Fujifilm 1x5 Provia 100F 120
Contents
1. FUJICHROME PROVIA 100F Professional RDPIII 1 FEATURES AND USES FUJICHROME PROVIA 100F Professional RDP III is an ultra high quality daylight type ISO 100 color reversal film With the finest grain an RMS granularity value of 8 among ISO 100 color reversal films and an extremely high sharpness it captures details with unprecedented clarity while providing rich gradation vivid and faithful color reproduction and well controlled gradation bal ance These characteristics make it an ideal choice for a wide range of subject matter from product and outdoor photography to fashion work and portraiture Features Results e Super fine Grain Finely detailed image forma tion for large size enlarge ments and other work requir ing high magnification as a result of the finest grain among ISO 100 color rever sal film Vivid and Faithful Color Reproduction Extremely satisfying color depiction providing the most brilliant primaries with out sacrificing the delicate pastels for wide ranging ap plication Rich Tone Reproduction Smooth gradation reproduc tion with superb depth thanks to bias free brilliant highlights and excellent highlight to shadow grada tion linearity e Improved e Increased resistance to loss Reciprocity in film speed and color bal Characteristics ance during long exposures as well as consistently accu rate multiple exposure per formance Excellent Push Pull processing Ou2. 205um 4 EXPOSURE GUIDE AND EXPOSURE UNDER VARIOUS LIGHT CONDITIONS Use a meter for exposure determination If a meter is not available refer to the following table Cloudy Hazy Cloudy Day or Sunlight Bright Open Shade Seashore or Light snow Scenes Bright Conditions Under Bright Sunlight Sun Lens Aperture 16 11 ee 4 Exposure Time 1 250th Sec NOTES e The foregoing settings are for 2 hours after sunrise and 2 hours before sunset Provide lens opening 1 2 stop smaller during the summer and 1 2 stop larger during the winter Excessively bright or dark or backlit Subjects may require plus or minus 1 stop lens opening adjustments Daylight Under daylight conditions color balancing filters are not necessary but the following exposure conditions may require the indicated filters Exposure Subject Conditions Correc Fair weather open shade and shaded landscapes Bright distant scenes snow land UV Filter scapes seaside scenes aerial No 2C scenes and open landscapes Close ups of plants and subjects hav ing bright colors Excessively high or low subject color temperatures may require the following filter additions and exposure corrections Exposure Subject Conditions Gorraciion High Color Temperature Cloudy weather landscapes or por traits under clear weather open shade No 81A stall EB AZ 2 stop Low Color Temperature Morning and eveni
3. 100 feet 30 5m will require additional time Opening the package box while film is cold may cause harmful condensation Processed Film e Exposure to light high temperature and humidity can cause color changes in processed films Therefore place such films in mounts or sleeves and store in dark dry cool and well ventilated loca tions under the following conditions Medium term Storage Below 25 C 77 F at 30 to 60 RH OLong term Storage Below 10 C 50 F at 30 to 50 RH NOTE As with all color dyes those used in this film will discolor or fade with time 9 PROCESSING This film is designed for processing in Kodak Process E 6 Fujifilm Process CR 56 or Fuji Hunt Process COR etc 10 VIEWING LIGHT SOURCES Use a standard viewer Visual responses will differ with light source quality and brightness Therefore employ a viewer which meets the ISO ANSI standard e The ISO standard ISO DP3664 2 specifies an illu minated viewer surface with a color temperature de rived from a CIE illuminant D D Daylight with a re ciprocal color temperature of 5000K an average brightness of 1400cd m 300cd m a brightness uniformity of more than 75 a light diffusion level of more than 90 and an average color rendition as sessment value of more than Ra90 Transparency viewers should meet these standards 11 PRINTS AND DUPLICATES Processed transparencies can be made into prints on FUJICHROME papers or F
4. UJICOLOR INTERNEGATIVE FILM IT N thus greatly increasing RDP Ill s versatility High quality duplicates can be made on FUJICHROME DUPLICATING FILM CDU TYPE II CDU II FUJIFILM DATA SHEET FUJICHROME PROVIA 100F Professional RDP III 12 RETOUCHING i 13 SHEET FILM CODE NOTCHING Changes in density and color balance can be made by A notch identifying this emulsion type is located in the using readily available retouching dyes and bleaching upper right hand corner when the emulsion surface is chemicals facing toward you The same notch is provided for QuickLoad type films Emulsion side 14 PROCESSED FILM EDGE MARKINGS FUJICHROME PROVIA 100F Professional RDP III FUJIFILM DATA SHEET lt Sheets gt e Standard Sheet Film e QuickLoad The emulsion is on the opposite side Base side facing you 15 FILM STRUCTURE Before After Processing Processing Protective Layer Blue Sensitive Layer SE SS 4 containing Yellow Coupler nee nat Yellow Filter Layer rh interiayer z VS SI 4 Povey De 5 te Pes ee containing Magenta Coupler Les ae Magenta Positive image Interlayer ________ Eaa ed Red Sensitive Layer Rat AR RATS ree HEU te se inac an Couple vonod oped BOA Opole Mahe eats Pah ae Cyan Positive Image interlayer Z CL Antihalation Layer These layers become colorless and transparent after processing The backing layer is coloriess a
5. ate indicated on the film package and process promptly after expo sure When loading and unloading roll film avoid direct sunlight If there is no shade turning one s back toward the sun will shade the film Handle sheet film in total darkness and do not touch emulsion surfaces The use of a safelight will cause fogging X ray equipment used to inspect carry on baggage at airport terminals can cause film fogging so both exposed and unexposed films should be removed for manual inspection Film fogging may occur near X ray equipment in hospitals factories laboratories and other loca tions Always keep film away from possible sources of radiation 8 FILM STORAGE Unprocessed Film e Storing exposed or unexposed film under high tem perature and humidity conditions will cause adverse speed color balance and physical property changes Store film under the following conditions OShort to medium term Storage Below 15 C 59 F 00008 Refrigerator OLong term Storage Below 0 C 32 F nc cevcdcccosraseriandneeees Freezer e Building material finishes used on newly manufac tured furniture paints and bonding agents may pro duce gases which affect photographic film Do not store film lightproof boxes of film loaded cameras or film holders under these conditions e Before use allow films to stand at room tempera ture over 3 hours for refrigerated film and over 6 hours for frozen film Long rolls such as
6. cess E 6 CR 56 gt 1 0 i a A a W Magenta OH we 0 5 thes Q V 0 0 500 Wavelength nm N Ceystei y The data herein published were derived from materials taken from general production runs However as Fujifilm is constantly upgrading the quality of its products changes in specifications may occur without prior notice 6s FUJI PHOTO FILM CO LTD 26 30 Nishiazabu 2 chome Minato ku Tokyo 106 8620 Japan Ref No AF3 036E EIGI 00 10 HB 5 4 Printed in Japan
7. e Fluorescent Lamps The use of the following combinations of color com pensating filters is advisable when photographing under fluorescent lighting For exacting work however test exposures are rec ommended because lamp make and age may af fect light output and color balance Exposure Time 1 4 second White Daylight Cool White Warm White W D CW WW 25M 20B30R 10M 35M N2 808 15M 10R 1 stop 1 stop 1 stop 2 1 3 stops Fluorescent Lamp Type Color Compen sating Filters Exposure Corrections Wratten Color Compensating Filters or Fuji CC Filters recom mended Exposure correction values include filter exposure factors These values are added to unfiltered exposure meter readings followed by number required increase in lens opening e Use 1 30 or slower shutter speeds For shutter soeeds longer than 128 seconds exposure ad justments will be necessary to compensate for reciprocity failure Tungsten Lamps A Wratten Filter No 80A or Fuji Light Balancing Fil ter LBB 12 is recommended along with a 1 23 lens stop increase when using 3200K tungsten lighting If household tungsten lighting room lamps etc constitutes the main source of illumination in addi tion to the above filter a Wratten filter No 82A or Fuji Light Balancing Filter LBB 2 is required plus an aperture increase of 1 3 stop total 2 stops Mixed Light Lamps Under mixed light conditions de
8. nd transparent both before and after processing but it is not provided with 135 size film O Coupler E gt Silver Halide Processing induced Dye 16 DIFFUSE RMS GRANULARITY VALUE Micro densitometer Measurement Aperture 48 um in diameter Sample Density 1 0 above minimum density FUJIFILM DATA SHEET e FUJICHROME PROVIA 100F Professional RDP III 17 RESOLVING POWER Chart Contrast Chart Contrast 1 6 1 1000 1 ee ee 60 lines mm Ses 140 lines mm 18 CHARACTERISTIC CURVES 4 0 Density D w FUJIFILM J if Exposure Daylight 1 50 sec Process leo RESIS 3 5 E ieareciitomeny Full PAO ais Sens 44 N 3 0 2 51 2 0 Red Green 3 0 2 0 1 0 0 0 1 0 Exposure log H lux seconds Response EMT ATS SS Process E 6 CR 56 1 5 10 20 50 100 Spatial Frequency cycles mm 200 19 SPECTRAL SENSITIVITY CURVES Process E 6 CR 56 Densitometry Fuji FAD 30S Status A Density 1 0 above D min 1 0 Red Sensitive Layer Green Sensitive Layer Blue Sensitive Layer Sensitivity log O O O 400 500 600 Wavelength nm Sensitivity equals the reciprocal of the exposure J cm required to produce a specified density 700 21 SPECTRAL DYE DENSITY CURVES Exposure Separated Light Pro
9. ng twilight scenes ae and portraits eee Wratten Filters Fuji Sharp cut Filter Fuji Light Balancing Filter not available in certain markets xx 4 Lens opening Electronic Flash Electronic flash produces light similar to daylight so filters are not needed However the possibility of undesirable effects on color balance due to various factors differences in equipment amount of use etc should be taken into consideration and test ex posure made The use of a flash meter is advisable but the follow ing formula can also be used to obtain satisfactory lens opening Lens ISO 100 Electronic Flash Guide Number Aperture At A f number Electronic Flash to Subject Distance meters or feet Set the film speed at ISO 100 Since the amount of light reflected onto the subject from surrounding surfaces will differ with the conditions refer to flash unit instructions Daylight Photoflood Photo Reflector Lamps Daylight tyoe photoflood or photo reflector lamp FUJIFILM DATA SHEET FUJICHROME PROVIA 100F Professional RDP III output tends to be lower than that indicated by an exposure meter so it is advisable to compensate for this by increasing exposure time or the lens opening Whenever possible test exposures are recommended Other factors requiring consideration when deter mining the exposure time are lamp configuration use duration and line voltage as they may affect lamp output and color balanc
10. rive the basic filter con figuration to suit the main light source In the case of cameras with TTL metering there is no need for addi tional exposure Compensation for any CC filter s used 5 LONG AND MULTIPLE EXPOSURE COMPENSATION No exposure correction or color balance compensation is required for exposures within a 1 4000 to 128 seconds shutter soeed range However for exposures of 128 FUJICHROME PROVIA 100F Professional RDP III FUJIFILM DATA SHEET seconds or longer reciprocity failure related color bal ance and exposure compensations are required Exposure time 1 4000 128 sec 8 min Color Compen sating Filter asc Recom mended None Exposure Corrections Exposure correction values include filter exposure factors These values are added to unfiltered exposure meter readings followed by number required increase in lens opening Multiple Exposures No exposure correction or color balance compensation is required for up to eight consecutive multiple expo Sures using an electronic flash 6 EXPOSURE PRECAUTIONS With artificial light such as electronic flash photoflood fluorescent tungsten mercury vapor etc the lamp out put and color temperature may be affected by such fac tors aS make age of equipment and line voltage Re flectors and diffusers can also influence light intensity and color temperature 7 FILM HANDLING e Expose film before the expiration d
11. tstanding tolerance to ex posure and density compen sation during processing within 1 2 stop to 2 stops resulting in minimal varia tions color balance and gra dation As with other FUJICHROME film worldwide processing available using E 6 CR 56 C6R chemicals E 6 CR 56 C6R Processing CR 56 is Fujifilm processing system equivalent to E 6 processing C6R is Fuji Hunt processing system equivalent to E 6 processing a Light Source Filter Daylight ISO 100 21 None Tungsten Lamps No 80A 3200K LBB 12 ISO 32 16 Indicates the effective speed resulting from designated filter use Wratten Filter Fuji Light Balancing Filter not available in certain markets Speed and color compensating filter values are in cluded in each of the sheet film boxes Use these values in exposure determination 3 FILM SIZES EMULSION NUMBER BASE MATERIAL AND THICKNESS Emulsion Number 135 36 exp 36 exp 5 roll and 20 roll packs 35mm x 30 5m 100ft Rolls 120 12 exp 12 exp 5 roll packs 220 24 exp 5 roll packs A Ney CO 2 1 Ca 001 10 sheets and 50 sheets 8 x 10 in 20 3 x 25 4 cm Sheets 10 sheets and 50 sheets 11 x 14 in 27 9 x 35 6 cm 10 sheets uck l oad aA lt Sm eaa 20 sheets Some sizes are not available in certain markets Base Material Cellulose Triacetate Base Thickness Rolls 1385 127um 120 104um 220 104um sheets
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