Peremba Square Saujana Resort Sec U2 40150 Shah Alam Selangor Malaysia Tel 603 7680 3338 Fax 603 7680 3333 NEW ZEALAND Kodak New Zealand Ltd Suite 4B 12
6. 5 The Strand Parnell 1010 Auckland New Zealand Tel 64 9 3028665 Fax 649 302 8639 www kodak co nz go motion PAKISTAN Kodak Ltd Pakistan Branch 5th Floor Bahria Complex 2 M t Khan Road Karachi Pakistan Tel 92 215610150 amp 5611402 Fax 92 215610776 PHILIPPINES Kodak Philippines Ltd 2247 Chino Roces Avenue Makati City Philippines 1231 Tel 632 810 0331 trunkline or 632 813 7916 direct line Fax 632 840 1956 SINGAPORE Kodak Singapore Pte Ltd 151 Lorong Chuan Lobby A 05 01 New Tech Park Singapore 556741 Tel 65 6371 3388 Fax 65 6371 3377 TAIWAN Kodak Taiwan Limited Shin Kong Life Neihu Technology Building 3F 1 No 301 Sec 2 Tiding Blvd Neihu District Taipei 11493 Taiwan R O C Tel 886 2 8751 8282 www kodak com tw go motion THAILAND Kodak Thailand Ltd Floors 6 8th Kasemsap Bldg 89 1 Moo 14 Vibhavadee rangsit Rd Chatuchak Bangkok 10900 Thailand Tel 66 2 515 8092 New 11 07 Printed in U S A
7. KODAK VISION3 500T Color Negative Film 5219 7219 SO 219 TECHNICAL DATA COLOR NEGATIVE FILM The firstin a new family of films VISION3 500T Film gives you more control and flexibility at every phase of the filmmaking process from capture through post in both digital and traditional workflows VISION3 500T Film retains the overall look and image structure of KODAK VISION2 Films then adds technical innovations that provide improved exposure latitude at both ends of the curve Proprietary advanced Dye Layering Technology DLT gives you noticeably reduced grain in shadows so you can shoot at higher speeds with less light in darker corners and know you can capture an amazing amount of shadow detail with noticeably lower grain VISION3 500T Film also features extended highlight latitude so you can follow the action into bright light in a single shot without worrying about blown out details When the film is scanned and digitized you ll find you can recover two stops of highlight detail This technology is enabled by the use of sub micron imaging sensors VISION3 500T Film fits seamlessly into your digital workflow And when scanning low light scenes VISION3 500T Film yields higher signal to noise ratios for unprecedented image guality BASE KODAK VISION3 500T Color Negative Films 5219 and 7219 have an acetate safety base with rem jet backing KODAK VISION3 500T Color Negative Film SO 219 has an ESTAR Safety Base wit
8. gs made from a gray card of 18 percent reflectance held close to and in front of the subject For unusually light or dark colored subjects decrease or increase the exposure indicated by the meter accordingly COLOR BALANCE These films are balanced for exposure with tungsten illumination 3200K You can also expose them with tungsten lamps that have slightly higher or lower color temperatures 150K without correction filters since final color balancing can be done in printing For other light sources use the correction filters in the table below Light Source KODAK Filters Exposure on Camera Index Tungsten 3000 K WRATTEN Gelatin No 320 82B Tungsten 3200 K None 500 Tungsten photoflood 3400 K None 200 Daylight 5500 K WRATTEN Gelatin No 85 320 White Flame Arcs WRATTEN Gelatin No 200 85B Yellow Flame Arcs Color Compensating 20Y 320 OPTIMA 32 None 500 VITALITE WRATTEN Gelatin No 85 320 Fluorescent Cool WRATTEN Gelatin No 85 200 White 10M Fluorescent Deluxe WRATTEN Gelatin No 320 Cool White t 85C 10R Metal Halide WRATTEN Gelatin No 85 320 These are approximate corrections only Make final corrections during printing t These are starting point recommendations for trial exposures If the kind of lamp is unknown a KODAK Color Compensating Filter CC 40R can be used with an exposure index El of 250 Note Consult the manufacturer of high intensity
9. h rem jet backing STORAGE Store unexposed film at 13 C 55 F or lower For extended storage store at 18 C O F or lower Process exposed film promptly Store processed film according to the recommendations in ANSI PIMA IT9 11 1998 for medium term storage minimum of ten years store at 10 C 50 F or lower at a relative humidity of 20 to 30 percent for extended term storage for preservation of material having permanent value store at 2 C 35 F or lower at a relative humidity of 20 to 30 percent For active use store at 25 C 77 F or lower at a relative humidity of 50 5 percent This relates to optimized film handling rather than preservation static dust attraction and curl related problems are generally minimized at the higher relative humidity After usage the film should be returned to the appropriate medium or long term storage conditions as soon as possible For more information about medium and long term storage see ANSI PIMA IT9 11 1998 SMPTE RP131 2002 and KODAK Publications No H 1 KODAK Motion Picture Film and No H 23 The Book of Film Care Eastman Kodak Company 2007 Kodak November 2007 H 1 5219t EXPOSURE INDEXES Tungsten 3200K 500 Daylight 320 Use these indexes with incident or reflected light exposure meters and cameras marked for ISO or ASA speeds or exposure indexes These indexes apply for meter readings of average subjects made from the camera position or for readin
10. ication No H 1 KODAK Motion Picture Film available online at http www kodak com US en motion support h1 Modulation Transfer Function The perceived sharpness of any film depends on various components of the motion picture production system The camera and projector lenses and film printers among other factors all play a role But the specific sharpness of a film can bemeasured and is charted in the Modulation Transfer Function Curve rms Granularity Refer to curve Read with a microdensitometer red green blue using a 48 micrometer aperture The perception of the graininess of any film is highly dependent on scene content complexity color and density Other factors such as film age processing exposure conditions and telecine transfer may also have significant effects CURVES Sensitometric Curves LOG EXPOSURE lux seconds 4 0 3 0 2 0 1 0 0 0 1 0 Exposure 3200K Tungsten 1 50 sec Process ECN 2 Densitometry ECN 2 Density 0 0 8 7 6 5 4 3 2 10 123 4 5 6 7 8 TI2647F Camera Stops The curves describe this film s response to red green and blue light Sensitometric curves determine the change in density on the film for a given change in log exposure 4 Note The exposure scale for VISION3 5219 7219 Film is longer than previous VISION and VISON2 Films Because of the extended highlight latitude of and because we need to measure in this region we expanded the exposure scale from a zero to fo
11. ntario Canada M9R OA1 Tel 416 761 4646 Orders 1 800 621 FILM Fax 416 760 4592 Toll Free Fax 1 866 211 6311 Kodak Canada Inc 4 Place du Commerce Suite 100 lle des Soeurs Verdun Quebec Canada H3E 4 Orders 1 800 621 FILM Fax 1 866 211 6311 Kodak Canada Inc 3700 Gilmore Way Burnaby BC Canada V5G 4M1 Orders 1 800 621 FILM Fax 1 866 211 6311 EUROPEAN AFRICAN AND MIDDLE EASTERN REGION Kodak Business Centre Hemel One Boundary Way Hemel Hempstead HP2 7YU England UK Tel 44 1442 846945 Fax 44 1442 846 594 Eastman Kodak SARL 29 31 Route de L Aeroport Le Grand Saconnex Case Postale 271 1215 Geneva 15 Switzerland Tel 41 22 747 2000 Fax 41 22 747 2200 LATIN AMERICA REGION 1900 NW 97 Ave Miami Florida 33172 USA Tel 305 378 0566 305 229 0422 Fax 305 378 0495 305 229 5075 www kodak com go latinmotion KODAK VISION3 500T Color Negative Film 5219 7219 SO 219 KODAK Publication No H 1 5219t Kodak Locations MEXICO Kodak Mexicana S A de CM Blvd Adolfo Ruiz Cortinez 3642 Piso 14 Col Jardines del Pedregal Del Alvaro Obregon CP 01900 M xico D F Mexico Tel 01 55 10517 30 Fax 01 55 10517 07 www kodak com go latinmotion BRAZIL KODAK BRASILEIRACOM PROD PARA IMAGEME SERVICOS LTDA Rodovia Presidente Dutra Km154 7 Sao Jos dos Campos SP CEP 12240 427 Brazil Tel 0800 015 0002 Tel 55 11 2132 6003 Kodak Sao Paulo Tel 55 21 8151 9923
12. otion support lad jhtml FILM TO TAPE TRANSFERS When you transfer the film directly to tape you can set up the telecine using KODAK Telecine Analysis Film TAF 2 Direct any inguiries to one of the regional sales offices 3 Use of the LAD Control Method is described in the paper A Simplified Motion Picture Laboratory Control Method for Improved Color Duplication by John P Pytlak and Alfred W Fleischer in the October 1976 SMPTE Journal 2 KODAK VISION3 500T Color Negative Film 5219 7219 SO 219 e H 1 5219t supplied by Eastman Kodak Company The TAF consists of a neutral density scale and an eight bar color test pattern with a LAD gray surround The TAF gray scale provides the telecine operator colorist with an effective way to adjust subcarrier balance and to center the telecine controls before timing and transferring a film The TAF color bars provide the utility of electronic color bars even though they do not precisely match the electronically generated color bars Using the TAF will help obtain optimum guality and consistency in the film to tape transfer For more information regarding TAF see KODAK Publication No H 9 TAF User s Guide IMAGE STRUCTURE The modulation transfer and diffuse rms granularity curves were generated from samples of 5219 Film exposed with tungsten light and processed as recommended in Process ECN 2 chemicals For more information on image structure characteristics see KODAK Publ
13. rocessing h247 h2407 pdf for more information on the solution formulas and the procedure for machine processing these films There are also pre packaged kits available for preparing the processing solutions For more information on the KODAK ECN 2 Kit Chemicals check Kodak s Motion Picture Films for Professional Use price catalog IDENTIFICATION After processing the product code numbers 5219 35 mm 7219 16 mm or SO 219 16 35 and 65 mm edgeprint shows 0219 emulsion roll and strip number identification KEY KODE Numbers and manufacturer film identification code EJ are visible along the length of the film LABORATORY AIM DENSITIES LAD To maintain optimum quality and consistency in the final prints the laboratory must carefully control the color timing printing and duplicating procedures To aid in color timing and curve placement negative originals should be timed relative to Laboratory Aim Density LAD Control Film supplied by Eastman Kodak Company 2 The LAD Control Film provides both objective sensitometric control and subjective verification of the duplicating procedures used by the laboratory In the LAD Control Method 3 the electronic color analyzer used for color timing is set up with the LAD Control Film to produce a gray video display of the LAD patch corresponding to 1 0 neutral density gray on the print The negative printing original is then scene to scene timed There are specific LAD values for each
14. sentative You can also visit our web site at www kodak com go motion for further information You may want to bookmark our location so you can find us easily the next time Films Film for the Cinematographer ODAK Publication No H 5 KODAK Motion Picture Film ODAK Publication No H 1 Image Structure Storage KODAK Motion Picture Film ODAK Publication No H 1 The Book of Film Care ODAK Publication No H 23 Processing Manual for Processing KODAK Motion Picture Films Process ECN 2 Specifications Module 7 ODAK Publication No H 24 07 LAD LAD Laboratory Aim Density ODAK Publication No H 61 KODAK Telecine Analysis Film User s Guide ODAK Publication No H 822 Transfer KODAK Telecine Exposure Calibration Film User s Guide ODAK Publication No H 807 KODAK VISION3 500T Color Negative Film 5219 7219 SO 219 e H 1 5219t KODAK VISIONS 500T Color Negative Film 5219 7219 SO 219 FOR DIRECT ORDERING IN THE UNITED STATES AND CANADA 1 800 621 FILM KODAK SHOOTSAVER Film Delivery Service U S only 1 800 404 2016 NORTH AMERICA REGION UNITED STATES Hollywood California 6700 Santa Monica Boulevard Los Angeles California 90038 1203 Tel 323 464 6131 Orders 1 800 621 FILM New York New York 360 West 31st Street New York New York 10001 2727 Tel 212 631 3400 Orders 1 800 621 FILM CANADA Kodak Canada Inc 6 Monogram Place 2nd Floor Toronto O
15. type of print or duplicating film that the original can be printed on For print films the LAD patch is printed to a neutral gray of 1 0 visual density For duplicating films the specified aims are at the center of the usable straight line portion of the sensitometric curve of the film Due to normal variations in exposure and processing of color negative films particular scenes may not print exactly at the same printer lights as the LAD Control Film The LAD Control Film is intended as a set up tool for electronic color analyzers and printers It is NOT a reference that every scene must match Normal film to film and scene to scene exposure variability is accommodated by the color timing grading process on an electronic color analyzer set up with the LAD Control Film Normally exposed and processed color negatives will typically print well within the range of an additive printer setup with the LAD Control Film although SIGNIFICANT or UNEXPECTED departures from this center point balance may indicate an exposure filtration problem with the cinematography or with the process control Some specialized films and or specialized negative processing techniques push processing pull processing skip bleach processing etc may require more extreme adjustment from the LAD printing condition to attain desired results More information is contained in KODAK Publication H 61 Laboratory Aim Density available online at http www kodak com US en m
16. ur increment to a zero to five scale In addition to the longer exposure scale we are plotting twenty one steps instead of twenty NOTICE The sensitometric curves and data in this publication represent product tested under the conditions of exposure and processing specified They are representative of production coatings and therefore do not apply directly to a particular box or roll of photographic material They do not represent standards or specifications that must be met by Eastman Kodak Company The company reserves the right to change and improve KODAK VISION3 500T Color Negative Film 5219 7219 SO 219 e H 1 5219t 3 Modulation Transfer Function Curves 200 100 H 70 H 50 M R 30 amp 20 G H B Z S 10 8 k o 5 3 I Exposure 3200K Tungsten Process ECN 2 2 Densitometry Status M 1 LL i LIII lai 1 2 345 10 20 50 100 200 600 TI2647B SPATIAL FREQUENCY cycles mm This graph shows a measure of the visual sharpness of this film The x axis Spatial Frequency refers to the number of sine waves per millimeter that can be resolved The y axis Response corresponds to film sharpness The longer and flatter the line the more sine waves per millimeter that can be resolved with a high degree of sharpness and the sharper the film Diffuse rms Granularity Curves Process ECN 2 Blue Density Green Density Red Density
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