Patton electronic 1007 Network Card User Manual
Contents
1. INVd9VvIG X90148 7890 HX nap GC WON AgP OL _IWNIWON nap c SdWV H3MOd OL Nap 0 NaP XVIN AdP OL LNO 3dVL XVW nap 22 XVI nap 22 ngp Let INO LHDIY 9 1431 1 HOLINON SiHavuo nap g er SIHA41789o6HX WVAOVIQ 13 31 789 dX 09 oS Ov 0 WEN nap 0 Olt 06 06 avd ON DIW 2 Qvd M DIW Z O1 SLAdNI 10 XR 684 IN LEFT RIGHT MODE Mains Left Mains Right Impulse 200 Impulse 200 Right Main Outputs Rear VI VEZA uo MADE IN U S A PATENT PENDING ES DEFEAT MONITOR LEFI MONO RIGHT TET AUTRLTS Tape Player N P PVM 22 MAG 0 0 A Wireless Hi Z Mic Mic Gtr SDA S gu zeczy a Keyboard 11 XR 684 IN MONITOR MAIN MODE Mains Monitors Impulse 200 SP 112M Left Monitor Outputs Rear Right Main Outputs Rear A FENEY 15 BIT DIGITAL STEREO EFFECTS PROCESSOR Em POWER Lid 2x200 WATTS L4 is pu Es iiti in ua m Mode Switch ER Depressed gt In lt E RCM de n USA e DERAT MONTOR LEFT MONO RIGHT ja 666666 Reactor bcd o Tape Player A Out pe LALLA Keyboard 12 XR 684 SPECIFICATIONS Input Specifications Function Input Gains Input Levels Bal Connector control i Nominal UnBal setting SR ER EE Max w o pad 30 dBu XLR Pin 1 Gnd 1502. EFX send Channels 1 8 e 25 dB pad Channels 1 6 Low cut filter Channels 1 6 Stereo line inputs Channels 7 9 16 bit DSP based stereo reverb effects with two parameter controls Two 9 band graphic EQs with FLS Feedback Locating System 48 V phantom power Stereo Main Monitor mode switch e 2x200 W 4 ohms internal power amplifier XR 684 only 420 W 8 ohms in bridge mode XR 684 only 2x400 W 4 ohms internal power amplifier XR 684 only DDT speaker protection The standard channels 1 4 feature discrete low noise mic preamps with globally switched phantom power true high impedance 1 4 mic inputs low cut filters and three band EQs Two additional channels 5 6 offer balanced XLR mic inputs and 1 4 line level inputs Finally there are three stereo channels 7 9 for tape CD or synth inputs The master section features a unique graphic equalizer power amp mode switch Without patching the XR 684 can be used as a full stereo mixer amplifier default In the Main Monitor mode one graphic and amplifier can be used for monitor and the other graphic and amplifier for the main L and R mono signal Also included in the master section are 16 stereo digital effects from the award winning Deltafex digital signal processor By including separate Time Size and Color Tone controls the user can create many effect settings from the 16 we provided All channels except Channel 9 have a ded
3. Harmonic Distortion Less than 01 1 kHz rated power DDT Dynamic Range Greater than 26 dB DDT Maximum Distortion Below 0 596 THD for 6 dB overload Below 1 THD for 20 dB overload Hum and Noise 97 dB below 210 watts Damping Factor Greater than 100 1 kHz 4 ohms Input Sensitivity 1 5 V RMS for 210 watts 4 ohms Input Impedance 2 k ohms Power Requirements 600 watts 120 V AC 60 Hz Dimensions Width 19 125 Height 10 875 Depth 11 0 Weight 35 6 Ibs XR 684 3040 AMPLIFIER SPECIFICATIONS Frequency Response Stereo mode both channels driven 0 5 3 dB 1 W RMS 4 ohms 20 Hz to 20 kHz The frequency response is internally controlled to optimize phase linearity and improve transient response Rated Output Power 120 V AC 60 Hz Stereo mode both channels driven 4 ohms 1 kHz 400 W RMS per channel 8 ohms 1 kHz 250 W RMS per channel Total Harmonic Distortion Stereo mode both channels driven 1 kHz 4 ohm rated output Less than 0 296 DDT Dynamic Range Below 0 596 THD for 6 dB overload Below 196 THD for 20 dB overload Hum and Noise Stereo mode both channels driven Below rated output power 4 ohms Greater than 95 dB A weighted Input Sensitivity 1 2 V RMS for 400 watts 4 ohms Input Impedance 10 k ohms Power Requirements 1 080 watts 120 V AC 60 Hz Dimensions Width 19 125 Height 10 875 Depth 11 0 Weight 35 5 lbs PEAVEY ELECTRONICS C
4. In addition the minimum load for the XR 684 in bridge mode is 8 ohms Do not allow the total impedance to drop below 8 ohms or serious damage to the amplifier may occur SWHO 8 SLLVM Och 39dIug8 SINHO 8 THNNVHO H3d SLIVM OSL SINHO THNNVHO Hdd SLLVM 6 ome D ino e6pug i duvionog fy JOJIUON JO pues Jojuo A gt d U LIV i d S 1 LAdNI ndjno Jojluo E C aomavi T JOJIUOJ IHOT advL 6 TANNYHO lt lt A 1 3NOL dwy lt ndino uen D pueg uoi 10 39 39 3r XI xj 5 f L f L SEN 1 1NdNl 2 i lt NOLNSHd ABY dwy 19M0d ndu dwy samog W I vi i 0 1 gt gt NIVO TANNYHO t ma piiiitxB Ain Ul T iii 4 SS 1 1 JOJUON JS p dwy samog 191 4 d ei 1 5 oejes epo IH T 1 3NOL 8 2 S IHNNVHO indino US ouo GNHS HOLINOIN re 2 Ej WC i lt 1 LfdNI Z 01 INOLNVHd 8 E ev j Y d 01 spe 1 5 1 4 dNVAHHd JIN 4 1 9 9 STANNVHO IHGIWOT 1 3NOL QN3S HOLINOW 4 HEUS 2 1 8 E SC NOLNVHd EZ gt EZ d t Frai OIW LAdNI Z IH IHAIN ajaq ayy 1 ANOL sng snd NOW sna 9 1 t t S IHNNVHO E 2 2 o o HH laj 908 LHOIH
5. close mic on loud guitar amplifiers or drum kits The Pad switch can also be found on channels 5 and 6 4 LEVEL Sets the signal level sent to the Left and Right bus The level control can also be found on channels 5 through 9 5 MON Adjusts the level of the channel signal pre EQ that is added to the Monitor mix The Monitor control can also be found on channels 5 through 9 This control is independent of the main channel level control 4 6 LOW EQ A shelving type of active tone control that varies the bass frequency levels 15 dB at 70 Hz It will add depth to thin signals or clean up muddy ones The low control can also be found on channels 5 through 9 7 MID EQ Mid 15 dB This control sets the amount of cut and boost at the mid frequency The mid control can also be found on channels 5 through 8 8 HIGH EQ A shelving type of active tone control that varies the treble frequency levels 15 dB at 12 kHz It is designed to remove noise or to add bril liance to the signal depending on the quality of the source The high control can also be found on channels 5 through 9 9 EFX This control varies the level into the digital effects processor bus adjusting the signal level from the particular channel to the digital processor The effects control can also be found on channels 5 through 8 The channel level control 4 also affects this level NOTE Channels 5 9 contain features that differ from the previous ch
6. 1000 to defeat the effects of both the Main and Monitor mixes 29 MONITOR OUTPUT This 1 4 jack provides an output from the monitor mix to supply external power amp monitor combinations The level of this signal is determined by the Monitor Level control 30 LEFT MONO OUTPUT This 1 4 jack provides an output from the Left Main mix to supply external amp speaker combinations The level of this signal is determined by the Main Level control When no plug is connected to the Right Output 431 then the right signal is mixed with the left and both can be accessed at the Left Mono Output This works well when you use the internal amps for monitor and external amps for Main Only one patch cord is required to get the Main out to the external amp 31 RIGHT OUTPUT This 1 4 jack provides an output from the Right Main mix to supply external amp speaker combinations The level of this signal is determined by the Main Level control 32 POWER AMP INPUTS Plugging into these jacks allows the user to go directly into the Graphic Equalizer then into its respective power amplifier channel 33 POWER LED The power on LED indicator will light when the unit is powered AC POWER AND POWER AMPLIFIER SECTION 34 A C POWER INLET This is the receptacle for an IEC line cord which provides AC power to the mixer amplifier Connect the line cord to this connector to provide power to the unit Damage to the equipment may result if improper line voltage is us
7. 20 Hz 20 kHz line input to L R output at output at nominal level 20 Hz 80 kHz BW gt 005 Typical at 1 kHz Graphic Equalizer Filter Bandwidth 1 octave Filter Frequencies 63 125 250 500 1 k 2k 4k 8k 16k Maximum Boost and Cut 12 dB Boost 12 dB Cut XR 684 Hum and Noise Output Residual Noise S N Ratio Test Conditions Ref 0 dBu Ref 2 dBu Main Left All controls down and Right One channel nominal master nominal Master level nominal Channel level nominal Mic Inputs terminated 150 ohms All controls down One channel nominal master nominal Master level nominal Channel level nominal Mic Inputs terminated 150 ohms Hum and noise measurements 22 Hz to 22 kHz BW S N Ratio 85 dB below rated output 200 W channel mic line to speaker output Equivalent Input Noise EIN 121 5 dBu Input terminated with 150 ohms Crosstalk gt 80 dB Adjacent Input Channels 20 Hz 20 kHz 70 dB Left to right outputs 20 Hz 20 kHz Common Mode Rejection Ratio Mic Input 50 dB min 20 Hz 20 kHz 60 dB typical 1 kHz 14 XR 684 400 SC AMPLIFIER SPECIFICATIONS POWER SECTION 400 SC Module with DDT Freguency Response 0 1 dB 20 Hz 20 kHz rated power Rated Power 210 watts RMS into 4 ohms both channels driven 150 watts RMS into 8 ohms both channels driven Bridge out 420 watts into 8 ohms 8 ohms minimum load for bridge output only Total
8. Damping High Freguency 5 Spring Time 150 to 5 000 ms Damping High Freguency 6 Gate Time 150 to 500 ms Damping High Freguency 7 Reverse Time 150 to 500 ms Damping High Freguency 8 Delay Reverb Time 0 to 225 ms Reverb Time 0 to 5 000 ms 9 Bright Delay Time 0 to 500 ms Feedback 0 to 99 10 Warm Delay Time 0 to 500 ms Feedback 0 to 99 11 Dark Delay Time 0 to 500 ms Feedback 0 to 99 12 Ping Pong Delay Time 0 to 500 ms Feedback 0 to 99 13 Chorus Rate 0 125 to 8 Hz Depth Best Set Full CW 14 Phaser Rate 0 250 to 16 Hz Depth Best Set Full CW 15 Flange Rate 0 10 to 2 5 Hz Depth Best Set Full CW 16 Rotary Speaker High Speed 0 50 to 25 Hz Width 0 to 100 CW 18 TIME SIZE In Reverb and Delay presets this control adjusts the time of the particular reverb or delay in Chorus Phaser and Flange it adjusts the rate of each In Rotary Speaker setting this adjusts the speed of the speaker rotation 19 COLOR TONE Adjusts the high frequency content of the effects signal While using a delay this control adjusts the feedback or depth 20 EFX TO MON Controls the amount of effects signal sent to the monitor mix This control allows effects to be heard from the stage via the monitor 21 EFX TO MAIN Controls the amount of effects signal sent to the main mix 22 FLS Feedback Locator System These LEDs illuminate to indicate the frequency band of highest energy When feedback occurs this system will automatically in
9. LEFT RIGHT am OFF OOO PHAN TOM POV IER ei ks oS e a 9 GW 6 64 26 MAIN LEVEL This is the master level control for the main mix sent to the Left Mono and Right output jacks This control sets the Main level going to the power amp when in Main Monitor mode see System Mode 24 A good starting position for this control is the center detent position 12 00 27 PHANTOM POWER SWITCH Applies 48 V DC voltage to all input XLR connectors to power micro phones that require it CAUTION When phantom power is switched on make sure that any channel you are plugging a mic into is turned down in both the main and monitor mixes Otherwise there will be a loud pop in the PA This is normal It is best to plug all mics into their respective channels with the phantom power switched off This reduces noise in the PA and reduces the chances of the mic being damaged If phantom power is used do not connect unbalanced microphones or other devices that cannot handle this voltage to the XLR inputs Some wireless receivers may be damaged consult their manuals for compatibility The line input 1 4 jacks are not connected to the phantom supply and are safe for all inputs balanced or unbalanced An unbal anced to balanced impedance converter such as the Peavey 5116 or a Peavey 1 1 Interface Adapter can also be used to isolate a mic from phantom voltage 28 EFX DEFEAT This 1 4 jack accepts an on off 1 4 footswitch Peavey Pt 40005
10. ORPORATION LIMITED WARRANTY Effective Date July 1 1998 What This Warranty Covers Your Peavey Warranty covers defects in material and workmanship in Peavey products purchased and serviced in the U S A and Canada What This Warranty Does Not Cover The Warranty does not cover 1 damage caused by accident misuse abuse improper installation or operation rental product modification or neglect 2 damage occurring during shipment 3 damage caused by repair or service performed by persons not authorized by Peavey 4 products on which the serial number has been altered defaced or removed 5 products not purchased from an Authorized Peavey Dealer Who This Warranty Protects This Warranty protects only the original retail purchaser of the product How Long This Warranty Lasts The Warranty begins on the date of purchase by the original retail purchaser The duration of the Warranty is as follows Product Category Duration Guitars Basses Amplifiers Pre Amplifiers Mixers Electronic Crossovers and Equalizers 2 years 3 years Drums 2 years 1 year Enclosures 3 years 2 years Digital Effect Devices and Keyboard and MIDI Controllers 1 year 1 year Microphones 2 years Speaker Components incl speakers baskets drivers diaphragm replacement kits and passive crossovers and all Accessories 1 year Tubes and Meters 90 days denotes additional warranty period applicable if optional Warr
11. TO THE REPAIR OR REPLACEMENT OF THE PRODUCT AT PEAVEY S OPTION IF WE ELECT TO REPLACE THE PRODUCT THE REPLACEMENT MAY BE A RECONDITIONED UNIT PEAVEY SHALL NOT BE LIABLE FOR DAMAGES BASED ON INCONVENIENCE LOSS OF USE LOST PROFITS LOST SAVINGS DAMAGE TO ANY OTHER EQUIPMENT OR OTHER ITEMS AT THE SITE OF USE OR ANY OTHER DAMAGES WHETHER INCIDENTAL CONSEQUENTIAL OR OTHERWISE EVEN IF PEAVEY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES Some states do not allow the exclusion or limitation of incidental or consequential damages so the above limitation or exclusion may not apply to you This Warranty gives you specific legal rights and you may also have other rights which vary from state to state If you have any questions about this warranty or service received or if you need assistance in locating an Authorized Service Center please contact the Peavey International Service Center at 601 483 5365 Peavey Canada Ltd at 905 475 2578 Features and specifications subject to change without notice 34 IMPORTANT SAFETY INSTRUCTIONS WARNING When using electric products basic cautions should always be followed including the following 1 2 10 12 13 14 15 16 17 18 Read all safety and operating instructions before using this product All safety and operating instructions should be retained for future reference Obey all cautions in the operating instructions and on the back of the unit Al
12. annels Only those features are mentioned below For information on features not mentioned please refer to the section for Channels 1 4 CHANNELS 5 6 10 LINE 1 4 balanced TRS input for line level signals This signal is connected through a 25 dB pad to the mic input below it 11 LOW CUT This is a low cut filter with a corner frequency of 80 Hz used to filter rumble wind noise breath thumps stage noise and other low frequency components that rob power from the amplifiers and muddy the signal Depressing this switch will affect channels 1 6 only Use of the filter will not affect the Monitor signal CHANNELS 7 8 12 RIGHT INPUT High impedance 1 4 input for line level signals The Right Input is adjusted by the Level control 4 The signal is then routed to the internal power amp If the XR 684 is in Left Right mode then the signal will go to the Right Speaker Output 37 In Mon Main mode the signal is combined with the Left and placed on the Main Speaker Output The right signal can also be patched out i dm of the XR 684 via the Right Output jack 31 to external components such as effects power amps and recording devices 13 LEFT MONO INPUT High impedance 1 4 input for line level signals The Left Mono input supplies signal to both the Left and Right channels if there is nothing inserted to the right input jack through the Level control 4 In Left Right mode the signal will go to the Left Speaker Output and Right Speak
13. anty Registration Card is completed and returned to Peavey by original retail purchaser within 90 days of purchase What Peavey Will Do We will repair or replace at Peavey s discretion products covered by warranty at no charge for labor or materials If the product or component must be shipped to Peavey for warranty service the consumer must pay initial shipping charges If the repairs are covered by warranty Peavey will pay the return shipping charges How To Get Warranty Service 1 Take the defective item and your sales receipt or other proof of date of purchase to your Authorized Peavey Dealer or Authorized Peavey Service Center OR 2 Ship the defective item prepaid to Peavey Electronics Corporation International Service Center 412 Highway 11 amp 80 East Meridian MS 39301 or Peavey Canada Ltd 95 Shields Court Markham Ontario Canada L3R 9T5 Include a detailed description of the problem together with a copy of your sales receipt or other proof of date of purchase as evidence of warranty coverage Also provide a complete return address Limitation of Implied Warranties ANY IMPLIED WARRANTIES INCLUDING WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE LIMITED IN DURATION TO THE LENGTH OF THIS WARRANTY Some states do not allow limitations on how long an implied warranty lasts so the above limitation may not apply to you Exclusions of Damages PEAVEY S LIABILITY FOR ANY DEFECTIVE PRODUCT IS LIMITED
14. d NT 0 LO v Se e NT Q LO 4 gt lt es Stereo Powered Mixer H 7 1 ki H u H a be w i ik u a l mt FEAVEY OWNER S MANUAL SR 1 B L KS d E 0 K r ar La PM 4 al X v Wut y i PS ds pak E r Tap P d 3 T U L r a 1 Intended to alert the user to the presence of uninsulated dangerous voltage within the product s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons Intended to alert the user of the presence of important operating and maintenance servicing instructions in the literature accompanying the product CAUTION Risk of electrical shock DO NOT OPEN CAUTION To reduce the risk of electric shock do not remove cover No user serviceable parts inside Refer servicing to gualified service personnel WARNING To prevent electrical shock or fire hazard do not expose this appliance to rain or moisture Before using this appliance read the operating guide for further warnings aislamiento dentro de la caja del producto gue puede tener una magnitud suficiente como para constituir riesgo de corrientazo 0 Este s mbolo tiene el prop sito de alertar al usuario de la presencia de voltaje peligroso que no tiene A Este simbolo tiene el prop sito de alertar al usario de la presencia de instruccones importantes sobre la operaci n y mantenimiento en la literatura gue v
15. dicate the graphics slider to use to decrease that frequency band s gain in order to lessen or eliminate feedback NOTE These LEDs illuminate with any audio signal not just during feedback 23 GRAPHIC EQUALIZERS These nine band equalizers are fixed on one octave centers They are designed for 12 dB of cut and 12 dB boost They are connected directly to their power amplifier inputs 24 SYSTEM MODE This switch is used to configure the XR 684 as either a stereo or dual mono amplifier It is recessed to prevent accidental switching during a performance Use a non metallic object to change the switch position e g a toothpick The XR 684 is shipped from the factory in the default setting of Left Main to the upper EQ and Right to the lower EQ When this switch is depressed it switches the lower EQ to mono PA Left Right The upper EQ then becomes the monitor signal only creating an entire PA and monitor mix ing system in one small easy to carry package And this change is accomplished without a single patch cord 25 MONITOR LEVEL Sets the overall level of the monitor signal that is sent to the Monitor Output Jack This control also sets the monitor level going to the power amp when in Main Monitor mode see System Mode 24 71 BIT DIGITAL STEREO EFFECTS PROCESSOR STEREO POWER EE MIXER 2X200 WATTS MODE LEFT RIGHT O G MON MAIN O DESIGNED AND MADE IN U S A PATENT PENDING POWER AMP IN DEFEAT MONITOR LEFT MONO RIGHT
16. ed see line voltage marking on unit 35 POWER The mixer s main power switch The power on LED indicator 33 will light when the unit is powered 36 FUSE This is the main safety fuse for the AC line voltage Only replace the fuse with one the exact same type and rating IF THE FUSE CONTINUES TO OPEN DO NOT OVER FUSE TAKE THE UNIT TO AN AUTHORIZED PEAVEY SERVICE CENTER 37 PARALLEL LEFT RIGHT SPEAKER OUTPUTS These 1 4 jacks are the amplifier s output By connecting a speaker cable to this jack and to a speaker cabinet you complete the signal chain You will notice that there are two pairs of jacks with another jack in the middle The two pairs are your two stereo amp outputs Two cabinets pr BIORIG OFMICADISRINGEOUTPUT can be connected to each channel as long as the combined impedance J PMT ASE of the cabinets is not less than 4 ohms e two 8 ohms cabinets in CLASS 2 WIRING parallel 4 ohms four 16 ohms speakers in parallel 4 ohms etc 38 BRIDGE OUTPUT XR 684 only The bridge output of the XR 684 allows the power of the left and right amplifiers to be combined into one mono output in applications where only one speaker will be used To use the bridge output the system mode switch must be in the Left Right position Connect an 8 ohm minimum impedance speaker to the center bridge output jack CAUTION When using the bridge output no other speakers should be connected to the adjacent parallel speaker outputs
17. er Output if nothing is inserted to the right input jack In Mon Main mode the signal is combined with the Right and placed on the Main Speaker Output CHANNEL 9 14 TAPE IN This stereo RCA phono jack accepts a stereo input nominally 10 dBV from the output of a tape deck or CD player and places it on the Left and Right channels as well as the Monitor Mix TAPE LINE IN 15 TAPE OUT This stereo RCA phono jack provides a signal for the recording inputs of a stereo tape deck RIGHT LEFT CAUTION DO NOT HOOK THE TAPE IN AND TAPE OUT TO THE INPUT AND OUTPUT OF THE SAME DECK DOING SO WILL FORM A LOOP 9 O CAUSING SEVERE FEEDBACK USE SEPERATE DECKS FOR S RECORDING AND PLAYBACK T ANE MASTER SECTION O 16 EFFECTS PEAK LED llluminates to indicate 6 dB of headroom before the 1 signals being sent to the effects circuit are clipped Ideally you would want this LED to light only occassionally if at all An occassional blink indicates that you LEFT RIGHT have the levels at an optimum setting It is advisable to listen carefully to the output at the same time in order to determine the final setting TAPE OUT Keser 17 PRESET Selects the effect preset from the list below EFX Presets PRESET NAME TIME SIZE COLOR TONE 1 Chamber Time 150 to 5 000 ms Damping High Freguency 2 Plate Time 100 to 4 000 ms Damping High Freguency 3 Room Time 150 to 5 000 ms Damping High Freguency 4 Cathedral Time 100 to 8 000 ms
18. icated digital effects send routed directly to the DSP effects processor To take advantage of the XR 684 s powerful features please read this owner s manual carefully and keep it as a reference This manual includes several sections detailing individual areas of mixer operation including control functions set up and applications in sound reinforcement CHANNEL SECTION CHANNELS 1 4 1 MIC INPUT XLR balanced low impedance channel input optimized for a microphone or other low level source Pin 2 is the positive input Because of the wide range of gain adjustment signal levels as high as 10 dBV 2 45 V RMS can be accommodated When the phantom power is enabled this connector has 48 V on pins 2 and 3 with pin 1 as the ground reference The Mic Input can also be found on channels 5 through 8 2 HI Z LINE INPUT 1 4 balanced TRS high impedance input The tip is the positive input which can also be used for unbalanced inputs A Pad 3 switch is provided to attenuate strong signals present at this input Within the same channel the mic input and the Hi Z Line input cannot be used simultaneously 3 PAD Attenuates the input signal by 25 dB If you find that barely touching the Level control 4 gives you an enormous increase in volume or if distortion occurs try using the Pad switch In addition to increasing the dynamic range the channel input can now accommodate a higher input level before clipping This may be necessary with a
19. iene con el producto PRECAUCION Riesgo de corrientazo No abra PRECAUCION Para disminu r el riesgo de corrientazo no abra la cubierta No hay piezas adentro que el usario pueda reparar Deje todo mantenimiento a los t cnicos calificados ADVERTENCIA Para evitar corrientazos o peligro de incendio no deje expuesto a la lluvia o humedad este aparato Antes de usar este aparato lea m s advertencias en la gu a de operaci n Ce symbole est utilis pur indiquer l utilisateur la pr sence l int rieur de ce produit de tension non isol e dangereuse pouvant tre d intensit suffisante pour constituer un risque de choc lectrique Ce symbole est utilis pour indiquer l utilisateur qu il ou qu elle trouvera d importantes instructions sur l utilisation et l entretien service de l appareil dans la litt rature accompagnant le produit ATTENTION Risques de choc lectrique NE PAS OUVRIR ATTENTION Afin de r duire le risque de choc lectrique ne pas enlever le couvercle II ne se trouve l int rieur aucune pi ce pouvant tre repar e par l utilisateur Confier l entretien un personnel qualifi AVERTISSEMENT Afin de pr venir les risques de d charge lectrique ou de feu n exposez pas cet appareil la pluie ou l humidit Avant d utiliser cet appareil lisez les avertissements suppl mentaires situ s dans le guide warnen die von Ausreichender St rke sind um einen elektrischen Schlag verursachen zu k
20. ilation holes or any other openings This unit should be checked by a qualified service technician if a The power supply cord or plug has been damaged b Anything has fallen or been spilled into the unit c The unit does not operate correctly d The unit has been dropped or the enclosure damaged The user should not attempt to service this equipment All service work should d be done by a qualified service technician This product should be used only with a cart or stand that is recommended by Peavey Electronics Exposure to extremely high noise levels may cause a permanent hearing loss individuals vary considerably in susceptibility to noise induced hearing loss but nearly everyone will lose some hearing if exposed to sufficiently intense noise for a sufficient time The U S Government s Occupational Safety and Health Administration OSHA has specified the following permissible noise level exposures Duration Per Day In Hours Sound Level dBA Slow Response 8 90 6 92 4 95 3 97 2 100 11 2 102 1 105 1 2 110 1 4 or less 115 According to OSHA any exposure in excess of the above permissible limits could result in some hearing loss Ear plugs or protectors h1 the ear canal s or over the ears must be worn when operating this amplification system in order to prevent a permanent hearing loss if exposure is in excess of the limits as set forth above To ensure against potentially dangerous exposure to high Sound pressure levels it is recomme
21. l operating instructions should be followed This product should not be used near water i e a bathtub sink swimming pool wet basement etc This product should be located so that its position does not interfere with its proper ventilation It should not be placed flat against a wall or placed in a built in enclosure that will impede the flow of cooling air This product should not be placed near a source of heat such as a stove radiator or another heat producing amplifier Connect only to a power supply of the type marked on the unit adJacent to the power supply cord Never break off the ground pin on the power supply cord For more information on grounding write for our free booklet Shock Hazard and Grounding Power supply cords should always be handled carefully Never walk or place equipment on power supply cords Periodically check cords for cuts or signs of stress especially at the plug and the point where the cord exits the unit The power supply cord should be unplugged when the unit is to be unused for long periods of time If this product is to be mounted in an equipment rack rear support should be provided Metal parts can be cleaned with a damp rag The vinyl covering used on some units can be cleaned with a damp rag or an ammonia based household cleaner if necessary Disconnect unit from power supply before cleaning Care should be taken so that objects do not fall and liquids are not spilled into the unit through the vent
22. nded that all persons exposed to equipment capable of producing high sound pressure levels such as this amplification system be protected by hearing protectors while this unit is in operation SAVE THESE INSTRUCTIONS 35 PENEY Features and specifications subject to change without notice Peavey Electronics Corporation 711 A Street Meridian MS 39301 601 483 5365 FAX 601 486 1278 www peavey com 2000 Printed in the U S A 2 00
23. nnen Dieses Symbol soll den Benutzer auf wichtige Instruktionen in der Bedienungsanleitung aufmerksam machen die Handhabung und Wartung des Produkts betreffen Dieses Symbol soll den Anwender vor unisolierten gef hrlichen Spannungen innerhalb des Geh uses VORSICHT Risiko Elektrischer Schlag Nicht ffnen VORSICHT Um das Risiko eines elektrischen Schlages zu vermeiden nicht die Abdeckung enfernen Es befinden sich keine Teile darin die vom Anwender repariert werden k nnten Reparaturen nur von qualifiziertem Fachpersonal durchf hren lassen ACHTUNG Um einen elektrischen Schlag oder Feuergefahr zu vermeiden sollte dieses Gerat nicht dem Regen oder Feuchtigkeit ausgesetzt werden Vor Inbetriebnahme unbedingt die Bedienungsanleitung lesen XR 684 684 Powered Sound Reinforcement Mixing Console General Description Congratulations on your purchase of the XR 684 6844 powered mixer Within one compact unit we have packed feature after feature each displaying the latest technology available Both the XR 684 and the XR 684 are covered in this guide The two units share the same preamp functions They are different only in the power amp as noted below Throughout this manual the term XR 684 will refer to both units unless otherwise noted Here are several features found on your XR 684 8 low noise low Z mic preamps 4 true high Z 1 4 mic inputs 3 band equalization Channels 1 8 Monitor send each channel
24. ohms 50 dB Pin 2 Pin 3 Channel 1 8 Max w pad 5 dBu 13 5 dBu 25 dB Hi Z 100 k Max w o pad 30 dBu 12 dBu 1 4 TRS Tip 50 dB Ring Sleeve Ground Channel 1 4 Max w pad 5 dBu 12 5 dBu 25 dB Line Input 22k Max w o pad 2 dBu 21 dBu Unbal 1 4 TRS Tip Send 30 dB Ring Return Channel 5 8 Max w pad 27 dBu 46 dBu Sleeve Ground 5 dB Tape 20k Gai 21 dBu Unbal RCA Jacks Channel 9 0 dBV 1V RMS Min input level sensitivity is the smallest signal that will produce nominal output 2 dBu with channel and master level controls set for maximum gain Nominal settings are defined as all controls set a 0 dB or 50 rotation for rotary pots XR 684 Output Specifications Function Minimum Load Z Output Level Bal Unbal Connector ohms Nominal Main L R 2 dBu 21 dbu Unbal 1 4 Phono Tip Sleeve Ground Monitor 2 dBu 21 dBu Unbal 1 4 Phono Tip Sleeve Ground 2 dBu 0 dBV 1V RMS Gain Mic Input to L and R Output 60 dB Max Gain Hi Z Input to L and R Output 60 dB Max Gain Line Input to L and R Output 30 dB Max Gain 13 Freguency Response Mic Input to L R Output 20 Hz 20 kHz 0 dB 1 dB Line Input to L R Output 20 Hz 20 kHz 0 dB 1 dB To Power Amplifier Output 20 Hz 20 kHz 0 dB 1 dB Total Harmonic Distortion THD gt 0 01 20 Hz 20 kHz mic input to L R mon output at nominal level 20 Hz 80 kHz BW 0 0196
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