Apple Pro Booklet 5
Contents
1. After getting acquainted with the software s interface you ll dive into chapters on marking and editing inserting and adjust ing edits and working with clips on the timeline before nae moving on to advanced topics like creating transitions and motion effects and filter and rendering options All of Final Cut Pro s powerful new features are covered including real time place to start learning it In Apple Pro Training Series Final Cut color correction and effects advanced titling techniques and Pro master teacher delivers a comprehensive exciting new tools for working with film The accompanying course in a Oook Each chapter represents a complete lesson in DVD includes all of the lesson files and materials needed to some aspect of Final Cut Pro with a project for you to complete complete the book s projects a review section to test your knowledge and bonus exercises to reinforce the lessons Order today and SAVE up to 30 See back for details Mapping the Keyboard 9 5 To choose a similar keyboard shortcut to Import File Cmd I click the Shift Cmd modifier tab in the keyboard layout map 6 Drag the Import Folder name or icon from the function Command menu list onto the I key under the Shift Cmd tab The new keyboard shortcut appears in the Import Folder command line of the function Command menu area Project 1 Single click in the search entry area at the top of the Command list to bring up an alphabetized li2. any motion information you ve previously tracked to a new shape You should now see the fish and fish_bowl images composited as one Multilayer Node allows you Note The majority of Layering operations that expect two input images normally want the foreground for the first or left input and the background as the second or right input As with the other titles in the ries YOU can work through the book from cover to cover to get an entire course in a Cook complete with review exercises at the end of each chapter and project and lesson files on the accompany ing DVD or you can go straight to the lessons that interest you most Either way you ll find the instruction you need to confront even the most daunting compositing and effects tasks with Shake This self paced course is perfect for students or profes sionals who are serious about becoming visual effects artists to stack multiple effects elements on a single node Filmgrain node lets you add grain to professionally match fim elements Support for Adobe Photoshop images and layers DPX file format support About the Author Visual effects pro and Hollywood veteran IS the president of Digital FilmWorks in Los Angeles Over the course of his career he has worked on a long list of major Hollywood films which includes Anna and the King Men of Honor Moulin Rouge and more He has also received numerous Telly and Addy awards for his visual effects commercials music
3. well phat They all have huge lush sounds and when you need a floor shaking bass stab or an ethereal Y pad to add depth to your arrangement Logic s built in instruments often provide gt the answer 7 Project Startup Steps N Y pw 1 In the Arrange window click hold the name of any track and choose a Audio gt Audio Instrument gt AudioInst 1 Note If AudioInst 1 is currently assigned to a different track choose an unassigned audio instrument C ac Ed n Cou Inst 1 m MIDI Cha O Wal as dB f Show EQs w A Show Inserts ki Q gho engs Li V howe r 2 Q O Q lt L 2 Double click the track named AudiolInst 1 The Environment window opens with the Audio Instrument 1 channel automatically selected sampler and digital signal processors compressors reveros and so on to polish your audio creations You can work through the guide from cover to cover to get an entire course or you can go straight to the sections that interest you most The book s companion DVD includes all of the lesson files used in the book and a free trial version of Logic If you ve ever dreamed of setting up your own recording studio Apple s Logic high end audio software is the perfect place to start and this Apple certified book gives you the training you need to begin creating master audio works Whether you re looking to digitize your musical compositions Multimedia artist and veteran audio producer M itter creat
4. with this comprehensive Apple approved guide which optimized for high resolution visual effects Built for quality includes a free 30 day trial version of Shake on its companion speed and efficiency Shake has quickly become the leading DVD Using step by step project based instruction compositing choice for cutting edge visual effects in feature Hollywood effects wizard takes you through films Since its debut Shake has been used in every film that Shake s interface and features including its color correction won the Academy Award for Visual Effects Titanic What tools tracking and stabilization capabilities integrated proce Dreams May Come The Matrix Gladiator Lord Of The Rings dural paint and rotoscoping tools and more Order today and SAVE up to 30 See back for details Compositing 11 3 Highlight the fish clip and click on the Over function from the Layer tab The Over node automatically attaches itself to the fish clip Shake connects the output of the fish into the left input of the Overl node The Over function places one image over another according to the matte of the foreground image 4 Attach the fish_bowIl clip to the Over1 node To do this click on the output nub at the bottom of the fish_bowl node and drag to the right or back ground input of the Overl node and release fish f fishbowl JTN 1A FIRST LOOK New features in Shake 3 e New Tracking Rotoshape feature lets you easily attach
5. workflow with the customizable user interface SMART INTUITIVE WORKFLOW e Design menus directly in DVD Studio Pro with the integrated menu editor e Add interactivity in one step with context sensitive drop palettes to Create a new track with audio and video and link it to a button all in one step Build chapter indexes in one step Drop a set of photos on a button to create a slideshow in one step Drag a QuickTime movie to create a motion menu in one step Timeline based track editor integrates video audio and subtitle streams PROFESSIONAL FEATURESET e Professional MPEG 2 encoding with l pass CBR l pass VBR and 2 pass VBR 3 levels of motion estimation and automatic transcoding of any QuickTime file format e Additional Professional features include scripting integrated Subtitling 8 video angles 9 audio tracks Dolby Digital AC 3 encoding DVD 9 support 4 3 amp 16 9 aspect ratios ae DVD Studio Pro alMDVD Inc CETE PRO MOMe mid Order today and SAVE up to 30 See back for details If you re already an Avid Media Composer user here s help from someone who under stands Diana Weynand has been a producer director editor and now the author of Apple Pro Training Series Final Cut Pro for Avid Editors which teaches Final Cut Pro from an Avid user s point of view You already know the craft of editing What you want to know is How do I do that in Final Cut Pro With the help of these excerpts t
6. If you re ready to get serious about editing video you ll want Final Cut Pro and this self paced Apple authorized guide is the best Mapping the Keyboard The Final Cut Pro keyboard can be mapped to reflect your personal layout prefer ences or customized for a particular workflow or background Taking a moment to personalize the keyboard layout can save time during editing Project Startup Steps 1 Choose Tools gt Keyboard Layouts gt Customize to open the keyboard layout window The tabs across the top of the window allow you to select a single modifier key Shift Command Control or Option or a combination of those keys to program keyboard shortcuts In the lower left of this window click on the lock to allow changes to the current keyboard layout func lett lope EM nace 0 The keyboard layout is currently locked Click the lock to allow changes In the right of the Keyboard Layout window is a list of menus and com mands organized by topics Drag the blue vertical scroll bar up and down to see the list of command topics The first 9 topics contain all the commands in the Final Cut Pro menus Click the File Menu triangle to display the commands under that menu If a command currently has a keyboard shortcut it is listed to the right of the command The Import Folder default does not have a keyboard shortcut Restore Project B Import Files HI a Import Folder import Batch List
7. Introducing The Apple Pro Training Series The best way to learn Apple s professional digital video and audio software First Look Apple Available in April Logic 6 Available in May Final Cut Pro 4 Available in June Shake 3 Available in June Advanced Finishing Techniques in Final Cut Pro 4 Final Cut Pro 4 Diana Weynand Available in June DVD Studio Pro 2 Available TBD THE OFFICIAL STEP BY STEP GUIDE Coming Soon DVD ROM Included Advanced Logic Final Cut Pro for Now there s a new way to learn Apple s popular video editing Avid Editors audio and film compositing tools a comprehensive course that s both a self paced learning tool and the approved curriculum for all ColorSync based Apple certified trainers Color Management DVD Included Each Apple Pro Training Series title comes with a companion DVD that includes all of the lesson files used in the book The Shake and Logic books also include free trial versions of the software The Apple Pro Training Series is published by Peachpit Press All project files are on the included DVD T Project Files Lesson 3 folder Lesson time estimates gt help vad pian younme Time This lesson takes approximately 60 minutes to complete Go through the chapter E Goals Launch Final Cut Pro from start to finish or skip to just the sections that Open a project interest you Work with the inter
8. aken from Diana s upcoming book you re about to find out Using Play Commands You will find many similarities in how Avid and Final Cut Pro FCP play your clips and sequences In fact if you take a close look at the play buttons you will see that they look very much alike FCP Viewer play buttons JB dll d 3 Avid play buttons in the Source monitor Avid Play Buttons FCP Play Buttons Function FCP Keyboard Shortcuts Ea O Play SPACEBAR starts and stops a clip or sequence T eae sae keys and the and E m Play In to Out SHIFT Moen amp o ere i LI No button Play Here to Out SHIFRI FP No button Step LEFT and RIGHT ARROW keys K J and K L No button Ten frames SHIFT LEFT or RIGHT ARROW key moves one second shuttle control moves desired number of frames K The HOME and END keys work the same as they do in Avid gt FCP also uses the J K and L keyboard shortcuts The only difference is that in FCP if you have pressed the J or L key multiple times to increase the speed pressing the opposite key will reduce the speed in increments rather than reverse it To use this shortcut as you would in Avid press the K key first and then the opposite key The direction will reverse Final Cut Pro for Avid Editors Diana Weynand THE OFFICIAL STEP BY STEP GUIDE DVD ROM Included About the Author Diana Weynand s training company Weynand Training Internationa
9. ccessful composite may rely on many techniques such as keying matting color correction rotoscoping and painting At the end of the day it s not what you did but how the effect looks and whether you can pull the wool over your client s eyes Shake provides you with extensive tools to accomplish these seamless visual effects Process Trees Shake is composed of a collection of image manipulation engines such as compositing color correction and warping Each engine can be driven by a series of different commands called nodes or processes These nodes are arranged into a tree like structure called a Process Tree Nodes can be added or inserted at any time building up an effect in a non linear fashion It is very flexible and easy to change Thanks to this flexibility your clients can noodle endlessly with their shots Creating a Simple Tree Loading and Attaching Nodes Before creating a Process Tree you need to load in some images 1 Go to the Image tab and select the FileIn node 2 Select the fish 1 50 rgb and fish_bowl 1 50 rgb sequences To start compositing you need to attach a Layer node By default nodes are attached to the active node Now this is important so pay attention The active node is the one highlighted in green The Fellowship of the Ring and Lord Of The Rings The Two Towers It s no wonder then that trained Shake artists are in high demand and there s nowhere better to begin that training than
10. e cost effective 5 1 surround soundtracks or transfer that along with veteran Logic instructor and keyboardist Robert song from your head onto CD this comprehensive book DVD use step by step project based instruction to combo will show you how demonstrate how you can employ Logic s software synthesizers Order today and SAVE up to 30 See back for details Playing Audio Instruments 7 3 On the Audio Instrument 1 channel click hold the I O area s input box A hierarchical menu appears Note When you assign an audio instrument to a channel the the channel s input No plug in Mono Multi Channel gt Audio Units me ESP 4 may ESE 2 rB EVOC 20 PolySynth ES2 EVB3 EVD6 ee s GUCMJUEASAI Audiolnst 2 Audiolnst 3 Audiolnst 4 Audiolnst 5 Audiolnst 6 Audiolnst 7 Audiolnst 8 4 Choose Stereo gt Logic gt ESP instrument becomes Note Your instrument list might look different than the one pictured The ESP synth has now been assigned as the input for audio instrument 1 5 On the Audio Instrument 1 channel double click the I O area s input box on the word ESP The ESP Synth opens on your screen 6 Play your controller keyboard That s the ES P you re hearing About the Authors Based in Vancouver Martin Sitter is a multimedia artist audio producer and technical writer specializing in the next genera tion of track based video and audio applications Martin is also the au
11. face Work with menus keyboard shortcuts and the mouse Work with projects in the browser Create a new bin Organize a project Quit and hide Final Cut Pro Ample illustrations help you master techniques fast mE Books use real world projects that you work through step by step ___ Self Paced Step by Step Published by Peachpit Press the Apple Pro Training Series is Need to digitize your musical composi The Apple Certified Way to Learn launching with six exciting titles hon Create a coc_emective 51 cuncind Each 2S book soundtrack This course in a Cook takes you step by step through real In the only Apple certified guide to the written by veteran audio producers world digital video or audio projects app that brings professional level editing and 3 from the included DVD You can choose to the masses master trainer provides all the instruction you need to to follow the lessons from start to finish 3 delivers the project based start creating quality audio with Logic or dive into just the lessons that interest instruction you need to begin making Apple s high end audio software The you most Review exercises are included movie magic The accompanying DVD companion DVD includes all the project at the end of each lesson to help you includes all the project and media files and media files used in the book plus a remember everything you ve learned for the book s lessons trial version of Logic Order today a
12. ith Content is a great way to test a lot of different clip combinations in a short amount of time In Advanced Finishing Techniques in vide project based Instruction in all of the tasks real filmmakers are Final Cut Pro Paste Attributes Attributes from Slug Mi Scale Attribute Times Video Attributes Audio Attributes M Content Content Basic Motion Levels Crop l Pan Distort _ Filters _ Opacity _1 Drop Shadow _ Motion Blur Filters Speed Clip Settings capture Cane or noted documentary producer Ramy Katrib and his post production and training company DigtalFilm Tree pro most interested in using Mattes and filter effects creating different film looks achieving complex transitions working with video going deeper into the finer points of Final Cut Pro this is the ing with titling effects and more book for you scopes adjusting contrast balancing color and luminance work Order today and SAVE up to 30 See back for details Tip To make subtle adjustments with the 3 Way Color Corrector filter as well as any filter in Final Cut Pro that has sliders use the arrows at either end of one of the sliders Click on the arrow to nudge the slider in small increments in one direction or another instead of drag ging the slider itself Tip It s best to plan for secondary color correc tion before you shoot If you know you will want to apply an isolated c
13. l provides authorized training for Apple products as well as curriculum development for emerging entertain ment industry technologies She has written numerous books including Final Cut Pro for Avid Editors Peachpit Press The Apple Pro End User Certification Program Become a Certified Apple Pro The Apple Pro Training Program is designed to keep you at the forefront of Apple s digital media technology while giving you a competitive edge in today s ever changing job market Whether you are an editor graphic designer sound designer web developer special effects artist or teacher these training tools are meant to help you expand your skills Apple offers both instructor led and self paced training The instructor led training courses are taught at Apple Authorized Training Centers across North America Europe and Asia Taught by Apple Certified Trainers the courses balance concepts and lec tures with hands on labs and exercises For those who prefer to learn at their own pace Apple s self paced training uses the Apple Pro Training Series courseware published by Peachpit Press These books take you step by step through real world exercises and projects on the included DVD so you learn by doing Apple Authorized Training Centers for Pro products have been carefully selected and have met Apple s highest standards in all areas including facilities instructors course delivery Upon completion of the course materia
14. l students can become an Apple Pro by taking the certification exam at an Apple Authorized Training Center Certification is offered in Final Cut Pro DVD Studio Pro Shake and Logic Successful certification as an Apple Pro gives you Official recognition of your knowledge of Apple s profes sional applications and allows you to market yourself to employers and clients as a skilled Pro level user of Apple s products and infrastructure The goal of the program is to offer Apple customers from beginners to the most seasoned professionals the highest quality training experience To find an Authorized Training Center near you visit www apple com software pro training Register at an Apple Authorized Training Center today and take your first step toward becoming an Apple Pro Save up to 30 on all Apple Pro Training Series titles from Peachpit Press when you become a Peachpit Club Member Enjoy 10 off all books every day at peachpit com earn an additional 10 discount as a Peachpit Club Member and save 10 on top of that with this one time coupon Simply go to www peachpit com applebooklet and enter coupon code PZ 43AA APLB at checkout Peachpit Press Apple the Apple logo DVD Studio Pro Final Cut Pro and Shake are trademarks of Apple Computer Inc
15. lip From the pop up menu select belly down The playhead goes to that marker 7 With the Slip tool click above the belly down marker and drag left Snap it to the second sequence marker and play the clip Project Markers can be placed in clips in the Viewer selected clips in the Timeline or the sequence in the Timeline There are different ways you can move to a marker or delete it once it s been placed 1 Move the playhead to the beginning of the sequence In the main menu choose Mark gt Next gt Marker or press Shift M The playhead moves to the next sequence marker Repeat this to move through the rest of the markers 2 Choose Mark gt Previous gt Marker or press Opt M to move backward through the sequence from marker to marker 3 Move to the first sequence marker and name it voices in Name the other sequence markers for practice Key Features in Final Cut Express Emmy Award winning workflow design Optimized for the DV25 format MiniDV and DVCAM NTSC or PAL Integrated compositing and effects High quality DV YUV based effects rendering with real time previews Imports layered Photoshop files and many other graphic files Real time audio mixing and audio effects Playing Audio Instruments In the olden days of software synthesizers circa 2001 virtual instruments sounded thin and were far less aurally impressive than their hardware brethren How times have changed Logic s soft synths sound
16. nd SAVE up to 30 See back for details Lesson 3 Working with a Project IN this lesson you will open the Final Cut Pro program identify and work with the ele Choose a File From J Lessons ry ay Lesson 4 Project Kl Lesson 5 Project a Lesson 6 Project Kind Document Size 8 KB Created 3 16 03 a Lesson 7 Project Modified 3 16 03 ay Lesson 8 Project ay Lesson 9 Project K Lesson 10 Project l Lesson 11 Project K Lesson 12 Project K Lesson 13 Project il Lesson 14 Project ae S Show Standard Files ments of your editing project organize those Goto Eos elements and begin working within the Final 4 Cut Pro editing interface You ll learn how to open an existing Final to select different windows tool palette o shortcuts You ll also learn to identify pr folders organize clips in a bin and view the chapter you ll be ready to start edity Final Cut Pro 4 In this complete course author starts with basic video editing and takes you all the way through Final Cut Pro s powerful advanced features Noted documentary producer Ramy Katrib and his post production and training company DigtalFilm Tree provide project based instruction in the advanced tasks real filmmakers are most interested in using Mattes and filter effects creating different film looks achieving complex transitions working with video scopes adjusting contrast and color and m
17. olor look start with a vibrant well defined color The more unique the color is the better the chance of selecting it and not similar colors in the scene Don t worry if the color isn t what you want to end up with Use the Limit Effect controls to isolate the color and apply what ever effect you wish like black and white except for one color Then modify the color with a second color correction filter FIRST LOOK Advanced features in Final Cut Pro 4 e Professional titling Create dynamic animated titles quickly and easily Includes Apple s revolutionary LiveFonts animated objects and textures High Dynamic Range HDR imaging technology lets you generate high quality output by rendering effects with 32 bit per pixel floating point precision An intuitive music composition tool for video editors Professionally score your program and create custom royalty free soundtracks of any length Tempo changes pitch shifts and effects are all handled in real time Working with Composite Modes 13 Film editors have everything they need including Fully uncompressed 8 and 10 bit 4 2 2 YUV SD and HD codecs for broadcast finishing Native support for DVCPRO50 which allows editors to work in a 4 2 2 YUV color space in an edit suite or on a portable in the field Support for change lists and ink numbers For distribution and DVD authoring a new high quality MPEG2 encoder Each chapter in this self paced Ap
18. ome of the clip s action points with a beat of music Since the clips are already in the sequence you will use the Slip tool to make the adjustments Project Startup Steps 1 Inthe Timeline drag the playhead over the sequence markers and see how it snaps to each marker in the ruler area 2 Select the Slip tool from the Tool palette or press S 3 Drag the high 5 clip left and right The clip marker moves with the clip as it is adjusted 4 Now click the Slip tool directly above the marker in the 5 clip clip and drag it over the last sequence marker in the ruler area The clip marker snaps to the sequence marker curriculum for all Aople certified trainers Using real projects reviews at the end of each chapter and exercises to reinforce the lessons rie l Cur takes you through every aspect of editing with Final Cut Express You ll learn how to work in the timeline and viewer make and adjust edits add audio create transitions and more Work through the entire book creating all of the projects on the accompanying DVD or pick just the lessons that interest you most Either way you ll find just what you need to begin editing your own movies from the comfort of your Mac without soending a Hollywood fortune Order today and SAVE up to 30 See back for details Editing with Markers 5 5 Play the clip to see the alignment of the two marker points 6 Ctrl click on one of the visible markers in the back up again c
19. ore Hollywood effects wizard provides the first comprehensive instruc tion in Shake Apple s popular high end compositing and visual effects tool By the time you work through this complete course and DVD which includes a trial Focused lessons concentrate on practical tasks Expert authors use an accessible no nonsense writing style that puts a personal instructor at your shoulder Review exercises and keyboard shortcuts help summarize what you ve learned version of the software you ll be one of the most in demand entities in Hollywood a trained Shake artist Covering everything from storyooarding and encoding audio to building format ting and burning the DVD recording master Adrian Ramseier offers every thing you need to get up and running with DVD Studio Pro authoring software The companion DVD includes all of the project files used in the book PAGES FROM Apple Pro Training Series Final Cut Express Whether you re a student who s serious about digital video editing or a professional editor who needs a comprehensive editing system for your home computer you ll find everything you need to begin using Apple s Final Cut Express software within the pages of this book Written by master trainer d this comprehensive course is both a self paced learning tool and the approved Editing with Markers Now that you have markers set in clips and in the sequence you can begin to align s
20. ple authorized guide repre sents a self contained lesson with a project to complete a review section and bonus exercises to reinforce what you ve learned The end result is a comprehensive course in a book designed to turn you into an advanced Final Cut editing pro The accompanying DVD includes lesson files and all the materials you ll need to complete the book s projects About the Author Acclaimed documentary film producer Ramy Katrib and his post production and training company DigitalFilm Tree began a revolution in the post production industry by proving that inno vative and affordable systems can produce professional results Experts in the use of Final Cut Pro DigitalFilm Tree includes members of the original Final Cut Pro develooment team First Look New features in DVD Studio Pro 2 DVD Studio Pro 2 provides groundbreaking ease of use with an approachable new user interface and a sleek new workflow for DVD authoring Combine Final Cut Pro 4 with DVD Studio Pro 2 and you have a complete system for professional digital content creation and delivery APPROACHABLE INTERFACE e Design great menus in seconds with professionally designed authoring content Use templates to instantly create a menu with backgrounds buttons text and drop zones Create customized menus with included buttons layouts guides text and drop zone styles Create your own templates and styles from scratch e Adjust the application to suit your
21. st of commands 2 Type the letter s to see a list of current command shortcuts that use that letter 3 Type the word select to search for all the select commands in Final Cut Pro 4 To return to the main function and command menu listing click the X to the right of the search entry box 5 Remove the new Import Folder icon from the Shift Cmd I key by dragging it back to the function Command menu area and letting go Tip If you know the keyboard shortcut you want to use for a specific Command you can select the Command from the commands list and type the new shortcut FIRST LOOK New Features in Final Cut Pro 4 Virtually unlimited number of streams and real time effects with NTSC output Trimming and Timeline improvements Dynamic trimming asymmetric trimming master clips ganged playback controls and more Ability to customize the keyboard user interface buttons browser track layouts and window arrangements An on screen multi track audio mixer plus real time AudioUnit effects and fader automation A new compression tool that lets you output once and batch process to multiple formats PAGES FROM Apple Pro Training Series Shake Designed for the most demanding creative professionals Apple s Shake compositing system Is a high speed compositing software Compositing Digital compositing is the seamless integration of multiple elements elements which may come from vastly different sources A su
22. thor of LiveStage Professional 3 for Macintosh amp Windows Visual QuickStart Guide and DVD Studio Pro 1 5 for Macintosh Visual QuickPro Guide Key Features in Logic Platinum 6 Designed to meet the needs of professional musicians and pro ducers Logic elegantly combines composition notation and audio production facilities in one product Comprehensive professional MIDI and audio editing Superb sound quality with precise 32 Bit signal processing a surround sound digital mixer up to 7 1 sample accurate automation and over 50 high quality audio effect plug ins New Arrange Channel Strip lets you perform on the spot changes to the mix while editing in the Arrange window New Marquee tool allows region and sequence independent selection and editing you can move copy delete and mute at will New Video Thumbnail track delivers smooth video synchroniza tion displaying a film as single frames aligned horizontally In Phoenix Robert Brock heads the digital recording department at the renowned Conservatory of Recording Arts amp Sciences As a keyboardist he has performed on and engineered many albums and videos that have appeared on various Billboard top ten charts He has also composed and produced thematic music for professional sports teams A veteran author Robert has written various articles for major audio trade publications such as Pro Audio Review PAGES FROM Apple Pro Training Series Final Cut Pro
23. videos and documentaries PAGES FROM Advanced Finishing Apple Pro Training Series Techniques in Final Cut Pro Final Cut Pro is a serious tool for serious editors If you re already familiar with the software s interface are well versed in editing basics and are interested in Working with Composite Modes When you apply an effect like a composite mode or a motion effect you may want to try the same effect on different source clips There is an often over looked feature of Paste Attributes that is perfect for this situation Project Startup Steps 1 Apply an effect to a clip in the timeline like choosing a composite mode to blend this clip with another 2 Find a new source clip in the Browser or even the Timeline and copy it Use Command C to copy 3 Select the clip in the timeline with the effect and choose Paste Attributes Go to Edit menu gt Paste Attributes Option P 4 In the dialog box that opens you only need to mark one check box Content At this point the original clip in the timeline gets replaced with the new source clip All of the properties of the origi nal clip are now applied to this new source clip The placement in the timeline the duration and all effects are retained from the original clip The only difference in the timeline is that it s a different video clip behind the effect For something like blending two clips together with a composite mode Paste Attributes w
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